Marasli - Episode 2 (English Subtitles)
Category
🎥
Short filmTranscript
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00:00:30I have to be alone.
00:00:33I was in a coma for 49 days.
00:00:3549?
00:00:40The photos are not with my daughter.
00:00:42Not on the list either.
00:00:45Did you ask Maraş?
00:00:47Where did he come from?
00:00:48He was there that day.
00:00:50He might have taken it without anyone noticing.
00:00:53I'm even sure of that.
00:00:55If you want your daughter to live, I'll give you another 24 hours.
00:00:58Don't get involved.
00:00:59Take the photos and come.
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00:03:26GUY IN PHONOGRAPHY
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00:03:39ARAZポォ
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00:05:49You will be patient.
00:05:52Aren't you hungry? Did you have breakfast?
00:05:54No, thanks.
00:05:55How is your daughter?
00:05:57Same.
00:05:59Let's sit down and talk.
00:06:15I will solve this war issue before Mahur finds out.
00:06:19I don't want her to worry anymore.
00:06:22Dad, good morning. Today I...
00:06:28What is he doing here?
00:06:33I thought he wouldn't come again.
00:06:35Come on, let's talk.
00:06:37Dad, there is nothing to talk about.
00:06:39I don't want this rude guy around me.
00:06:41That's all, okay? The subject is closed.
00:06:43Mahur, will you come?
00:06:44Send that man, I'll come.
00:06:46Mahur!
00:06:49Aziz, what's going on? Why is it so noisy?
00:06:53Is Mr. Celal here again?
00:06:56Mahur!
00:07:05What is it, dad? What happened?
00:07:07Mr. Celal will be with us for a while.
00:07:09Dad, didn't we talk about this?
00:07:11Didn't I say I don't want this? Didn't we make a deal?
00:07:13Okay, there is nothing to talk about.
00:07:15Mr. Celal will be with us for a while, okay?
00:07:20Join us for breakfast. I don't accept excuses.
00:07:24Thank you.
00:07:26And he will sit at our table.
00:07:28Super.
00:07:33Mahur, what's going on?
00:07:35My father brought that room back again.
00:07:37To the guard?
00:07:39No, I don't understand. What is my father's problem?
00:07:41Isn't he aware of the paranoia he's doing?
00:07:44Okay, can you calm down a little?
00:07:46Please, my father must know something.
00:07:49I'm sure he does.
00:07:54Mr. Necati.
00:07:58Mr. Aziz is waiting for you at the table.
00:08:02Mr. Necati?
00:08:13Have you ever dreamed of being someone else, Mr. Necati?
00:08:17I mean, in another life.
00:08:21What do you mean, Mr. Necati?
00:08:24A lot.
00:08:26For example, an actress that Turkey loves and adores.
00:08:31Maybe a very rich businesswoman.
00:08:34Or, what should I know?
00:08:35Or an adventurer who travels to countries he doesn't know.
00:08:39What should I know?
00:08:41Didn't you ever want to be someone else?
00:08:44Me?
00:08:46No, I swear.
00:08:47And what should I want?
00:08:49Thank God, we're living and going.
00:08:54Just what I expected from you.
00:08:58Look, Beyli.
00:09:00Everyone wants to be someone else.
00:09:03This is the rule of life.
00:09:06So, if you're happy to be the person you are...
00:09:09...it means you haven't been anything at all.
00:09:12Do you understand me?
00:09:13Do you understand me?
00:09:16No, I don't.
00:09:20You don't read the books I give you, do you?
00:09:25I want to read, Mr. Necati.
00:09:27It's just...
00:09:29...I don't have much time.
00:09:35But I will read. I promise.
00:09:37Never mind.
00:09:39I wouldn't read if I were you.
00:09:41Let's go to breakfast.
00:09:44Come on.
00:09:46I said, come on.
00:09:48Run, run, run.
00:09:50Come, come, come.
00:09:52Run, run, run.
00:10:02Good morning to you, Ms. Nurhan.
00:10:04Good morning, Mr. Necati.
00:10:07Go get the breads from the kitchen.
00:10:09Everyone is waiting at the table.
00:10:10Okay, mom.
00:10:12Celal is our brother. He's been with us for a while.
00:10:15Thanks to him, he didn't break me.
00:10:17I thought he didn't want Mahur.
00:10:19You're missing something, Ms. Cicani.
00:10:22It doesn't matter who wants what in this house.
00:10:24What matters is what my father wants.
00:10:27Aziz.
00:10:28If you call me Cicani again, I swear I'll leave.
00:10:32Necati.
00:10:41Necati.
00:10:47So, tell me, Maraşlı.
00:10:50Who are you? What do you do?
00:10:53What should I tell you?
00:10:55You will come here often.
00:10:56Do we have the right to know you?
00:10:58What do you want to know?
00:11:00Everything.
00:11:03Where were you born? Where did you grow up?
00:11:07How did you become a soldier?
00:11:08What does your mother do with your father?
00:11:11I don't know.
00:11:17I guess they don't call you Maraşlı for nothing.
00:11:19Is that where you grew up?
00:11:20My father is from Pazarcık.
00:11:23He was a teacher in high school.
00:11:27Is he alive?
00:11:28No.
00:11:29We lost him three years ago.
00:11:31In Karaciğer.
00:11:32May he rest in peace.
00:11:33Amen.
00:11:35He's our main guest.
00:11:37Do you have siblings?
00:11:39I have a brother and a sister.
00:11:42My brother is a hero in Maraşlı.
00:11:43He's in the electrical business.
00:11:45My sister stayed at the university after school.
00:11:48How did you join the army?
00:11:49After I finished high school, I worked a little bit.
00:11:53But I wanted to be a soldier.
00:11:56I went and applied.
00:11:57My father was very angry.
00:11:59He didn't talk to me.
00:12:02After a while, when he saw me in uniform,
00:12:04he forgave me, of course.
00:12:09Where did you serve?
00:12:11Beyond the border, in many places.
00:12:14Did you kill anyone?
00:12:22I participated in more than 30 clashes, ma'am.
00:12:25I didn't kill anyone.
00:12:26But I made 50 pass.
00:12:2950?
00:12:30There's no shortage.
00:12:34You still haven't told me where you served.
00:12:39Hakkari, Şırnak.
00:12:42Diyarbakır, Syria.
00:12:46Palestine, Iraq.
00:12:52Afghanistan, Somalia.
00:12:54Many places.
00:12:58Did they name you Maraşlı in the army?
00:13:01That's right.
00:13:02My commander named me in the military school.
00:13:09I'm leaving.
00:13:10Mahur, wait, dear.
00:13:14Enjoy your meal.
00:13:26Yes, dad, what happened?
00:13:27You won't go out alone.
00:13:28Dad, look, I've said it 50 times, I'll say it 50 more times.
00:13:31I don't want this man with me.
00:13:34I'm sorry.
00:13:35I don't want this man with me.
00:13:40Leave us alone.
00:13:43My dear.
00:13:44My beautiful daughter.
00:13:45I'm worried about you.
00:13:47Please understand me.
00:13:49Let's be sure that this man named Savaş is after you.
00:13:53Then I'll send him if you say send.
00:13:57Promise?
00:13:58Of course.
00:13:59Look, if I say send, you'll send him.
00:14:01Promise.
00:14:02Okay, promise.
00:14:03Okay?
00:14:05Okay.
00:14:06I forgot my bag.
00:14:07I'm coming in two minutes.
00:14:15I was able to convince Güçbeli.
00:14:16Look, I'm sorry.
00:14:18Of course, I can't force you either.
00:14:20But if Mahur doesn't want it, we'll finish this.
00:14:22No problem.
00:14:23Tell me how Mahur wants it.
00:14:25He doesn't know he saved his life for the second time.
00:14:27So if he does something stupid again, I'll tell him.
00:14:31Don't worry.
00:14:35Okay.
00:14:49Can someone tell me why that girl is still alive?
00:14:53Well...
00:14:54Mr. Savaş.
00:14:55The man they call Maraşli suddenly appeared.
00:15:00Huh?
00:15:01He prevented it.
00:15:02I mean, he prevented it.
00:15:04He also killed ours, sir.
00:15:09So?
00:15:10So that's it.
00:15:11That's it.
00:15:12Okay, I got it.
00:15:14We are human after all.
00:15:16Everyone can make mistakes.
00:15:27Relax.
00:15:28Okay, you may have organized the job badly.
00:15:31But I'm telling you, it happens.
00:15:33Go now.
00:15:40Yes.
00:15:48Yes, the photos are still there.
00:15:51Of course, I'll take it.
00:15:54I'm solving this tomorrow, don't worry.
00:16:03Okay.
00:16:34What are you doing here?
00:16:37Ms. Mahur's private care.
00:16:39We know that.
00:16:41Didn't you leave?
00:16:43We're asking a question, answer us.
00:16:47It started again, Mr. Celal.
