A crazed killer escapes from an asylum and goes on a murder spree, all connected with his fetish for physical perfection. He assumes the identity of his twin brother, a famous and respected architect. A beautiful woman, unaware of his true identity, hires him to make some changes to her house. Complications ensue.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00All right. I'm in great shape, aren't I, Doctor?
00:00:22Are you?
00:00:23Fantastic.
00:00:24Yes?
00:00:25The perfect specimen.
00:00:26If you say so.
00:00:27Oh, I do.
00:00:28I mean, so it is.
00:00:30Just look at me.
00:00:31Look at you.
00:00:32And yet we're about the same age, aren't we, Doctor?
00:00:37Close enough.
00:00:38Yes.
00:00:39Certainly the same size.
00:00:40I mean, that jacket of yours would fit me perfectly, wouldn't it?
00:01:23Perfect.
00:02:59So many people.
00:03:08I'd almost forgotten there were so many people.
00:03:12Oh, how pretty.
00:03:21I'd forgotten there were such pretty people.
00:03:26It's not something I'm in the habit of, you know, letting myself get picked up by strange
00:03:32men.
00:03:33But there was something about you that...
00:03:36Oh.
00:03:37My husband.
00:03:38Ex-husband.
00:03:39We've been divorced for three years.
00:03:44Well, what shall we drink to?
00:03:48A fortuitous meeting?
00:03:50Fortuitous?
00:03:51Oh, no.
00:03:52No, I made the running.
00:03:55I mean, as soon as I saw you, I wanted to know you.
00:03:59Why?
00:04:00Well, the street out there is full of pretty girls.
00:04:03I mean, I've often wondered, how does a man make a choice like that?
00:04:08Well, there was something...
00:04:14There was something about you.
00:04:17Perfection.
00:04:18Perfection?
00:04:19Oh, come on.
00:04:20No, no, no.
00:04:21I thought you were perfect, quite perfect.
00:04:24Well, you're not spared yourself.
00:04:27Oh, no, I'm flawed.
00:04:29Like the occasional diamond.
00:04:31But you are perfect.
00:04:34And here we are in this perfect little apartment, first meeting.
00:04:40The atmosphere is full of romantic tensions.
00:04:46It's a perfect situation.
00:04:52What a pity it won't last.
00:04:56Well, it never does, does it?
00:04:59The male-female relationship starts out all pink and frothy,
00:05:05and then you have the teeth in the glass, hair curlers in bed,
00:05:09the rows, the quarrels, the disillusions.
00:05:15That's why I like to end it at the pink and frothy stage.
00:05:19End?
00:05:24Yes.
00:05:26While it's still perfect.
00:05:34The perfect end to a perfect meeting.
00:05:43© BF-WATCH TV 2021
00:06:13© BF-WATCH TV 2021
00:06:44© BF-WATCH TV 2021
00:07:10Steve! Steve!
00:07:13Steve!
00:07:16Dr. Stiles!
00:07:19Dr. Stiles!
00:07:21Swelling, swelling.
00:07:43© BF-WATCH TV 2021
00:08:09Is that all?
00:08:10No. No, the kitchen sink is coming, I pray.
00:08:18Well, my friends told me to take the car.
00:08:22Actually, I just came up here to see the cathedral.
00:08:25They said, take the car.
00:08:26I said, no, no, no.
00:08:27The train will be much more relaxing anyway.
00:08:29I'm not going to buy that much, maybe a souvenir or two.
00:08:36Well, your old English towns are very seductive, you know.
00:08:40I'm glad you did.
00:08:42And take the train.
00:08:44Perfect way of meeting you.
00:08:47You know, I feel I know you already.
00:08:50You only saw me a few seconds ago.
00:08:52Well, I'm a man of instant impulses.
00:08:55And this way you present the opportunity.
00:08:58Whereas I usually have to make the running.
00:09:02I didn't realize you Englishmen were so predatory.
00:09:05Well, not predatory at all, no.
00:09:07No, I've been on this train for two hours now and I'm bored.
00:09:11No offense.
00:09:12Spelling, Bob Spelling.
00:09:14Patricia Heron, but call me Patty.
00:09:17Patty.
00:09:24What do you do?
00:09:25Guess.
00:09:31I don't have an idea.
00:09:32All right then, I'll give you a clue.
00:09:34If I were applying my work to you, I'd say...
00:09:38Underpinning, splendid.
00:09:40Penthouse area, beautiful.
00:09:43And the middle stories...
00:09:46You're a professional sex mania.
00:09:50No?
00:09:52Well, um...
00:09:54What, a surveyor?
00:09:55Architect.
00:09:58Well, you're just the man I want to see.
