6 Foot ज़मीन के नीचे CID को मिला एक संगीन जुर्म का सुराग CID Latest Full Episode 1395
An antique wooden box is noticed by a lady in a furniture shop but the shopkeeper is reluctant to sell it. With the adamant lady pressuring him, he decides to pry open the box to check it once before selling it, but the sight inside is a bloody one. The CID team is soon on the case to solve the crime.
Transcript
01:00Who is it at this hour of the night?
01:27Who are you?
01:30Where are you going through the stairs?
01:46Madam! Madam! What is it?
01:56Who are you?
01:58Who are you?
02:00Who are you?
02:25Oh my God! She's gone up the stairs.
02:30She's here.
02:33She was right here.
02:36Where did she go?
02:39Who are you? Why have you come here?
02:41Why is there a noise coming from here?
02:42Speak up!
02:43Why is this man shouting?
02:44Stay away. I said stay away.
02:46Don't come any further.
02:47The noise is coming from here.
02:48Who are you? Tell me.
02:50Who are you?
02:51What happened?
02:52Watchman, what's that noise?
02:53Don't come any further.
02:54The noise is coming from 303.
02:55I'm telling you, don't come any further.
02:56Poonam and Ajay stay here.
02:57I think something has happened inside.
02:59Move back. Move back.
03:00Let's go and check.
03:01What are you doing here?
03:02Move back. Move back.
03:06Poonam!
03:07Sir!
03:08Ajay!
03:09Madam!
03:10Wait. I have the second key to this house.
03:12I'll get it right now.
03:17Poonam!
03:18Sir!
03:19Sir, open the door.
03:22Sir!
03:23Poonam!
03:29Poonam!
03:39Sir, she's the same woman.
03:40She's lying on the bed.
03:41What are you saying?
03:42She's the one.
03:43She's the one inside.
03:56Oh God! What's happening?
03:57Let me check.
03:58Yes.
04:04But who is this man?
04:06And...
04:07And where are Poonam and Ajay?
04:09Ajay!
04:10Poonam!
04:11Ajay!
04:12Poonam!
04:13Ajay!
04:14Poonam!
04:15Sir!
04:16Sir!
04:17Madam!
04:19Ajay!
04:23Sir!
04:24She...
04:25She's the same woman
04:26who came up the stairs.
04:32She attacked with a knife.
04:39Who is this man?
04:40Do you know him?
04:42No, sir.
04:43I've never seen him in this building before.
04:45I don't know who he is.
04:47Whose house is this?
04:48Sir, I live in this house.
04:49This is my flat.
04:50This is my wife Poonam
04:51and this is my maid Pushpa.
04:53Where were you when this happened?
04:56We went out of the city.
04:58A stranger enters your flat
05:00and he gets killed.
05:02How?
05:03Sir, we don't know.
05:04Sir!
05:06We saw a woman last night.
05:07She's the one who killed him.
05:10Which woman?
05:11Sir, this one.
05:12The woman in the painting.
05:14She's the one.
05:15She came up the stairs
05:16and entered this flat.
05:18What?
05:22You mean
05:23the woman in the painting
05:27is the one who killed him?
05:28Yes, sir.
05:29We saw a knife in her hand.
05:31What are you saying?
05:33How can this woman
05:34go out of the house
05:35after entering the flat?
05:36That's what I'm worried about.
05:39But this man
05:40was screaming.
05:43Sir, the moment we entered
05:44the woman disappeared.
05:46How can she go out
05:47of a closed room?
05:48How?
05:49How can she go out?
05:51Tell me something.
05:52Is there any other way
05:53to get out of this house?
05:54No, sir.
05:55There's only one door.
05:58Sir.
05:59One minute, please.
06:01Sir, they're right.
06:03We've checked.
06:04There's no other way
06:05to get out of this house.
06:06Sir, there's an iron trap
06:07on the window.
06:11No one can get out of here.
06:13Sir.
06:16The door is open.
06:20It's broken.
06:21It's a forced entry.
06:22Yes.
06:43Abhijeet.
06:50Look at this.
06:54Look at this pipe.
06:55Abhijeet.
06:57I'm sure he came up
06:58from this pipe
06:59on the terrace.
