Salón de té La Moderna - Ep 214
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00:00I don't need you to say it, I know I haven't acted right, but I couldn't resist.
00:13I know, little boy, but I'm afraid it won't work. The doctor has left and is going to leave Rositas.
00:21Well, not Rositas either, the blow has taken me.
00:24Yeah, but it's not enough. That doctor should be in jail and I don't think he's ever going to step on her.
00:31Are you going to go back with the complaint?
00:33No, but that bastard is right. We have no proof and he's capable of turning everything we say around to make me go crazy.
00:42It's been like that from the start. I don't think it's going to change now.
00:48Matilde, I'm very sorry. I shouldn't have doubted you and I'm very sorry I left you in the hands of that scoundrel.
00:58I'd rather not talk about it. It's already forgotten.
01:05You have your hand healed, I'm going to bed. Tomorrow Clarita comes and I want to be awake to receive her well.
01:14Good night.
01:36Things have changed in my absence. I haven't seen you so quiet in my life.
01:42What a joy to see you.
01:44Decoro, you're working.
01:46Yes, forgive me, boss, but I'm very happy to see you. Thank goodness you're back.
01:52You don't know how to organize yourself without me.
01:54What are you talking about? You know I organize myself wonderfully.
01:56The thing is that your substitute has appointed me and I don't give more of myself.
02:00But how many days have you been substituting me?
02:03Two, but I'm overwhelmed. You have to see the responsibilities you have.
02:07Now I realize the great weight you carry on your shoulders.
02:10Thank goodness you're back, because I don't know if I'm going to put up with this pressure any longer.
02:14Stop it, Carlos Elias. I still don't know how to keep my job.
02:19Have you heard anything?
02:20No, boss, I've been very busy.
02:22Well, I have no choice but to find out what my situation is after my shock.
02:28Yes, well, I hope there are no reprisals.
02:31Cañete, for your sake and for mine.
02:33I hope so.
02:36Cañete, I am very happy to see you here again.
02:41I hope you have enjoyed your days in Asueto and your grandfather.
02:45I have. And I am willing to bear the consequences of my actions, whatever they are.
02:50Well, let's just say that our last conversation before you left was not the most successful.
02:56Especially for me. I remember you threatened to fire me. I haven't forgotten it.
03:01I admit it wasn't my best day.
03:04And I'm sorry if that has prevented you from enjoying your family.
03:09Even so, I want you to know that I have personally mediated for you to keep your job.
03:18Are you serious?
03:19I don't usually lie.
03:22Well, if you're going to stay to work, you can do it right now.
03:27So when you make a decision, let me know.
03:35Celia, I'm glad to see you here.
03:37I wanted to stop by your store to talk about how everything went.
03:40And please, I insist...
03:41Don't even think about apologizing again.
03:43I know you had good reasons not to be at Estrellita Castro's party.
03:48Come in, please.
03:55But I insist on apologizing.
03:57It was not right to leave her alone at such an important event.
04:01Although I'm sure everything went very well.
04:04Well, judge for yourself. First page.
04:10Sit down, please.
04:17To the surprise and delight of Madrid Cabaret's customers,
04:22the coupletist spontaneously sang some of her hits,
04:27making the delights of a dedicated audience.
04:30Are you telling me that Estrellita Castro sang at my place?
04:34You see? A first performance and it didn't cost you anything.
04:39That's what makes Madrid Cabaret unique.
04:42You don't know when a coupletist can suddenly appear
04:45and sing one of her best songs.
04:48Thank you very much, Celia, really.
04:50For managing everything and bringing Estrellita Castro here.
04:53And I thank you for your thanks.
04:55But the idea of ending the night at your place
04:57was Estrellita Castro's idea, right?
04:59By the way, speaking of the place,
05:02you haven't told me anything about the event you organized there yet.
05:05Yes, it's a cultural event.
05:08I don't rule out claims.
05:10Well, you know you can talk about Madrid Cabaret whenever you want.
05:13Thank you very much.
05:17I'm sorry for my lack of education, but I haven't asked you
05:20about your wife, Matilde.
05:22How is she?
05:24Matilde...
05:26She's fine.
05:28Yes.
05:30She's starting a new stage in her life
05:33after so many failures.
05:36Why do you say that?
05:38Try to understand.
05:40Maybe I've become too transcendental.
05:42Matilde is going to work at La Moderna again
05:45as an event organizer.
05:47I'm glad to hear that.
05:49I'm glad the news has passed.
05:51Yes.
05:54Would you like something to drink?
05:56Yes, a coffee.
06:06What happened?
06:07I saw you talking to Mr. Alacera. He fired you.
06:09Quite the opposite, Mrs. Teresa.
06:11Cañete keeps his job,
06:13and I'm delighted to give it to him.
06:15Now, if you'll excuse me,
06:17I'm going to prepare everything necessary
06:19for the transfer of powers.
06:21What a joy!
06:23I'm glad you haven't lost your job
06:26and to have you back here.
06:28I'm glad too,
06:30although I've been a bit worried about you, Teresa.
06:32When I left, you and Mrs. Alacera
06:34almost declared war on you.
06:36Yes, that's how it was.
06:38But you know that Mrs. Alacera has taken out the white flag.
06:41But indefinitely.
06:43I don't think so.
06:45So, just in case,
06:47I've decided to continue my research.