00:10:00I told you, I'm buying myself a house.
00:10:02Well, it's kind of a Victorian monstrosity,
00:10:05but it has great possibilities for improvement.
00:10:08I just don't have an idea in my head how to improve it, that's all.
00:10:12Where is it?
00:10:13Merringmore, right out in the country.
00:10:17Well, tell me about it.
00:10:19Mrs. Carlson?
00:10:22Mrs. Carlson?
00:10:48Shh.
00:11:13No!
00:11:15No!
00:11:19Okay.
00:11:20Through here.
00:11:22Then give you a...
00:11:24Patio area.
00:11:27Right through here.
00:11:29That's marvellous.
00:11:31Just some first wild ideas.
00:11:33Wild? It's perfect.
00:11:35Well, until you know the hidden snags,
00:11:37I'm afraid perfection takes a little more than that.
00:11:40Or without actually seeing the place.
00:11:44That could be arranged, couldn't it?
00:11:46You don't even know if you could afford me.
00:11:48It's true.
00:11:50But I'm sure we could work something out.
00:11:53Yes, I believe we could.
00:11:56But I must warn you that my services come high.
00:12:01You are predatory.
00:12:03Yes, I am now.
00:12:05There's something about you.
00:12:07We've only just met, darling.
00:12:09I told you I was a man of instant impulses.
00:12:12I follow them through.
00:12:13If you'll excuse me.
00:12:23I could make it tomorrow.
00:12:26Hm?
00:12:27To take you out to see my house.
00:12:29Well, yes.
00:12:30Yes, that would be fine.
00:12:32Why don't we do that?
00:12:33And perhaps we could have dinner afterwards.
00:12:36Look, here's my address.
00:12:38And I'd better know where to reach you
00:12:40in case anything goes wrong.
00:12:42Yes.
00:12:45A card here.
00:12:48Take that.
00:12:50I could make it about 12 o'clock.
00:12:53How's that?
00:12:54That would be perfect.
00:12:59Doctor?
00:13:01Here.
00:13:03Take these.
00:13:13Ah.
00:13:17Hours ago, you say, Doctor?
00:13:19Well, it was this morning when he...
00:13:29What time is it now?
00:13:31Past three.
00:13:34Then it is ours.
00:13:37Oh, God.
00:13:39Inspector.
00:13:41Inspector, look.
00:13:43He's wearing my clothes.
00:13:45Dark brown.
00:13:46Stripe suit.
00:13:47Don't worry.
00:13:49Could have changed half a dozen times since then.
00:13:53He's a time to be miles away, a time to be anywhere.
00:13:58And God help anybody he picks up on the way.
00:14:11Hello, Bob.
00:14:14Good God.
00:14:16I drew the curtains.
00:14:18Just like old times.
00:14:22I'm sorry.
00:14:24I'm sorry.
00:14:26I'm sorry.
00:14:28I'm sorry.
00:14:30I'm sorry.
00:14:32I'm sorry.
00:14:34I'm sorry.
00:14:36I'm sorry.
00:14:37I'm sorry.
00:14:38I'm sorry.
00:14:40How'd you get in here?
00:14:42You don't ever change, do you?
00:14:44The spare key was where it always was.
00:14:47Just above the door.
00:14:49Conventional.
00:14:51Yes.
00:14:53Yes, I'm still the kind of man that doesn't like his fiancée to be unfaithful to him.
00:14:58Oh, come on, Bob.
00:15:00One tiny lapse.
00:15:01Yes, just the one I could prove.
00:15:03I explained.
00:15:04Yes.
00:15:06Yes, your explanations were always persuasive.
00:15:11Persuasive in other ways, too.
00:15:15You haven't forgotten.
00:15:22You can't have forgotten.
00:15:28Can't we have a drink?
00:15:31Relax.
00:15:40Get out.
00:15:51Get out, Jenny.
00:15:53Oh, Bob.
00:15:55Oh, Bob.
00:15:57Jenny, will you get out?
00:16:00Bob.
00:16:01Please get out or I swear I'll...
00:16:04But you can't have forgotten, Bob.
00:16:08We had something.
00:16:10Something good.
00:16:13I was spoiled.
00:16:17Now get out.
00:16:33Get out.
00:16:50I don't give up easily.
00:16:54I'll be seeing you.
00:17:03I'll be seeing you.
00:17:33I'll be seeing you.
00:18:03I don't know.
00:18:13Spelling.
00:18:20Hi, it's me again.
00:18:22All right, all right, I'm not going to badger you.
00:18:25My car wouldn't start.
00:18:26I phoned the garage from the phone box across the road.
00:18:29They're working on it now.
00:18:30It shouldn't take long.
