La promesa - Temporada 3 - Ep 412
Transcript
00:01It's about my guest.
00:04But have you all lost your minds?
00:06Alonso, what kind of guest is your daughter's old fiancé?
00:10That's something they have to decide.
00:13What have you brought him for?
00:15The Count of Añil and I are considering resuming our relationship.
00:19So you don't even have any dignity left?
00:21Cruz.
00:23How dare you talk about dignity
00:25when you've been in charge of airing the family's dirty rags against Pelayo and me?
00:29Again with that?
00:30Because it was very serious.
00:31Look, one thing is clear.
00:33If there are dirty rags to air, it's thanks to you.
00:36You dragged Lujan's name through the mud
00:38and you're willing to do it again.
00:41And you, Alonso?
00:43What's the matter? Have you already forgotten what the Count of Añil did to us?
00:45No.
00:47But he seems repentant, or so I want to believe.
00:49Wow, this is incredible.
00:51If my daughter thinks she deserves another chance, it's her decision.
01:00You'd better not be wrong.
01:06Mr. Baeza, have the Count of Añil's belongings taken away and a bedroom prepared for him.
01:10Thank you, Marquez.
01:16Thank you, Father.
01:20I hope I'm doing the right thing.
01:23Mother, I don't know why he's back, but he can leave now.
01:26And if what you want is for him to come back to you, I'm telling you it won't happen.
01:30I think the last time I spoke to you, I was clear enough.
01:33I'll tell you again, I'm not going back.
01:36I'm very happy here and I already told you the last time.
01:39Being the daughter of a Marquess, please.
01:41It's just that I don't want him to understand, I just want him to respect it.
01:44Open your eyes, this is not your place.
01:47It's just that I don't want him to understand, I just want him to respect it.
01:49Open your eyes, this is not your place.
01:52You are my daughter, you are the daughter of a duke, Mercedes.
01:55Don't call me that again.
01:57My name is Vera, here and everywhere, because this is my place.
02:02Honey, I understand perfectly the reasons that led you to take refuge in the promise.
02:07But things have changed a lot since you left.
02:10Your father, even if it's hard for him to admit it, misses you.
02:13He knows that's impossible.
02:14He has given orders that no one touches your room,
02:17that you are always prepared for when you return, because he doesn't want to lose hope.
02:21But every day that passes and this doesn't happen, it goes away.
02:25And the same with your brothers, honey.
02:27You have to come back.
02:29I don't understand how he can ask me something like that.
02:31He knows perfectly well why I left.
02:33I'm sure he would be willing to forgive you.
02:36My father is a monster.
02:38And you know it perfectly well.
02:41When I denounced him, I exposed all the abuses he had committed for so many years.
02:46God knows how much money and how many due favors got him out of prison.
02:51But his name is already stained and that won't forgive him.
02:55I know.
02:56I know it's very difficult.
02:58But if you showed regret, I'm convinced he would forgive you.
03:02And I ... I could protect you.
03:04I don't regret anything, mother.
03:08And I'm sorry to tell you, but your protection comes too late.
03:13Mercedes ...
03:15I don't insist.
03:17Just do me the favor of not coming back.
03:20Neither of us is doing well.
03:23Sometimes there is nothing I can do for you to change your mind.
03:29You know it perfectly well.
03:37I love you.
04:08I'm sorry to interrupt you, ma'am, but I bring you your correspondence.
04:13Do you want me to order you to upload some of Pepe?
04:16Is it too soon for a cognac?
04:19No, better a glass of Laudano.
04:21Even to Ayala's cicuta, I wouldn't disgust her right now.
04:27María Teresa Sánchez de García, this is for you.
04:31Baronesa de Cienfuegos, this one too.
04:33And what should I answer?
04:35Well, tell them whatever you want.
04:37Because in the end, they are going to come up with something much worse against us
04:40and they will apologize for all the liars.
04:43But this, read it to me.
04:46It is from the Duchess of Cerezuelos.
04:48I want to know what she takes into account in everything,
04:51of her feast of coestation.
04:58Dear Marquise,
05:00the reason for these letters is nothing more than the deep ...
05:03To the point, Petra. To the point.
05:06Well, actually, what it is to thank
05:10and comment on the good deed of Miss Martina during the evening
05:14and she is also interested in the state of health of her stepdaughter.
05:18I knew it. What else does she say?
05:21Well, she wants her to feel better
05:24and that when this is the case, she wants to invite you to a piscolabis in her gardens.
05:28She will be gossipy.
05:30Beautiful.
05:32Do you want to know about Catalina? Well, Catalina will know.
05:35Answer her. Answer her. Tell her that Catalina is not as sick as she presupposes,
05:39but that she has been backbiting with Count Descastado.
05:43That is the reason for your anger, isn't it, ma'am?
05:46Not at all. For me, they can turn against each other.
05:49What bothers me is that they have come to make the promise.
05:52It is that Miss Catalina has returned.
05:55You are the key master, Petra. You should be aware of these things.
05:58You forgive me.
05:59But yes, she has returned.
