A TIME TO DIE
| Crime, Drama | 1982 |
Plot:
In the final days of World War II, American spy Michael Rogan (Edward Albert Jr.) is taken prisoner, along with his wife and comrades from the French underground. A sadistic six-man interrogation team fails to get any information out of Rogan, and brutally murder his wife and fellow conspirators, shoot him, and leave him for dead. After the war, Rogan sets out on a mission of bloodshed and terror that takes him across Europe. Haunted, wounded, and relentlessly driven by his hatred and his memory, Rogan avenges the senseless murders, one by one. The leader of the interrogating team and Rogan's ultimate target is Von Osten (Rex Harrison), now a major political force in post-war Germany. Von Osten is on the verge of gaining the Chancellery and becoming a puppet for the Americans. Rogan carefully stalks his prey, dodging American agents and tensely awaiting his chance. In the final confrontation, Rogan must face both his memory and his tormentor, but it is Von Osten that must stare into the steely eyes of hatred and look justice square in the face.
Crew:
• Directed by: Matt Cimber
• Written by: Mario Puzo (Novel), John F. Goff, Matt Cimber, Willy Russell
• Starring: Rex Harrison, Rod Taylor, Edward Albert, Raf Vallone, Linn Stokke
• Produced by: Charles Lee
• Music by: Robert O. Ragland
• Cinematography: Thomas F. Denove, Eduard van der Enden
• Edited by: Byron 'Buzz' Brandt, Edgar Burcksen, Fred A. Chulack
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AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.
| Crime, Drama | 1982 |
Plot:
In the final days of World War II, American spy Michael Rogan (Edward Albert Jr.) is taken prisoner, along with his wife and comrades from the French underground. A sadistic six-man interrogation team fails to get any information out of Rogan, and brutally murder his wife and fellow conspirators, shoot him, and leave him for dead. After the war, Rogan sets out on a mission of bloodshed and terror that takes him across Europe. Haunted, wounded, and relentlessly driven by his hatred and his memory, Rogan avenges the senseless murders, one by one. The leader of the interrogating team and Rogan's ultimate target is Von Osten (Rex Harrison), now a major political force in post-war Germany. Von Osten is on the verge of gaining the Chancellery and becoming a puppet for the Americans. Rogan carefully stalks his prey, dodging American agents and tensely awaiting his chance. In the final confrontation, Rogan must face both his memory and his tormentor, but it is Von Osten that must stare into the steely eyes of hatred and look justice square in the face.
Crew:
• Directed by: Matt Cimber
• Written by: Mario Puzo (Novel), John F. Goff, Matt Cimber, Willy Russell
• Starring: Rex Harrison, Rod Taylor, Edward Albert, Raf Vallone, Linn Stokke
• Produced by: Charles Lee
• Music by: Robert O. Ragland
• Cinematography: Thomas F. Denove, Eduard van der Enden
• Edited by: Byron 'Buzz' Brandt, Edgar Burcksen, Fred A. Chulack
About TRENDEST MOVIES - ENGLISH:
Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for an expansive collection of movies across all genres. From timeless classics to modern-day blockbusters, we bring you the best of cinema. Dive into our vast library, where you’ll find everything from thrilling action movies to heartwarming dramas, iconic comedies, and unforgettable sci-fi adventures. Stay tuned as we continue to expand our collection, offering something for every movie lover.
#TrendestMovies #EnglishCinema #ClassicHits
Follow Trendest Media:
• YouTube:
1) TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_INFOTAINMENT
2) TRENDEST KIDS: www.youtube.com/@TRENDEST_KIDS
• Instagram:
TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/
• Facebook:
TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/
COPYRIGHT
We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in
AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.
Category
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Short filmTranscript
00:02:00I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:02:30to get you out of here, I'm going to get you out of here, I'm going to get you out of here,
00:03:00I'm going to get you out of here, I'm going to get you out of here, I'm going to get you
00:03:30out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:04:01to get you out of here, I'm going to get you out of here, I'm going to get you out of here,
00:04:10I'm going to get you out of here, I'm going to get you out of here, I'm going to get you
00:04:20out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:04:30to get you out of here, I'm going to get you out of here.
00:05:00Michael!
00:05:02Michael!
00:05:04Michael!
00:05:06Michael!
00:05:08Michael!
00:05:10Michael!
00:05:12Michael!
00:05:20Rogan and the girl with me.
00:05:22Put the others in the lorry.
00:05:24Where's your head, son?
00:05:26No.
00:05:30What will happen to them?
00:05:32They'll be tried as spies and shot.
