• 2 months ago
منة شلبي,منة شلبي على dmc,منة شلبي مع إسعاد يونس,أعمال منة شلبي الفنية,لقاء مع منة شلبي,سبب رفض منة شلبي الزواج,منة شلبي في صاحبة السعادة,منة شلبي تتحدث عن محمد صلاح,منة شلبي تتحدث عن رامي مالك,منة شلبي لقاء,منة شلبي نوارة,منة,منة شلبي وأحمد حلمي,منة شلبي snl,منة شلبي وأحمد السقا,منة شلبى,منة شلبي snl بالعربي,تكريم منة شلبى,أزمة منة شلبي,أخبار منة شلبي,افلام منة شلبي,منة شلبي في snl,مسلسل منة شلبي,أحداث منة شلبي,منة شلبي الجديد
عمرو سعد,أحمد سعد,احمد سعد,خفة دم عمرو سعد واحمد سعد,عمرو سعد واحمد سعد,عمرو سعد و احمد سعد,عمرو سعد في بيت السعد,أحمد سعد وعمرو سعد,النجم عمرو سعد,عمرو سعد التوبة,عمرو سعد واخوه,احمد حلمي و عمرو سعد,أحمد سعد بيت السعد,اغاني احمد سعد 2024,اغنية احمد سعد الجديدة,بيت السعد,احمد سعد حفلات,اغاني احمد سعد,اختياراتي مدمره حياتى احمد سعد,برنامج بيت السعد,عمرو سعد توبة,افلام عمرو سعد,برنامج عمرو سعد واحمد سعد,مسلسلات عمرو سعد,احمد سعد واصاله
بيت السعد,برنامج بيت السعد,أحمد سعد بيت السعد,مشاهد بيت السعد,بيت السعد برنامج,نجوم برنامج بيت السعد,عمرو سعد في بيت السعد,ضيوف برنامج بيت السعد,ابطال برنامج بيت السعد,مي عمر في بيت السعد,أحمد السقا,حظى من السما,#بيت_السعد,سعد,السعودية,النجم عمرو سعد,الفنان عمرو سعد,المطرب احمد سعد,عمرو سعد التوبة,أحمد سعد,احمد سعد,عمرو سعد,احمد سعد بالبورد,جت الملوك,محمود سعد,أحمد زاهر مع اسعاد يونس,اغنية احمد سعد الجديدة,الوطن العربي,احمد سعد نغزة

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😹
Fun
Transcript
00:00The doorbell is ringing.
00:04Why are you walking from here?
00:06Don't come from here, you Arab.
00:08Here's the police station.
00:09May God make him go to hell.
00:11Where did he come from?
00:13What do you mean?
00:14I came before you.
00:15This isn't the police station.
00:17There's something wrong with this house.
00:18This is supposed to be a palace.
00:23Wow!
00:24Wow!
00:25Wow!
00:26Wow!
00:27Wow!
00:28Your guest.
00:29Your guest.
00:30My love.
00:31How are you, sir?
00:32Sir?
00:33You look old.
00:34Umar.
00:35Come in.
00:36Umar.
00:37Umar.
00:38God bless you.
00:39How are you, my love?
00:40How are you?
00:41How is life?
00:42What's in the house?
00:43What's in the house?
00:44What is this tea, umar, and honey?
00:45Why, Hameda?
00:46I know it's great.
00:47It smells great.
00:48Why, Hameda?
00:49Thank God.
00:50Thank God.
00:51Everything is full.
00:52Did you close the door properly?
00:55Yes.
00:56Who is it?
00:57I'm going to tell you something.
00:58Tell me, my love.
00:59Let's get into it.
01:00Let's go.
01:01We've been talking about you for two days now.
01:03For good.
01:04It's true.
01:05One of our guys, Amar.
01:08It's true.
01:09Chic.
01:10Of course.
01:11A star.
01:13Rich.
01:14God is great.
01:15My love, you're annoying.
01:16You make a series every year, but not every year.
01:18That's right.
01:19I'm kidding.
01:20Advertisements.
01:21What?
01:22Shows.
01:23Shows?
01:24I don't make shows at all.
01:25That's true.
01:27Thank God.
01:32God bless you.
01:33Everything is good.
01:34What is it?
01:35Stability.
01:36Yes.
01:37Who told you that you're not stable?
01:39Like a full battery and we're at full battery.
01:41Talk to me.
01:42Talk to me.
01:43Talk to me.
01:44Sorry, let me talk about stability, Amar.
01:46Tell me what stability means to you.
01:48She has the Home Sickness.
01:51The home sickness.
01:54Ah.
01:55Homesickness?
01:57Commitment fear
01:59He is a fear of commitment
02:01Essentially
02:03Essentially
02:05We learned it from Miri
02:07You have something in English
02:09I have a problem
02:11What is it?
02:13I have a problem
02:15I am not listening to you
02:17We are trying to solve it
02:19We were hesitant to talk to you about this
02:21Talk as you want
02:23You come from the end
02:25You come to the end and run away
02:27Yes, you are right
02:29We are saying this for the first time
02:31Because the guys run away
02:33No, I mean
02:35It does not end
02:37I know that
02:39You love love and have good relationships
02:41But when you reach
02:43Have good relationships?
02:45I have feelings and emotions
02:47You have feelings
02:49But I mean
02:51When you get married
02:53You feel happy
02:55How old are you?
02:57Are you sure?
02:59Are you sure?
03:01I understand
03:03But I am not sure
03:05I am very late
03:07I am 79 years old
03:09I am 79 years old
03:11Tell me Omar
03:13Tell me
03:15What?
03:17I don't want you to settle down
03:19I am not a man
03:21I am not a man
03:23If he is a man
03:25He can run away
03:27I don't have a share
03:29You come from the end
03:31I don't have a share
03:33I don't have a share
03:35I am serious
03:37You can be afraid of responsibility
03:39I am responsible
03:41Sometimes
03:43I have not been married for 3 hours
03:45I am serious
03:47I am serious
03:49I know
03:51What do you think?
03:53I want to live my life
03:55My worries
03:57My wife will ask me
03:59Where are you at night?
04:01Where are you coming from?
04:03Where am I going?
04:05Just tell me
04:07Just tell me
04:09Tell me
04:11You know
04:13I have an opportunity
04:15When he comes to me, I get the feeling that I want to get married, I get the idea that I don't want to be restricted, I want to be free, I want to have fun, I want to travel, I want to spend 3-4 days with my friends, so I want to have fun, so this can be an idea, but sometimes I say no, I'm done.
