El Angel de Aurora - Capitulo 25
Category
🎥
Short filmTranscript
00:00The most important thing is for your aunt to trust me again.
00:03What good does it do me if she trusts you again?
00:06What good does it do me?
00:11Antonio told her things from the past.
00:14We've been kicked out of the house.
00:19I don't know what to do.
00:21I don't know what to do.
00:23I don't know what to do.
00:25I don't know what to do.
00:27I don't know what to do.
00:30She kicked us out.
00:31Well, she kicked me out, but if she kicks me out, I'm your mother and you're coming with me.
00:37There are many things from the past that you don't know.
00:39It's the past. It's the past. It's the past.
00:42You're sick of me, Isabel.
00:44Shut up.
00:45Because that past depends on you sitting in the presidential chair.
00:50Aurora's son may be alive.
00:54So you also fell for my aunt's madness.
00:58It's not madness.
01:00It's not an invention.
01:02They sent Antonio anonymously with the information that Gabriel is alive.
01:07It's a blackmail, nothing else.
01:09We are recognized people.
01:11Important people.
01:12Of money.
01:13There are always dogs behind us.
01:15No, son, but let's see.
01:18Okay, let's take off the masks.
01:21Aurora asked the detective of the association to make a portrait of Gabriel in my presence.
01:26And I had to pay him to deform that image.
01:30Why did you do that?
01:31For you.
01:33Because if Gabriel is still alive, they will take away what is yours by right.
01:39She only thinks about you.
01:40Okay.
01:44Demian.
01:46Aurora found out today that my dad ordered me
01:49to do a DNA test on the child and show it to Antonio to prevent the wedding.
01:55And not only that.
01:57Antonio told her that I was in love with him.
02:02What?
02:05So you cheated on my dad with Antonio?
02:09Oh no, no, no, no.
02:10Never, no.
02:11That was ...
02:12That was a madness of youth that didn't even belong to me and ...
02:16And it happened to me over time.
02:18No, it's a lie.
02:19It's a lie what you're saying.
02:20Please believe me.
02:22I'm doing all this to destroy Aurora, but ...
02:25But you're not helping me.
02:26You're putting me on your side.
02:28What?
02:29Mom, I'm doing ...
02:30I'm doing everything I have to do.
02:33I altered the documents along with Edgar
02:35so that my aunt would look like a stupid.
02:37What did you do?
02:38You saved her.
02:39And now you come and tell me that you want to destroy her?
02:44That you were my father-in-law's lover.
02:45Oh no, no, no.
02:46I was not Antonio's lover.
02:47Please understand.
02:49He didn't even listen to me.
02:53Of course.
02:54That's why my dad abandoned you.
02:56Surely he realized that you loved his best friend
03:00and that you were nothing more than a ...
03:02Shut up!
03:05Do you want to know the truth?
03:09Do you know why I left your dad?
03:13Because he was a murderer.
03:16What?
03:21A murderer.
03:24That's why they locked him up in a asylum.
03:31Your father killed your grandfather.
03:39Hello, Cesar.
03:42Aurora called me last night, but I couldn't hear her well.
03:45She was in a bar.
03:46And she told me that she wanted to talk to me.
03:49Aurora arrives later.
03:50I had to do some pending in the office,
03:52so I took the opportunity to get ahead.
03:55Already.
03:57Antonio.
03:58The albañiles who worked in the house
04:00in construction in Flores
04:02belonged to the same construction company
04:06that was fixing the camper mansion?
04:10No.
04:11Because I remember it was not the same construction company.
04:13But I'm sure they knew each other.
04:22I don't believe you.
04:25Everything you've done in your life is to manipulate, Isabel.
04:29What you say is not true.
04:30You just want to hurt me.
04:31Son.
04:33Son.
04:34My son, my son.
04:36Please.
04:39Do you think I could make up something like that?
04:45And if you don't believe me, ask him.
04:47Or ask Antonio.
04:49Or ask Aurora herself.
04:54Don't touch me.
04:55Mom.
04:56You're hurting me, Daniel.
04:58You're hurting me.
05:05Son.
05:08I'll always take care of you like when you were little.
05:12Like I've always done.
05:16If I'm with you, I promise you that no one will ever hurt you.
05:22Do you think that if your dad were a good man,
05:26I would have kept you away from him?
05:28I would have kept you away from him.
05:35Demian, your dad has always lived in the dark.
05:37That's why I've never wanted him to be close to you.
05:41I'm going to go.
05:56He sent me to make this portrait to get an idea of
06:00what my current son Gabriel would be like.
06:04I think he has an idea.
06:08What are you doing here?
06:10Demian, this is the last time you come in without touching my office.
06:16Angel is going to start working from today in this company.