06:01And by the hand of that incompetent and relentless pusillanime.
06:05If you think I can do something to alleviate your anguish ...
06:08Yes, you can. Leave me alone.
06:21Can we talk?
06:25About what?
06:27About the scene you set in the living room in front of Pelayo.
06:30And what? Do you think it was wrong? What should I have done?
06:34Receive him with open arms as if he were another child?
06:36I do not agree with his return either.
06:38No, of course. That's why his luggage is in one of the alcoves.
06:41I do everything for my daughter.
06:43If you want to do something for your daughter, Alonso,
06:46you should force her to marry that impregnable.
06:49What are you saying?
06:51Well, those two have been living together in the count's palace without a carabiner.
06:54Do you need me to explain it to you more clearly?
06:56I do not allow you to doubt the virtue of my daughter.
06:59They have said that not even their relationship is firm.
07:01And what did you expect? For me to explain to you who they have been playing?
07:06If you want to do things right, Alonso,
07:08you should fix the wedding now and then leave.
07:12Or you will have to assume the consequences.
07:26A month later
07:34Yes?
07:39How are you?
07:40In a very big problem.
07:44What happened?
07:47That I have lost one of the pendants that my mother lent me.
07:51Your grandmother's?
07:52Yes.
07:53And I don't know how it could have happened.
07:55Really, I had them, they bothered me, I put them in my bag,
07:58and when I was coming back from the house of the Duchess of Cerezules,
08:01I realized that one had disappeared.
08:03But have you looked well in your bag?
08:05How can I not look well in my bag?
08:08I don't know.
08:09Well, look at it on the bright side.
08:11What? What bright side?
08:13That you still keep one.
08:15Enough to honor your grandmother's memory.
08:17It's just that a single pendant is useless,
08:19because there are things that make no sense without their partner.
08:22I see.
08:23But in the meantime, you have to take care of this one.
08:26This one that appears to match.
08:31What if it never appears?
08:33I have hope.
08:36It's not about hope, it's about reality.
08:39And the reality is that recovering something that has been lost is ...
08:44It's very difficult.
08:45But I believe that with time and patience, everything is possible.
08:52Well, I'm afraid that patience will take too long.
08:57And it will be impossible to recover what has been lost.
08:59No, that won't happen.
09:01No?
09:02No.
09:03Not if you keep the most important thing.
09:06The will.
09:09I don't lack that.
09:12Neither do I.
09:16Can we ...
09:18speak clearly?
09:22Well, that has never been our strength.
09:24Of course.
09:34I love you.
09:38And you love me.
09:41True.
09:45But whenever we have tried to formalize it,
09:48even if it has been between us, well ...
09:51It has not gone badly.
09:56Well, maybe ...
09:59we should not name our love.
10:06Yes, yes, yes.
10:09Okay.
10:10Let's go step by step.
10:12And enjoying what comes, whatever it is.
10:21Everything okay?
10:26Uh ...
10:30What's going on here, Martina?
10:34I've lost one of the pendants I borrow.
10:37I'm sorry.
10:50Thank you very much for receiving me, Mr. Baeza.
10:52Of course, Miss ...
10:54Miss Villamil.
10:57How can I help you?
11:02Look, yesterday ...
11:04I told some of my colleagues that I was in La Promesa just in passing.
11:07I see. But what you need is a job.
11:12The devil knows more about the old man than the devil.
11:15I would not want to put you in a commitment, Mr. Baeza.
11:17You do not put me in any commitment.
11:20Yesterday, as soon as I found out about your visit,
11:22I started doing the relevant management.
11:25Really?
11:26So I could go back to work at La Promesa?
11:30He left a few months ago, but ...
11:32Do you remember Mrs. Carranza?
11:34Yes, of course. Virtudes, Mrs. Simona's daughter.
11:36Well, a few days ago she left her job as a maid.
11:39I don't mean to say that she will be degraded.
11:42No, you left the house as a maid and as such you would return to the service.
11:49I don't know how to thank you, Mr. Baeza.
11:51No, don't do it yet.
11:52I still have to talk to Mrs. Arcos.
11:54After all, she is responsible for the female staff.
11:57Of course, of course. I understand, Mr. Baeza.
12:00In fact, I don't understand how I didn't get your request through her.
12:05Because I understand that your relationship in the past was very good.
12:10Yes, in fact, my first intention was to talk to her, but ...
12:14Let's say that her reception was rather cold.
12:17And I suspect that my husband's presence had something to do with it.
12:21Leave it in my hand.
12:23I know how to convince Mrs. Arcos to accept your reincorporation.
12:30As soon as I have news, I will let you know.
12:35Thank you very much, Mr. Baeza.
12:40There is one more thing I would like to ask you.
12:43You will say.
12:46You see, it's about my husband.
12:48He also had to quit his job after our wedding.
12:51I had to say goodbye to the palace of the duchess and ...
12:54He quit his job in the town's stockade.
12:57And he did it for me.
12:58I understand.
12:59I'm sorry to tell you that right now I have nothing to offer you, but ...
