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00:00♪♪
00:31I don't want to deal with you or any of your people.
00:33I don't want to have anything to do with the Lujans.
00:35The Lujans are all the same to me.
00:37Don't say that now, Catalina.
00:38It's the truth.
00:39The truth is that you dragged my last name through the mud.
00:42And as a result of that, all my doors were closed.
00:45How are you with Santos after the invitations?
00:48Fine.
00:49I asked him to leave me alone and at the moment he's doing it, so...
00:53You shouldn't trust him.
00:55Knowing this guy's tricks, he'll reveal everything to you any day.
00:58And what do you think? That I don't know?
00:59Yes, but he already lied to me once and he won't do it again.
01:02If you want, I'm willing to teach you the tricks.
01:07You can't even imagine how well I could go if you follow my advice.
01:11Someday you could be the mayor of a big house like this.
01:15And you could have a dignified and satisfactory life.
01:19I never thought I would say this,
01:21but seeing the relationship that Mrs. Arcos had with your son,
01:24I think her influence could be good for that boy.
01:27But how is she going to be good, for God's sake?
01:29That woman is a bad person.
01:30She's a bad partner.
01:31She's a bad boss.
01:32That's how it is in general.
01:34But not with your son.
01:35Why can't we get together like this?
01:38No need for papers or a priest.
01:41Not even if we were savages?
01:43Look, I understand that after so many attempts you're not lazy,
01:47but these things have to be done well, as God commands.
01:50And you'll see that when we get into it,
01:52the illusion will go away.
01:55I want you to come back to the promise with me.
01:58Because it has not overcome our breakup.
02:01And I think that only if we are together I could clarify my feelings.
02:05Why are you looking at me like a funeral?
02:07Because we have given up.
02:09Because there is no turning back.
02:10We can't help your son.
02:12My poor virtues.
02:14You have no rights.
02:17Mrs. Josefa.
02:21What are you doing here?
02:25Where is my son?
02:28Martina is against the wedding, from the bottom of her heart.
02:31And that makes me not trust her.
02:33If your life were at stake,
02:35you wouldn't see it as crystal clear as I do.
02:37The only thing I see crystal clear here is that you are a cheater.
02:40Say whatever you want about me.
02:42I'd rather you insult me in life than say nice words at my funeral.
02:45Our wedding is going to be beautiful.
02:47I hope so.
02:48Well, yours is more beautiful than mine.
02:49Come on, why?
02:50Because Manuel does have money.
02:52Manuel has money now.
02:53But you'll see when his mother finds out
02:55that she's going to marry that whore, whatever my name is.
02:58Our love can do anything, my love.
03:01Soon we'll stop imagining and we'll do it in reality.
03:09Don't take this step, Ayala.
03:11You're in time to reconsider.
03:13I've thought about it more than enough.
03:15Let's go.
03:24Let's go.
03:25The nuns are waiting.
03:27You don't have to pull so hard on me.
03:29Ayala, I won't let you take her anywhere.
03:31Get out of here right now.
03:33You'll have to get me out of here.
03:35This is getting interesting.
03:36You're not taking my niece from here.
03:38Yes, I will. Right now.
03:40Don't you realize that you're going to ruin the life of an innocent girl?
03:43Innocent?
03:44She tried to kill me for the love of God.
03:46Going to a convent is the least I can do to pay for what she's done.
03:49If I haven't done anything, I'm tired of all this.
03:51If you want to ask the Guardia Civil, let's go.
03:53If not, step aside.
03:54No, no, no.
03:56Let's not make things worse. Everything is fine.
03:58That's it.
03:59You've heard her.
04:00Step aside.
04:01No.
04:02Enough.
04:03No what, Margarita?
04:05If you take my daughter, I swear I'll never marry you.
04:09Never.
04:21Never.
04:51Never.
04:52Never.
04:53Never.
04:54Never.
04:55Never.
04:56Never.
04:57Never.
04:58Never.
04:59Never.
05:00Never.
05:01Never.
05:02Never.
05:03Never.
05:04Never.
05:05Never.
05:06Never.
05:07Never.
05:08Never.
05:09Never.
05:10Never.
05:11Never.
05:12Never.
05:13Never.
05:14Never.
05:15Never.
05:16Never.
05:17Never.
