Varshangalkku Shesham 2024 Malayalam HDRip Movie Part 2
Category
🎥
Short filmTranscript
00:00Keshavadev, sir.
00:04Not Keshavadev.
00:06J.N. Keshavadev.
00:12I've heard a lot of stories about the super-hits you did for my father.
00:16From the day my father died to the day I was born.
00:20What's the point of saying that Keshavadev is my father,
00:24if I'm not with you when you need me?
00:30Keshavadev.
00:52Shall we begin?
00:54Yay!
00:58We can reduce the set work to the maximum.
01:00We can shoot the indoor scenes at the actual location.
01:03There will be multiple shifts.
01:05But if we work together, we can do it.
01:08Not together.
01:10I don't think so.
01:11In this film, the assistant directors, camera assistants, costume assistants, art assistants,
01:15will be paid.
01:17In addition to the salary, you'll get Rs. 1,000 as an additional bonus.
01:21But...
01:23But if you want to get this bat,
01:25you'll have to finish at least 2 scenes on the day after the chart.
01:31Yeah!
01:33That's it!
01:35What if I finish 2 scenes on the day after?
01:37The shoot will end 10 days before that.
01:39J.N. will make at least Rs. 30 lakhs.
01:42So what if he's a bat?
01:44He's not like his father. He's a brainless fool.
01:47His mother must have raised him.
01:49We don't need a jimmy-jib, track-and-rolling, kundu or kodachakra.
01:53All we need is a good gimbal with no stability issues.
01:57Okay.
01:58Doesn't the camera work in low light?
02:00It works in low light, but not in low light.
02:04I've seen more than 30 films in the last 4 years.
02:07All good music directors do the same thing.
02:11They blend traditional music with many genres of western music.
02:16That's what I'm going to do.
02:18But in a different way.
02:20In my own way.
02:48If you don't have a good body, you'll be a fool.
02:53Annie's son is very healthy.
02:57If you go out for something unnecessary, he'll beat you up.
03:03Don't be silly.
03:04How can you think like this at this age?
03:07I see a good side value on both sides.
03:11I think it's a very bad idea.
03:14What do you think?
03:15I'll tell John that what's happening here is not composing.
03:22Enough, Pradeep. Let's go.
03:24This won't work out.
03:26We don't need big stars.
03:28We need a hero who is known to run a business.
03:36I can hear the story.
03:38But the payment will be tight.
03:402 crores?
03:41We've been together for 4 years.
03:43Tell me the truth.
03:44We're doing housework.
03:46Is there anything like KGF?
03:48I want to keep drinking from the beginning to the end.
03:51Oh! Pan Indian.
03:52I'll tell you when I get it.
03:54Did you get it?
03:55I'll get it soon.
03:56Don't do anything stupid.
03:57What happened?
03:58Let's go to the Himalayas tomorrow.
03:59We can't come down from the Himalayas.
04:01Let's go down to Europe.
04:03He's there now.
04:04He's out of town now.
04:05He's waiting there.
04:07These guys...
04:08What happened?
04:09My dear sir,
04:10when you have to act,
04:11you have to walk up and down the hill.
04:13That's life.
04:14What's wrong with them?
04:16I can't walk here.
04:18That's the Himalayas.
04:20I can't live like this.
04:22Velu sir.
04:23Only one guy is available.
04:25He's a good actor.
04:26But his last film was a flop.
04:28He has a small satellite value.
04:30He's good in the overseas market.
04:32What's his name?
04:33Nitin Mouli.
04:36How does he work?
04:38He's a good guy.
04:39He gets angry and leaves.
04:41He'll come back as soon as he's called.
04:43Nitin Mouli.
04:44Mouli is his mother, right?
04:46His full name is Nitin Mulanthurathi.
04:48Mulanthurathi is his daughter.
04:50Okay.
04:52Velu sir.
04:53Let's go and see.
05:09It is time to listen.
05:11Time to listen.
05:13It is here.
05:15It is here.
05:17It is here.
05:19It is here.
05:21It is here.
05:23It is here.
05:25It is here.
05:27It is here.
05:29It is here.
05:31It is here.
05:33It is here.
05:35It is here.
05:37It is here.
05:39It is here.
05:41It is here.
05:43It is here.
05:45It is here.
05:47It is here.
05:49It is here.
05:51It is here.
05:53It is here.
05:55It is here.
05:57It is here.
