Egyptian movie "The Soft Hands" (1963) part 1 with English subtitles (الايدي الناعمه)
Shawkat, an arrogant and bankrupt prince left with nothing but his palace. Struggling with his dire financial situation, he has severed ties with his daughters: the eldest, who married a mechanic against his wishes, and the younger, who supports herself by selling paintings. Facing imminent bankruptcy, Shawkat reluctantly agrees to rent out the palace, guided by the advice of an unemployed PhD holder who becomes his friend. The palace is leased to two tenants, including a woman who profoundly impacts Shawkat’s life and inspires him to take action. Through these experiences, Shawkat learns valuable lessons about family, personal growth, and overcoming financial challenges.
Starring
Ahmed Mazhar- Salah Zulfikar- Mariam Fakhr Eddine- Sabah-Laila Taher- Widad Hamdi-Hussein Ismail
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Starring
Ahmed Mazhar- Salah Zulfikar- Mariam Fakhr Eddine- Sabah-Laila Taher- Widad Hamdi-Hussein Ismail
Enjoyed the video? Stay connected for more!
For exclusive content and updates, don't forget to follow us on Facebook: https://www.facebook.com/profile.php?id=61561083450398. Like and share to spread the word!
Category
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Short filmTranscript
00:02:30The Prince is not awake yet?
00:02:54Not yet.
00:02:55It's 11 o'clock.
00:02:57Your Highness, will you come back again?
00:03:01I don't know.
00:03:03Listen.
00:03:04Yes.
00:03:05Take this and give it to him when he wakes up.
00:03:07Tell him I'll come back.
00:03:09Yes, Your Highness.
00:03:26How can I be like this?
00:03:43When the Prince sees you...
00:03:45What will he do to me?
00:03:46I'm not rich.
00:03:47No one is better than me.
00:03:48I warned you.
00:03:49The Prince is awake.
00:03:50He asked for coffee.
00:03:52I warned you.
00:03:53The Prince is awake.
00:03:54He asked for coffee.
00:03:55Your Highness, where is the coffee?
00:03:56Here you are.
00:03:58Who is it?
00:03:59Is it someone from the Diana?
00:04:00No.
00:04:01It's the Prince's servant.
00:04:02Again?
00:04:03Your Highness, your answer is very heavy.
00:04:05I hope there is a favor.
00:04:07Our Prince is very strict and strict.
00:04:10I'm sorry, Your Highness.
00:04:11At least he knows we're going to arrest him.
00:04:13Yes.
00:04:14That's your fault.
00:04:15You bet on half a riyal.
00:04:16I bet on you.
00:04:17Even if this is the first half of a riyal,
00:04:18you'll get it in three months.
00:04:20Nabil Hamad must seek help
00:04:22so that he can get 200 pounds from the government every month.
00:04:25What do you mean our Prince doesn't get anything?
00:04:28Hamad had money.
00:04:30It's all in the safe.
00:04:31That's why he gets what he wants.
00:04:33Oh, that's why our Prince is a star.
00:04:37He spent all his wealth
00:04:38and now he wants to spend it on the family's account.
00:04:41But now it's over.
00:04:42You're in trouble.
00:04:43What?
00:04:44Tell me.
00:04:45Do you have money?
00:04:46No.
00:04:47I came here for work.
00:04:48How?
00:04:49Nabil Hamad wants a deal.
00:04:51He's holding his clothes
00:04:52and he brought a cash register for the Prince.
00:04:55Oh, I see.
00:04:57You bet on half a riyal.
00:04:59You bet on me.
00:05:01Do you remember when we were sitting in Suleiman's cafe
00:05:04on the first day of Ramadan?
00:05:05Yes, I remember.
00:05:06Do you remember when you asked me for half a riyal
00:05:08to get you a pack of cigarettes?
00:05:09No, I don't remember.
00:05:10Let's be serious.
00:05:11Serious?
00:05:12We're done.
00:05:13Our master ordered breakfast.
00:05:14Where are we going to have breakfast?
00:05:15He doesn't care that we spend money on the kitchen.
00:05:17You dirty animal.
00:05:18How dare you eat the Prince's food?
00:05:19Oh, Lord,
00:05:20the person who eats an orphan's food
00:05:22will go to heaven.
00:05:23I will eat Prince's food.
00:05:29The Prince.
00:05:47The Further You Know
00:05:54Did I say anything wrong?
00:05:56It's the same old trouble.
00:05:58Trouble?
00:06:00You know how to deal with it.
00:06:02Who asked for a meeting?
00:06:0720 telephone calls from Nabil Imad.
00:06:11He should hear it before it's too hot.
00:06:13What's too hot?
00:06:14Why didn't you pay the interest, sir?
00:06:27What's this? Where's your ticket?
00:06:29I don't have it, sir. The tenant doesn't want to give us anything.
00:06:32He's asked for permission nine times, sir.
00:06:34Who?
00:06:34The tenant.
00:06:35Nabil Imad.
00:06:37Nabil Imad! Nabil Imad!
00:06:39Nabil Imad says he won't come here ever again!
00:06:41I don't have a warrant, sir!
00:06:45Do you have a warrant for us?
00:06:48Just a few bills, sir.
00:06:50A phone bill, a tarzi, a whiskey, and a cigarette.
00:06:53Not a single one!
00:06:55Because they don't have manners!
00:06:57So, not a single one!
00:06:58Traitors!
00:07:03What's this?
00:07:04This is falafel, sir.
00:07:06What's it made of?
00:07:07Where's my breakfast?
00:07:09The tenant decided to cut ties and sold the old bill, sir.
00:07:13Excuse me, sir.
00:07:14I have a client.
00:07:15A servant of yours.
00:07:16He wants to cut ties with you.
00:07:18You have to refuse him.
00:07:22That's enough!
00:07:23You're all refused!
00:07:25I was just keeping you out of trouble.
00:07:2860 darjah!
00:07:32I'm going to hang myself for this!
00:07:34No!
00:07:42I can't do this.
00:07:44I need to go to my wife.
00:07:46I'm going to my wife.
00:07:48You can't do this.
00:07:50You're not going to my wife.
00:07:52I'm going to my wife.