06:49I've contacted another one of the dependents
06:51of the Madrid-Paris warehouses,
06:53and I hope Mrs. Alacera doesn't find out this time.
06:55Did the other one tell the vampire the story?
06:57Well, I don't know if it was her
06:59or someone who saw me there,
07:01but this time I'm going to be much more discreet.
07:03I think this girl is willing
07:05to tell me the whole truth.
07:07When do you plan to go to her meeting?
07:09Tonight.
07:11I can tell you everything I find out.
07:14Well, that's all.
07:16I hope you continue to fulfill your obligations
07:19with the usual diligence.
07:21I will.
07:31We really wanted to see you here.
07:33Yes.
07:34You don't know how worried we've been about you.
07:36I know, Esperanza.
07:38And even if it made me silly,
07:40I'm aware that you also thought
07:42that I had lost my mind.
07:44I confess that they even made me believe it.
07:46What do you mean by they made you believe it?
07:48Well, as you know,
07:50I was going to a psychiatrist
07:52who was supposedly going to cure me,
07:54but it turned out to be a fraud.
07:56All he wanted was to lock me up in an institution.
07:58My God.
08:00Well, then he was the crazy one here,
08:02and he's the one who should be locked up
08:04in that sanatorium of his.
08:06No, you should rot in prison, Trini.
08:08You see, there's someone behind all this.
08:10And he's using all his strength
08:12to drive me crazy.
08:14Someone besides the doctor, do you mean?
08:16Yes.
08:18I think that doctor was only an instrument
08:20in the hands of another person.
08:22But who could be so twisted
08:24to believe you so badly?
08:26I don't know, but I'm not going to stop until I find out.
08:28Well, the important thing is that the nightmare is over,
08:30and that you mask that doctor.
08:32Well, and that Ñigo has realized
08:34that everything that happened
08:36was a trick,
08:38so that they accuse you of being crazy.
08:40But I wouldn't have gotten any of this
08:42without Marta's help.
08:44Oh, my Marta.
08:46By the way, I'm going to see
08:48if you've finished cleaning the displays.
08:50Then we don't have to go upstairs.
08:52Oh, yes, I'll go with you.
08:54Goodbye.
08:56Antonia, how are you?
08:58Well,
09:00I'm going.
09:02I'm trying to take
09:04Pietro and Lucía's situation
09:06as best I can, but...
09:08I'm having a hard time, darling.
09:10What do you want me to tell you?
09:12I'm very sorry that you're in this situation.
09:14Well, now you
09:16have to be happy
09:18because everything has been solved
09:20and you're back on track.
09:22Well, I think there are still some things
09:24to solve and I'm not sure
09:26they can be fixed.
09:28But we'll face that later.
09:30Now it's time to get back to work
09:32and then pick up Clarita.
09:34She was coming today.
09:36Why didn't you come home for dinner?
09:38I really want to hug her.
09:40Of course, we'll be there.
09:42I'm going back to work. See you later.
09:44Goodbye, Antonia.
09:52The modern tea salon is quality and elegance.
09:54Discover it
09:56by giving us your stay.
09:58You're the most talented sister
10:00in the whole world.
10:02You're too much. I still have a lot to learn.
10:06It's very good, Laurita.
10:08You've done a fantastic job.
10:10Yes, I think so.
10:12It's a great wedge.
10:14By the way,
10:16where's Celia?
10:18I thought she'd come with us.
10:20Do you have anything to do with her?
10:22No, no, but I wanted to thank her
10:24for taking a singer
10:26of the size of Estrellita Castro to Madrid.
10:28I didn't know you cared so much
10:30about Iño's venue.
10:32I wouldn't say so, but we have to admit
10:34that both the modern tea salon
10:36and the gramophone store
10:38have benefited a lot from the singer's presence.
10:40Yes, I wish every day we made a box like yesterday's.
10:42That was exhausting.
10:44And of course, we had to accompany her to celebrate.
10:46Of course.
10:48You couldn't have made it hard
10:50for her not to go out partying with her.
10:52Yes, it's a shame she couldn't come.
10:54What do you mean a shame?
10:56She would have loved to go.
10:58Well, next time she'll come with us.
11:00She would have had a great time with Estrellita Castro.
11:02She's so funny.
11:04And a great advisor,
11:06because I heard she gave you recommendations
11:08for your future on stage.
11:10Yes, she sings a song, but in a low voice
11:12and without forcing it.
11:14But you don't know how good I felt.
11:16What Mrs. Juanes taught me is paying off
11:18and I want to speed up my recovery.
11:20That's true.
11:22But you know what they say,
11:24so be careful.
11:26Do you remember what they tell you when you're interested?
11:28Well, I'll remind you that
11:30tomorrow we're going on an excursion
11:32to El Escorial.
11:34Well, how could I forget?
11:36Once we're out of town.
11:38But in the end, will the three of us go
11:40or will there be four of us?
11:42I haven't asked her yet.
11:44But I don't think she'll give me a negative.
11:46As soon as I have the opportunity,
11:48I'll ask her.
11:50But, uncle,
11:52do you really want us to go with you?
11:54Don't you prefer to go alone with Mrs. Laza?
11:56Let's see if it's going to be you
11:58who don't want to come.
12:00No, no, if we are delighted
12:02to see you out of these four walls.
12:04Well, don't talk anymore. I would like you to accompany me
12:06and I hope you too.
12:08And there is no other intention
12:10than all this.
12:12So, to work.
