1978 Piccole Labbra Little Lips FULL HOT MOVIE
A writer returns home from World War I. He has developed a very bad case of post traumatic stress disorder.
Category
🎥
Short filmTranscript
00:01:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:01:30© BF-WATCH TV 2021
00:02:00After five years of ruinous war, which had caused millions of deaths, I was back to being a bourgeois.
00:02:08For the doctors I was clinically healed, but at the hospital, before being dismissed, I was replaced by the stamps with a stick.
00:02:18At home I would have continued my adolescence, or rather, the agony.
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00:03:00© BF-WATCH TV 2021
00:03:07Welcome, Mr. Ford.
00:03:30© BF-WATCH TV 2021
00:03:37Franz speaks to me, but I can't listen to what he says.
00:03:42My eyes, my feelings are only for the nature that surrounds me.
00:03:48The valleys, the meadows, the woods are part of the mythical garden of my childhood.
00:03:53I know them all, corner by corner, bush by bush.
00:03:57And it is in this peace that I have decided to bury a man and, if possible, invent another one, another me.
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00:04:56When did you receive my letter?
00:04:58This morning. We just made time to prepare your room.
00:05:02We almost didn't want to believe it.
00:05:04Instead, I'm here. I've decided to come and live in the country.
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00:05:26We haven't changed anything since he left.
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00:05:44Thank you very much.
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00:11:35I can't keep going on like this.
00:11:42Wouldn't it be better to call a doctor?
00:11:45Yes, but what if it dries up?
00:12:05I don't know.
00:13:35I'm sorry.
00:13:56Who are you? Answer me.
00:13:59Stay still. Tell me who you are.
00:14:05Who are you?
00:14:11Are you afraid of me?
00:14:28Franz?
00:14:29Yes?
00:14:30Who is the girl?
00:14:32She's our niece.
00:14:35A Zoletta.
00:14:36Does she live here in the tenement?
00:14:38Yes.
00:14:39Excuse me.
00:14:40You see, Mr. Paul, she's the daughter of my brother,
00:14:42who died in the war.
00:14:43And her mother, after her death...
00:14:45She ran away with a vagabond.
00:14:47And since we're the only relatives, we had to take care of her.
00:14:58Here's Strudel.
00:15:00He's just come out of the oven.
00:15:28I told you not to bother me.
00:15:31Instead of being an intruder in Mr. Paul's apartment,
00:15:37you could help me in the kitchen.
00:15:39And then you shouldn't forget
00:15:42that you promised me this.
00:15:45Isn't that true?
00:16:00Yes.
00:17:00Good morning.
00:17:01If I scared you yesterday,
00:17:03you have to forgive me.
00:17:05I didn't mean to.
00:17:07It's a shame.
00:17:08I was hoping we'd become friends.
00:18:01You play very well.
00:18:03It's my hands that play.
00:18:05Hands aren't enough.
00:18:08Music needs the soul.
00:18:10There's no soul in me anymore.
00:18:18I find you...
00:18:22very different.
00:18:26It happens.
00:18:28It happens.
00:18:32I saw you on horseback.
00:18:35You looked possessed.
00:18:41Has the war changed you so much?
00:18:46No, I'm still the same.
00:18:50That's not true.
00:18:54What's wrong?
00:18:57What happened to you?
00:19:01Do you want to tell me?
00:19:04I can't tell you now.
00:19:07I really have to go.
00:19:09But I'll come back to play.
00:19:26I'll be back.
00:19:57Now.
00:20:10It had to happen.
00:20:12Something told me it had to happen.
00:20:16It's not him anymore.
00:20:19Who knows what happened to him after this bloody war.
00:20:27The drops, please.
00:20:29Two drops with a little water.
00:20:32They're on the secretary.
00:20:37Here.
00:20:43Excuse me, sir.
00:20:56Yeah.
00:21:56THE END
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00:25:18Come in.
00:25:21Good morning.
00:25:23Come in, my friend.
00:25:24What is it, my dear friend?
00:25:26Your shirt.
00:25:27Today is a beautiful day.
00:25:29You're right.
00:25:48In my iron bed at the hospital,
00:25:50I had never been able to make predictions about my future existence.