00:16:49Very good.
00:16:57Mahur.
00:16:59What's up?
00:17:00She's fine.
00:17:01She just started.
00:17:02Don't ask.
00:17:03That's her job.
00:17:04Anyway, I'm getting late.
00:17:05See you.
00:17:06Mahur, about last night...
00:17:08Ozan, okay, we're done.
00:17:10Let's not talk.
00:17:17So?
00:17:20Will this door open on its own?
00:17:24What are you looking at?
00:17:25Open it.
00:17:27I'm responsible for your safety.
00:17:29I'm not your servant.
00:17:30Come on.
00:17:34Okay, Ismet.
00:17:45What's your name?
00:17:46Ismet.
00:17:49Thank you.
00:17:50I'd appreciate it if you didn't talk to me like that.
00:17:54I'd appreciate it if you didn't talk to me like that.
00:17:57How can I not talk?
00:17:58This is my speech.
00:17:59Instead of saying your name,
00:18:01can I learn your name?
00:18:03You can say something simple like please.
00:18:06What's up?
00:18:07What's funny?
00:18:08No, it went to my smile, that's why.
00:18:11Why?
00:18:12Is it funny to be polite?
00:18:17Am I being rude?
00:18:19I mean, when you talk,
00:18:20I usually feel like I'm in a prison.
00:18:24Maybe.
00:18:30Why did you come back anyway?
00:18:35You had a good time.
00:18:36Why don't you go back to the library?
00:18:39It's not a library.
00:18:40It's a shrine.
00:18:42What is it?
00:18:44Your father insisted.
00:18:45That's why I stayed.
00:18:55Ismet, let's stop somewhere in the future?
00:18:57I'll get some coffee.
00:18:58Okay, Maura.
00:19:13Don't come.
00:19:14I'll get it.
00:19:15I'll get it and come.
00:19:22Don't look at me like that, Celal.
00:19:24Actually, Maura is a very good person.
00:19:26It's obvious.
00:19:27My father is the gardener of the house.
00:19:29So I've been in the family for years.
00:19:32Maura changed a bit after her mother died.
00:19:35How did she change?
00:19:37Anyway.
00:19:39These are not matters that concern me.
00:19:41Celal.
00:19:43You don't have to call me brother.
00:19:44Maraşlı is enough.
00:19:45Brother Maraşlı.
00:19:46There's no one after us, is there?
00:19:48I mean, I don't know how serious this is.
00:19:51Don't know, brother.
00:19:52Don't know.
00:19:53Just keep your eyes open, okay?
00:19:55Thank you, brother.
00:20:00Come on.
00:20:15What happened?
00:20:16Did you see the bad guys?
00:20:22You pray first, I'll see.
00:20:45I'm sorry.
00:20:56Well, Aziz.
00:20:57I think there's something you want to tell us.
00:20:59Yes.
00:21:02But what I'm going to say will stay here.
00:21:04Especially, it won't go to Mahur's ears.
00:21:06Okay?
00:21:08What?
00:21:09How?
00:21:13Wait a minute, is it true?
00:21:14How do you know?
00:21:15That man, Maraşlı.
00:21:17He saved her at the last moment.
00:21:18Did you know?
00:21:20Yes, my father and I.
00:21:21That's why you called the man back.
00:21:23Yes.
00:21:24I need him.
00:21:25But Mahur doesn't know anything, does he?
00:21:27No.
00:21:28It's just an accident.
00:21:29I don't know.
00:21:30I don't know.
00:21:31I don't know.
00:21:32I don't know.
00:21:33I don't know.
00:21:34I don't know.
00:21:35I don't know.
00:21:36I don't know.
00:21:37I don't know.
00:21:38I don't know.
00:21:39I don't know.
00:21:40I don't know.
00:21:41I don't know.
00:21:42I don't know.
00:21:43It's no use telling her that you survived an accident.
00:21:44She gets bored anyway.
00:21:45She doesn't get bored yet.
00:21:46I'm curious about something.
00:21:47How did Maraşlı know he'd have an attack that night?
00:21:48Right.
00:21:49How did he know?
00:21:50Fighting.
00:21:51He threatened Maraşlı.
00:21:52Why did he threaten Maraşlı?
00:21:54As if his photos were...
00:21:58Did I talk nonsense?
00:22:00Me too.
00:22:02Maybe he organized it.
00:22:04I don't know, but that guy is up to something.
00:22:07And how is he going to protect himself?
00:22:09He already did.
00:22:10What if they attack again?
00:22:12Dad, we need to find a serious solution to this.
00:22:14Let's take Mahur and talk to him.
00:22:16If necessary, let him stay at home for a few weeks.
00:22:18Mahur will never accept this.
00:22:20But where is this going to go?
00:22:22Why don't we go to the police or the prosecutor's office?
00:22:24You calm down.
00:22:26I will find a way.
00:22:28My only request from you is that Mahur should not know about this situation.
00:22:30Do you understand?
00:22:32I will solve this problem.
00:22:46You don't have to come.
00:22:48I will come.
00:22:51Why?
00:22:53For your safety.
00:22:55Besides, this city is very crowded.
00:22:57I don't like it.
00:22:58You don't like it?
00:23:00Okay, then we will decide where we will meet after this.
00:23:03What do you say?
00:23:04This is not a discussion.
00:23:06I'm coming with you.
00:23:16Look, I'm going to meet one of the most famous actors in Turkey.
00:23:19Don't embarrass me, okay?
00:23:21It's better for me if you don't be embarrassed.
00:23:25Besides, your father and I are out of security.
00:23:27Let me do my job.
00:23:29I will sit in a corner and keep my voice down.
00:23:31Okay, you sit quietly in a corner and don't say anything to anyone.
00:23:35Deal?
00:23:37Deal.
00:23:38Promise.
00:23:55Hi.
00:23:56Honey.
00:23:57How are you?
00:23:58I'm fine. How are you?
00:24:00Hi.
00:24:01Hi.
00:24:02Do you remember Esra? She is our editor.
00:24:04Yes, we met once. How are you?
00:24:06I'm fine.
00:24:07By the way, congratulations on your award.
00:24:09Thank you.
00:24:12Who is the gentleman?
00:24:13What?
00:24:14Who is the gentleman?
00:24:15Him?
00:24:16Nothing.
00:24:17I just had a little accident.
00:24:19Is he your guardian?
00:24:20I mean, yes.
00:24:22For a while.
00:24:23What happened?
00:24:25It's nothing important.
00:24:26It's not even worth talking about.
00:24:28He's a nice guy.
00:24:30Nalan, why don't I have a guardian like that?
00:24:40So, what did you think about us?
00:24:41We didn't cheat on you, did we?
00:24:43No, we didn't.
00:24:44It will be the first time.
00:24:49Here you are, ma'am.
00:24:50What would you like to have?
00:24:51What would you like to have, honey?
00:24:52I'll have your usual salad.
00:24:54Of course, ma'am.
00:24:55I'd like to have levrek.
00:24:56With salad, please.
00:24:57Of course.
00:24:58I'll have somon, please.
00:24:59Of course, ma'am.
00:25:00I'll have somon, too.
00:25:01Could you take care of the gentleman?
00:25:03He's mine, too.
00:25:04Of course, ma'am.
00:25:08Here you are, sir. What would you like to have?
00:25:10Do you have ezogelin?
00:25:11Unfortunately, sir.
00:25:12We have fish soup, if you'd like.
00:25:15I'd like ham, please.
00:25:16Of course.
00:25:17Do you want anything to drink?
00:25:18No, thank you.
00:25:20So?
00:25:21What are you going to do, Mahur?
00:25:23I'm so excited.
00:25:24Well, I think I'm tired of people who want to look good.
00:25:29I mean, I want to do something more realistic.
00:25:32What do you mean?
00:25:33I mean, for example, no make-up.
00:25:35Something more real, more brave, more sincere.
00:25:39For example, aren't you tired of wearing a mask every day?
00:25:42We all try to live as if we were someone else.
00:25:45But in fact, we are what we are.
00:25:47I think that's our theme.
00:25:49I mean, I didn't know.
00:25:51I didn't mind.
00:25:52But the final decision is yours, of course.
00:25:54I loved it.
00:25:55But let it be black and white.
00:25:57Okay, okay.
00:25:58I love working in black and white anyway.
00:26:16Here you go, sir.
00:26:17Thank you.
00:26:18Thank you.
00:26:19Here you go.
00:26:28Brother, this doesn't have onions.
00:26:31It does, but it's on the plate.
00:26:34It's not enough.
00:26:35Can you bring me a big dry onion like this, on top of the shell?
00:26:39Of course, sir.
00:26:40As you wish.
00:26:41Come on.
00:26:42Your father has found his man.
00:26:45He looks a bit like Hanzo.
00:26:47I think he's a sweet guy.
00:26:49Shall we talk to this Stalin guy?
00:26:51Look, I think we should call Deniz.