07:02There are CCTV cameras
07:03installed in front
07:04to avoid them.
07:07He came up from this pipe.
07:09He broke the roof door
07:10and went inside the flat.
07:11Yes.
07:12But sir,
07:13what was he doing
07:14in the flat so late at night?
07:15To get himself murdered?
07:17Yes.
07:18To get himself murdered?
07:21No.
07:22Pankaj.
07:23No.
07:33Dynamite.
07:35Abhijeet.
07:37Dynamite.
07:39My God.
07:41Pankaj.
07:42Take him carefully
07:43to the salon.
07:49Dynamite?
07:51What was he doing in the building?
07:52Did he come to blow up the building?
07:54That's what I don't understand, Abhijeet.
07:56A man
07:57comes with dynamite.
07:59He is hiding in the building.
08:01And at night,
08:02at midnight,
08:04he enters the flat.
08:06And in the same flat,
08:07he is murdered.
08:10What's going on?
08:12Dynamite.
08:14His murder.
08:16It's a big problem, Abhijeet.
08:18It's a big problem.
08:22Sir.
08:24Yes, Tarika.
08:25Sir, the body you sent
08:27was stabbed
08:28only once.
08:31It was very sharp
08:32which killed him instantly.
08:34Really?
08:35And?
08:36What else did you find out?
08:37And on one of his legs,
08:39above his knees,
08:41there are burn marks.
08:43He got it treated as well.
08:47Tarika,
08:48what did you find out about dynamite?
08:49Sir, as you know,
08:51every dynamite
08:52has a different capacity.
08:54And the dynamite of this capacity
08:56is mostly used
08:57by construction companies
09:00to demolish old buildings.
09:02This powerful dynamite
09:04is not something
09:06that you can buy in the market.
09:08Yes, sir.
09:09It requires a lot of permission
09:11and paperwork.
09:13That's right.
09:14Sir, it's possible that
09:15the dynamite he had
09:16was stolen from a construction company.
09:19Yes, it's possible.
09:21And there must be
09:22a lot of such companies.
09:25We'll have to find out
09:27which companies
09:29use this kind of dynamite.
09:33Abhijeet.
09:34Sir.
09:35Find out from Ajay and Poonam
09:39where the painting woman
09:41bought it from.
10:00Sir,
10:01we didn't find anything
10:02from the two construction companies.
10:04Let's see.
10:06We'll definitely find something
10:07in this remaining building.
10:08Let's go.
10:11Let's go.
10:21Let's meet the managers here.
10:31Look, once the plaster is done,
10:33send two men upstairs.
10:35Excuse me.
10:36Yes, sir.
10:37Are you the manager of this site?
10:39Yes, sir.
10:40We're from CID.
10:42CID?
10:45Look at this.
10:48Dynamite?
10:49Yes, dynamite.
10:51You use this dynamite
10:53to demolish buildings, right?
10:55Yes.
10:56We use this dynamite
10:58to demolish our old buildings.
11:00So, you keep this dynamite?
11:02Yes.
11:03What do you do
11:05for its safety and security?
11:07Sir, we keep it in a safe place.
11:10Not everyone can go there.
11:11Show me where you keep it.
11:13Come this way.
11:14Let's go.
11:18This way.
11:31This way, sir.
11:32Okay.
11:41Come.
11:43Look at this.
11:45These are the dynamites.
11:47And...
11:48this is his account book.
11:50Uncle,
11:51check the boxes.
11:57Sir, we have all the documents.
12:00Sir, we have all the dynamites.
12:02It's very safe.
12:11Sir,
12:13there are six boxes.
12:15Six?
12:16Yes.
12:17Your register says
12:19there are seven boxes.
12:20How can there be six?
12:22No.
12:23There should be all the boxes here.
12:25But...
12:33One...
12:34It must be somewhere here, sir.
12:36It must be here.
12:37Sir, I think a dynamite man
12:38stole it from here.
12:39What happened?
12:40Where is the box?
12:41Who can come here?
12:42Who is authorized to come here?
12:44Call everyone here.
12:52There were seven boxes of dynamite
12:55in the storeroom of your site.
12:57Seven boxes.
13:00One of them is missing.
13:03One box of dynamite
13:05is missing.
13:06One of them is missing.
