Salón de té La Moderna - Ep 217
Transcript
00:00Iñigo didn't do it with malice. He was just wrong.
00:08And if he was wrong, shouldn't you forgive him?
00:14I don't know if I can, Clarita. It hurt me a lot that he doubted me.
00:20Well, you're the older sister. You'll know what to do. But I don't want you to be sad.
00:27Of course not. But for that I have my little sister to cheer me up.
00:32Don't worry about me. I'll tell you how things are going. And together we'll solve it.
00:39Do you agree? I agree.
00:42Very good. And now tell me something to cheer me up.
00:46I'm very happy. I have a new friend.
00:51Come on, what's her name?
00:52Lara. She's very, very nice. And she tells me very funny things. We have a lot of fun together.
00:59That's great. That's great that you have a new friend. I haven't seen you smile like that in a long time.
01:06We've been through a lot. But when I'm with Lara, I forget almost everything.
01:13How lucky that a new girl has come to your class.
01:16Yes. Yes, very lucky, right?
01:21What you just told me makes me very happy. See how good we are together?
01:27Oh, my little thing.
01:31Come on, let's go to a ball.
01:33Let's see. And this house, what? Where are you going to put the piano?
01:39We can put it here, look.
01:42Like this.
01:45Is it recovering?
01:47Little by little.
01:50Oh, my God, what a fright.
01:52Poor thing.
01:54It must have been a very big scare. It's been a while and she's still shaking.
01:59Oh, yes. Have you ever been attacked? It's terrible.
02:06Here you go. Be careful, it's very hot. It's a double-sided tape.
02:12Thank you. I hope it covers a little.
02:15A little.
02:19Everything happened so fast that I can hardly tell what happened.
02:24The thief pushed me and I could hardly defend myself.
02:29Did he steal a lot from you?
02:33He couldn't steal much from me. I barely had any coins.
02:38The worst thing is that they stole a silver medal from me with the name of our son.
02:43I had a lot of affection for him and I have carried it with me all these years as my only treasure.
02:52The medal of Giancarlo.
02:56The medal of Giancarlo. Do you know how important it was to me?
03:01You gave it to me the day he was born. You made them engrave his name. Do you remember?
03:10Of course I remember.
03:13It was the happiest day of my life.
03:18It was a silver medal with a virgin and her child on one side and our son's name on the other.
03:26It was just a few grams of silver, but for me it was the most valuable thing in the world.
03:34It cost me a couple of days of work.
03:36And a good time of conversation for them to engrave Giancarlo's name on me at that very moment.
03:42It was a beautiful thing for you.
03:47As much as you have kept it all this time.
03:56The truth is that when they stole it from me, I didn't know what to do.
04:02The truth is that when they stole it from me, I went to the Mount of Piety to beg for it.
04:09And why? You loved him, didn't you?
04:13Yes, but I wanted to have some money to thank you for everything you are doing for me.
04:21You don't have to worry. Here we are. For everything you need.
04:28I think we shouldn't keep complaining.
04:32I mean, the best thing would be to go to the police, to be part of the robbery,
04:36and with a little luck they have found Caco and the matter is settled.
04:42The truth is that I don't feel like going anywhere.
04:47What I need the most is a little peace and quiet.
04:52Of course, of course. We'll let him recover.
04:55We'll let him recover. Let's go, Pietro. We'll let him rest.
05:01Pietro, could you stay a little longer with me?
05:10I'll leave you. Thanks.
05:26I'm getting more and more tired of spending our dead hours in this confinement.
05:32And it's getting harder and harder for me to find excuses to get rid of the service.
05:38The servants around are starting to ask for as many days off as we give them here in this house.
05:44We are promoting a revolution.
05:49In the end they are going to take it for a Bolshevik.
05:52In the end they are going to take it for a Bolshevik.
05:56It's not to take it for a joke. The situation is being unsustainable.
06:00You have to think about what country you want to travel to.
06:06I've always liked Argentina.
06:09A long boat trip will do you good to get some fresh air after your confinement.
06:14That's why I prefer to go to the mountains.
06:16Today, Switzerland is ideal.
06:19I know a hotel in Lausanne that you'll love.
06:23Although it's much better if you go to South America.
06:26Mother, stop beating around the bush. Tell me, what are you up to?
06:30Can you imagine?
06:32I've taken out the train and boat tickets.
06:35You're leaving this house in five days.
06:38I see you're not wasting time.
06:40The situation is not to be taken lightly.
06:42You'll take a train to Lisbon and from there a boat that will take you to America.
06:47You'll be able to start a new life with the identity you choose and in the country you like.
06:53I'm surprised how far he's able to go.
06:56Think about it. We have no other option.
06:59Well, it's easy to say when you're not the one who has to leave your house and pack your bags.
07:05I didn't expect him to do all this behind my back, really.
07:08It hurts me to hear you say that when I've been telling you for so long that you can't delay your departure.
07:14Yes, that's true.
07:16But in the end, it's a decision that only belongs to me.
07:19No, it belongs to both of us.
07:21Because if they end up arresting you, you'll drag me with you.
07:25Not necessarily.
07:27Have you forgotten Fabio's threats?
07:30No, mother. I remember them perfectly.
07:33Well, doesn't it seem so?
07:35To judge by the innumerable exits to the street you keep making.
07:39As Fabio ends up discovering you, don't hesitate to go to the police.
07:43I know perfectly well the risk I'm taking.
07:45The risk we're taking.
07:47Well, the risk we're both taking. Whatever you want to call it.
07:51The thing is, I still can't go anywhere.