13:03Anyway, tell me what your experience is.
13:06And as far as I can, I will help you find a place.
13:10Really?
13:11Yes. Well, if he was in charge of the stockade, I suppose he will have accounting options.
13:17No, he worked as a waiter.
13:19And has he served before in a renowned house?
13:22He has always worked in the field, in very simple jobs.
13:26But he is a good man and he is always willing to learn.
13:29Well, let's see what can be done.
13:31Thank you very much, Mr. Baeza.
13:33As soon as I have news of Mrs. Arcos, I will let you know.
13:50Oh ...
13:55Psst.
13:57Jara.
13:58Jara.
14:13What is this?
14:19Well, what do you think?
14:24It seems to me that you have advanced a lot in such a short time.
14:28If my calculations are correct, he will not only have greater autonomy than Gleriot,
14:31but he will also surpass Olgatamente in power.
14:35And that means what?
14:38It means that he will not only have greater autonomy than Gleriot,
14:41but he will also surpass Olgatamente in power.
14:45And that means what?
14:47It means that ...
14:50That we could go to our beach in a Santiameno.
14:54Although soon we will have to escape to be able to be together.
15:05How are things in the service area?
15:08I have heard that Simona's daughter has left La Promesa.
15:11Yes, she had to go to take care of her son.
15:15And how is Simona?
15:17Well, with a broken heart.
15:19Because on the one hand she knows that it is best for virtues,
15:22and also for her grandson.
15:23But on the other hand, well ...
15:25She has been separated for a long time.
15:27And it hurts her to leave.
15:28Of course.
15:30And why does she have to leave?
15:33Can't she take care of her son here?
15:35In La Promesa?
15:37Well, look at that, if you could ask your mother,
15:39who is the one who does not want the brides to have children here.
15:43I understand.
15:45In any case,
15:46we thought that Virtude could stay at least in Lujan,
15:50and in fact she got a fantastic job, but ...
15:53Everything went to hell.
15:54Why?
15:56Well, because she was going to work taking care of the parish,
16:00but you know that Don Fermín left Lujan.
16:03If I am honest with you, lately I have been doing very little with the church.
16:08But anyway, the new priest will have arrived, because he does not work for him.
16:11That's what we all think,
16:13but it turns out that the priest who replaces Don Fermín,
16:16well, he is a young priest,
16:18and he wants to do things his way.
16:20And what does that mean?
16:21That he does not want to have anyone at his service.
16:25And then, who is going to cook or do the laundry?
16:28Forgive me, but it's hard for me to believe a man with a sotana in front of the stoves.
16:31Yeah, and cleaning a stain on his clothes.
16:37Soon he will change his mind.
16:38You'll see.
16:40You say it, I'm sure.
16:42I am.
16:44I know he will have arrived with great desire, I do not argue with that,
16:46but I assure you that soon they will be taken away from him.
16:49The moment he meets his new faithful Beatones,
16:52he will have so many gossip and criticism that he will not have time to fry an egg.
16:59Cheer up.
17:01You will see how sooner or later Simona is back with her daughter and her grandson.
17:05Yeah.
17:07I'm not like that for that, I'm like that because ...
17:10when talking about ours, our wedding, the beach ...
17:16I have remembered that Don Romulo knows about us.
17:20We have already talked about it.
17:22There is nothing to worry about.
17:24I'm not worried, Manuel, it's just ...
17:27I'm ashamed.
17:29Ashamed, why?
17:32Well, because I lied to him,
17:33and because now I have to cross him through the corridors and I don't even know what face to put on him.
17:39My love,
17:41those ghosts are only in your head, I assure you.
17:45Do you think I have never thought that ...
17:48I don't know, I would have liked our story to be different.
17:51And do you know what I do when that happens?
17:54I immediately discarded that idea.
17:58Wouldn't you have liked ours to be a little easier?
18:04No.
18:07Because our story,
18:09as it is with its difficulties,
18:12is what has made us get here.
18:15And I wouldn't change that for anything in the world.
18:20Come.
18:25Manuel, what's going to happen to someone?
18:30Why don't we meet this afternoon?
18:33No, I can't.
18:35This afternoon I have stayed with my mother to go to the theater.
18:39Don't make that face.
18:42You know I would stay with you all afternoon.
18:45But I owe it to you.
18:46I know, fool, that you don't have to make excuses for me to go see your mother.
18:51Now I have to be with her more than ever.
18:54Because ...
18:56I'm sure that when we get married,
18:59something will break between her and me.
19:04I'm very sorry, Manuel.
19:07You don't have to apologize.
19:10I have already assumed it.
19:12And now my mother will have to assume that there is nothing I say or do that changes a bit the love I feel for you.
19:20I love you.
19:23And I love you.
19:29What's going on, Manuel?
19:32I'm sorry, I can't help it.
19:50Damn my stamp!
19:52Don't curse me, Candela.
19:53I've cut a little bit.
19:56I already told you that it was not a good idea for me to prepare the mayonnaise.
19:59And why is that? You've done it a thousand times.
20:01Because I'm with those days.