00:18:31So I was forced back here by...
00:18:34a technical conspiracy.
00:18:39Oh, come on.
00:18:41You don't hate me that much, do you, Bob?
00:18:43Make me stand outside in the cold.
00:18:47Hey, can't we call a truce?
00:18:50Maybe have a drink?
00:18:54Come on, Bob.
00:18:56What do you really think of me?
00:18:58I don't think of you.
00:18:59I don't think of you.
00:19:01That's ironic.
00:19:03Because I think of you, Bob.
00:19:05Often.
00:19:08We...
00:19:11We had some good times.
00:19:12Jenny, I'm tired.
00:19:15That's my car.
00:19:19Prearranged signal.
00:19:22I could probably prove that one, too.
00:19:27Oh, well.
00:19:30Oh, thanks for the drink.
00:19:32Jenny, don't come here again.
00:19:34Remember, I don't give up easily.
00:19:36Please, Jenny.
00:19:38For your own sake, don't come here again.
00:19:41Okay.
00:19:43I'll be seeing you.
00:19:59Bye.
00:20:23That was perfect.
00:20:26Just perfect.
00:20:29Just perfect.
00:20:57Dorothy?
00:21:00Dorothy?
00:21:03Dorothy!
00:21:19I only got the...
00:21:20The briefcase came, so he was...
00:21:24Did he speak?
00:21:25No.
00:21:30Wait a minute.
00:21:32He...
00:21:33He did say something.
00:21:36Yes?
00:21:38What did he say?
00:21:39I don't know.
00:21:41It didn't make sense.
00:21:43Something about perfection?
00:21:47Why, yes.
00:21:51That's the man you saw, isn't it?
00:22:00Oh.
00:22:02God.
00:22:27Oh, God.
00:22:31Oh, God.
00:23:01Oh, God.
00:23:32Bob?
00:23:36Bob?
00:23:39Bob, I know you're there.
00:23:42Bob?
00:23:53Meanie took the key away.
00:23:56Spare key outside.
00:23:59Oh, yes.
00:24:02Yes.
00:24:10But you still opened the door to me.
00:24:12Why?
00:24:15I was curious.
00:24:17You're not going to throw me out?
00:24:20Why should I want to throw you out?
00:24:23You look wonderful.
00:24:25Hey, this is a different man today.
00:24:27Back to normal.
00:24:29I knew you couldn't completely forget.
00:24:32What about that drink now?
00:24:35Drink?
00:24:36Oh, yes, of course.
00:24:37What would you like?
00:24:38The usual.
00:24:40Vodka martini.
00:24:42I'm sure you haven't forgotten that.
00:24:46I was just kidding.
00:24:48But you're actually smiling.
00:24:54It's a smile of...
00:24:56adoration.
00:24:57What?
00:25:00You smell good, too.
00:25:03Fresh.
00:25:06I didn't completely spoil everything then?
00:25:10Spoil?
00:25:13I'm not going to let you spoil anything.
00:25:16There won't be time.
00:25:28Come on.
00:25:29Come on.
00:25:56Sorry.
00:25:57But Mr. McKay says you just have to approve these right away.
00:26:00Oh, no.
00:26:27Hello?
00:26:42Hello?
00:26:43Yes?
00:26:44Bob?
00:26:46Is this Bob Spelling?
00:26:50Yes.
00:26:51Oh, hi. This is Patty Aaron.
00:26:54Oh.
00:26:55Now, don't tell me you've forgotten.
00:26:58Yesterday on the train.
00:27:01Oh, no, of course I remember you, Patty.
00:27:04How are you?
00:27:05I'm fine.
00:27:06Except I'm busy.
00:27:08Busier than I expected, as a matter of fact.
00:27:10That's why I'm calling.
00:27:11I don't want to cancel or anything like that.
00:27:13It's just that I can't get away when I thought I could.
00:27:18I still want to take you out to see my house, though.
00:27:21It's just that I'm going to be late.
00:27:24That's all right.
00:27:25Oh, good.
00:27:26The thing is, it would be easier if I picked you up.
00:27:30I've got my car and I don't work too far away from where you are.
00:27:34Yes, well, fine.
00:27:36Okay, good.
00:27:37Listen, I'm not going to have time to change,
00:27:39so you're just going to have to accept me with all my imperfections.
00:27:44Imperfections?
00:27:46Huh?
00:27:47You said imperfections.
00:27:49Yeah, well, you know what I mean.
00:27:52Listen, I could be there by, I don't know, 12, 12.30.
00:27:56How's that?
00:27:58All right.
00:27:59Okay, fine.
00:28:01I'll see you then.
00:28:02All right.