07:56Not until I finish a matter. A personal matter.
07:59I'm more and more certain that you're lying to me.
08:02And that you're going back to the charge against Matilde.
08:04No, that's not true.
08:06It's something else.
08:08I can't believe you.
08:11Well, if you're so sure that I'm not being honest, ask Fabio.
08:16Have him investigate with Íñigo to see if something has happened in the environment of that wretch.
08:21And he'll see that he can only tell him that everything is calm.
08:24I don't care what Fabio finds out.
08:28In five days, you take a train to Lisbon.
08:32For better or for worse.
08:35Oh, and you have 40 minutes to get back to work.
08:39Take advantage of it however you want.
08:58Thank you very much for your visit.
09:00It's the least I could do. Don Fermín told me everything.
09:03Thank you very much.
09:05How are you?
09:07Perfectly, if it weren't for the elf I have in here that is hammering my head.
09:12From what I understand, no relevant injury has been noticed in the medical recognition.
09:17Nothing. I think that in a few days I will be completely recovered.
09:21If you need anything, please, don't hesitate to ask me.
09:25Thank you very much, Íñigo.
09:26But the truth is that Inés and Laura are taking care of me as if I were the queen of Saba.
09:31Not at all.
09:33The doctor has prescribed him a rest and he will not move from here until he is fully recovered.
09:37Inés, I don't want you to disobey your obligations.
09:40But I can work from here, calling the clients and my uncle.
09:45If it is thanks to the phone, the day will come when everyone can work from home.
09:50Well, for that you will have to spend a lot of time.
09:53Businessmen like to see their employees work.
09:56And well, I think the future will be darker than that.
09:59You just have to go out to the street to check it.
10:04Íñigo, is something wrong?
10:08No, no, no. The thing is that I have a lot of problems at work, you know.
10:14And speaking of work, I have to go to Madrid.
10:17I have a meeting with some suppliers.
10:20The party we organized was useful, huh?
10:22Well, yes, the shooting was forgotten.
10:25And besides, yesterday we had a very good night. Nobody wanted to leave.
10:28I'm glad to hear that.
10:30Thank you very much. Yesterday we had the best night since the reopening.
10:34I have thought that we could have more parties like that.
10:38To cheer up a little more in Madrid Cabaret.
10:40Count on me for the next one.
10:42Yes, yes, I think we can do it when he recovers, obviously.
10:45That would be very good for the business and for me too.
10:48So as not to think about those problems.
10:52Well, we'll talk about that.
10:57How did it go? Have you left your mother quiet at home?
11:00No, she didn't want to stay.
11:02Well, we're ready. With that woman loose, anything can happen.
11:05Don't worry, because I convinced her to go for a walk in the Retiro.
11:10And then she's going to see some pictures in the Prado.
11:12And then to the Gran Villa, if she's there, I told her to go have a codfish on Calle Tetuar.
11:16Come on, she's going to be entertained all day.
11:19And when she gets home, she won't have the energy to open her mouth.
11:22I don't think it's going to be like that.
11:24Yes, love, this plan can tire anyone.
11:28I'm telling you no. She's coming in through the door.
11:31What?
11:34Look who I found.
11:36Well, I was serving a table on the terrace and suddenly I saw Leonora approaching.
11:41And she looked at Elías.
11:43Please, don't be so fulfilled that I'm going to rummage.
11:45Let's see, there's no lack of truth, woman.
11:47Seeing you arrive is like seeing spring come.
11:49The waiter is as kind as Elías.
11:51I'm not surprised that this tea room has such a good reputation.
11:54Well, here we are at your service and we are delighted to be able to help you.
11:58And attend to her.
12:00Well, thank you very much, Elías.
12:02Mother, what are you doing here? I was meeting the girls.
12:06Yes, but I have changed my plans.
12:08I have decided to come to see my daughter and my son-in-law.
12:10Your son-in-law? Son-in-law?
12:12I call him son-in-law because in a short time I have taken a lot of affection from him.
12:15And so I am used to when they get married.
12:18Fastidious.
12:20You are not the only one who is beautiful.
12:22You are as foresighted as the camera.
12:24Yes, yes, I always like to go first.
12:26Have you bought the dinner for the three of us?
12:28For both, both, both.
12:30You eat for two and I for one.
12:32A total of three.
12:34Well, yes, yes, I'm going right now.
12:36Excuse me, Mrs. Lenora.
12:38I have to go.
12:40Should I call the duty?
12:42Run, run, don't let them call your attention because of me.
12:44No, a pleasure.
12:46Bye.
12:48Really?
12:50Oh, my daughter, how happy, how lucky you are to work in a place like this.
12:55How dare you come here?
12:57Oh, well, I was looking forward to taking an infusion in such an elegant place.
13:02In addition, the Prado Museum, daughter, let me know.
13:04How boring.
13:06There are only paintings.
13:08Well, mother, you could have thought of another place.
13:10In the end, they will find out that we are married, and I'm pregnant.
13:13She has to leave as soon as possible and without talking to anyone.
13:15Oh, but why?
13:17If you have already seen how well I have come out when I called you yesterday, right?
13:19Well ...
13:21Leonora, if you are not in a hurry and you want to wait for me at my break time,
13:27if you want, we could take a walk in the gallery and show you the surroundings.
13:32Well, and I'll tell you a series of curiosities that very few people know.
13:36Oh, well, what an illusion, it seems to me a divine idea.
13:39Well, look.
13:41Well, said and done.
13:43I accompany you to your table.
13:46Come on.