00:07:54You're not going to my wife.
00:07:56I can't leave you. I carried you on my shoulder when you were a child.
00:08:01I don't want to see your faces.
00:08:04Sir...
00:08:05Get out! You're all traitors!
00:08:09May God be with you, Yassine.
00:08:11♪♪♪
00:08:41You know, Yassine, you have to find a way.
00:08:44I have to. Be patient.
00:08:45Goodbye.
00:08:46Goodbye.
00:08:51What's going on?
00:08:52Where's dad? Is he sick?
00:08:55Dad, the servants left and the phone was cut off.
00:08:57There's no food.
00:08:58Dad's going to be hungry, Jihad.
00:09:02What are we going to do now?
00:09:05Salim should come in.
00:09:07He's filming something with Salim.
00:09:09Are we going to leave him like this?
00:09:12No.
00:09:13We have to go see Salim right now.
00:09:15Let's get dressed.
00:09:16Let's go.
00:09:18I'm afraid Karima will be upset.
00:09:19Why?
00:09:20Because she's been cooking all day.
00:09:21No, she's kind-hearted.
00:09:23Let's go see her.
00:09:24Okay.
00:09:29♪♪♪
00:09:35Karima!
00:09:36Welcome, my sister-in-law.
00:09:38Go away, my sister-in-law.
00:09:40Today, we...
00:09:42We're going to have a nice lunch.
00:09:44Is it your turn today?
00:09:45Or is it because you have a lot to do?
00:09:47Not at all.
00:09:48But I have something important to do.
00:09:50And you're also a baker?
00:09:51Yes.
00:09:52You're so unlucky.
00:09:53I was going to give you a lesson in the fridge.
00:09:55The potato pan is in the kitchen, Karima.
00:09:57Okay.
00:09:58Give this to dad in the garden.
00:10:00That's it.
00:10:01Bye-bye.
00:10:02Bye-bye.
00:10:07Good morning.
00:10:08Good morning.
00:10:09Good morning.
00:10:10What's with all the beauty?
00:10:12God bless you.
00:10:13I don't like you anymore, uncle.
00:10:15You've been staring at Jihad all day.
00:10:17I've had enough.
00:10:19If I had another son,
00:10:21I wouldn't have let you marry outside.
00:10:23It's as if you married him, uncle.
00:10:25Can't you see how unlucky I am today?
00:10:27Be patient, my lady.
00:10:29The tower of the fish, the tower of the fish,
00:10:31the tower of the fish.
00:10:33The tower of the fish, the tower of the fish.
00:10:36You'll make us very happy.
00:10:39That's right, uncle.
00:10:41I'm going back to Salim.
00:10:43Bye-bye.
00:10:44Bye-bye.
00:10:45You have a message for Goya.
00:10:47Yes, Oshman.
00:10:48Put him on the line.
00:10:49I'm at the office, Oshman.
00:10:50I'll be back.
00:10:53I tried to reach her recently.
00:10:55But I hadn't heard from her for a month.
00:10:57I called her and said,
00:10:58could you please pick up my call?
00:11:00Maybe when you see me and talk to me,
00:11:02I don't like to see you like this.
00:11:07Let's do what we have to do.
00:11:08The situation has changed.
00:11:11Okay, let's go.
00:11:32The next day
00:11:42Good morning.
00:11:43Who are you?
00:11:44This is Salem, my husband.
00:11:47I missed you, Dad.
00:11:51Your husband, Mrs. Mervet?
00:11:53The one you married without my consent?
00:11:55What are you doing here?
00:11:57I came to ask for your consent and forget the past.
00:11:59Do you want me to forget that my daughter is married to a mechanic?
00:12:03Is it a shame that I'm a mechanic?
00:12:11Dad, Salem graduated from the Faculty of Engineering.
00:12:13I gave in from the beginning,
00:12:15so that I could live from the blessing of manual labor.
00:12:18And thank God, God blessed me.
00:12:20And now I have, other than the workshop,
00:12:22a big factory for the chassis.
00:12:24And we also have good people in the bank, Dad.
00:12:26And a nice villa in Maadi.
00:12:28Yes.
00:12:29Live in it, whatever it takes.
00:12:31Isn't that right?
00:12:32I've never lived higher than anyone else.
00:12:34Ever since I married Salem's family,
00:12:36and I even got out of the empty prison I was living in here.
00:12:39And thank God, I live with effort.
00:12:42I draw pictures and sell them, Dad.
00:12:45And why are you here now?
00:12:47Didn't I kick you out?
00:12:48You kicked me out because I didn't want to marry Nabil Eman.
00:12:51But I hope you'll change your mind.
00:12:53And I hope you'll give in
00:12:55and stay with us for a few days in Maadi.
00:12:57Goodbye, Dad.
00:12:58I'll go and stay with you?
00:13:00Something must have happened to your brains!
00:13:02Well, don't worry, dear.
00:13:04It's a success.
00:13:05The important thing, Dad, is that he lives.
00:13:07What?
00:13:09He lives here?
00:13:11With his oil and his fat?
00:13:12Come on, you mechanic, to your workshop!
00:13:14Come on! Come on!
00:13:22And you, Mrs. Jehan, what are you waiting for?
00:13:24I'll show you another one of my bikes so you can marry him.
00:13:27It's not a matter of my bike or my mechanic.
00:13:30It's not important what you start with.
00:13:32It's important what you end up with.
00:13:34And don't forget, Dad, that our grandfather was a smuggler.
00:13:40I said get out! Get out!
00:13:42Before these servants come and kick you out!
00:13:45I think, sir, the servants are on leave.
00:13:49I told you on your face!
00:13:51And take them with you!
00:13:52These are your flesh and blood, your daughters.
00:13:58I don't have daughters.
00:13:59My daughters are dead.
00:14:00No, sir.
00:14:01They didn't die.
00:14:03You live like the people of the cave.
00:14:05And you're up there, missing the workshop.
00:14:08The time of the workshop is up there.
00:14:10But her heart is fine.
00:14:12And ready to give you her hand at any time.
00:14:16Get out!
00:14:18Yes, sir.
00:14:22Get out!
00:14:28Dad!
00:14:31Okay, I'll stay with you.
