El Angel de Aurora - Capitulo 18

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Transcript
00:00:00And how did it go at school?
00:00:11Hi Anita!
00:00:12We had a math exam.
00:00:14Oh, wow!
00:00:15Now we can have a great time after school!
00:00:18Let's go!
00:00:23Let's go!
00:00:31Angel!
00:00:32Angel!
00:00:33Angel!
00:00:34Angel!
00:00:35Angel!
00:00:36Angel!
00:00:37Let me turn around.
00:00:38Oh, no.
00:00:39Someone call an ambulance, please!
00:00:42Hang on, hang on.
00:00:43It's not necessary.
00:00:44Someone call an ambulance.
00:00:46Hang on.
00:00:49Angel!
00:00:51My God!
00:00:52My son!
00:00:54What happened to you?
00:00:55What happened?
00:00:56They ran over him!
00:00:58Angel saved Ruben from being run over!
00:01:01You really saved my grandson, Angel!
00:01:03Yes!
00:01:04Angel won!
00:01:05Come on!
00:01:06Yes, Ruben!
00:01:07And Mr. Palmiro won!
00:01:08Thank you, Angel!
00:01:10Angel!
00:01:11Angel!
00:01:12Yes!
00:01:13Yes!
00:01:14Yes!
00:01:15Yes!
00:01:16Yes!
00:01:17Yes!
00:01:18Yes!
00:01:19Yes!
00:01:20Yes!
00:01:21Yes!
00:01:22Yes!
00:01:23Yes!
00:01:24Yes!
00:01:25Yes!
00:01:27Ladies and gentlemen, Angel!
00:01:28Come on, stop, Boss.
00:01:29Help me stop.
00:01:30Slowly.
00:01:33Let's go.
00:01:34Come on, stop.
00:01:35For the love of God, forgive her.
00:01:36It was all Ruben's fault.
00:01:38He didn't notice when we crossed the street.
00:01:40He almost broke his jaw!
00:01:41Ruben...
00:01:42Who's the blind guy?
00:01:44Let's see.
00:01:45I'm rolling my eyes.
00:01:47That's right.
00:01:48Come, come, careful, careful.
00:01:54Son...
00:01:55Easy, easy.
00:01:57You did it!
00:02:09You modified my project, Elena.
00:02:12But how is it possible that you modified the chart if it's not your area, Elena?
00:02:17You're right. It's not my area, but I also know about finance.
00:02:26I don't think it turned out well at the sanatorium.
00:02:29Cheer up.
00:02:31Fabrizio, you did it.
00:02:33It's truly worrying.
00:02:35I already told you that sometimes I have these crises.
00:02:38And this doesn't go away by being locked up longer.
00:02:45Do you think it's a crisis to attack your body?
00:02:51Why don't you tell me what's going on with your body?
00:02:55What's going on with you?
00:02:59What's wrong?
00:03:01Aurora, I was wrong.
00:03:03I'm really sorry.
00:03:05Can we talk in your office?
00:03:07Not in my office.
00:03:09You're going to talk here and in front of everyone.
00:03:11Please.
00:03:13Let me explain, but alone.
00:03:17Please.
00:03:21We're going to take a ten-minute break.
00:03:24Can you help me with the correct charts?
00:03:27The program is open.
00:03:29Yes.
00:03:46Applause is better in life than at the funeral, right?
00:03:49But it was a reason.
00:03:51A reason?
00:03:52You almost broke the guy's soul on the motorcycle.
00:03:55Don't be funny or gossipy.
00:03:58Go to school.
00:03:59We'll take care of Angel.
00:04:01But how are you going to take him home?
00:04:03My angel needs to go to the doctor to check him.
00:04:06You just ran him over.
00:04:07No, no, no.
00:04:08I'm fine, look.
00:04:09Otherwise, I couldn't even get up.
00:04:11And I have all the bones right.
00:04:13Better take the kids to school,
00:04:15because it's going to be late again.
00:04:17I promise you that when I get home,
00:04:18I'll call Dr. Castro to check me.
00:04:19Really?
00:04:20Yes, really.
00:04:21Well, let's go.
00:04:22Let's go.
00:04:23Help me.
00:04:24Take care of him.
00:04:25Yes, yes, yes.
00:04:27Let's go.
00:04:28How did you know about my project?
00:04:30Who showed it to you?
00:04:31Nobody showed it to me.
00:04:32When I took the campaign folder,
00:04:34I brought another one where the project was.
00:04:37I don't believe you, Lena.
00:04:38Aurora.
00:04:39No.
00:04:40When I saw that the figures for your project were missing,
00:04:43I transcribed the sums, added it and that's it.
00:04:46That's why I joined the board,
00:04:47so that you would present the correct project.
00:04:50Don't look at me like that, Lena.
00:04:52You probably stole the folder
00:04:54because you wanted to be like the heroine
00:04:56and earn my trust by blaming you.
00:04:59Look, this is the copy.
00:05:02I took it.
00:05:04I would do anything to hurt you, Aurora, I swear.
00:05:12This is not what I did.
00:05:15Did someone modify it?
00:05:18Lena.
00:05:20Are you conspiring with Demian?
00:05:22No.
00:05:23How do you think?
00:05:24You know this can cost me a lot with Demian and Isabel
00:05:26because they are right.
00:05:28This is not my area and it's my fault.
00:05:32I only did it to help you.
00:05:34Nothing else.
00:05:37Look,
00:05:38if I find out that all this is a plan of yours
00:05:41to make your dad accept you as a partner
00:05:44and leave me like a fool,
00:05:47you're leaving the company, Lena.