04:43What do you mean by that? You want to be free, you want to travel, you want to have fun, you want to spend 3-4 days with your friends, so if you have a partner who understands you and is nice to you, isn't that nice?
04:58Actually, he never meant to get married. He never meant to get married. Most men don't mean to get married.
05:07Why not?
05:09The man doesn't know how to get married. He doesn't want to be restricted.
05:15I don't want to bother anyone.
05:18Wait a minute, why are you running away?
05:20No, but I want to tell you something, I'm serious, I'm serious.
05:23She says something nice and sweet that's not normal.
05:26What does that mean?
05:28When a man gets to know a woman, it gives him the feeling that he's free.
05:35No, and he also has more care for her than his mother.
05:38Yes, he has more care for her than his mother.
05:41Yes, he's very caring.
05:43Now, here's the thing. The characteristics of a man who's a young man, who agrees to spend the rest of his life with her, and who doesn't run away before the joy.
05:531, 2, 3, without any...
05:56By the way, I didn't think...
05:58You're going to get me a husband, Nassan?
06:00I didn't think I'd say something as important as that.
06:02Your brother is very deep.
06:04He's a miser!
06:05He's a miser!
06:07Come on, it's been revealed.
06:09Look, we're not going to tell you what his characteristics are.
06:12We're going to ask him. We sat down and got a pen and paper.
06:16Until we said, the man is a miser.
06:20We think he's the best.
06:23Why me?
06:25We don't say he's the best and he's not.
06:27We say, no, she's one of us.
06:29Let's go straight to her.
06:31Let's go straight to her.
06:32You're going to get me a husband, Nassan?
06:34Look, honestly, we got you a husband.
06:37You're so sweet.
06:40Okay, listen.
06:42But since you came in, I've been losing you.
06:44Oh my life, oh my life.
06:46Omar, let's go back to the characteristics.
06:48Go ahead.
06:50What characteristics?
06:52I don't know what you're talking about.
06:54You're talking about a miser.
06:56I'm confused.
06:58I'm confused.
06:59I'm confused.
07:01What are the characteristics of a man?
07:03Let's listen to the characteristics and apply them.
07:05A miser.
07:07A miser.
07:09I can tell you what I don't want.
07:11I don't want heavy blood.
07:13That's impossible.
07:15Heavy blood, I can't do that.
07:17If anything, that's it.
07:19Okay?
07:21For example, a preacher.
07:23Oh my God.
07:25Bushin.
07:27No.
07:29No, I'm telling you what I don't want.
07:31Okay.
07:33A preacher and Bushin.
07:35And heavy blood.
07:37He's from Nanman.
07:39Everyone calls him Bushin.
07:41You're asking me why I don't want to marry him?
07:43Bushin.
07:45Heavy blood.
07:47A preacher.
07:49What else?
07:51This is the hard one.
07:53This is the hard one.
07:55You're not jealous?
07:57Not Ahmed.
07:59This is my brother Hamada.
08:01Hamada is my brother and my lover.
08:03But what does this mean?
08:05For example, he can appreciate beauty.
08:08Exactly.
08:10He can be my friend.
08:12By the way, I'm one of those girls who don't get jealous of other girls.
08:19I don't see a beautiful girl and say, no, not at all.
08:23You're more confident than yourself.
08:25I'm serious.
08:26I see that God has created beautiful people and beautiful things.
08:31So we say that he's beautiful.
08:33Exactly.
08:35God bless you.
08:37Thank you, uncle.
08:39We've heard what's wrong with us.
08:42We can't be like that.
08:44These are the beautiful things.
08:46If you see them, you'll be happy.
08:48Heavy blood.
08:50These are the ugly things.
08:52Money isn't important.
08:53Money isn't what's important.
08:55Money isn't what's important.
08:57It's the look.
08:59It doesn't matter.
09:01It doesn't have to be rich.
09:03No.
09:05It's the look.
09:07Do you like brown or brown?
09:09Or do you like light brown?
09:11Light brown.
09:13No.
09:15Light brown.
09:17Light brown.
09:19Light brown.
09:20I like the opposite color of wine.
09:23Because I'm white.
09:25That's true.
09:27But these are killing me on the inside.
09:29Oh, Muqness.
09:31Who's Muqness?
09:33Who's Muqness?
09:35He's our cousin.
09:37So you brought a groom for me?
09:39What are Muqness's characteristics?
09:41Muqness is the opposite color of wine.
09:43Are you the opposite color of wine?
09:45No, I'm the opposite color of wine.
09:47Muqness.
09:48Do you know the English teacher Halwan?
09:50He's an engineer in...
09:52Tell him.
09:54Do you know the English teacher Halwan?
09:56He's an engineer.
09:58He has a place, but they say he's not an engineer.
10:01He has a small plastic factory in Damman.
10:04Muqtahid.
10:06Do you know Jaraken?
10:08Jaraken's factory.
10:10I felt like he was standing in a car.
10:12It's a factory.
10:14It's a good factory.
10:16It's well-respected.
10:18It's been a long time.
10:20He's a Muqtahid.
10:22He's a Muqtahid.
10:24He's a Muqtahid.
10:26He works in a farm.
10:28He's a farmer.
10:30He's a farmer.
10:32He's a farmer.
10:34He's a farmer.
10:36He's a beautiful farmer.
10:38His parents are orphans and he's a poor man.
10:40He's a poor man.
10:42He's a poor man.
10:44He has a very good family.
10:46And you know who he is?
10:48It's very safe and long.
10:51Mashallah.
10:52I know that you still want to know his personality.
10:57If he doesn't bother you.
10:59Are you sure you don't want to meet him?
11:02Of course, I know that...
11:05You're ruining my future and my life.
11:07You might be against this traditional way.
11:10Are you against traditionalism?
11:13What do you think?
11:15I think you're against traditionalism.
11:17Yes.
11:18You're a divorcee.
11:20You have your own personality.
11:22You might not accept...
11:24Salon's groom.
11:25Salon's groom.
11:26But in my opinion...
11:28In my personal opinion,
11:30Salon's groom is a good choice.
11:32He's a good match for you.
11:34He's a good match for me.
11:36Look, my dear.
11:38All the girls in the world...
11:40In the world.
11:41The first time you ask them about their dreams
11:44the first thing that comes to mind is their father.
11:47Right?
11:48Yes.
11:49I'm serious.
11:50Any girl has a father.
11:52Most of them.
11:53Do you understand?
11:54There are fathers.
11:55Do you feel that way sometimes?
11:57I love my father very much.
11:58Really?
11:59I love my father very much.
12:00Do you love his personality?
12:01Very much.
