• hace 2 meses
**Description:**

Dive into the intriguing world of self-absorption and human connection in our latest video as we explore Richard Ayoade's avant-garde film *Submarine*! Join us as we unpack the profound themes presented by protagonist Oliver Tate, who challenges our innate narcissism and the way we perceive our lives as personal movies.

Discover how our egocentric tendencies extend beyond film into the realm of music, where heartbreak anthems resonate deeply within us, making us feel uniquely understood. We’ll also touch upon fascinating studies from the University of Toronto and insights from Christopher Drösser's *The Seduction of Music*, revealing how quickly we can identify our favorite songs—even when played backward!

Whether you’re a film buff, a music lover, or simply curious about the psychology behind our self-centered nature, this video is packed with thought-provoking content that will leave you reflecting on your own experiences. Don’t forget to like, comment, and subscribe for more explorations into the human experience!

**Watch now and join the conversation!**

#SubmarineFilm #RichardAyoade #MusicPsychology #HumanNature #SelfAbsorption #FilmAnalysis #EmotionalConnection #AvantGardeCinema #TheITCrowd #SongRecognition #PsychologyOfMusic #YouTubeFilmReview
Transcripción
00:00Yesterday, I had the pleasure of watching a notably avant-garde film that has recently
00:10hit mainstream theaters, Submarine, directed by the delightfully nerdy Richard Ayoade,
00:16known for his role in the iconic series The IT Crowd.
00:20The film opens with a profound monologue from its protagonist, Oliver Tate.
00:25Most people only think about themselves as if there was no one else with them.
00:30This motivates them to get up every morning, eat, and walk as if nothing is happening.
00:37Oliver even fantasizes about having his life perpetually recorded by a camera, reflecting
00:42our innate belief that we are the stars of our own personal movies.
00:47This self-absorption is why so many travelers lament the influx of tourists to pristine
00:51destinations, yearning to keep such places to themselves.
00:56Despite the presence of mirror neurons in our brains, which suggest a capacity for empathy,
01:02we remain fundamentally egocentric.
01:05Even our alliances and friendships often serve our deeper, often subconscious, desire to
01:11perpetuate our genetic lineage.
01:14Acts of self-sacrifice, too, can be traced back to this primal drive, much like how masturbation
01:20tricks the body into thinking it's spreading its DNA.
01:23Sacrifice can enhance our reputation, indirectly boosting our chances of genetic success.
01:29Yet, both can sometimes end in futility, masturbation in a tissue, sacrifice in the grave.
01:37This self-centeredness extends into the realm of music.
01:41When a song about heartbreak resonates with us, we often feel as though it was written
01:45specifically for our own experiences.
01:50Songs become personal anthems of our egocentrism, and we may even grow resentful when they gain
01:55widespread popularity.
01:57I knew it before it became disgustingly commercial, we often say.
02:02The connection between music and emotion is profound, as I've discussed in previous articles.
02:09We can identify a beloved song from just a few notes, much like recognizing an old friend.
02:16Take Angie by the Rolling Stones, for instance.
02:19Its opening chord is a simple A minor, yet to those who cherish the song, the first vibration
02:25of the strings is unmistakable.
02:28In 1999, Jen Schellenberg from the University of Toronto conducted an experiment to determine
02:34how quickly people could identify songs.
02:38The study concluded that half of the participants could recognize musical fragments in less
02:42than a second, even when the music was played backward or when high frequencies were suppressed.
02:49Christopher Drosser elaborates on this in his book The Seduction of Music, noting that
02:54similar findings have been observed by researchers like Hannes Raffester from the University
02:59of St.
03:01Poulton and Emanuel began from the University de Burgundy.
03:05Remarkably, it didn't matter whether the participants were musicians or not.
03:11So, whether it's through the lens of a quirky film or the strings of a familiar song, our
03:15egocentric nature is a fascinating aspect of the human experience, one that continues
03:20to shape our perceptions and interactions in profound ways.

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