00:05:57Look, I don't have much time, but
00:05:59tell me how Fabricio is living in your house
00:06:02and why didn't you tell me?
00:06:03Well, they lied to me.
00:06:05Antonio told me his friend's name was Aldo,
00:06:08just so I wouldn't tell you.
00:06:11What were they planning?
00:06:13Demian came to my house yesterday
00:06:15to see his father, that's why I found out.
00:06:18But then,
00:06:19Lena and Antonio are in the dark about all this?
00:06:22Yes.
00:06:23But not my Briana,
00:06:24she has nothing to do with it, she doesn't know.
00:06:27That man is crazy.
00:06:30Yesterday when Demian entered his room to see him,
00:06:33we found him with his hands cut with glass.
00:06:36Well, not even in the series I'm going to make that happen.
00:06:39Maybe this crazy girl can help me.
00:06:41She can help me more than I think.
00:06:43Two crazy people are better than one.
00:06:45I had nothing to do with it.
00:06:47Or Antonio, or Briana.
00:06:49Imagine.
00:06:50Hey, hey, hey.
00:06:51What?
00:06:52Stop being ridiculous.
00:06:53I'm going to a meeting, but don't leave.
00:06:57I won't be long.
00:06:58No.
00:07:00Hey, hey.
00:07:02Stop being ridiculous.
00:07:04I'm going to a meeting, but don't leave.
00:07:11Egg with ham and a little rum.
00:07:15Egg with ham and a little rum.
00:07:18Juan Tino.
00:07:19Juan Tino, camera, camera.
00:07:20Get out, dad, come on.
00:07:21No, camera, you.
00:07:23Man, respect.
00:07:24That's worth it, Mauser.
00:07:26You just ran over Angel.
00:07:27Camera.
00:07:28Wait for me.
00:07:29Wait for me.
00:07:31Well, give me your hand.
00:07:38You know everything I suffered and I just want to heal and move on.
00:07:44But you can't heal by lying.
00:07:46No, I can't heal either if my best friend, instead of believing me, judges me.
00:07:51Maybe I haven't told you everything, but I haven't lied to you.
00:07:56I need you, Antonio, to put my life in order and be able to recover my son.
00:08:02Okay, okay.
00:08:05Look, I'm not judging you, but I must be sure of your health, Fabricio.
00:08:10My daughters also live in this house.
00:08:13Patricia is very scared.
00:08:17Did they really fire you?
00:08:19Yes.
00:08:20Oh, well, then you don't have a problem with me calling.
00:08:22What do you call?
00:08:23What's the name of the clinic where you were?
00:08:29I escaped, Antonio.
00:08:33I escaped.
00:08:39Gentlemen, Briana.
00:08:42I guess the best thing is for you to go back to your activities.
00:08:45If anything, we'll send you the memo of the next meeting.
00:08:49Julio Cesar.
00:08:53Do you realize how my aunt always finds a way to complicate things?
00:08:58I don't think your aunt was wrong.
00:09:01It's not the first time you've made this kind of proposal.
00:09:05It's kind of weird, isn't it?
00:09:06Right. Yes, it's weird and it's not the first time.
00:09:11And you know what? You and I are always fixing her little mistakes.
00:09:14Beginner's mistake.
00:09:16And you miss her?
00:09:18Because lately my aunt has been very distracted.
00:09:20With Nadella's complaint, with her son,
00:09:22with these unjustified efforts to prevent Antonio from joining the company as a partner.
00:09:28And, well, you and I know that the company needs Antonio's investment.
00:09:36The board is going to re-schedule while I investigate who modified my CIF.
00:09:40The board is going to re-schedule while I investigate who modified my CIF.
00:09:46You can go.
00:09:48Isabel Demian wants to talk to you.
00:09:53Excuse me.
00:09:54Okay.
00:09:58We were just waiting for you, Elena.
00:10:00And we did the wardrobe and light tests.
00:10:03Don't tell me. I've had a terrible morning.
00:10:05Why? What happened?
00:10:06I'll tell you now, but I'm stressed out.
00:10:08I don't know what's going to happen with my job.
00:10:11I don't know if I made the right decision or not.
00:10:16Well, how was it that you ran him over?
00:10:20Well, my grandson crossed the street without warning.
00:10:22A motorcycle came and hit him.
00:10:24But here Angelito threw himself to save him.
00:10:29That's my heroic champion.
00:10:33I don't know how to pay you, Angel.
00:10:36But now that the procession is coming,
00:10:38I'm going to make you a delicious mole.
00:10:41Thank you, Mr. Palmira, but it's not necessary.
00:10:43No mole, no heroic champion.
00:10:47We're just a big family.
00:10:48Well, Camara, you already know, my angel.
00:10:52Here we are for whatever you need, my good man.
00:10:54My compadre's son will always be like my son.
00:11:00Well, I'm leaving.
00:11:03Excuse me.
00:11:04Come in.
00:11:05Angelito.
00:11:06Doc, thank you very much.
00:11:07Take care, please.
00:11:08And sir.
00:11:10Thank you, doctor.
00:11:12Oh, my son.
00:11:13You're going to have to go to that company another day.
00:11:15In the recipe it says that at least you are at rest for five days.
00:11:19No, no, no, no, no, mom.
00:11:21How do you think Mrs. Aurora will think of me?
00:11:23No, no.
00:11:24Besides, I need the job.
00:11:25Son, please.
00:11:26A motorcycle just passed you.
00:11:28Don't be stubborn.
00:11:30I'm sure that lady will understand.
00:11:33Relax.
00:11:34Son, listen to your mother.