00:14:33I can't leave you alone.
00:14:35I said get out!
00:14:37Okay, I'm out.
00:14:39But before I go, I want to tell you something.
00:14:42The world has changed, Dad.
00:14:44You have to be real to be able to live.
00:14:49Dad.
00:14:53I'll be right back.
00:15:12I'm sorry.
00:15:23Why is he paying for whiskey if he's broke?
00:15:26I'm not going to give him a single cigarette.
00:15:28He'll turn into a Samson seller.
00:15:30You're a bit of a troublemaker.
00:15:32I have 28 substitutes and no details.
00:15:3420 substitutes?
00:15:37Listen, ladies.
00:15:39I'll pay you all your debts.
00:15:41But you have to sign this contract.
00:15:43What?
00:15:46Who are they?
00:15:48His friends.
00:15:53I don't understand.
00:15:54Why do you have to torture yourself?
00:15:57Dad, I like to dress well.
00:15:59And don't forget that we live with princesses.
00:16:01Grandma, let the biggest shop take care of you.
00:16:04This is your brother's company.
00:16:06Don't be selfish.
00:16:07I like to take care of myself, not to save money.
00:16:10Because I take care of myself better than these shops.
00:16:13But I'm afraid of your fatigue.
00:16:22I'll be back in a minute.
00:16:24Okay, brother.
00:16:25I'm going to prepare dinner.
00:16:33What's going on?
00:16:34Why are you all here?
00:16:36Nothing, Dad.
00:16:37We were at Hamaya's.
00:16:38Did he see you?
00:16:39We kicked him out.
00:16:41He doesn't want to come back.
00:16:43And who is he?
00:16:49Yes, Lout.
00:16:50Take this phone number.
00:16:52896-306.
00:16:54306.
00:16:56I want you to buy this phone right now.
00:16:58Honestly, Kareem.
00:16:59I told you everything.
00:17:00Dad didn't say anything.
00:17:01And I don't care.
00:17:02Run away.
00:17:03Take it from Dad and the Prophet.
00:17:20Go.
00:17:42Let's go.
00:17:50Let's go.
00:18:20Let's go.
00:18:51Let's go.
00:18:52Let's go.
00:18:53Let's go.
00:19:21Mam.
00:19:26Hello, father.
00:19:28I'm here to bet on my grandfather's longevity.
00:19:30On my uncle's reputation.
00:19:31And on my father's needs.
00:19:34I thought you were here earlier.
00:19:36Trying to use those useless foprus as aする押.
00:19:40Listen to me and don't waste this chance.
00:19:44D'you know that your father paid 10,000 pounds!
00:19:50Prince, right now I don't see anything.
00:19:54Excuse me?
00:19:55Yes, madame?
00:19:56This one, please.
00:20:00And this one too.
00:20:01Traitor!
00:20:21The roasted corn!
00:20:27The roasted corn!
00:20:30In front of me, corn!
00:20:34The roasted corn!
00:20:36In front of me, corn!
00:20:50In front of me, corn!
00:21:11In front of me, corn!
00:21:20In front of me, corn!
00:21:28You bring this and take a stamp?
00:21:29What do I take?
00:21:30A bag of corn for your mood, sir.
00:21:32Which one?
00:21:35I mean, how much do you take per person?
00:21:37Something like a flower.
00:21:38What do you pay for it?
00:21:43I forgot my checkbook.
00:21:45Sorry.
00:21:47I don't have a checkbook.
00:21:49Do you know me to invite me?
00:21:51I know you're hungry like me.
00:21:53Very intelligent.
00:21:55I really want some corn.
00:21:57I doubt it.
00:21:59The roasted corn!
00:22:01The roasted corn!
00:22:09One is jealous of these salesmen.
00:22:11Why don't they put the check at 8?
00:22:14Queens.
00:22:15Queens?
00:22:17I want the check at 8.
00:22:19It's cheap, Your Excellency.
00:22:21It's also good, Your Excellency.
00:22:24I'm Roger Galban.
00:22:26I'm broke.
00:22:28You're jealous of each other.
00:22:30You're also broke?
00:22:31Yes.
00:22:34You see, I'm broke because of my title.
00:22:39I have a doctorate.
00:22:41No, I'm broke because of my heritage.
00:22:43Heritage?
00:22:45You should have a place to live.
00:22:48I live in a small box.
00:22:51Anyway, I'm honored, Doctor...
00:22:53My name is Dr. Hammouda.
00:22:55My name is Shawkat.
00:22:57I don't think I can return your invitation to the club.
00:23:01Are you going to the club?
00:23:03It's necessary for me to meet you.
00:23:05Because I'm close to him.
00:23:07If it was the princess.
00:23:09The princess?
00:23:11Why?
00:23:12Are you surprised?
00:23:14No.
00:23:16Nothing.
00:23:19I'm grateful for your invitation, Doctor.
00:23:22Excuse me.
00:23:24Good evening.
00:23:26Good evening.
00:23:42Good evening.
00:24:09Doctor?
00:24:10Welcome.
00:24:13What's going on?
00:24:15He's in a hurry.
00:24:17I brought him to the princess' hotel.
00:24:19Welcome, sir.
00:24:21Let's go.
00:24:26Do you think dad will understand me?
00:24:29Does he still think he has to forget the key?
00:24:36The light went out.
00:24:37The light went out.
00:24:39I wanted to see the palace.
00:24:41I've never been in a palace.
00:24:43Give me your hand.
00:24:47Do you have a cigarette?
00:24:49I'm smoking because I have a cigarette.
00:24:51It's a long trip.
00:24:53We won't be able to go home.
00:24:55Let's leave the money at the office.
00:24:57Let's go to the office.
00:24:59My heart is broken.
00:25:01I don't want him to blame us.
00:25:08Don't worry.
00:25:10Dad won't come back until 2 o'clock at night.
00:25:13I heard a dog barking in the garden.
00:25:16Maybe it's a blackout.
00:25:27Is that dad?
00:25:29It must be a trap.
00:25:31It's a trap.
00:25:33Don't worry.
00:25:34It's not a trap.
00:25:36It's an empty room.
00:25:38He must be in a hurry.