13:48Are you seeing the same thing I'm seeing or is it a nightmare?
13:52It is not.
13:54It is happening.
13:56Yes.
13:58Yes, don't worry, Mr. Sanz.
14:00My uncle will receive you next Thursday at 11.
14:02Yes.
14:05Very good.
14:07Very good.
14:09Goodbye.
14:11Goodbye.
14:13How is your voice today?
14:15Better than yesterday?
14:17Well, more or less the same, the truth.
14:20Are you still doing gargles with the oregano infusions?
14:23Yes, but it's useless.
14:25I have decided not to return to the specialist that Mrs. Juánez recommended to me.
14:29How?
14:31Inés, please, if she has given you her contacts because she thinks you are a good specialist.
14:35Yes, but I don't trust her as much.
14:37Going to the specialist's consultation seems like a waste of time and money to me.
14:41Inés, I think you are a little lost in this matter.
14:45Yes, I'm desperate.
14:49I'm disappointing so many people that ...
14:52Don't be so hard.
14:54You have to be patient.
14:56You're not going to fix this overnight, much less alone.
14:59So, please, rethink leaving the specialist.
15:04No, what I have to do is continue with my work and that's it.
15:07Well, go, go to work, I can stay alone.
15:10You can't organize everything from here.
15:13Well, the truth is that I have to talk to my uncle and I never pick up on the phone.
15:19But you promise me that you are not going to move from here.
15:22I promise you.
15:24I'm not going to move a finger.
15:26Don't lie to me.
15:28Go, calm down, really.
15:31I just want to rest.
15:34I just want to rest.
15:47Come on, Antonia, hurry up, I'm sure Esperanza is already looking for me.
15:51Don't worry, I've already talked to her, I told her you were with me and she gave us five minutes.
15:55I need to talk to you.
15:58How can we help you?
16:05Did you see anything strange in Lucia after the robbery?
16:09No, the woman was hot, crying and excited.
16:14But well, like anyone who would have been scared like that.
16:17I see.
16:18And did she call Pietro?
16:20Yes, she called him for help.
16:22He was very nervous.
16:24Don't you think she was exaggerating a little?
16:27I don't think so.
16:28A scare like that is not fake.
16:29Come on, I thought she was stuck there.
16:32And if there are no more questions, I'm leaving.
16:34Miguel must already be thinking that I'm cheating.
16:36Yes, if you didn't see anything strange, I don't have anything else to ask you.
16:38Thank you very much.
16:46What is this interrogation for, Antonia?
16:48What is it about?
16:49About that woman?
16:51I don't trust anything about her, Marta.
16:54Neither her nor anything that can tell us what happened to her.
16:57You wouldn't believe it's a robbery story.
16:59I don't believe it.
17:00Look, when she came to you, she was going to give you a heart attack.
17:02Well, I'm not saying anything,
17:03but she's been told to steal Marra's little medal.
17:06I don't know what good it can do to make you want to do the only thing you have.
17:09Oh, well, if that's what it's for,
17:11so that Pietro remembers everything they've lived together,
17:13everything he loved.
17:14The thing came out cheap, huh?
17:16I don't know, Antonia.
17:17You have to have a very twisted fang, Lucia,
17:19to make up such a lie.
17:21Or not.
17:22This happened just when I told him I was going to fight
17:25for what I have with Pietro, with nails and teeth.
17:27It's no coincidence, Marta.
17:28It's no coincidence.
17:30Well, let's see.
17:31Now that you mention it,
17:32Pietro tears up every time he remembers that little medal.
17:36Well, she's already told me three times the story
17:38of how she went to buy it when her boy was born.
17:41Well, and now that she says she's so scared,
17:43they didn't separate, not even with hot water, from her.
17:47Man, seen like this,
17:49it may seem like a scam, yes.
17:51I'm convinced, Marta.
17:52And more and more.
17:55And what is she going to do?
17:56Well, since she's a little careless, Lucia beats Pietro.
17:58Yeah, I don't see any plan.
18:00Well, she'll have to think of something.
18:01Well, she's going to improvise, huh?
18:02And what is she going to improvise?
18:04If I knew what I was going to improvise,
18:05it wouldn't be improvisation, Marta,
18:06which has a few things.
18:07The only thing I'm telling you
18:08is that I'm not going to give her any of this land.
18:10I'm going to have her more watched
18:11than the gold of the Bank of Spain.
18:13Come on, let's go.
18:14The vampire is waiting for us.
18:20Well, with Mr. Sanz's meeting on Thursday,
18:22he has the whole agenda.
18:24My God, I know I'm just a hotelier.
18:27What will the agenda of the President of the Republic be like?
18:31Well, I'm sure he has more free time than you.
18:35Don Fermín, would you have a moment for me?
18:38For you, Agustín, I have all the moments I need.
18:41Come in, please.
18:44Look, I was talking to the other businessmen in the gallery.
18:47We all agree with you
18:49that the only reason I would explain
18:50that Mrs. Bárbara has rejected the purchase offer
18:53is that she is waiting for a counteroffer from us.
18:55Well, of course.
18:56She will try to express everything she can to her tenants.
18:59But we have to remain cautious and safe.
19:03I completely agree.
19:06How are you feeling?
19:08Have you regained your voice?
19:11Well, I'm recovering little by little.
19:12It doesn't make sense for you to lie to Inés.
19:14Tell her the truth.
19:15Tell her that you are sinking more and more
19:18and that you can't find a solution to this problem of yours.
19:20Is that true?
19:24Let's see if this can change things.
19:29I have been in contact with Mrs. Juánez.