00:11:36So that lady is called Aurora Campero?
00:11:43And what about you?
00:11:52Let's see, Rolando.
00:11:53I need you to go to the front and write down the name of this triangle.
00:11:58Can't someone else pass, teacher?
00:12:00No, young man.
00:12:02Stop denying and come on.
00:12:13Are you okay?
00:12:14Yes.
00:12:16This one.
00:12:17This one?
00:12:18Uh-huh.
00:12:19Okay.
00:12:31Kids, no more laughter, please.
00:12:34Respect your classmates, okay?
00:12:36The triangle that has its three equal sides is called equilateral, not quadrilateral, Rolás.
00:12:43I know how to distinguish them, Miss, but you can't see anything from my place.
00:12:50Oh.
00:12:52Rolás, I need to see your mother urgently, please.
00:12:55Yes.
00:12:56Should I let her know?
00:12:57Yes.
00:12:59Jorgito, come in, please.
00:13:04This one.
00:13:07The project was well done, Isabel.
00:13:09I know what I did.
00:13:11And Elena came.
00:13:12No, Elena shouldn't have intervened, but you know she did it to help you.
00:13:15Don't worry, I'll talk to her anyway.
00:13:18I would like to ask you a favor.
00:13:20I don't want you to get your personal problems into the company because you're affecting us all.
00:13:24And you're not the only owner.
00:13:26There are three of us.
00:13:28Obviously this was only done to prevent Antonio from being a partner in the company.
00:13:33And I don't want to repeat it.
00:13:34The more time passes, the more money will be lost.
00:13:38Yes, yes.
00:13:40You're right.
00:13:42I don't want Antonio here.
00:13:45But I was not wrong in the numbers.
00:13:48And I'm going to get to the bottom of the matter.
00:13:59What did you think?
00:14:03It was you, wasn't it?
00:14:07Do you think I come to the office just to sit down?
00:14:11It's the opportunity we were waiting for to get her out of the company.
00:14:14To declare her incompetent.
00:14:18To declare her incompetent.
00:14:20To declare her incompetent.
00:14:22To declare her incompetent.
00:14:24To declare her incompetent.
00:14:26To declare her incompetent.
00:14:28To declare her incompetent.
00:14:40I swear on this one.
00:14:41And if you don't believe me, here's Rubén, living and working.
00:14:45Yes, honestly, my respect is for your carnal, Anita.
00:14:48Yes, it's true. I saw it all.
00:14:51Well, I saw it a little blurry, but I saw it.
00:14:59I'm sure it's someone from the market who wants me to help her with her accounts.
00:15:02Yes.
00:15:04What?
00:15:05Speaking of the queen of Rome.
00:15:07It's Elena.
00:15:09It's Elena.
00:15:11It's Elena.
00:15:12It's Elena.
00:15:13It's Elena.
00:15:23I shouldn't have done it, Tania. Not like this.
00:15:26And now, for wanting to help, I just gave Aurora one more reason to fire me.
00:15:30Look, I don't think she's firing you, Elena.
00:15:32Everything is going perfectly with the commercial.
00:15:34And besides, you already explained to her that what you did was with the best of intentions.
00:15:42Hello?
00:15:43It's me, Elena.
00:15:44Anita.
00:15:46Anita?
00:15:47How do you have my number?
00:15:48That doesn't matter.
00:15:50The point is that you have to go to my canton.
00:15:52Because my brother is hitting himself.
00:15:55Angel?
00:15:56How is he hitting himself?
00:15:58Yes, he was run over by a motorcycle.
00:16:04Mom, we have to go get the kids.
00:16:07Don't move, son.
00:16:09You have to rest.
00:16:10I can go get them.
00:16:12Your dad already sent me a message because he's still working, but I'm going to go.
00:16:16Man, don't worry, bro.
00:16:19What happened?
00:16:20Was there anything else?
00:16:22I can go get the kids.
00:16:23No, no, no, don't worry.
00:16:25It's not necessary.
00:16:27You stay to take care of your son and don't worry.
00:16:29That's what friends are for.
00:16:32Well, open the one with the bullet. I'll be right back.
00:16:36What's up with that guy?
00:16:39Is he a good friend of yours?
00:16:41Well, yes.
00:16:45I don't like him.
00:16:46He doesn't give me good vibes.
00:16:48Don't be mad, son.
00:16:50The truth is that I don't like him either.
00:16:53But he's handsome.
00:16:55Although he's always in the fifth question and in the jar.
00:16:59Missoni, do you have more tortillas?
00:17:00Yes, of course.
00:17:01Yes, yes, yes.
00:17:02With confidence, huh?
00:17:03With confidence.
00:17:05Oh, now my soul is returning to my body.
00:17:08To the pig, you mean.
00:17:10What did you say?
00:17:11That the birria is not from the pig.
00:17:13How can it be from the pig?
00:17:15If it's from San Miguel Hidalgo Jalisco, where the birria is from, and where Grandma Pachita is from.
00:17:21Rest in peace.
00:17:22How could you get so drunk yesterday?
00:17:24My dad is not happy about that at all.
00:17:27Well, listen.
00:17:28And you're not going to work today or what?
00:17:30No.
00:17:31No, because we rest.
00:17:33That's why we did what we did yesterday, baby, damn it.
00:17:35By the way, yesterday they talked about Carlos,
00:17:38a friend of his from the job that passed away recently.
00:17:41And they said he was with Mrs. Isabel.
00:17:45What?
00:17:46And they said he was with Mrs. Isabel.
00:17:48And they said he was with Mrs. Isabel.