00:25:40You're so naive.
00:25:42They're traitors.
00:25:44Dad! Dad!
00:25:46Let's run away.
00:25:55I don't know what to do.
00:26:04The lights went out.
00:26:06We should have found it earlier.
00:26:08We should have slept in the princess's room.
00:26:11Princess?
00:26:13You're cheating me.
00:26:15This hotel is full of insects.
00:26:17They want to pollute it.
00:26:19Come with me.
00:26:21Don't hide in the chairs.
00:26:23Walk around me and tell me the princess's room.
00:26:25Oh my God.
00:26:27This is a palace.
00:26:29I didn't believe you.
00:26:31You have the right to run away from the princess's room.
00:26:32What did I do to you?
00:26:34I told you.
00:26:36You're a traitor.
00:26:38Listen.
00:26:40There are two candles in the office.
00:26:42Let's go there and light them.
00:26:44It's better.
00:26:46We don't have to light them.
00:27:03Doctor.
00:27:05Please help me.
00:27:07I have a tumor.
00:27:09Just a tumor?
00:27:11Don't you remember?
00:27:13By the way,
00:27:15I knew everything about you.
00:27:17You told me everything.
00:27:19When we left the princess's room,
00:27:21I came here.
00:27:23I don't know what happened to me.
00:27:25Do you think I like you?
00:27:27You're human.
00:27:29Doctor,
00:27:30I didn't see anything in my stomach.
00:27:32I'll explain.
00:27:34Here you go.
00:27:36You should know everything about me.
00:27:38I'm a doctor, but not in medicine.
00:27:41What are you talking about?
00:27:43I'm a doctor in grammar.
00:27:45What is grammar?
00:27:47Don't worry about the truth.
00:27:49Grammar means grammar in Arabic.
00:27:51Grammar of the Arabic language.
00:27:53Does grammar of the Arabic language
00:27:55deserve a doctor?
00:27:57There is only one branch of grammar.
00:27:58Grammar of the Arabic language.
00:28:00Grammar?
00:28:02What does it mean?
00:28:04It doesn't mean anything.
00:28:06It consists of three letters.
00:28:08It's called Hadda.
00:28:10A doctor in Hadda?
00:28:12Yes.
00:28:14That's why you don't have a job.
00:28:16If I had a job,
00:28:18I would have done it long ago.
00:28:20But I stick to my specialty.
00:28:22The faculty of literature
00:28:24told me to study anything but Hadda.
00:28:26I refused.
00:28:28Listen,
00:28:30I'll try to explain.
00:28:32For example,
00:28:34if I say,
00:28:36I ate the fish to its head.
00:28:38Do you know what that means?
00:28:40What does that concern me?
00:28:42It concerns me that I ate all the fish.
00:28:44It doesn't matter.
00:28:46What I like about you is that you have a light blood.
00:28:48I don't know why.
00:28:50Listen,
00:28:52I hired you as my personal secretary.
00:28:54I wish.
00:28:56Not by hand.
00:28:58I can do anything in the world except Hadda.
00:29:00I lost the things I left for my late father.
00:29:02Except Hadda.
00:29:04Then none of this will bring you to earth.
00:29:06You brought me to earth.
00:29:08I'm a man cut from a tree.
00:29:10I don't cry for anything in the world.
00:29:16Who are those pictures?
00:29:18My daughters.
00:29:24And this is your daughter?
00:29:25Yes.
00:29:27Yes.
00:29:31Wow.
00:29:33How beautiful she is.
00:29:35How beautiful her soul is.
00:29:37How beautiful her blood is.
00:29:39God bless you.
00:29:47I didn't say anything about your mother.
00:29:49It's a lie.
00:29:52No.
00:29:53They went to their mother.
00:29:55God have mercy on her.
00:29:58God have mercy on her.
00:30:00God bless them.
00:30:02They died too.
00:30:12Listen,
00:30:14I won't leave you alone.
00:30:16I hired you as my personal secretary.
00:30:18Bravo.
00:30:20Excuse me.
00:30:21Where are you going?
00:30:23I'm going to the Prince's office.
00:30:25Later.
00:30:27Tomorrow.
00:30:29This is the first night I've ever been alone.
00:30:31And the world is dark and the light is cut off.
00:30:33Forget it.
00:30:35Listen,
00:30:37as long as you accept to be my secretary,
00:30:39you should know that the salary I gave you
00:30:41won't be enough for you.
00:30:43I know.
00:30:45It's enough for me to sleep in the palace.
00:30:47And God will forgive me for the Prince's office.
00:30:49I'm tired.
00:30:51Let's go to sleep.
00:30:53Where?
00:30:55Upstairs, in my room.
00:30:57No.
00:30:59The condition is that I don't want to sleep with anyone.
00:31:01But there are many rooms for sleeping,
00:31:03like the little princes.
00:31:05I'm sorry.
00:31:07I'm going to sleep with those chairs until morning.
00:31:09Don't worry.
00:31:11Let the cabaret stay with you.
00:31:15Good night.
00:31:21Good night.
00:31:51Good night.
00:32:21Good night.
00:32:51Good night.
00:33:15Good evening.
00:33:17Who are you?
00:33:19I'm Haya.
00:33:21How dare you!
00:33:23Do as you're told.
00:33:25Why are you afraid?
00:33:27No one can hurt you.
00:33:29You're his wife, you believe him.
00:33:31I'm a good girl like you.
00:33:33But I have a problem.
00:33:35My father and I are fighting.
00:33:37I'm ready to listen to you all day,
00:33:39but from far away.
00:33:41Please.
00:33:51Good night.
00:34:22You're a liar.
00:34:24You're a liar.
00:34:26You're a liar.
00:34:28You're a liar.
00:34:30You're a liar.
00:34:32You're a liar.
00:34:34A liar.
00:34:36Karima, wait.
00:34:38I'm not going anywhere.
00:34:43Don't go inside.
00:34:45I'll wait for you at the door.
00:34:47You're a liar.
00:34:49You're a liar.
00:34:51Where are you?
00:34:52Bashariyya!
00:34:53Where are you?
00:34:54Who are you?
00:34:55Open the door!
00:34:56Who are you?