06:21He's going to be with Brianna in the human resources area and he's going to support us with some projects.
06:27I need to talk to you alone.
06:30Yes.
06:32Demian, are you okay? Did something happen to you?
06:36Thank you for worrying about me, Ernesto.
06:38I just have to talk to my aunt.
06:44I already told you with Mr. Cesar.
06:46Those documents of the construction company stayed at my grandmother's house.
06:49That's where I finished my studies.
06:51And at that time, I had everything at home.
06:54It is essential that we have access to them.
06:57Well, look, I returned it to my grandmother's house.
07:00She sent all my things to Mexico City.
07:04Antonio, is it necessary to go to the flowers and check if there are still documents there?
07:09Look, I know it would be almost a miracle, but if we find the list of the workers who worked at that time in the construction company...
07:17Look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look. I can try.
07:20Yes. But it's a fact.
07:22I found a paper 30 years ago with the records of those workers. It's almost impossible.
07:27The two constructions had construction teachers who carried the baton of their workers.
07:32Well, then we can start there.
07:34No, I don't understand. How?
07:36Look, I don't want to get ahead of myself.
07:38But if you manage to find that list, we can give it to the people who are in charge of Aurora's case.
07:44Let them interview all the workers.
07:47Those of the two constructions.
07:49That means that if all the workers knew each other, and those of the house completely denied the fact,
07:57then those who worked in the mansion are or were exempt from all responsibility and were not investigated.
08:06Exactly.
08:07That's it. There it is.
08:14Is there anything I can help you with, Demian?
08:17I want...
08:20I want to know if it's true that my father killed my grandfather.
08:28Who told you that?
08:29It doesn't matter. It doesn't matter. I need to know if it's true.
08:35Apparently, yes, Demian. But there's a lot of that story that we don't know.
08:42What? What do you mean, apparently? We're talking about a murder.
08:47Look, if your father was the one who told you, he's the one who has to explain it to you.
08:52And I'm not in a position to be able to explain anything to you.
08:55But it wasn't Fabricio. My mother told me.
08:59Well, neither your mother, nor I, nor anyone else has the right to tell that story other than your father.
09:21It even seems that the devil had cried.
09:23Demian Angel. And yes, but he wasn't well. I saw it too.
09:31I understand why you defend him like that.
09:37Do you love him, Elena?
09:40Why do you ask me that?
09:45Because I bring you here.
09:50And also here.
09:54I can't look at your lips, your face, your look when we kiss.
10:03I feel that my whole body is impregnated with you.
10:09Brena showed me a video where Demian was kissing.
10:16I want you to explain to me why you did it.
10:18I want you to explain to me why you did it.
10:20One of the reasons why I ended my relationship with Demian was to question every step I took.
10:28I don't want to fall into the same Angel.
10:31So, did you kiss him?
10:34No, I didn't, but if so, I'm a free woman and we're just friends.
10:43How cool that you clarify it to me.
10:48Friends don't kiss.
10:51Besides, you have a matter with Breana that I don't intervene.
10:55In the hospital you were hugging and when we saw each other, you didn't tell me I was still at your house.
11:01Your sister and I are nothing.
11:04Look, Angel, if we're going to work together, it's better than ...
11:09What? What, Elena?
11:10What? What, Elena?
11:12That we forget the kisses we gave each other?
11:15They didn't mean anything to you either?
11:21At this moment I can remember what you make me feel.
11:25Angel, they told me you were here.
11:28They're already putting a laptop in your cubicle and they're configuring it.
11:34Am I interrupting?
11:36Angel, can you give me a moment with Breana?
11:38I need to talk to her.
11:40I'll call you in a few minutes so we can start working.
11:43Yes, dad.
11:47Angel, are you going to work together?
11:50What video of mine and Demian did you show Angel?
11:59The photo of Gabriela Adulto is already on the association's page.
12:03It is also on the different delegations of the state.
12:05We have shared it with authorities from other states of the republic.
12:09We have not received a response from the US embassy
12:13regarding the appointment we requested with them.
12:16At the time we resorted to Interpol
12:19and unfortunately they did not find anything.
12:22If your son is in another country, it makes things very difficult.
12:26Even with external help.
12:28With this photo, there is a higher probability of finding it.
12:32So I'm going to need a daily report on the progress.
12:37Another line of investigation is going to open externally.
12:41What do you mean externally?
12:43A person who has come to me is going to hire a specialized investigation agency
12:49in cases like mine.
12:51As soon as everything is ready, I ask you to interview them.
12:55To share all the information you have about my son.
13:03I showed him a video that Demian uploaded to his Insta, why?
13:07What's wrong with it?
13:09Sorry, but I don't understand why Angel couldn't see photos or videos of you with your boyfriend.
13:15Unless you have something with him.