00:05:34You two will live.
00:06:00OK, you go.
00:06:18Michael!
00:06:20Michael!
00:06:24Michael!
00:06:26Michael!
00:06:28Oh, my God!
00:06:30My God!
00:06:36My God!
00:06:58We have here representatives of two of Germany's allies, that is how important this dossier is.
00:07:09Michael Rosen was born on the 2nd of March, 1980.
00:07:14At the age of 22, he received a commission in the United States Army.
00:07:18Shut up a little, and hold the woman together, and stop with the shouting!
00:07:48Because of this and his knowledge of the French language, he was programmed to the central nervous system of the American Army Intelligence Network in German-occupied France.
00:07:59A function he has performed successfully, without leaving a trace, until the present.
00:08:06If we obtain his codes, we can temporarily divert American knowledge of our troop movement in France.
00:08:13You have my name ranked...
00:08:14You are a spy, Rosen.
00:08:17We must have your codes immediately, so that our troops may have time to regroup.
00:08:25Germany is dying.
00:08:27You must tell us very quickly, before your capture is known.
00:08:33I beg you for your wife's sake.
00:08:36The codes, please!
00:08:46Let's go!
00:09:09Let's go, boys!
00:09:11Groups of 2 and 3, advance!
00:09:20Attention!
00:09:22Attention!
00:09:25Load!
00:09:30Fire!
00:09:40Michael!
00:09:41Michael!
00:09:43Michael!
00:09:51Michael!
00:09:52All of you, do everything!
00:09:57Get ready, men, go!
00:10:11Fire!
00:10:15Fire!
00:10:16Fire!
00:10:22Go away with them!
00:10:23Away! Away! Away!
00:10:27Fire! Fire!
00:10:46Rogan.
00:10:49Rogan.
00:10:51Trust me.
00:10:54You're only a grain of sand in this war.
00:10:58Why should you die now?
00:11:01Rogan, I will deliver you.
00:11:04I promise.
00:11:06You and I will be brothers after this madness blows away.
00:11:10Years from now, at dinner, alive.
00:11:12We'll talk about these things, wondering how we could have committed such terrible deeds.
00:11:18Rogan.
00:11:20Let me deliver you.
00:11:23Let me quiet my own conscience.
00:11:42Shall we make his rice cream again?
00:11:45No.
00:11:48Show him the truth.
00:12:13Michael!
00:12:16Michael!
00:12:31Michael, Michael.
00:12:33Michael.
00:12:37Your wife died in the very first hour.
00:12:40Michael.
00:12:43Michael!
00:12:45Michael!
00:12:47Michael!
00:12:50No, Michael.
00:13:12Michael!
00:13:33Now, give us the codes, and we will let you live.
00:13:42Michael.
00:14:13Take it away.
00:14:28He'll tell us in the morning.
00:14:42Two boxes left.
00:14:48Police, truck, go!
00:14:55Get all the boxes out of the car.
00:15:09Get out of the car and let us through.
00:15:13Hans, come in.
00:15:26These codes are too late to help Germany now.
00:15:34The American armies are in the outskirts of Munich.
00:16:12Get out of the car.
00:16:42Get out of the car.
00:17:12Get out of the car.
00:17:42Get out of the car.
00:18:12Oh, John.
00:18:39Good morning.
00:18:42Good morning.
00:18:48You're a very lucky young man.
00:18:50By all rights, you should be dead now.
00:18:55We couldn't get all the bullet pieces out.
00:18:57But, like I said, if you want to go on living, you must be careful.
00:19:02There'll be some bleeding at times, but only if you overexert yourself.
00:19:07And we can give you some medication for that.
00:19:13I love you.
00:19:15I love you.
00:19:16I love you.
00:19:18I love you.
00:19:22Yes, it's me, sir, Bailey.
00:19:23Look, I got Rogan here again.
00:19:25He's in the outer office waiting to see me now.
00:19:28Bailey, what are you calling me for?
00:19:30You know what to do.
00:19:31Handle it.
00:19:32Well, if there's something else, I've got another letter.
00:19:34And I've checked it out.
00:19:36It seems that Rogan left a full dossier with a firm of lawyers.
00:19:41And they're prominent enough that not even the OSS could suppress them.
00:19:44I think he's got us.
00:19:45They can't touch us.
00:19:46This is the OSS.
00:19:47Well, my God, sir, he's been after this information for three years.
00:19:50We have to help him.
00:19:51OK, help him.
00:19:52Give him whatever information is necessary.
00:19:54Have him followed day and night.
00:19:56Stay on top of this, Bailey.