20:03You know.
20:04With Huana Menés, the one who visits you every month.
20:08But are you still in those?
20:10What's wrong? Do you think it's weird?
20:14It will be better if you make the mayonnaise.
20:16Come on, don't be silly.
20:18It has nothing to do with one thing or another.
20:19They are old monsergas.
20:21At least it looks like it.
20:23Have you added the apocryphal oil?
20:25No.
20:26Add a little bit and mix it as if it were tomorrow.
20:29Don't be silly.
20:30What surprises me is that it has ever worked for you.
20:33Listen to me.
20:34You have to add the oil little by little.
20:36Where are you going?
20:37To throw it away.
20:38That's why I've added a little bit of oil.
20:40No, no more oil.
20:41Water.
20:42Water?
20:43Yes, a splash of hot water.
20:46You add it and you start to mix it well until it binds.
20:49This is the first time I've heard of water.
20:51Listen to me.
20:56Good afternoon, Mrs. Petra.
20:58What can I do for you?
20:59I just came to tell you that tonight two more commissioners will have dinner with the gentlemen.
21:04Ah, and that?
21:05Do we have guests in the house?
21:07No guests.
21:08It's about Miss Catalina.
21:10Ah, that's great. She's already back.
21:11And Count de Añil too.
21:13What?
21:14And how did that man become La Promesa?
21:17He must have a lot of courage to set foot here again.
21:21Or a few, it will be.
21:23Well, it's better if you get used to it.
21:25Because he probably spent a good time here.
21:29Since he came.
21:30How did Mr. Marquez allow it?
21:32Well, enough nonsense.
21:33What they needed to know, I've already told them.
21:36So now to work.
21:45Have you heard the same thing I've heard?
21:47I'm shorter than the mayonnaise.
21:49Now the one up there has to be riding a good one.
21:52Yes, as a father and a very good man.
21:55And why did that man have to be born?
21:58Now that he's married, he hasn't given up.
22:01Because he doesn't know anything about mass.
22:03There is a person who does know.
22:05And it's Catalina.
22:06Josefa, bring the water.
22:08Yes.
22:09Let's see, let's see what else.
22:11Little by little?
22:12No, just a little bit.
22:13A little bit?
22:14Yes.
22:16It's the first time I do it.
22:23I'm very glad to have you back, sister.
22:26Thank you for doing me the favor of telling me where I had gone.
22:32They don't deserve it.
22:33And of course not.
22:34I'm sure I made a good fuss after I left.
22:36And above all, because I had left.
22:38The normal thing.
22:39My mother screamed in heaven and my father didn't like it.
22:43I'm so sorry.
22:46But if I had spoken to them, they would never have let me go.
22:49I know.
22:52As I also know the real reasons for your departure.
22:56Pelayo smuggled with weapons.
23:01They told you.
23:04I'm very sorry I told you at the time, Manuel, but I didn't want to worry you.
23:08Catalina, you don't have to justify yourself, I'm not judging you.
23:10If you hadn't told me at the time, you'd be right.
23:13But I already told you, be very careful.
23:18Besides, this is not going to come out for free.
23:22When the time comes, I will ask for your understanding back.
23:26Is it a joke or are you serious?
23:28I've never spoken more seriously.
23:30And what do you want?
23:33All his due time.
23:35Why don't you keep talking about Pelayo?
23:37Have you managed to put your feelings in order?
23:41Well, the truth is not.
23:43But yes, we have made something clear to both of us.
23:46Thank goodness.
23:47Hey, don't make fun of me.
23:49Oh, sorry.
23:51Those days we've been together have helped us realize that there is still something alive between us.
23:59And that we can't let the past stain it.
24:02So you're going to give him a new chance.
24:04Yes.
24:05I don't know where this will take us, but ...
24:09But I'm listening to what you told me.
24:11I'm giving myself the luxury of doing something that doesn't make much sense.
24:17What I don't understand is how you're going to do it, being here and him in his palace.
24:20No, he's in La Promesa.
24:23In La Promesa?
24:26Well, it's clear that I spend too much time in my study with my sketches.
24:29I didn't even find out what's going on in the real world.
24:31Well, I thought your mother's screams had been heard all over the palace.
24:38And what did Father say?
24:41Well, at first it was hard for him, but he ended up agreeing.
24:47So you can say later that you're not his favorite.
24:51Are you jealous?
24:53You know, a little bit, yes.
24:57And even more now.
24:59Because I've known you for a long time and I haven't seen you so happy, sister.
25:05Although you wouldn't have made the imprudence of leaving him alone in there.
25:08No, no, no. He's resting in his room.
25:11And I trust they'll leave him alone there.
25:13Don't worry.
25:15But why don't the three of us go for a walk together?
25:18A walk?
25:20Do you want to?
25:23Sister, I can't. I have to meet my mother to go to the theater.
25:27And I'm sure she's been waiting for me for a long time.
25:31See you later.
25:33Yes, yes.
25:34Come on.
25:41Go to the theater with the Marquise.
25:50Mrs. Arcos is about to arrive.