00:17:49And they said he was with Mrs. Isabel.
00:17:55Well, I'm sure that Jess was with the late Carlos.
00:17:59But, Cassandra, how?
00:18:00Let's see.
00:18:01The lady with the little boy?
00:18:04Don't make up rumors, baby.
00:18:08No, no, no.
00:18:09I was gossipy.
00:18:10But I'm never a liar.
00:18:13It's just that one day before he died,
00:18:15Carlos wanted to talk to Jess.
00:18:17I called him yesterday to tell him,
00:18:19but he didn't answer me.
00:18:21And he was there for hours and hours at the reception waiting for a box.
00:18:26With the music box you told us?
00:18:29I saw that little box with these same eyes that eat the worms of Mahé.
00:18:34I'm telling you.
00:18:35That's why I say that Carlos died of love.
00:18:39That's right, Carlitos died of love.
00:18:42Put on the sandals.
00:18:45Elena needs the pre-selection of photos tomorrow
00:18:47to be able to choose the best ones.
00:18:49Please, it's super expensive.
00:18:50Perfect.
00:18:51Tania.
00:18:53Hi.
00:18:54Hi.
00:18:55Where's Elena?
00:18:56I'm going to look for her by surprise to take her to dinner.
00:18:58She just went to see Angel.
00:19:12That long hair is the characteristic of the Pekinese.
00:19:15Well, he's not San Bernardo Chiquito.
00:19:18Did you learn it?
00:19:19In Sol Mayor.
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00:22:12I still have a lot to do at this point.
00:22:15I always hated the woman who prevented my parents from being happy.
00:22:18How much I regret that woman is you.
00:22:20If there is going to be a conflict between us, it will not be for her.
00:22:23I don't want him to make me lose my children.
00:22:26I'm going to talk to Sebastián again.
00:22:27Monday to Friday, 6.30 in the afternoon.
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00:22:34Me? From Botarga?
00:22:35Please.
00:22:36And probably the last one.
00:22:38I just got a job as a bartender.
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00:24:49When darkness covers everything.
00:24:51I think I've reached the nest of the turtles.
00:24:53We are already taking Gabriel and Juana out of the way.
00:24:56And now I'll make sure you don't even have the joy of being a father.
00:24:59The prosecutor is going to take me to a prison.
00:25:01No, it's not true.
00:25:03A new life is the light of hope.
00:25:06Grand Final, Friday, August 30, 9.30 pm.
00:25:09Continflas will surprise you with his knowledge in zoology.
00:25:12That long hair is the characteristic of the Pequineses.
00:25:15Ah, well, it's not San Bernardo Chiquito.
00:25:17And he puts melody to everything.
00:25:18Did you learn it?
00:25:19In Sol Mayor.
00:25:20Because we had to rehearse it at noon and it was hot.
00:25:23Join him this weekend on If I Were a Congressman.
00:25:25This Saturday and Sunday.
00:25:27El Profe with Las Estrellas.
00:25:29The situation is getting complicated for Paulina.
00:25:32I need the arrest warrant as soon as possible to arrest Paulina Martinez.
00:25:36For Paola too.
00:25:37Paola!
00:25:38Will love be able to win?
00:25:39I need you, Paulina.
00:25:40The problems that are approaching?
00:25:42I made the police know that the usurper is here.
00:25:45Monday to Friday, 2.30 pm.
00:25:47With Las Estrellas.
00:25:49El Borre will have his first day of work.
00:25:52Borrego, did you get a job?
00:25:54Me, as a botarga?
00:25:55Please.
00:25:56And probably the last one.
00:25:58I just got a job as a bartender.
00:26:01I'm going to let your sugar invite me to a drink, okay?
00:26:0440 and 20.
00:26:06This Friday at the end of El Noti.
00:26:08For Las Estrellas.
00:26:09In the farm, fortune germinates the seed of contempt.
00:26:12She has always lied to you.
00:26:13What are you doing with this woman?
00:26:14She's your sister.
00:26:15But also the one of love.
00:26:16Do you remember someone from my past?
00:26:18One day I'll tell you the truth.
00:26:19Let go of my wife, idiot!
00:26:24El Precio de Amarte.
00:26:25Starts Monday, September 2, 9.30 pm.
00:26:28For Las Estrellas.
00:26:30The war of the quarters continues.
00:26:32And while they live among strategies, laughs and romances.
00:26:35Outside we know that this is a game.
00:26:37Where we all have fun.
00:26:39See you daily in...
00:26:41La Casa de los Famosos, Mexico.
00:26:43Monday to Friday, 10 pm.
00:26:45For El Cinco.
00:26:46Sunday, 8.30 pm.
00:26:47For Las Estrellas.
00:26:48And 24.7 pm.
00:26:49For Vi.
00:26:54For Vi.
00:27:24For Vi.
00:27:25For Vi.
00:27:26For Vi.
00:27:27For Vi.
00:27:28For Vi.
00:27:29For Vi.
00:27:30For Vi.
00:27:31For Vi.
00:27:32For Vi.
00:27:33For Vi.
00:27:34For Vi.
00:27:35For Vi.
00:27:36For Vi.
00:27:37For Vi.
00:27:38For Vi.
00:27:39For Vi.
00:27:40For Vi.
00:27:41For Vi.
00:27:42For Vi.
00:27:43For Vi.
00:27:44For Vi.
00:27:45For Vi.
00:27:46For Vi.
00:27:47For Vi.
00:27:48For Vi.
00:27:49For Vi.
00:27:50For Vi.
00:27:51For Vi.
00:27:52For Vi.
00:27:53For Vi.