00:19:58I'm holding you personally responsible.
00:20:00Even if I have to go back to Germany?
00:20:02Yes, of course.
00:20:03Anywhere.
00:20:04Yes, sir.
00:20:12Send Mr. Rogan in.
00:20:23Rogan, what can I do for you?
00:20:25You know why I'm here.
00:20:37I'm gonna get him, Bailey.
00:20:40No.
00:20:43I'm gonna get every one of them.
00:21:10The table, sir.
00:21:16No.
00:21:18That booth.
00:21:19OK, this way, please.
00:21:29I'm sorry.
00:21:30I'm sorry.
00:21:31I'm sorry.
00:21:32I'm sorry.
00:21:33I'm sorry.
00:21:34I'm sorry.
00:21:35I'm sorry.
00:21:36I'm sorry.
00:21:37I'm sorry.
00:21:39Thank you.
00:21:45Take this to that man over there.
00:21:47The one by the stage.
00:22:08How did you know my name?
00:22:26We met before.
00:22:27I don't know you.
00:22:45We met in 1945, in Munich Courthouse.
00:22:50We were Nazi.
00:22:54My name is Rogan. Michael Rogan.
00:23:00Do you remember me now?
00:23:03Rogan is dead.
00:23:06He was executed.
00:23:09I saw it myself.
00:23:13You're playing a trick on me.
00:23:20What was his name?
00:23:21No!
00:23:50Let's get out of here.
00:24:12Here we are.
00:24:19Hello.
00:24:22You're beautiful.
00:24:35Hello, love.
00:24:40Come on.
00:24:55Come on.
00:25:15Don't be afraid.
00:25:44It's okay.
00:25:58How many?
00:26:00Four.
00:26:07Put your head back.
00:26:36It's okay.
00:26:51It's okay.
00:27:11It's okay.
00:27:26It's okay.
00:27:43Miss Lein.
00:27:44A man was murdered last night in the Red Pig.
00:27:50We have a description of the murderer.
00:27:52An American.
00:27:55Don't wake him.
00:27:57We had a very hard night.
00:28:00What's wrong with him now?
00:28:01Drinking heavily.
00:28:03He's not your man.
00:28:04He's an old customer of mine from Berlin.
00:28:08Miss Lein.
00:28:09It's too bad.
00:28:10I'm not in your business.
00:28:18Now you are.
00:28:20Thank you, Miss Lein.
00:28:23Who is he?
00:28:24He's a very important man.
00:28:25He can't be involved in any scandal.
00:28:32Thank you, Miss Lein.
00:28:35Good day.
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00:34:59Good day.
00:35:00Good day.
00:35:01Good day.
00:35:02Good day.
00:35:03Good day.
00:35:04Good day.
00:35:05Good day.
00:35:06Good day.
00:35:07Good day.
00:35:08Good day.
00:35:09Good day.
00:35:10Good day.
00:35:11Good day.
00:35:12Good day.
00:35:13Good day.
00:35:14Good day.
00:35:15Good day.
00:35:16Good day.
00:35:17Good day.
00:35:18Good day.
00:35:19Good day.
00:35:20Good day.
00:35:21Good day.
00:35:22Good day.
00:35:23Good day.
00:35:24Good day.
00:35:25Good day.
00:35:26Good day.
00:35:27Good day.
00:35:28Good day.
00:35:29Good day.
00:35:30Good day.
00:35:31Good day.
00:35:32Good day.
00:35:33Good day.
00:35:34Good day.
00:35:35Good day.
00:35:36Good day.
00:35:37Good day.
00:35:38Good day.
00:35:39Good day.
00:35:40Good day.
00:35:41Good day.
00:35:42Good day.
00:35:43Good day.
00:35:44Good day.
00:35:45Good day.
00:35:46Good day.
00:35:47Good day.
00:35:48Good day.
00:35:49Good day.
00:35:50Good day.
00:35:51Good day.
00:36:05Yes?
00:36:06I need some special work done.
00:36:08I have some pet animals that I want to put in the trunk.
00:36:12I don't want them getting loose in the back seat.
00:36:15But they must have enough beer.
00:36:16and I want to control the amount.
00:36:18I also need to talk to them.
00:36:20My voice soothes them.
00:36:22Do you think I can get that done here?
00:36:24This car?
00:36:26No, not this car. I want to buy such a car.
00:36:28I don't think I understand.
00:36:34I think I understand.
00:36:38Helping some friends across the border.
00:36:42Or enemies.
00:36:46Both.
00:36:50And how shall we be paid?