00:28:03Oh, Patty.
00:28:04Yeah?
00:28:05Yeah, you'll be alone, won't you?
00:28:08Well, sure, of course.
00:28:11See you then.
00:28:19Bye.
00:28:28Now, come on.
00:28:29That can wait.
00:28:32This can certainly wait.
00:28:34This can wait.
00:28:35All this stuff can wait.
00:28:37Patty, you can't just...
00:28:39Tell McCain you just missed me.
00:28:41Patty's finished for the day.
00:28:43Go on now.
00:28:44All right.
00:28:49Come on.
00:29:19Come on.
00:29:50Are you proud of me?
00:29:53I said, are you proud of me?
00:30:19Oh, my God.
00:30:49Is it Patty?
00:30:50Yes.
00:30:53You're early.
00:30:59Hello.
00:31:03Why all the barricades?
00:31:05Expecting the bailiffs?
00:31:11Oh.
00:31:12What a nice room.
00:31:16Can I look around?
00:31:19Sure.
00:31:28It's what I expected from you.
00:31:40Oh, what a shame.
00:31:42One of your figurines has its head missing.
00:31:44Did it have an accident or something?
00:31:49You had me worried.
00:31:50Worried?
00:31:54Imperfections.
00:31:56I can't see a single one.
00:31:58Imperfections?
00:32:00Oh.
00:32:02Well, they're all powdered over now.
00:32:09Is this your father?
00:32:14He's a very fine-looking man.
00:32:17Has the same intensity you do.
00:32:18He was very much shorter than he looks in the portrait.
00:32:23Where are you parked?
00:32:24Just on the next block.
00:32:27Shall we go?
00:32:30Oh, all right.
00:32:34Just one moment.
00:32:39Traveling incognito?
00:32:41I burned the midnight oil last night.
00:32:43My eyes get tired.
00:32:49Where did he go?
00:32:53That chatty man of yesterday.
00:32:56I'm sorry.
00:32:58Oh, don't be.
00:32:59If you like being quiet, it's all right with me.
00:33:04Hello.
00:33:05It's all right, Miss Bridges.
00:33:07It's all right.
00:33:10It's all right.
00:33:13It's all right.
00:33:15It's all right.
00:33:17It's okay.
00:33:18This isn't Terry Spelling.
00:33:20This is Bob Spelling, his brother.
00:33:23His twin brother.
00:33:25And even though I know it, I must admit, I still get a bit of a creepy feeling when I see him.
00:33:30Twin brother?
00:33:32I am sorry, but when I saw you...
00:33:33Oh, it's understandable. We are identical.
00:33:37You all right now?
00:33:41Now, Mr. Spelling, about your brother...
00:33:43Yes, well, as soon as I knew he was out, I came right over.
00:33:46I don't know what I intended to do or what I thought I could do.
00:33:50Go home.
00:33:51Leave it to the authorities.
00:33:52Go home?
00:33:53Well, that's easy to say, but he is my brother.
00:33:55I mean, what if he does what he did before?
00:33:58He already has.
00:34:00I'm afraid your brother has already murdered one woman and attacked another.
00:34:07Now, the police are keeping quiet about it at the moment.
00:34:10They don't want to start any panic.
00:34:13So why don't you just go home, Mr. Spelling?
00:34:17You all right?
00:34:19Oh, yes, I'm all right.
00:34:22Did something bad happen yesterday?
00:34:24Something bad?
00:34:26Well, a business or domestic problem?
00:34:31You are quiet and different today.
00:34:42I'm sorry.
00:35:12I'm sorry.
00:35:30What the hell?
00:35:33What is this?
00:35:36Sorry about that, sir.
00:35:38I'd hate to be talking to the wrong man.
00:35:40For God's sake, you know me, Fillory.
00:35:42Yes, I know how to check the difference between you and your brother.
00:35:45He is a scar there and you haven't.
00:35:47Yes, well, you might have damn well asked.
00:35:50I haven't got a warrant to be here.
00:35:52But you're not going to make a fuss about that, are you, sir?
00:35:54Not under the circumstances.
00:35:57Now, I blame myself for not thinking of it earlier and staking the place out.
00:36:02Must have missed him by inches.
00:36:04Where is he now?
00:36:05Just about to ask you the same question.
00:36:07How would I know?
00:36:09Oh, some favourite spot he had when he was more normal.
00:36:14Some perfect little place.
00:36:17Oh, so that's him there.
00:36:20Your father.
00:36:22Doctors say it was all his fault.
00:36:24This rejection of anything perfect, of perfection.
00:36:31Your father's standards were very high.
00:36:33Perhaps too high to live up to.
00:36:35Terry was in a very bad car crash.