05:59It is here.
06:01It is here.
06:03It is here.
06:05It is here.
06:07It is here.
06:09It is here.
06:11It is here.
06:13It is here.
06:15It is here.
06:17It is here.
06:19It is here.
06:21It is here.
06:23It is here.
06:25It is here.
06:27It is here.
06:29It is here.
06:31It is here.
06:33It is here.
06:35It is here.
06:37It is here.
06:39It is here.
06:41It is here.
06:43It is here.
06:45It is here.
06:47It is here.
06:49It is here.
06:51It is here.
06:53It is here.
06:55It is here.
06:57It is here.
06:59Nothing.
07:01Can I take the video?
07:03Why so?
07:05There is no story that
07:07I haven't heard in my 8 years of...
07:09...career.
07:11Nothing.
07:13And about the date.
07:15I'll manage that.
07:17Okay sir.
07:19Mr. Panesh.
07:21The schedule is good.
07:23Some adjustments are needed.
07:25Among the dates you gave me,
07:273 inaugurations, 2 mammoothies, 1 rice.
07:30Rice is not a problem.
07:31Give him the rice, he'll eat it and come back.
07:34What's the use of having mammoothies and rice?
07:36Just bless the kids, they'll get money.
07:39All black.
07:40Very nice.
07:42Thank you, chef.
07:42Is everything okay?
07:43Yes, sir. Thank you.
07:46Then why are you standing here?
07:48I don't like to see the film crew while I eat.
07:52Can I eat with peace of mind, please?
07:55Sir, please eat.
07:56Call him and give him the phone.
08:00Start the car.
08:11It's the day of the shoot.
08:13Let's go to the temple and pray.
08:15Here's the offering.
08:17Where's Gopal?
08:21Ready.
08:22Ready.
08:24Clap in.
08:26Sound.
08:27Rolling.
08:28Roll camera.
08:29Rolling, sir.
08:31Action.
08:36Cut.
08:47Hello.
08:48Hello.
08:50Yes, the film is about to start.
08:52Thank you. I'll call you.
08:55I'll be right back.
08:57Mr. Gopal, are you ready?
08:59Ready.
09:00Start, action, cut.
09:01Do you remember all that?
09:02When he jumps into the pond, will you jump too?
09:04I've heard it somewhere.
09:05I know my job very well.
09:08I know you do a good job.
09:10Come.
09:17What's this, sir?
09:19After meeting such a senior director,
09:21can't you wish them a good morning?
09:23At least smile.
09:25You'll see tomorrow.
09:34I have cholesterol.
09:35Here, sir.
09:36What about this?
09:37This.
09:37Blood thinner.
09:40Did you take the insulin?
09:41Not insulin. I'll take it tomorrow.
09:43I'll call my sister and tell her.
09:44I'll take it today. Let it be for a while.
09:45Okay.
09:46Don't mix the peanuts, laddu and honey.
09:51Okay?
09:51I'll have an orange juice.
09:52Okay, sir.
09:53I'll leave it for that.
09:54Is he the boss or am I the boss?
09:56Everything is fine.
09:58I thought it was someone else.
10:03Good.
10:05New kid in the block.
10:11Where are you going?
10:12Sir, to the location.
10:14Why are you going to the location?
10:15I'm an artist.
10:16Take me to the caravan.
10:17Okay, sir.
10:22Sir, tea or coffee?
10:23Only Pepsi.
10:24Did you get the reels?
10:26Yes, sir.
10:26Slow motion?
10:27Yes, this is also viral.
10:28Oh, crap!
10:29Did you tell him about this last time?
10:31Sir, this is the scene.
10:33Get lost.
10:34I'll break your legs.
10:35Sir, good morning.
10:36Shall we go and meet the director?
10:38The director is here now.
10:40It's okay, sir.
10:40Let's go and meet him.
10:41Come on.
10:42Where is he?
10:43Downstairs.
10:44Why didn't you come upstairs?
10:45No, I'll go alone.
10:47It's okay if the kids are here.
10:49The rest of the guys are here.
10:50That's the director, sir.
10:51Tell everyone to move from there.
10:53Good, he's young.
10:55Good.
10:56Sir, not that.
10:57Sit next to him.
10:58Move here.
10:59Move here.
11:00Move, move, move.
11:03Everything is perfect now.
11:06Which one?
11:07That old man?
11:11Damn!
11:12This is the 8th one.