00:26:53He's very good.
00:26:54I'll go alone.
00:26:55But we're working with Erhan.
00:26:57Whoever Mahur says, let it be him.
00:26:59I mean, I love Deniz very much.
00:27:01Deniz is already a very close friend of mine.
00:27:03I wanted to show you a few examples.
00:27:05Of course, they will never be the same.
00:27:07I'm just showing you as a reference.
00:27:10Look, this is very good.
00:27:12I love it.
00:27:17Here you go.
00:27:28What's going on?
00:27:30I'm so sorry.
00:27:31I'm sorry.
00:27:34I'm sorry.
00:27:35I'm sorry.
00:27:36I'm sorry.
00:27:37I'm sorry.
00:27:40One second.
00:27:45What are you doing?
00:27:46What are you doing?
00:27:48I was eating.
00:27:49What kind of eating is this?
00:27:50Didn't they teach you?
00:27:54They taught me.
00:27:56What did they teach you?
00:27:57I mean, like this.
00:27:58You won't hit from the side.
00:27:59Don't put your tongue.
00:28:01Okay.
00:28:02Okay.
00:28:03Okay, enough.
00:28:04You're humiliating me in front of everyone.
00:28:05Don't do anything, okay?
00:28:06Sit, shut up, don't eat, don't drink.
00:28:08Okay.
00:28:13I'm so sorry.
00:28:15Where were we?
00:28:19For example, like this.
00:28:28For example, we shot this last December.
00:28:37Hello.
00:28:38Maraşlı.
00:28:40I thought you were lost.
00:28:42I'm not lost.
00:28:43I'm following you.
00:28:45Every step you take.
00:28:47Every breath you take.
00:28:49How do you do this?
00:28:51Can I do this?
00:28:53We're not the kind of guys to eat numbers like that.
00:28:55I'm sorry.
00:28:57You're at a fish restaurant in Karaköy.
00:28:59His hair is light in the dark.
00:29:01You're in that gray suit.
00:29:03You're in that gray suit.
00:29:04His hair is light in the dark.
00:29:05You're in that gray suit.
00:29:07The girl ordered a salad.
00:29:08You're a whore.
00:29:09Did you convince her?
00:29:10I did, I did.
00:29:11I really did.
00:29:13But I think you need to teach them how to follow someone without being caught.
00:29:22Don't give me such a big, dry answer.
00:29:35I'm sorry, Mr. Savaş.
00:29:40He said something like God, I don't understand.
00:29:43Now he can't tell you his problems because he doesn't have front teeth.
00:29:45Otherwise, Eminem would say a ton of things.
00:29:48Savaş.
00:29:49If you're going to put a man after me, send someone to do my job.
00:29:53Then you'll regret it.
00:29:55Dog to the dog, dog to the tail.
00:29:58I think you should come out now.
00:30:00What do you say?
00:30:02So you want a war, right?
00:30:04I want a war. I missed the smell of gunpowder.
00:30:16You know.
00:30:18But just so you know, the man you beat up was a fragment.
00:30:21The real movie is starting now.
00:30:31Let's go.
00:31:01Let's go.
00:31:09Where is Maron, Brother Ismet?
00:31:10Brother, the meeting is over.
00:31:11The weather is very nice, I'm going to take a picture.
00:31:13You wait here.
00:31:14So you let him do it.
00:31:15What are you going to do, Brother Ismet?
00:31:17What happened, brother?
00:32:32What are you doing?
00:32:44Bahur.
00:33:01No, no, no, no.
00:33:17What happened?
00:33:19Was anyone here? Was Savaş here?
00:33:21Don't go anywhere until you tell me again, do you understand me?
00:33:26Go.
00:33:29Say something, what happened?
00:33:31Come on, let's go.
00:33:33What are you doing?
00:33:35What are you doing?
00:33:37You can't shoot people in the head.
00:33:39Do you understand me?
00:33:49Are you okay?
00:33:51Are you okay?
00:33:53What happened?
00:33:55Look, sunny days are not suitable for me.
00:33:57And you see me at night.
00:33:59You can't protect that girl forever.
00:34:01Send me the photos.
00:34:07Brother, are you okay?
00:34:09Are you okay?
00:34:11Come on, brother, come on.
00:34:13I'll stay in my hand, come on.
00:34:23Dear friends.
00:34:25The Romans.
00:34:27The Romans.
00:34:29Dear class of workers.
00:34:31Now, today I will tell you...
00:34:33...that we don't exist...
00:34:35...that we are not born...
00:34:37...and that we are all...
00:34:39...a shadow.
00:34:47We all know the shadow game, right?
00:34:49I mean, Mr. Karagözlü.
00:34:51Mr. Sadık.
00:34:53Of course.
00:34:55He took me there once.
00:34:57Okay, okay.
00:34:59There are more.
00:35:01Now, whether it's the east or the west...
00:35:03...whether it's the ancient period...
00:35:05...whether it's the modern period...
00:35:07...everywhere for centuries...
00:35:09...all thinkers...
00:35:11...say the same thing.
00:35:13For example, Plato.
00:35:15Imagine a cave underground.
00:35:17People inside.
00:35:19People have been chained...
00:35:21...since their childhood.
00:35:23They live in this cave.
00:35:25They can neither move...
00:35:27...nor see anything but their noses.
00:35:29They are so tightly chained...
00:35:31...that they can't even move their heads.
00:35:35Only a burning fire...
00:35:37...glows behind them.
00:35:41Know from the inscription...
00:35:43...do not be deceived, inscription.
00:35:45The curtain of truth...
00:35:47...has been set.
00:35:49The curtain of truth.
00:35:51Clouds again, Plato says.
00:35:53Listen carefully.
00:35:55Now, in that cave I just told you about...
00:35:57...imagine the sounds...
00:35:59...burning inside.
00:36:01The prisoners...
00:36:03...think those sounds...
00:36:05...always come from the clouds.
00:36:07Because the only real thing in their lives...
00:36:09...are the clouds.
00:36:11When he says clouds...
00:36:13...he asks us, Sheikh Kushteri...
00:36:15...which bell...
00:36:17...wouldn't be a bad idea...
00:36:19...if you made contact with it?
00:36:21The teacher who played...
00:36:23...the curtain of love.
00:36:25So, which shadow...
00:36:27...did you take refuge in...
00:36:29...and it didn't disappear?
00:36:31You understand, don't you?
00:36:37I really didn't understand much, Mr. Necati.
00:36:39I understood, Mr. Necati.
00:36:41What did you understand, girl?
00:36:43Well...
00:36:45...he said, don't cast a shadow...
00:36:47...it won't ask for much.
00:36:51Yes, that's what he says.
00:36:53He says, don't cast a shadow...
00:36:55...it won't ask for much.
00:37:01Who are those people next to Firuza?
00:37:03Well...
00:37:05...he's an architect.
00:37:07He's building Firuza's guesthouse.
00:37:09Where?
00:37:11Well...
00:37:13...Mrs. Sedef's garage.
00:37:21A nice wooden architecture...
00:37:23...will look good on Firuza.
00:37:25We can make a simple, spacious...
00:37:27...and useful guesthouse...
00:37:29...with a Scandinavian design.
00:37:31But we have to demolish this place.
00:37:33No problem.
00:37:35What's up, Cici Anne?
00:37:37What's going on here?
00:37:39It's none of your business, Mr. Necati.
00:37:45You're building a guesthouse?
00:37:47Yes.
00:37:49My mother built this place.
00:37:51You know that, don't you?
00:37:53But unfortunately...
00:37:55...she's not among us anymore.
00:37:57But her memory is with us.
00:37:59Yes.
00:38:01I'm sure.
00:38:03Her memory is with us.
00:38:05I talked to your father, Mr. Necati.
00:38:07There's no problem.
00:38:11If Mahur hears this...
00:38:13...it will be a disaster.
00:38:17I live in this house, too.
00:38:19Yes.
00:38:21Unfortunately, yes.
00:38:27We can go on.
00:38:29No problem.
00:38:31It's none of your business.
00:38:41I can't believe you set fire to the air...
00:38:43...in the middle of people.
00:38:45Can you set fire to the air...
00:38:47...just because I disappeared for two minutes?
00:38:49We wouldn't have done it...
00:38:51...if you hadn't disappeared.
00:38:53And you're defending what you're doing, aren't you?
00:38:57No, really, what happened there?
00:38:59Did you see someone? Did something happen?
00:39:01There was no one.
00:39:03But it could have happened.
00:39:05But there was no one.
00:39:07It could have happened.
00:39:09Okay, let's say you pulled the gun.
00:39:11Did you have to shoot?
00:39:13Miss, if we have a gun, it will explode.
00:39:15Do you understand?
00:39:17I don't understand.
00:39:23Yes, Mr. Aziz.
00:39:25There's nothing wrong with the car, is there?
00:39:27The man's eyes are constantly on us.