05:18Never.
05:19Never.
05:20Never.
05:21Never.
05:22Never.
05:23Never.
05:24Never.
05:25Never.
05:26Never.
05:27Never.
05:28Never.
05:29Never.
05:30Never.
05:31Never.
05:32Never.
05:33Never.
05:34Never.
05:35Never.
05:36Never.
05:37Never.
05:38Never.
05:39Never.
05:40Never.
05:41Never.
05:42Never.
05:43Never.
05:44Never.
05:45Never.
05:46Never.
05:47Never.
05:48Never.
05:49Never.
05:50Never.
05:51Never.
05:52Never.
05:54Never.
05:55Never.
05:56Never.
05:57Never.
05:58Never.
05:59Never.
06:00Never.
06:01Never.
06:02Never.
06:03Never.
06:04Never.
06:05Never.
06:06Excellent, decent.
06:07When I finish I have to leave.
06:08Fantastic.
06:09Very important withandro that you include level one.
06:10Regard.
06:11Great Man.
06:12Wow.
06:13Fantastic.
06:14Wow.
06:15Fantastic.
06:16Fantastic.
06:18Yes, that's what I said.
06:21Nobody expected that.
06:24How do we know he won't change his mind?
06:26In a while.
06:27He won't.
06:28Mother, thank you.
06:29I'm sure he won't.
06:32Sir, I'm sorry.
06:33I don't want to seem inconsiderate, but the nuns are still waiting outside.
06:37Tell them they can go.
06:39Miss Martina is not going to any convent.
06:42To make up for the inconvenience,
06:44give the Count of Ayala a generous donation.
06:47No, we'll give it to the obon.
06:50The Count will pay later.
06:52Thank you, both of you.
06:54Curro, it's your turn to hug her.
06:57I hope it's not the Marquis.
07:10And Adolfito? Where is he?
07:12Did he bring him?
07:13Calm down, the boy is fine.
07:15He has no right to take my son away from me.
07:17Where is he? I want to see him. I need to see him.
07:19Daughter,
07:21don't harass the poor woman and let her explain herself.
07:30I promise it wasn't my intention to run away with the boy.
07:34But my husband and I had no choice.
07:36You couldn't even let us know?
07:40Things got out of hand.
07:42Nothing can be so urgent.
07:46They kicked us out of our house.
07:50We had not paid the rent for four months
07:53and the owner fired us.
07:56We didn't know they had money problems.
08:00Things haven't been very good lately.
08:03And we have tried to put up with Adolfito's good,
08:06but we can't anymore.
08:09I had understood that your husband worked in a carpentry.
08:12He had to close some time ago.
08:15And without a newspaper to enter the house.
08:17And also with one more mouth to feed.
08:21But we never imagined that we would be left on the street.
08:24We thought that the owner would take care of our situation
08:27and more living with a child inside.
08:30There is no charity left, Cristina.
08:34Now I understand why they asked me for those rooms.
08:37We are already old.
08:39And the only solution we see is to return to our town.
08:44There we have the house where my parents lived.
08:47It needs fixing, but my husband is very handy.
08:50It certainly seems like a good way out.
08:53And we also have a garden right next door.
08:57We need a little more to survive.
09:00In fact, and food.
09:01The rest is essential.
09:03The bad thing
09:05is that with all the pain in our hearts,
09:08we can't take care of our grandson.
09:19Then ...
09:21my son?
09:27Everything is ...
09:29I don't know.
09:31We all have the right to make mistakes
09:35and to rectify them.
09:38And you have done both.
09:43You are going to be a good mother.
09:46The right thing to do is to get your son back.
09:50We were not very considerate with our demands.
09:56But ... get him back?
09:58When? Now?
10:00That is precisely why I have come here, to give it to you.
10:04And Adolfito is here?
10:06He has stayed with my husband.
10:07With some friends from Luján who have welcomed us with them.
10:12But it can't be.
10:14No, at this moment we cannot keep the promise.
10:19We cannot abuse the hospitality of our friends
10:22who have a small house and two children.
10:25Yes, but understand that this has taken us by surprise.
10:30But this is what you wanted, right? To be with Adolfito.
10:33Yes, yes.
10:36Give us a few days, Mrs. Josefa.
10:39To look for a solution. Just a few days.