11:14This is what we need.
11:15That's it.
11:16That's it.
11:17That's it.
11:18That's it.
11:20I'll go and get the make-up.
11:21Sir, can I hear the story?
11:22You'll go to hell if you hear the story.
11:27Hey!
11:28Shut up, man.
11:29Get lost.
11:31Why is there a commotion there?
11:32That's why I came here.
11:35Sir, is the framing wise okay?
11:37It's good.
11:39Pradeep, where is the artist?
11:43Isn't he the best actor?
11:44He is the best actor, sir.
11:45Youth icon?
11:46Youth icon is Mamooka.
11:48Promising talent?
11:49Sir, it's okay now. I'll come.
11:50Okay, I'll come.
11:51Okay, sir.
11:52Send the ticket.
11:53How much is it, sir?
11:55You read the script, right?
11:57Yes, I read it.
11:58He is a very friendly school teacher.
12:01Yes.
12:01So, he always keeps a smile.
12:03Yes, he keeps a smile.
12:05Which country is he from?
12:06Aluva.
12:07Aluva?
12:08But, you don't have to hold the slang.
12:10Just a little shade will do.
12:12What shade?
12:13Pradeep will show you the position.
12:15Pradeep, who is he?
12:16I am him.
12:17Yes.
12:17He is a fool.
12:18Do you want a rehearsal?
12:20For whom?
12:21If that's the case, let's go for a take.
12:23Okay.
12:24Okay, all the best.
12:25Okay.
12:26Pradeep, show me the position.
12:28He is standing in the range.
12:31What is the first shot?
12:32Sir, when you walk to the main lobby...
12:34He is not a good guy.
12:36When you walk in,
12:37look at the students in the choir group.
12:39When you walk forward,
12:40look at the teachers in the corridor.
12:42Male or female?
12:43Full male, sir.
12:44Look at the teachers,
12:45When you walk in,
12:46look at the students in the classroom.
12:48Look at one of them and change your reaction.
12:51This is the first shot, sir.
12:53Is this a single shot?
12:55Yes, sir.
12:56Take a retake and die.
12:58All the junior artists should walk like this.
13:00The choreography movement of the camera should be correct.
13:03The first shot of the film should be simple.
13:05Sir, if the first shot is complicated,
13:07the rest can be done simply.
13:09That's a new style.
13:12It's not a new style, sir.
13:13It's an old style.
13:15Get ready for take.
13:16Ask them to change the partition.
13:18It's been a long time.
13:19If you come to work in the morning, you have to work.
13:21If you come to work in the evening, you have to work.
13:23I don't understand anything.
13:24Should I fire him?
13:27Pradeep, is the sound ready?
13:29ADs, get ready.
13:30Venu sir is waiting for your call.
13:31Sound.
13:32Sound rolling.
13:34Roll camera.
13:35Rolling, sir.
13:37Clap in.
13:39Clap out.
13:40Background action.
13:41AD one.
13:42Okay, sir. Let's go.
13:44Go. Go.
13:46Action.
13:51Morning.
13:54AD two. Artist entry.
13:55Okay, copy. Sing.
14:04Good morning.
14:05Welcome.
14:09Morning.
14:10AD two. Before the artist enters the club room,
14:14AD three. Artist entry.
14:15Okay, copy.
14:20Good morning.
14:22Good morning, sir.
14:24Good morning.
14:26Sit.
14:32Cut.
14:33Relax. Retake and one more reset.
14:36Shot okay.
14:40Okay.
14:40Shot okay.
14:42Shot okay.
14:43Shot okay.
14:45My first take is okay.
14:47Mine.
14:49Sir, there's a slight speed variation here.
14:52I'll ramp that in the edit.
14:53Next, we'll add a med for this.
14:55Steady block.
14:56Didn't I tell you, sir?
14:58He's an old tiger.
15:00Make-up.
15:01Remove your sweat and freshen up.
15:04Fresh.
15:09Subin, the scene is over.
15:11Get up.
15:13Get up.
15:14Roll camera.
15:15Clap in.
15:17Clap out.
15:18Action.
15:23Cut.
15:24Cut, cut.
15:26Okay?
15:27Sir, this has to be shot subtly. Don't overdo it.
15:30Pradeep.
15:34Don't insult the artist by calling him on the mic.
15:37People know the correct performance.
15:39Sorry, sir. I'll say no more.