13:17No, I don't have anything with him, Brena.
13:19I just don't like that you're teaching him things about my private life.
13:23Well, you should make that complaint to Demian.
13:26Why don't you tell him that you don't like that he's posting his affective demonstrations with you?
13:29Because you don't like that Angel sees them.
13:35Don't be silly, Cis.
13:37Nobody takes my mind off the fact that you asked Demian for some time because you like Angel.
13:42That's not true.
13:44You know that Demian could be very hurtful in our relationship.
13:48For so many years together, he had never bothered you until Angel arrived?
13:52That was a coincidence.
13:54It was already a very toxic relationship.
13:56Well, I think it's a very angelic coincidence.
14:00No.
14:02It looks like you're the jealous one.
14:04Well, yes, but the difference between you and me is that I'm single and you're with Demian.
14:09Little angels are from very, very different worlds, Elena.
14:14If you really appreciate it,
14:17don't get your hopes up to vote for him when you realize it's not what you want.
14:35Brother, brother, tell me what happened now.
14:38Please.
14:42Demian.
14:48I'm talking to you.
14:50Hey, hey, hey.
14:51Hey.
15:21I already told Aurora that we're going there and I asked her to wait for us.
15:25That's good.
15:27I hope Aurora agrees to interview the investigator.
15:30She will accept your help, she already told me.
15:32Antonio, I want to make something clear with you.
15:35Aurora and I are starting a relationship.
15:38I want to marry her.
15:40I'm supporting her in everything.
15:42But that doesn't mean that I'm going to allow you to take advantage of your approach to seduce her.
15:48But right now the most important thing is to help Aurora.
15:52And we must be united.
15:55What I feel for her is out of your control, Julio Cesar.
15:59By the way, did you tell her that you are a millionaire?
16:02Yes, yes, I already told her and I didn't give her much importance.
16:05Well, what we are doing goes far beyond what we feel for Aurora.
16:09Yes, but at that moment you didn't care that she had a child.
16:12You left her alone at the mercy of her father.
16:14I'm not going to rest until I find Gabriel.
16:18And so pay him for the lowly thing I did.
16:23I swear to you for my life that I will do so.
16:33Angelito, the marketing manager wants you to go to her office.
16:38Right away.
16:45Oh, sorry.
16:50Oh, at last a big man around here.
16:54This one did change it for her.
16:59Here you have.
17:01What?
17:03Did you already give yourself the color of what you mark this filth?
17:07For this cheap cell phone they are not going to give us three pesos.
17:10For this cheap cell phone they are not going to give us three pesos.
17:14Look, partner, if you want to do business, you have to put more effort into it.
17:18You have to get three cell phones a day.
17:21But that's a lot and not everyone brings a good cell phone to school.
17:25But that's a lot. It's a matter of you applying.
17:28Go to other rooms, right?
17:31And when they are playing there at the break,
17:33then, then, pick it up and qualify it straight to the backpacks.
17:36Did you want money?
17:37Did you want money?
17:39If this counts as what I already gave you.
17:42So, you are caperuzo, right?
17:46Yes, yes.
17:48What are you doing here?
17:50What do you care?
17:52Eat cake with your sister the fat one and the knife that cuts it.
17:55And you paint?
17:57What do you bring with the kids from the neighborhood?
18:00I knew we were going to find you here, kid.
18:03Since last night we've been looking for you, we've been calling you.
18:07Let's go.
18:09Do you know who we have to break his browser to?
18:13Ángel.
18:20Make a scheme to evaluate if all these brands are viable for the parade.
18:25What are you doing?
18:27And how many brands do you have contemplated to participate?
18:30So far, the ones that interest me the most are three.
18:33Which are the ones that are always up to date with the change of season.
18:35In addition, Mrs. Aurora is interested in including some regional brands.
18:40And that is a very cool idea.
18:42The first thing is to give a very catchy name to the parade.
18:45It can be the fashion festival.
18:50Or the fashion that suits you.
18:55So you can go with the brands and present them an estimate in sales.
18:59Because here the idea is that everyone wins, right?
19:01Uh-huh.
19:02And how about if the state is invited to do a live?
19:06And they could model from there.
19:08It could be Tamaulipas. I already have some friends there and maybe they'll hire us.
19:12It's a place called La Pesca. Do you know it?
19:15The thing is that the brand can participate from there and so we save the budget.
19:19We tie up a client for the next one.
19:22Well, let's do it, it's a good idea.
19:25I would like to talk to Mrs. Aurora.
19:27So I want to leave a couple of hours earlier.
19:29Today is the procession of Saint Judas and I promised I was going to go.
19:32I don't think there's a problem.
19:37Come with me.
19:39You already told me that we are only friends.
19:42But I love being with you.