10:45But don't go crazy, please.
10:48We run away to look for a solution to this matter.
11:01A few days later
11:17A lemonade?
11:19You have read my mind.
11:21It was not difficult. With the heat you make, it is normal that you are thirsty.
11:24I have also asked the cook to prepare us some dinner.
11:28So I guess you are not coming with me to the promise.
11:31You have always had a good intuition.
11:36So that's a no.
11:39I know you don't like to eat much, so I asked you to make something simple and frugal.
11:44You haven't answered my question.
11:46And I think I have been quite direct.
11:49As you are.
11:50And I think I have been quite direct.
11:54As always.
11:56And I like that you don't go around with people.
11:59And I like that they pay me with the same currency.
12:06Okay, so no. I don't want to go back to the promise.
12:16And can I know why?
12:17Of course you can.
12:19After how it all ended, I don't want to put up with your father's reproachful looks,
12:24the sarcastic answers of the Marquise,
12:26and of course, the comments full of cynicism from the Captain of the Mata.
12:30Do you think my reasons are good?
12:34Of weight, yes.
12:38It also seems hard to me to have to put up with my star mother full of Lorenzo.
12:44Yes.
12:46She has kept the business that you and I started hand in hand.
12:50So it was hard for us to lift it.
12:54We were a good team, yes.
13:02I'm sorry, but I don't want to go back to that place.
13:05I understand.
13:09But I would like to know what you feel for me.
13:16I wish I knew.
13:19Well, you're the only one who can know.
13:27I don't know if what I feel for you weighs more, Catalina,
13:31or all the pain and resentment that I have accumulated in these months.
13:34Resentment towards me?
13:36I have lost everything because of those injurious posts.
13:39You know I was not to blame.
13:41But I blamed you for everything.
13:42That's why I didn't give credit when I saw you at the door of my house.
13:51I think we should have had something stronger than a lemonade.
13:54This conversation is being too painful.
13:59It hurts, yes.
14:01But it was necessary.
14:06I appreciate that you wanted to talk to me.
14:08For me it was important to clear things up.
14:12For me too.
14:16And I'm glad.
14:21It's true that you have removed everything from inside me, but...
14:26I recognize that I am also happy that you have come.
14:30Well, and now that you know that I am not going back to the promise,
14:33do you want to stay here with me?
14:38That was not the idea.
14:42I have a free room.
14:44And it is quite far from mine, for your convenience.
14:48I don't want to be alone.
14:51I don't want to be alone.
14:53I don't want to be alone.
14:55I don't want to be alone.
14:57I don't want to be alone.
15:00Don't worry, you owe me something.
15:19My mother-in-law's visit has taken my time.
15:22And I also forgot that Lope is in town doing some shopping.
15:26Don't worry, mother, we'll have dinner together.
15:29Of course.
15:30I didn't know that woman would be so needy.
15:33Me neither.
15:34I kept it in the most absolute secret.
15:37She may be poor, but she has dignity.
15:40And very respectable.
15:42Anyway, it's good news that you can have kids without having to pay that fortune.
15:48Yes, in part, it's a relief.
15:51We take a weight off our shoulders, but we take another one.
15:55I don't know if it's even worse.
15:57Now I can't handle Adolfito.
16:00I can't bring him the promise.
16:02I don't even have a job that allows me to support him with his upbringing.
16:06It's all too hasty.
16:09The plan we had for you to work with Mr. Fermin was perfect.
16:14I regret more and more every day that I stole that card.
16:17Don't load the ink where it went last time, Virtute.
16:20Besides, the priest has left.
16:23That's true.
16:24Anyway, you couldn't have worked in that house
16:26because the new priest doesn't love anyone.
16:29End of story.
16:31And what do I do?
16:33If I leave the promise, I lose my job.
16:35And if I stay, I can't take care of my son.
16:39And on top of that, the money we had from the collection,
16:41we put it all in the jam.
16:43And we don't have time to recover the investment.
16:46It's a dilemma.
16:47The worst of all is that we have no margin.
16:50My in-laws want to leave as soon as possible.
16:53And without the boy, of course.
16:59Okay.
17:07I'll do it with Adolfito, Mom.
17:09There will be a remedy, Virtute.
17:11Everything has a solution, except death.