12:02Very much.
12:03Very much.
12:04Our neighbors posted a picture of him
12:06on his birthday.
12:07I thanked God and my mother
12:09that I chose you.
12:10That I married you.
12:11You became my father.
12:13You never pressured me.
12:15You made me a different person.
12:17You've always been respectful, beautiful,
12:19honest and polite.
12:21I love my father very much.
12:23You love his personality?
12:24Very much.
12:25Do you want someone like your father?
12:27If he's like your father,
12:28you won't hesitate?
12:29I'll hesitate.
12:30I don't care about personality.
12:32I won't hesitate.
12:34Why are you hesitating?
12:36Why?
12:37Because my father was married.
12:39Oh!
12:40You're taking your mother's right.
12:44But look,
12:45if we exclude this.
12:47No, I love my father.
12:48Because his personality is beautiful.
12:50Very much.
12:51He has a light blood.
12:52He's a gentleman.
12:53He knows how to be a lady.
12:54He's nice.
12:55My love,
12:56I'll tell you something.
12:57Tell me, Hamed.
12:58No one said,
12:59when he woke up from his sleep,
13:00he said,
13:01God willing,
13:02I'm going to be a midwife.
13:03And I'm going to be married
13:04for four or five years.
13:06No one says that.
13:07Right.
13:08Everything happens.
13:09You have circumstances,
13:10climate,
13:11and situations.
13:12At times,
13:13you need to marry
13:14this woman right now.
13:15It's not that you want to marry
13:17this woman,
13:18I'm against this woman.
13:19I'm not with her.
13:20But,
13:21there are situations
13:22where no one has decided
13:23to be a midwife.
13:24I believe you.
13:25You specifically,
13:26I believe you.
13:27No, me.
13:28You specifically,
13:29I believe you.
13:30At this point,
13:31I believe you.
13:32I'm telling the truth.
13:33Do you want to marry an artist?
13:34Yes.
13:35Really?
13:36Yes.
13:37But the problem for me
13:38is that they are all
13:39my close friends.
13:40Okay.
13:41Do you think that
13:42getting married to an artist
13:43is a success?
13:44Can a project
13:45be a success
13:46even if we don't get married?
13:47I'm telling you,
13:48my problem,
13:49this is a strange question
13:50because all the actors
13:51are my close friends.
13:52We have a goal.
13:53This goal,
13:54we believe
13:55that it's a big goal.
13:56Yes.
13:57We believe that
13:58you have
13:59thousands of
14:00specialties,
14:01or all the specialties.
14:02I love you.
14:03I love you.
14:04I love you.
14:05I love you.
14:06Do you love beauty?
14:07You guys are
14:08very young.
14:09I'm serious.
14:10I'm serious.
14:11I swear.
14:12I'll be quick.
14:14Tell her that I love her.
14:15Tell her.
14:17Here,
14:17let me do the phone.
14:18Wait a minute.
14:19I'll be right back.
14:20I'll be back.
14:21Let me get out.
14:22Wait a minute.
14:23Wait a minute.
14:24Okay.
14:25Let me...
14:26Man, feel free.
14:27Feel free.
14:32Louder,
14:33I can't hear you well.
14:34What did she say?
14:35What are you saying?
14:36I'm telling you that I'm not against the idea of having a son-in-law.
14:40You're the one who's not against it?
14:42No, not at all.
14:44We have a beautiful daughter-in-law.
14:46Do you have a son-in-law?
14:47Yes, I do.
14:49Do you have two children? Is Ammoura with you?
14:51Yes, Ammoura.
14:52Hey, Mu'nis.
14:53Hey, Ammoura.
14:54Come on, my love.
14:55My love and God have made me, Ammoura.
14:57Come on, my love. God bless you.
14:58The kids missed me.
14:59God bless you.
15:00They missed me a lot.
15:01What did you say?
15:02What did you do, Hamouda?
15:03Thank God, my love.
15:04I'm telling you that I'm not against the idea of having a son-in-law.
15:06You're not against it?
15:07I'm not against it.
15:08I have some details.
15:10I have some small details.
15:11What do you want?
15:12I wanted to see her like this, while she's in love.
15:15I want to see her like this, while she's in love.
15:16What do you mean, Mu'nis?
15:17Make me fall in love with her.
15:18What do you mean?
15:19Make me fall in love with her like she's in love with me.
15:21In love with you?
15:22What you see in yourself, we don't see.
15:24And you don't have a family.
15:26Oh, my God.
15:27I'm telling you, didn't you tell me that she loves me?
15:29Son, did anyone tell you that?
15:31Did anyone tell you that she loves you?
15:32Did anyone tell you that she wants to marry me?
15:33Are you going to die?
15:34We want to marry your mother and get rid of you.
15:37Listen.
15:38Listen.
15:39Show me that she loves you.
15:41What do you mean?
15:43I'm telling you.
15:45Don't you have a camera at home?
15:47Don't be rude, Mu'nis.
15:48Be respectful.
15:49A surveillance camera.
15:50What does he want with a surveillance camera?
15:51A surveillance camera that I saw with my own eyes.
15:53What does he want with a surveillance camera?
15:55Is there a camera in the living room?
15:56Is there a camera in the living room?
15:57A nice camera?
15:58A nice camera.
15:59Like mine?
16:00Like mine.
16:01Do you see it?
16:02I see it.
16:03Look at it.
16:04Yes.
16:05The camera is recording.
16:06Yes, the camera is recording.
16:07Then record me.
16:08What do you want with your mother, Mu'nis?
16:09Do you want me to record you?
16:11Do you want me to film you in the living room and send you?
16:13Be respectful, son.
16:14Yes, and I have some requests.
16:15Again?
16:16Are you the one who asked?
16:17I have some requests.
16:19Oh, my God.
16:20I'm telling you, go away.
16:21I want to see her and tell her that I love her.
16:23I want to see her and tell her that I love her.
16:24How?
16:25I want to see her and tell her that I love her.
16:26I want to see her and tell her that I love her.
16:27How?
16:28Make me feel.
16:29I don't like you but I like you in general.
16:31Absolutely.
16:32Absolutely.
16:33I want you.
16:34Yes, I like you.
16:35I like you.
16:36Yes, I like you.
16:37I love you.
16:39I love you like a magic.
16:41Yes, I love you.
16:43I love you.
16:44I love you like a magic.
16:48Well, my son.
16:50Do you like me?
16:51No!
16:52Hello!
16:53Hello, because I have work to do.
16:54Again?
16:55What do you want?
16:56What do you want?
16:58Do you want him to record videos for us or what?