00:36:36So were you, sir.
00:36:38Same crash.
00:36:40Yet you?
00:36:42Unaffected.
00:36:45Now, take this.
00:36:47What is it?
00:36:48Oh, just a bit of bureaucracy.
00:36:49It says who you are.
00:36:51More important, it says who you're not.
00:36:54Carry it about for a few days.
00:36:56Save you a lot of aggravation.
00:36:57Few days?
00:36:58Well, yes.
00:36:59Brother's very intelligent, smooth.
00:37:01He knows how to lie low.
00:37:04What?
00:37:07Yes, that puzzled me too.
00:37:09What was he looking for?
00:37:12Well, how would I know?
00:37:13Question is, did he find it?
00:37:14I wouldn't know that either, would I?
00:37:16You've no idea at all where he might be headed for?
00:37:19No, none at all.
00:37:23Well, don't forget to carry the card.
00:37:27I'll see you later.
00:37:28See you later.
00:37:29Well, don't forget to carry the card.
00:37:38Just a minute.
00:37:41He usually does this afterwards, doesn't he?
00:37:44Well, that is...
00:37:45Check the rooms again.
00:38:00Ah.
00:38:02Nothing, sir.
00:38:18Mr. Spanak.
00:38:29Mr. Spanak.
00:38:51Well?
00:38:55It's big.
00:38:57Top marks for observation.
00:39:01What about this?
00:39:06Well, this is it.
00:39:10The stairway.
00:39:12Remember you said it was the vital consideration.
00:39:15Whether it could be enlarged so that it would support a spiral staircase in wrought iron.
00:39:20Hmm.
00:39:22Hmm?
00:39:23What does hmm mean?
00:39:25It'll do.
00:39:26Ah, good, good.
00:39:28What about your idea for knocking down this dividing wall here
00:39:31and leaving the staircase suspended in space, huh?
00:39:36It's possible.
00:39:38You're awfully noncommittal today.
00:39:40Yesterday you said you'd just have to look at it to know...
00:39:42Yes, yes, yes.
00:39:43Well, it will work.
00:39:45And, uh, now the dining area.
00:39:50What, after there?
00:39:52Well, I thought you said you wanted to look down to the garden.
00:39:56Oh, yes.
00:39:58Yes.
00:40:01What, after there, then?
00:40:04Well, you can't knock that wall down, you know.
00:40:07It's a couple of feet thick.
00:40:09It's a support wall.
00:40:10Even I know that.
00:40:14It really was a mistake coming out here today, wasn't it?
00:40:18Something's bothering you.
00:40:22No, only you.
00:40:32Hello?
00:40:33Hello, dear.
00:40:34Hello.
00:40:35Hello.
00:40:37Hello.
00:40:38Hello.
00:40:39Anyone here?
00:40:41Mr. Holland.
00:40:42Ah.
00:40:43In here.
00:40:44Miss Heron.
00:40:45Thought I saw your car.
00:40:46The estate agent.
00:40:47It is dusty in here.
00:40:48Mm-hmm.
00:40:50Uh, Mr. Holland, uh, this is Mr...
00:40:53Bob.
00:40:54Just call me Bob.
00:40:55How do you do?
00:40:56Mr. Holland.
00:40:57Mm-hmm.
00:40:58Bob is an architect.
00:40:59Ah.
00:41:00He's going to give the place a facelift.
00:41:02Well, it certainly needs it.
00:41:03Oh, not that the structure isn't sound.
00:41:05You know, I, uh, wouldn't have sold it to you if it wasn't sound.
00:41:07No, the structure of the place is fine.
00:41:09Ah, there.
00:41:10I told you, Miss Heron.
00:41:11It's not perfect, but, uh, it could be.
00:41:13And will be, I'm sure.
00:41:14And, uh, you know, what's, uh...
00:41:18What's more?
00:41:21Mr...
00:41:22Bob.
00:41:23I told you to call me Bob.
00:41:25Uh, what's the matter, Mr. Holland?
00:41:27Uh, nothing, Miss Heron, nothing.
00:41:30I just wanted to make sure it wasn't vandals in the house.
00:41:32I, uh, I must go now.
00:41:33You don't have to.
00:41:34No, I must go, I really must.
00:41:35I, uh, nice to have met you, Mr. Bob.
00:41:37See you again.
00:41:38Goodbye.
00:41:39I'll see him out.
00:42:04Oh, damn.
00:42:35PHONE RINGS
00:42:46Hello?
00:42:47Patty.
00:42:48No, I'm afraid Miss Heron's gone.
00:42:50Who is this?
00:42:51Uh, Spelling, Bob Spelling.
00:42:53Oh.