00:34:57I'm the Secretary of the Army!
00:35:01What happened?
00:35:02Bashariyya!
00:35:03She lit the candle and killed me!
00:35:05What's going on?
00:35:06Why don't you go?
00:35:08He's a criminal!
00:35:09Uncle, I'm not a criminal!
00:35:10Come here!
00:35:11You're not a criminal after what happened!
00:35:15Okay, he's really not a criminal.
00:35:17Never!
00:35:19I'll go with you.
00:35:20No, not here!
00:35:21Why, Bashariyya?
00:35:22I'll go with you.
00:35:24Okay, where's the candle?
00:35:26Over there, on the bed.
00:35:27Bashariyya has it.
00:35:28Go give it to him.
00:35:29Go.
00:35:46Your father seems very nice to me.
00:35:48I'm very sure that he's with the doctor.
00:35:50It's strange that a nice man like him
00:35:52has such a dry head.
00:35:54I hope Dr. Hamouda stays with him forever.
00:35:57He's old, and his blood is thin.
00:35:59Do you know that whoever sees him
00:36:01doesn't say anything about your father?
00:36:03Who are you talking about?
00:36:05Your father.
00:36:07I'm talking about Dr. Hamouda.
00:36:09What's wrong with your father?
00:36:11He's a drunkard.
00:36:13You haven't stopped talking about him since this morning.
00:36:15Yes, yes.
00:36:16You haven't stopped talking about him since this morning.
00:36:18Okay, don't get me wrong.
00:36:20But we don't want you to forget
00:36:22that you bought the candle this morning.
00:36:28This is an urgent message.
00:36:29You have to dream of the light.
00:36:46Look.
00:36:54Dr. Hamouda!
00:36:55Dr. Hamouda!
00:36:57Dr. Hamouda!
00:36:58Wake up!
00:36:59What is it?
00:37:00The light is on!
00:37:03I told you that this house is very strong.
00:37:05Shut up!
00:37:06Don't remind me!
00:37:08Dr. Hamouda.
00:37:12Get me a cup of coffee and some sugar.
00:37:15What?
00:37:17More sugar!
00:37:18Can't you hear me?
00:37:22I have to put up with you.
00:37:24Okay.
00:37:26But I...
00:37:27I don't care.
00:37:28More sugar!
00:37:29Get it?
00:37:31Where's your kitchen?
00:37:32In the office.
00:37:33There's a ladder in front.
00:37:34Come on.
00:37:35Hurry up.
00:37:46What's your name?
00:37:47What's your age?
00:37:53Get out!
00:37:55What's wrong with you?
00:37:56Don't you see?
00:37:57Where do you think you're going?
00:37:59I'll do it myself.
00:38:00I said more sugar!
00:38:01And I said it myself.
00:38:02Because there's no sugar.
00:38:04Okay. Do it yourself.
00:38:07I told you.
00:38:08I said more sugar!
00:38:09And I said it myself.
00:38:10Because there's no sugar.
00:38:12Do it yourself.
00:38:13I said more sugar!
00:38:14And I said it myself.
00:38:15Do it yourself.
00:38:20Hey, Bram!
00:38:22Enough, you idiot.
00:38:23Do you still think you're in this bar?
00:38:25We can drink it without sugar and without a bottle.
00:38:30You're annoying.
00:38:31And listen to how he behaves.
00:38:33He's so weird.
00:38:44Hey, Bram!
00:38:47Do you know that there's nothing to eat in the office?
00:38:51I'm on a diet.
00:38:52Do you have any money?
00:38:54The money I got from your boss yesterday.
00:38:56It was your fault.
00:38:58You don't have any money.
00:38:59Go and get the money.
00:39:01That's part of the secretary's job.
00:39:02To provide for you.
00:39:03I'll leave it.
00:39:04You're talking to your servant.
00:39:06With all due respect to your boss.
00:39:08You should know that if I go there,
00:39:10they won't give me the money.
00:39:12What will they give you?
00:39:13They'll give me a stick.
00:39:14Because the bill is too high.
00:39:17What's wrong with you, Basbousa?
00:39:21Get lost!
00:39:22What?
00:39:23Basbousa.
00:39:24Basbousa?
00:39:25Basbousa's stuff.
00:39:26It's iron.
00:39:27It's none of your business.
00:39:28I'm telling you, get lost.
00:39:29Let him go and get the money.
00:39:33Get lost.
00:39:36Listen, you...
00:39:43Your day is over, brother.
00:39:45What do you mean?
00:39:46Aren't you afraid that the prince will see you and refuse you?
00:39:48He's a bad man.
00:39:50Aren't you afraid of the smell?
00:39:52It's hot and rich in the country's oil.
00:39:54What do you mean?
00:39:55We want a stick.
00:39:57We want this.
00:40:00What's this?
00:40:01I'll explain later.
00:40:04Give me a piece of the stick.
00:40:06But it has to be sharp.
00:40:07It's nice.
00:40:08Don't you see that I'm a young man?
00:40:10I'm also a young man.
00:40:15Everything has a price.
00:40:20We agreed that he should come every day.
00:40:23I knew it.
00:40:25I knew you'd come for the stick you have.
00:40:27He's the one who will come after us.
00:40:29I'm going to try this stick at the Kabbalah.
00:40:33You have all this junk and you can't find food?
00:40:36Don't waste it on the blind.
00:40:37Get lost!
00:40:39Are you mad at me?
00:40:40You always forget that you're a prince.
00:40:43When I'm in a good mood.
00:40:45Why can't you always be in a good mood?
00:40:50Hamouda!
00:40:51Follow me!
00:40:52What's this?
00:40:54I told you, we're not the only ones in the palace.
00:40:56The palace must be inhabited by the Aphrodite.
00:40:59Why not the angels?
00:41:01The Aphrodite is the leader.
00:41:02The angels are in charge.
00:41:03Listen, Hamouda.
00:41:05I invite you to dinner at the club.
00:41:08Do you hear me?
00:41:10What do you mean?
00:41:11I'm Mohamed Ali.
00:41:12Did you forget me?
00:41:14Oh, you're the master's friend.
00:41:16Okay, get up.
00:41:18Get up.