17:00If it wasn't for your uncle, I would have hit him with a shoe.
17:04I can put my hand on my uncle because of what you want.
17:07You are acting like a police officer.
17:26What do you want?
17:28Do you want him to record videos for us or what?
17:30If it wasn't for your uncle, I would have hit him with a shoe.
17:32You are acting like a police officer.
17:34You are acting like a police officer.
17:36I don't understand this guy.
17:38What does he want?
17:40What does he want?
17:42What do you want?
17:44What do you want?
17:46What do you want?
17:48What do you want?
17:50What do you want?
17:52What do you want?
17:54He has ADHD.
17:56He has ADHD.
17:58He has ADHD.
18:00He has ADHD.
18:02He has ADHD.
18:04He has ADHD.
18:06He has ADHD.
18:08He has ADHD.
18:10He has ADHD.
18:12He has ADHD.
18:14He has ADHD.
18:16He has ADHD.
18:18He has ADHD.
18:20He has ADHD.
18:22Do you like to hear nice things or do you like to receive more?
18:24Do you like to hear nice things or do you like to receive more?
18:26It depends.
18:28It depends.
18:30Honestly,
18:32Honestly,
18:34As far as I remember,
18:36As far as I remember,
18:38I want a girl I like.
18:40I want a girl I like.
18:42Do you want her to say nice things to you?
18:44Do you want her to say nice things to you?
18:46Yes.
18:48Yes.
18:50But I care.
18:52But I care.
18:54You tell him.
18:56You tell him.
18:58You tell him.
19:00He will tell me.
19:02He will tell me.
19:04What if you fight?
19:06What if you fight?
19:08What if you fight?
19:10Honestly,
19:12Honestly,
19:14I don't fight.
19:16I don't fight.
19:18I confide in him.
19:20I confide in him.
19:22How about if he doesn't do something huge?
19:24He just ditches you?
19:26He just ditches you?
19:28How about if he just ditches you?
19:30What if it goes well?
19:32How about if it goes well?
19:36Did you forget him completely?
19:38Did you forget her?
19:40I forgot her.
19:42Why would I be sitting beside her?
19:44I just don't know.
19:46I'll be right next to you and I won't forget you.
19:48I've already slapped someone before.
19:50Yeah, yeah, yeah.
19:51Oh!
19:52Yeah, yeah, yeah.
19:53I've slapped someone.
19:54I'm sorry.
19:55I like to ask these questions.
19:56It's possible.
19:57Because I have the ability and intelligence of a woman.
20:00Ahmed, you specifically don't talk about these things at all.
20:03Ask him.
20:04You're holding your hand.
20:05Let him say something.
20:06He doesn't have a face to talk to.
20:07My dear, my dad.
20:08What's wrong with you, Hadi?
20:10I...
20:11I'm going to...
20:12He's really getting into it.
20:14I'm going to...
20:15I have a problem.
20:16Yes.
20:17And I know you're brave.
20:18Tell me.
20:19I'm selling you.
20:20Okay.
20:21I'll buy it.
20:22Do you talk about the story of the sheep?
20:24How was the judicial process?
20:26The judicial process.
20:27Yes.
20:28I know your intelligence.
20:29Look.
20:30I mean...
20:31I'll try to get away from this subject.
20:33Because...
20:34Yes.
20:35Because I don't like to think about something like that.
20:38Okay.
20:39But I mean to tell you, for example, what...
20:41It looks like a dress.
20:42I'm not going to get away from it.
20:44I don't like to think about it.
20:45You don't like to think about it?
20:46No.
20:47I don't like to think about it.
20:48I don't like to...
20:49I don't like to discuss things like that.
20:51Because it's like...
20:52Get me out of here.
20:53Really?
20:54Get me out of here quickly.
20:55Okay.
20:56Quickly.
20:57Look.
20:58I'm not going to tell you.
20:59I'm not going to tell you.
21:00I don't care about the details.
21:01I'm not going to get away from it.
21:02But we're going to...
21:03No.
21:04It's also strange.
21:05It's strange at all.
21:06This woman...
21:07What is she listening to?
21:08What am I talking about?
21:09I'm saying, get me out of here quickly.
21:10By the way, look.
21:11He doesn't have a face to talk to.
21:12He doesn't have a face.
21:13Forget it.
21:14I swear to God.
21:15Forget it.
21:16It's strange.
21:17Forget about the whack-a-boot.
21:18It's strange that a human being always, always, always looks at a relationship where he laughs
21:21if there is anything, or looks at things that he was taking, or he was angry at someone
21:25and he laughs at himself.
21:26When the relationship is over and you don't have feelings at all...
21:29That's a farce.
21:30That's a farce.
21:31When he laughs, that's a farce.
21:32You feel like you were before him.
21:33Yes, I swear.
21:34No.
21:35You know what to do, Saad.
21:36I'm sorry, of course.
21:37I'm sorry.
21:38I'm going to talk.
21:39No, I'm going to talk.
21:40Get up and talk.
21:41I'm going to talk.
21:42I'm going to talk.
21:43I'm going to talk.
21:44I'm going to talk.
21:45I'm going to talk.
21:46I'm going to talk.
21:47I'm going to talk.
21:48I'm going to talk.
21:49I'm going to talk.
21:50I'm going to talk.
21:51I'm going to talk.
21:52I'm going to talk.
21:53I'm going to talk.
21:54I'm going to talk.
21:55I'm going to talk.
21:56I'm going to talk.
21:57I'm going to talk.
21:58I'm going to talk.
21:59I'm going to talk.
22:00I'm going to talk.
22:01I'm going to talk.
22:02I'm going to talk.
22:03I'm going to talk.
22:04I'm going to talk.
22:05I'm going to talk.
22:06I'm going to talk.
22:07I'm going to talk.
22:08I'm going to talk.
22:09I'm going to talk.
22:10I'm going to talk.
22:11I'm going to talk.
22:12I'm going to talk.
22:13I'm going to talk.
22:14I'm going to talk.
22:15I'm going to talk.
22:16I'm going to talk.
22:17I'm going to talk.
22:18I'm going to talk.
22:19I'm going to talk.
22:20I'm going to talk.
22:21I'm going to talk.
22:22I'm going to talk.
22:23I'm going to talk.
22:24I'm going to talk.
22:25I'm going to talk.
22:26I'm going to talk.
22:27I'm going to talk.
22:28I'm going to talk.
22:29I'm going to talk.
22:30I'm going to talk.
22:31I'm going to talk.
22:32I'm going to talk.
22:33I'm going to talk.
22:34I'm going to talk.
22:35I'm going to talk.