00:27:54For Vi.
00:27:55For Vi.
00:27:56For Vi.
00:27:57For Vi.
00:27:58For Vi.
00:27:59For Vi.
00:28:00For Vi.
00:28:01For Vi.
00:28:02For Vi.
00:28:03For Vi.
00:28:04For Vi.
00:28:05For Vi.
00:28:06For Vi.
00:28:07For Vi.
00:28:08For Vi.
00:28:09For Vi.
00:28:10For Vi.
00:28:11For Vi.
00:28:12For Vi.
00:28:13For Vi.
00:28:14For Vi.
00:28:15For Vi.
00:28:16For Vi.
00:28:17For Vi.
00:28:18For Vi.
00:28:19For Vi.
00:28:20For Vi.
00:28:21For Vi.
00:28:23The Next Day
00:28:33Briana, I need you to give Anton's adress to me.
00:28:36What for, Damian?
00:28:38To go admire his house, and drink a cup of tea with him.
00:28:44Well.. whatever you say.
00:28:52I found out that your dad is the one who's living in my house.
00:28:56Instead of being a meddler, you should be more abused with that Naco.
00:29:09My Rolas, I tell you that my compadre, my compadres trust me a lot.
00:29:15That's why they sent me for you.
00:29:17No, because I like you very much.
00:29:21No, then we are two.
00:29:23Look, take two plus two is four hundred, right?
00:29:30Better a five hundred so you can take a nap.
00:29:34I better keep it to give it to my mom and we get together for a surgery.
00:29:37No, no, no, it's for you.
00:29:41But hey, if what you want is to get together for your surgery,
00:29:46Well, I can give you more.
00:29:47Really?
00:29:48Yes.
00:29:49Hurry up, I'm hungry.
00:29:51Come on, come on.
00:29:53Well, how do you think?
00:29:55First you have to win it.
00:29:58Look, I have a business about to start.
00:30:03And I need a partner like you.
00:30:07What do you say?
00:30:08What business?
00:30:11Come on, let's go.
00:30:12Let's go.
00:30:17Oh, Elena, come in.
00:30:19How is Angel, Mrs. Victoria?
00:30:22It's better.
00:30:24Did something happen to him? Who ran him over?
00:30:26Fortunately, nothing serious.
00:30:29But how did you know he was run over?
00:30:32Hello.
00:30:34Angel.
00:30:36Are you okay?
00:30:37Yes.
00:30:38Well, it was just a cold.
00:30:40Anita called me to tell me what happened.
00:30:42Oh, with this girl.
00:30:45That's why I couldn't leave my papers with Mrs. Aurora in the morning.
00:30:48I also have to tell you what happened to her.
00:30:51Are you staying for dinner?
00:30:53I just came to see you, that you were okay.
00:30:56I was busy.
00:30:58Yes, daughter, stay.
00:30:59In fact, I'm going to get the tortillas.
00:31:01No, boss, I'm going.
00:31:03If I can walk.
00:31:05Will you accompany me?
00:31:08Let's go.
00:31:10Let's go.
00:31:17I just don't understand.
00:31:19How do you want me to be your partner without telling me what the business is about?
00:31:24Well, well, it's fine.
00:31:25But only if you want to make good money, I tell you.
00:31:29Here, no half-baked.
00:31:32Yes, I want a lot of money.
00:31:34Come on.
00:31:36Look, the business is about cell phones.
00:31:38Cell phones?
00:31:39Yes.
00:31:41It's very easy.
00:31:43Pay close attention.
00:31:45First, you hide your friends' cell phones.
00:31:49And then, well, you find it yourself.
00:31:52But that's stealing.
00:31:54No, no, no, my brother, it's how you think, man.
00:31:58That's not stealing.
00:32:00It's like...
00:32:02Like playing hide and seek, but with cell phones.
00:32:06They're just going to think they lost it.
00:32:09And that's not stealing.
00:32:11No.
00:32:13So it would help them to lose their cell phones?
00:32:16Exactly, exactly.
00:32:18In fact,
00:32:20have another 400 pesos.
00:32:23Alive, alive.
00:32:26This is an advance for your first job.
00:32:30Yes, I already have 900 pesos.
00:32:33300 pesos!
00:32:35So, are we partners now?
00:32:38Yes, Baroness Simon.
00:32:41But only between you and me.
00:32:44You, Chitón.
00:32:47No one else should know.
00:32:49Hurry up!
00:32:51What?
00:32:53Well, here we go, here we go, walking.
00:32:55This girl, really.
00:32:57Look at her.
00:33:00I've read your proposal, Antonio.
00:33:04I accept that you are the partner of the company.
00:33:14Ada, come in.
00:33:24Hello.
00:33:27How have you been?
00:33:30Have you been able to live with what you did to your dad?
00:33:34No.
00:33:36Excuse me.
00:33:41And how are the gentlemen doing?
00:33:44Good, good.
00:33:46Getting better, getting better.
00:33:48The water is very good.
00:33:50Dad, Aquiles and Glorio are telling me that
00:33:53Isabel is to blame for the death of her friend Carlos.
00:33:57Look, you just keep doing the same wounds in your hands.
00:34:01What do you care what I do?
00:34:03I never wanted to find myself here with you.
00:34:06It has been a cancer in my life, Isabel.
00:34:09Me?
00:34:10You.
00:34:11But if you are your worst enemy, look.
00:34:13Alone.
00:34:14Get out, get out!
00:34:16Ouch.
00:34:20Don't scream.
00:34:22Of course you didn't want to see me, because you've always been a coward.