00:39:29He doesn't seem to give up easily.
00:39:31What do you say? Did something happen?
00:39:33No, but...
00:39:35...we're being followed.
00:39:39He's watching us, but he's not doing anything.
00:39:41God damn it.
00:39:43I talked to a few acquaintances today.
00:39:45No one knows anything about the man.
00:39:47No one even hears his name properly.
00:39:49If I had those photos, I'd give them to him...
00:39:51...and get rid of the bastard.
00:39:53I understand.
00:39:55We'll talk later.
00:39:57I'm busy now.
00:39:59Thank you.
00:40:03What? Did he shoot in the air?
00:40:05In Karaköy?
00:40:07Don't ask.
00:40:09I'm in big trouble.
00:40:11Is there something you didn't tell me?
00:40:13Protections, armed men.
00:40:15What are we doing?
00:40:19No.
00:40:21Nothing.
00:40:23He was threatened.
00:40:25That's why he's paranoid.
00:40:27It's obvious.
00:40:29You're so worried.
00:40:31I don't want anyone to worry about me.
00:40:33Don't worry.
00:40:35Don't worry about my father, either.
00:40:37Okay, honey.
00:40:39I'll take over today, if you want.
00:40:41No, honey.
00:40:43I'll take care of it.
00:40:45Hi.
00:40:47Shall we start? Are you ready?
00:40:49We're ready.
00:40:51Deniz, are we clear?
00:40:53Very good.
00:40:55Okay, look at me.
00:41:15Okay, I'm going.
00:41:17Excuse me.
00:41:19Excuse me.
00:41:21Can I ask you something?
00:41:23Is Mahur in trouble?
00:41:25Who are you asking?
00:41:27I'm asking.
00:41:29What do you mean?
00:41:31He doesn't look well today.
00:41:33You shot in the air.
00:41:35His face is like a cross.
00:41:37It's not important.
00:41:39Mahur is not what he looks like.
00:41:41What do we look like?
00:41:43No, it's not like that.
00:41:45After his mother's death,
00:41:47he had a hard time.
00:41:49His psychology is broken.
00:41:51He needs support.
00:41:53Support?
00:41:55Psychological help.
00:41:57You still have to be careful.
00:41:59Sometimes when he thinks,
00:42:01a madman comes out of him.
00:42:03I understand, ma'am.
00:42:05Good.
00:42:07Ecem, can you take a look?
00:42:09I'm coming, honey.
00:42:11Thanks.
00:42:14It's hot in Mecca.
00:42:16It's hot in here.
00:42:20Let's see your makeup.
00:42:22I'm here.
00:42:24What are you whispering?
00:42:26We're not talking.
00:42:28I asked if you need anything.
00:42:30You're not interested in me, okay?
00:42:32Why are you angry?
00:42:34Yes, let's continue.
00:42:37Very nice.
00:42:39Deniz, is there a problem?
00:42:43No.
00:43:13Very nice.
00:43:31Very nice.
00:43:33Look up a little.
00:43:35And a profile.
00:43:40What's going on?
00:43:42Ms. Mahur!
00:43:44Calm down.
00:43:46The light went out.
00:43:49Is that a gun?
00:43:53Yes, it's a gun.
00:43:55He's my bodyguard.
00:43:57I have to shoot anyone who comes near me.
00:43:59He has a lot of dead bodies.
00:44:01He's an ex-soldier.
00:44:03Calm down, Mahur.
00:44:05What are you doing?
00:44:07Is this Texas?
00:44:09Do you think you're a cowboy?
00:44:11Watch your tone, ma'am.
00:44:13I'm not.
00:44:14What are you going to do?
00:44:15Are you going to shoot?
00:44:16Slap me if you want.
00:44:18I'm getting tight.
00:44:20I'm getting tight.
00:44:22Look at my life.
00:44:23There are armed men everywhere.
00:44:25I don't want this.
00:44:26My psychology doesn't handle this.
00:44:28Do you understand?
00:44:30Okay, honey.
00:44:31You misunderstood.
00:44:32Let go!
00:44:36Why are you quiet?
00:44:38Talk!
00:44:39Aren't you going to say anything?
00:44:42I'm warning you about your tone for the last time, ma'am.
00:44:45I'm not paying attention.
00:44:47What are you going to do?
00:44:49You know.
00:44:50You're alone from now on.
00:44:52Goodbye.
00:44:55Stop!
00:44:57Is that blood?
00:44:59It's not important.
00:45:00Look again.
00:45:01How is it not important?
00:45:02It's blood.
00:45:03Ecem, call the doctor.
00:45:05Call an ambulance.
00:45:07There is no ambulance.
00:45:08It's a small wound.
00:45:09They'll see him later.
00:45:10Don't be ridiculous.
00:45:11We have to do something.
00:45:13I'm fine.
00:45:14Mind your own business.
00:45:15Can you please come?
00:45:16Please come.
00:45:17I'll clean him up.
00:45:21Okay, come on.
00:45:23Ecem, there was a first-aid bag around here.
00:45:26I'll put a bandage on it.
00:45:27Okay, don't worry.
00:45:28Mind your own business.
00:45:29Okay.
00:45:38Sit down.
00:45:47Take off your shirt.
00:45:50What?
00:45:51Take off your shirt.
00:45:52Let them clean it.
00:45:55No, it's not a shirt.
00:45:57Okay, take it off.
00:45:58Okay, ma'am.
00:45:59I'll take care of it.
00:46:01Sorry.
00:46:03I'll deal with it.
00:46:05Sorry.
00:46:23How did this happen?
00:46:25It's not important.
00:46:27How is it not important?
00:46:29It's bleeding a lot.
00:46:31It's good if it doesn't bleed.
00:46:33The real fear is if it doesn't bleed.
00:46:38How can a wound that doesn't bleed happen?
00:46:43Okay, wait.
00:47:01It's okay.
00:47:03It's okay.
00:47:05It's okay.
00:47:07It's okay.
00:47:09It's okay.
00:47:11It's okay.
00:47:13It's okay.
00:47:15It's okay.
00:47:17It's okay.
00:47:19It's okay.
00:47:21It's okay.
00:47:23It's okay.
00:47:25It's okay.
00:47:27It's okay.
00:47:29It's okay.
00:47:39I'm sorry about today.
00:47:41I ashamed you.
00:47:43It doesn't matter.
00:47:45Humanity does this sometimes.
00:47:47Don't worry.
00:47:49Yeah.
00:47:51I'm worried sometimes.
00:47:59How did you get those wounds?
00:48:04Our car was hit by a mine.
00:48:07In Uçgurca, in 2009.
00:48:11Then we were ambushed.
00:48:14We had five martyrs.
00:48:18I was in a coma for 46 days.
00:48:20I didn't get to be a martyr.
00:48:30Why did you become a soldier?
00:48:33Being a soldier is a good profession.
00:48:36Yes, but you could have done something else.
00:48:40You could have been a doctor.
00:48:43You could have been a doctor.
00:48:46You could have been a doctor.
00:48:48Yes, but you could have done something else.
00:48:51I couldn't.
00:48:5446 days in a coma is too much.
00:48:59We had a soldier.
00:49:02He was our hero.
00:49:06They cut both of his legs.
00:49:12If you don't die at the end of the day,
00:49:1546 days in a coma is nothing.
00:49:26I suffered pain too.
00:49:33Aren't you going to ask why?
00:49:37My job is not to worry.
00:49:40My job is to protect you.
00:49:42If someone asks you if you suffered pain,
00:49:46you should be polite.
00:49:49My job is not to be polite.
00:49:52My job is to protect you.
00:49:55Let's go.
00:49:57We can't use the same route every day.
00:50:06You hate me, don't you?
00:50:09Hatred is a painful feeling.
00:50:13Don't you hate anyone?
00:50:16No.
00:50:18Hatred is tiring.
00:50:22Don't you hate the man who shot your daughter?
00:50:28She didn't live that long.
00:50:33Did you kill him?
00:50:42No.
00:51:00Ismet, stop.
00:51:09What's going on here? Who are they?
00:51:12They are architects.
00:51:14Ms. Firuzan will build a guesthouse instead of a closed manager.
00:51:18What guesthouse? Stop!
00:51:24Stop the machine!
00:51:30Are you responsible for this place?
00:51:32Yes.
00:51:33You're stopping this work right now.
00:51:34But Ms. Firuzan...
00:51:35I don't care what Ms. Firuzan says.
00:51:37Not a single stone will move from here.
00:51:40It's too late, Mahur.
00:51:43They even demolished the back side.
00:51:47God damn it.
00:51:49My father gave permission.
00:51:52How can he do such a thing?
00:51:54How can my father allow this?
00:51:57Don't go, my son.
00:51:59Things will get complicated soon.
00:52:02I think Ms. Mahur and Ms. Firuzan don't get along.
00:52:05Ms. Sedef built that place.
00:52:07I know Ms. Firuzan is the lady of the house.