19:32She told me that she would be willing
19:34to hold a telephone conference from Paris with you
19:38to deal with the issue of her throat.
19:40That's news, Inés.
19:42I'm sure that woman will get you out of the well you're getting into.
19:45I would even be willing to book a few hours
19:48to see her personally on her next trip to Madrid.
19:54What's going on?
19:56Are you upset because she took the initiative?
19:59Because if that's the case, I'm really sorry.
20:01No, I'm not upset.
20:02Well, I'm very happy.
20:04Because if I've acted like this, it's because of the affection I feel towards you
20:07and also because of my own interest.
20:09But what interest could I have in a singer without a voice?
20:12I know a lot about you.
20:14I know how to perfectly recognize the person who is going to become a star.
20:17Listen to him, Inés.
20:18Agustín has been in this business for a long time.
20:21He knows what he's saying.
20:22Have faith.
20:24I know you can show the world everything that's worth it.
20:26I promise you.
20:28I really feel overwhelmed with so many emotions.
20:31And I'm not exaggerating.
20:33Your recovery depends on you.
20:38I hope I don't disappoint you.
20:40No, no, I'm sure you don't, darling.
20:42But you have more hopes in me than I do.
20:46And I can't guarantee anything.
20:49I don't care about that.
20:50Agustín, there's a function waiting for you.
20:54If you'll excuse me, I have to go and take care of some things.
21:04Agustín, I have to thank you for everything you're doing for my niece.
21:07Everything.
21:08You don't have to thank me.
21:09I really do it with pleasure.
21:10The only thing is...
21:12I'm worried that I'm putting too much pressure on her.
21:14No, no, I don't think so.
21:15That pressure might even be good for her.
21:18Now, the most important thing is that she doesn't give up.
21:25And ask me for ten bottles of bleach.
21:27To be able to clean the services.
21:29They run out in one breath.
21:31If it wasn't because of the poison, I would say that someone drinks the bottles.
21:36Sorry to tell you, Teresa.
21:38But if I have to wait for you to make the order,
21:40I'm going to have to disinfect the toilets with soda.
21:44Excuse me, I've lost my mind.
21:46I have a lot of things on my mind.
21:49Let's see.
21:50If you want, I'll look at what's needed and I'll bring you the list later.
21:55Ah, perfect.
21:56Perfect, yes.
21:57The only thing is that it's not silk.
21:58Then they tell us that we spend a lot.
22:00I'll ask for the right amount.
22:01But you can't be stingy when it comes to cleaning.
22:03That's like asking a bricklayer to put a few bricks on a wall.
22:07It can't be.
22:09Yes, yes, yes.
22:14Are you absent?
22:19I spoke to Maria Cristina.
22:26And did she tell you everything she knows about Mrs. Lázara?
22:29Well, I had to practically kneel down and beg.
22:32But in the end she realized that this was very important to me
22:35and that I needed to know the story.
22:37So yes, she spoke.
22:40And the story has substance.
22:41And the story has substance.
22:44A lot.
22:45Come.
22:56Well, let's see.
22:58According to Maria Cristina,
22:59Mrs. Lázara was the most insufferable and untreatable in charge
23:03that has passed through the Madrid-Paris warehouses.
23:05I don't miss her at all.
23:07Well, you won't be surprised that she was the bosses' favorite
23:10because she made the employees work to exhaustion.
23:14At the moment, nothing new for us.
23:16Well, hold on, there are curves coming.
23:19It turns out that everything went wrong for Mrs. Lázara
23:21when one of the employees who were in charge had a very serious accident.
23:27And is it Mrs. Lázara's fault for the accident?
23:30It turns out that Mrs. Lázara asked one of the employees
23:33to dispose of the waste of the day,
23:35throwing them in the boiler of the warehouses.
23:38And of course, as the girl was a little thing,
23:40she was exhausted because Mrs. Lázara forced her to double a lot of shifts,
23:44well, when she went to throw them out,
23:47do you know what happened?
23:48She fell into the boiler.
23:51She fell into the boiler?
23:54Well, yes.
23:55On her head.
23:58The employees were concerned,
24:00but little by little they began to point out to Mrs. Lázara
24:02as the culprit of this incident.
24:06And it was such a big scandal that they finally fired Mrs. Lázara.
24:11They should have denounced her for being the only one responsible for this accident.
24:14Well, yes, but they didn't.
24:17Of course, María Cristina cannot understand that this woman
24:19is now again in a position of responsibility with people in her place.
24:23And less in a hall as important as this one.
24:27I am not surprised that she had her head elsewhere.
24:29What a tricky story.
24:32Look, I honestly believe it.
24:34But I also think we should talk to more people about this.
24:37Yes, yes.
24:38This afternoon I will go through the warehouses
24:40to see what is being said out there about the matter.
24:42I just hope that the story is not as serious as that woman has told you.
24:47Because if it is,
24:49and Mrs. Lázara is so dangerous,
24:52you can get out of it and uncover this matter, Teresa.
24:56I see.
24:59Well, it's a risk I'll have to take.
25:04Bye.
25:18I came to invite you to the cinema.
25:21It seems a lie that being the owner I don't know what.
25:23It's closed and there is no session today.
25:25Well, it's closed to the public,
25:28but not for us.
25:30Are you inviting me to a private session?
25:33I got a copy of The Blue Angel,
25:35Marlene Dietrich's latest film.
25:37I'm sure she will love it.
25:39They have never put a film for me
25:41and I would love to see it, but...
25:44I can't today.
25:49But your plans are so important that you can't change them for another day.