00:34:26Do you think you can put my son against me?
00:34:29What do you want?
00:34:30Why are you looking for him now?
00:34:32To pity him, to take care of you in your old age, in your madness?
00:34:35Is that the burden you want to give your son now?
00:34:38I'm going to get him away from you, Isabel.
00:34:41You poison everything you touch.
00:34:43How?
00:34:45How are you going to do it?
00:34:47Making these disfigures?
00:34:49Bringing all your drama to his life?
00:34:53Huh?
00:34:56You turned out to be a nice dad, Fabricio.
00:34:57You are a man who has spent half his life in a mental hospital.
00:35:03You make fun of me when you are responsible for me getting there.
00:35:07You, Isabel, are the cause of my mental imbalances.
00:35:12Oh, poor thing.
00:35:13You got into my head, Isabel.
00:35:15You drove me crazy.
00:35:17You filled me with hatred.
00:35:19You manipulated my mind and drove me crazy.
00:35:22No.
00:35:24No, Fabricio.
00:35:25You've always been despised.
00:35:27I wasn't to blame for you killing your dad.
00:35:33What made you change your mind, Aurora?
00:35:36A few days ago, you didn't want me near the company.
00:35:40And now you tell me that you accept my offer.
00:35:43On the one hand, your proposal convinced me.
00:35:46Who forced you to accept it?
00:35:48Isabel?
00:35:49No.
00:35:50Then who was it?
00:35:52My memories.
00:35:55The past.
00:35:57Our past, even if you don't believe it.
00:36:00The past.
00:36:02It's hard for me to believe you.
00:36:05Elena.
00:36:08She is our past that came to change our whole present.
00:36:12But what does it have to do with Elena?
00:36:20In 300 meters, turn left.
00:36:25First of all, I was scared.
00:36:27Because I don't know how Anita got my number.
00:36:29And then I knew something wasn't right.
00:36:31But then she told me you were cheating on her.
00:36:34Bad luck never dies.
00:36:36Don't say that. I don't think it's bad luck.
00:36:40Well, it seems that we were both heroes at the same time.
00:36:49Well, you were run over. I was just embarrassed.
00:36:53Don't suppress your emotions.
00:36:55What happened to you is almost as if your heart had been run over.
00:37:25I love you.
00:37:27I love you.
00:37:55PAULINA MARTINEZ
00:38:26Can love win?
00:38:27I need you, Paulina.
00:38:28The problems that come your way?
00:38:30I made the police know that the usurper is here.
00:38:33Monday to Friday, 2.30 PM, on Las Estrellas.
00:38:37Here you will find the latest sports news.
00:38:40Moments that mark day after day.
00:38:42Service for Diego Golaso.
00:38:45And the reports that will tell you what they talk about.
00:38:48I need 20 like him to do something for me.
00:38:51Contacto Deportivo.
00:38:52Tuesday, Thursday and Friday at 11.30 PM, on Las Estrellas.
00:39:23Why isn't it San Bernardo Chiquito?
00:39:26Did you learn it already?
00:39:27In Sol Mayor, because we had to rehearse it at noon and it was hot.
00:39:30Join him this weekend on Si Yo Fuera Diputado.
00:39:33This Saturday and Sunday.
00:39:35El Profe, with Las Estrellas.
00:39:37The end of the romance has come.
00:39:39It's better that we end our relationship.
00:39:42And this obsession doesn't understand the reasons.
00:39:44The one who will never be my wife is Selena.
00:39:47Because love is stronger than adversity.
00:39:50For me, it was very important that you were with me.
00:39:52You accompanied me to look for my mother.
00:39:53For her, I am Eva.
00:39:55Monday to Friday, 1.30 PM.
00:39:57Your day begins in Despierta.
00:40:02With the analysis of the information and the stories that matter to you.
00:40:07In addition, everything about sport, entertainment and climate.
00:40:11Despierta, a newscast from NMAS.
00:40:13Monday to Friday, 7 to 9 in the morning, with Las Estrellas.
00:40:17The first hours of the day also bring the first stories that must be known.
00:40:21Agile, precise and punctual.
00:40:23So you will know all the information in the news.
00:40:26Because what happens in Mexico and the world is here.
00:40:28I'm Carlos Gustavo and I'll wait for you in the news.
00:40:30Your newscast from NMAS.
00:40:32Monday to Friday, 5.50 in the morning, with Las Estrellas.
00:40:37Super Secret Comedy Laboratory.
00:40:40La risa es una ciencia exacta.
00:40:42Afortunadamente, aunque nuestros científicos no son los más exactos,
00:40:45sí son los más divertidos.
00:40:47Televisa. Sabemos hacerte reír.
00:40:50Súrame que vas a ser honesto.
00:40:53Existe tonatio.
00:40:55Yo no sé qué me pasa. Pienso algo y lo digo.
00:40:57Licenciado.
00:40:58No soy licenciado. Traje mi tesis.
00:41:00Ya la neta. Como me veo.
00:41:01Tres colitizos. Esa es mi tesis.
00:41:03Tres colitizos.
00:41:04Tres colitizos.
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00:45:59mas fuerte que la adversidad!
00:46:06¡Lunas a Viernes, 1 a 30 de la tarde!
00:46:14Y tú tens toda la luz.
00:46:20JxS Jorge, no debimos.
00:46:25Por que no?
00:46:28I've wanted this moment, I know you too.
00:46:31But I feel it's too fast.
00:46:35Nothing prevents us from expressing what we feel.
00:46:39Or what? Tell me the truth.
00:46:42Do you think I'm not up to you?
00:46:45You know I've never cared about that.