00:52:10But Ms. Sedef is a different person.
00:52:12Very different.
00:52:14It's the first time I've seen someone so jealous.
00:52:17I wouldn't think so if you knew her.
00:52:22Actually, I understand Firuzan.
00:52:25I mean, she thinks she deserves to be respected.
00:52:30I don't love her, and I don't respect her.
00:52:38The wars of people who grew up without love ruined the world.
00:52:47I wish I hadn't said that, but Napoleon would have.
00:52:51Then history would have been written.
00:52:59Let's go to Rome, honey.
00:53:01I looked at the hotels today.
00:53:03Where is Firuzan?
00:53:04In the living room, Ms. Mahur.
00:53:05We'll go shopping.
00:53:06What kind of a person are you?
00:53:09How can you do such a thing?
00:53:11Don't you have any conscience?
00:53:13Mahur, what are you doing?
00:53:14Mahur!
00:53:15What's going on here?
00:53:16Mom, can you get out of the room?
00:53:17This woman is going to demolish the mansion my mother built...
00:53:19...and make a guest room instead.
00:53:21For her relatives.
00:53:22So what?
00:53:23It's a smelly place.
00:53:24It's not a smelly place, do you understand?
00:53:26It's my mother's memory room.
00:53:28It's a memory room.
00:53:30It's not a smelly place, do you understand?
00:53:32It's my mother's memory room.
00:53:34Mahur, Firuzan.
00:53:35Why are you shouting?
00:53:37Ask your wife, dad.
00:53:38There's nothing to ask.
00:53:39I'm informed.
00:53:40Why do you allow such a thing?
00:53:42Why wouldn't I?
00:53:43Dad, don't you understand?
00:53:45It was my mother's memory room.
00:53:47It's like you were taking care of it.
00:53:49Firuzan, please.
00:53:50Mahur, stop it.
00:53:51Come on.
00:53:52You brought this woman to us, dad.
00:53:54If this woman gets her hands on it, she'll throw us all out of this house.
00:53:57Speak properly about my wife.
00:53:58Whatever happens.
00:53:59She's my wife.
00:54:00And this is my house.
00:54:04Don't you have any respect, dad?
00:54:05Don't you miss my mother at all?
00:54:07Is this what we're talking about?
00:54:09No one will touch there.
00:54:11If you touch there, I swear to you,
00:54:13I won't step into your house again, dad.
00:54:17Don't take your own conscience out of me, Mahur.
00:54:19Firuzan, don't be blinded by the fire.
00:54:21Wait a minute, wait a minute.
00:54:23What do you mean?
00:54:25She's not saying anything.
00:54:26What do you mean?
00:54:28Where were you when your mother died, Mahur?
00:54:30When she was breathing her last.
00:54:32Now she's in front of me.
00:54:33Don't give me a good kid show.
00:54:34Don't take it out on Firuzan.
00:54:35What kind of rudeness is this?
00:54:37Who are you?
00:54:38Mahur.
00:54:39What kind of rudeness is this?
00:54:40Mahur.
00:54:41Who are you?
00:54:42I'm Firuzan Tüvel.
00:54:43Whether you want it or not, you're going to accept it.
00:54:45You're nobody.
00:54:46Do you understand?
00:54:47You're nobody.
00:54:48You can't talk to me like this.
00:54:49Enough!
00:54:52Who are you two now?
00:54:58Mahur.
00:55:14Mahur.
00:55:16Mahur.
00:55:18Mahur.
00:55:19Don't follow me.
00:55:29Mahur.
00:55:30Brother, don't come.
00:55:31Mahur, stop.
00:55:32Brother, I said don't come.
00:55:33Don't go anywhere.
00:55:45Okay, okay.
00:55:46Okay, I'll take care of it.
00:55:48Give me the keys.
00:55:49Okay.
00:55:59How can he talk rudely to me?
00:56:02How can he talk rudely to me?
00:56:05Where was your mind when your mother was dying?
00:56:15Firuzan, can you open the door?
00:56:18Firuzan.
00:56:20Aziz, please.
00:56:21I really don't want to talk.
00:56:23Firuzan, please.
00:56:24I really don't want to talk.
00:56:25I really don't want to talk.
00:56:26Firuzen, open the door.
00:56:30Open the door.
00:56:51Okay.
00:56:56It's over. Okay.
00:57:09God damn you all.
00:57:12God damn you all.
00:57:26What's wrong with you? Are you sick?
00:57:37What's wrong with you? Don't follow me. Leave me alone.
00:57:49Is that so, Maraşlı? I'm fed up with you.
00:57:57God damn you all.
00:58:16God damn you all.
00:58:19What's wrong with you? Are you sick?
00:58:26What's wrong with you? Are you sick?
00:58:31God damn you all.
00:58:34What's wrong with you? Are you sick?
00:58:50What's wrong with you? Leave me alone. Don't follow me.
00:58:56What's wrong with you? Leave me alone. Don't follow me.
00:59:18That's enough for today. You're coming with me, ma'am.
00:59:22I'm not going anywhere with you, ma'am. I'm not going back to that house.
00:59:26Get in the car. It's dangerous for you to be alone.
00:59:30Dangerous? Yes, it's really dangerous.
00:59:34Because I'm surrounded by armed men, right?
00:59:37You're looking for your enemy in the wrong place, Maraşlı.
00:59:40Your enemy is already in my house.
00:59:45Besides, I'm not going back to that house, okay? Don't tire yourself for nothing.
00:59:49Okay, don't come. But I won't leave you alone.
00:59:54Take the car and take it home.
00:59:57Thank you, Maraşlı.
01:00:00You can say that you're Mağar Hanım's son.
01:00:03Thank you, Maraşlı.
01:00:12Your belt.
01:00:16Where do you want to go?
01:00:18Doesn't my daughter wait?
01:00:19Doesn't she wait?
01:00:21Let her wait. It's her duty.
01:00:31What did I do to them? Why don't they love me?
01:00:35They love you. Why don't they love you?
01:00:38It's like I'm the culprit of everything.
01:00:42Did I kill Ms. Sedef?
01:00:50Mahur couldn't stand her mother's death. You know that.
01:01:02I spoke badly to your daughter, didn't I?
01:01:05Unfortunately.
01:01:11Were you angry with me?
01:01:12Were you angry with me?
01:01:15It will pass.
01:01:18It will all pass. Don't worry.
01:01:28Yes?
01:01:29Mr. Aziz.
01:01:31What do you want again?
01:01:33How did you use the time I gave you to understand how reasonable I am?
01:01:37Look at me, animal. Listen to me very well.
01:01:39You will fall from my daughter's collar. Do you understand?
01:01:41Otherwise, I will kill you with my own hands.
01:01:44You are very brave.
01:01:46Am I?
01:01:47Give me that address. Let's see who is brave.
01:01:52You won't come with the police, will you?
01:01:54No. Give me that address. Give it to me.
01:01:56Give it to me. I'll come myself.
01:01:58Aziz, calm down.
01:02:02Okay, I like this move. I'll meet you.
01:02:05I'll send you the address.
01:02:10It was a war, wasn't it?
01:02:11Yes.
01:02:12Aziz, calm down, please.
01:02:14I'll come with you.
01:02:15What's that?
01:02:16It will all pass. I'll come with you.
01:02:17Elan, don't leave your father alone.
01:02:19Okay, don't worry. I'm with you.
01:02:32My mother got sick while I was studying abroad.
01:02:36I didn't know.
01:02:37They didn't tell me.
01:02:40Actually, my mother didn't want me to study.
01:02:44She was afraid that I would drop out of school.
01:02:47She was afraid that I would go back.
01:02:51But I would come, of course. I mean, I wouldn't care about school.
01:03:02Aren't you going to say anything?
01:03:04Aren't you going to say anything?
01:03:08What should I say?
01:03:11I don't know.
01:03:13Aren't you going to ask any questions?
01:03:16But now you're saying that my job is not to ask questions, but to protect you, right?
01:03:22My job is not to ask questions, ma'am. It's to protect you.
01:03:31Sit down.
01:03:32No, I'm not going to sit down. I feel more comfortable now.
01:03:36Sit down, please.
01:03:58Is your mother alive?
01:04:02She's alive.
01:04:07Mine is dead.
01:04:10May heaven be your abode.
01:04:14Of course.
01:04:16Those who go to heaven are in heaven, and those who stay in hell are in hell, right?
01:04:23Death is the command of God, ma'am.
01:04:25There's nothing to do.
01:04:28Are you always like this?
01:04:30How?
01:04:32I mean, you've read so many books, people expect bigger words from you.
01:04:39Like aphorism or something.
01:04:42I didn't read much, actually.
01:04:45But you're right.
01:04:47I was trying to sell them.
01:04:48I was trying to sell them.
01:05:00You may be the strangest man I've ever met, you know?
01:05:09Let's say I feel like I am.
