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00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30You
00:03:00You
00:03:07Do you know I still don't know what you do you might say I'm a player
00:03:30Hey, what's that for? I don't know playing always excites
00:03:45What are you doing you want to be a player hold this for me and don't tell anyone where you got it I'll explain later
00:04:10You looking for your laundry across that
00:04:12The girl
00:04:42Oh
00:05:05Let's go
00:05:12No, listen, you've been great, you know, they said they found heroin in my purse over it was a mistake. They're trying to frame me
00:05:23Just remember don't tell them anything. There's a reason
00:05:28All right, but I'm scared I know I know but trust me
00:05:35No, your honor
00:05:45Let's go
00:06:04Inside quick next your name Carol Jeffries
00:06:28Where you from
00:06:30California
00:06:32California matron
00:06:36Whenever you pig speak to the staff you say matron
00:06:44Understand I'm terrified
00:06:47Say it
00:06:50Yes matron
00:06:52Good sign here
00:06:55This is going to be just like back home only different
00:07:02No weapons or drugs Alabama. All right, let's get the life off of them. Okay, move
00:07:11Oh
00:07:41My name is Teresa.
00:08:10You're an American, aren't you?
00:08:13Call me Sandy.
00:08:15I'm Jeff.
00:08:17I'm Janelle Stokowski.
00:08:21Call the pig Stoke. Drives her wild.
00:08:28No one is using that gun.
00:08:40What are you in for, Jeff?
00:08:42I, uh...
00:08:47Here, honey. You'll make it.
00:08:50What about the guard? The one in charge? Is she American?
00:08:54If you mean Alabama, the chief matron.
00:08:57Yeah. She's American.
00:09:01Does she hate just Americans?
00:09:03No, but they're a special target.
00:09:06You wanna watch out for the playpen.
00:09:10Playpen?
00:09:12Teresa.
00:09:40You moron.
00:09:42Don't touch me.
00:09:44Don't anybody touch me!
00:09:45Don't anybody touch me!
00:10:08An AB will be useless.
00:10:10There's too much attention on this case.
00:10:12There must be someone we can reach.
00:10:13Not now.
00:10:15Acosta's putting on too much heat.
00:10:18The only way she can get out
00:10:20is to tell Acosta where she got the parcel.
00:10:23That's too bad.
00:10:25She excited me.
00:10:29Jorge, I'll leave it to you.
00:10:32Find someone in the prison to kill her.
00:10:35I know just the woman.
00:10:38Mr. Stokowski.
00:10:39Mr. Stokowski.
00:10:42The visitor.
00:10:48The sooner you kill her...
00:10:50Listen, will you?
00:10:52You started me on this garbage.
00:10:55I need it now.
00:10:57Am I getting through to you?
00:11:01Yes.
00:11:03You want me to kill the Jeffries girl.
00:11:06Do it right.
00:11:07And our lawyers will have you out in three months.
00:11:10Sure.
00:11:12But what about my pigs?
00:11:20For her.
00:11:22For you.
00:11:38Would you care for a sandwich?
00:11:42Go ahead and take it. I have another.
00:11:46Thanks.
00:12:08No.
00:12:21No.
00:12:37No.
00:13:07No.
00:13:38Did he eat my sandwich?
00:13:58Must be awfully hard to keep your hair neat
00:14:01with that big bitch running her fingers through it all the time.
00:14:04Get off my back, Sandy.
00:14:06Or do you take such a position that
00:14:08Alabama can't reach your head?
00:14:16Come on, you little dyke.
00:14:18I'm going to cut your eyes out.
00:14:21You want to love me too?
00:14:23Hey, come on, stop it!
00:14:25Come cut my face up.
00:14:30Don't!
00:14:32Come and get me.
00:14:36Alabama digs me, not you.
00:14:39I hate you!
00:14:42Jeff!
00:14:44Jeff!
00:14:46Are you okay, Jeff?
00:14:51What's going on here?
00:14:55She said something.
00:14:58What?
00:15:00About...
00:15:02you and me.