00:36:58I'll pay you this now,
00:37:00and my husband will pay you the rest
00:37:02when he collects the car.
00:37:06We'll put a steel plate down here
00:37:08to block off the backside from the trunk.
00:37:10Even a rat couldn't be able to.
00:37:12Then we'll put some airlines down here
00:37:14to connect it to your panel
00:37:16with a switch in communication.
00:37:18It's technical, but
00:37:20I know what you want.
00:37:22Good. How much time will it take?
00:37:26Two days.
00:37:30We'll do it special.
00:37:40If there is any other way...
00:37:44We can help you.
00:37:46No, thank you.
00:37:48Two days?
00:37:56Two days.
00:38:00Oh, ho, ho, ho, ho, ha, ha.
00:38:10How much else have you been doing?
00:38:14My pleasure.
00:38:17Hello, Rogan.
00:38:20Remember me?
00:38:22Washington, six months ago.
00:38:24Bailey.
00:38:25Right, good memory.
00:38:26It was better.
00:38:28Yeah, I know.
00:38:29I know what you went through.
00:38:31You got good reason to hate these German bastards.
00:38:35Not all of them.
00:38:37Just four.
00:38:38One Hungarian, one Italian.
00:38:40You mean three?
00:38:43Excuse me.
00:38:46Oh, now, listen.
00:38:47Somebody killed Farn in Hamburg a few nights ago.
00:38:50I pulled a file on Farn for you.
00:38:52The killer's description fits you.
00:38:55You got a good memory, too, but that's not proof.
00:38:58I don't give a damn about Farn.
00:39:00I gotta work with these Nazis.
00:39:02Uncle Sam says so.
00:39:03I got a job to do.
00:39:05If we're both doing our jobs,
00:39:06there's one way we can make it quicker.
00:39:09Oh, yeah? What's that?
00:39:12There's only one man I really want to see.
00:39:16Who?
00:39:18The leader.
00:39:20The colonel.
00:39:22You know, the fight he didn't have.
00:39:26I still don't.
00:39:33Look, just let me know where you're going and what you're doing.
00:39:36Maybe I can pave the way for you or I could cover up after you.
00:39:39Just let me know ahead of time.
00:39:43Good night, Bailey.
00:40:10I hear the whole world
00:40:18Your love is my life
00:40:20My heart is yours
00:40:22This is my husband.
00:40:24He'll pay you the rest of the money.
00:40:40That car ready?
00:40:41Of course, it's over here.
00:40:43I've told your beautiful wife two days.
00:40:45Didn't I make a promise?
00:40:47And even if we weren't, it's one of those nights.
00:40:49You're a friend with this one,
00:40:51and not the devil.
00:40:53Come on, I'll show you.
00:41:01The yellow switch is for the air.
00:41:04The red one for speaking.
00:41:06This little microphone releases your voice
00:41:09through the small speaker in the trunk.
00:41:22Isn't that something?
00:41:25The glass.
00:41:26The shatterproof, of course.
00:41:37Yeah, I must be sure of two things.
00:41:40Air can get into the trunk,
00:41:43and the trunk's airtight.
00:41:45You can check it out yourself.
00:41:47Hey, Enoch, open it.
00:41:55Go ahead.
00:41:56Hop in.
00:41:57We'll close the lid, turn on the air.
00:42:00It's the only way you'll be satisfied.
00:42:07Do you hear me okay?
00:42:09Yes.
00:42:15What's that?
00:42:17You'll find out.
00:42:21How do you feel?
00:42:23I don't know.
00:42:25I don't know.
00:42:27I don't know.
00:42:29I don't know.
00:42:31I don't know.
00:42:33I don't know.
00:42:36The air is being extracted by an air suction pump.
00:42:40Don't fool around.
00:42:47Don't you worry, Dave.
00:42:49Well, you needn't to be convinced.
00:42:51The apartment, as you've done, you think,
00:42:53has a few surprises, no extra charge.
00:42:55We like our customers to come back,
00:42:57if they can.
00:43:00Come on.
00:43:02Have a drink, and I'll give you the bill.
00:43:11I like the way you two do business.
00:43:13You give the customer what he wants,
00:43:15no questions asked.
00:43:17I keep thinking,
00:43:19you look familiar to me.
00:43:22Have we met before?
00:43:24In the Munich courthouse, 1945.
00:43:27In the Munich courthouse, 1945.
00:43:43Sit down.
00:43:48Sit down!
00:43:51Don't be afraid, and I won't hurt you.
00:43:54I want you both to write down the name
00:43:56of the chief interrogator in Munich.