00:41:20You're the master's friend.
00:41:22But I'm a doctor.
00:41:23And don't call me Hamouda.
00:41:25I'm Dr. Hamouda.
00:41:27What?
00:41:28Is there anyone called a doctor?
00:41:39Didn't you tell me the phone is off?
00:41:42It should be on high power.
00:41:44Look who's calling.
00:41:45Why don't you answer?
00:41:46Because you're the one who works for me.
00:41:49I have to respect you until the ten pounds run out.
00:41:54Ma'am.
00:41:55Doctor?
00:41:57Good morning.
00:41:59I'm Jehan.
00:42:00Welcome.
00:42:01Ma'am.
00:42:02Who?
00:42:03It looks like someone from the department.
00:42:04Do you want to talk to him?
00:42:05No, no.
00:42:06Leave me alone.
00:42:07Leave me alone.
00:42:15Yes, ma'am.
00:42:16I was wondering if we could meet
00:42:19to talk about my father's condition.
00:42:21Of course, ma'am.
00:42:24In a minute or two.
00:42:27Of course.
00:42:28Of course.
00:42:35I'm so happy to have this chance.
00:42:37Me too.
00:42:40Can I invite you to a gelato?
00:42:42No problem.
00:42:54I...
00:42:56I'm sorry.
00:42:57I don't have any money in my pocket.
00:42:59If I were your designer,
00:43:00it would be you who would pay for the gelato.
00:43:04That's it.
00:43:10Here you go.
00:43:14Do you want a pistachio or a mango?
00:43:15A pistachio.
00:43:20Here you go.
00:43:26You're welcome, ma'am.
00:43:27Goodbye.
00:43:31Here's the pistachio.
00:43:34And the other five.
00:43:37You know what, ma'am?
00:43:39I'm the one who's going to say thank you.
00:43:42Because your father tied me up for a whole day.
00:43:45For seven hours.
00:43:47But I haven't given up yet.
00:43:49I came running.
00:43:50I didn't wait for him to give me the ten ringgit.
00:43:52I didn't wait for him to give you the ten ringgit.
00:43:54Do you think he still thinks that the spirits are the ones who sent him?
00:43:58What does he have against me?
00:44:01He's afraid of the spirits.
00:44:02He's obsessed with them.
00:44:04Goodbye, doctor.
00:44:05Stay with him.
00:44:07That's what I'm asking you to do.
00:44:08Stay with him.
00:44:10But...
00:44:11It's your fault that your father tied you up.
00:44:13Tied me up?
00:44:16Who's going to tie me up?
00:44:19I'm a cripple.
00:44:20You...
00:44:21You don't have the right to touch me.
00:44:24How do you know?
00:44:25You forgot that I heard everything you said while I was hiding in the office.
00:44:30Yes, that's right.
00:44:32I forgot.
00:44:36Why don't you leave me alone for a while?
00:44:38And get yourself busy with something else.
00:44:40That's what I feel is really happening.
00:44:43There are things that are taking a toll on me.
00:44:48Can I ask you for a favor?
00:44:49Of course.
00:44:52I want you to take care of my father.
00:44:55In the same way?
00:44:57As you see fit.
00:44:59It's a difficult situation.
00:45:01My father is in a difficult situation right now.
00:45:03But I'm working.
00:45:13You're working?
00:45:16I'm drawing paintings.
00:45:22Unbelievable.
00:45:23Why?
00:45:26Because you're a painting yourself.
00:45:40Is this your drawing?
00:45:43Bravo.
00:45:47One has to look for food.
00:45:49I thought your part was...
00:45:51On the contrary.
00:45:53This is what encouraged me to pursue my passion.
00:45:55And sell my drawings.
00:45:57The principle is that work is worship.
00:46:02I'm late.
00:46:03I have to hand this over to my father.
00:46:05Excuse me.
00:46:07I'll see you later.
00:46:09I'll call you later.
00:46:10Goodbye.
00:46:20A few hours later.
00:46:25Your Excellency.
00:46:28I'd like a fried egg.
00:46:30Do you have any change?
00:46:32Ten pounds is enough.
00:46:34I don't have any change left.
00:46:35Go make me a cup of coffee.
00:46:36You're a politician.
00:46:38Let me take this opportunity to ask you.
00:46:40Didn't you look for a job for your mother?
00:46:43What?
00:46:44Do you want a friend of God to work for his mother?
00:46:47This is not normal.
00:46:48So, you're waiting for a power that's unforeseen.
00:46:53Why not?
00:46:54What if the miracle happens in the middle?
00:46:57In the middle, it would have worked there.
00:47:01Because there, we could only find insects and cockroaches.
00:47:05Is that so?
00:47:06Yes.
00:47:07Listen.
00:47:08Leave me alone, Doctor.
00:47:09Go make me a cup of coffee in your office.
00:47:11Okay, but...
00:47:12Listen.
00:47:13I'm going back to the bathroom.
00:47:14If the coffee isn't ready,
00:47:15consider yourself responsible.
00:47:16Go, go, go.
00:47:17Enough.
00:47:40Enough.
00:47:41Enough.
00:47:42Enough.
00:47:43Enough.
00:47:48Ten pounds.
00:47:50Didn't you tell me you're broke?
00:47:52This is a new wallet.
00:47:54From above?
00:47:55You were hiding it from me.
00:47:56What's the matter with you, brother?
00:47:57You're giving me something I don't need.
00:47:59It's very strange.
00:48:00Listen.
00:48:01It's better for you
00:48:02to stop worrying about this
00:48:04and find a job where you can make a living.
00:48:06You're the one who got me into this mess.
00:48:08You're a fool.
00:48:09I'm telling you.
00:48:11Why don't we build this palace as a pension?
00:48:13Enough!
00:48:14You want the palace as a pension?
00:48:16You want your ancestors to live in luxury?
00:48:19Isn't that enough for you?
00:48:22Your ancestors did justice to their dignity.
00:48:24They sent you a horse,
00:48:25and then they took it away.
00:48:26Hey, farmer.
00:48:27Try to understand.
00:48:28I can't rent this palace.
00:48:30I'm only allowed to live in it.
00:48:33Rent it without a rent.