00:15:03Oh?
00:15:05Take her to the playpen.
00:15:33Come on.
00:16:04Put her in the booth.
00:16:06No!
00:16:08No!
00:16:19Strip her.
00:16:33Come on.
00:17:03Come on.
00:17:34There now.
00:17:36Comfy?
00:17:38What kind of game are you playing?
00:17:40A real nice game.
00:17:42You will like it.
00:17:44You can't scare me.
00:17:46Can't I?
00:17:58This is our version of the hot foot.
00:18:01Hurry up.
00:18:05Hurry up.
00:18:07Come on.
00:18:30Come on.
00:18:55Get moving.
00:18:56Hurry up.
00:19:00Come on.
00:19:23Don't it make you pine for those cane fields in the south?
00:19:27Hit it, slut!
00:19:29Get moving!
00:19:49Leave her there!
00:19:52Get back to work, everybody!
00:19:56Come on.
00:20:22Are you feeling better?
00:20:24Hell, Alabama can hurt me.
00:20:26How could you get away with it? Why don't you report her?
00:20:30Alabama has all the power.
00:20:33The warden doesn't care about anything except the money she can steal from here.
00:20:38What about escape?
00:20:40There's nothing but jungle for miles around here.
00:20:44Besides, they hire trackers to hunt you down.
00:20:48Trackers?
00:20:49Bandits who know the jungle.
00:20:51I don't care how they get you back.
00:20:53They get $50 whether you're dead or alive.
00:20:57Hasn't anybody ever made it?
00:21:01I never heard of anyone.
00:21:21Here she is.
00:21:24What are we celebrating?
00:21:27It's five years since I left the States.
00:21:31Oh.
00:21:40What do you know about the new American in my cell?
00:21:43Nothing.
00:21:45Except she's typical of the racist bitches I knew back in the States.
00:21:54I love you, Alabama.
00:21:59Then massage my back.
00:22:01It aches.
00:22:20I've been good to you, haven't I?
00:22:21You're good.
00:22:24So are others.
00:22:31Oh, so you want to play rough, huh?
00:22:52Oh, my God.
00:22:56Oh, my God.
00:23:21Are you feeling all right?
00:23:24Feeling all right?
00:23:26That's a bitch if I ever saw one.
00:23:28Right?
00:23:31She and that big dyke sure must have gotten it on this time.
00:23:35Leave me alone, will you?
00:23:37All right, ladies.
00:23:52The field hen's eating well today?
00:23:58I asked a question, Teresa.
00:24:00It's good.
00:24:02It's good, matron.
00:24:05It's good, matron.
00:24:10I like my friends to be happy.
00:24:18Isn't her hair beautiful, Teresa?
00:24:22Teresa.
00:24:26Yes, matron.
00:24:30Yes, it is.
00:24:33She'll be a relief after your hysterics.
00:24:39Who are you?
00:24:51Oh, my God.
00:25:22Get up and go to work.
00:25:24Everybody.
00:25:26All right.
00:25:28Move up.
00:25:30Hurry up.
00:25:52I'll be all right.
00:25:56Stick with it, kid.
00:25:58You've got
00:26:00eight years,
00:26:02five months,
00:26:04and 17 days to go.
00:26:07How long have you been here?
00:26:09Two years.
00:26:12What did you do?
00:26:17I killed a rat.
00:26:19I killed a rotten son of a bitch.
00:26:23My husband.
00:26:33Mr. Kolsky.
00:26:35You're not going to the fields today.
00:26:49Sit down.
00:26:51Why?
00:26:53Since we're both Americans,
00:26:55I thought we should be friends.
00:26:57Jeff and Sandy are Americans, too.
00:27:01Then maybe one day
00:27:03their time will come.
00:27:07Teresa,
00:27:09I'm sorry.
00:27:11I'm sorry.
00:27:13I'm sorry.
00:27:15I'm sorry.
00:27:17Teresa was your friend.
00:27:19Teresa became too sure
00:27:22of our friendship.