12:22Well, it's the first time you've congratulated me
12:24for cleaning, Esperanza.
12:26I'm sure you don't have a fever.
12:28Let's see, I'm congratulating you
12:30for helping Matilde get rid of that
12:32evil doctor.
12:34Yes, I already knew.
12:36Let's see, you have to take it easy, Marta.
12:38You have to be very brave
12:40to do what you have done.
12:42And you have to have it right,
12:44to play it that way.
12:46I had no choice, Esperanza.
12:48Matilde and her family have been very good to me.
12:50Helping her find that girl
12:52was the least I could do.
12:54I hope she understands that I couldn't
12:56give any details.
12:58Well, don't get like that.
13:00I'm not going to tell anyone
13:02and I'm not going to take it into account.
13:04Don't make that face.
13:06I'm not going to tell the vampire anything.
13:08Not about that or anything.
13:10No, it's not because of that.
13:12It's because of what she told me yesterday.
13:14About her love of going to youth.
13:16Ah.
13:18The love of my life,
13:20Marta.
13:24No matter how much time passes,
13:26he always has a hole
13:28in my heart.
13:30It must have been very hard for you
13:32to have married another man.
13:34Worse than you can imagine.
13:38You are very brave, Esperanza.
13:40Not like me.
13:42Keep going.
13:44Was that it
13:46or was I still alive?
13:48There was a moment when I thought
13:50I wasn't getting out of that well.
13:54Because if seeing him married was hard,
13:56it was even worse.
13:58I kept going, knowing that the fault
14:00had been mine.
14:02Well, but you didn't push the arms
14:04of any other woman.
14:06But I didn't fight for his love.
14:08That's what I told Antonia yesterday.
14:10You have to fight for what you don't care about.
14:12It's better to cry for having failed
14:14than to regret all your life
14:16for what could have been and wasn't.
14:20But come on,
14:22don't take it to heart.
14:24I'm very dramatic.
14:26Don't think I was crying
14:28around the corner.
14:30Not for this one.
14:36How unfair it has been with you, Esperanza.
14:40Now I understand everything you said
14:42about the dangers of love.
14:44I don't say what I have to say, girl.
14:48I didn't imagine the reason
14:50behind the tiger that men had for you.
14:52You have suffered a lot.
14:54You don't deserve it.
14:56But well,
14:58who more and who less
15:00has suffered in love.
15:02Come on, let's go upstairs to clean up.
15:04The vampire will come
15:06and throw us a bite.
15:08Come on.
15:12Let's go.
15:22Do you mind, Mr. Fabio?
15:24I've been talking to Mr. Fermin
15:26and I'd like to inform him of our conversation.
15:28Sure, have a seat.
15:40The truth is that
15:42I didn't have all of them with me.
15:44I'd like to receive them.
15:46May I know why?
15:48Well, the last conversation
15:50we had in this same office
15:52was a bit tense.
15:54More than tense, I'd say.
15:58Well, that belongs to the past.
16:00I trust that
16:02neither the tone nor the words of that day
16:04are the same as today's.
16:06No, of course not,
16:08at least for me.
16:10I'm only here to talk about business.
16:12In that case, tell me,
16:14what business is that?
16:16Well, look,
16:18we've heard
16:20that you're liquidating
16:22the companies of Morconde.
16:24And I say we because
16:26the news has reached the ears
16:28of the gallery's clients.
16:30I suppose they're worried about your future.
16:32That's right.
16:34And that's why
16:36we want to
16:38make you a purchase
16:40for the premises.
16:42You and all the merchants.
16:44I understand that includes the owner of La Moderna.
16:46That's right.
16:48Mr. Fermin already owns one of the premises,
16:50but he's interested
16:52in joining that purchase.
16:54May I ask you
16:56why you're interested
16:58in acquiring the gallery?
17:00Well, for a logical reason.
17:02After all,
17:04it's your businesses that are at risk.
17:06Wouldn't you do the same?
17:10I suppose so.
17:12Look, if it were up to me,
17:14we'd negotiate
17:16initially.
17:18But I have to consult
17:20with the president of the company.
17:24Mrs. Bárbara.
17:30All right.
17:32I hope you like our offer.
17:36What can I do for you?
17:38Wait, Ñigo.
17:42I know we agreed
17:44to talk only about business,
17:46but if I don't ask you about your wife,
17:48how is she?
17:50Matilde?
17:52Fine.
17:54Now she's going to start working.
17:58I'm so glad
18:00to hear that.
18:04Ñigo.
18:08Ñigo, I have something to tell you.
18:14Yes, something...
18:16something...
18:18something complicated.
18:22I want you to know that...
18:26I want you to know that...
18:28that I'm very sorry
18:30to have accused you
18:32of Carla's death.
18:38Well,
18:40I don't know what to say.
18:42But I'm very surprised
18:44by this change of mind.
18:46I was wrong.
18:48I was wrong, Ñigo.
18:50And I would be very honored
18:52if one day
18:54you could forgive me
18:56for the terrible mistake I made.
18:58Well, don't worry.
19:00Given the circumstances,
19:02I understand that you doubt me.
19:06Is there anything else
19:08you want to tell me, Mr. Fabio?
19:10No, forgive me.
19:12It's my business.
19:14I'll let you know
19:16about Mrs. Bárbara's decision.
19:21Thank you very much.
19:24Likewise.
19:34Hi, Trini.
19:36Hi.