22:36I'm going to talk.
22:37I'm going to talk.
22:38I'm going to talk.
22:39I'm going to talk.
22:40I'm going to talk.
22:41I'm going to talk.
22:42I'm going to talk.
22:43I'm going to talk.
22:44I'm going to talk.
22:45I'm going to talk.
22:46I'm going to talk.
22:47I'm going to talk.
22:48I'm going to talk.
22:49I'm going to talk.
22:50I'm going to talk.
22:51I'm going to talk.
22:52I'm going to talk.
22:53I'm going to talk.
22:54I'm going to talk.
22:55I'm going to talk.
22:56I'm going to talk.
22:57I'm going to talk.
22:58I'm going to talk.
22:59I'm going to talk.
23:00I'm going to talk.
23:01I'm going to talk.
23:02I'm going to talk.
23:03I'm going to talk.
23:04I'm going to talk.
23:05I'm going to talk.
23:06I'm going to talk.
23:07I'm going to talk.
23:08I'm going to talk.
23:09I'm going to talk.
23:10I'm going to talk.
23:11I'm going to talk.
23:12I'm going to talk.
23:13I'm going to talk.
23:14I'm going to talk.
23:15I'm going to talk.
23:16I'm going to talk.
23:17I'm going to talk.
23:18I'm going to talk.
23:19I'm going to talk.
23:20I'm going to talk.
23:21I'm going to talk.
23:22I'm going to talk.
23:23I'm going to talk.
23:24I'm going to talk.
23:25I'm going to talk.
23:26I'm going to talk.
23:27I'm going to talk.
23:28I'm going to talk.
23:29I'm going to talk.
23:30I'm going to talk.
23:31I'm going to talk.
23:32I'm going to talk.
23:33I'm going to talk.
23:34I'm going to talk.
23:35I'm going to talk.
23:36I'm going to talk.
23:37I'm going to talk.
23:38I'm going to talk.
23:39I'm going to talk.
23:40I'm going to talk.
23:41I'm going to talk.
23:42I'm going to talk.
23:43I'm going to talk.
23:44I'm going to talk.
23:45I'm going to talk.
23:46I'm going to talk.
23:47I'm going to talk.
23:48I'm going to talk.
23:49I'm going to talk.
23:50I'm going to talk.
23:51I'm going to talk.
23:52I'm going to talk.
23:53I'm going to talk.
23:54I'm going to talk.
23:55I'm going to talk.
23:56I'm going to talk.
23:57I'm going to talk.
23:58I'm going to talk.
23:59I'm going to talk.
24:00I'm going to talk.
24:01I'm going to talk.
24:02I'm going to talk.
24:03I'm going to talk.
24:04I'm going to talk.
24:05I'm going to talk.
24:06I'm going to talk.
24:07I'm going to talk.
24:08I'm going to talk.
24:09I'm going to talk.
24:10I'm going to talk.
24:11I'm going to talk.
24:12I'm going to talk.
24:13I'm going to talk.
24:14I'm going to talk.
24:15I'm going to talk.
24:16I'm going to talk.
24:17I'm going to talk.
24:18I'm going to talk.
24:19I'm going to talk.
24:20I'm going to talk.
24:21I'm going to talk.
24:22I'm going to talk.
24:23I'm going to talk.
24:24I'm going to talk.
24:25I'm going to talk.
24:26I'm going to talk.
24:27I'm going to talk.
24:28I'm going to talk.
24:29I'm going to talk.
24:30I'm going to talk.
24:31I'm going to talk.
24:32I'm going to talk.
24:33I'm going to talk.
24:34I'm going to talk.
24:35I'm going to talk.
24:36I'm going to talk.
24:37I'm going to talk.
24:38I'm going to talk.
24:39I'm going to talk.
24:40I'm going to talk.
24:41I'm going to talk.
24:42I'm going to talk.
24:43I'm going to talk.
24:44I'm going to talk.
24:45I'm going to talk.
24:46I'm going to talk.
24:47I'm going to talk.
24:48I'm going to talk.
24:49I'm going to talk.
24:50I'm going to talk.
24:51I'm going to talk.
24:52I'm going to talk.
24:53I'm going to talk.
24:54I'm going to talk.
24:55I'm going to talk.
24:56I'm going to talk.
24:57I'm going to talk.
24:58I'm going to talk.
24:59I'm going to talk.
25:00I'm going to talk.
25:01I'm going to talk.
25:02I'm going to talk.
25:03I'm going to talk.
25:04I'm going to talk.
25:05I'm going to talk.
25:06I'm going to talk.
25:07I'm going to talk.
25:08I'm going to talk.
25:09I'm going to talk.
25:10I'm going to talk.
25:11I'm going to talk.
25:12I'm going to talk.
25:13I'm going to talk.
25:14I'm going to talk.
25:15I'm going to talk.
25:16I'm going to talk.
25:17I'm going to talk.
25:18I'm going to talk.
25:19I'm going to talk.
25:20I'm going to talk.
25:21I'm going to talk.
25:22I'm going to talk.
25:23I'm going to talk.
25:24I'm going to talk.
25:25I'm going to talk.
25:26I'm going to talk.
25:27I'm going to talk.
25:28I'm going to talk.
25:29I'm going to talk.
25:30I'm going to talk.
25:31I'm going to talk.
25:32I'm going to talk.
25:33I'm going to talk.
25:34I'm going to talk.
25:35I'm going to talk.
25:36I'm going to talk.
25:37I'm going to talk.
25:38I'm going to talk.
25:39I'm going to talk.
25:40I'm going to talk.
25:41I'm going to talk.
25:42I'm going to talk.
25:43I'm going to talk.
25:44I'm going to talk.
25:45I'm going to talk.
25:46I'm going to talk.
25:47I'm going to talk.
25:48I'm going to talk.
25:49I'm going to talk.
25:50I'm going to talk.
25:51I'm going to talk.
25:52I'm going to talk.
25:53I'm going to talk.
25:54I'm going to talk.
25:55I'm going to talk.
25:56I'm going to talk.
25:57I'm going to talk.
25:58I'm going to talk.
25:59I'm going to talk.
26:00I'm going to talk.
26:01I'm going to talk.
26:02I'm going to talk.
26:03I'm going to talk.
26:04I'm going to talk.
26:05I'm going to talk.
26:06I'm going to talk.
26:07I'm going to talk.
26:08I'm going to talk.
26:09I'm going to talk.
26:10I'm going to talk.
26:11I'm going to talk.
26:12I'm going to talk.
26:13I'm going to talk.
26:14I'm going to talk.