19:46Thank you, Ángel, but I have a lot of work.
19:50Excuses.
19:52If you go, I'll know that you feel something for me.
19:55And if not, then I won't even move.
19:58Hello.
20:00Hello.
20:02And now?
20:04Are we going to do a new commercial?
20:06No, Ángel came to work in human resources in the area of development and sales.
20:13With Brianna?
20:15No, well, you are neither together nor separated.
20:18Just remember what I told you.
20:20Don't tell me anything.
20:22She invited me to her colony and she invited me to her house.
20:25She invited me to her colony to a procession and I don't know what to do.
20:30Let's see, friend.
20:32If you just love him, you know.
20:35I don't judge, he's handsome.
20:37But if you're looking for something serious with him, then I have to say no to work.
20:55Ángel.
20:56Ángel.
20:57Ángel.
20:58Ángel.
20:59Ángel.
21:00Ángel.
21:01Ángel.
21:02Ángel.
21:03Ángel.
21:04Ángel.
21:05Ángel.
21:06Ángel.
21:07Ángel.
21:08Ángel.
21:09Ángel.
21:10Ángel.
21:11Ángel.
21:12Ángel.
21:13Ángel.
21:14Ángel.
21:15Ángel.
21:16Ángel.
21:17Ángel.
21:18Ángel.
21:19Ángel.
21:20Ángel.
21:21Ángel.
21:22Ángel.
21:23Ángel.
21:24Ángel.
21:25Ángel.
21:26Ángel.
21:27Ángel.
21:28Ángel.
21:29Ángel.
21:30Ángel.
21:31Ángel.
21:32Ángel.
21:33Ángel.
21:34Ángel.
21:35Ángel.
21:36Ángel.
21:37Ángel.
21:38Ángel.
21:39Ángel.
21:40Ángel.
21:41Ángel.
21:42Ángel.
21:43Ángel.
21:44Ángel.
21:45Ángel.
21:46Ángel.
21:47Ángel.
21:48Ángel.
21:49Ángel.
21:50Ángel.
21:51Ángel.
21:52Ángel.
21:53Ángel.
21:54Ángel.
21:55Ángel.
21:56Ángel.
21:57Ángel.
21:58Ángel.
21:59Ángel.
22:00Ángel.
22:01Ángel.
22:02Ángel.
22:03Ángel.
22:04Ángel.
22:05Ángel.
22:06Ángel.
22:07Ángel.
22:08Ángel.
22:09Ángel.
22:10Ángel.
22:11Ángel.
22:12Ángel.
22:13Ángel.
22:14Ángel.
22:15Ángel.
22:16Ángel.
22:17Ángel.
22:18Ángel.
22:19Ángel.
22:20Ángel.
22:21Ángel.
22:22Si, la ve.
22:24Ich warte!
22:26Adios, amigos.
22:28Adios.
22:29Adios.
22:30Señor Aurora, eh, no le quiero quitar mucho tiempo.
22:31Solo vine a decirle que ya estoy trabajando con Elena en lo del proyecto que me pidió.
22:35Ay, que bien.
22:36Híjole, es que no quiero que piense que estoy aguantando su confianza.
22:39Pero fíjese que hoy hay misa de San Judas en el mi barrio y prometí que iba a estar
22:42ahí.
22:44¿Eres muy devoto de San Judas?
22:45Si, la neta si.
22:46Give me a chance to go to mass and be in the procession for a while.
22:51I'll come and I'll be right back.
22:53And if you want, I'll cover the time it takes me on the weekend.
22:56There's going to be a procession?
22:57Yes.
22:58It's in Vitellina, but it's the one that has a lot of work.
23:01The one that's going to be...
23:02Briana.
23:05Aurora!
23:11Aurora, my love!
23:16What if you let me give you a ride?
23:19Really?
23:20Yes.
23:21Yes?
23:27Liza, Alberto, you'll be able to talk to Jess in a moment.
23:30Okay.
23:32And can I have Miss Briana?
23:35Yes, of course.
23:38Hello.
23:40How dare you look at me like that?
23:42Don't you know who I am?
23:43I'm the first actress Patricia Gil.
23:46Of course you know me.
23:47Well, I don't know if it's first, second, or third actress.
23:50I just know it's Briana's mom.
23:52Look, insolent.
23:54I'm the best friend of Yesabel Campero
23:56and Elena's mother, the fiancée of the owner of this company.
24:00So keep your distance because you and I are not the same.
24:03Well, nice to meet you.
24:05What a nice introduction.
24:06But the truth is that I'm very busy.
24:08Let me know with Yesabel if you don't want to be kicked out.
24:13Indeed, the Campero Corporation offers a series of benefits
24:18aimed at the health of its employees and employees.