25:55Really, I would love to, but no.
25:58I can't change them.
25:59Then I guess we'll have to postpone the cinema and...
26:03Yes, I'm sure she doesn't mind.
26:05Yes, yes, no, no, no.
26:06I understand perfectly well that there are conversations that cannot be postponed.
26:11I myself have had a very important conversation with her sister today.
26:18Did she tell you about Mrs. Juánez?
26:19Just that, yes.
26:21And what? How did she take it?
26:23Well, on the one hand, I think she felt grateful for the interest I was showing her,
26:28but on the other hand, I think she felt that I was pressuring her.
26:32Well, it's okay. Sometimes my sister needs a push.
26:36That's what her uncle said, that he was present while we were having the conversation.
26:41However, I have my doubts.
26:44Don't worry, I'll be watching to see how it fits.
26:48Okay. Well, I'll let her keep working.
26:52Wait, we'll leave the cinema for another day.
26:55Count on it.
26:57Anyway, now you focus on the conversation with Celia.
27:00I imagine it's because of Germany, right?
27:02Yes, yes. That's why.
27:05I don't want to lose her.
27:06She's my best friend, but she chooses what she chooses.
27:09I won't have anything to object to.
27:12Good luck.
27:22Look, I had to make the list myself to order the cleaning products.
27:26Teresa has always been in charge of that, but today she was like in Bavia.
27:30She didn't even listen to me.
27:31Come on, more or less like you.
27:34You're on my side like the one who listens to Llobet.
27:37Oh, sorry, sorry. What were you saying? Let's see.
27:40Nothing, it wouldn't be of great interest either.
27:42It's just that today no one listens to me.
27:46I'm dead. I'm a soul in pain.
27:48And I didn't even realize it.
27:50I'm sorry, Esperanza.
27:51I'm sorry, there are so many problems at work that I'm going crazy.
27:55And you'll have a big problem.
27:57You'll run out of wrapping paper.
27:59Well, I'm sorry, but that would be a problem.
28:02Each job has its secrets, its difficulties.
28:05But you're only dedicated to cleaning.
28:08Well, you didn't get an engineering degree either, let's say.
28:11Hey, aren't you going to set up a scene in the living room?
28:14What's going on?
28:15I don't know what's wrong with Trini.
28:17And besides, since she doesn't listen to me, I also lack respect.
28:20Don't worry, I'll talk to her later.
28:22You could stop by the reservation to take a look.
28:24We have clients later.
28:25And if she were a teacher?
28:34But how dare you poke Esperanza like that?
28:36It seems a lie that you don't know her.
28:37I'm sorry, I'm sorry.
28:38It's just that since Elias and my mother have gone for a walk, I've been...
28:42They haven't come back yet?
28:43No.
28:44And every second that passes, it's an opportunity for my mother to step in and discover the cake.
28:49And on top of that, I've been left alone with this issue.
28:51Because Miguel has gone there to guard the bookshop.
28:54I'm here more alone than ever.
28:55Could you help me?
28:56I don't know how.
28:58Well, when my mother and Elias come, please help me separate them.
29:03Trini, I already told you that this was going to go from bad to worse.
29:07That the ball of lies you've gotten yourself into won't stop growing.
29:11And in the end, it's going to take you down.
29:13I need help.
29:15Not arguments.
29:17Well, count on my help, because Chaparrón is coming.
29:20Sweetie.
29:22How are you?
29:23Oh, look what I bought.
29:25They're ducklings.
29:27No, no, no.
29:28But, but, but, mother.
29:29Why, why did you buy that?
29:33Because it's normal.
29:34So that the newlyweds don't get cold feet.
29:37Well, there's no newlyweds here.
29:40And there won't be, as far as I know.
29:42No, no, not that I know.
29:44But they're for a friend of mine from Fuencarral who got pregnant.
29:48Ah, of course, of course.
29:49Let's see what a detailer you are, Mrs. Eleonora.
29:51Well, I've had a very good guide who has taken me to very shabby shops.
29:55You're worth the same for a seamstress as for a broken one.
29:58Well, it would be worth it to organize weddings, if they let me.
30:01Yes, it's a shame that my daughter doesn't need it, since she's already married.
30:04But, but, what are you saying, mother?
30:06That I'm married?
30:07Well, that you don't need it,
30:09because since she already has everything so well prepared, right?
30:12It's as if she were already married.
30:14The house is full of children.
30:16Well, maybe a little hurry, Eleonora.
30:18Because they haven't even gone on a honeymoon yet.
30:20No, but meeting my Trini, the day I least thought about it, I'm already a grandmother.
30:26Elias, your break seems to be turning into a vacation.
30:30You have a couple of tables on the terrace to attend to.
30:32Ah, I'm flying, boss.
30:34See you soon, Elias. Thank you for everything.
30:36What, what, what? See you soon?
30:38Yes, because we agreed to meet again.
30:40If you don't mind.
30:41Well, thank you.
30:42No, shut up. No, it's not a problem.
30:44I'd love to go for a walk together again.
30:46It's a shame that I have to leave so soon.
30:48Shall I walk you to the door?
30:51I don't know which one of you wants to see each other the most.
30:54I'd say your mother.
30:55Look, it doesn't matter.
30:56I mean, whatever it is, I'm sunk.
31:03I already have the tickets for my daughter.
31:05She already knows that in five days she has to take a train to Lisbon.
31:10I don't know what to do.
31:12I don't know what to do.
31:14I don't know what to do.
31:16I don't know what to do.
31:18So, I'm going to take a train to Lisbon and take a boat from there to take her to America.