00:42:54So you're the architect?
00:42:55Yes.
00:42:57What?
00:42:58I don't understand.
00:43:00Surely Patty is with you.
00:43:03Well, you haven't taken any notes or made any measurements, have you?
00:43:06No, I've seen everything I want to see.
00:43:09Oh.
00:43:10What?
00:43:11It's dust.
00:43:13It...
00:43:14It blemishes you.
00:43:16Spoils the illusion.
00:43:18The illusion?
00:43:19Yeah.
00:43:21Shall we move on?
00:43:22Where to?
00:43:24I want to show you my new place.
00:43:28Thank you, goodbye.
00:43:29Goodbye.
00:43:31Inspector.
00:43:34I forgot that I'd had a date with a girl.
00:43:37I've just telephoned her,
00:43:39and I was told that she'd talk to me
00:43:41and then come over here to pick me up.
00:43:44Well, I didn't talk to her.
00:43:47Cut your hand.
00:43:48Huh?
00:43:49Your hand, look.
00:43:51Yes, so have you.
00:43:53You're right.
00:43:54These old houses can be a hazard.
00:43:59Goodbye.
00:44:00Goodbye.
00:44:29Goodbye.
00:44:53Mr. Bradley.
00:44:55By, Godfrey, you are like him, aren't you?
00:44:59You know you're all over the front page.
00:45:02Or rather, he is.
00:45:03Not that it makes any difference.
00:45:06Huh.
00:45:07You're like us two peas.
00:45:16You never told me about him.
00:45:18Oh, why should I?
00:45:19He didn't build your house.
00:45:21Oh, touchy.
00:45:23You should have told me about him, though.
00:45:24Why? Would it have made any difference?
00:45:26Of course it would have made a difference.
00:45:27I see, yes.
00:45:28You want your fee back?
00:45:31You've never liked me, have you, Spelly?
00:45:33Don't bother to deny it.
00:45:34You never have.
00:45:36I didn't come here to gloat.
00:45:37It's good and bad in every family.
00:45:39And I am sorry about this, about your brother.
00:45:41I really am.
00:45:43I wouldn't wish it on anyone.
00:45:44Now, how about a drink, eh?
00:45:45In here?
00:45:46Huh.
00:45:47You know, I, I really...
00:45:50I've never seen anything quite like this.
00:45:54Not in California or...
00:45:57Well, even Bel Air.
00:46:00Well, it is my most considered work.
00:46:04Father would have liked it.
00:46:07He's dead now.
00:46:08Car crash.
00:46:09But he would have liked this.
00:46:11The symmetry.
00:46:13He was a stickler for things like that.
00:46:17Everything had to be right in its place.
00:46:21Yes, I know exactly what you mean.
00:46:23I've known people like that.
00:46:26Perfectionists, eh?
00:46:27Yes, he was.
00:46:29Yes.
00:46:31You know, I told you he was small, but...
00:46:35He, he towered over you.
00:46:39You know, dominated you.
00:46:41Suffocated you.
00:46:44He wasn't small, but by God, sometimes I wish he had have been.
00:46:50You're a little bit hung up about him, aren't you?
00:46:54But after all, you're...
00:46:56You're your own man now.
00:46:58Mature and successful, certainly.
00:47:01You ought to try and think of him in a...
00:47:03Oh, a mellower way.
00:47:05Think of the good times.
00:47:08Yes.
00:47:11Well, it seems that Lady Gifford has got a double bath.
00:47:14A double bath?
00:47:15Double.
00:47:16Like twin beds.
00:47:17Two gigantic baths alongside each other.
00:47:20Well, it impressed Martha.
00:47:21She's been on about it all the week.
00:47:22She wants the same.
00:47:24Oh, well, it's not quite as simple as that.
00:47:25Easy to arrange.
00:47:26All you've got to do is shove one in alongside the other.
00:47:28Well, that isn't quite the way it's done, Mr. Bradley.
00:47:31Besides, space is limited.
00:47:32You might have to knock out a wall.
00:47:34Yes, I know, but you're the brilliant architect.
00:47:36Well, I suppose it could be done, but we have already decorated and...
00:47:39Let's go and see to it, then.
00:47:41What, now?
00:47:42Oh, sure.
00:47:43That's how I made my first million.
00:47:45Wanting something, going right in after it.
00:47:47Come on, let's go.
00:47:48It's not quite convenient.
00:47:49Look, I know you've got a problem,
00:47:50but maybe this problem will take your mind off the other problem,
00:47:52if you follow me.
00:47:53Yeah?
00:47:54Come on.
00:47:56All right.
00:47:58Look, why don't we see the rest of the house?
00:48:01Oh, I'd love it.