24:22It is a tax-deductible benefit that offers you a plan to measure,
24:26but you are not a candidate.
24:29There is another one where you can make a payment,
24:31but honestly, I don't see it.
24:33There is another one where you can make a payment,
24:35but honestly, I don't see it.
24:36I'm sorry to interrupt you.
24:38Can you make me a loan or not?
24:41No.
24:42I really need it, Miss Briana.
24:45Please, really.
24:47As I told you, you have to check if you are a candidate.
24:50But to be very honest, I see it very complicated.
24:56Did you come with your dad?
24:57No, my dad went out with Antonio Murrieta.
25:00With Antonio?
25:02Well, surely it's business, right?
25:05When we were in the car, I was talking to Aurora about something else.
25:08What?
25:09Construction, cobblestones, I didn't understand well.
25:14Excuse me, is the actress of the third Patricia Gil out?
25:20Tell her to wait for us.
25:21A few minutes.
25:26Hey, tell me something.
25:28I would like us to eat together.
25:32Yes.
25:33Yes?
25:35What?
25:39Thank you very much.
25:41Julio.
25:42Hello.
25:43I was going to call you.
25:44Nice to see you, Mr. Murrieta.
25:47Hello.
25:50How are you?
25:51There was hellish traffic for a demonstration.
25:54We have to talk, Aurora.
25:56Yes, I know.
25:57Julio Cesar already told you.
26:01Look, I'm going to take Ángel to his house.
26:03Do you think if you accompany me, we leave them and from there we are going to eat?
26:07Yes, Mrs. Aurora is going to give me a snack.
26:10I'm going to the procession of San Judas.
26:12Don't you want to come?
26:13I promise you that you will love it.
26:15Procession?
26:16Yes.
26:18Hello.
26:19Daughter.
26:27Son, I wasn't expecting you.
26:29I'm glad you came to see me.
26:32You arrived on time because I was about to leave to the construction company.
26:38All right, son?
26:41Is it true that you killed your own father?
26:44Did you tell your employee that you were only going to be a few minutes late?
26:47I've been waiting for you for more than an hour.
26:49Isabel.
26:50Well, I had a very important meeting, but I canceled it to receive you.
26:56I'm sorry.
26:57It's okay.
26:58It's okay.
26:59It's okay.
27:00It's okay.
27:01It's okay.
27:02It's okay.
27:03It's okay.
27:04It's okay.
27:05It's okay.
27:06It's okay.
27:07It's okay.
27:08It's okay.
27:09It's okay.
27:10It's okay.
27:11It's okay.
27:13What are you playing at?
27:16You're or you're not my friend.
27:20Let's see if you mean the statement I made that everything was with wisdom.
27:26I have to be on my sister's side.
27:30I know why you hate Aurora.
27:38Give me a son.
27:39I don't want to talk about this anymore.
27:40But I do.
27:41¿Me mataste o no, papá?
27:43No vales nada, Fabricio.
27:50Hubiera preferido que nacieras mujer.
27:54Por lo menos, te vendería como sirvienta o prostituta.
28:00Pero como hombre, no sirves ni para levantar un fusil.
28:06Eres débil.
28:09Jamás serás como yo.
28:12Y aunque esté postrado en esta cama...
28:14¡Cállate!
28:15Todavía te puedo colgir.
28:17¡Que calles, papá!
28:18La culpa la tuvo tu madre por tenerte pegado a sus faldas.
28:24¡Cállate! ¡Cállate! ¡Te odio! ¡Cállate! ¡Cállate! ¡Cállate!
28:38¿Lo maté?
28:41¿Lo maté?
28:43Por eso estoy aquí.
28:45Quiero evitar que tú tengas el mismo destino
28:48y acabes matando a tu madre.
28:54Yo no odio a Aurora.
28:56Mi hermana necesitó de mi ayuda.
28:58Ay, no, ya, por favor, ahórratelo.
29:00Tú la odias porque estabas enamorada de Antonio
29:03y no pudiste quitárselo.
29:06No, tú estás loca, ¿verdad?
29:08¿De dónde sacaste semejante tontería?
29:11Y si me vienes a decir chismes,
29:12mira, con la que estás sentada ahí afuera,
29:13con Cassandra, ya es suficiente.
29:15¿Dónde está el hijo de Antonio y Aurora?
29:17No sé, ¿de quién estás hablando?
29:19Ya, no te hagas la punta.
29:21Se llamaba Gabriel y tú lo desapareciste.
29:23¿Qué hiciste con él, amiga?
29:33Vamos.
29:36Qué bueno que sí se animaron a quedarse, ¿eh?
29:39Ahí con el carro no hay rollo.
29:41Ahí lo puede dejar.
29:43Además van a dar, este, tamales, atole.
29:46¡Qué rico!