01:05:14It's hard to find someone like you at a time like this, Maraşlı.
01:05:19You're a generation that tries to act like we don't exist.
01:05:25It's hard.
01:05:28At the end of the day, no matter what anyone does,
01:05:33that's what a person is.
01:05:37That's too heavy.
01:05:38That's too heavy.
01:05:45My father always used to tell me this.
01:05:50Be one of the people among the people.
01:05:55It may seem simple, but it has a deep meaning.
01:05:59What does it mean?
01:06:02It means, don't be a nuisance.
01:06:05Don't be a nuisance.
01:06:07Act like everyone else, but be yourself.
01:06:10For example,
01:06:12imagine an apple tree.
01:06:15When you look at it from the outside, all the apples are the same, right?
01:06:21But if you look inside,
01:06:24some are sour, some are sweet.
01:06:28Some are red, some are green.
01:06:31Some are rotten.
01:06:33But inside, they're all apples.
01:06:36Do you understand?
01:06:38You've talked too much, Maraşlı.
01:06:41You should rest a little.
01:06:44It's not good to talk too much, lady.
01:06:47It's good to talk a little.
01:06:54It must be my father.
01:07:03Yes?
01:07:05Mahur, how are you?
01:07:07I'm fine. How are you?
01:07:09I'm fine. We're in Evro. We're having a party.
01:07:12No, I don't feel well.
01:07:15Look, the atmosphere is nice. Are you sure?
01:07:17I'm sure. I'm sure. Next time.
01:07:25Come on, lady. I'll drop you home.
01:07:28No, I'll stay in the studio today.
01:07:30That's not possible.
01:07:33You're the only one who doesn't interfere with my life.
01:07:39Open the door.
01:07:41No, it's not from far away.
01:07:45I see.
01:08:02I'm sorry.
01:08:11That bastard.
01:08:13He says he's a devil.
01:08:15Dad, calm down.
01:08:17Mahur is calling. Where is he? Let him come home.
01:08:28Yes, brother?
01:08:30Where are you, Mahur? Come home.
01:08:32As long as I'm at that woman's house, this will continue.
01:08:35That's why I'm not coming anywhere.
01:08:37Don't talk about that woman. Calm down.
01:08:39Brother, what are you saying?
01:08:41What did he say to me? Are you going to defend him now?
01:08:44Mahur, don't exaggerate. What did the woman say?
01:08:46What do you mean, what did she say?
01:08:48She said, where were you when your mother was dying?
01:08:51Whose side are you on, brother?
01:08:53Mahur, accept this marriage now.
01:08:55Brother, I'm hanging up. I have work to do.
01:09:02I'm hanging up.
01:09:14Can you take me to Etiler?
01:09:17Where did you get that from?
01:09:19I'm going to find my friends.
01:09:33Don't wait, you go. I'll stay here tonight.
01:09:36Are you sure?
01:09:38Yes.
01:10:03What are you doing here?
01:10:05You don't look good. Did you cry?
01:10:07It was a difficult night.
01:10:09Come, let's dance.
01:10:17Are they going to see my face?
01:10:19No, they're going to see your face.
01:10:21I'm not going to see your face.
01:10:23I'm not going to see your face.
01:10:25I'm not going to see your face.
01:10:27I'm not going to see your face.
01:10:29I'm not going to see your face.
01:10:31Are they going to see my face?
01:10:34I need something to drink.
01:10:36I'll go get something.
01:11:00I'll go get something.
01:11:30I'm not going to see your face.
01:12:00I'm not going to see your face.
01:12:31I'm going to see your face.
01:12:37I'm going to see your face.
01:13:00I'm going to see your face.
01:13:10Where were you when your mother died, Mahur?
01:13:12When she was dying?
01:13:31I'm going to see your face.
01:13:33I'm going to see your face.
01:13:47Don't make a scene in front of me.
01:13:54Mahur, are you okay?
01:13:56Mahur.
01:14:00Get out of the way.
01:14:01Maura, are you all right?
01:14:05I'm fine. I'm fine.
01:14:07Let me take you home.
01:14:09No, I can't. I can't go home.
01:14:12Okay.
01:14:13I can't go home. No, I can't.
01:14:15Can I leave you with your friend?
01:14:23Come here.
01:14:30Don't get out of the car.
01:14:46I thought you wouldn't come.
01:14:47I thought the same for you.
01:14:50I'm a bad guy. I have to be fearless.
01:14:52Not fearless, but more like heartless.
01:15:01What do you want from my daughter?
01:15:02I don't care about your daughter. I want the photos.
01:15:05The photos are not with my daughter.
01:15:07I don't think so.
01:15:09You'll leave my daughter alone.
01:15:10No matter what you're after,
01:15:12you'll never get close to her again.
01:15:15If you give me what I want, I'll stay away.
01:15:18Otherwise...
01:15:19Otherwise what?
01:15:21Otherwise what?
01:15:22We'll send your daughter to her mother.
01:15:26I'll kill you.
01:15:27I'll kill you and bury you here.
01:15:30Go.
01:15:41Dad, what are you doing?
01:15:44You have no idea what a father kills for his sons.
01:15:48Do I look like someone who is afraid...
01:15:51...when he has a gun to his chin?
01:15:53You're disappointing me.
01:15:55No matter how much you're afraid, you'll just die.
01:15:57Let's say you killed me.
01:15:59How do you know that I'm not going to kidnap my men's daughter and throw her in a dumpster?
01:16:03I'll kill you! I'll kill you!
01:16:05I'll kill you!
01:16:11Put the gun down.
01:16:18Abbas, you too. Put the gun down.
01:16:30The photos are not on my daughter.
01:16:32Not on the list either.
01:16:37Did you ask Maraş?
01:16:38Where did he come from?
01:16:39He was there that day. He might have taken it without anyone noticing.
01:16:43I'm even sure of that.
01:16:45How do you know that?
01:16:47Let's say I trust my instincts.
01:16:51If you want your daughter to live, I'll give you another 24 hours.
01:16:54I won't meddle with the rest. Take the photos and come.
01:16:59I won't let you live no matter what.
01:17:02I swear I'll kill you.
01:17:04No matter how expensive it is.
01:17:06You don't look like a stupid man.
01:17:08My time has started.
01:17:15Let's go, sir.
01:17:29Let's go.
01:17:44Where are we going?
01:17:46Home.
01:17:47We're not going home.
01:17:49We're not going home. My father saw me like this.
01:17:59We're not going home.
01:18:10Good evening, Mr. Celal.
01:18:12I see you have an application for a loan.
01:18:15When will you be here to deliver the necessary documents?
01:18:19We have to wait a little longer.
01:18:23Of course.
01:18:25Then I'll take your application and wait for your return.
01:18:28Okay.
01:18:31Thank you for your time, Mr. Celal.
01:18:34Good evening.
01:18:36Thank you.
01:18:52Hello, Mr. Aziz.
01:18:54Where are you in Maraş? We need to meet urgently.
01:18:57We're in the studio. Mrs. Mahur has things to do.
01:19:00We need to meet. I'm telling you it's important.
01:19:04I can't leave Mrs. Mahur now.
01:19:07I'm telling you it's urgent. We need to meet immediately.
01:19:10There is no danger for Mahur for now.
01:19:12I met with Savaş.
01:19:15What did you do?
01:19:17I met with Savaş.
01:19:19What did you do?
01:19:21See you at your house in half an hour.
01:19:24Okay, Mr. Aziz.
01:19:26What's going on?
01:19:45What's going on, son?
01:19:47What's going on?
01:19:49Don't ask me now.
01:19:51Is Mrs. Mahur sick?
01:19:53No.
01:19:56Come here.
01:20:02Come here.
01:20:04Slowly.
01:20:06Slowly.
01:20:20Are you okay?
01:20:23Take them out.
01:20:25Take them out.
01:20:35Are you better?
01:20:37Come here.
01:20:46Okay.
01:20:56Where am I?
01:20:58In my hand.
01:21:03What have I done?
01:21:05You didn't do anything.
01:21:07What have I done?
01:21:09Don't worry. You're safe.
01:21:11It's over.
01:21:14It's over.
01:21:17Did he drink?
01:21:19Yes, ma'am.
01:21:26Change my clothes.
01:21:28Okay, I'll do it.
01:21:31Who's coming at this hour?
01:21:33Mr. Aziz is here. His father.
01:21:35He doesn't know you're here. Don't say anything.
01:21:37What's going on?
01:21:39Do what I say.
01:21:41Okay.
01:21:46Zeliş.
01:21:48Why did you get up?
01:21:50Lie down.
01:21:52I'll come to you.
01:21:54I'll come to you.
01:21:56Okay?
01:21:58Come on.
01:22:00Well done, my father.
01:22:02Come on.
01:22:08Come out with the car.
01:22:10Let's talk.
01:22:12Okay.
01:22:17Mr. Aziz, what are you doing here?
01:22:20You have the photos.