13:09Who made the box disappear?
13:12Who made it disappear?
13:14Tell me the truth.
13:18You...
13:19what do you know?
13:21Nothing, ma'am.
13:22You don't know anything?
13:25Then why is your head down?
13:28Tell me quickly!
13:31Sir...
13:32Sir, he gave me greed for money.
13:34I see.
13:35I refused him, sir.
13:41Look at this.
13:42Was this the man?
13:43No, sir.
13:44It was a woman.
13:45What?
13:46A woman?
13:47Yes, sir.
13:48It was a woman.
13:49She wanted to give me one lakh rupees
13:51and take the dynamite from me.
13:53Then?
13:54Sir, I refused her.
13:57You are a truthful man.
14:01You refused her.
14:03But the box is still missing.
14:05If you didn't take the money,
14:06the box is missing.
14:07You are lying.
14:09No, sir.
14:10I didn't take the money, sir.
14:12All the money
14:13was in 500 and 1000 notes.
14:15I refused her, sir.
14:17Yes, sir.
14:18But when I came here in the morning,
14:19I saw that
14:20a box of dynamite was missing.
14:22I see.
14:23If you didn't take the money,
14:25she stole the box.
14:26Right?
14:28Make a sketch of that woman.
14:33We will find out
14:35who this woman is.
14:38Sir,
14:39this is the shop
14:40from where Ajay and Poonam
14:41bought that painting.
14:43Come.
14:44Here you will get
14:45the best,
14:46most beautiful
14:47and unique
14:48kind of art.
14:49Look,
14:50we have not come here
14:51to buy anything.
14:52We have come to know something.
14:53We are from CID.
14:56We want to ask you
14:57something about a woman.
14:58A woman?
15:03This is that woman.
15:06Look,
15:07she has committed a murder.
15:09We want to ask her
15:10something regarding that.
15:12And
15:13this woman's painting
15:14was sold from your shop.
15:16I knew
15:17that something had happened
15:18about her.
15:19And it happened.
15:20You knew?
15:21Do you know this woman?
15:23Where will we find her?
15:24Look, sir,
15:25we won't find her here.
15:26She is dead.
15:29She is dead?
15:30Yes,
15:31she is dead.
15:32Fifty years ago.
15:33What?
15:34Fifty years ago?
15:35Yes.
15:36Her name is Malini.
15:37She is from the Rajwadi family.
15:39But
15:40she was murdered
15:41on the wedding day.
15:42Murder?
15:44Who murdered her?
15:45We still don't know.
15:48But people have seen
15:49this woman
15:50at the place
15:51where she was murdered.
15:52Sir,
15:53her soul is in this painting.
15:59And
16:00she still comes here
16:01to take her revenge.
16:03I think
16:04the people there
16:05might have seen
16:06her soul.
16:08Soul?
16:10I don't know
16:11what day it was.
16:12The day I bought that painting,
16:14it was good
16:15that Ajay and Poonam came
16:17and bought it.
16:18I gave it to them cheaply
16:19and I lost my life.
16:21Okay.
16:23I think
16:24someone found out
16:25about Malini
16:26and is using her face
16:27to achieve his goal.
16:30We have to check
16:31that painting again.
16:33Go and get that painting.
16:35Go.
16:40We have to give it.
16:41Tomorrow it will be a murder.
16:42Tomorrow it will be us.
16:43Tomorrow it will be them.
16:44Do you want to give it?
16:45Yes.
16:47Sit quietly for two minutes.
16:48Please.
16:49But how?
16:50Whatever you want to say,
16:51say it one by one.
16:52Please.
16:53Sit.
16:54Tell me.
16:55Look, Mr. Secretary.
16:56As a watchman,
16:57someone comes and murders
16:58in the building.
16:59Anything can happen.
17:01And I usually go
17:02on flights at night.
17:03If all this continues,
17:04it will be difficult for me.
17:07We risked our lives
17:08and followed her.
17:09Look,
17:10I feel
17:11that first of all
17:12we have to tighten
17:13the security in our building.
17:15Because anything can happen
17:16anywhere.
17:19Mr. Ajay,
17:20listen to me.
17:21First of all,
17:22remove that painting
17:23from your house.
17:24Ms. Anita,
17:25what are you saying?