00:43:59Give me different names.
00:44:02I'll kill you both right now.
00:44:05If the information agrees,
00:44:08I'll let the War Crimes Tribunal prosecute you.
00:44:11How about that?
00:44:13That's five years at the most.
00:44:15I'll tell you right now!
00:44:18I'll do that again.
00:44:20Just write.
00:44:48Van Osten.
00:44:52Klaus Van Osten.
00:44:58We've kept the bargain.
00:45:02Then I'll keep mine.
00:45:08Move.
00:45:18Get in.
00:45:20Hello.
00:45:22I want to ask you some more questions.
00:45:24I want to find out some more information about these men.
00:45:26I'll feel safer while we're driving it here in the trunk.
00:45:28Now get in.
00:45:30I will not.
00:45:32One last time.
00:45:34Get in the trunk.
00:45:39I'm glad this happened.
00:45:41After all these years that we have done to you.
00:45:44I think it's very good for me,
00:45:47psychologically, to be punished.
00:46:14I'm glad this happened.
00:46:16I'm glad this happened.
00:46:18I'm glad this happened.
00:46:44Are you getting enough air?
00:46:46Yes.
00:46:50Eric.
00:46:55Did you have bad dreams about what you did to me?
00:46:58Like your brother Hans?
00:47:00Yes.
00:47:04Hans?
00:47:06Yes.
00:47:08Did you really suffer?
00:47:10Yes.
00:47:13Did your conscience really make you suffer?
00:47:16Yes.
00:47:18Yes.
00:47:20Yes.
00:47:44What is it?
00:47:50Let me go!
00:47:52Let me go!
00:47:54Let me go!
00:47:56Let me go!
00:47:58Let me go!
00:48:00Let me go!
00:48:02Let me go!
00:48:04Let me go!
00:48:06Let me go!
00:48:20Let me go!
00:48:51I don't believe you guys. Now, what do you mean you lost him?
00:48:55Huh?
00:48:57You call that your best man?
00:49:01I know where to find him.
00:49:04Reasons to?
00:49:07They are good where they are.
00:49:09All right, where is he now?
00:49:11At his hotel by now.
00:49:13Did they tell him about von Osten?
00:49:16I didn't hear it all.
00:49:19What a mess I've got to clean up after you.
00:49:21Why don't you really go into selling bicycles?
00:49:48Mr. von Osten, please.
00:50:02You do not have an appointment.
00:50:04No.
00:50:06Mr. von Osten is in Scandinavia.
00:50:09Can you give me his schedule?
00:50:12That is impossible.
00:50:15What did you wish to see my husband about?
00:50:20We knew each other.
00:50:22During the war.
00:50:24I see.
00:50:25Please come in.
00:50:28I must search you.
00:50:29That's not necessary, Herman.
00:50:31I'm sure he means us no harm.
00:50:37Do you care to join us for some coffee?
00:50:41No.
00:50:45Since Herman Osten isn't here, I'll go.
00:51:40Who is it?
00:52:00Jack Pym.
00:52:03Where is the girl, Michael?
00:52:10Well, you hit the freeze-lings without even a whisper to me.
00:52:15Now, how did you know that?
00:52:17I had a tail on you.
00:52:21What did you get from him?
00:52:23Besides a new car?
00:52:25I don't know.
00:52:28What did you get from him?
00:52:30Besides a new car?
00:52:32Don't be a smart-ass, Michael.
00:52:39Hey, I thought so.
00:52:41You know about von Osten.
00:52:44Now, let me tell you something.
00:52:46The freeze-lings and Farn were lightweights.
00:52:49Now you're going against the champs.
00:52:51You gotta have some help.
00:52:57I'll be okay, Bailey.
00:53:00I got help.
00:53:02Who?
00:53:04The girl?
00:53:06What is she, Michael? Your bodyguard?
00:53:12You know, she's something special.
00:53:14Even on the Reeperbond.
00:53:16She'll do anything for a price.
00:53:19And selling you out somewhere along the line is a lot easier than selling herself on the street.
00:53:24Shut up, Bailey.
00:53:28Now, this isn't a social visit. What do you want?
00:53:31I got a deal for you.
00:53:34Now, I'll help you get Bari and Lakotosh.
00:53:38But you gotta forget about hitting von Osten.
00:53:42That's no deal.
00:53:50Look, he's the leader.
00:53:52He's the one behind the whole thing.
00:53:55He's the one I want more than anybody else.
00:54:04Bailey.
00:54:07What is von Osten to you?
00:54:10Not me, Michael.
00:54:12The government wants him to be the next chancellor of Germany.