25:54Well, while she arrives, I wanted to talk to you about a private matter.
25:59Your son?
26:00No, no, no, no. It's not that. No, thank God, no.
26:04The reason is very different.
26:07This morning, the Duchess of Carril has shown up at the palace.
26:12Without a warning.
26:14And she wasn't looking for the Marquise, or the Marquis, or Mrs. Margarita.
26:20And look, she came in through the service door.
26:25Well, start telling me that nonsense, because what you're telling me has no head or feet.
26:30Well, I'm afraid that no matter how much I tell you, this will continue to be like this.
26:33Who was she looking for then?
26:35Well, according to her own words, the cooks.
26:38She needed the recipe for the pastries that were served at that snack.
26:42It was enough to have sent a note, if she had answered with the recipe, back.
26:47Well, that's what I told her.
26:48That's what I told you.
26:50Yes, but she excused herself by saying that, curiously, she was close to the promise,
26:54and she decided to make the message in person, so as not to bother.
26:57That's what she told you?
26:59Yes, word for word.
27:01And did she get the recipe?
27:03Well, I hope so.
27:05Don't you know?
27:07No, no, because in the end she didn't talk to Simona or Lope.
27:10She talked to Vera.
27:12And why did she talk to Vera?
27:14Well, the Duchess saw her, recognized her from the snack,
27:16and asked who was serving her.
27:18I wonder if Miss González doesn't have the slightest notion of pastry.
27:22Well, apparently she knows the recipe for the so-called pastries.
27:25At that time, the only thing that occurred to me was to give them the office
27:28so that they were away from indiscreet looks.
27:31You did very well.
27:33The presence of a cook in the service area would have been, at the very least, irregular.
27:36Did anyone else see her, apart from Miss González and you?
27:39As far as I know, no.
27:41Well, keep it that way.
27:42A cook shouldn't have ears of a Marquis, much less of a Marquise.
27:49Mrs. Alcos is taking a long time to arrive.
27:52Do you want me to go get her?
27:54No, look, we'd better take the opportunity to update you on the subject we're going to talk about,
27:59which is quite tricky.
28:01Isn't it about the substitute of virtues?
28:03That's right.
28:05My proposal is a lady you already know because she was here until recently.
28:08Yes, Miss Villamil.
28:10Yes, you already know the palace that has that of Pellegudo.
28:14Well, that girl was the fiancée of the late son of Mrs. Alcos.
28:20And she's no longer a lady because she's married again.
28:26And you already know this, Mrs. Pedro.
28:36What do I have to know?
28:40Nothing.
29:07Thinking about the cobwebs?
29:08Yes.
29:10Look, you could fall off a tree trunk and get a sprain.
29:15No, I was thinking about my things.
29:18I've been looking for you all day and we haven't been able to meet for lunch.
29:22It's just that it's been a complicated day.
29:25I see.
29:27Are you worried about the position of First Lady?
29:30Of the Count of Matesán, right?
29:31Yes.
29:37And have you already thought of an answer?
29:40Are you going to leave or are you going to stay?
29:43I just don't want anything you don't want, María.
29:46Salvador, please stop talking about the dead. We're talking about you, not me.
29:50It's okay, it's okay. I know it's my chance.
29:53And I also feel prepared to be the first on the street and I know I won't get it here.
29:57Look, I know it's your dream.
29:58No, María.
30:00That's not my dream.
30:03I don't want to be a street or a mayor or anything.
30:11All I want is to save money to finally be free.
30:16My dream is to be with you.
30:20That's my dream.
30:22And tomorrow, well, to be able to have a house together.
30:25With a garden, with animals.
30:29To be able to have all the children we want.
30:32But without mandates.
30:35To be free. I just don't want any more.
30:38And I would be fully happy that way.
30:44Well, then ...
30:48Then go.
30:52But María.
30:54But María, you're the first.
31:00That's precisely why, Salvador.
31:03Because your dreams are my dreams.
31:07And if we're going to get it, we have to be separated for a while.
31:12Or whatever.
31:16Really?
31:23Yes.
31:35I promise that as soon as it's enough, we'll go together.
31:42I'm going to miss you so much.
31:46I miss you, María.
31:48Every second of my life.
31:49Why are you exaggerating?
31:51I'm not exaggerating.
31:54I love you with all my soul, María.
31:58And I love you.
32:00Realmoso.
32:20The request of Mrs. Villamil arrives at the best possible time.
32:24Since after Mrs. Carranza's departure, we have run out of female staff.
32:29But I didn't want to take the step before consulting with you.
32:33Undoubtedly, it is our best option.
32:35And why is that?
32:37Well, because she knows the palace.
32:40She was working here in the past, as a maid.
32:43You have said it.
32:45As a maid.
32:46And virtue of being a simple maid.
32:48What did she intend?
32:50To degrade her?
32:52No, if you're right, you're right.
32:54Mrs. Carranza was a simple maid.
32:56But the reason was that she did not know the functions of a maid.
33:00But Mrs. Adarre always had the intention, from the first moment,
33:04to promote her as soon as she was ready.