00:27:26Suppose
00:27:28I became too sure.
00:27:31You wind up like Teresa.
00:27:36Then I see no value in your friendship.
00:27:43It could postpone certain hazards
00:27:47Go to hell.
00:27:50I'll send you ahead of me.
00:27:53Wanna?
00:27:57We were just discussing hell.
00:28:00Perhaps we can show her a bit of home.
00:28:17Stop.
00:28:22I don't know why you're not enjoying yourself.
00:28:25I'm having fun.
00:28:46Help!
00:29:09I'm scared. In the fields.
00:29:17Hands up, everybody. Hurry up.
00:29:28All right, move.
00:29:32Hurry up.
00:29:47Do you think they made it?
00:29:49I hope so.
00:29:51Oh, they will be caught.
00:29:53Oh, God.
00:29:56Celeste and Emilia, huh?
00:29:58That's right, Superintendent.
00:30:00The two of them.
00:30:02The matron fired one round before they killed her.
00:30:05Shall we arrange for the trackers?
00:30:17Well, well, well.
00:30:19Did you have a good time?
00:30:21Leave me alone! Damn you!
00:30:30I didn't know.
00:30:40I'm sorry.
00:30:42I'm sorry.
00:30:44I'm sorry.
00:30:47What did they do to you?
00:30:51That big tiger.
00:30:54She...
00:30:56She's got it out for me.
00:30:58I gotta get out of here.
00:31:00I gotta get out of here.
00:31:02Look, maybe a good lawyer can help you.
00:31:04I mean, my friend Rudy, I mean, he knows a lot of smart ones and...
00:31:07If they're so smart, what are you doing in here?
00:31:10They're working on an appeal now to get me out.
00:31:13The only way out of here
00:31:14is the way those girls went.
00:31:17Through the jungle.
00:31:19Oh, sure.
00:31:21To be killed by animals or bandits.
00:31:23You have to really know the jungle to survive, Teresa.
00:31:26I know the jungle.
00:31:28I was raised in the village, 50 miles from here.
00:31:31Would they help?
00:31:33I don't know.
00:31:35Not to escape.
00:31:37But once I'm there,
00:31:39they might.
00:31:44They might.
00:32:09Who are you writing?
00:32:12Oh, it's not my mother.
00:32:14And you think he'll write you back?
00:32:19Yes.
00:32:22Because he loves me.
00:32:24Do you really think he's going to get you out?
00:32:27Yes, if he can.
00:32:29Well, has he written you?
00:32:33Well, not yet.
00:32:40Hi, Sandy.
00:32:44It's been a long time, Jerry.
00:32:46Sorry, I'm on a hot case.
00:32:49And my case has lost its heat, is that it?
00:32:52I've been working on that, too.
00:32:54Oh, sure. You've been covering new evidence, I suppose.
00:32:58But I have.
00:33:00It turns out you could have killed your husband in self-defense.
00:33:03If we work it right, you'll get a new trial.
00:33:06So all I have to do is write the judge I told you so?
00:33:09There's a quicker way, if you're agreeable.
00:33:11You're in the same cell with the Jeffries girl, right?
00:33:14What, do you want me to tuck her into bed?
00:33:17Nothing too traumatic. Just make friends with her.
00:33:19Gain her confidence.
00:33:21Get her to testify against the syndicate.
00:33:23And then what?
00:33:25I can guarantee your pardon in three months.
00:33:28Three months?
00:33:41Shhh.
00:33:44Shhh.
00:33:50Shhh.
00:34:11Shhh.
00:34:42Shhh.
00:34:50Shhh.
00:34:56Shhh.
00:35:11Shhh.
00:35:12Nothing.
00:35:13Oh, there's a snake.
00:35:16It's crawling all over it.
00:35:18What?
00:35:19It's in every corner of the house.
00:35:22Ugh.
00:35:23Oh, jeez.
00:35:24There's a dog.
00:35:25There's a dog in the house.
00:35:29We should get work.
00:35:32Yeah, I agree.
00:35:35I know.