31:22Very good.
31:23The sooner the better.
31:25But she's not easily getting used to it.
31:27She knows her.
31:28Yes, I'm getting to know her quite well.
31:32Even too much.
31:36So, I hope you're aware that your departure is not negotiable.
31:39You're going to leave, yes or yes.
31:41Even if it's by force.
31:42I'm willing to put her in a trunk if necessary.
31:45You won't need to go that far.
31:47I hope you're right before you like it or not, you know that it is the only way out you have
31:55I want to assume that since I asked him he has not left this house again, of course he has not
32:00He must have looked his head around here a couple of times, but I guarantee you that he has not left this room
32:05I don't believe you, I believe you for whatever it is, he has left Matilde alone
32:09Before he was worth my word
32:12How much have things changed between us
32:15Barbara, it can't be otherwise after what happened
32:20I'm sorry I deceived you with the false death of Carla, but I had no other way out. I have felt very bad since then
32:30Betrayed in the deepest I never thought you could do something like that to me
32:36It's a shame that our relationship no longer makes any sense
32:44I feel it with all my soul
32:48My affection for you made me feel like I was dying every time I had to cheat on you
32:54You could have told me the truth
32:56And you would have understood it
32:59A mother is forced to do anything to protect her daughter
33:04And that's why I was forced to deceive you despite what I feel for you
33:09I wish we could go back, right?
33:13And erase from a pen these last few months
33:16Fabio
33:18I don't want to lose you
33:21My lies the only thing they were looking for was to protect you
33:25If you find out the truth from the beginning we would have involved you as an accomplice and that could not happen
33:33The last thing I wanted was to ruin your career as a politician and as a diplomat
33:38I don't doubt it, Barbara. I don't doubt it. I don't doubt that you will work with the best of your intentions
33:46But in our relationship, sincerity should have always prevailed
33:54If at some point we could live a situation similar to the one before, I swear that it would be so
34:03Although today all this is just a chimera
34:08Who knows
34:11Who knows what the future may bring us
34:17As long as this matter is finished and Carla is finally far from here
34:33No, Marta, leave that, it's not dry yet. I'll come for it later
34:38I wanted to apologize for not giving you back the snail that Salvita gave you. There's no way Clarita would let it go
34:47Don't worry, it can stay as long as it wants. If you always hear the same sea
34:52Well, Clarita has it
34:54enchanted
34:56Among that, the doll house is very well maintained. Well, that's the important thing, that the girl is comfortable
35:03It was a detail that the son of the bookseller would give you, right?
35:08Yes, yes, he was very attentive
35:11Too much to be a simple friend
35:14Well, maybe it's something else
35:18But one more spark, don't believe it
35:22Come on, you like the boy
35:26Yes
35:27Well, I'm very comfortable with him and that we are very different but
35:32Well, enjoy it while you're fine with him
35:35And I also wanted to thank you for welcoming us to your house
35:38Nothing, Antonia and I are very happy that you are both here
35:42In addition, Antonia is good at distracting herself, that since Lucia arrived, she has her head full. Poor, she is desperate for that woman to go back to her land
35:52Although I imagine that Pietro will also be having a very bad time
35:55After all, he is the mother of his son
35:57And she doesn't stop reminding him
35:59And since the robbery, even more
36:01He's been trying to get Pietro's attention all day and he doesn't deny it
36:05I hope this doesn't end as badly as other times
36:10Well, I guess you want to talk about another topic, I'm sorry
36:13No, don't worry
36:15Keep in mind that the one who made the decision to separate me was me
36:20Matilde, I don't like to see you like this
36:23Marta, it's very painful, but I couldn't do anything else
36:26Íñigo had to believe me with the robbery
36:28And I did what I had to do, and I'm fine with the decision I made
36:33You can fool someone else, but not me
36:36Tell me the truth, Anda
36:39It's okay, it's no use fooling yourself
36:43It's being a harder breakup than I thought
36:47Look, I had to talk to him today to book a table at the Madrid Cabaret for some members of a convention that I'm organizing
36:53And I almost start crying in the middle of the conversation
36:57That's because you still love him
37:00I haven't stopped doing it
37:02I still love that man with all my soul
37:05Well, you'll have to do something, Matilde
37:08Either you come back or you bury yourself in the middle
37:12Actually, the second thing
37:15I'm considering going to Jerez with Pablo and my aunt Concha
37:18If you go, you'll miss them a lot
37:21All of them
37:24Well, we'll see
37:26For now, we're fine here
37:28Clarita is very happy
37:30She has a new friend
37:32I've been playing with her and she's become very happy
37:35At least half of the sisters are fine
37:37Excuse me
37:39I've been told you wanted to see me
37:41Yes, come in
37:43Come in
37:45What have I done?
37:47I was going to tell you
37:49I'm not gonna tell you anything
37:51I've made a mistake
37:53Sorry
37:55I'm sorry
37:57It's okay
37:59It's not what it seems
38:01It's not what it looks like
38:03It's what it looks like
38:04Come in.
38:06Did I do something wrong?
38:09Of course not.
38:11Mrs. Lázara, first of all, I wanted to see you to propose something.
38:18It's obvious that between us, between you and me, a certain trust has arisen,
38:24and I think it would not be wrong if we took care of each other.
38:28I think it's good, but I would appreciate it if we did it in private.
38:35As you like, as we like, as you like.
38:41Well, I think it's better this way.
38:43And I think I could lose some authority if you take care of me in front of the employees.
38:49Sorry, sorry.
38:51If you take care of me in front of the employees.