15:42Sir, I'm used to overdoing it.
15:45You have to overdo it.
15:47People like that.
15:49You're doing a good job.
15:52Thank you, sir.
15:53Do you want a rose?
15:54For whom?
15:59Action.
16:00This shot is okay.
16:01Are you sure?
16:02If the director doesn't like you, you can cut it like this.
16:05If he likes you, you can come up and say cut.
16:09You can come up in this.
16:10Is the shot okay?
16:12No one is going to leave.
16:14We can sit here and talk.
16:15You can go.
16:19Don't just sit there. Change your costume.
16:22Finish the scene we're shooting.
16:23I'm finishing it.
16:25Take it.
16:28The time is right.
16:29Whatever you say, it's a bat.
16:30What?
16:31It's 5 o'clock.
16:33It's only 5 o'clock.
16:34Shoot a little more.
16:36Go, go.
16:37Sir, not just today's scene,
16:38we've shot tomorrow's scene as well.
16:40How many scenes did you shoot in that day?
16:42Four.
16:43Four?
16:46Where's Vedhu sir?
16:50Don't we seem to be too far apart from each other?
16:55Isn't it?
16:57That's the power of cinema.
17:00Good morning, sir.
17:02Good morning, sir.
17:04Good morning, sir.
17:05Things went better than expected.
17:08We finished the scenes that were supposed to be done in 16 days,
17:11in just 10 days.
17:14Meanwhile, there was news that something was wrong with Jeyan's finance company.
17:18Don't worry about anything.
17:20Jeyan told me that I just have to focus on the shoot.
17:24But the shoot started on the 11th day.
17:28I can't see the end of this world
17:33I can't see the end of this world
17:36Vedhu sir!
17:38Vedhu sir!
17:39Our Jeyan.
17:53They say it was a heart failure.
17:56For the past week, there was no peace at all.
18:02The problems of the finance company were on one side,
18:07and the business of our cinema was not doing well on the other side.
18:21There's a 2.5 crore loan on the ground, dad.
18:23We haven't paid the medical insurance for the past two years.
18:26We don't even have the money to pay the discharge from here.
18:31Don't worry about all that, dear.
18:33We have the advance that you gave us.
18:35We are all with you.
18:38Jeyan is like an old man.
18:39We are just doing our best to handle the problems.
18:43Uncle, I know you're worried about what I'm saying.
18:48But when I think realistically,
18:51I don't think this ceremony will happen.
19:12Venu!
19:21Venu!
19:28Two and a half years ago,
19:30near my childhood, in a place called Pambanar,
19:33I was invited as a guest for a school festival.
19:38Radhika was there with me.
19:42A second-grade student.
19:45I still remember her name.
19:47Devika.
19:49She sang the songs from my films beautifully.
19:54Then, the local MLA.
19:58For about 15-20 minutes,
20:01he kept talking about me.
20:06I was proud to see her face.
20:11When she turned around,
20:14in the accident,
20:17her legs...
20:20With the same pride,
20:23do you know when I saw her?
20:26When she came to listen to our song.
20:31How can I tell her?
20:33My film is going to end.
20:47Without anyone's knowledge,
20:50outside the cinema,
20:52I had decided to live and die.
20:56Why did you make me dream?
21:17After that night,
21:20I never saw Murali again.
21:26Then,
21:28the film didn't run, right?
21:31It did.
21:33Because of one drunken mistake.
21:37Because of the same person.
21:41Nitin Mouli.
21:46What?
21:51How is the mutton?
21:53It's good, right?
21:55I like all the food you cook.
21:58But I don't like your taste.
22:01What happened?
22:03I'm ruined, Rishikesh.
22:05Who gave you this name?
22:07Sorry.
22:09It's okay.
22:11It's not our fault.
22:17All my hopes were shattered.
22:21Today, it was a film.
22:24Life stories.
22:27You are the part.
22:29How is it?
22:31It's just fire.
22:33Fire.
22:35You are the song. You are the script.
22:37You are the director. You are the crew.
22:39But it's like a fire.
22:43Why?
22:44Why?
22:46Why, brother?
22:49Because I am an outsider.
22:51I have no support.
22:53I have no God, Father, God damn it.
22:55That's right.
22:58I came to Malayalam cinema with the hope of making a good film.
23:02But when I came here, what is this?
23:05What?
23:07Caucus, belt, groupism, favoritism, nepotism.