00:35:36Come on.
00:35:37Come on.
00:35:38What is it?
00:35:39Oh, there's a snake! It's crawling all over me!
00:35:42Oh!
00:35:43Can I have these?
00:35:51Oh!
00:35:58What happened?
00:36:00Oh, nothing.
00:36:02We just had a little visitor.
00:36:06Here. You want it?
00:36:09Oh!
00:36:15I could kill you for that.
00:36:24Those dumb snakes.
00:36:27They're all over this place.
00:36:30I don't know, but I'm beginning to feel a little paranoid.
00:36:33First the rat, and now this.
00:36:40Oh!
00:37:05Have you heard from Rudy?
00:37:10Not a word.
00:37:12Men are all bastards.
00:37:14He's probably in bed with some slut right now.
00:37:17No, he's not!
00:37:19Maybe they arrested him, too.
00:37:21For what? Jaywalking?
00:37:23So what are you going to do now?
00:37:27Wait, I guess.
00:37:33Teresa, gonna confess your sins today?
00:37:37Yes, matron.
00:37:38You better be careful now.
00:37:40God's punishment could be worse than mine.
00:37:54Dominus Fabiscum.
00:37:56Lord Jesus Christ.
00:37:58Son of the living God.
00:38:00You don't believe those lies Sandy said about me.
00:38:05Do you?
00:38:07I don't think anything about it.
00:38:10Well, she's lying.
00:38:12See, there was this boy when I was on tour here.
00:38:15You don't have to explain to me.
00:38:18But I want to.
00:38:21I want us to be friends.
00:38:23This is the Lamb of God who takes away the sins of the world.
00:38:27Happy are those who are called to his supper.
00:38:30Anyway, he was arrested for armed robbery,
00:38:33and they called me an accomplice.
00:38:35How could they do that?
00:38:38I was a foreigner.
00:38:40No friends, no money.
00:38:43They used me as a scapegoat.
00:38:46Something like that happened to me.
00:38:49Teresa, I need your help.
00:38:52I'm going to escape.
00:38:54I think I'm...
00:38:56I mean, I know I'm sure that something has happened to Rudy.
00:38:59So, when we yell snake,
00:39:02the matron will come over to kill it.
00:39:05And I...
00:39:07I can't.
00:39:09I can't.
00:39:11I can't.
00:39:13I can't.
00:39:15I can't.
00:39:17I can't.
00:39:19I can't.
00:39:21I can't.
00:39:23I can't.
00:39:25I can't.
00:39:26Roger.
00:39:28You know, the matrons are chumpy as cats now.
00:39:32You could get killed.
00:39:34Maybe so.
00:39:36But you're welcome to come along if you like.
00:39:40I don't like it.
00:39:42All right, that's enough, everybody.
00:39:44Get inside.
00:39:46Well, think about it, because we're going to leave tomorrow.
00:39:57Everybody out.
00:40:02You're determined.
00:40:05What about Rudy?
00:40:07I'm afraid I'm on my own.
00:40:09Hurry up.
00:40:14Watch out.
00:40:17Break it out.
00:40:19Attention, everybody.
00:40:24I know this will be a disappointment to all of you,
00:40:29but you're not going to the fields today.
00:40:32Some dignitaries will be visiting us,
00:40:35and they want to take a look at you.
00:40:38Take them to the showers.
00:40:41Two showers in one week.
00:40:43What luxury.
00:40:49This changes your plans a little, doesn't it?
00:40:52Just today, that's all.
00:40:54We'll go tomorrow.
00:40:56I hope there's some men among the visitors.
00:40:59I don't know.
00:41:01I don't know.
00:41:03I don't know.
00:41:05I don't know.
00:41:07I don't know.
00:41:08I hope there's some men among the visitors.
00:41:13Good morning, Warden.
00:41:15Morning.
00:41:18Vamanos.
00:41:28They look human.
00:41:30What do you expect, three heads?
00:41:39Comandante.
00:41:44You are an American, aren't you?
00:41:47Yes, I am.