00:25:53Nor was I able to do so,
00:25:55when I was looking for someone else.
00:25:58But suddenly, like in a fairy tale,
00:26:00an impure fairy had made me appear before her
00:26:03a small, venerable peasant,
00:26:05capable of provoking instincts without trying them.
00:26:08And I, who had been enchanted by her,
00:26:11understood that I could return to the pleasure of imagination.
00:26:14So I decided to write down day by day
00:26:17my experiences with her.
00:26:21Day 1
00:26:32Good.
00:26:33There, like that.
00:26:36Beautiful.
00:26:37Like that.
00:26:39Good.
00:26:43There.
00:26:50Good.
00:26:55Like that.
00:27:20Day 2
00:27:50Day 3
00:28:06There.
00:28:08And now,
00:28:09my little Eva,
00:28:12finally my life can have a meaning.
00:28:16Like this,
00:28:17next to you.
00:28:20Day 4
00:28:51Do you like it?
00:28:53It's wonderful.
00:28:54Before it was just a white sheet.
00:29:20Day 5
00:29:50Day 6
00:30:21Day 7
00:30:23Day 8
00:30:25Day 9
00:30:27Day 10
00:30:29Day 11
00:30:31Day 12
00:30:33Day 13
00:30:35Day 14
00:30:37Day 15
00:30:39Day 16
00:30:41Day 17
00:30:43Day 18
00:30:45Day 19
00:30:47Day 20
00:30:49Day 21
00:30:51Day 22
00:30:53Day 23
00:30:55Day 24
00:30:57Day 25
00:30:59Day 26
00:31:01Day 27
00:31:03Day 28
00:31:05Day 29
00:31:07Day 30
00:31:09Day 31
00:31:11Day 32
00:31:13Day 33
00:31:15Day 34
00:31:17Day 35
00:31:20I have another surprise for you.
00:31:22What is it?
00:31:24Wait and you'll see.
00:31:27Come on, go!
00:31:49Oh, God!
00:32:20It's beautiful.
00:32:29What would you like, sir?
00:32:31I'd like an ice cream.
00:32:33An ice cream for the lady and a cognac for me.
00:32:40Eva.
00:32:42You know, Eva,
00:32:44a lady should never order directly.
00:32:47A gentleman does what he wants.
00:33:17Mmm.
00:33:32Eva.
00:33:34Eva.
00:33:36What is it?
00:33:37Are you tired of my company?
00:33:39No, I was just looking at myself.
00:33:41Many will look at you.
00:33:43It will happen to you often.
00:33:45But why?
00:33:46Because you are very nice.
00:33:48So others envy me.
00:33:51Today, you see,
00:33:53you are my little lady.
00:33:55And I have no intention of sharing you with anyone.
00:34:01Eat your ice cream now.
00:34:15Day 35
00:34:36Here we are.
00:34:37We have arrived.
00:34:38Finally.
00:34:45How beautiful.
00:34:47You know, I didn't think it was so big.
00:34:50It's a pleasure to see you so happy.
00:34:53It's wonderful.
00:34:54I would love to go on a boat trip again.
00:34:57It will be a joy for me to accompany you.
00:35:00Please.
00:35:15Day 36
00:35:45Day 37
00:36:15Day 38
00:36:22Eva.
00:36:29Eva.
00:36:34It's late.
00:36:36I was dreaming.
00:36:39Me too.
00:36:46Day 39
00:37:07Did you have fun?
00:37:08Yes, it was a beautiful day.
00:37:10I'm glad you liked the lake of Luxembourg.
00:37:13You know what?
00:37:14I would like to come back here again.
00:37:17Listen, Eva.
00:37:18There is a place I would like to introduce you to.
00:37:21And what is it?
00:37:22Guess.
00:37:23I don't know.
00:37:24Paris, Eva.
00:37:25Paris.
00:37:26It's a wonderful city.
00:37:27Fantastic.
00:37:28You can't imagine how beautiful it is.
00:37:30You will see.
00:37:31You will be amazed.
00:37:32The Bistro of Saint-Germain.
00:37:33The Lungosenna.
00:37:34You will see how happy you will be.
00:37:36It will be wonderful.