19:39Thank God Cañete
19:41has come back to the salon
19:43and everything is back to normal.
19:45I'm exhausted.
19:47Yes, we all thought
19:49the same thing.
19:51Well, look,
19:53we haven't lost our jobs.
19:55And I'm glad,
19:57because I prefer 3,000 Teresas
19:59to a quarter of La Vampira.
20:01I'm glad too, Trinidad.
20:03Although if this had depended on Mrs. Lázara,
20:05I assure you that the outcome
20:07would have been different.
20:09Do you think she has given up on Fermí?
20:11Well, I don't know if she has intervened
20:13or if Mrs. Lázara
20:15has dared to propose to him.
20:17But cheer up, woman.
20:19In the end, this is good news.
20:21Yes.
20:23Trini, I'd like to tell you something
20:25and I don't know if it's a good time.
20:27Well, of course.
20:29You can tell me anything.
20:31You already know.
20:35Well,
20:37Trini, how do I tell you this?
20:39Look, you know
20:41that I've never wanted
20:43or want to get involved in your relationship with Miguel,
20:45even though in the past
20:47my experience with him was not very good.
20:49You already know that.
20:51But...
20:53Look, all this
20:55about the change of the wedding place,
20:57the dance with the dates...
21:01This scares me, Trini.
21:03It gives me the feeling,
21:05I tell you with all sincerity,
21:07that this man doesn't want to marry you.
21:11I really appreciate your concern
21:13and I know
21:15that Miguel
21:17hurt you a lot.
21:19But I'm sure he wouldn't do that.
21:21Really.
21:23Yes, but I was also sure
21:25that Mario wouldn't do that to me.
21:29And I don't want you
21:31to go through everything I go through.
21:35I don't want to be a whore, Trinidad.
21:37But it would break my heart
21:39to see you suffer.
21:41I need to tell you this.
21:43You always worry
21:45a lot about me.
21:47Of course, how can I not worry
21:49if that's what friends do, Trini, worry.
21:53Trini, don't get like that, for God's sake.
21:55Look, forget what I said.
21:57You're going to have a beautiful wedding.
21:59And if this man is needed,
22:01I'll grab him by the ears and take him to the altar.
22:03But would you do that for me, really?
22:05Of course, woman.
22:07I would do that for you,
22:09but I think I don't deserve it.
22:11I don't deserve it.
22:13Come on, don't be silly.
22:15Everything will be fine.
22:29You'll forgive me
22:31for making you come in the afternoon,
22:33but I didn't know how to remove
22:35that ink stain from the floor.
22:37I'll give it to the teacher.
22:39Don't worry, it won't happen again.
22:41Besides, it's not about the money.
22:43I know we both need the time to study.
22:45Both of us?
22:47Of course, woman.
22:49I'm in law school,
22:51and since I don't put my elbows up,
22:53I'm going to suspend all of them again.
22:55In fact, this afternoon,
22:57I was thinking of going to the library.
22:59Does the study have to be a lot?
23:01That depends a bit on each one.
23:03If you're with my friends from school,
23:05I'd love to see you.
23:07We always end up in a tavern.
23:09Did I say something wrong?
23:11No, no.
23:13I was just thinking
23:15that we could study together.
23:17You wouldn't end up in the bars with me,
23:19I assure you.
23:21If you don't want to.
23:23Yes, yes,
23:25I think it's a great idea.
23:27But I don't know if meeting my friends
23:29is a bad influence.
23:31We can go to my house.
23:33Salvita, to study,
23:35don't think weird things.
23:37Yes, well,
23:39I think it's a great idea,
23:41to study with you.
23:43When do we start?
23:45Right now.
23:47When you finish work,
23:49you come straight to the tavern.
23:51I will.
23:53I'll see you later.
23:55Good afternoon.
23:57Marta is quite talented.
23:59I'm glad to see
24:01that you're going to study with her.
24:03I'm staying behind.
24:05By the way, can I leave a bit earlier?
24:07I have to study with Marta at her house.
24:09Are you really going to study?
24:11Or is that how you young people
24:13refer to peeling the turnip?
24:15What are you up to, Miguel?
24:17No, no, no.
24:19I'm serious, Salvita.
24:21What are your intentions with this girl?
24:23Think about it.
24:25Your answer depends on
24:27leaving early or staying all night
24:29I'm not as clumsy as you make me.
24:31I just want to spend some time with her,
24:33studying.
24:35That's the last thing I want.
24:37Yes, man.
24:39And it's your merit.
24:41You've enlightened me like a lighthouse
24:43in the middle of the night.
24:45You'll see, when my father finds out,
24:47he'll be so happy.
24:49Good try, but it doesn't work anymore.
24:51You can stop fooling me.
24:53Okay, can I go or not?
24:59Okay, you can go
25:01and study peeling the turnip with Marta.
25:03But how do I know...
25:05Peel the turnip, but I don't know where she lives.
25:07You don't have a choice.
25:09Come on, relax.
25:11I'll ask Trini.
25:13I'm sure she knows or can find out.
25:15You'll save my life.
25:17I can't even imagine
25:19how Marta would react
25:21if she finds out I'm on duty.
25:23That's my seat.
25:29Come on.
25:35The last thing I expected was
25:37Iñigo coming to see me at the office.
25:39What did that bastard want?
25:41From now on, I'd appreciate
25:43if you didn't refer to him in those terms.
25:45Do you want a drink?