26:15I'm going to talk.
26:16I'm going to talk.
26:17I'm going to talk.
26:18I'm going to talk.
26:19I'm going to talk.
26:20I'm going to talk.
26:21I'm going to talk.
26:22I'm going to talk.
26:23I'm going to talk.
26:24I'm going to talk.
26:25I'm going to talk.
26:26I'm going to talk.
26:27I'm going to talk.
26:28I'm going to talk.
26:29I'm going to talk.
26:30I'm going to talk.
26:31I'm going to talk.
26:32I'm going to talk.
26:33I'm going to talk.
26:34I'm going to talk.
26:35I'm going to talk.
26:36I'm going to talk.
26:37I'm going to talk.
26:39I'm going to talk.
26:45I'm going to talk.
26:54I'm going to talk.
27:02What?
27:03Habbooba
27:04Malak?
27:05Minna
27:06Your mother's bitch
27:07Habbooba
27:08Who?
27:09Her
27:10Why?
27:11She came in
27:12What?
27:13Minna
27:14Where did she come in?
27:15Inside
27:16Where?
27:17My heart
27:18My heart is black on me
27:19Habbooba
27:20Enough, I want to go now
27:21I want to tell you a good news
27:22We are getting closer
27:23Getting closer to what?
27:24We are getting closer to our topic
27:25What topic?
27:26We are getting closer to our step
27:27Oh my God
27:28It looks like it's a yes
27:29It looks like it's a yes
27:30What do you mean it's a yes?
27:31We want to convince you
27:32May God ruin your house
27:33We don't know
27:34We don't know
27:35I'm telling you
27:36Close this topic
27:37Goodbye
27:38No, no
27:39No
27:40We are getting closer
27:41I want you to break my heart
27:42I want
27:43I want
27:44I want her
27:45Your mother's bitch
27:46I want her
27:47Who do you want?
27:48Minna
27:49Help me
27:50Ok, look
27:51Help me
27:52One last step
27:53What?
27:54The one who installed the cameras in the living room
27:55What cameras?
27:56Tell him to give you his hand
27:57Tell him
27:58Tell him to give you his hand
27:59What do you want?
28:00I want to thank Habub
28:01I want you to film her while she dances
28:02What?
28:03Tell her to dance for the saint
28:04I want to see her dance
28:05Are you a slave or not?
28:06A slave?
28:07I'm telling you
28:08You are a slave
28:09What is this?
28:10Peace, saint
28:11Listen
28:12I swear I'm tired
28:13I will break your heart
28:14I will break your heart
28:15Listen to me
28:16What?
28:17I want her to dance
28:18I want her to dance
28:19What is this?
28:20What is this?
28:21What is this?
28:22What is this?
28:23What is this?
28:24What is this?
28:25What is this?
28:26What is this?
28:27What is this?
28:28What is this?
28:29What is this?
28:30What is this?
28:31What is this?
28:32What is this?
28:33What is this?
28:34What is this?
28:35What is this?
28:36What is this?
28:37What is this?
28:38What is this?
28:39What is this?
28:40What is this?
28:41What is this?
28:42What is this?
28:43What is this?
28:44What is this?
28:45What is this?
28:46What is this?
28:47What is this?
28:48What is this?
28:49What is this?
28:50What is this?
28:51What is this?
28:52What is this?
28:53What is this?
28:54What is this?
28:55What is this?
28:56What is this?
28:57What is this?
28:58What is this?
28:59What is this?
29:00What is this?
29:01What is this?
29:02What is this?
29:03What is this?
29:04What is this?
29:05What is this?
29:06What is this?
29:07What is this?
29:08What is this?
29:09What is this?
29:10What is this?
29:11What is this?
29:12What is this?
29:13What is this?
29:14What is this?
29:15What is this?
29:16What is this?
29:17What is this?
29:18What is this?
29:19What is this?
29:20What is this?
29:21What is this?
29:22What is this?
29:23What is this?
29:24What is this?
29:25What is this?
29:26What is this?
29:27What is this?
29:28What is this?
29:29What is this?
29:30What is this?
29:31What is this?
29:32What is this?
29:33What is this?
29:34What is this?
29:35What is this?
29:36What is this?
29:37What is this?
29:38What is this?
29:39What is this?
29:40What is this?
29:41What is this?
29:42What is this?
29:43What is this?
29:44What is this?
29:45What is this?
29:46What is this?
29:47What is this?
29:48What is this?
29:49What is this?
29:50What is this?
29:51What is this?
29:52What is this?
29:53What is this?
29:54What is this?
29:55What is this?
29:56What is this?
29:57What is this?
29:58What is this?
29:59What is this?
30:00What is this?
30:01What is this?
30:02What is this?
30:03What is this?
30:04What is this?
30:05What is this?
30:06What is this?
30:07What is this?
30:08What is this?
30:09What is this?
30:10What is this?
30:11What is this?
30:12What is this?
30:13What is this?
30:14What is this?
30:15What is this?
30:16What is this?
30:17What is this?
30:18What is this?
30:19What is this?
30:20What is this?
30:21What is this?
30:22What is this?
30:23What is this?
30:24What is this?
30:25What is this?
30:26What is this?
30:27What is this?
30:28What is this?
30:29What is this?
30:30What is this?
30:31What is this?
30:32What is this?
30:33What is this?
30:34What is this?
30:35What is this?
30:36What is this?
30:37What is this?
30:38What is this?
30:39What is this?
30:40What is this?
30:41What is this?
30:42What is this?
30:43What is this?
30:44What is this?
30:45What is this?
30:46What is this?
30:47What is this?
30:48What is this?
30:49What is this?
30:50What is this?
30:51What is this?
30:52What do you think of the woman who dances for her husband?
30:55The problem is that she is smart.
30:56I swear, everyone is smart.
30:58It's a good idea.
30:59What did you say?
31:00The woman who dances for her husband.
31:02What?
31:03I said, what do you think of the woman who dances for her husband?
31:05What is this?
31:06This is a secret house.
31:07What is this?
31:08You want to put all this in a secret house?
31:09We are here for the dowry.
31:10The woman who dances for her husband, this is a job for teachers.
31:14We are talking about the lineage.
31:17These are details.
31:18Yes, yes, yes, yes.
31:20Do you know that if you marry a woman who dances for her husband, I will be in trouble?
31:23Who is a woman who dances for her husband?
31:24I don't want to marry a woman who dances for her husband because I don't want to be close to you.
31:27This is the opposite.
31:28This is a burden on us.
31:29I swear.
31:30And he is a burden on us.
31:32A woman who dances for her husband is not normal.