38:54It seems that it will cost us a little to get used to so much trust, right?
38:58I don't think so.
39:00Is there anything else you want to tell me, Fermín?
39:04Yes, yes.
39:06Yes, I also wanted to ask you to come back ...
39:10I also want to ask you to come back to the theater with me.
39:16They have given me two tickets for the play by Rafael Alberti and Fermín Galano.
39:22The title is very appropriate, maybe they are talking about you.
39:27What things, what things do you have, ma'am?
39:31Nothing more.
39:36Well, I don't know, maybe we are going too fast.
39:40I mean, first the tutoring and then making plans on our own.
39:45People are very bad-intentioned and maybe there are rumors.
39:50I don't care about that.
39:53But if you feel more comfortable, I will not insist on the theater again.
39:58Although I remind you that we have a pending excursion, don't we, Coria?
40:03Well, one thing is a family excursion with your nieces and another very different thing is to start having dates alone.
40:13As you feel more comfortable.
40:20Good morning, uncle. I came to visit you, but I see that I am not very opportune.
40:25Yes, yes, it is opportune.
40:27I want to ask you a question.
40:31Do you see any inconvenience in Mrs. Lázara and I going back to the theater together?
40:40I wouldn't know how to tell you, I imagine there will be someone who doesn't like it,
40:44that she is accompanied by an employee, so I would avoid it.
40:49Well, what a bummer. I was expecting another answer from you, Laurita.
40:55I really don't care what they say.
40:58But hey, if you both see it so clearly and you see that it is the best,
41:02then nothing, I forget about the theater for later.
41:06No, no. I mean, if he wants to go to the theater so much,
41:10then the two of us could avoid the rumors in case there are any.
41:14Of course.
41:15And we can enjoy the function, what do you think?
41:17I think it's perfect.
41:19I'll go get her to go to the theater.
41:21Phenomenal. If you'll excuse me.
41:34Hello, my love.
41:35Hello.
41:45And those shoes?
41:46A gift from my mother.
41:48Come on, what a detail. But it's a bit early, isn't it?
41:51No, I don't say it for that.
41:53I say it because I wanted to show you the shoes that my mother gave me
41:56in the middle of La Moderna, accompanied by Elias.
42:00But then Elias has realized that you are pregnant?
42:03No, I don't think so.
42:04Because while he is in love with my mother,
42:07and that my mother has known how to react in time
42:09and has said that it was for her friend,
42:11I think he is still in the inopia.
42:13But, my love, why do you do these things?
42:16Is it out of spite or to make fun of us?
42:18I think both things, a little bit.
42:21And now where is he?
42:22Well, he has gone for a walk.
42:25Because we have argued, because I have reproached him
42:27that he accepted a date with a stranger.
42:29Come on, that he has left there, obfuscated.
42:32My love, it is not that it is only risky for us.
42:37I also find it inappropriate for a lady like her
42:41this thing of dating with a stranger.
42:45Not even if the stranger is Elias.
42:47Well, thinking about it, that's the worst.
42:49No more, no less than with Elias.
42:51That's what I told him.
42:53And he told me that he doesn't take him seriously
42:55and that he doesn't see that there is anything wrong
42:57in following him a little bit.
42:59Well, if so, the risk is not so terrible.
43:02No? Well, I would not say the same.
43:04Because Elias looks at my mother
43:06as he looks at a couple of sheets of cream from Pietro.
43:10Well, if your mother gives him a game, even if it is a little bit,
43:12he will want more.
43:13Of course.
43:14If they spend a lot of time together,
43:16Elias will end up discovering everything.
43:18As this gets complicated,
43:20they will discover us, they will fire us.
43:22And you, in the end, you will end up calling Elias father.
43:25No, no, no, before dead, I swear.
43:29Don't say that.
43:30We have to get out of this one well.
43:33Even if it's just because of the little thing that's growing in here.
43:37Well, tell me, what do we do?
43:40Well, convince your mother to go back to Fuencarral.
43:44Until the day of the baptism.
43:45Or not, better.
43:46Until the day of the First Communion.
43:48Ah.
43:49And you, what are you going to do in the meantime?
43:51Well, I'm going to try to get Elias to get closer to your mother.
43:53Even if I have to push him away with a stick.
43:55It's not going to be easy.
43:57They could already be roses, right?
43:59Yes.
44:26Good morning.
44:27Bye.
44:28How was your day?
44:29Do you feel better?
44:32I don't know.
44:34I try to cheer up, but every time I think about what happened,
44:38my whole body trembles and I'm not even able to get out of the chair.
44:42I've given you a dessert.
44:43Here you go.
44:45Now I'm going to prepare dinner.
44:49Although I don't know if I'll be able to have a bite.
44:53It will be the first time that you are not going to eat mine.
44:57It's your favorite dish.
45:01Do you still remember what I like to eat?
45:03Of course I remember.
45:04I remember many things.
45:07It's just that I don't like to see you like this.
45:10And I would like to be happier, Pietro.
45:12But...
45:14I don't know, since I came back from America,
45:17I don't know, I'm getting worse and worse.
45:18It's as if fate was determined to show me that there is no place for me.
45:25Don't say that.
45:26I am very happy that you are here now,
45:30that I can help you after your return,
45:33that you are alive.
45:37You are very good to me.
45:38It's the least.
45:41Soon we will have all the consulate papers
45:45and you will be able to return to Italy.
45:48Yes.
45:53What a pity about the little medal.
45:56Having it with me was like having part of my son by my side.
46:01Do you remember how beautiful you were when you were a kid?