00:48:34How?
00:48:35People come and stay with us.
00:48:37And they say it's free.
00:48:38And where do we get these people from?
00:48:41The media and the newspapers.
00:48:43Just like us.
00:48:44They demand the jobs I do.
00:48:45And the media and the newspapers
00:48:47demand the jobs I do.
00:48:48I don't sit around trying to find a job.
00:48:51It's different.
00:48:52We're going to say it's a luxury palace
00:48:54that's free to rent.
00:48:57That's it?
00:49:00A palace that's free to rent?
00:49:02What are you talking about?
00:49:03There's no palace that's free to rent.
00:49:05Except for the palace in Safra.
00:49:06Or it's written like this, Loul.
00:49:08I don't believe it.
00:49:10Oh, come on.
00:49:11Turn it off.
00:49:12Okay, dear.
00:49:13And where is this palace?
00:49:14In Algiza.
00:49:15Get out of Algiza.
00:49:16What?
00:49:17Who's going to take us to Algiza
00:49:18when we want to go to Mbaba?
00:49:19Oh, come on.
00:49:20Did you forget that today is the market day?
00:49:22Oh, come on.
00:49:23What's wrong with you?
00:49:24You always say
00:49:25I want to live in a palace
00:49:27that's free to rent.
00:49:29Free to rent?
00:49:30And it has to have a house.
00:49:32It has to have a residence.
00:49:34I want to live in a palace
00:49:35where I can sleep, sleep, sleep, sleep.
00:49:37Oh, come on, dear.
00:49:40Get out of Algiza.
00:49:43Good morning, Mr. Dalady.
00:49:45Good morning.
00:49:46We saw the news in the newspaper.
00:49:47Where's the palace owner?
00:49:48Oh, where's the palace owner?
00:49:50I'm the palace owner.
00:49:51And the prophet's blood is light.
00:49:53And what's this?
00:49:54The revolutionaries are the palace owners?
00:49:57And the prophet's palace is big, Zaza.
00:50:00Very big, Loul.
00:50:02And how many rooms are there?
00:50:04About 20.
00:50:05That's enough.
00:50:06All four are rooms.
00:50:07On the way to the princess' residence.
00:50:09The family is growing, Mashallah.
00:50:11We've been praying for the prophet like this for about 40 years.
00:50:14This is not just me,
00:50:15and the old man,
00:50:16and the servants.
00:50:18Great.
00:50:19May God increase and bless.
00:50:21It will grow.
00:50:22It will be gone in two days.
00:50:23It will be gone in two days.
00:50:24It will be gone in two days.
00:50:25It will be gone in two days.
00:50:26It will be gone in two days.
00:50:27It will be gone in two days.
00:50:28It will be gone in two days.
00:50:29It will be gone in two days.
00:50:30It will be gone in two days.
00:50:32Enough, you fool.
00:50:34Believe me, Hanim.
00:50:35Whoever puts his foot in this palace,
00:50:36God will forgive him.
00:50:38He will eat Basbousa right away.
00:50:40Do you want to watch me hurt my mouth?
00:50:42No, you do it.
00:50:44He has a heart,
00:50:45and I have nerves.
00:50:46And I have lumbago.
00:50:47Oh, my lumbago.
00:50:51Is this the prince himself?
00:50:54What? You don't like it?
00:50:55No.
00:50:56This is the first time I've seen a real prince.
00:50:59And you don't have any manners.
00:51:01Explain yourself.
00:51:02No, I'm a doctor.
00:51:04Fine, I'll spare you.
00:51:06But I'm a doctor in a hospital.
00:51:08In what?
00:51:10I'll explain it to you.
00:51:12You have a fish, and you're going to eat it.
00:51:14What are your conditions, Tumtum?
00:51:16I'm the only one acting.
00:51:18My name is Shawkat, ma'am.
00:51:19Don't you want to taste it?
00:51:20The conditions are very simple.
00:51:22All we ask of you is that we sit with you.
00:51:24One room for me and the doctor to sleep in.
00:51:27The whole house is under your command.
00:51:29And as for the food...
00:51:30Yes?
00:51:31Since I'm a guest,
00:51:32we don't mind if you want to invite us.
00:51:35This is the day of the moon.
00:51:37I'm all at your command in everything you ask of me, Tumtum.
00:51:40My name is Shawkat.
00:51:41Do you want me to make you laugh?
00:51:45So, did you eat the fish?
00:51:47Even the head?
00:51:48This is brainwashing.
00:51:50Do you think I'm a monkey?
00:51:53So, is this doctor of yours
00:51:55a mechanic or a barber?
00:52:10Amazing.
00:52:13You can't imagine how happy I am.
00:52:15At least I'm working.
00:52:16Bravo.
00:52:17And I love my job.
00:52:18Bravo.
00:52:20By the way,
00:52:21here are 10 pounds.
00:52:23Give them to dad as usual.
00:52:27From now on,
00:52:28I don't want the angels to worry about dad.
00:52:30How?
00:52:31Things are settled.
00:52:33It's over.
00:52:34Over? From where?
00:52:36From the family.
00:52:37The family is already very big.
00:52:39It's true that dad's family is already very big, but...
00:52:42I'll tell you for sure if things get worse.
00:52:45So, you'll let us see you...
00:52:48So, you'll let us see you...
00:52:51to make sure of dad?
00:52:56I was still asking you to let me sit next to you
00:52:59while you draw your pictures.
00:53:01I'll sit quietly.
00:53:02You won't feel my presence.
00:53:04You'll get bored.
00:53:05I'm sure that if I sit next to you all day,
00:53:08all my life,
00:53:09I won't get bored.
00:53:11But I'd rather you look for a job.
00:53:15Do you mean it?
00:53:17I'm looking for a job.
00:53:19More than ever.
00:53:21I'm happy to hear that from you.
00:53:23Now, I have hope in life.
00:53:27You've changed me completely.
00:53:29Listen,
00:53:30and try to find a job.
00:53:32Don't bother me.
00:53:33Let me finish my picture too.
00:53:35As you wish.
00:53:36I'll see you.
00:53:38It's necessary.
00:53:39Goodbye.
00:53:41Goodbye.