23:12That's right.
23:14It's been a long time.
23:17I'm sorry again.
23:19It's okay.
23:22It's a problem.
23:26His son and his son and his son.
23:30He is making a Malayalam film.
23:32In the midst of the stress I take to make my place here.
23:37Sometimes I eat three or four more biryanis.
23:40If I put a stop to it,
23:42some social media megalomaniacs call me negative.
23:46They call me a body shaming.
23:48They make fun of me.
23:50I came all alone.
23:53Those dogs make fun of those who come alone.
23:57Those dogs who do body shaming.
24:04Kill those dogs.
24:10Phone rings.
24:12Jaya.
24:14Sir, did you see everything?
24:16What did you see?
24:18What is this?
24:20How will he face other people in the industry?
24:22How will he face nepotism?
24:24What is this?
24:26He is drunk.
24:28He checked into some star hotel and is drunk.
24:30He is not in Kuchi.
24:32I can't reach him.
24:34He is in flight mode.
24:36Is he on wifi?
24:37I'll tell you later.
24:53What is this?
24:55There is no release.
24:58They call me a body shaming.
25:00They make fun of me.
25:02I came all alone.
25:04I came all alone.
25:06Those dogs make fun of those who come alone.
25:09Body shaming.
25:12I died laughing for Nidhi's house.
25:15Those who praise Malangal should run.
25:17He can't do it.
25:19Whatever you say, it is 100% true.
25:21Film industry has totally gone to the dogs.
25:24Nidhi is a junkie.
25:26I laughed when he said that.
25:28Who did it? Where did it happen?
25:30There was a song in his song.
25:32If they release it, I'll make a release and destroy it.
25:34Body shaming is toxic behavior and it has to stop.
25:37I support Nithin Mouli.
25:39Nidhi is very brave.
25:41How is he now?
25:43He did half of what I showed in this video.
25:46He is a star today.
25:48Nidhi Mouli is a person who has struggled with us.
25:50His movie and song should be released after crowdfunding.
25:53Now let's see how salad is made.
25:56I liked that song very much.
25:58Let the movie be released.
26:00All the best Nithin Mouli.
26:01Please subscribe to my channel.
26:31He is true.
27:01Nithin sir has come down.
27:03Control the crowd.
27:05Control the girls.
27:07We can't control Nithin sir.
27:09Is there anyone behind me?
27:11There is no one, sir.
27:13Wherever you look, there is only Marathi.
27:15Isn't it this hand gesture?
27:17Every star dreams.
27:19It's all for me.
27:21When I come alone,
27:23the power increases.
27:31I am not scared.
27:34Nidhi Mouli is here.
27:37I am here.
27:45What is this?
27:47What is this?
27:51Nithin Mouli is here.
27:53Nidhi Mouli is here.
27:55Nidhi Mouli is here.
27:57Nithin Mouli is here.
27:59Nidhi Mouli is here.
28:01He's the Hollywood Nithin Mouli.
28:06The same you get in the block.
28:09Namaste.
28:13Hey, how are ya?
28:15Brother, one dialogue.
28:17Brother, one dialogue.
28:19What?
28:21That dialogue.
28:23No, no, not that.
28:26Come on, Nithin Mouli.
28:28Please say the dialogue
28:29Say it loudly, please.
28:33I'll say it.
28:35The one who came alone...
28:40The one who came alone is making fun of me.
28:43Thank you, thank you.
28:46Say the entire dialogue.
28:48Say it loudly.
28:50No, it won't work.
28:52It will work, brother. Say the entire dialogue.
28:54Say the entire dialogue.
28:56No problem.
28:58Who will call the father or mother?
29:01I was too emotional yesterday.
29:03Sorry, sorry.
29:04We don't need that emotion.
29:06Give it to those who make fun of us.
29:09Give it to them.
29:11Brother, it's not a joke.
29:15It will be a fire.
29:17It will be a fire.
29:19Long live.
29:23Long live.
29:28I'm the one who came alone.
29:32The one who came alone is making fun of me.
29:37The one who is doing body shaming is making fun of me.
29:41The one who came alone is making fun of me.
29:47How is it?
29:49Damn dogs.
29:54Brother, give me your WhatsApp number.
29:56Give me your Instagram.
29:58I won't forget it even if I die.
29:59Vanish mode, vanish mode.
30:01Damn dogs.
30:08Brother.
30:12Sir, leave the girls.