00:38:13Day 40
00:38:43Day 50
00:39:06Mr. Paul.
00:39:08Mr. Paul has arrived.
00:39:13Mr. Paul has arrived.
00:39:33Is the horse ready?
00:39:34It's hot.
00:39:35This is the best time to ride.
00:39:38Then we can go.
00:39:40To the stable, Joseph.
00:39:49Today it's your turn.
00:39:52It's a wonderful horse.
00:39:54Of course.
00:39:55It's the best in the area.
00:39:56I like it.
00:39:57I really like it.
00:39:58Then...
00:40:00Is it ready?
00:40:04Why are you closing?
00:40:05They are not shows for children.
00:40:09I told you no.
00:40:22But we should not make company.
00:40:27Of course.
00:40:29We are no longer friends?
00:40:31You are no longer...
00:40:33You see, Eva.
00:40:35There are certain things that children cannot see or do.
00:40:39Do you understand?
00:40:41I am no longer a child.
00:40:43You are a man and I am a woman.
00:40:50Excuse me, mademoiselle.
00:40:52Can I ask you permission to smoke?
00:41:05Yes.
00:41:35I'm sorry.
00:41:36I'm sorry.
00:41:37I'm sorry.
00:41:38I'm sorry.
00:41:39I'm sorry.
00:41:40I'm sorry.
00:41:41I'm sorry.
00:41:42I'm sorry.
00:41:43I'm sorry.
00:41:44I'm sorry.
00:41:45I'm sorry.
00:41:46I'm sorry.
00:41:47I'm sorry.
00:41:48I'm sorry.
00:41:49I'm sorry.
00:41:50I'm sorry.
00:41:51I'm sorry.
00:41:52I'm sorry.
00:41:53I'm sorry.
00:41:54I'm sorry.
00:41:55I'm sorry.
00:41:56I'm sorry.
00:41:57I'm sorry.
00:41:58I'm sorry.
00:41:59I'm sorry.
00:42:00I'm sorry.
00:42:01I'm sorry.
00:42:02I'm sorry.
00:42:03I'm sorry.
00:42:04I'm sorry.
00:42:05I'm sorry.
00:42:06I'm sorry.
00:42:07I'm sorry.
00:42:08I'm sorry.
00:42:09I'm sorry.
00:42:10I'm sorry.
00:42:11I'm sorry.
00:42:12I'm sorry.
00:42:13I'm sorry.
00:42:14I'm sorry.
00:42:15I'm sorry.
00:42:16I'm sorry.
00:42:17I'm sorry.
00:42:18I'm sorry.
00:42:19I'm sorry.
00:42:20I'm sorry.
00:42:21I'm sorry.
00:42:22I'm sorry.
00:42:23I'm sorry.
00:42:24I'm sorry.
00:42:25I'm sorry.
00:42:26I'm sorry.
00:42:27I'm sorry.
00:42:28I'm sorry.
00:42:29I'm sorry.
00:42:30I'm sorry.
00:42:31I'm sorry.
00:42:32I'm sorry.
00:42:33I'm sorry.
00:42:34I'm sorry.
00:42:35I'm sorry.
00:42:36I'm sorry.
00:42:37I'm sorry.
00:42:38I'm sorry.
00:42:39I'm sorry.
00:42:40I'm sorry.
00:42:41I'm sorry.
00:42:42I'm sorry.
00:42:43I'm sorry.
00:42:44I'm sorry.
00:42:45I'm sorry.
00:42:46I'm sorry.
00:42:47I'm sorry.
00:42:48I'm sorry.
00:42:49I'm sorry.
00:42:50I'm sorry.
00:42:51I'm sorry.
00:42:52I'm sorry.
00:42:53I'm sorry.
00:42:54I'm sorry.
00:42:55I'm sorry.
00:42:56I'm sorry.
00:42:57I'm sorry.
00:42:58I'm sorry.
00:42:59I'm sorry.
00:43:00I'm sorry.
00:43:01I'm sorry.
00:43:03I'm sorry.
00:43:19When do you leave for Vienna?
00:43:22I don't know.
00:43:23In one or two weeks, probably.
00:43:25Are you going to stay long?