33:07So we are willing to hire her as a maid,
33:10if that's what worries you.
33:17I agree.
33:20Are you willing to accept that we hire her?
33:24Are you so surprised, Mr. Baeza?
33:27I thought you would deny me because I have seen you arrive with your husband.
33:32I have to confess that it has hurt me a lot to see that
33:36I have forgotten my son so soon.
33:39But here we are judging whether she is suitable or not to cover Mr. Tello's position.
33:44And indeed, she is the best for it.
33:48So let her join as soon as possible.
33:51There is a lot of work to do.
34:01Well, in the end it was not so difficult.
34:03To see, to believe.
34:05Now, I hope this does not bring a tail.
34:08But I'm afraid it will.
34:13Don't turn around, Margarita.
34:16We will go to a jewelry store that I know in Seville
34:19and you will be able to choose the earrings you prefer.
34:22Look Ignacio, I thank you for the effort you make to cheer me up, but
34:27no matter how much I appreciate your gift, it will not be able to replace that earring.
34:31Are they so important to you?
34:34Well, they are my late husband's gift of request.
34:37I understand.
34:40Well then, I propose something else.
34:43This jewelry store that I know is a true artist.
34:46We will take the earring and ask him to make another jewel.
34:50I don't know, a ring, a gargantilla, whatever you prefer.
34:53So you can always carry the earring with you. What do you think?
34:57Well, I think it's very good.
34:59Thank you very much, Ignacio.
35:01Well, I have to go.
35:02What do you think?
35:04Well, I think it's very good.
35:06Thank you very much, Ignacio.
35:08I don't know what I would do without you.
35:10Fortunately, there is no need to discover it.
35:16Sorry.
35:18I interrupted you.
35:20No, not at all. I was leaving.
35:22I have to discuss some matters with Lorenzo before dinner.
35:33I'm sorry.
35:35Really, I know ...
35:37I know you're angry with me because Grandma's earrings were very important to you.
35:41And I really understand, but ...
35:43I'm so sorry.
35:45Martina, don't worry.
35:48I know it was ...
35:50It was a mistake.
35:52Don't get it wrong because I'm not angry.
35:54What I am is ...
35:56It's sad.
35:58I still remember ...
35:59I remember ...
36:01the first night I put them on.
36:03The night your father gave them to me.
36:06We were having a party at your grandfather's ranch and I remember that it was ...
36:10a warm night
36:12and that everything was imbued with the sweet smell of orange.
36:16And your aunts made burrata.
36:18The Andalusian lady.
36:20They told me.
36:22But well, that didn't last long.
36:24It didn't last long because everyone's heart was won right away.
36:26Especially mine.
36:29He was so handsome.
36:31My daughter, so handsome.
36:33With that jacket, so martial.
36:35With that beard.
36:37That I felt ...
36:39I felt the happiest woman in all of Spain.
36:42And besides, those earrings matched my dress perfectly.
36:46Or I found out they were his mother's.
36:51But what I remember the most is ...
36:56that when I was dancing with him,
36:58hugging your father,
37:04I felt that he was capable of everything.
37:06Martina.
37:08Whenever he was by my side.
37:12Well, I guess I've always tied that memory to those earrings.
37:17Don't cry, daughter.
37:19Don't cry because Ignacio is right.
37:23Look at me.
37:25That memory is not in those earrings.
37:27Martina.
37:30Because that memory is here.
37:35And now it's also here.
37:42That's it.
37:52Treat them more carefully.
37:54Don't you see that if you wrinkle them ...
37:57They're going to be a mess.
38:07Do you want me to help you, ma'am?
38:11No.
38:12And I'm not going to go down to dinner,
38:13so you can pick up all those dresses.
38:16How about the theatrical fusion?
38:19A little bit.
38:21They intend to make it seem intellectual,
38:23something that is nothing more than a recharged pomposity.
38:25I'm sorry it wasn't to your liking.
38:28In the end, it's better this way.
38:30Because Manuel was also looking like a horror.
38:32So we left in the middle of the night
38:35and we took the opportunity to take a walk in the cool of the afternoon.
38:39I'm glad you were able to enjoy it with your son.
38:45Teresa Villamil has returned.
38:48That's right.
38:50Tomorrow she will be reinstated in her position as a maid.
38:53Yes, Mr. Pellicer has already told me.
38:55So not all of them are coming back.
38:57What I don't understand is why you haven't told me.
39:00The mayors arranged it that way, ma'am.
39:04And since when has it been an impediment for you to get ahead?
39:07At first glance, it hasn't been necessary.
39:11You're uncomfortable with his return, aren't you?
39:14I thought you had a good relationship with her.
39:18It was your son's promise, wasn't it?
39:21That's right.
39:23Then stop being mysterious and tell me what's going on.
39:31Leave.
39:42She's back with ...
39:45with her husband.
39:47What?
39:52Well, you've been in a hurry, haven't you?
39:55What do they call you?
39:58And why didn't you tell me at first?
40:01You know as well as I do that we don't talk as much as we used to, ma'am.