17:26And what does that painting
17:27have to do with murder?
17:28Look, gentlemen.
17:29Now we will not
17:30guard here alone.
17:31That's it.
17:32I am telling you.
17:34Look,
17:35I can't stay in this building anymore.
17:36Oh God.
17:37He has lost his mind.
17:39Excuse me.
17:41I have to leave early tomorrow.
17:42I am going to sleep.
17:47Madam,
17:48you are also blaming us.
17:49You are complaining.
17:58Officer,
17:59and you?
18:00At this time?
18:01Yes.
18:02Actually,
18:03I have come to take that painting.
18:06What is happening?
18:08Oh God.
18:11What should I do?
18:15Watchman,
18:16is there anyone?
18:17Somebody help me.
18:18We have to
18:19interrogate that painting.
18:20I mean
18:22to test something.
18:29Oh God.
18:39Yes, sir.
18:40Take that painting.
18:43Hey,
18:44don't be sad.
18:45As soon as your lovely painting
18:47is done,
18:48I will return it to you.
18:51Okay, sir.
18:52You come with me.
18:53I will tell you.
18:55Help!
18:58Whose voice is this?
19:00The voice came from here.
19:01I am here.
19:02Don't be scared.
19:03Don't be scared.
19:04I am here.
19:05I won't come.
19:06Nothing will happen.
19:07I won't come.
19:08Let's go.
19:09I won't come.
19:13Meghna.
19:14Meghna, what happened to you?
19:15Meghna.
19:16Meghna,
19:17are you okay?
19:18She came here.
19:19She had a knife in her hand.
19:21She came here.
19:22She had a knife in her hand.
19:24She will kill me.
19:26Look,
19:27she came back for the painting.
19:28Throw that painting away.
19:29Throw it away.
19:30Yes.
19:31But where did she go?
19:32We came up the stairs.
19:34Then where can she go?
19:37Is she inside?
19:44Let's go.
19:51Let's go.
19:58Look.
20:19She...
20:20She has left.
20:21She is not here.
20:22She is not here.
20:23Stop.
20:24Stop.
20:29Come.
20:30Come.
20:33Come inside.
20:41Look at this.
20:43What is this?
20:44What is this?
20:45What is this?
20:46The painting woman came back.
20:47She wasn't here just now.
20:48She comes out of the painting to find her prey.
20:51Then she goes back to the painting.
20:53She is a ghost.
20:54She is a ghost.
20:55Yes, sir. She is a ghost.
20:56One minute.
20:57Please calm down.
21:00There is someone here
21:01who is trying to conspire.
21:02She will kill us, sir.
21:03You people are too much.
21:05This woman disappeared from the painting
21:06and went back.
21:07How is this possible?
21:08Sir, we...
21:09Will you keep quiet?
21:11Sir.
21:12Sir.
21:14The watchman is telling the truth.
21:15He is telling the truth.
21:16The woman in this painting
21:18was missing.
21:21I saw it with my own eyes, sir.
21:23Freddy, it is also possible
21:24that someone has changed the painting.
21:26Someone is playing a game.
21:29And it must be one of you.
21:31Because no one came out of the building.
21:32One of us?
21:33You mean to say
21:34that we want to kill each other.
21:37Sir.
21:38When Meghna was attacked
21:40all the people in the building were with me, sir.
21:43Then how can it be one of them?
21:45It is clear that
21:46there is someone else
21:48who is hiding in this building.
21:50Sir.
21:51Can I ask you something?
21:53How can a dead woman
21:54come back 50 years ago?
21:58This is what I am trying to explain to you people.
22:01A dead woman can't come back 50 years ago.
22:04There is someone
22:05who is playing with our minds.
22:06Sir, the mind can deceive.
22:09But not the eyes.
22:10We...
22:11Will you keep quiet?
22:13Yes.
22:16Freddy.
22:17This means it is clear.
22:18This painting is fake.
22:21Fake painting?
22:22Yes.
22:23He will do an expert test
22:24and tell us
22:25if this painting is 50 years old
22:27or 5 days old.
22:44Yes.
22:45What did you find out?
22:47Well...
22:48One thing is confirmed.
22:49This painting is real.
22:50What?