25:51That doesn't answer my question.
25:54I wanted to send a proposal
25:56to buy the gallery.
25:58Apparently, the merchants are interested
26:00in acquiring the property of their premises.
26:02Well, they couldn't have missed the shot
26:04because that decision doesn't apply to you.
26:06I'm just an intermediary.
26:08They were hoping you'd get their proposal
26:10to start a negotiation
26:12if you thought it was convenient.
26:14Submission fulfilled.
26:16I'll be in touch.
26:18I'll be in touch.
26:20I'll be in touch.
26:23Anything else?
26:25I wouldn't mind
26:27if you told me your intentions.
26:29I could give you an answer myself.
26:31All I can tell you
26:33is that I have to consult him.
26:35If Carla finds out
26:37that Iñigo is meddling
26:39in Morcuende's company,
26:41she'll scream.
26:43Iñigo is just a spokesman.
26:45Anyway,
26:47take the time you need.
26:49I mean,
26:51give us the time you need.
26:53I'm going to skip
26:55the tone you used.
26:57Why are you leaving?
26:59We're not done yet.
27:03Iñigo told me
27:05that his wife is fully recovered.
27:09Good for her.
27:11What do you want me to do?
27:13Send her a letter congratulating her?
27:15Whatever you do
27:17is none of my business.
27:19But I understand
27:21that if Matilde is fine,
27:23it's because your daughter
27:25has stopped meddling.
27:27We're women of our word.
27:29If Carla and you
27:31have reached an agreement,
27:33she'll do her part.
27:35And it's a relief
27:37that that dead fly
27:39is no longer in her sight.
27:41End of story.
27:43At least it's a story that ends well.
27:45Not like ours,
27:47of course.
28:03Simply perfect.
28:05My most sincere congratulations.
28:07Few times have I seen portraits like this.
28:09Really?
28:11Thank you very much,
28:13but the credit is shared with the model.
28:15I trust you won't forget
28:17what we talked about last night.
28:19Don't worry.
28:21A proposal like yours
28:23isn't easy to forget.
28:25Does that mean you've made a decision?
28:29I don't want to sound condescending,
28:31but there are opportunities
28:33you have to seize.
28:35And this would be a big leap in your career.
28:37I don't doubt it, but
28:39going to Germany with you
28:41would be a great responsibility
28:43and I need a bit of time
28:45to think about it.
28:47Is there anything that keeps you here?
28:53This place.
28:55I've always wanted to have a photography studio
28:57and you have no idea how hard it was to open it.
29:01Besides, I can't leave
29:03my partner alone.
29:05Darling, this shop is great,
29:07but someone with your talent
29:09will be left out.
29:11It's up to you
29:13to stay in a small studio
29:15or become
29:17an international photographer.
29:21I'll think about it.
29:23I hope so.
29:25And as for the time you ask,
29:27I have two jobs and a record label
29:29outside of Madrid.
29:31I'll be back in two weeks.
29:33Do you think you'll have made a decision by then?
29:35Two weeks seems more than reasonable.
29:37Good afternoon, ladies.
29:41Doña Estrellita,
29:43you have the car waiting for you
29:45at the gallery door.
29:47If you don't mind...
29:49Don't be in a hurry, Mr. Coma.
29:51I'm older than you,
29:53and I think I'll find you alone.
29:55And do me a favor
29:57and help your friend make a decision.
30:05What decision are you talking about?
30:07Oh, no, forget it.
30:09I shouldn't have said anything.
30:13Celia, if you have a problem,
30:15I'd like to know.
30:17I want to help you, or at least try.
30:19Agustín, forget it, really.
30:21If you were half
30:23a good actress
30:25and photographer,
30:27I'd believe you,
30:29but that face doesn't fool me.
30:31I really want to help you.
30:33Estrellita Castro asked me
30:35to accompany you on your tour
30:37Wow!
30:39It's an offer
30:41you can't refuse.
30:43You have to feel
30:45very flattered,
30:47even if you don't go, of course.
30:51Are you really
30:53thinking about leaving?
30:55What about Laurita?
30:57They just opened a business together.
30:59I don't know, Agustín.
31:01I don't know, I have to think about it.
31:03Please don't tell Laura anything.
31:05Please.
31:15Are you telling me
31:17you were interrogated?
31:19Why didn't you call me right away?
31:21I'm calling you now, ma'am.
31:23You're calling me because I called you.
31:27Anyway, I hope you don't
31:29think about confessing.
31:31I denied all your accusations.
31:33I tried to deactivate all your suspicions
31:35and disarm all your arguments.
31:37But I think it didn't work.
31:39You think so?
31:41What do you mean by that?
31:43Mr. Peñalver ended up
31:45giving me a punch.
31:47And you don't need to be a psychiatrist
31:49to know that you don't attack
31:51someone you trust.
31:53I've been thinking about going to the police station
31:55and filing a complaint.
31:57You're not going anywhere,
31:59not even to the police station, okay?
32:01I don't want the police to get involved in this.
32:03Or do you want to go to the police station
32:05and confess what you've done?
32:07Don't take me for a fool, ma'am.
32:09Because I know you're not a fool.
32:11I'm only going to tell you once.
32:15Don't even think about
32:17doing something that could hurt me.
32:19Just as I move the strings in your favor,
32:21I can do it against you.
32:23And I don't want to insist on it.
32:25Is that clear?
32:27Very clear.