40:05I just thought it wasn't in your interest.
40:09It is true that our communication is less fluid than before.
40:14As it is also true that your performance in your tasks leaves much to be desired.
40:17I put all my dedication and effort into it, ma'am.
40:21Don't justify yourself, Petra.
40:23I need you to find me a personal maid now.
40:26I only see useless people in my bedroom.
40:29It's not an easy task, ma'am.
40:32But if you allow me to combine my functions as a keymaker ...
40:36No, I need someone who doesn't have as many other important functions as you.
40:40All right, ma'am.
40:42As you say, you have your keymaker tasks.
40:44You know what?
40:46I want Teresa as a personal maid.
40:50Let's see what she has learned with that duchess.
40:53Would you prefer to try with another one?
40:56Vera, for example.
40:58I said Teresa.
41:01As you wish, ma'am.
41:03Tonight I will have dinner here in my bedroom.
41:08As you wish, ma'am.
41:09Tonight I will have dinner here in my bedroom.
41:13As you wish, ma'am.
41:39As you wish, ma'am.
41:48Is there no one available to lend a hand, Mr. Romea?
41:51No, I offered myself to Mr. Pellicer to do it alone.
41:54Don't worry, I'll be in a moment.
41:56For dinner?
41:58Yes.
42:00No, but it's not necessary, sir.
42:02No, that way we'll be calmer, you and me.
42:04Besides, I'm not going to drop the rings.
42:07The more responsibilities of service you acquire,
42:10the more humble you have to be.
42:12The important thing is to get the job done,
42:15not who does it.
42:17That's a good advice.
42:19I'm sure you will apply in the future.
42:24Have I said anything wrong?
42:27Don't you want to be the first to drop the ring?
42:31That's exactly what I wanted to talk to you about, sir.
42:33Yes, but it's for now.
42:35Right now, in La Promesa,
42:37we don't need to cover that position.
42:40It's not in La Promesa.
42:42Have you received a job offer from any other company?
42:47In the Palace of the Counts of Matesán, sir.
42:50I see.
42:52And do you have any doubts about whether to accept it or not?
42:55Actually, the decision has already been made
42:58and I'm going to accept that job.
43:00But I hope it has nothing to do with old rings.
43:03For my part, it's all in the past.
43:05And for mine too, sir.
43:07It's all forgotten.
43:09Well, in that case,
43:11I have no choice but to congratulate you.
43:15You have chosen the wrong destiny.
43:18I am convinced that you will leave the name of La Promesa
43:21very high in that house.
43:23I trust that, sir.
43:25And if I do it right, it will be all thanks to you,
43:28who is the best teacher you can have.
43:30Don't give me the cold shoulder,
43:33because it won't do you any good
43:35if you don't work in this house.
43:37Thank you very much, Mr. Baeza.
44:00As far as I know,
44:02there is no intention of opening a trade route
44:04until the situation in the Atlantic calms down.
44:06Well, I hope it's soon.
44:08With half of Europe at war and America blocked,
44:11I'm going to lose my harvests, and with them, my savings.
44:14You should have chosen a more lucrative business,
44:16like the arms business.
44:18Yes, I've read it.
44:201,500 million dollars for the Yankee arcs.
44:22And that counting legal sales to the allied side.
44:25Good evening.
44:27Good morning.
44:29Cruz won't have dinner with us tonight.
44:31She's tired after the theatrical performance
44:34and she asked me to excuse her.
44:36The play was so bad.
44:38Terrible.
44:40We can't wait to see the whole play in the interact.
44:43We go out with our feet in the dust.
44:46When you go to a town theater,
44:48you have to go with low expectations.
44:50I don't agree.
44:52I've seen works in Luján and Tinerantes
44:54that were pretty good.
44:56Can I know why there are two extra sets?
45:00Good evening.
45:02Good evening.
45:04Good evening.
45:06Sorry for the inconvenience.
45:08We went for a walk
45:10and Lluís took his time.
45:13I think I owe you all an apology.
45:16It's not necessary, Pelayo.
45:18Even so, if you allow me, Marqués.
45:25I know that my departure from this palace
45:27was hasty
45:29and I'm aware that it wasn't in the best of circumstances.
45:32To put it mildly.
45:34Although I want to add
45:36that I'm not guilty of the accusations
45:38that were made later about me.
45:40And maybe I don't deserve it,
45:42but I still want to take the risk
45:44and ask you to give me another chance,
45:46just like Catalina did.
45:50It's a great pleasure for me
45:52to welcome you back to the palace, Mr. Count.
45:54Thank you, Manuel.
45:56Welcome, Pelayo.
46:00I was very happy
46:02when your sister told me
46:04that you had returned from the front safe and sound.
46:08I was happier, I assure you.
46:11It must have been a pride
46:13to fight for good and democracy.
46:15Don't say it with such admiration, Mr. Count.
46:17You also played a relevant role in that war.
46:20And what was it, if I may ask?
46:22Margarita, let's not spoil the dinner
46:24by talking about the war.