22:52Are you sure this painting is real?
22:54Yes, of course.
22:55This canvas and these wooden frames
22:57are very old.
22:59And this canvas
23:00is almost 50 years old.
23:02I am an art expert.
23:04And you can trust me.
23:06But how can this woman disappear in this painting?
23:09And later
23:10come back in this painting
23:11and later
23:12come back in this painting?
23:15Tell me one thing.
23:16This painting
23:17belongs to whom?
23:19Actually, this painting
23:20was bought in an auction two years ago.
23:22Who bought this painting?
23:23Whoever bought it,
23:25I will have his name in the record.
23:27One minute, sir.
23:35Here it is.
23:37A man named Vikas Kumar
23:38bought this painting.
23:39These are his details.
23:41This is the same man
23:43whose dead body we found in the flat.
23:45Vikas Kumar
23:46has been jailed for a murder.
23:48If he was in jail,
23:49how did he reach the flat?
23:50He must have run away from the jail
23:51and gone to Ajay's house.
23:53Maybe
23:54to buy this painting.
23:56But what is so special about this painting
23:58that Vikas runs away from the jail
24:01and enters Ajay's house.
24:04And there he gets killed.
24:06Wow!
24:08Do you know her?
24:10She must have come here
24:11to meet Vikas.
24:12She is a staff member
24:13of this hospital, sir.
24:14Is it?
24:16Where is she now?
24:17At the temple upstairs.
24:18Show me.
24:19Come.
24:23She is the one.
24:26Hey!
24:28Hey!
24:29You can run away later.
24:31Meet me first.
24:33Come on.
24:35You helped Vikas, didn't you?
24:37To escape from the jail.
24:38Yes.
24:39Vikas was very upset
24:40about his painting.
24:42As soon as he came to know
24:43that his family has sold the painting,
24:46he became very angry.
24:48He wanted that painting
24:50at any cost.
24:53Vikas
24:54was also talking about a woman.
24:57He was looking for her.
24:58Which woman?
24:59I don't know that.
25:01But from what he said,
25:02it seemed
25:03as if there is
25:04a deep bond between them.
25:06Who is this woman?
25:08Another companion of Vikas?
25:09Only someone
25:10who knows Vikas
25:11can tell about her.
25:13And yes, sir.
25:14There was a key
25:15hidden in that painting.
25:19The key he wanted
25:20to get at any cost.
25:22Why did you steal the dynamite?
25:24Vikas told me
25:25to get the dynamite.
25:27And I did it.
25:30What is the matter
25:31with the key?
25:33We didn't find the key
25:34in the painting.
25:38Listen.
25:39I have solved
25:40the riddle of this case.
25:42That's great, Ms. Tarika.
25:43You have solved
25:44the entire case.
25:45Absolutely.
25:46Really?
25:47How did you solve the case?
25:50How?
25:51How?
25:53Sir.
25:54I have come to know
25:55why you didn't find
25:56the key in this painting.
25:58Why?
25:59Why didn't you find the key?
26:00One minute.
26:01I will tell you.
26:03Why didn't you find the key?
26:09Because
26:15this painting
26:17is fake.
26:18What?
26:21The painting is fake?
26:23Tarika, that expert
26:24after doing all the tests
26:26told me
26:27that this canvas
26:28this painting
26:29is 50 years old.
26:31Yes, sir.
26:32It is 50 years old.
26:33But
26:34this painting
26:35is not old at all.
26:37The killer
26:38made this painting
26:39very cleverly.
26:40So that no one knows
26:41that it is fake.
26:45And how?
26:46Sir, the colours used
26:47in this painting
26:48were used.
26:50I tested
26:51these colours.
26:53I found some
26:54special chemicals
26:55in it.
26:56How?
26:57What kind of chemicals?
26:58Mostly, these chemicals
26:59are used in colours
27:00so that
27:01the colours
27:02or the paintings
27:03look old.
27:05But the special thing
27:06is that
27:07these chemicals
27:08have been used
27:09for the last 10 years.
27:10Before this,
27:11these chemicals
27:12were not made.
27:13You mean to say
27:14that this painting
27:15is not 50 years old?
27:16No.
27:17It is not a painting.
27:18It is a canvas.
27:19A 50 year old canvas.