32:29This is the last time we speak, doctor.
32:31I'd like to tell you
32:33that it's been a pleasure doing business with you.
32:35But I'd be lying to you.
32:43Antonia,
32:45I didn't ask you to prepare anything.
32:47I've already told you that we're only going to study.
32:49Precisely because of that.
32:51Studying is no nonsense.
32:53And with a full stomach,
32:55knowledge will come in better.
32:57I'm just trying to see who focuses on the books.
32:59I just hope you don't get distracted
33:01with something else.
33:03Or with another thing, rather.
33:05Don't worry, Antonia.
33:07I'm only going to help you prepare for the law exam.
33:09There are a few left.
33:11A few?
33:13Honey, you're suspended until recess.
33:15In the gallery everything is known.
33:17And everything gets stuck.
33:19And even more the laundry.
33:21Don't worry.
33:23I know very well what my priorities are.
33:25A bunch of kids will make me stop studying.
33:27I hope so.
33:29By the way, Antonia,
33:31is it true what Pietro told me
33:33about Lucía's papers?
33:35Yes. Yes, that's what they say.
33:37They say in the consulate
33:39that the papers will arrive soon
33:41and that she will be able to go to Italy.
33:43But I don't want to get my hopes up
33:45because then the fall is more painful.
33:49I'm going, Antonia.
33:51Salvitas, come in.
33:53Good afternoon.
33:57Good afternoon, Mrs. Antonia.
33:59Good afternoon.
34:01Well, since she allowed me to come
34:03to study at her house,
34:05I also allowed myself the luxury
34:07of bringing her some money.
34:09What a detail.
34:11Well, I'm going to go
34:13because the books are not for me.
34:15And you go to study, okay?
34:17I'm going to be in the room.
34:19With the door open.
34:21Let me know when you're there.
34:23Okay.
34:25Did you bring all the books?
34:27Yes, yes, yes. Here they are all.
34:29Well, it wouldn't be the first time
34:31I forget one.
34:33Once at the faculty, a few years ago.
34:35Well, we're going to study.
34:37We only have an hour and we have to go.
34:39You'll tell me another day.
34:41Shall we start?
34:43Yes, yes, to study.
34:45Yes, yes, to study.
34:59Well, you did come loaded.
35:01What a bag Aunt Concha gave you.
35:03I didn't want you to go hungry
35:05on the way.
35:07Not on the way, not in a week.
35:09There we have empanada for days.
35:11It's just that
35:13my aunt has always been very exaggerated.
35:15Especially with
35:17respect to food. Right, Clarita?
35:19Yes.
35:21Do you want us to help you
35:23unpack the suitcase?
35:25You can do it yourself.
35:31Aunt gave me this.
35:33She told me not to read it.
35:41Sorry.
35:43Do you want me to help you carry it?
35:49Well,
35:51she has become a little talkative.
35:53But it may be because of the trip
35:55that has been very long and she is tired.
35:57I don't know, Iñigo.
35:59Since we picked her up
36:01from the station, I have the feeling that she is not happy
36:03to have returned.
36:05Well,
36:07she has only been in the city for a few hours.
36:09It is too soon to draw a conclusion.
36:13Let's give her a little more time.
36:15You will see that
36:17when a few days pass,
36:19she will be the same as before.
36:21My aunt could not agree
36:23with you anymore.
36:25Listen.
36:29Matilde, I have tried everything,
36:31but it has been impossible to cheer up
36:33Clarita.
36:35There is no way to get to her.
36:37I hope you can help her.
36:39Your aunt Concha.
36:43Well, yes, we are fine.
36:45I already knew that Clarita was not in her being.
36:47And the thing
36:49is worse than I imagined,
36:51if not even my aunt has managed to cheer her up.
36:53Iñigo, my sister has not been the same
36:55since my mother was murdered.
36:57And we can't blame her for that.
37:01Essential is your mother's death
37:03in such a tragic way.
37:05And on top of that,
37:07everything that has happened later has not helped at all.
37:09The car accident,
37:11the change of neighborhood ...
37:13My love, the important thing is that you are already rested.
37:15And you can help
37:17your sister Clarita.
37:19My love, as good as your aunt Concha is,
37:21what Clarita needs
37:23is her sister.
37:27What's for dinner?
37:29You'll see.
37:31Today we are going to have dinner outside.
37:33In one of those luxurious restaurants?
37:37A home and family one,
37:39if not more.
37:41In Mesón Antonia, in La Corrala.
37:43They also told me that Omar is also going to have dinner there.
37:45Do you want to?
37:47Yes, I really want to see Marta and Antonia.
37:49Well,
37:51then no more talk.
37:53Let's go there for a walk and on the way we buy a dessert.
37:55I would not like to introduce myself there with empty hands.
37:57Don't you think?
37:59Come on, let's go.
38:03Let's go.
38:13All right?
38:15Yes.
38:17Yes, of course, everything is fine.
38:29That's what I came for.
38:31To make official the end of my performance
38:33as head of the substitute waiters.
38:35I hope I have been up to the job, Mrs. Laza.
38:37You can rest assured.
38:39You have exceeded my expectations.
38:41And in terms of your good disposition,
38:43I hope you have not been passengers,
38:45but have come to stay.
38:47Yes, of course,
38:49I count on it.
38:51And more if I convince Mr. Fermin
38:53to name me head of the waiters.
38:57Ilias, you are very impatient
38:59and very insensitive.