31:35The dance.
31:36The dance is nice.
31:37I like it.
31:38It's his.
31:39So, you don't mind if you become a minister or you watch an eastern dance and perform it?
31:47I am a dancer.
31:48Now, I am making a film and I am a dancer.
31:50Really?
31:51Yes.
31:52Really?
31:53That's great.
31:54So, dance for us a little bit.
31:55Omar, dance for us a little bit.
31:56Why not?
31:57Dance in front of the cameras.
31:58This is my role.
31:59The millions will see it.
32:00Okay.
32:01What is the problem?
32:02What do you mean?
32:03What is the problem?
32:04I don't understand.
32:05What is the problem?
32:06If you see a woman in a film and you are very close to her, you will hold her in the street and hug her.
32:09We are not in the street.
32:10We are in the street.
32:11I want to help.
32:12I want to help.
32:13God bless you, my love.
32:14God bless you.
32:16You came from God.
32:17Omar, dance for us.
32:18What's wrong with you, Omar?
32:19This is for me.
32:20The audience.
32:21My love.
32:22You dance for us.
32:24When you were in your seventies, you were dancing like Nissan were in their early days.
32:27No.
32:28No.
32:29These are the clothes of the early season.
32:31We are people.
32:32You don't have to dance for us.
32:34This dance…
32:35No, honestly.
32:36The dance is beautiful.
32:37What do you mean Omar?
32:38What do you mean?
32:39What do you like?
32:40The Assatouki dance.
32:42Do you know how to dance?
32:43I like this dance.
32:44This is your art, your directness.
32:46I mean, direct.
32:48I mean, we've reached this age.
32:50No, we've reached this age. I'm very respectful.
32:52I didn't catch anything.
32:54We've reached this age.
32:56We've reached this age.
32:58We've reached this age, Ota.
33:00We've reached this age, Ota.
33:04Don't you dare show us anything like that.
33:06No, it's...
33:08I mean, it's not like that.
33:10How, then?
33:12Did I confuse myself?
33:14No, I mean, I'm telling you, for example,
33:16you love dancing.
33:18I mean, for example,
33:20one of the best, as I see it,
33:22one of the best people who danced
33:24in plays or movies
33:26was Nabila Abed.
33:28Of course.
33:30She worked hard.
33:32She practiced.
33:34And she danced.
33:36And there was...
33:38Since you studied, you dance differently.
33:40No, no.
33:42I mean, this is a school, but...
33:44Since you studied, you dance differently.
33:46Of course.
33:48No, but Mr. Waheed Hamed
33:50served Sonia Sleem Takhdima.
33:52This is a political dance.
33:54There's no way.
33:56Every time she performs, I talk to her.
33:58I swear, every time she performs, I talk to her.
34:00Because it's not normal.
34:02And Mr. Nabila served Sonia Takhdima.
34:04A legend.
34:06Do you call her every time she performs?
34:08Get up.
34:10Get up and do what?
34:12No, he's just dancing.
34:14I mean, when you go to a wedding,
34:16don't you dance for your friends?
34:18Believe me.
34:20These girls dance everywhere.
34:22What's the logic?
34:24I dance for my friends.
34:26When I met you and you got married,
34:28I would dance for my friends.
34:30But now, they're getting married.
34:32A very strong dance.
34:34Every two weeks, a dance.
34:36No, but I'll give you a dance.
34:38Really?
34:40You'll be a queen.
34:42You make one for us, Hamada.
34:44I want to tell you something.
34:46This is exclusive.
34:48Ahmed, get into the dance.
34:50Yes, yes.
34:52Get into a new dance.
34:54If you're talking about the dance of happiness,
34:56I'm the most person on earth
34:58who dances to happiness.
35:00Because I dance to happiness
35:02because I sing to happiness.
35:04I dance to happiness every day.
35:06Maybe you have one or three weddings a day,
35:08so you dance to three weddings a day.
35:10I've danced more than Dina to happiness.
35:12I don't know why,
35:14but I feel like...
35:16That's why I remember you.
35:18No, the problem is
35:20that you dance to people
35:22you don't know,
35:24so that's the peak of the dance.
35:26We're friends.
35:28When I go to a wedding,
35:30the first time I see them,
35:32there's no logic.
35:34Yes, but you want them to be happy.
35:36You want them to be happy.
35:38He's the first person
35:40who has lived in the world of happiness
35:42with a lot of joy.
35:44And you accept it.
35:46Of course.
35:48I'm the one who makes them happy.
35:50I make people happy.
35:52By the way, there's another joy,
35:54which is very exciting.
35:56He makes people happy.
35:58He makes people happy.
36:00He doesn't just make people happy.
36:02Why?
36:04The peak of joy
36:06when a singer sings at a theater
36:08is when there are thousands of people
36:10in front of you
36:12and you can create a different mood for them.
36:14They're dancing now,
36:16and everyone is dancing.
36:18You sing a sad song,
36:20and you find everyone dancing.
36:22You sing a love song,
36:24and you find everyone dancing.
36:26That's the moment
36:28when you're satisfied.
36:30Do you know that a believer loves dancing?
36:32I wish I was a believer.
36:34A believer?
36:36No, a believer.
36:38I wish I was a believer.
36:40He loves dancing.
36:42He loves dancing.
36:44Who is a believer?
36:46He loves the color pink.
36:48Are you kidding me?
36:50Are you talking about Hamdi El-Wazir?
36:52I don't understand.
36:54We don't want him to dance like this.
36:56How do you want me to dance?
36:58We don't want you, my dear.
37:00We don't want you,
37:02but we want you.
37:04We are not taking care
37:06of what you want.
37:08We're not taking care.
37:10We're sitting here like friends.
37:12So, when we're on the phone,
37:14we dance like this.
37:16What's this?
37:18I don't want to speak.
37:20You're really a talented singer.
37:22I don't want to speak
37:24I see people dancing, men, my friends, men dancing.
37:27Yes, men dancing.
37:29Look, look, I don't want you to dance,
37:32I'm going to dance with you as well, so you don't think we're dancing to you.
37:35What is this?
37:38Remember, when I made the song,
37:40Believe me,
37:41Yes, I know.
37:42If by hand,
37:43Yes, yes, yes.
37:44You were something,
37:45Where were you,
37:46This is dancing.
37:47This is dance.
37:48And all the people are mocking you.
37:49Right now, this topic is very, very famous,
37:52That people are dancing.
37:54So come, I'm going to make a dance for you,
37:57I'm going to design a dance for you.
37:58You're going to design a dance?
37:59Yes.
38:00Come with me.