27:23I will have to find out
27:26from where
27:27this 50 year old canvas
27:29was found.
27:31Come, sir.
27:33Sir, we have kept
27:34some unpainted paintings
27:35here.
27:37These are all old paintings.
27:38Some are 50 years old
27:39and some are even
27:40older than that.
27:42Look at this, sir.
27:43All of them are old.
27:45Look at this, sir.
27:47These are all
27:4850 year old paintings.
27:5226.
27:55It doesn't look like 26.
27:57One.
27:58Two.
27:59Three.
28:00Four.
28:01Oh, my God!
28:02What happened?
28:03Sir, two of these
28:04paintings are missing.
28:06Someone stole
28:07a 50 year old painting
28:09and made a fake painting
28:10of Malini on it
28:12and replaced it
28:13with the real painting.
28:14Yes.
28:16Who all come here
28:17to your storeroom?
28:18Sir, only me
28:19and my staff come here.
28:21No one else can come here.
28:23Who all are there
28:24in this staff?
28:25Do you have their details?
28:26Yes, sir.
28:27I will get it right now.
28:31Here you go, sir.
28:32It has all the details.
28:36Pushpa?
28:39She is Ajay's maid, sir.
28:41She is my wife, Poonam.
28:42And she is Pushpa, the maid.
28:45What does she do?
28:46She cleans our place.
28:48I see.
28:50So, Pushpa has cleaned
28:52the place very well.
28:54Now, Jeet,
28:56you have to clean
28:57the entire place.
28:58Abhijeet,
29:00I am sure Pushpa
29:01works for someone
29:02in that building.
29:05Yes, Abhijeet.
29:06I can't see anyone
29:07in the entire building, sir.
29:08Everyone is missing.
29:09I think they ran away, sir.
29:10Sir, the maid's phone
29:11is also switched off.
29:12We are trying to find
29:13her location.
29:14We have checked
29:15every single flat in the building, sir.
29:16All of them are locked.
29:17Forget the men, sir.
29:18There are no birds
29:19in the entire building.
29:20Everyone ran away.
29:22We haven't checked
29:23the basement, right?
29:24No, sir.
29:25Then let's check.
29:26Let's go.
29:29Let's go, sir.
29:36Such a big pit?
29:40A pit under the building?
29:41It was dug
29:42to take something from here.
29:44It seems so.
29:45I think the stuff
29:46hidden in this building
29:48must have come out from here.
29:50Vikas asked the dynamite nurse
29:51to steal it
29:54so that he could
29:55dig such a big pit here.
29:56First, he stole the key
29:57from behind the painting
29:59and now he has left
30:00with the loot.
30:01Yes.
30:02He must have kept the loot
30:03in some locker.
30:05He must have picked up
30:06the same locker from here.
30:08This is all Vikas's plan.
30:10But the murderer
30:11came in between.
30:12Sir, the maid can't
30:13do such a big conspiracy
30:14alone.
30:15She is definitely
30:16helping the murderer.
30:18Sir.
30:19Yes?
30:20Sir, the woman who used to
30:21meet Vikas in the jail
30:22is called Yashika.
30:23Yashika?
30:24Sir, Yashika
30:25was Vikas's lawyer.
30:26And even before going to jail
30:28they had a very close
30:29relationship.
30:32So, Vikas must have
30:33told Yashika about
30:34this loot.
30:35Yes.
30:36Where is Yashika right now?
30:39Sir, a few days ago
30:40a woman called Yashika
30:41came to meet Vikas.
30:43Yashika?
30:45Yes.
30:46Sir, a few days ago
30:47there was a road accident.
30:48And after that
30:49she went into a coma.
30:50Oh.
30:53Sir, is it possible
30:54that after getting to know
30:55Vikas's secret from Yashika
30:58this murderer deliberately
30:59got her into an accident
31:00to get her out of the way?
31:02Yes, it seems so.
31:05This murderer
31:06thinks he is very smart.
31:08But he doesn't know
31:10which move we will take now.
31:13There was nothing of yours
31:14in that building.
31:15Neither a woman
31:16nor a soul
31:17was trying to get all of you
31:18out of that building.
31:23And this was Vikas's plan.