00:43:27No, I don't believe.
00:43:28Only for a couple of days.
00:43:30You won't forget me, will you?
00:43:32Forget you?
00:43:35No, really.
00:43:37It's impossible now.
00:43:39Let's go. I want to show you a secret.
00:43:41All right.
00:44:00But where are you taking me?
00:44:12Come.
00:44:31It's raining.
00:44:33Come, let's hide.
00:45:00Why are you so serious?
00:45:10I thought you'd like to come here with me, alone.
00:45:16Yes, of course.
00:45:18If so, please, smile. Come on, try to smile.
00:45:22But you're all wet.
00:45:32Your aunt won't forgive me for saying that.
00:45:34Don't worry. We'll dry everything.
00:45:37Yes.
00:45:52Come on.
00:46:07See?
00:46:09I used to come here every time I was sad or unhappy.
00:46:13And now? Don't you remember?
00:46:16No.
00:46:17I haven't been since you came here to Maria Lanzendorf.
00:46:21Now I'm happy.
00:46:24You know, I wanted to write a story about my happiness.
00:46:29You see, it's the story of a man and a woman.
00:46:34A little woman who saves a desperate man.
00:46:40A desperate man who returns from the war.
00:46:44Is it your story?
00:46:45No, it's our story.
00:46:47And I saved you?
00:46:49Yes, you saved me.
00:46:52And when I came back from the war,
00:46:55I decided to end it.
00:46:58I thought about it until I realized
00:47:01that you were very important to me.
00:47:05My little Eva.
00:47:34Are you coming with me to the village?
00:47:36Yes.
00:48:05Excuse me.
00:48:07I'll only be there for five minutes.
00:48:10Okay, I'll wait for you.
00:48:15Maybe you'll find something.
00:48:17No, it should be down there.
00:48:20They told me it was there.
00:48:23Here you are.
00:48:31Here you are.
00:48:55A letter from Vienna.
00:48:59How long do you think it will take us to get there?
00:49:01Two or three days.
00:49:03And how much is it?
00:49:06100 shelling.
00:49:12Good morning.
00:49:28Bravo, bravo.
00:49:49Attention, attention.
00:49:52Now I'm going to present you
00:49:55an exceptional number.
00:49:57For the first time,
00:49:59it will be performed in this square.
00:50:01Only the public of Berlin,
00:50:03Vienna and Paris
00:50:05had the pleasure and the honor
00:50:07to admire it.
00:50:08Come closer.
00:50:10Come closer, ladies and gentlemen.
00:50:13Take advantage of this great opportunity.
00:50:16Circus Finelli
00:50:18will show you incredible things.
00:50:20Look, with all its power,
00:50:23Circus Finelli.
00:50:24Come, come.
00:50:26Don't miss this show.
00:50:29None of you want to check?
00:50:31Please, don't be afraid.
00:50:33Look, gentlemen,
00:50:35this is steel.
00:50:37Very hard steel.
00:50:38Do you want to check, sir?
00:50:41This is steel.
00:50:44Do you want to check, sir,
00:50:46if the chains are well welded
00:50:49and tight enough?
00:50:51With the only strength of the muscles,
00:50:54these chains will jump.
00:51:03Gentlemen,
00:51:04you have Hercules in front of you.
00:51:34Here you are.
00:52:04Oh, my God.
00:52:34Eva.
00:52:49People you should avoid.
00:52:51They are gypsies, vagabonds.
00:53:22Ever since that night
00:53:24when I saw Eva caressing her naked body
00:53:27in the Tinozza,
00:53:30I began to live a dreamlike,
00:53:32obsessive experience
00:53:35in which my brain waited
00:53:37for it to reappear.
00:53:40And she,
00:53:41at the right time,
00:53:43she represented herself
00:53:44with her appearance
00:53:45of an early girl.
00:53:48She invited me
00:53:50with the seductive ambiguity
00:53:51of her gaze of a woman.
00:54:20The Marchioness von Norman,
00:54:38our author.
00:54:40Professor Schumann,
00:54:42his fascinating daughter.
00:54:46Professor Schumann
00:54:47is an eminent critic,
00:54:50and here is a talent found.