00:54:16I don't give a damn about von Osten.
00:54:18We gotta have him in there.
00:54:22We'll pick somebody else because he's dead.
00:54:25All right, what about this?
00:54:27Leave him to last.
00:54:29I'll still help you get the other two.
00:54:32You know Bari. He owns Sicily.
00:54:35Lakotosh, for crying out loud, he owns Hungary.
00:54:39He's the chief of police.
00:54:41Now, how the hell do you think you're gonna get to either of them?
00:54:45Wait until the election.
00:54:47Till von Osten chooses a cabinet.
00:54:50Then you can take him out.
00:54:52Wait until we have somebody to take over from him.
00:54:55Somebody we can count on.
00:54:57After the election, I get him.
00:55:09Deal.
00:55:15How do we do it?
00:55:19Everything you need is in there.
00:55:21It's the only way you'll get, Bari.
00:55:23Good luck, son.
00:55:27Jack?
00:55:44Jack?
00:56:14No.
00:56:20No.
00:56:23No.
00:56:25Well, I'm just worried.
00:56:27Would it be good for you?
00:56:30It's never bad.
00:56:32I know how sick you are.
00:56:34Doctor said it's the only thing that'll cure me.
00:56:38You're joking.
00:56:41Yeah.
00:56:45Now you're angry.
00:56:47No.
00:56:48But you don't want to make love anymore.
00:56:52It's hard for a man to make love when he's laughing.
00:56:57I'll stop you laughing.
00:57:14I'll stop you laughing.
00:57:16I'll stop you laughing.
00:57:43New organ?
00:57:45Bailey said not to waste any time.
00:57:48My men are ready now, so it's up to you.
00:57:52Let's go.
00:58:15Let's go.
00:58:45Stop.
00:58:52Stop.
00:58:54Or you will be killed.
00:58:59It's good that you have come here.
00:59:01Mr. Bari is a very sick man, and he's been waiting a long time.
00:59:06Give him the gun.
00:59:16Get somebody to help you clean this place up.
00:59:24Hate.
00:59:25For Von Osten and for you, more than the others, is what kept me alive.
00:59:32Hate for me?
00:59:34Hate for you.
00:59:37Just before Eric Friesling shot me,
00:59:40straight in my scarf,
00:59:42it distracted me.
00:59:45It betrayed me.
00:59:49I didn't want you to go like an animal.
00:59:52Fate is good
00:59:54to give such a wonderful sunshine
00:59:58on a man's last day in this room.
01:00:04But the pain is stronger
01:00:07than my will to stay the time left me.
01:00:12And I prayed
01:00:15and fate,
01:00:18fate brought you.
01:00:22I came for vengeance, and it's not here.
01:00:27I'm not a murderer.
01:00:31You're powerful here.
01:00:34Get someone else to do it.
01:00:39The people here
01:00:42are my people.
01:00:45We are family.
01:00:47You understand?
01:00:49If they kill me,
01:00:52they kill themselves.
01:00:55I cannot ask that.
01:00:57Do it yourself.
01:00:59You're strong.
01:01:00It would be a mortal sin.
01:01:03Believe in fate, Amikamir.
01:01:06We have been brought together,
01:01:08together by it,
01:01:10after so long,
01:01:12for one of us
01:01:15to die.
01:01:18And if I refuse?
01:01:21Finally,
01:01:23I will be your murderer.
01:01:42Forgive me.
01:01:44As I forgive you.
01:02:45Good afternoon, boss.
01:02:49Congratulations.
01:02:50Never thought you'd get fiery.
01:02:55A friend of mine, Frost, is going to help you.
01:03:15Is suspicion
01:03:18an acquired habit in America, Roman,
01:03:22or merely another genetic deficiency?
01:03:29At the rear of the glove compartment is a hidden compartment.
01:03:33Put both weapons there.
01:03:45The next day
01:03:57Do you know where you're going?
01:04:00I know.
01:04:02I'm going to the Hosea.
01:04:05I'm going to America
01:04:08to find out who I am.
01:04:14Go on.
01:04:15My neck.
01:04:45Go, go, go.
01:04:57How are you, gentlemen?
01:04:59Good?
01:05:00Good, good, good.
01:05:01Sit down, sit down, sit down.
01:05:04Here.
01:05:11So.
01:05:14Good.
01:05:30Every day he plays one game before he eats his lunch.
01:05:35They don't let anyone else use the set.
01:05:38Even when he's not around?
01:05:41They wouldn't dare.
01:05:43You can see it's very fancy.