46:05Of course I remember.
46:09Blond.
46:12And with curls.
46:14Like me.
46:15Like me.
46:16No.
46:19Yes, he had...
46:21He had the face of an angel.
46:23But only the face.
46:24Because he was a good piece.
46:26A squirrel.
46:28Yes.
46:29Like when...
46:30When he hid in an empty tin,
46:32that the whole town spent hours looking for him, thinking he was lost.
46:37To find him later,
46:39placidly asleep.
46:41And when we told him what he was doing there,
46:44he said, no, he was taking a nap.
46:47Yes.
46:48And do you remember when my mother said
46:51that she had a snake in the pantry
46:53that ate all the chocolate?
46:55And the worst thing is that your mother believed it.
46:57Of course.
46:58Until she discovered it with her friends,
47:00eating an entire tablet.
47:02Oh my God.
47:03What an idiot.
47:06Come in, come in.
47:13Hello.
47:14I'm glad you're recovered.
47:16You can hear the laughter all over the patio.
47:19Well, you wouldn't believe it.
47:20I'm just a little better.
47:22Well, you were laughing hard.
47:25Yes, we were counting Jean-Carlo's laughter when he was little.
47:29Family nonsense.
47:31And this was unimportant, Antonio.
47:33Well, I'd like to hear it.
47:35I also want to laugh.
47:45I've brought you clothes and things from your house.
47:50I was already needing them.
47:56How are you?
47:59Bored.
48:01I see.
48:04We have a conversation pending.
48:08Yes.
48:10We have a conversation pending.
48:16I wanted to apologize for everything I said to you
48:18before being overwhelmed by those people.
48:21No.
48:23We both said things we shouldn't have.
48:27I'm sorry I called you selfish.
48:30I wasn't right either when I said you weren't happy for me
48:33because you liked Agustín.
48:37Don't worry.
48:38But it's not true.
48:41So...
48:43we both forgive each other?
48:46I don't want to spend another minute angry with you.
48:50Besides, I understand perfectly well that you were stunned
48:53when I told you I was thinking of going to Germany.
48:56It was a cold shower, yes.
48:59But...
49:01Felia.
49:04If I'm being honest, I wasn't very surprised either.
49:08You've been very strange to me for a few days.
49:12What's wrong with you?
49:14I know you want to go to Germany for some other reason.
49:17What are you talking about? I don't understand you.
49:20Felia.
49:21Please.
49:23I know you well enough to know there's something you don't want to tell me.
49:29Or I can't do it.
49:31But why?
49:33Don't you trust me?
49:36Blindly.
49:38Well, tell me. Whatever it is.
49:40I'm begging you.
49:47I love you, Laura.
49:50I love you with all my heart.
50:05I love you.
50:35I love you.
50:56If Inigo isn't for me, he won't be for anyone.
51:01You don't know how eager I am to pull the trigger.
51:12I don't think Mrs. Bárbara should be trusted.
51:15Mr. Fermin defends that all this is a strategy
51:18to later sell above the market price.
51:21If that's the case,
51:23that means he's been laughing at all the businessmen in the gallery.
51:27Well, I've told him that if he wants to get along with that woman,
51:30it's best to imagine the worst possible scenario.
51:34I'll keep that in mind.
51:36What a stroke of luck, isn't it? Instead of displeasure, it's joy.
51:39Well, and the mess he got into with the wedding.
51:43Well, you can tell he's very fond of Miguel.
51:45Well, and that the wedding was going great, right?
51:48One moment, one moment. What wedding?
51:50I was talking.
51:53According to the investigation that took place right afterwards,
51:56they took it as an accident.
51:57Well, Maria Cristina, the dependent I asked her,
52:00didn't tell me the same thing.
52:01But I don't think that woman's testimony has much value.
52:03Because since Mrs. Lázara fired her,
52:05she has sworn it.
52:07And anyone would take that accusation as revenge.
52:10Trini told me that yesterday you went for a walk with my future mother-in-law.
52:14And this can't be.
52:15See if it can be, what happened.
52:17And how it happened, of course it was.
52:19I mean, it can't happen again.
52:20And from this very moment,
52:22I terminally prohibit you from courting my future mother-in-law.
52:25What do you and Trini have to do with prohibiting everything?
52:28Well, I'm going to tell you one thing,
52:29you can't put fences in the field.
52:31Who were you talking to?
52:32With an Italian consulate official.
52:34That I can't get married again.
52:35What?
52:36Because if I do it by Italian law,
52:38I would be committing a crime.
52:39A crime, but ...
52:40A crime of bigamy.
52:42You will be aware that Mrs. Bárbara, your representative,
52:46has rejected our purchase offer.
52:50Just for now.
52:51Just for now.
52:54For your own good, I hope that Mrs. Bárbara changes her mind.
52:57Otherwise, businessmen will be forced
53:00to resort to our right to review the portrait.
53:03But Antonio is a relative without our life,
53:05who understands that I accept,
53:06because a man cannot be alone.
53:08But I'm back, Pietro.
53:10I'm back.
53:13And maybe now it's time to resume
53:15what we started in his day.
53:20Mr. Fermín, can I ask you a question?
53:22Whatever you want.
53:25What exactly are you and me sitting here?
53:30Or will I do it another way?
53:33That we have been going to the theater together?
53:39I constantly dream of kissing you and hugging you.
53:45And never letting you go from my arms.
53:48Never.
53:50I'm completely in love with you.
53:58Never again, girl.
54:02No, no, no, no.
54:04No, please, no.
54:06No, no, no, no, no, no!