00:54:53Oh, Paul.
00:54:54I was telling the lady
00:54:55that the relationship
00:54:56between love and suffering
00:54:57is a theme that I find irresistible
00:54:59in all love stories.
00:55:01Right.
00:55:02I share his observation.
00:55:04Good evening.
00:55:06He's a very fascinating man, isn't he?
00:55:08There's something about him.
00:55:10Max always expresses
00:55:11extravagant opinions.
00:55:14I read his book.
00:55:15I find it very expressive.
00:55:17There's a deep split in the story.
00:55:19At times,
00:55:20I felt a sense of vertigo.
00:55:23Thank you, ma'am.
00:55:24Good evening.
00:55:25See you later.
00:55:26See you later.
00:55:27It's an unusual book.
00:55:29Very interesting.
00:55:31Ideal.
00:55:32They're thugs,
00:55:33real thugs.
00:55:35I've been to Paris.
00:55:36The austerity of the years of war
00:55:38has been completely dissolved.
00:55:40The ladies are becoming more and more elegant.
00:55:42Yes, that's true.
00:55:43Their hair is taken to the cloche.
00:55:45Their fabrics are colourful.
00:55:54Excuse me.
00:55:55Where was I?
00:55:57I wanted to tell you something else.
00:55:59Tonight, a journalist expressed to me
00:56:01the desire to meet her.
00:56:03I couldn't help it.
00:56:05Her chronicles are very popular.
00:56:08I think this is a great promotion.
00:56:10You'll find a very interesting woman.
00:56:13I think she's a fascinating creature.
00:56:16She's very popular in the salons of Vienna.
00:56:19You'll find out.
00:56:21Sir,
00:56:22there's that person who wants to talk to you.
00:56:24All right.
00:56:25Lupus in Fabula.
00:56:37Are you surprised to see me?
00:56:43Yes.
00:56:51Didn't he have to stop in Vienna?
00:56:53Yes, of course.
00:56:54It's true, but...
00:56:56It's also true that in this city
00:56:57everyone says what the form imposes to say.
00:57:00In the salons of Vienna,
00:57:01I prefer country life.
00:57:03I was waiting for this day with impatience.
00:57:06And now I live a season
00:57:07that's decidedly different from my life.
00:57:10If you're interested, let's go.
00:57:13Yes, I understand, but...
00:57:16Don't lose your inspiration.
00:57:19I can't lose it.
00:57:33So she learned to love him like a happy child.
00:57:37And he, who could offer her nothing else,
00:57:39found life again.
00:57:40The defeated nature,
00:57:42who has no leader.
00:58:39No!
00:58:46No!
00:58:59Don't pull it.
00:59:09No!
00:59:19It's a miracle that he's still alive.
00:59:25I don't know if it's good for him.
00:59:28He'll never be a man again.
00:59:39Eva!
01:00:05Eva!
01:00:07Eva!
01:00:10Eva!
01:00:21Eva!
01:00:39Eva!
01:00:48Eva!
01:01:09Eva!
01:01:39Eva!
01:01:40Eva!
01:01:41Eva!
01:01:42Eva!
01:01:43Eva!
01:01:44Eva!
01:01:45Eva!
01:01:46Eva!
01:01:47Eva!
01:01:48Eva!
01:01:49Eva!
01:01:50Eva!
01:01:51Eva!
01:01:52Eva!
01:01:53Eva!
01:01:54Eva!
01:01:55Eva!
01:01:56Eva!
01:01:57Eva!
01:01:58Eva!
01:01:59Eva!
01:02:00Eva!
01:02:01Eva!
01:02:02Eva!
01:02:03Eva!
01:02:04Eva!
01:02:05Eva!
01:02:06Eva!
01:02:07Eva!
01:02:08Eva!
01:02:09Eva!
01:02:10Eva!
01:02:11Eva!
01:02:12Eva!
01:02:13Eva!
01:02:14Eva!
01:02:15Eva!
01:02:16Eva!
01:02:17Eva!
01:02:18Eva!
01:02:19Eva!
01:02:20Eva!
01:02:21Eva!
01:02:22Eva!
01:02:23Eva!
01:02:24Eva!
01:02:25Eva!
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