01:05:46And he always takes the light for advantage.
01:05:53Does he always do that?
01:05:56Make love to the king.
01:05:57Oh, yes.
01:06:00At the start of every game.
01:06:03And always the light, king.
01:06:04It never varies.
01:06:12The Hosea
01:06:15The Hosea
01:06:40Excuse me, ma'am.
01:06:41We're closed.
01:06:42Could you get the key?
01:06:43The key, the key, the key.
01:06:44The key cards.
01:06:45Check the key cards.
01:06:48Check the key cards.
01:06:49Check the key cards.
01:07:43I hope you get through this, Rogan.
01:07:47Then you and Harvey have a party.
01:07:50Yes?
01:08:08Something to eat?
01:08:09Some good drinks?
01:08:11Maybe a woman?
01:08:14You like good food?
01:08:16Good whiskey?
01:08:17Good women?
01:08:20I'll get you the best, Rogan.
01:08:24That's my treat.
01:08:27That's my treat.
01:08:32Because then...
01:08:34I'll kill you.
01:08:35I'll kill you.
01:08:38I'll finish what all those others have bungled.
01:08:42Good?
01:09:05Go away.
01:09:23What do you want?
01:09:25Oh, a little time.
01:09:27My time is valuable.
01:09:29Just for a talk.
01:09:31It's still valuable.
01:09:33I'm special.
01:09:35All right.
01:09:53Your time is running.
01:09:56Oh, I won't waste it.
01:10:02You know Michael's a dead man, don't you?
01:10:05If he gets out of Budapest.
01:10:07Yes, but he'll do what he has to do.
01:10:10So will I.
01:10:13Kill him?
01:10:16He really is better off dead.
01:10:22I mean, whoever does kill him,
01:10:25they're doing him a favor.
01:10:27Not before he gets the man he really wants.
01:10:30If he gets the man he really wants,
01:10:32you'll run the risk of having maybe another Hitler come to power.
01:10:35You won't be able to lead your own life, would you want that?
01:10:39I never known any other life
01:10:42until I met Michael Rogen.
01:10:47The only difference between you and Hitler, Mr. Bailey,
01:10:50is there are no bombs now.
01:11:00Hey.
01:11:02I'd just like to get out of here.
01:11:03Huh?
01:11:05Really?
01:11:07Be free.
01:11:11Money.
01:11:15It takes an awful lot of this to be free.
01:11:18Money
01:11:20is freedom.
01:11:34Yeah.
01:11:52Hard, cold American cash money.
01:11:54Best in the world.
01:12:04The nylons...
01:12:06Buy a hell of a lot more than nylons.
01:12:12Now, if Rogen makes it through Budapest,
01:12:14I want to know every move he makes.
01:12:16He'll never suspect you.
01:12:18But if I put a man on him,
01:12:20he'll spot him at once.
01:12:22He was one of us, you know.
01:12:24He might have been one of you, Mr. Bailey.
01:12:28But he was never like you.
01:12:30Maybe not.
01:12:31The time was different.
01:12:33The man is not.
01:12:38You know, Mr. Bailey,
01:12:41I think you like Michael Rogen.
01:12:46And if you had as much courage as he has,
01:12:49you would have helped him instead of stopped him.
01:12:52The help you gave him with the Frieslings
01:12:54could still get you in a lot of trouble, you know.
01:12:56I don't care, Mr. Bailey.
01:12:57I don't care because Michael Rogen
01:12:59treated me with kindness.
01:13:02He acted to me like I was a human being,
01:13:04and not a piece of meat.
01:13:10Yeah, well, I guess my time's up.
01:13:16Michael Rogen's a dead man
01:13:18whichever way you want to look at it.
01:13:21Help me.
01:13:23Ten thousand dollars.
01:13:24Ten thousand dollars.
01:13:27American.
01:13:32Thank you.
01:13:41Ten thousand American dollars.
01:13:43Nobody will ever treat you like a piece of meat again.
01:13:52Next!
01:13:54Next!
01:14:16The bomb you have made, Rogen,
01:14:18will blow up that fat pig to pieces.
01:14:22And once it's done,
01:14:24we'll leave in two cars for the airport.
01:14:26There, a plane will be waiting
01:14:28to fly us out.
01:14:30What do we need two cars for?
01:14:32Additional support in case of trouble.
01:14:35If we are discovered,
01:14:37we'll need the firepower.
01:14:42You got an alternate plan?
01:14:45A train will be held up on a siding for us
01:14:48until we are safely on board the plane.
01:14:52If there's trouble,
01:14:54we get it instead
01:14:57and hide out on the train
01:14:59until we are safely over the border.