46:28I think now I understand
46:30the indisposition of the Marquise much better.
46:32Ignacio.
46:34What?
46:36I've taken my place.
46:38The least I can afford
46:40is to make a joke.
46:42Your place? I didn't know.
46:44Leave him alone, Ayala.
46:46I'm not going to let anyone
46:47keep bothering my guest.
46:49If I've bothered you,
46:51why didn't you tell me yourself, Mr. Pelayo?
46:54I've heard my sister, Mr. Count.
46:56Let her be.
46:58He's our guest.
47:00Everyone's.
47:02The family's.
47:04That's enough. What do you want?
47:06For this to become a school fight?
47:11You apologize for this totally unjustifiable lack of decor.
47:14The Count is a guest of my daughter Catalina.
47:17He'll stay in the palace as long as the two of them agree.
47:20And I don't want a single more insidious comment.
47:44I was looking for Ms. Manuel Expósito.
47:46No, no.
47:48I've only come to clean.
47:50At this time of night?
47:52Yes.
47:54I'm sorry.
47:56I'm sorry.
47:58I'm sorry.
48:00I'm sorry.
48:02I'm sorry.
48:04I'm sorry.
48:06I'm sorry.
48:08I'm sorry.
48:10I'm sorry.
48:12I'm sorry.
48:14Well, I wanted to take advantage of the fact that Mr. Manos had gone to the theater with his mother
48:18so as not to disturb.
48:20You should go down to the service area immediately.
48:22Ms. Arcos is looking for you.
48:24Right away.
48:26One second.
48:28Our key lady can wait a moment.
48:31Do you need anything from me?
48:34We have a conversation pending.
48:39You and I have to speak clearly.
48:44Yes.
49:01Good evening.
49:06You did well to retire so soon.
49:10Ayala and Lorenzo's veins have not taken a minute to jump to Pelayo's neck.
49:15He deserves it.
49:18And how about this afternoon with Manuel?
49:21He has already told us that the theater was a tragedy, although he did not intend to be.
49:26If he has already told you, why do you ask me?
49:31Cruz, I know you're angry with me.
49:34But at least tell me the reason.
49:38Whatever it is, I'm sorry.
49:40All I want is for us to be fine.
49:43You don't need to be brave to come to me now with that.
49:47My apologies are sincere.
49:48Tell me that I have failed you and I will do everything I can to fix it.
49:51There are things that once they are broken, they cannot be reassembled again.
49:56Well, then I will fulfill my penance.
49:59But at least tell me what my fault is.
50:00What for?
50:01If you know it perfectly.
50:02If I knew it, I would not insist, Cruz.
50:04Don't make me tell you out loud.
50:06That's what I'm asking you.
50:07I'm not going to go through that humiliation.
50:10Mom, I'll go until you tell me.
50:12I know what happened to Maria Antonia.
50:14You were unfaithful to me, to my best friend and to my own house.
50:18Is that what you wanted to hear?
50:27Since you stepped foot in the palace, the life of the Lujan has only become more complicated.
50:31And what else does the life of the Lujan give you?
50:33He is nothing more than a guest.
50:34For a very long time, by the way.
50:37I'm not saying anything.
50:39But you have to have little dignity to present yourself here after what happened.
50:42Well, that's enough.
50:43He's going to accept the job of First Lacayo.
50:46So he's leaving.
50:47Yes, but our wedding is maintained.
50:50And our time will come.
50:52Because it will come, right?
50:54I'm going to try, really.
50:55It's not enough to try, I also need to work.
50:58There is plenty of work, you should have insisted more.
51:00Talk to whoever you have to talk to and convince them.
51:02Let's not go back to that.
51:03Let's not go back to that.
51:05He thought he was over it.
51:06Yes, and for my part he is not.
51:07But here there are those who seem not to want to forget it.
51:10It is that you have returned with the cause of everything.
51:13He understands that we need time.
51:15I met Marcelo shortly after arriving at the palace of the Duchess and two weeks later we were already dating.
51:20You had to like it, huh? To date in such a short time.
51:24Some people forget soon, right?
51:28And then it's Petra, the one who messes with Teresa.
51:30Come on, leave me alone.
51:31Leave me alone.
51:32I don't mess with anyone, huh?
51:34I only eat what I see.
51:39The earring I lost at the snack, mother.
51:41I knew it was yours.
51:43But where did you find it?
51:45At the exit of the Duchess's house.
51:47Inside I had looked at her earrings because I thought they were beautiful.
51:51Vera, listen to me.
51:52I feel very bad not being able to help you with all this, really.
51:55I know you help me.
51:58The simple fact of talking to you already calms me down.
52:02And you can only do it the times you need it.
52:04Well, I hope there aren't many.
52:07That if my mother continues to appear around here, in the end they will discover who I really am.
52:12I'm Curro.
52:13Nice to meet you.
52:15Curro, from Francisco.
52:18Yes, Francisco de la Mata.
52:19At your service.
52:21Okay.
52:22Julia!
52:23Julia!
52:24Let's sit her down.
52:31Let's sit.