30:16I'm sorry, sir.
30:18I'm sorry, brother.
30:20This is my dream.
30:22This is my dream.
30:25Come with me.
30:27Let's go.
30:34Nithin Mouli became an overnight star by making fun of those who made fun of him.
30:39Our movie, the songs in the movie, the age of the people who made the movie became a big topic.
30:47Jaya, the money is starting again, right?
30:49Give us all the rates.
30:50I'm happy.
30:51But the old rates won't come.
30:52One crore only.
30:54Jaya, that's too much.
30:55The new rates won't come.
30:56If it's okay, you can call me.
30:57Is everyone fine at home?
30:59Okay, bye.
31:00It's not more than one crore, sir.
31:02Babu, when our movie stopped, I begged them.
31:05None of them came.
31:06Today, I'm calling them.
31:08People have to see this movie.
31:10I don't do the business of this movie for money.
31:13I'm the father of Keshavadevan.
31:15I'll decide the value of this.
31:19The satellite is on.
31:21Jacob sir, good morning.
31:22Good morning, Jaya.
31:23We discussed Jaya's proposal today.
31:25We have an offer.
31:26Tell me, sir.
31:27Seven crores.
31:28Sir, I have an offer of eight crores from JTV.
31:30Nithin Mouli is my son-in-law.
31:32If we close the deal soon, I'll get the money before the shoot starts.
31:35Can you revise this, sir?
31:36Okay, Jaya.
31:37I'll call you.
31:38Okay, sir.
31:39It's really an offer from JTV.
31:40JT.
31:41There's a coconut.
31:42Boss has reached the form.
31:45Jacob sir.
31:46Jaya, final offer.
31:47Eight crores plus...
31:48Plus?
31:49If we go above CRP 9.5,
31:5150 lakhs additional.
31:52Take it or leave it.
31:54Sir, I'll take it.
31:55Great. I'll mail you the confirmation.
31:56Okay, sir. Thank you.
31:58Boss is really great.
32:03Boss is really great.
32:04Santhosh.
32:05Jaya.
32:06What?
32:07Not a single crore.
32:0880 lakhs.
32:09I don't have that much.
32:10Please agree.
32:11I'll credit my account for 50 lakhs by evening.
32:13Then we can close the deal.
32:15Jaya, it's Guruvayoor Appan.
32:16It'll be credited in half an hour.
32:18Are you sure?
32:19I'm sure.
32:20Okay.
32:23I'm really happy today.
32:25Doctor, I'm really happy.
32:26I'll see you tomorrow.
32:27What about the analysis?
32:28I'm not in the mood.
32:29I'll see you tomorrow.
32:30I'll also come tomorrow.
32:46Congratulations, Santhosh.
33:09Congratulations, Santhosh.
33:11Congratulations.
33:12Congratulations.
33:15Congratulations.
33:43Congratulations.
33:53I've seen this box and the bag somewhere.
34:01Hello.
34:12I asked Mr. Murali to give this to you when you restarted the movie.
34:20I've marked the cue points of the background score in the copy of the script.
34:25Those are the notes of the score in the book.
34:29According to the changes in the length of the movie,
34:31I've been told what alterations to make.
34:34Basically, Mr. Murali left after writing down the background score of the movie.
35:13I've seen a lot of music directors say that they can't start a movie without getting the final reel.
35:18I don't understand how a movie that hasn't even started shooting can blend so well with the background score.
35:28It's hard to understand.
35:31There are so many things that have happened in this movie.
35:35Every song that was played was written by the people who received it.
35:40Only because of the pre-business of the movie, Jeyan paid off his debts.
35:45A movie that everyone was sure would never happen again.
35:50It was released all over the world today.
35:54Sir, did you release your movie today?
35:59Mr. Murali, it's our Friday. Are you tensed?
36:03It feels like a dream.
36:08It might be another day, Jeyan.
36:18Boss, it's me.
36:21Cigarette?
36:22I won't give you.
36:25The movie will be great. All the best.
36:34Hello.
36:35Venu sir, I'm Najeeb. I'm working in the unit.
36:37Yes, Najeeb. Tell me.
36:38I saw Mr. Murali near Erode.
36:41You saw Murali?
36:43Yes, I saw him.
36:44Where is he? Where did you see him?
36:47I'll send you his location in half an hour.
36:50Okay, sir.
36:51Okay, sir.