17:15But...
17:16Look, for now, you and I are going to talk to the mayors, Simona.
17:21That's the promise.
17:23One's problems are everyone's problems.
17:25So something will come up.
17:27No.
17:28No.
17:30We're not going to talk to the mayors alone.
17:32This is too big to do it behind Mrs. Petra's back.
17:37We have to go face to face, otherwise it will be worse.
17:40Well, as long as we have to talk to her.
17:43Yeah, yeah, yeah.
17:44We'll have to think about how to do it.
17:50Come on, daughter. Stay with the nice guy.
17:59I can't believe I'm going to be able to sleep in my bed and not in a cell in a convent.
18:05I think your mattress is more soft.
18:07Yes, luckily I can enjoy worldly comforts and I don't have to offer sacrifices to God.
18:12Well, daughter, anyway, it's not so bad to be a little pious.
18:15Yes, but not every day, at all hours.
18:18We have already shown that I have no vocation.
18:20Yes, but not every day, at all hours.
18:22We have already shown that I have no vocation.
18:24I just got here. I was taking a walk with Mario Antonio.
18:29This nightmare is finally over, aunt.
18:31Oh yes.
18:32Yes, Ignacio has reconsidered his decision and has decided that Martina can keep the promise.
18:36It's just what they told me, that's why I came straight away.
18:39I can't believe I'm going to be free.
18:41The convents, the prisons, the sanatoriums are over.
18:44I can't believe I'm going to be free.
18:45The convents, the prisons, the sanatoriums are over.
18:48Honey, there's nothing like being at home.
18:50Well, and more if that house is the promise.
18:52Anyway, I was convinced that Ignacio would end up backing out.
18:55Well, I didn't have them all with me, huh?
18:58Obviously, I was terrified and I didn't expect that change of attitude.
19:02But welcome is, right?
19:04Ignacio has put everything on the scale and he has ended up winning our relationship.
19:09Do you trust the love he professes to you very much?
19:12Well, whatever it is, Cruz, it has been enough for him to underestimate the idea of inviting Martina to that convent.
19:19And for me, for now, that is more than enough.
19:22I don't know if I'm so benevolent, really.
19:25But anyway, the important thing is that we have our girl back home.
19:31I'm sure those nuns were furious.
19:33Now that they thought they had caught a beautiful and young novice ...
19:37Well, they haven't gone empty-handed either, have they?
19:39They have caught a good donor.
19:41Oh, really?
19:43Because Uncle Alonso has decided to give them an ovulation to make up for the inconvenience.
19:47How generous my husband.
19:49Well, I see that you two are very comfortable together, so I'm going to take the opportunity to look for Ignacio.
19:53I don't want this to happen to me.
19:55Well, but don't let him go around many more times.
19:58I don't want him to scare us again.
20:04I hope your mother realizes that he is the only one responsible.
20:07That you almost end up in a convent or what is worse, in jail.
20:11Aunt, you know that I am unable to try to poison anyone.
20:14But someone had to put the bottle of poison in my room.
20:18You don't have to try to convince me, Martina.
20:21We all believe you.
20:23Well, all of us who are your real family.
20:26Not those who have hidden interests.
20:28Yeah, but ...
20:30What if the person I'm trying to poison already decides to act again?
20:35What if he tries to end you or me?
20:47What a joy that Count Graviala has changed his mind.
20:51Yes, it has been a surprise for everyone.
20:53But what really matters is that Miss Martina will not have to enter that convent and will be able to stay with us.
20:59Yes, of course, it is good news.
21:02Yes, I am glad that the count has reconsidered.
21:05Because that girl did not deserve that fate.
21:07No, I agree with you.
21:09Besides, it would have been a hard blow for her mother.
21:12I think that's why the count has done it.
21:14To avoid harming the woman he loves.
21:18Well, maybe.
21:20But that last-minute change, so sudden, will not be free for him, the count.
21:27What do you mean, Mrs. Arcos?
21:29Well, at some point he will have to take care of the generous donation that has been given to the nuns to compensate them for their inconveniences.
21:37And although the marquis put the money ahead, sooner or later we will have to claim it from the Count of Ayala.
21:45Well, being a collector is certainly not a pleasure.
21:48No.
21:49And why don't you take care of it, Mrs. Arcos?