00:41:49I thought so.
00:41:51I spent many years in your country.
00:41:54I regret we meet under these circumstances.
00:41:58Is everything all right here?
00:42:01The food.
00:42:04Do you want an honest answer?
00:42:05Why, certainly.
00:42:07Well, the food is rotten.
00:42:10The women here are treated like animals.
00:42:13Put her in the hole.
00:42:15And there's a nightly torture.
00:42:17By the head matron, who is nothing but a sadistic...
00:42:20Yes, yes, yes, yes.
00:42:24So nice.
00:42:27Now, for the buildings.
00:42:29García.
00:42:31Now, for the buildings.
00:42:33García.
00:42:36Put her in the hole.
00:42:54Let me out of here!
00:42:57Let me out of here!
00:43:00Let me out!
00:43:30Let me out!
00:43:54Little Miss Muffet sat on a tuffet,
00:43:57eating her curds and whey.
00:44:00Along came a spider and sat down beside her
00:44:04and frightened Miss Muffet away.
00:44:14Sir?
00:44:26Jack Sprott could eat no fat.
00:44:28His wife could eat no lean.
00:44:31Between them both,
00:44:35they wiped the platter clean.
00:44:46How on earth can that girl be so stupid?
00:44:49She'd believe anything anybody tells her.
00:44:53And that could get her killed.
00:44:55After yard break, maybe they'll let her out.
00:44:57Yard break!
00:44:58Everybody up!
00:45:28Out!
00:45:52Out!
00:45:58Out!
00:46:06Looks like you don't like our little home.
00:46:09You tried to kill me with acid!
00:46:16Somebody doesn't like you.
00:46:20But I like to watch my little games,
00:46:22as you'll soon find out.
00:46:28Out!
00:46:43Well, Acid Head,
00:46:45you were a tattletale, huh?
00:46:48What kind of hell did you crawl out of?
00:46:51It was called Harlem, baby.
00:46:53I learned to survive.
00:46:55Never have pity.
00:46:59This game is called survival.
00:47:02Let's see how well you can play it.
00:47:19I was strung out behind smack at 10,
00:47:23and worked in the streets when I was 12.
00:47:25You've got a long way to go.
00:47:30Is this to get your kicks?
00:47:48She has stopped screaming.
00:47:56She was too stupid to last long in this hellhole anyway.
00:48:00That's a terrible thing to say.
00:48:22We were worried.
00:48:23What...
00:48:25What happened?
00:48:28I just want to sleep.
00:48:32Well, I guess the escape is off.
00:48:35No.
00:48:38We're going to go through with it.
00:48:43Eyes...
00:48:45front!
00:48:53No one escapes from my prison.
00:48:56No one!
00:49:24Put them down.
00:49:39These fine gentlemen
00:49:42have never let a prisoner elude them.
00:49:47Study them and think about it.
00:49:54Come with me and I'll give you your money.
00:49:56Okay.
00:50:22Are you okay?
00:50:26Celeste and Amelia...
00:50:28I saw.
00:50:30I hope that takes care of any plans you had to escape.
00:50:35Teresa?
00:50:37Those are bad men.
00:50:47I thought of something.
00:50:51The hole out in the yard,
00:50:52it connects to the sewage pipe outside the wall.
00:50:56So what?
00:50:58So,
00:51:00if we can get into the hole,
00:51:02we can make our escape from there.
00:51:05Oh, beautiful.
00:51:07Suppose you go to the playpen instead.
00:51:10Well, suppose we get into the hole without anybody knowing it.
00:51:14And how do you propose to do that, Miss Know-It-All?
00:51:17Just wait. Just give me a second.
00:51:19I think I know how.
00:51:28Hey, Sto.
00:51:33Chip.
00:51:49This is it, baby.
00:51:59Matron?
00:52:01What do you want?
00:52:03Matron, we would like to light the candle for Celeste and Amelia.
00:52:09Do it on Sunday.
00:52:12But their souls might be suffering in purgatory right now.
00:52:15It'll be too late.