36:5980% of the tickets for the movie are booked.
37:03What do we do now?
37:04Venu sir, hello.
37:06Saji, I need a taxi.
37:09The booking has started.
37:11Let's go in the evening.
37:14I'll call you at the theatre.
37:18Sir, any orders?
37:19I don't want anything. Just pray for me.
37:21Sir, I'm an atheist. I don't pray.
37:23I'm happy. Go.
37:26Did we pay for all this?
37:28No, we booked the tickets.
37:30Okay, okay.
37:32Mother Narayana, God Narayana.
37:34Please understand me.
37:36Venu sir, the theatre is full.
37:38The movie will be great.
37:41Switch off the camera.
37:43Who is that?
37:44I think it's the shadow police.
37:46Sir, the movie has started.
37:49I think it's the shadow police.
37:51I think it's the shadow police.
37:55It's not a shadow. He's sleeping.
38:02Sir, in the second scene, he doesn't laugh as much as we expected.
38:12Venu sir, he doesn't get scared in our outdoor scene.
38:19Sir, there is no response from our class room and the studio.
38:24Come, let's go.
38:25Where are we going?
38:26Why don't you tell us when the movie starts?
38:32Pradeep, tell us how you feel when Nithin and the kids are in the scene.
38:37Tell us how you feel.
38:47Sir, Nithin and the kids are in the scene. It's working.
38:54One, two, three. Clap.
39:01Sir, it's a good idea.
39:03Sir, it's a good idea.
39:06There was comedy in this.
39:11Sir, our canteen scene is working. It's great.
39:18Sir, the scene in the class room is not working. People are laughing.
39:28This is my comeback.
39:31Don't make me cry. I don't know what I did wrong.
39:38Sir, this is Murali sir's location.
39:45Yes, sir.
39:47Don't send me any more messages.
39:49The movie was a success.
39:51Our movie is a super hit.
39:54Make sure of it.
40:00Yes.
40:08What are you looking at?
40:09It's the magic of the movie.
40:13Don't look at me anymore.
40:18I'm back, baby.
40:20It's been so many years since I saw you.
40:24Yes, he's back.
40:27Hold him.
40:29He's a genius.
40:30He's a genius.
40:32The movie was a hit.
40:34It was a hit.
40:36It was a hit.
40:37The song was great.
40:40I'll be back.
40:43Murali sir, play the music.
40:45Everyone is calling you from the theatre.
40:47The people are waiting outside the theatre.
40:49They're waiting for your feedback.
40:50What did you say?
40:51He said it was great.
40:52They don't know that I'm the producer.
40:56I got Murali's location.
40:58I'm going to Tamil Nadu.
40:59Oh, God.
41:01Sir, come with me and see the movie.
41:04We've worked so hard.
41:06Jaya, I'm going to see this movie in the theatre first.
41:09I'll be with him.
41:12That's my decision.
41:14You go and see the movie.
41:16Then come out.
41:17Look at all the cameras.
41:19Open your heart and say,
41:21this is your movie.
41:23Okay.
41:26Let's go.
41:31The second half is about to start.
41:32I'm leaving, sir.
41:33When it comes to the character arc,
41:35there's a small gap.
41:36Review it after the movie.
41:39Say it well.
41:41Welcome back.
41:42If the first half is good,
41:43the second half won't be good.
41:44We'll wait and see.
42:26I miss you.
42:29I miss you.
42:33I miss you.
42:37I miss you.
42:41I miss you.
42:45I miss you.
42:49I miss you.
42:54I miss you.
42:57Venu.
43:08Check the messages on my phone.
43:20The song you composed.
43:22With your background score,
43:25our movie is going to be a hit.
43:29It's a blockbuster.
43:33Take the suitcase and come.
43:50Venu.
43:52I want to hear the whole song.
43:54Alone.
44:0215 minutes.
44:21Sir.
44:41Murali.
44:46Murali.
44:51Murali.
44:56Murali.
45:21Murali.
45:22Murali.
45:23Murali.
45:24Murali.
45:26Murali.
45:27Murali.
45:28Murali.
45:29Murali.
45:30Murali.
45:31Murali.
45:32Murali.
45:33Murali.
45:34Murali.
45:35Murali.
45:36Murali.
45:37Murali.
45:38Murali.
45:39Murali.
45:40Murali.
45:41Murali.
45:42Murali.
45:43Murali.
45:44Murali.