38:01Come with me, get up.
38:02I'm with you?
38:03Get up and come with me.
38:04I don't want to leave you like this.
38:05This is a shame, especially for you.
38:06My dear friend, exactly.
38:07He's the new generation on dancing.
38:09Yes, I mean, for me, there's no problem.
38:11He's a drummer.
38:12I just want to see.
38:13Come, my dear friend, come.
38:14I want to tell you that Ahmad, when he comes,
38:15Ahmad always shows me the thing before it comes out.
38:18Yes.
38:19So I told him, what is this?
38:20What are you doing?
38:21I mean, what are you going to do with this?
38:23I told him, what is this?
38:24What is this?
38:25You're going to hit the whole world,
38:27Every time you go to school.
38:29I'm going to teach you another one.
38:30Listen to what I'm going to tell you.
38:31Look, come to my right.
38:32God, cover it.
38:33Come, my dear friend, come to my left.
38:35God, protect you from the people on the right.
38:37Of course.
38:38Of course, I'm in the middle,
38:39Because the coach is always in the middle.
38:41Coach.
38:42Look, guys, we're going to dance to the songs of,
38:44To the songs of the people of Asatok,
38:48The one who walks like this,
38:50The one who walks like this,
38:52The one who walks like this,
38:54Okay?
38:55The one who is awake is sleeping.
38:56Of course.
38:58Look, guys,
39:00The songs and performances of this kind,
39:04The words express the dance,
39:07And this is your feeling.
39:08So what do we do?
39:09For example, you can't tell someone,
39:11I'm dying for you,
39:12I'm dying for you,
39:13No, I mean, I'm dying for you,
39:15I'm dying for you.
39:17For you.
39:18I mean, I'm dying for you.
39:20This is the translation.
39:21For you.
39:22So what do I do?
39:23No, you don't do this.
39:24No.
39:25My love, my love, this is a kind of art.
39:29Okay.
39:30This is modern art.
39:31Modern art.
39:32Modern art.
39:33Modern art.
39:34So what are we going to do?
39:36What?
39:37Asatok?
39:38What is Asatok?
39:40What is Asatok?
39:41What is Asatok?
39:42Asatok.
39:43Asatok.
39:44Asatok.
39:45It is changed to a Japanese name.
39:46This is Asatok.
39:47Estic knows how to cover it.
39:48Estic.
39:49I don't know that I know it but.
39:50Yes.
39:51It becomes this.
39:52Asatok, which one do you use?
39:53Which one do you use?
39:54Asatok.
39:55Asatok?
39:56Yes.
39:57Ok, again.
40:00Say it with me.
40:01You're playing with my heart, man.
40:02Come on go with me.
40:03Two, four, three, four, two and three.
40:04Which one do you use?
40:05I am Asatok.
40:06What?
40:07How do you do it?
40:08We use our right hand, or to throw something.
40:10Which?
40:11With our right hand.
40:12Asatok?
40:13Asatok.
40:14Da.
40:15Da.
40:15Da?
40:16Yes.
40:16Da.
40:17Let's take the second one, right.
40:17Da?
40:18Yes, right.
40:18Da.
40:19Yes.
40:19So,
40:20What's the lion knocking on?
40:23The one who's walking...
40:25God bless you.
40:26The one who's walking...
40:28The one who's walking...
40:32I don't know.
40:33The one who's walking...
40:34The one who's walking...
40:36Knocks on Da.
40:37Knocks on Da.
40:38God bless you.
40:39What's the lion knocking on?
40:41Can you do one more time?
40:42The one who's walking...
40:43Knocks on Da.
40:44Did you feel it?
40:45Come on, 1, 2, 3, 4.
40:511, 2, 3, 4.
40:52What's the lion knocking on?
40:54The one who's walking...
40:55Knocks on Da.
40:56What's the white flower?
40:57Knocks on Da.
40:59No, you didn't get it.
41:00What's the flower?
41:03Too much for us.
41:04Too much for us.
41:05We have to continue singing.
41:07Too much for us.
41:08I memorized the first one, but I like the first one.
41:10Come on, Bina.
41:11Come on, Bina.
41:121, 2, 3, 4.
41:13Can I do it again?
41:16What's the lion knocking on?
41:18The one who's walking...
41:19Knocks on Da.
41:20What's the white flower?
41:21Knocks on Da.
41:22What's the flower?
41:24The one who's...
41:25The one that's awake?
41:26The one that's awake?
41:27Good.
41:28The one that's awake, sleeping...
41:30Knocks on Da.
41:31Knocks on Da.
41:32Is this it?
41:33Yes.
41:341, 2, 3, 4.
41:37What's the lion knocking on?
41:39I
42:09See
42:39Listen
43:09Me
43:11Okay
43:13Okay
43:15Okay
43:17Okay
43:19Okay
43:21Okay
43:23Okay
43:25Okay
43:27Okay
43:29Okay
43:31Okay
43:33Okay
43:35Okay
43:37Him
44:07Bravo
44:09Bravo
44:11Bravo
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53:23Laughing
53:25Laughing
53:27You are amazing, Mena.
53:32You were amazing.
53:33Thank you, Mr. Khabib.
53:35You are amazing.
53:37Thank you, Mr. Khabib.
53:38I love you.
53:39The next film is going to be amazing.
53:40You are not normal, I swear.
53:44I mean it.
53:45I mean, acting, and sweetness.
53:49And money.
53:50Did you say anything to him?
53:51I swear I didn't say anything to him.
53:52Did he talk to you about money?
53:53I don't know anything about him.
53:54This is the third time he talks to me about money.
53:55I talk to him once a year.
53:58I don't know.
53:58Don't ask him for money.
53:59He is my producer.
54:01I talk to him once a year.
54:03He is the one who gives you money.
54:04He gives you money too.
54:05What does he give you?
54:06He gives you a lot of money.
54:07He gives you a lot of money.
54:09Khabib, I swear to God.
54:10May God bless you all.
54:12Honestly, he is the best.
54:14Did you see him?
54:16What did he do to you?
54:17What did he do to you?
54:17What did he do to you?
54:18What did he do to you?
54:19Tell me, Khabib.
54:20I will give you his number.
54:21Yes, and his phone number.
54:21Khabib, don't complain to Mena.
54:23She is the only one who can fix it.
54:24And his phone number.
54:25Okay.
54:25Let's go, guys.
54:29What a beautiful day!
54:31Wow!
54:32What?
54:33What?
54:34I told you it is beautiful.
54:35The most beautiful party with the most beautiful star.
54:38Oh my God!
54:40What a beautiful day!

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