39:01Don't you realize that
39:03a superior cannot be insisted
39:05on certain things?
39:07Don't you think?
39:09Yes, yes, of course, of course.
39:11I will wait on the bench until I have to jump on the pitch,
39:13as the players go on foot.
39:15I don't want to entertain you anymore, Mrs. Laza.
39:17Mr. Fermin,
39:19I wanted to personally inform you
39:21that I am returning to my position.
39:25Had you stopped working at La Moderna?
39:27Don't worry, Mr. Fermin, I'll keep you informed.
39:29Ilias is so kind.
39:31Excuse me.
39:35What happens is that I gave him
39:37a little more responsibility
39:39to discharge Teresa from work
39:41in the absence of Cañete,
39:43but since he has returned, everything is in order again.
39:45He did well, he did well, because Ilias can be many things,
39:47but in terms of service,
39:49no one beats him.
39:51Then there is also the issue of antiquity.
39:53I have learned that from you.
39:55Speaking of normality,
39:57the one who is also going to rejoin the job is Matilde
39:59and is talking to her to resume the agreements.
40:01It is good news,
40:03especially
40:05in terms of your health, of course.
40:07Yes, yes, yes.
40:09Mrs. Lázara, I know that you are not
40:11a friend of Alagos, but I have to tell you
40:13that you have solved perfectly
40:15all the unforeseen events that have been arising.
40:19It is my job as a manager.
40:21No, no, no, you do much more than that.
40:23It is my business as if it were your own.
40:25Don't tell me that, Mr. Fermín, for God's sake.
40:27Besides, I sincerely believe that
40:29with the issue of Cañete and Teresa,
40:31I have not been up to it.
40:33But don't think that, for God's sake.
40:35Yes, I had to have solved it by my own means
40:37and not bother you.
40:39Look, it was a very thorny matter,
40:41so please, I ask you,
40:43if at any time I have been rude
40:45to you on this issue,
40:47please don't take it
40:49as something personal.
40:51Well, we have to make sure
40:53that everything is resolved
40:55in the best possible way.
40:57Would you like to go on an excursion tomorrow?
40:59Excuse me?
41:01Take a walk along El Escorial
41:03and visit the restaurant of some good friends.
41:05Tomorrow?
41:07Tomorrow, yes.
41:09Well, I think it's a little hasty
41:11and, I don't know,
41:13maybe people
41:15misunderstand the fact
41:17that we are going alone.
41:19My nieces will accompany me.
41:21Yes, yes, as I knew you didn't like
41:23curses,
41:25I thought that, well,
41:27to cure my health,
41:29you have invited them too.
41:31But you can refuse,
41:33if you wish, of course.
41:35But I would be delighted
41:37if you accompanied us.
41:41I would love to go to the mountains
41:43with you and your nieces.
41:45You can count on me.
41:49If you look at the books
41:51with the same concentration
41:53as you look at me ...
41:59Are you in a hurry to leave?
42:01No, no, no, quite the opposite.
42:03I was just looking
42:05to see if I had spent enough time
42:07to be able to take a break.
42:09Salvita, but it's been half an hour.
42:11Do you think it's not enough?
42:13Well,
42:15I'll wait for you.
42:17Well,
42:19experts say that the human being
42:21cannot concentrate more than 20 minutes.
42:23Well, and there are some who say
42:25that you have to rest every quarter of an hour.
42:27Well, come on, let's take a break.
42:29I don't know if that's true,
42:31but I'm going to give you a vote of confidence.
42:33Five minutes and we'll be back in charge.
42:35I think it's fair.
42:37Besides, it would be ugly not to try
42:39this delicious lemonade that Antonia has made
42:41with so much effort and so much love.
42:43It is true that Antonia's lemonade
42:45is delicious.
42:47Hey, what do you think if,
42:49to ease the rest,
42:51we have a little chat?
42:53Can you tell me a little about your past?
42:55You haven't told me anything.
42:57No, not about my past, which is very sad
42:59and I prefer not to talk about sad things.
43:01Of course, of course.
43:03I don't want to make you remember dark moments.
43:07And what do you study
43:09with so much concentration?
43:11Geography.
43:13I had no idea how big the world was
43:15and now, look,
43:17I've met people from all over Spain.
43:19Well, even from abroad.
43:21You didn't tell me that.
43:23Well, you didn't ask me either.
43:25The other day in Madrid Caballé
43:27I met a very famous
43:29foreign writer.
43:31His name was Hemingway.
43:33Ernest Hemingway?
43:35It's going to be my father's envy
43:37when I tell him.
43:39It was lovely.
43:41I didn't know anything about what he was saying
43:43but then he told me anecdotes about him
43:45travelling around the world
43:47and I don't know,
43:49I started to dream that I could travel
43:51one day and get to know the sea.
43:53You haven't seen the sea?
43:55Let's see, yes.
43:57In pictures and photographs and such.
43:59Damn, I'm sure his immensity
44:01doesn't do him justice.
44:03Have you seen it? How is it?
44:05Well,
44:07the Cantabrian Sea
44:09or the Spanish Sea
44:11is like your eyes.
44:15Full of nuances
44:17that change colour
44:19depending on the light.
44:21Well, it's beautiful.
44:23Just like your gaze.
44:27Look, I promise you that one day
44:29I'll take you to see the sea.
44:31What?
44:33Studying the oceans?
44:35Something like that.