45:45Murali.
45:46Murali.
45:47Murali.
45:48Murali.
45:49Murali.
45:50Murali.
45:51Murali.
45:52Murali.
45:53Murali.
45:54Murali.
45:55Murali.
45:56Murali.
45:57Murali.
45:58Murali.
45:59Murali.
46:00Murali.
46:01Murali.
46:02Murali.
46:03Murali.
46:04Murali.
46:05Murali.
46:06Murali.
46:07Murali.
46:08Murali.
46:09Murali.
46:10Murali.
46:11Murali.
46:12Murali.
46:13Murali.
46:14Murali.
46:15Murali.
46:16Murali.
46:17Murali.
46:18Murali.
46:19Murali.
46:20Murali.
46:21Murali.
46:22Murali.
46:23Murali.
46:24Murali.
46:25Murali.
46:26Murali.
46:27Murali.
46:28Murali.
46:29Murali.
46:30Murali.
46:31Murali.
46:32Murali.
46:33Murali.
46:34Murali.
46:35Murali.
46:36Murali.
46:37Murali.
46:38Murali.
46:39Murali.
46:40Murali.
46:41Murali.
46:42Murali.
46:43Murali.
46:44Murali.
46:45Murali.
46:46Murali.
46:47Murali.
46:48Murali.
46:49Murali.
46:50Murali.
46:51Murali.
46:52What's the response from the theatre?
46:57Let's go to the middle of the road.
47:00No, no.
47:02We should think about it when we leave this place.
47:04Why? Is there a lease only in this place?
47:14Let's go to Coimbatore.
47:17Who else is there?
47:19There's no one there.
47:21Let's go to the theatre where our movie is being played.
47:23Start the car.
47:34Can you increase the speed a little?
47:36Sir, with two elderly people,
47:38and on the highway...
47:40Move the car to the side.
47:42What happened, sir?
47:43I need to pee.
47:45Okay.
47:49Let's go.
48:00Get down.
48:02Get down, man.
48:08Go, go.
48:10Go to the other lane.
48:19What's the matter?
48:21Are you feeling dizzy?
48:23No.
48:25Sir, you're wearing a seat belt.
48:27Now I know what it is.
48:31Sir!
48:35Sir, please go slowly.
48:37I'm not going to pee.
48:39I'm not going to pee.
48:41I'm not going to pee.
48:43I'm not going to pee.
48:45I'm not going to pee.
48:48Go slowly, sir.
48:50I'm not going to pee.
48:52Go slowly, sir.
49:00Sir, look ahead and drive.
49:02Just for fun.
49:04Wait, sir.
49:06Let me drive for a while.
49:08It's a new car, sir.
49:10It's a new car, sir.
49:12It's a new car, sir.
49:14Go, go, go.
49:16Sir!
49:18The music director and Michael Schumacher must kill us.
49:26Greetings, sir.
49:28They said you'd come.
49:30The movie is superb, sir.
49:32But it's going to end now.
49:34That's okay.
49:36I know the audience's response.
49:38Sure, sir.
49:41Hey, you're coming, right?
49:43Hey, you're coming, right?
49:45This is your movie, right?
49:47You go.
49:55Sir, it's on this screen.
49:57Okay, we'll take care of it.
49:59Okay, sir.
50:11Isn't this the climax score?
50:13I won't change anything you do.
50:19It's over.
50:25One.
50:27Two.
50:29Three.
50:41Four.
50:43Five.
50:45Six.
50:47Seven.
50:49Eight.
50:51Nine.
50:53Ten.
50:55Eleven.
50:57Twelve.
50:59Thirteen.
51:01Fourteen.
51:03Fifteen.
51:05Sixteen.
51:07Seventeen.
51:09Eighteen.
51:11Nineteen.
51:13Twelfty.
51:15Twenty-one.
51:17Twenty-two.
51:19Twenty-three.
51:21Twenty-four.
51:23Twenty-five.
51:25Twenty-six.
51:27Twenty-seven.
51:29Twenty-eight.
51:31Twenty-nine.
51:33Twenty-ten.
51:35Twenty-eleven.
53:07Tudaramini Yatra Moha Pongurvigalai Uyarami Matra
53:20Karakala Kadalala Dandi Tudaramini Yatra
53:28Moha Pongurvigalai Uyarami Matra
53:58Karakala Kadalala Dandi Tudaramini Yatra