01:15:05Well, Rose, it looks like you covered every bet.
01:15:08Just like any good tool.
01:15:16Bailey would be proud of you.
01:15:54Let's go.
01:16:24Come on.
01:16:42Come on.
01:16:46We'll have to run it.
01:16:54Come on.
01:17:09Two cars have broken through.
01:17:12Hold on.
01:17:14We'll take them to the airport.
01:17:24Come on.
01:17:54Come on.
01:18:25Come on.
01:18:48No, no, it's a trick!
01:18:54It's a trick!
01:19:24It's a trick!
01:19:54It's a trick!
01:20:24It's a trick!
01:20:54It's a trick!
01:21:24Footpath.
01:21:54Footpath.
01:22:25Come on.
01:22:50Come on.
01:22:52Thank you.
01:22:55Thank you.
01:22:58Thank you, Rose.
01:22:59Thank you.
01:23:24Thank you.
01:23:30Rogan got through Budapest.
01:23:35He killed Lakotosh.
01:23:39There's only one person left that he wants
01:23:40and he's on his way here now.
01:23:43For you, sir.
01:23:50There are guards surrounding the house.
01:23:55Will you go to court tomorrow?
01:23:58Yes, I have a sentencing to conduct.
01:24:01But I'm escorted continually.
01:24:03I'm very well protected.
01:24:04So are Bari and Lakotosh.
01:24:24We're here.
01:24:25In the courtyard.
01:24:54Come on.
01:25:18Come on.
01:25:19Come on.
01:25:20Come on.
01:25:24Come on.
01:25:34Come on.
01:25:35Come on.
01:25:53This tribunal has already found you guilty of murder
01:25:55in the first degree.
01:26:05Come on.
01:26:27We pray that you will use your life now
01:26:30to earn the forgiveness of your victims.
01:26:33And more important, perhaps,
01:26:36to earn your own forgiveness.
01:27:02Get up, please.
01:27:33Hey, boss.
01:27:36The man Rogan is in the building.
01:27:40He's here to reach us.
01:27:46Where is he?
01:27:50Where is he?
01:27:59You'll be safer at that end of the road.
01:28:02Come on.
01:28:32Come on.
01:29:02Come on.
01:29:32Far more terrible than my dreams.
01:30:02Stop!
01:30:32Come on.
01:30:33Come on.
01:31:02Come on.
01:31:03Come on.
01:31:04Come on.
01:31:05Come on.
01:31:06Come on.
01:31:07Come on.
01:31:08Come on.
01:31:09Come on.
01:31:10Come on.
01:31:11Come on.
01:31:12Come on.
01:31:13Come on.
01:31:14Come on.
01:31:15Come on.
01:31:16Come on.
01:31:17Come on.
01:31:18Come on.
01:31:19Come on.
01:31:20Come on.
01:31:21Come on.
01:31:22Come on.
01:31:23Come on.
01:31:24Come on.
01:31:25Come on.
01:31:26Come on.
01:31:27Come on.
01:31:28Come on.
01:31:29Come on.
01:31:30Come on.
01:31:31Come on.
01:31:32Come on.
01:31:33Come on.
01:31:34Come on.
01:31:35Come on.
01:31:36Come on.
01:31:37Come on.
01:31:38Come on.
01:31:39Come on.
01:31:40Come on.
01:31:41Come on.
01:31:42Come on.
01:31:43Come on.
01:31:44Come on.
01:31:45Come on.
01:31:46Come on.
01:31:47Come on.
01:31:48Come on.
01:31:49Come on.
01:31:50Come on.
01:31:51Come on.
01:31:52Come on.
01:31:53Come on.
01:31:54Come on.
01:31:55Come on.
01:31:56Come on.
01:31:57Come on.
01:31:58Come on.
01:31:59Come on.
01:32:00Come on.
01:32:01Come on.
01:32:02Come on.
01:32:03Come on.
01:32:04Come on.
01:32:05Come on.
01:32:06Come on.
01:32:07Come on.
01:32:08Come on.
01:32:09Come on.
01:32:10Come on.
01:32:11Come on.
01:32:12Come on.
01:32:13Come on.
01:32:14Come on.
01:32:15Come on.
01:32:16Come on.
01:32:17Come on.
01:32:18Come on.
01:32:19Come on.
01:32:20Come on.
01:32:21Come on.
01:32:22Come on.
01:32:23Come on.
01:32:24Come on.
01:32:25Come on.
01:32:26Come on.
01:32:27Come on.
01:32:28Come on.