01:22:22Excuse me.
01:22:29Are you okay?
01:22:31My daughter.
01:22:35Stop.
01:22:53When did you get the photos?
01:22:57Dad.
01:23:00Since yesterday.
01:23:02I took the case from you.
01:23:04How could you not tell me, Maraşlı?
01:23:06My daughter was being killed because of those photos.
01:23:08If there is a case, let me solve it.
01:23:11Even if we give the photos, Mrs. Mahur knows the man.
01:23:15I don't know him.
01:23:17I don't know him.
01:23:19I don't know him.
01:23:22Do you think I'll leave him alone?
01:23:26I talked to the man.
01:23:28Bring the photos.
01:23:33Okay.
01:23:35If you don't hide anything from me again, you're good.
01:23:51Okay.
01:24:17Come in.
01:24:21You didn't make a copy, did you?
01:24:23If you did, give it to me.
01:24:25I don't want to expose the man.
01:24:27I didn't.
01:24:30Good night.
01:24:51Good night.
01:24:58Couldn't you sleep? Are you okay?
01:25:01I have a stomachache.
01:25:03If you drink this much, you'll get sick.
01:25:05Why did you have to?
01:25:10I'm bored.
01:25:13Alcohol doesn't solve any problems.
01:25:15If it did, I'd be an alcoholic.
01:25:17Come on, go to bed.
01:25:20I'm going out to the garden to get some fresh air.
01:25:25Is that a problem for you?
01:25:27No, but at this hour?
01:25:29It's cold.
01:25:32Okay, sure.
01:25:45Are the photos really in Maraşlı?
01:25:47Yes.
01:25:49Is he crazy?
01:25:51He wanted to take the trouble on himself.
01:25:53I'll start his trouble.
01:25:55We were almost dying.
01:25:57Let's give him whatever he wants.
01:25:59Calm down.
01:26:01We'll take care of it.
01:26:03We'll get rid of this trouble tomorrow.
01:26:07Did you talk to Mahur?
01:26:09No, why?
01:26:11I asked.
01:26:17Okay.
01:26:40Your father is calling.
01:26:42He thinks we're in the studio.
01:26:44He wants to talk.
01:26:47Yes, dad.
01:26:49Where are you?
01:26:51I'm in the studio.
01:26:53Still?
01:26:55Yes.
01:26:57The shooting took a long time.
01:26:59The light bulb exploded.
01:27:01I'm going to wake up early.
01:27:05Are you okay?
01:27:07You don't sound well.
01:27:09No, I'm fine.
01:27:11I'm better.
01:27:13How is Firuze?
01:27:15She's sad.
01:27:17Mind your own business.
01:27:19We'll talk when you get home.
01:27:21Okay, dad.
01:27:23I'm sorry.
01:27:25Okay.
01:27:46Here.
01:27:47You'll feel better.
01:27:49What is this?
01:27:50Salep.
01:27:52No, I don't have to drink anything right now.
01:27:55Drink it.
01:27:57You'll feel better.
01:28:16Do you want to sleep?
01:28:19I don't.
01:28:21Okay.
01:28:23Sleep.
01:28:25Go inside. Don't wait for me.
01:28:27No.
01:28:29I can't sleep when you're here.
01:28:31Okay.
01:28:33Stay then.
01:28:46They're young. They're having fun.
01:28:48They're young, but we're young too.
01:28:51We didn't do anything stupid.
01:28:56Anyway.
01:29:02We don't have to talk.
01:29:05Come on.
01:29:09You're not bored, are you?
01:29:11No.
01:29:13You don't have to amuse me.
01:29:15Yes.
01:29:19I mean...
01:29:24If I knew, I'd tell you a joke or two.
01:29:26But I don't know that either.
01:29:29I'm sure you'd tell it badly anyway.
01:29:34After all, it's an art, isn't it?
01:29:39Yes.
01:29:42Yes, of course.
01:29:59Where are you, Aziz?
01:30:01You left with a gun. I was so worried.
01:30:03Okay, honey. It's over.
01:30:05It's over, is it?
01:30:07Do you have a child in front of you?
01:30:09Do you have a child in front of you? Are you cheating on your child?
01:30:11Firuzen, I said okay.
01:30:13Okay. Let's not take it any longer.
01:30:22Your daughter hasn't come yet. Maybe you're wondering.
01:30:25I know. I called her.
01:30:27She's at the studio.
01:30:32So you called your dear daughter and let her know.
01:30:35But you didn't even think of calling your wife, did you?
01:30:39Well, you're at home.
01:30:41She's outside.
01:30:43Besides, her life is in danger, not yours.
01:30:45You left with a gun in your hand.
01:30:47I don't know what you did. I don't know where you went.
01:30:49I was so worried. I died here.
01:30:51Okay, okay. I'm sorry, okay? I'm sorry.
01:30:53Don't touch me, Aziz.
01:31:02You made me feel worthless enough.
01:31:06Thank you.
01:31:29Are you feeling better?
01:31:32Are you okay?
01:31:34What do you mean?
01:31:37In every sense.
01:31:41I'm a little nauseous.
01:31:44I mean, I don't want to say it, but...
01:31:46Drinking so much...
01:31:48Halil...
01:31:50Well, sometimes life is about wrong choices.
01:31:52Right?
01:31:54Life is about some results.
01:32:05What the hell is he doing?
01:32:07What the hell is he doing?
01:32:09He's going to kill himself.
01:32:11Get out of the way. He's going to kill himself.
01:32:13Get out of the way.
01:32:15You're making too much noise.
01:32:17Who are you? Are you the police officer of this neighborhood?
01:32:23Look at that.
01:32:27What the hell is he doing?
01:32:29He's going to kill himself.
01:32:31He's going to kill himself.
01:32:33He's going to kill himself.
01:32:36What the hell are you doing at this hour of the night?
01:32:38What's your problem?
01:32:40It's 2.30 at night.
01:32:42You're in a neighborhood right now.
01:32:44There are people sleeping here.
01:32:46There are patients. There are babies.
01:32:48You're listening to music in the car.
01:32:50Let them wake up. What do we care?
01:32:54Get out of the way.
01:32:56Are you going to kill yourself?
01:32:58Look, brother.
01:33:00I have a sick daughter.
01:33:02She's very sensitive.
01:33:04If she wakes up now, she'll cry.
01:33:06If she cries, I'll be very sad.
01:33:08When I'm sad, my nerves are broken.
01:33:10I'm looking for someone to hit.
01:33:12You're the one I'm going to hit.
01:33:14No.
01:33:16Experts don't recommend it at all.
01:33:18Okay, let them go.
01:33:20Don't make a scene at night.
01:33:28You go inside.
01:33:30Okay, let them go.
01:33:32Come on.
01:33:38Calm down.
01:33:44Give me two minutes.
01:33:46I'll be right there.
01:33:48I'm coming.
01:33:56Good night.
01:33:58Can you send an ambulance to İncir Street?
01:34:00Please.
01:34:02Yes.
01:34:04There are three young friends here.
01:34:06They seem to have been brutally beaten.
01:34:08Yes.
01:34:12Someone's head is bleeding.
01:34:14I understand.
01:34:20The other's arm is broken.
01:34:22The other's leg is broken.
01:34:24Yes.
01:34:26Okay.
01:34:28They seem to be in a lot of pain.
01:34:36Please hurry up.
01:34:38They'll die now.
01:34:40You're in a lot of danger.
01:34:42Okay.
01:34:44Good night.
01:34:48Come here.
01:34:50Brother, where are you from?
01:34:52Kahramanmaraş.
01:34:54My brother-in-law's uncle's boss was also from Kahramanmaraş.
01:34:56Look, we're on the ground.
01:34:58People can't stay on the ground, can they?
01:35:02Then let's go, brother.
01:35:04Please.
01:35:14You made a good deal by talking.
01:35:24Here you are, ma'am.
01:35:26Do you think it's a good deal or a bad deal?
01:35:28It's a good deal.
01:35:54It's a good deal.
01:36:24It's a good deal.
01:36:54It's good.
01:37:24Zeliş.
01:37:34Zeliş.
01:37:36Zeliş.
01:37:38Zeliş.
01:37:44Zeliş.
01:37:46We're in the garden.
01:37:54Good morning.
01:37:58Good morning.
01:38:08I made this swing.
01:38:12Zeliş never rode it.
01:38:14It looks like he's having a lot of fun.
01:38:20I woke up a little early.
01:38:22Zeliş got up, too.
01:38:24We wanted to go to the garden.
01:38:28You did a great job.
01:38:34Zeliş.
01:38:36Good morning.
01:38:38Good morning.
01:38:40I bought bread from the bakery.
01:38:42You're great.
01:38:44I'm surprised.
01:38:46Come here.
01:38:48Come here.
01:38:50You're so sweet.
01:38:52I think it's because of you.
01:38:56We met at your father's shop.
01:39:00I loved you so much.