44:37Well, the class has to finish
44:39because we have guests for dinner.
44:41Don't worry, Antonia. Half an hour and we're done.
44:43We still have
44:45some subjects to learn.
45:07♪
45:37I'm glad you're having dinner with me today.
45:39I thought you'd go up to Antonia's house.
45:41She has guests.
45:47Mmm.
45:49How good.
45:51It smells great.
45:53Although I don't recognize that aroma.
45:55I'd be surprised if you did.
45:57It's a Spanish dish.
45:59I want you to try some before you go back to Italy.
46:01Mmm.
46:05You know,
46:07looking at us like this,
46:09I can't help but remember the good old days.
46:11It was a different time and a different place,
46:13but it's as if everything was still the same.
46:15You cooking for me.
46:17We have to organize
46:19our next visits to the consulate.
46:21It looks like the papers
46:23are ready.
46:25Yes, that's what they told me.
46:27I'm sure they'll complain to you often.
46:29I just hope this doesn't keep you from enjoying
46:31the time you have left here in Madrid.
46:35Yes, I guess I'll have to do some tourism.
46:37Yes?
46:39I could go with you if you want.
46:41We can go to the Rastro.
46:43It's a beautiful market.
46:45And you know what?
46:47What?
46:49I'd like to get you a ticket for a zarzuela.
46:51It'll be a nice memory
46:53when you return to Italy.
46:59Do you want to try it?
47:01No, it's not that.
47:03It's just that
47:05all this paper business
47:07has made me a little hungry.
47:09But all that has been solved
47:11much earlier than we thought.
47:15Aren't you happy to return to Italy?
47:17Well, no.
47:19I'm not happy.
47:21In fact, you know what?
47:23I don't even know if I want to return to Italy.
47:25But you came for this.
47:27No, I didn't come for this, Pietro.
47:29I didn't come to Europe to return to Italy.
47:31I came to get my husband
47:33and my son back.
47:35Our family.
47:37I'm sorry,
47:39but it's not possible.
47:41I'm going to marry Antonia.
47:43I know.
47:45But I was hoping
47:47things would change
47:49when you found me.
47:51Lucia, I think...
47:53Pietro, I just want to spend
47:55a little more time with my husband.
47:57Is it too much to ask for one last chance?
47:59One last chance for what?
48:01To get your love back.
48:03I still love you
48:05with all my heart, Pietro.
48:07Do you really not love me
48:09even a little bit?
48:13Lucia, of course I still love you.
48:17I love you.
48:19But it's not like before.
48:21I'm sorry.
48:23Pietro,
48:25please,
48:27give me one last chance.
48:29A chance to fall in love again,
48:31to get our love back.
48:33If I don't get it,
48:35I promise I'll leave.
48:37But don't deny me that.
48:39Please.
48:43This weekend
48:45there's a light festival
48:47at the Retiro boats.
48:49They rent you one of the boats
48:51and put candles on it.
48:53We could go.
48:55It's really nice in the pond
48:57and the boats are lit
48:59by the candles.
49:01What a stupid way to waste money.
49:03Pietro.
49:05Yes?
49:07Let's see how I tell you.
49:09You won't like it.
49:11You're scaring me.
49:13What's wrong?
49:15Teresa, where's Cañete?
49:17I need to talk to both of them.
49:19Maybe he's in the changing room.
49:21Maybe he hasn't arrived yet.
49:23He was supposed to be here 10 minutes ago.
49:25I'm here. Excuse me.
49:27I asked you when he was leaving
49:29and what route he was going to take.
49:31You don't give me a clear answer.
49:33We'll give you an answer when we know.
49:35We don't know for now, right?
49:37My patience has a limit.
49:39When I reach that limit,
49:41I'll go to the police station
49:43and explain what's going on.
49:45Miguel told me you have another plan.
49:47It's in the province of León.
49:49We're supposed to get married there.
49:51I hope it goes well.
49:53All we need is...
49:55Hold on.
49:57Marta has a project.
49:59Yes, to study.
50:01To study, bravo.
50:03To get a degree.
50:05To become someone in this life.
50:07More than someone's wife.
50:09And I won't let anyone
50:11distract her
50:13from all this.
50:15I just saw your mother.
50:17What?
50:19What do we do?
50:21We should have told her the truth.
50:23They're going to hear us.
50:25How did Teresa lie to you?
50:27I haven't seen Alborotadores yet.
50:29Estrellita Castro asked me
50:31to be her photographer.
50:33She asked me to be her photographer
50:35during her tour of Germany.
50:37Germany?
50:39Yes.
50:41Do you have a business here in Madrid?
50:43If you're not going to Matilde's house,
50:45where are you going to be?
50:47It's none of your business.
50:49I don't want to steal your time,
50:51but after everything you've told me,
50:53I think the least we can do
50:55is keep you informed.
50:57Marta must have told you something.
50:59The psychiatrist agreed
51:01to make Matilde believe
51:03she was nervous.
51:09Can we talk?
51:11Do you want to go to Chicory?
51:13Pietro told me he plans
51:15to stay in Madrid to live.
51:17Antonia, I...
51:19I'm done.
51:21Put yourself in my shoes.
51:23But...
51:25It doesn't matter.
51:27If we keep arguing,
51:29we'll end up angry and saying things
51:31we don't deserve.
51:33She's right.
51:35We should forget
51:37the mistakes of the past
51:39I think it's too late for that.