• 2 months ago
It’s a film about the journey of the director, who is searching for Adawasi culture and life in reference to Ritwik Gh | dG1fbGUxekZqYkFvZlE
Transcript
00:00I'll tell you why I started looking for Ajantrik.
00:05Since a long time, since we started thinking about films in Jharkhand,
00:10I kept thinking about Hollywood.
00:13Why don't we go beyond it?
00:16And during that time, when we saw Ajantrik,
00:20we thought, wow, a film on our land.
00:23A film on this land.
00:25And there's nothing to do with Hollywood.
00:29If someone wants to make a film in Jharkhand,
00:32what's rich, what's not?
00:35What to buy, what not to buy?
00:37That's how I started looking for Ajantrik.
00:43In Ajantrik, the main character of Vitvik Ghatak is Jagat Tala.
00:49But he imagined that this could also be Ajantrik.
00:54And in this sequence, the story he told around him,
00:59its background is Jharkhand.
01:16Now, there should be a debate on the basis of development,
01:19which is development and which is destruction for Jharkhand.
01:22After the National Declaration of Independence,
01:24when we started here, there was no open space.
01:26So, we saw that the villages were destroyed.
01:30It was a dream.
01:31If we get Jharkhand, it will be like Ram Raj.
01:34Their land was taken away, their culture was taken away.
01:38The government says that people are doing good,
01:42we are developing the country.
01:43Our people's development is nowhere to be seen in this.
01:53Ghatak is talking to a woman or taking a little interest in a woman.
02:01Immediately, this car objects to it.
02:05It will make a grunt or a squeak or something like that.
02:10The use of Tagore's songs in critical, crucial passages of every film,
02:16it will transport you to another world.
02:22Jai Raat-e-Moor, Dohar-Dhooli, Anglo-Jhawri.
02:30Ray Ghatak divides.
02:32No, no.
02:33They should not do this.
02:36He knew that one after the other, I am preparing a masterpiece.
02:41All this together actually broke that big artist
02:46and drove him to the bottle.
02:48But as we now realize, the artist in him was never really broken.

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