Sturm der Liebe Folge 4261 Die Versteigerung

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34:46Yes, of course.
34:52Katja, it's good to see you so early.
34:54Theo Licht got sick today.
34:57We're already so busy.
34:59I know, I'm sorry.
35:01I'll look at my schedule.
35:03Thank you. If I can do anything...
35:05Yes, come in.
35:08Do you know what he's missing?
35:10He probably has a mild flu.
35:13Do you believe him?
35:15Yes, of course.
35:17Mr. Sonnenbichler, you know what I mean.
35:19Yesterday his father showed up here at the hotel,
35:21and today he's not coming to work.
35:23That's not right.
35:24Mr. Sonnenbichler...
35:25You know more than I do.
35:27Mr. Sonnenbichler, I want to help Mr. Licht.
35:30And I'm familiar with difficult fathers.
35:32Yes, we are of the same opinion,
35:35but as I said yesterday,
35:37if you want to know anything about Theo,
35:39you really have to ask him yourself.
36:10Morning.
36:13Hey.
36:15Did you have an appointment this early?
36:18Um...
36:20No matter how you look at it.
36:23Anna, I have a surprise for you.
36:27I have a surprise for you.
36:36Cuvée Royale, 1981.
36:38Philippe, how did you...
36:40I have a lot to improve.
36:43But your wine is no longer available.
36:46Not anymore.
36:48That was probably the last bottle.
36:51I auctioned it off in Düsseldorf.
36:54In Düsseldorf?
36:57Good morning.
36:59Hey.
37:01Philippe.
37:02Vincent.
37:08I left right after the auction yesterday evening.
37:13Philippe, I don't know what to say.
37:16That means you drove all night.
37:20I thought the faster you can do it,
37:23the better.
37:29Really.
37:31But I hope you didn't spend any money on it.
37:37All within reason.
37:40The wine is worth it.
37:52Hey.
37:57Mr. Seifeld.
37:59Morning light.
38:01May I come in?
38:03Oh, yes.
38:08I just wanted to see you.
38:12Sit down.
38:27You don't look that ill.
38:29Yes, yes, I'm always rather pale.
38:32Your sudden illness has nothing to do with your father's reappearance.
38:39Where did you...
38:41I met him yesterday and counted one and one together.
38:45Mr. Sonnenbichler didn't want to give me any information,
38:48so I hope you can help me.
38:51Help you?
38:52Explain to me what's going on.
39:02All right.
39:04Then I'd like to know how long you plan to keep the patient.
39:11Preferably not at all, but...
39:14You know you have to deliver a test in two days.
39:18I didn't plan to do that.
39:20I just hope he'll recover quickly.
39:23Your father seemed to be quite sociable to me.
39:27Why did you hide from him?
39:33That's a long story.
39:35I just don't want to see him.
39:41You know, Mr. Licht, I had a very difficult father myself.
39:47I suffered under our relationship for a long time.
39:51So I can understand you.
39:54I want to help you.
39:56But I can only do that if you tell me what's going on.
40:07I don't know what to say.
40:09These hallucinogenic mushrooms have turned us into completely different people.
40:14But with them we have shown our true face.
40:17That's nonsense, Yvonne.
40:19We've all probably done things that I would never want to do in my life.
40:24I think we should quit.
40:26What? No!
40:27No, no, no!
40:28If we do that, they'll blame us for the missing shuttle.
40:32Okay, one thing has nothing to do with the other.
40:34Yes, but it will look like it.
40:35Yes, and they'll blame us for that.
40:38Yes, exactly.
40:39We can't imagine that we stole a shuttle.
40:42Michael, we also couldn't imagine that someone ruined Werner Seifeld's portrait.
40:46You, in that case.
40:48Still, where should we have gone?
40:51I mean, we were in Bichelheim all the time.
40:53We certainly didn't go to the cabin.
40:55You should have seen Seifeld's sad face.
40:59I have such a bad taste.
41:03That's very kind of you, but it creates more problems than it solves.
41:06You think so?
41:07Yes.
41:09Okay, Yvonne.
41:10Yvonne.
41:12As long as no one can remember what happened to the shuttle that evening.
41:17Or if they can remember anything in general.
41:20Yes.
41:21Exactly.
41:22As long as we don't draw any more conclusions.
41:26Very good.