21:52Me?
21:53After all, you were a trustee for a while for the count.
21:58And now the correspondence, no one better than you to deal with such a delicate issue.
22:03Anyone would say that you are taking care of the dead, Mr. Guaiza.
22:07Responsibility is not free, Mrs. Arcos.
22:12Okay.
22:13I will take care of claiming the debt.
22:17And that he pays for all the bad moments he has made us go through.
22:24A month later.
22:37How is Martina? Calmer?
22:40Above all, she is more relieved.
22:42I still can't believe she's still here, on the promise.
22:45That's why I was looking for you, I wanted to thank you.
22:48What you have done means a lot to me.
22:51If Martina were to enter that convent, I think I would never have forgiven you, Ignacio.
22:58You made it clear enough.
23:00That's why I stopped.
23:02Well, I thought there was no way out of this.
23:05Because neither my pleas, nor Curro's, nor Alonso's, seemed to make a dent in you.
23:10Well, you see that in the end, yes.
23:14When I saw in your eyes that I could really lose you,
23:17I knew it was a price too high.
23:21And besides, I couldn't punish your daughter all her life for a mistake.
23:27You have to be indulgent with the sins of youth.
23:30We all commit them, don't we?
23:35Yes.
23:37Yes, the truth is that this situation has outdone me.
23:44I hope Martina has learned her lesson.
23:47Don't doubt it, Ignacio.
23:49My daughter has a very strong character, but she should learn it.
23:54I hope she changes her attitude.
23:56It will be the best for everyone. For her, the first.
23:59Well, I'm sure it will.
24:01I realize that my daughter has suffered a lot when she saw this.
24:04And that she was about to see her future ruined.
24:08So I think it's a lesson she'll never forget.
24:13I don't think we'll ever forget it.
24:16Ignacio, I'm going to change for dinner. See you at the dining room?
24:21Yes, yes. The sooner we get back to normal, the better.
24:26Very well.
24:39I don't understand that man. He changes his mind like a shirt.
24:42Well, as long as it's a better change.
24:44The important thing is that Miss Martina will not have to enter that convent
24:48and she will stay with us on the promise.
24:50That today.
24:51That tomorrow the count has already changed his mind and he has another nonsense in mind.
24:55And Mrs. Simona has already said it, that man is a fool.
24:57Today the wind comes from the front and tomorrow from the side.
25:01No. This time he has committed himself to leaving things like this
25:04and not to make any more claims against Miss Martina.
25:07I hope you are right, Mrs. Alcos.
25:10I am.
25:11Well, at least the nuns have not gone empty-handed.
25:14They have taken a good tip.
25:16Yes, a tip that the count will have to pay in its entirety.
25:21And I imagine that we will not be talking about porrera.
25:24I would like to know, just out of curiosity, how much the grace is worth.
25:28Out of curiosity or gossip.
25:31In any case, I don't know, because that's what Mr. Pellicer was in charge of.
25:35Well, you'll have to ask him the exact amount to claim it from Count Dayala.
25:40In any case, I don't think I will compensate the nuns a donation for losing a vocation.
25:44Much less a Miss Alcurnia like Miss Martina.
25:47Well, the fact is that the nuns never go empty-handed.
25:50That's true, because they have God on their side.
25:53And the mazdalena and the garrapiñas, which they sell at a price of gold.
25:56And they are worse than those made by Mrs. Simona.
25:58It has been said.
25:59Well, it's a matter of comparison.
26:01Well, it's not a matter of comparison and neither of gossip.
26:04I suppose they will have work to do.
26:06Well, yes.
26:07Because the dinner service will start soon and we have to prepare absolutely everything.
26:12Let's go to work.
26:36Let's go.
26:56I just met Miss Martina.
26:58She is splendid because the last twist of events was not expected.
27:03This time the good guys have won.
27:06And I just hope that from now on there is some peace in this holy house.
27:10I swear to you, my life turned upside down waiting for calm and ...
27:15I found the same.
27:17You know this is the promise.
27:23And since it is the promise, why don't we go to my studio and spend the night together?
27:30Manuel ...
27:33You know I have a desire to be with you, but ...
27:36But what?
27:37Everyone is sleeping, no one will discover us.
27:40It's not true.
27:41There are people on duty who are still standing.