00:48:03Oh, dear.
00:48:06It's ruined.
00:48:07Well, not exactly ruined.
00:48:08Yes, it is, damn thing!
00:48:10I mean, it...
00:48:11It was perfect, and now it's ruined.
00:48:13Don't worry, I can fix it.
00:48:15Fix it?
00:48:16Sure.
00:48:17That's how I started out in the fashion business, you know.
00:48:19Sewing.
00:48:20If I can find a needle and thread, I can fix it good as new.
00:48:23Good as new?
00:48:24Mm-hmm.
00:48:25Where would I find it?
00:48:26Upstairs?
00:48:27Hmm?
00:48:28A needle and thread.
00:48:29Where?
00:48:30Upstairs?
00:48:31Yes, yes, upstairs.
00:48:32Okay.
00:48:33Listen, don't worry.
00:48:34Won't take me long.
00:48:45Be as good as new.
00:49:15Okay.
00:49:45Huh?
00:49:46Huh?
00:49:47Huh?
00:49:48Huh?
00:49:49Huh?
00:49:50Huh?
00:49:51Huh?
00:49:52Huh?
00:49:53Huh?
00:49:54Huh?
00:49:55Huh?
00:49:56Huh?
00:49:57Huh?
00:49:58Huh?
00:49:59Huh?
00:50:00Huh?
00:50:01Huh?
00:50:02Huh?
00:50:03Huh?
00:50:04Huh?
00:50:05Huh?
00:50:06Huh?
00:50:07Huh?
00:50:08Huh?
00:50:09Huh?
00:50:10Huh?
00:50:11Huh?
00:50:12Huh?
00:50:13Huh?
00:50:14Huh?
00:50:15Huh?
00:50:16Huh?
00:50:17Huh?
00:50:18Huh?
00:50:19Huh?
00:50:20Huh?
00:50:21Huh?
00:50:22Huh?
00:50:23Huh?
00:50:24Huh?
00:50:25Huh?
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00:50:27Huh?
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00:51:20Huh?
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00:51:24Huh?
00:51:25Huh?
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00:51:27Huh?
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00:51:30Huh?
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00:51:55Huh?
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00:52:01Huh?
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00:52:07Huh?
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00:52:10Huh?
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00:52:12Huh?
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00:52:15Huh?
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00:52:17Huh?
00:52:18Huh?
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00:52:20Huh?
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00:52:22Huh?
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00:52:25Huh?
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00:52:27Huh?
00:52:28Huh?
00:52:29Huh?
00:52:30Huh?
00:52:31Huh?
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00:52:35Huh?
00:52:36Huh?
00:52:37Huh?
00:52:38Huh?
00:52:39Commuters in the metropolitan area were again delayed by civic...
00:52:48What, do you see anyone?
00:52:49No.
00:52:50Right.
00:52:55Why don't you call the police? You've got a phone.
00:52:59Police?
00:53:00I don't need the police.
00:53:03If they're not in the grounds, they'll be in the house, in my house.
00:53:05I suppose you've got a license for that.
00:53:06Oh, I don't need a license. It works fine without one.
00:53:34Underground trains and commuter trains were delayed.
00:53:39The search for Smerling is now nationwide.
00:53:44Since his escape, he's already killed two people.
00:53:47And members of the public are warned that he is extremely dangerous.
00:53:51And if seen, he should on no account be challenged or approached.
00:53:54The police should be contacted immediately.
00:53:59What are you doing in my house?
00:54:01Your house?
00:54:02Yes, my house. This is my wife's bedroom.
00:54:06All right, young lady. The police will deal with you.
00:54:09Wait a minute. Hey, listen to me. I...
00:54:12Hey.
00:54:15Let me out. Please.
00:54:28Hey, I was right. There's a girl in there, half naked.
00:54:32Very pretty, too.
00:54:33All we've got to do now is find the man.
00:54:35Well, if it's a girl, there's bound to be a man.
00:54:38Did you find anything downstairs?
00:54:41You feel all right?
00:54:46You look different.
00:55:36Hey.
00:55:38Wake up.
00:55:40Wake up, please.
00:56:05Patty?
00:56:28Stay there.
00:56:30Patty, it's me.
00:56:31I know.
00:56:33I know about you.
00:56:34Oh, please, Patty.
00:56:35You're a killer.
00:56:36Please, Patty.
00:56:38Don't. Don't.
00:56:39I'll shoot you. I mean it.
00:56:42Oh, no, no. Please.
00:56:43Please, don't make me shoot you.
00:56:46Patty, what do you think I was doing out there?
00:56:50I was calling the police.
00:56:52You're pointing that gun at the wrong man.