41:27That's good.
41:28Because as long as there is no evidence, we are innocent.
41:30I mean, all of us.
41:32Yes, then I seem to be right.
41:38Okay, I have to go to practice anyway.
41:41I'll probably call you, yes.
41:42Coffee.
41:47Yvonne?
42:00I'm very sorry about what you had to experience in your childhood.
42:05That also explains your claustrophobia.
42:08Never.
42:11And that's why you couldn't get on the elevator yesterday, right?
42:17It just didn't work.
42:18Yes, when you're caught up in the past, it's hard to get rid of old patterns.
42:22Yes, you're right.
42:23But I don't want you to catch me.
42:26I feel so good without you.
42:30Then maybe you should tell him.
42:35I don't think that's a good idea.
42:40That your father appeared here.
42:44You feel like a little boy again.
42:48Helpless and powerless.
42:51The fear of not being enough again.
42:57But you are no longer a little boy.
43:00You are an adult.
43:03Even grown above yourself.
43:07But what good is that to me?
43:09That you can finally face it yourself.
43:13I don't know.
43:16Mr. Licht.
43:18You have achieved so much.
43:20You are doing an apprenticeship.
43:22You have programmed an app that even sells itself.
43:24You have a great girlfriend.
43:27You got your illness under control.
43:31And all of this on your own.
43:35Yes, that's true.
43:37When you say that, I even believe it.
43:43You have changed.
43:46Your father can't treat you like he used to.
43:50So tell him that you still don't want to be in contact with him.
43:55You're crossing a line.
44:00Yes.
44:23Good morning.
44:25I heard about your amusing evening.
44:28Oh, yes?
44:30Yes, from Erik and Yvonne.
44:33They even had to spend the night with you.
44:37Yes, exactly.
44:38That's how it was.
44:40I would like to go to a really good party again.
44:42Well, then come with me next time.
44:45So for dinner.
44:46Yes, gladly.
44:47I'm curious.
44:48Nice.
44:49I really have to go now.
44:51Okay.
44:54Unfortunately, I don't know more.
44:56But take a look.
44:57This is where the shuttle keys are stored.
45:01And here we have the lists where the drivers enter the routes.
45:05It would be nice if they could find our shuttle as quickly as possible.
45:09And the thief, of course.
45:12Exciting.
45:13What?
45:14What's going on here?
45:15Yes, I have to go.
45:18Good morning, Mr. Sonnbechler.
45:20Good day.
45:26Good day.
45:34Good morning.
45:36Hey.
45:41So, did your little action at Anna bring anything?
45:45I was wondering who was so eager to beat me.
45:50It was you.
45:52Congratulations.
45:55Do you really think you could beat Anna with such an action?
46:00And you?
46:02Why did you want to beat the guy who's so important to Anna?
46:07Don't compare yourself to me.
46:09I didn't lie to Anna for a day.
46:14That was a mistake.
46:16But back then I didn't have feelings for her.
46:19Feelings?
46:20Don't deal with people like that.
46:24I will try everything to win back Anna.
46:27I love her.
46:29And she loves me too.
46:31Keep dreaming.
46:33Philipp, there's nothing you can do to make Anna trust you again.
46:38She's one.
46:40You lost her.
46:54Come on.
47:19Theo, my boy.
47:21I thought we'd never see each other again.
47:24I looked everywhere for you.
47:25No one knew where you were.
47:28Come on, sit down.
47:29Would you like a coffee?
47:30I want to tell you something first.
47:32Please let me finish, okay?
47:33My boy.
47:35You've grown up so much.
47:38Come here.
47:39I'm so proud of you.
47:44Actually, I don't care how Philipp is doing.
47:47His feelings say otherwise.
47:49Whether I want to or not, I just can't get him out of my head.
47:53If I get him out of my head, I'll lose my driver's license.
47:56No one's going to touch their oven when it turns out they're taking drugs.
47:59Is that what you want now?
48:00That's not your business, is it?
48:03Well...
48:04You've held back for so long.
48:06Now let your hormones run free.
48:09You love her, don't you?
48:10Of course I love her.
48:11Well, shouldn't she notice that now?
48:15Tell me, when did you change from trainee to boss?
48:19Well, I'm supposed to learn how to manage a studio.
48:21I'm sorry about your poor employees.
48:25B.
48:26B.