29:47Arroz con pollo, frijoles y charros.
29:49Ay, mira.
29:50Todo está buenísimo.
29:51Gracias.
29:52Y de agrafa, pues, hasta las patadas, ¿no?
29:54Muchas gracias, Ángel,
29:55pero la verdad no creo que nos podamos demorar.
29:57Bueno, yo sí me quiero quedar, la verdad.
30:01Por Dios, nuestra junta puede esperar un par de horas.
30:04Además, yo sé cómo te gustan las posesiones, Aurora.
30:06Me encantaría disfrutar tu cara viendo esta.
30:09Sí, sí quiero.
30:11Vamos.
30:12Yo no sé, pero los documentos que tenemos ahí pendientes
30:16los deberíamos revisar.
30:18Es importante.
30:19¿Qué opinas?
30:21Sí, pero vamos ahorita a la policía.
30:25¡Ahora sí, mi gente!
30:27¡Ya vamos a empezar!
30:28¡Sí!
30:31¿Qué, hombre?
30:33Oigan, están muy apachurrados.
30:35Oigan, si no es velorio, órale, métale injundia.
30:39Ahí viene mi carnal.
30:41Ángel, aquí estamos.
30:43Aquí está mi familia.
30:45Jefa.
30:48Vénganse.
30:50Vénganse, va.
30:52Hola.
30:54¿Se quedan a comer?
30:55Está bien rico todo.
30:56Sí, verdad.
30:59Yo sí me quedo un rato y después me regreso.
31:02Me quedo con Ángel.
31:03Sí, ok, bueno.
31:29¡Se ve! ¡Se siente! ¡San Juan está presente!
31:33¡Se ve! ¡Se siente! ¡San Juan está presente!
31:37¡Se ve! ¡Se siente! ¡San Juan está presente!
31:41¡Se ve! ¡Se siente! ¡San Juan está presente!
31:45¡Se ve! ¡Se siente! ¡San Juan está presente!
31:48¡Se ve! ¡Se siente! ¡San Juan está presente!
31:51¡Se ve! ¡Se siente! ¡San Juan está presente!
31:54¡Se ve! ¡Se siente! ¡San Juan está presente!
31:57¡Se ve! ¡Se siente! ¡San Juan está presente!
32:00¡Se ve! ¡Se siente! ¡San Juan está presente!
32:03¡Se ve! ¡Se siente! ¡San Juan está presente!
32:06¡Se ve! ¡Se siente! ¡San Juan está presente!
32:09¡Se ve! ¡Se siente! ¡San Juan está presente!
32:12¡Se ve! ¡Se siente! ¡San Juan está presente!
32:15¡Se ve! ¡Se siente! ¡San Juan está presente!
32:18¡Se ve! ¡Se siente! ¡San Juan está presente!
32:21¡Se ve! ¡Se siente! ¡San Juan está presente!
32:25I screwed you up.
32:31Chale, what's up? Don't do that.
32:34Oh, I couldn't resist. Did it bother you?
32:37No, no, I mean...
32:39Yes, I don't know. I just don't want things to get misinterpreted between us.
32:43Because of Elena.
32:45And Chale, well, he didn't come.
32:48It wasn't cool, but we'll talk later.
32:55¡Santa María! ¡Atención!
33:01Elena?
33:03¿Vino?
33:05Elena vino, pero ya se fue.
33:07Ah, ya. Yo creo que es mejor que nos vayamos ya, ¿sí?
33:10No, yo me quiero despedir de Ángel, pero ya no lo veo.
33:13Lo puedes ver allá en la empresa. Mira, la información que tenemos no puede esperar. Vamos.
33:17Pues bueno, está bien. ¿Nos vamos?
33:20Sí, vamos.
33:24¡Se ve! ¡Se siente! ¡San Juan está presente!
33:28¡Se ve! ¡Se siente! ¡San Juan está presente!
33:32¡Se ve! ¡Se siente!
33:35Todo lo escuché en el cuarto de Fabricio, así que por favor no me vayas a mentir.
33:40Bien sabemos de qué pie cogíamos las dos.
33:43No, de qué pie cogerás tú.
33:45¿Por qué no mejor me dices qué hacías en el cuarto de Fabricio?
33:51Mejor no me cambies el tema.
33:53¿Sí? ¿Te estás acostando con él?
33:56Ay, tú no pierdes el tiempo.
33:58Ya, ya, ya. Sé lo que tratas de hacer y no voy a caer.
34:01¿Por qué no mejor me respondes?
34:03¿Te deshiciste del hijo de tu hermana, sí o no?
34:06Porque ese hijo se llama Gabriel.
34:08Y a Antonio le hablaron para decirle que no era hijo de él.