00:46:59We just met.
00:47:01And? And?
00:47:03I loved you.
00:47:04And every time I wanted to kiss you, but I couldn't anymore.
00:47:09I let myself go for the moment, because...
00:47:11We let ourselves go for what we feel.
00:47:14Oh, please, Angel, don't do this to me.
00:47:16What?
00:47:19Elena!
00:47:29What?
00:47:34Elena did something very noble.
00:47:38For some reason that I still don't understand,
00:47:40there was a mistake in the presentation of the project.
00:47:44A mistake that I would never have made.
00:47:47She came to today's presentation.
00:47:49And she assumed the mistake as if it had been hers.
00:47:54Elena saved me from Dany and Isabel.
00:47:58I had a situation that put in question my ability
00:48:02as president of the corporation.
00:48:05I'm not surprised.
00:48:09My daughter doesn't care about sacrificing herself for anyone.
00:48:13She is very noble.
00:48:15Well, at first I thought she was doing it to get along with me,
00:48:18to help you.
00:48:19No.
00:48:21Then I realized that yes, Elena really wanted to help me.
00:48:25Yes?
00:48:26That's why she lied in front of everyone.
00:48:30Why are you telling me all this, Aurora?
00:48:34Because I'm not as strong as I seem.
00:48:37Because I'm realizing that my obsession to find my son
00:48:41and the man who abused me has put me on the defensive.
00:48:45It doesn't let me see that I also make mistakes
00:48:48and judge people based on my past.
00:48:53No, Aurora, I don't agree with you.
00:48:57With what happened to you, I knew you were much stronger than all of us.
00:49:01And I would like to corroborate that you still are.
00:49:06Today I admire you more than yesterday.
00:49:09You are a great woman, Aurora.
00:49:15What a liar. You told me your brother was dying.
00:49:19Let me help you with your backpack.
00:49:21Come on, come on.
00:49:22Thank you very much, Mr. Valentino.
00:49:25Let's play hide and seek.
00:49:30Deal?
00:49:31Yes.
00:49:32And if we need partners, I'll tell you.
00:49:37Deal?
00:49:38Deal.
00:49:39Yes, yes, yes.
00:49:40That's it.
00:49:41Come on.
00:49:44And then my brother will be a saint.
00:49:46Young lady, you are a very beautiful and very intelligent girl.
00:49:50But with that mouth you won't get anywhere.
00:49:53Let's see, tell me well.
00:49:55Then my brother will be a saint.
00:49:58That's better.
00:49:59What's up, people?
00:50:01What's up, Angel?
00:50:02Rollitas.
00:50:03Mission accomplished, my angel.
00:50:06It's done.
00:50:10Never say that again, Isabel. Never.
00:50:13But it's true.
00:50:15You're a parricide.
00:50:17And that's the worst crime on earth.
00:50:20You don't deserve mercy from anyone.
00:50:23What?
00:50:24With those antecedents, are you going to come and convince my brother that you're a good man?
00:50:29I'm going to do everything to get my son rid of you.
00:50:32And you're no one to stop me.
00:50:34No, no, I'm just his mom.
00:50:36And I've also been his dad all this time.
00:50:39Or do you think that because one day you came into his life, you already deserve a place in his story?
00:50:44Don't you realize that he never needed you?
00:50:46He is a successful man. He's a happy man. He's about to get married.
00:50:50What can a murderer do for him?
00:50:56Do you think a mediocre like you can give him the happiness that I already gave him?
00:51:01Or tell me, what else did Demian lack?
00:51:04He lacked love, Isabel.
00:51:06Love!
00:51:07Oh my God, you're so cheesy.
00:51:10Demian is a man now. He doesn't need anything from you.
00:51:16I'm warning you.
00:51:18Leave my son alone and go back to the madhouse.
00:51:22That's where you belong.
00:51:26If you try to contaminate my son's soul against me,
00:51:30I'm going to kill you.
00:51:46How could you, Elena?
00:52:01It's all that idiot's fault.
00:52:05You're going to pay.
00:52:07You're going to pay.
00:52:16You're going to pay.
00:52:27Edgar.
00:52:30Now we're going against that dog, Naco.
00:52:34We're going to destroy him.
00:52:47Elena, sit down, please.
00:52:50Well, what can I do for you?
00:52:52How can I help you?
00:52:54Can I help you with something, ma'am?
00:52:57Can I make a watermelon juice?
00:52:59Ah, good idea, yes.
00:53:01I'll heat the tortillas, boss.
00:53:03Yes, because I don't like them soggy.
00:53:05I'll put the dishes.
00:53:07And I'll put the glasses.
00:53:10Wow, camera.
00:53:12Well, since you are already fed up,
00:53:16I'll apply for the next one, really.
00:53:18What's up, compadre?
00:53:20Come in.
00:53:21Sit down, compadre.
00:53:22The food is ready.
00:53:23Yes, I noticed.
00:53:25How are you?
00:53:26Good afternoon, Miss Elena.
00:53:31Hi, Diego.
00:53:32I'm going to wash my hands.
00:53:34Come in, compadre.
00:53:36Angel, can you help me get water out of the bottle?
00:53:38Please.
00:53:42I'm sure Carlitos was in love with Miss Elizabeth
00:53:45and that's why he was depressed.
00:53:48Think about it.
00:53:50What do you mean he didn't tell you anything about being your best friend?
00:53:52Well...
00:53:55I don't know.
00:53:57Look, you're my best friend and I don't think you'll tell me everything, okay?
00:54:00Am I your best friend?
00:54:02He's my best friend.