00:53:44Goodbye.
00:53:52What's wrong, Prince?
00:53:54The man in the tree doesn't care about what's gone.
00:54:00He takes the branch from the tree
00:54:04and stands on his feet again.
00:54:06I know.
00:54:08But I'm afraid that the woman takes the branch from the apple tree.
00:54:11Put it aside.
00:54:13Don't worry.
00:54:14You'll like it.
00:54:16When I was locked up in the prison,
00:54:19she stood in my carrot shop like a thief.
00:54:24Don't talk about thieves, sir.
00:54:26It's better than talking about witches.
00:54:29Hello.
00:54:30Come in.
00:54:31It's an honor to meet you.
00:54:33Welcome.
00:54:36But I think you've had enough.
00:54:38And you want me to get bored.
00:54:40I heard that you like Prince's coffee, doctor.
00:54:45If you don't mind,
00:54:47I'd like to have a bite first.
00:54:49Go ahead.
00:54:50Before the table is taken away.
00:54:53Your mother's wishes.
00:54:55So that you can follow us with the coffee.
00:54:59What did you have for lunch today?
00:55:01Yogurt with pistachio.
00:55:02Great.
00:55:03And what will you have for dinner?
00:55:05I'll have a bone soup with kumquat.
00:55:08You're so handsome.
00:55:11God bless you.
00:55:12I'd like to be honored to receive you.
00:55:14Shut up, doctor.
00:55:15I'm waiting for you.
00:55:16Why?
00:55:17Samia is hot.
00:55:18If you want to take care of her, come with me.
00:55:20But I...
00:55:21Don't worry.
00:55:22I'll take care of her.
00:55:23Come with me.
00:55:26Are they the prisoners?
00:55:28Yes.
00:55:29Come with me.
00:55:30Tahir.
00:55:31Gulfidan.
00:55:32Samia.
00:55:33Don't worry.
00:55:34I'm fine.
00:55:35Each one of them has a unique personality.
00:55:38But I noticed that they are all homosexual.
00:55:40Of course.
00:55:41The men in the other room.
00:55:42Anwar, Khalil, and Ali.
00:55:43The two doctors are from Ansar.
00:55:45They are not mixed.
00:55:46And the doctor's son, Samia, is very tired.
00:55:48God bless him.
00:55:49Thank you, doctor.
00:56:06Bye.
00:56:07Bye.
00:56:08Where are you going?
00:56:09Come with us to Alexandria.
00:56:11Where?
00:56:12Alexandria.
00:56:13I have work there.
00:56:14We'll have a weekend there.
00:56:16But I...
00:56:17I have to draw.
00:56:18That's good.
00:56:19Is there a better view of the sea in Alexandria?
00:56:22Come on.
00:56:23I'll take care of you.
00:56:24Don't worry about the rest.
00:56:25I noticed that you don't like this place.
00:56:27Let's go.
00:56:28Let's go.
00:56:31Have you ever heard of an ambassador?
00:56:33What ambassador?
00:56:34The ambassador of the East.
00:56:35Come on.
00:56:37Okay.
00:56:50Didn't we agree to leave the trouble in Egypt?
00:56:53You're prepared to leave me in trouble.
00:56:55I'm happy, thank God.
00:56:57Don't try to hide it from me.
00:56:59There's something that upsets you.
00:57:01There's nothing but my father's brothers.
00:57:03How does he live alone?
00:57:05I can't imagine how he manages his affairs.
00:57:07Do you know that you're a child?
00:57:09Grandma, all my father's days are over.
00:57:11Or do you think that because he doesn't want to know me, I'll leave him?
00:57:14Shame on you, Salim.
00:57:15And don't say who's hiding it.
00:57:17I didn't hide anything from you.
00:57:19But I didn't want to embarrass you.
00:57:21My dear Salim.
00:57:24Look, look.
00:57:27It's like they're in a honeymoon.
00:57:29They haven't stopped loving each other yet.
00:57:31Although I know that those who have been married for a long time
00:57:34and happened to be alone once,
00:57:36they stay silent.
00:57:37Not necessarily.
00:57:38There's silence that's better than words.
00:57:40And not all words.
00:57:42My late husband and I were never silent.
00:57:45But our words were like bullets.
00:57:48I see.
00:57:49You didn't get married out of love.
00:57:51Love?
00:57:52No.
00:57:54It was just a name and a fate.
00:57:56And marriage is like a closed watermelon.
00:57:58It turns red or green.
00:58:02So you've never loved me?
00:58:05What are you drawing?
00:58:07You're running away from my question.
00:58:10I'm asking you, have you never loved me?
00:58:15And I'm asking you, who are you drawing?
00:58:19Show me.
00:58:20Oh my God!
00:58:21It's you!
00:58:22My dear, my dear.
00:58:24Go to hell.
00:58:26Like this.
00:58:27Who's that?
00:58:28No one.
00:58:29Yes, that's right.
00:58:31Who are you trying to tell me?
00:58:33Just a moment.
00:58:34I'm preparing myself.
00:58:36I'm drawing you.
00:58:37There's a resemblance.
00:58:39Between who?
00:58:40Between...
00:58:42Dr. Nahawi.
00:58:44Hamouda Yani.
00:58:46Oh my heart, Yani.
00:58:49It's hidden.
00:58:50Hide it, hide it.
00:59:02It's a shame that people draw their thoughts.
00:59:04Do you know who I would have drawn if I knew how to draw?
00:59:07Who?
00:59:08Tell me, who?
00:59:11Do you know Dawamah?
00:59:12No.
00:59:13Come here.
00:59:15Do you see the Dawamah over there?
00:59:17What kind of Dawamah are you talking about?
00:59:20The Dawamah of love, Abita.
00:59:22Do you know why it's called Dawamah?
00:59:24Why?
00:59:25Because it catches the one who gets close to it.
00:59:27Like a cat.
00:59:28Because it catches the one who gets close to it.
00:59:30Just like love.
00:59:32When it turns its mind and catches the heart.
00:59:34Wow.
00:59:35I thought you didn't know anything about love.
00:59:38Believe me, I've only known it for a few days.
00:59:58Dawamah
01:00:00I love the Dawamah
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