34:14Lo que pasó con el hijo de Aurora para ti es el secreto más grande de la familia Campero.
34:21Pero te lo voy a contar para que dejes de dudar de mi amistad.
34:25A ver, ¿cómo no quieres que dude?
34:27Primero me pides que le haga un escándalo a tu hermana y luego sales a humillarme en Televisión Nacional.
34:34¿Cómo no?
34:35Sí, sí, tienes razón.
34:37Tienes razón, pero nuestros años de amistad valen más que todo eso.
34:42Y tú sabes por qué hice así las cosas.
34:45Solo necesito que confíes en mí, por favor.
34:48¿Por qué no me gusta que juegues conmigo?
34:50Que me manipules, que me enredes.
34:52Porque yo soy bien lista, Isabel.
34:54Porque cuando tú vas, yo ya vengo.
34:57Ya sé, ya sé, amiga.
34:58Por eso tú eres inmune a mis manipulaciones.
35:01Porque eres mi mejor amiga y...
35:04Y te voy a contar todo.
35:05Nada más que...
35:07Por favor...
35:10Júrame que de aquí no sale todo lo que te voy a decir.
35:14Júrame que de aquí no sale todo lo que te voy a decir.
35:16Yo lo maté y no quiero que mates.
35:17Yo no voy a decir...
35:18Yo lo maté y no quiero que mates.
35:19Yo no soy un asesino, tranquilízate.
35:21Yo no soy un asesino, ya.
35:26Mi padre me hizo mucho daño.
35:28Quería que matara animales.
35:31Y cuando me negaba, me castigaba.
35:34Me castigaba hincándome en el medio del cuarto.
35:37Sosteniendo vigilos en mis manos.
35:43Pero...
35:44Mi padre era militar.
35:46Esperaba que yo fuera igual que él.
35:49Cuando se dio cuenta que yo no tenía la vocación.
35:53Se dedicó a maltratarme.
35:57Era un hombre sin corazón.
35:59Casi no estaba en la casa.
36:00Pero cuando estaba, todo, todo era terror.
36:03Azotaba a todo el mundo.
36:06Hasta a tu abuela, hijo.
36:09Yo...
36:10Día...
36:11Me cansé de que me castigara.
36:13De que se metiera en mi cabeza.
36:17Y lo maté.
36:19Lo maté.
36:21Lo maté, hijo.
36:23Traté...
36:25De refugiarme en la relación con tu madre.
36:27Pero...
36:28Pero los ataques no cesaban.
36:30No cesaban.
36:31No cesaban.
36:32Así que cuando me separé de ella...
36:35Me enterraron en un psiquiátrico.
36:38Hijo.
36:39Hijo, no me abandones, por favor.
36:41Hijo, no me tengas miedo.
36:43No te me acerques.
36:44No te quiero volver a ver.
36:46Hijo, por favor.
36:47No te quiero volver a ver, por favor.
36:48No me abandones, no.
36:49No me abandones, no.
36:51Hijo.
37:06Elena.
37:07Ay.
37:08Te estaba buscando.
37:09Dejé el coche estacionado a su parte.
37:11¿Estás bien?
37:18¿Qué tienes?
37:19¿Qué pasa?
37:20¿Qué pasa?
37:22Ángel, no es lo que yo pensaba.
37:25Estoy seguro que algo pasó con Angela.
37:28Yo sé lo que le pasó.
37:30Vio a Ángel besándose con Briana y por eso se fue.
37:33Pero eso no tiene por qué afectarle.
37:35Bueno, a menos que ya no sea novia de Demián.
37:40¿Qué?
37:41¿Qué?
37:42¿Qué?
37:43¿Qué?
37:44¿Qué?
37:45¿Qué?
37:46¿Qué?
37:47¿Qué?
37:48¿Qué?
37:49¿Qué?
37:50¿Qué?
37:51¿Qué?
37:52¿Qué?
37:54Oye.
37:55Me encanta eso del muchacho de los abrazos.
38:00Bueno, volviendo al tema,
38:02pues se supone que Elena y mi sobrino se están dando un tiempo.
38:05Yo me acabo de entrar de eso.
38:07Los jóvenes de ahora saben.
38:10Mucha curiosidad.
38:12¿Por qué estás tan interesada en ese muchacho de los abrazos?
38:16Porque ese muchacho tiene la misma edad que tendría Gabriel.
38:20Por eso.
38:21Sí.
38:22No sé.
38:23Hay algo en él que me recuerda mucho a mi hijo.
38:26Eso lo entiendo.
38:28Pero no puedes abrir tanto las puertas.
38:31No sabemos cómo sea en realidad.
38:34Pero ¿por qué debo de tener cuidado?
38:37Se ve que es un muchacho bueno,
38:39un muchacho que quiere mucho a su familia.