00:54:03Let's go, don't be a pain in the ass.
00:54:05Okay, okay, okay, guys.
00:54:07Stop playing detective games.
00:54:08You've been playing detective games with yourself for a long time.
00:54:12I also work with Jezabel Campero and I don't want to hear your speculations.
00:54:17Besides, my son is also here and he doesn't have to be hearing all the gossip from the office.
00:54:22No, dad, I do want to know how bad that lady is.
00:54:25Oh, baby, well, hold on, because that's the way it is.
00:54:28Well, I'm going to take you home now.
00:54:31And you and I are going live with your therapist.
00:54:34Hey, Nick.
00:54:35You know what?
00:54:36Why don't we meet at the corner?
00:54:37Uh-huh.
00:54:38Yes, ma'am, it's close by.
00:54:39Let's go to my office.
00:54:40Yes.
00:54:41Okay.
00:54:42Let's go.
00:54:43Here?
00:54:44Let's go, let's go.
00:54:46I want you to kick him out.
00:54:49Girl, please calm down.
00:54:51Even the wings hear your screams.
00:54:53No, I want you to get him out of this house right now.
00:54:55I know, it was so disgusting that I told the producer of the series I'm going to be in.
00:55:00I asked him to tell the writers.
00:55:02Well, of course, thinking of me as the producer.
00:55:04What do you have in your head, Patricia?
00:55:05You have a guy who's crazy, who's sick, and you have him living in your house.
00:55:08And you just think of a series that doesn't even exist.
00:55:11This is serious.
00:55:13Get him out of your house.
00:55:15No, I like that you talk to me like that.
00:55:17And much less that you demerit my profession.
00:55:19Ah.
00:55:25Look, it's just that sometimes I get a little desperate, but you're right.
00:55:29You're right, I'm sorry.
00:55:31I know, I know it's very difficult to understand.
00:55:33An artist like me.
00:55:35But this time I can't help you.
00:55:37You know I'm in a fight with Antonio.
00:55:39Well, as long as this is also his house,
00:55:41I can't tell him he can't invite anyone.
00:55:43But you don't have to do it like that.
00:55:45You can ...
00:55:47You can manipulate him.
00:55:49Sure.
00:55:51You can move things and manipulate them to make it work.
00:55:54I mean, like you do with everyone.
00:55:56Like this.
00:55:59No.
00:56:04Well, is it enough for me to make another dish?
00:56:07Here you don't deny a plate of beans to anyone.
00:56:10Or two, or three.
00:56:12What are you saying?
00:56:14Dad, can we go play video games at Rolax's house?
00:56:17Okay, honey, but only for a little while.
00:56:19There are the glasses.
00:56:21See you there, Elena.
00:56:23You have to change your ways, Anita.
00:56:25Just don't use bad words.
00:56:27Deal.
00:56:29You give me your hand and I'll give you the glass.
00:56:31Deal.
00:56:33You give me your hand twice a week,
00:56:35do my homework,
00:56:37and I change bad words for good ones.
00:56:42Let's go, Anita.
00:56:44Be careful.
00:56:46Bye.
00:56:48What happens is that my sister invites me to everything.
00:56:50Yes, but there are things in which it is not good that she invites you, Angel.
00:56:53Well, I don't see anything wrong
00:56:55with the girl talking as she wants.
00:56:57Anyway, the one who is a perico wherever he wants is green.
00:57:01She is neighborhood and she will not take it away from him.
00:57:08I promise not to hide the truth from you.
00:57:11Never again.
00:57:13When I heard about it,
00:57:15society proposed to me immediately.
00:57:17I thought of you.
00:57:19No, we're not going to talk about that.
00:57:21Another of my fears
00:57:23was that you would want to get close to me again.
00:57:25No, no, yes, yes, I am aware of it.
00:57:27If you like, I can fix everything
00:57:29related to the cooperative with Isabel, with Emilian.
00:57:32And if you want, we can see each other as little as possible.
00:57:38I also
00:57:40was afraid to meet you again.
00:57:44I know I did wrong.
00:57:47But I also have the memory of the Aurora that is in my past.
00:57:52And when I found you again, I saw another Aurora.
00:57:55Stronger, more determined,
00:57:57but also sad.
00:58:03I realized
00:58:05that I love this Aurora
00:58:07as I loved that one.
00:58:11I accepted to return
00:58:14because
00:58:16because I felt a stir in my head,
00:58:18in all my being, in my heart.
00:58:20I want to reconquer yours.
00:58:22No, no, no.
00:58:24That's not going to be possible.
00:58:26I know you don't love her.
00:58:29And what do you know about what I feel?
00:58:32Your eyes.
00:58:34I see it in you, I see it in me.
00:58:38Since
00:58:40I saw you again, Aurora, I get nervous, damn it.
00:58:44My hands sweat.
00:58:48I love you.
00:58:51I love you.
00:58:52I love you.
00:58:54Well, what about that time when Isabel took me to that DNA test?
00:58:58She told me...
00:59:00She told you what?
00:59:02She told me she was in love with me.
00:59:04That she would leave me.
00:59:11You're going to miss it.
00:59:17What are you doing, Rolas?
00:59:19Putting my nails in.
00:59:20That's a lot of money.
00:59:22Are you going to give all that to me on Sunday?
00:59:24Don't you want me to help you?
00:59:26I can help you put your pants on.
00:59:29You already have me, huh?
00:59:31Who do you think you are to come
00:59:33and say all that nonsense?
00:59:35Shut up!
00:59:51Let's go.
00:59:53Let's go.
00:59:55Let's go.
00:59:57Let's go.