01:39:04I loved him, too.
01:39:06How can you not love him?
01:39:12Come here.
01:39:14You're so sweet.
01:39:20I love you, too.
01:39:24What did you say to my father last night?
01:39:28I didn't go home.
01:39:30I said I'd be back in the morning.
01:39:34You're a partner in crime.
01:39:36Congratulations.
01:39:38It's not funny.
01:39:40Why?
01:39:42I know how to drink twice.
01:39:44But I don't know how to drink and lose myself.
01:39:46I don't understand.
01:39:48Don't judge me.
01:39:50Do you know what I've been through?
01:39:52Everyone suffers.
01:39:54This is not the way to deal with it.
01:40:00Did you think about what your mother would say to you if she saw what happened yesterday?
01:40:02What do you care?
01:40:04What do you really care?
01:40:08Do you know what I've been through?
01:40:10I'm glad you saw something.
01:40:12Go tell my father.
01:40:14He was going to kill himself.
01:40:16I'm not a gambler. I'm telling you.
01:40:18Don't tell me anything.
01:40:20Do you know what I've been through?
01:40:22I don't know.
01:40:34They shot my daughter.
01:40:36The man who shot her had a gun longer than my daughter's neck.
01:40:38Do you know that?
01:40:40Pains don't compete.
01:40:42Everyone's pain is their own.
01:40:44But there's a reason to deal with pain.
01:40:48Your way doesn't fit this reason.
01:40:54That's why I told you.
01:41:12I love you.
01:41:14I love you.
01:41:40Welcome, Mrs. Mahur.
01:41:42Thank you.
01:41:44Mahur, are you okay?
01:41:46Let's talk.
01:41:48No, I'm tired.
01:41:50Let's talk later.
01:41:56Are you okay, Mahur?
01:41:58I'm fine.
01:42:00I worked a little too hard yesterday.
01:42:02I'm tired.
01:42:04No problem.
01:42:06Okay.
01:42:08Your father is waiting for you in the garden.
01:42:12Okay.
01:42:20Mr. Maraşlı.
01:42:22Welcome.
01:42:24Hello.
01:42:26Are we ready?
01:42:28Yes.
01:42:30Excuse us.
01:42:32I'm jealous.
01:42:38What did you do?
01:42:40Are you going to meet this man?
01:42:42Yes.
01:42:44I'll meet him in two hours.
01:43:10What are you laughing at?
01:43:12Sometimes I'm surprised.
01:43:14How do you and Libido fit in this house?
01:43:18I won't stop being jealous.
01:43:20The curtain has been raised.
01:43:22The curtain of truth.
01:43:30What's wrong with Mrs. Mahur?
01:43:32Why do you ask?
01:43:34She cried a lot last night.
01:43:36They had an argument.
01:43:38They argued with Firuze.
01:43:40She couldn't accept it.
01:43:44I see.
01:43:58You have the photos.
01:44:00I told you.
01:44:02Here you are.
01:44:04How do you hide this from me?
01:44:06My daughter was dying because of those photos.
01:44:08Even if we give the photos,
01:44:10how do we know that this man will go after this?
01:44:12I talked to the man.
01:44:32What are you doing?
01:45:02Hello, good day.
01:45:04I was going to report.
01:45:14If you ask me,
01:45:16we're not doing anything right.
01:45:18He'll finish it.
01:45:32I have what you want.
01:45:36I started to like dealing with you.
01:45:40It's better for you, brother.
01:45:42You'll live longer.
01:45:54Look at me, Adil.
01:45:56Look at me, Adil.
01:46:00While you're watching this video,
01:46:02I'll have already given those photos to the prosecutor.
01:46:06The police will have already set off.
01:46:08And you will pay for the murder you committed in prison.
01:46:10Do you understand me?
01:46:16Did you set us up?
01:46:20Gentlemen.
01:46:22The only thing I'm going to tell you is,
01:46:24I don't want you to go out.
01:46:26This is the only thing I'm going to tell you.
01:46:34I'm sick.
01:46:54I'm sick.
01:47:24I'm sick.
01:47:42You'll pay for it.
01:47:44Did you like my video?
01:47:54Yes.
01:48:06What are you doing?
01:48:08You didn't do anything right.
01:48:10Such men get involved in these things.
01:48:12Maybe this is the best.
01:48:14So the judges and prosecutors will deal with us, right?
01:48:16The man will think we set him up now.
01:48:18Dad, why should we set him up?
01:48:20He committed a murder.
01:48:22He will pay for it.
01:48:24I don't think so.
01:48:26Of course you don't.
01:48:28What happened? Are you unemployed?
01:48:36We don't need you anymore, Mr. Celal.
01:48:38There's nothing to do.
01:48:40If I were you, I would increase the number of guards.
01:48:42Why?
01:48:44The man is in prison now.
01:48:46What else can he do?
01:48:48I think he can get out.
01:48:50It's your job from now on.
01:48:52Mr. Aziz.
01:48:54We don't have to wait for now.
01:48:56They said the interrogation would take hours.
01:48:58They will call you.
01:49:00Can I go now?
01:49:02Yes, for now.
01:49:04Thank you for everything.
01:49:06You or your daughter.
01:49:08Whenever you need anything,
01:49:10the door is always open.
01:49:12Thank you.
01:49:14Yes.
01:49:16We can arrange a job in our company.
01:49:18In security or something.
01:49:20How is your nose?
01:49:22Does it hurt?
01:49:24My head is a little stiff.
01:49:34Get well soon, Mr. Celal.
01:49:36You got rid of me.
01:49:38Not at all, Mrs. Mal.
01:49:40Not at all.
01:49:42Not at all.
01:49:56This is for you.
01:50:06You found it.
01:50:08I did.
01:50:10I forgot to tell you.
01:50:20Thank you, Maraşlı.
01:50:24You're welcome, Mrs. Mal.
01:50:26You're welcome.
01:50:38I'll get out of here, Maraşlı.
01:50:40When I get out,
01:50:42you'll spend your days in Afghanistan with me.
01:50:44Tell me, Maraşlı.
01:50:46Who are you?
01:50:48Did you kill anyone?
01:50:50How did you become a soldier?
01:50:52Where did you serve?
01:50:54Did they give you the name Maraşlı as a soldier?
01:50:58You didn't tell me where you served.
01:51:00Hakkari, Şırnak, Diyarbakır,
01:51:02Syria,
01:51:04Turkey,
01:51:06Turkey,
01:51:08Turkey,
01:51:10Turkey,
01:51:12Diyarbakır, Syria,
01:51:14Palestine,
01:51:16Afghanistan.
01:51:18Afghanistan.
01:51:30Mrs. Mahur.
01:51:32Mrs. Mahur.
01:51:34What happened again?
01:51:36I guess he'll ask for money.
01:51:38Don't be ridiculous, Ozan.
01:51:40His name is important.
01:51:42Okay.
01:51:44I'll be right there.
01:51:46You can wait in the car.
01:51:50What happened, Maraşlı?
01:51:58Someone from your family.
01:52:00What family?
01:52:02Someone who wants to kill you.
01:52:04Someone from your family.
01:52:10Someone from your family.
01:52:20Someone from your family.
01:52:22Someone who wants to kill you.
01:52:24Someone from your family.
01:52:40Tell us about your wound.
01:52:42Our car hit a mine in Çukurca.
01:52:46We have five martyrs.
01:52:50You?
01:52:52I was in a coma for nine days.
01:52:54Forty-nine.
01:52:58Forty-six.
01:53:22Forty-nine.
01:53:24Forty-nine.
01:53:52Forty-nine.
01:53:54Forty-nine.
01:53:56Forty-nine.
01:53:58Forty-nine.
01:54:00Forty-nine.
01:54:02Forty-nine.
01:54:04Forty-nine.
01:54:06Forty-nine.
01:54:08Forty-nine.
01:54:10Forty-nine.
01:54:12Forty-nine.
01:54:14Forty-nine.
01:54:16Forty-nine.
01:54:18Forty-nine.
01:54:20Forty-nine.
01:54:22Forty-nine.
01:54:24Forty-nine.
01:54:26Forty-nine.
01:54:28Forty-nine.
01:54:30Forty-nine.
01:54:32Forty-nine.
01:54:34Forty-nine.
01:54:36Forty-nine.
01:54:38Forty-nine.
01:54:40Forty-nine.
01:54:42Forty-nine.
01:54:44Forty-nine.
01:54:46Forty-nine.
01:54:48Forty-nine.
01:54:50Forty-nine.
01:54:52Forty-nine.
01:54:54Forty-nine.
01:54:56Forty-nine.
01:54:58Forty-nine.
01:55:00Forty-nine.
01:55:02Forty-nine.
01:55:04Forty-nine.
01:55:06Forty-nine.
01:55:08Forty-nine.
01:55:10Forty-nine.
01:55:12Forty-nine.
01:55:14Forty-nine.