00:52:16I'll do it right now.
00:52:18It'll only take five minutes.
00:52:21All right. I'll light Monday.
00:53:16Give it to me.
00:53:41Wait for a signal.
00:53:43What about her?
00:53:44Just leave her there.
00:53:46Come on, let's go.
00:54:07Talisa, give me a hand.
00:54:14Come on.
00:54:44Come on.
00:55:14Come on.
00:55:44Water.
00:56:00Water.
00:56:15Water.
00:56:24Peek-a-boo.
00:56:26Come on out of there.
00:56:44Come on.
00:56:58No, no, no.
00:57:00I can use you as a hostage.
00:57:14Come on.
00:57:26How is it?
00:57:27It's open.
00:57:28Well, let's go.
00:57:29I'll go first.
00:57:30You give up.
00:57:31No, I'm keeping the gun.
00:57:33Okay, let's go.
00:57:36Now you crawl, pig.
00:57:44Come on.
00:58:14Come on.
00:58:44Come on.
00:59:14Come on.
00:59:44Come on.
01:00:14Come on.
01:00:15Come on.
01:00:17Come on.
01:00:44Come on.
01:00:57Get up.
01:00:59You'll have to carry me.
01:01:03Don't.
01:01:04Give it to her, Stoke.
01:01:05Why not?
01:01:07A white man rape me, a white bitch can kill me.
01:01:10All right, get her up.
01:01:27Get up.
01:01:29Oh, she's not hurt.
01:01:30She's just faking it.
01:01:31Now get up.
01:01:39Come on.
01:01:45What is it, Charisse?
01:01:47It's so dark.
01:01:48I can't find my way around.
01:01:52Then why don't we stop here for the night?
01:01:56I mean, we must have had a good head start.
01:02:09Come on.
01:02:10Come on.
01:02:40You going to shoot me?
01:02:44We're leaving her here.
01:02:45Let's go.
01:02:46No, wait a minute.
01:02:47She might come in hand.
01:02:48Look, she'll die if we leave her here.
01:02:51We'll all die if those trackers catch us.
01:02:54Then maybe why don't we just let her go?
01:02:56What?
01:02:57To tell them which way we went?
01:03:01Uh-uh.
01:03:03We should kill them.
01:03:04I'll do it.
01:03:05No, you don't.
01:03:06I've got one killing on me, and I don't want another one.
01:03:08Look, she tried to kill me, too.
01:03:11But I don't have to be like her.
01:03:14All right.
01:03:16It's decided.
01:03:18We'll leave her here.
01:03:22But tie her up good.
01:03:36We can't stop now.
01:03:38Which way, Teresa?
01:03:40Beyond those twin peaks is the river of Puente Verde.
01:03:45Let's go.
01:03:49Come on.
01:03:51Come on.
01:03:53Come on.
01:03:55Come on.
01:03:57Come on.
01:03:59Come on.
01:04:01Come on.
01:04:02Come on.
01:04:03Come on.
01:04:04Come on.
01:04:09They definitely came to here, sir.
01:04:11What about the Tommy gun?
01:04:12No sign of it.
01:04:14Then they're on the way to some west town,
01:04:15or the village of Puente Verde.
01:04:18Puente Verde.
01:04:20Not a big fellow.
01:04:22His Tokoski used to be his mistress.
01:04:24But the syndicate cut him off.
01:04:26They've still got one more man there.
01:04:29Romero?
01:04:31Let's go.
01:04:34Let's go.
01:04:51You come back to free me or kill me?
01:04:53To kill you, yes.
01:04:55But slowly.
01:05:05Ow!
01:05:12You tired already?
01:05:16You are a devil.
01:05:22We all have our devils, my dear.
01:05:26Now cut me loose.
01:05:34Cut me loose.
01:05:43Heads up!
01:06:04Heads up!
01:06:10Where's Teresa?
01:06:12Teresa!
01:06:14Teresa!
01:06:15We haven't got time.
01:06:16Come on.
01:06:17Sandy, come on.