31:25Vikas is the man
31:26whose dead body
31:27we found in Ajay's flat.
31:32Vikas had hidden
31:33the loot in that building.
31:35And he had come to take it.
31:38What loot, sir?
31:40We don't know anything about it.
31:42No one knew anything about it
31:43except the murderer.
31:46He killed Vikas
31:48and took the loot
31:49from there.
31:51And the murderer thinks
31:52that he won't be caught.
31:54To get the loot
31:56the murderer killed Vikas
31:58and then tried to kill
31:59Yashika as well.
32:02He came to know about
32:03the loot from Yashika.
32:07But he doesn't know one thing.
32:10He tried to kill Yashika
32:13but Yashika died
32:14in an accident.
32:16She didn't die
32:17but went into a coma.
32:19And now Yashika
32:20has come out of the coma.
32:24And now Yashika
32:25will tell us the murderer's name.
32:27That's why we have called her here.
32:29Pankaj!
32:31Bring Yashika here.
32:44Pankaj!
33:10Yashika has told us
33:11the murderer's name.
33:12Who is it?
33:16No one will come near me.
33:17Anita, what are you doing?
33:18Anita!
33:19I will shoot her.
33:20I am telling you.
33:21Come with me.
33:22No one will come near me.
33:23I will shoot her.
33:24I am telling you.
33:28Come with me.
33:29Anita, have you gone mad?
33:31Very smart.
33:37Anita!
33:39I had a doubt on you.
33:41You got trapped in my trap.
33:44What did you think?
33:46You are the only one
33:47who knows how to play
33:48by reviving a dead person.
33:49What will you do
33:50just by knowing the name?
33:52You don't know anything else.
33:56Yes.
33:57We don't know anything.
33:59But you will tell us
34:01the rest of the truth.
34:11Yashika
34:13was with a friend
34:14in a restaurant.
34:15She was very drunk.
34:17And I was with her at that time.
34:20And then I
34:22heard everything she said.
34:24What?
34:25What did you hear?
34:27Yashika was Vikas's lawyer.
34:29And
34:30Vikas told her
34:32that he stole diamonds from somewhere
34:35worth 20 crores.
34:37And Vikas
34:38didn't tell anyone
34:39about it.
34:41And he hid those diamonds
34:42in the basement of the building.
34:44Right?
34:45Yes.
34:47And the box
34:48in which he kept those diamonds
34:51could be opened
34:52only with a special key.
34:55And that key
34:56was hidden in that painting.
35:00Yashika
35:01was planning to steal those diamonds
35:03with her friend.
35:06But you heard everything.
35:07So
35:08you thought
35:09why not
35:10wrap those diamonds
35:11myself.
35:13That's why you killed Yashika.
35:15Yes.
35:18And then I
35:19went to that building.
35:21And I
35:22found that painting.
35:24But before stealing those diamonds
35:25from the basement of that building
35:27I had to get all the people
35:28out of there.
35:31And that's why you created a drama.
35:33A drama of a woman with a painting.
35:35Because of which
35:36everyone in the building ran away.
35:39Everything was going fine.
35:41But in the middle
35:43Vikas
35:44managed to escape from the jail.
35:47And I knew
35:48that he would definitely come back
35:49to get his diamonds
35:50and that painting.
35:53And then as a woman's spirit
35:55you killed Vikas
35:58and stole the painting.
36:01To scare people
36:03I gave money to an actress
36:04who looked like Malini
36:05and got all the work done.
36:08And that actress
36:10used to stay in my flat.
36:12That's why no one ever got to know
36:14how she used to disappear.
36:17When we reached the building
36:19you reached there before me.
36:21And from there
36:22you took out the painting
36:23which had the keys
36:24and kept that painting there
36:26in which the knife was fitted.
36:28Yes.
36:30And then
36:31when Vikas tried to take out
36:32that painting
36:52that actress was not there
36:53in Ajay's house.
36:56The watchman saw her
36:58and that was her hologram.
36:59I just
37:01played with his mind.
37:06Wow, Anita ji.
37:07That was a great plan.
37:10But every criminal
37:12makes a mistake
37:13in his plan.
37:16Now sitting behind the bars
37:17of the jail
37:19and thinking
37:21where did you make a mistake
37:23in your plan?