00:56:55No, I'm afraid not the wrong man.
00:56:57No, no, please, Patty. Just listen to me, just for one moment. Please.
00:57:02You are pointing the gun at the wrong man.
00:57:06I know this is going to be difficult for you to understand, but please, look.
00:57:10I have a brother, Terry, a twin brother.
00:57:15A twin brother?
00:57:16Yes, an identical twin, and you've been with him all day.
00:57:22I know it's difficult for you to understand, and you don't have to take my word for it.
00:57:28Look, he came at me.
00:57:31We had a fight.
00:57:32I knocked him out, and I put him in the bar there behind you.
00:57:35In the bar behind you.
00:57:39You don't have to take my word for it. You can see for yourself.
00:57:42Now, look, the control panel's there.
00:57:44Look, just open it up and see for yourself.
00:57:55You open it.
00:57:57Yes, right.
00:57:59Right.
00:58:01Right.
00:58:32Patty.
00:58:36Patty.
00:58:38Patty.
00:58:40Patty.
00:58:41Patty.
00:58:45Patty.
00:58:47This is my brother.
00:58:49My poor brother.
00:58:51You're identical.
00:58:52Absolutely.
00:58:55I could have shot you.
00:59:00It's all right now, Patty.
00:59:02Your brother, that's just awful.
00:59:04Yes, I know.
00:59:05Patty.
00:59:06Patty.
00:59:08You're with the wrong man.
00:59:10You're with the wrong man, Patty.
00:59:12You've been with the wrong man all day.
00:59:16I'm afraid he was always a good liar.
00:59:20Oh, look, Patty, you picked him up at my flat.
00:59:23He was hiding there.
00:59:25Oh, come on now.
00:59:26You know we made the arrangements on the telephone.
00:59:29Ask him about your house
00:59:31and the alterations we discussed.
00:59:37Oh, there were so many.
00:59:39There were the spiral staircase,
00:59:42the extension to the dining room.
00:59:45Ask him how we first met.
00:59:48Well, on the train.
00:59:49All right.
00:59:53Ask him.
00:59:55What were you wearing?
00:59:57Now, ask him that.
01:00:05What was he wearing?
01:00:09Well, you know, I'm sorry, but, you know, I, um...
01:00:13I seldom really notice women's clothes,
01:00:15only the woman inside.
01:00:20Which train was it that we were on?
01:00:22Where was it coming from?
01:00:25You remember that, don't you?
01:00:27I mean, what's it matter now that we're here together anyway?
01:00:34I don't know.
01:00:36It really doesn't matter.
01:00:39I guess now that we're here together...
01:00:41Patty!
01:00:42No, Patty!
01:00:43Shut up!
01:00:47He's, um...
01:00:49He's really making me very nervous.
01:00:52Why don't we get out of here,
01:00:54go someplace different altogether?
01:00:58Why don't we go back to your place?
01:01:00Oh, yes.
01:01:02We can be alone there.
01:01:04Yes.
01:01:05Good.
01:01:07Good.
01:01:09Listen, I'll get the car, and, uh...
01:01:14You know, I've, uh...
01:01:15I've left my bag upstairs.
01:01:18Would you mind going up and getting it for me?
01:01:21And, uh...
01:01:22I'll meet you down by the car.
01:01:24Oh, Patty.
01:01:28Patty.
01:01:30Did you really think I was that stupid?
01:01:33Hmm?
01:01:35Oh, Patty.
01:01:38Patty.
01:01:51Patty.
01:02:21You were always the lucky one.
01:02:24No.
01:02:27Oh, yes.
01:02:29Always Dad's favorite.
01:02:32He didn't have favorites.
01:02:37The lucky one.
01:02:48Oh, she's beautiful.
01:02:52Oh.
01:02:55She's...
01:02:58Perfect.
01:02:59Hmm?
01:03:20How could he have had a favorite?
01:03:22Hmm?
01:03:25There was no way of telling us apart.
01:03:29Hmm?
01:04:00Oh, yes.
01:04:01Yes.
01:04:02Yes.
01:04:03Yes.
01:04:04Yes.
01:04:05Yes.
01:04:06Yes.
01:04:07Yes.
01:04:08Yes.
01:04:09Yes.
01:04:10Yes.
01:04:11Yes.
01:04:12Yes.
01:04:13Yes.
01:04:14Yes.
01:04:15Yes.
01:04:16Yes.
01:04:17Yes.
01:04:18Yes.
01:04:19Yes.
01:04:20Yes.
01:04:21Yes.
01:04:22Yes.
01:04:23Yes.
01:04:24Yes.
01:04:25Yes.
01:04:26Yes.
01:04:27Yes.