01:06:24Let's go for the other one.
01:06:29Wait a minute.
01:06:35We don't know where village is.
01:06:37I do.
01:06:39And I know a fisherman there.
01:06:41They can get us aboard the Zulu Queen.
01:06:43The Zulu Queen?
01:06:44Rudy's ship?
01:06:46Yeah.
01:06:48Let's go.
01:07:04Come on.
01:07:35Whoa!
01:07:37Whoa!
01:07:39Whoa!
01:07:41Whoa!
01:07:43Whoa!
01:07:45Whoa!
01:07:47Whoa!
01:07:49Whoa!
01:07:51Whoa!
01:07:53Whoa!
01:07:55Whoa!
01:07:57Whoa!
01:07:59Whoa!
01:08:01Whoa!
01:08:03Whoa!
01:08:08Stoke, wait a second.
01:08:10Let's rest a while.
01:08:11Say, Stoke, how come you knew about this, uh, this fisherman?
01:08:17My, my old man and he, both worked for Diaz.
01:08:21You never told me you knew Rudy.
01:08:24I worked for him.
01:08:25You...
01:08:26Why didn't you ever tell me?
01:08:29Never mind.
01:08:30I'm helping you both get away, aren't I?
01:08:33Are you?
01:08:38Let's get moving.
01:08:48Stoke, wait a minute.
01:08:53Let's wait for Teresa.
01:08:55No, we won't. Move on.
01:08:57I'm with her.
01:08:58You're outvoted.
01:08:59Well, this is with me, and it says we go now.
01:09:02I said move!
01:09:29Well, we made it.
01:09:32Not quite.
01:09:35Where to now, big shot?
01:09:41Huh?
01:09:42You two, hide somewhere.
01:09:43No, wait.
01:09:49Come on over here.
01:09:50Come on, Jess.
01:10:00Who are you?
01:10:03I...
01:10:04I was, uh...
01:10:06I was Depec's girl.
01:10:08Remember?
01:10:09Yes.
01:10:10I do remember.
01:10:13I was very sorry when he was killed.
01:10:15Forget it.
01:10:17Listen.
01:10:19I need a fix.
01:10:20A fix?
01:10:22What do you need a fix for?
01:10:24I need a fix.
01:10:25Listen.
01:10:27I need a fix.
01:10:28A fix?
01:10:29You mean...
01:10:30Yes.
01:10:31I've, uh...
01:10:32I've got, uh...
01:10:33two girls waiting outside.
01:10:35And I...
01:10:36I want the $500 a piece for them.
01:10:39That can easily be done.
01:10:43One of them is Diaz's old girl.
01:10:46So he can do what he likes with her.
01:10:48That Jeffers girl?
01:10:49Yes.
01:10:53Now my fix.
01:10:55Give it to me.
01:10:56I haven't got it.
01:10:58But Jorge promised.
01:11:00He said he'd give it to me.
01:11:01I know, I know.
01:11:03He'll be waiting at the boat.
01:11:12I don't like this.
01:11:14I've heard things about the Sulu Queen.
01:11:16You keep saying that.
01:11:17What have you heard?
01:11:19Shh.
01:11:21Mr. Horsky is waiting for you.
01:11:23Follow me.
01:11:24It's safe now.
01:11:25Hurry up.
01:11:34I told you to stay down.
01:11:36You, stay there.
01:11:39What's the score?
01:11:41He's contacted one ship by radio.
01:11:44Jorge's coming for us.
01:11:46What about Rudy?
01:11:47I don't know.
01:12:06Get in everybody, hurry up.
01:12:08Jorge, where is he?
01:12:09You get in on the ship.
01:12:11Keep on moving.
01:12:12Jorge, where's Rudy?
01:12:14He has business in the city.
01:12:15We'll meet you on the ship.
01:12:17Come on.
01:12:19That one with long legs.
01:12:21She has a special relation to Rudy.
01:12:23I should get at least a thousand dollars for her.
01:12:26You'll get something else if you don't shut up.
01:12:29You won't.