38:41Sí, pero caras vemos.
38:45A mí me cae muy bien.
38:47El chavo este, el muchacho, no tiene pinta de delincuente.
38:50En absoluto.
38:57Y pues eso es todo lo que te puedo contar, amigas.
39:00Es la verdad.
39:02¿En serio hizo todo eso tu papá?
39:05La realidad supera la ficción.
39:08Le voy a decir a los escritores
39:10que para la próxima novela que yo...
39:12A ver, a ver, lo primero que te estoy pidiendo
39:14es que guardes el secreto y...
39:16¿Y tú nada más piensas en contárselo a todo el mundo?
39:19Es una gran historia.
39:21Bueno, a los mejores guionistas se les hubiera ocurrido...
39:24Patricia, estás hablando del momento más doloroso de mi familia.
39:28No es un cuento de hadas.
39:30No metes tu novela y tu circo aquí.
39:33Por todo esto que te acabo de contar,
39:35mi hermana vive una obsesión y que raya en la locura
39:38y cree que su hijo vive.
39:41Nada más que si así fuera ya lo hubieran encontrado.
39:45Sí, perdón. Tienes razón.
39:48Y Aurora se acercó de nuevo a Antonio
39:51para contaminarlo con toda esta locura.
39:54Para envolverlo con todas sus culpas
39:56y sus fantasmas del pasado porque...
40:02Lo sigue amando.
40:08Hermanas, hermanos, nos hemos reunido aquí
40:11para celebrar como todos los meses
40:14a nuestro santo patrono, San Judas Tadeo.
40:17Diosito, Virgencita, San Juditas
40:20y todo aquel que me está escuchando,
40:22les pido por favor que me ayuden con mi jefecita.
40:25Les juro que voy a cambiar,
40:27pero por favor no me la dejen sola.
40:30Jesucristo nunca nos abandona.
40:32A él gloria por los siglos de los siglos.
40:35Amén.
40:37Voy a trabajar más duro, voy a ayudar más al prójimo,
40:40pero sobre todo ya no me voy a pelear con nadie.
40:43No soy quien para pedirte esto,
40:45pero si está en tu plan divino, cura a mi madre de todo mal.
40:54Anita, ¿no viste a Elena?
40:57No, ¿qué va a venir?
41:00No sé, por un momento pensé que sí.
41:03Esto solo quiere decir que no le interesa.
41:08Papá, me tengo que ir.
41:12Espérame, chico.
41:23¿Se piden que haga con el barrio?
41:26No, últimamente han estado muy juntitos,
41:28pero seguro que se van a ir hasta las chalpas.
41:30Tú tranquilo, papás.
41:32A ver si entregan los cajes, por favor.
41:34Si no, lo van a pedir a los suyos.
41:38Hola, mi angelito.
41:41Bien al gobierno.
41:50Es que lo sabía, lo sabía.
41:52Y todavía los cínicos me llamaron loca.
41:56Ay, amiga, tienes que ayudarme, por favor.
41:59Y mira, si te estás acostando con Fabricio,
42:01te lo juro que no me importa,
42:03porque él ya no significa nada para mí.
42:05Bueno, solamente fue una vez y ya.
42:10Si no pasa uno, nos vamos a la base.
42:12Te acompaño.
42:13Ok.
42:14Y me esperas ahí, ¿no?
42:17¿Qué traes, angelito?
42:20¿Adónde con tanta prisa, carnal?
42:22Siempre que te vemos traes morra diferente.
42:25¿De dónde la sacas o qué?
42:26Ya déjanos algo, carnal.
42:28Los tienes bien hambriados.
42:29No quiero broncas, carnal.
42:31Déjame pasar y hacemos como si nada.
42:33¿Y ahora qué, angelito?
42:35¿Ya te cortaron las alas o por qué tan mansito?
42:37No saco yo, ángel, y usted se la cree.
42:39Sí, no le saques.
42:40A menos que quieras que le enseñemos a tu roca
42:42lo que es un hombre de verdad, ¿eh?
42:44Ya les dije, banda.
42:45No quiero pleitos, aquí la dejamos.
42:47Le voy a amarrar cara a una patrulla.
42:48Uy, sí, sí, sí.
42:49Llámale, llámale.
42:50No, ángel, no.
42:51Venga, para.
42:52No, no, no.
42:53Ángel, cállate.
42:54No, no.
42:55No le pegues.
42:56No, no, suélteme.
42:57¡Mierda!
42:58¡Tú te callas, muera!
42:59Callada.
43:00Así, qué bonita.
43:02¡Si ves, si ves!
43:03¡Pásale!
43:04¡Pásale!
43:06Mierda.
43:07Mierda.
43:36Mierda.
43:37Mierda.
43:38Mierda.