01:12:30I'm the guy who delivers dogs
01:12:32to that floating whorehouse of yours, remember?
01:12:35Give it to him, Rico.
01:12:45Get her, hurry up.
01:13:15Come on.
01:13:46And that's when I ran into you.
01:13:48Thank you, Miss Granger.
01:13:50I'm sure we'll be able to have your case reopened.
01:13:53Here, put it on.
01:13:56I hope it's not too late for me.
01:13:59What about Jeffrey?
01:14:00Do you have things here with us to find out?
01:14:02Jeff?
01:14:04I...
01:14:06I don't know.
01:14:16Rudy!
01:14:21You know what I came here for.
01:14:23For him?
01:14:25He'll get all the trips he needs.
01:14:27She will get it.
01:14:29Rudy, can we get out of here?
01:14:31I'll see if there's a ship that comes by
01:14:32so I can get aboard it.
01:14:34You are not getting aboard any ship, my dear.
01:14:36But this one...
01:14:37What are you talking about?
01:14:41But you can't do that.
01:14:42We made a deal!
01:14:44You think our deal was to kill her, but you didn't.
01:14:50You bastard!
01:14:53You mean I trusted you and you've been using me?
01:14:57Rudy!
01:14:58Rudy!
01:14:59And you could have been trusted to use you again.
01:15:02Rudy!
01:15:03Take her to the civility office.
01:15:04Rudy!
01:15:09Rudy!
01:15:11Rudy!
01:15:24Get in.
01:15:26Give her a shot.
01:15:33Take it off.
01:15:35This is called on-the-job training.
01:15:41If Jeffries comes ashore and testifies,
01:15:45that would be legal, wouldn't it?
01:15:48What do you think, Lorca?
01:15:49That's right, Major.
01:15:51And if we go aboard unofficially,
01:15:53that would be legal too, wouldn't it?
01:15:56I guess so.
01:15:58So if we just happen to escort a cooperative,
01:16:00Ms. Jeffries ashore,
01:16:01there can be no complaints, can there?
01:16:04No complaints.
01:16:06No complaints.
01:16:07So if we just happen to escort a cooperative,
01:16:09Ms. Jeffries ashore,
01:16:10there can be no complaints, can there?
01:16:12No, sir.
01:16:13Good. You just volunteered for a night out.
01:16:37There she is.
01:17:08We have a visitor.
01:17:20You don't remember me.
01:17:22Of course I do.
01:17:25We had a great time.
01:17:26You were very good.
01:17:28I'm Captain Acosta.
01:17:30Try to remember.
01:17:31I'm Captain Acosta.
01:17:33I want you to testify against Diaz.
01:17:36Look, I want to help you.
01:17:39I want to get you off the ship.
01:17:44Why can't they watch us too closely?
01:17:47We can at least try.
01:17:48Come on.
01:18:05Acosta, this way.
01:19:05Shh.
01:19:26Sir, let's get moving.
01:19:29Take her with you.
01:19:30When you get on deck, dive off.
01:19:31My men will get you.
01:19:32Now, go!
01:19:44Come on!
01:19:45Come on!
01:19:46Come on!
01:19:58Come on!
01:20:17Jump!
01:20:18Come on!
01:20:28Come on!
01:20:39It's all over.
01:20:41Get the girls back to work.
01:20:58I love you.
01:20:59I love you.
01:21:00I love you.
01:21:01I love you.
01:21:02I love you.
01:21:03I love you.
01:21:04I love you.
01:21:05I love you.
01:21:06I love you.
01:21:07I love you.
01:21:08I love you.
01:21:09I love you.
01:21:10I love you.
01:21:11I love you.
01:21:12I love you.
01:21:13I love you.
01:21:14I love you.
01:21:15I love you.
01:21:16I love you.
01:21:17I love you.
01:21:18I love you.
01:21:19I love you.
01:21:20I love you.
01:21:21I love you.
01:21:22I love you.
01:21:23I love you.
01:21:24I love you.
01:21:25I love you.
01:21:26I love you.