27:46We will be vigilant.
27:51Really, don't insist, please.
27:54Are you afraid that if I insist, you will say yes?
27:58Of course.
28:02Mr. Baeza.
28:04Sir, here is the newspaper I was looking for this afternoon.
28:10I was ... I wanted to take a look at the news from the front.
28:16Well, sir, if you don't need anything else, I'm leaving.
28:19Thank you, Hanna.
28:20Thank you, Hanna.
28:26Mr. Baeza, can you tell me where you found him? I've been looking for him all afternoon.
28:29The captain of the Mata had him in his dormitory.
28:35It seems that they have destroyed a viaduct of vital importance.
28:38In the same region in which we were destined, Curroyó.
28:41Yes, something seemed to me to be above, yes.
28:45I hope there have been no casualties.
28:47No, I think there have been no victims, but you did it yourself.
28:49Yes, I will.
28:52You know, I can't get my head off all the comrades we left there.
28:57Yes, sure, but you also have to think that you are lucky to have been able to return home.
29:04I do.
29:06And I assure you that both my cousin and I are very aware that we are reborn.
29:10Life has given you a second chance and you must take advantage of it.
29:13Exactly.
29:14Exactly.
29:16And if there is something positive about this war, it is that now I want to live more than ever.
29:20And there is no obstacle in front of me.
29:23But you must not confuse enthusiasm with imprudence, sir.
29:28It is important not to go beyond the place that belongs to us.
29:33It is a humble advice that I give you, sir.
29:37And I thank you.
29:40Excuse me.
30:15Come in.
30:19Mrs. Arcos, can I talk to you?
30:22What do you want?
30:32He hasn't noticed anything.
30:35Who hasn't noticed anything?
30:37I'm talking about my father.
30:39I gave him the jacket that I stained by mistake and he hasn't warned about the arrangement.
30:45Well, if Mr. Pellicer, with how meticulous he is, has not noticed anything strange,
30:50I assure you that Mr. Albarque is so pure.
30:53Thanks to you, my imprudence will have no consequences.
30:56Well, I'm glad that the matter has not transcended.
30:58He doesn't know how much it means to me to have someone of his professionalism on my side.
31:05Since the promise came, I have the feeling that everyone has put me aside.
31:10Well.
31:11Except you.
31:13Well, that's because I know how to recognize potential.
31:18And you have it, Santos.
31:21And you have it, too.
31:22I know how to recognize potential.
31:24And you have it, Santos.
31:27And you have been able to recognize it despite my mistake.
31:30If you hadn't covered me, I would have had a very serious problem.
31:34Thank you again.
31:36Enough, Santos.
31:38Compliments weaken, so don't give me any more disgrace.
31:41I only did what I had to do.
31:44Because I believe in you.
31:47And I will not disappoint you.
31:49You just have to follow my advice, as I told you.
31:52And you'll be fine. You'll see.
31:54I promise I'll learn fast.
31:56I have the best teacher.
31:58I've already told you enough compliments, Santos.
32:00I'm sorry, Mrs. Petra.
32:02It's just that, even in modesty, you are a reference.
32:06Well, since I see you so ...
32:08so eager to progress,
32:11there is something I would like to ask you.
32:14Anything.
32:15If it is true that you have the firm purpose
32:17of starting a new stage in your life,
32:19I want you to promise me
32:22that you will control your jealousy attacks.
32:26My jealousy?
32:28Yes. Yes, your jealousy.
32:30It makes me promise
32:32that you will not continue harassing neither Vera nor Lope.
32:34And I understand that it still hurts you to break up with that girl.
32:39It's true.
32:41It's true.
32:43It's true that that wound is still open.
32:46Well, put some salt in it
32:48to make it heal quickly.
32:50But I don't want any more fights
32:52or more outbursts of tone.
32:54And I don't want Santos Peleón and Malencarado either,
32:56but the efficient Calle,
32:58which has a bright future ahead.
33:02You'll have that new Santos.
33:05Do I really have your word?
33:07You do.
33:09It will go well.
33:10It's been going well since you guided me.
33:12It's better this way.
33:14You trust me.
33:16You know I don't.
33:35The truth is that there are times when I think
33:37that Mrs. Petra has a game in her head.
33:39I don't know, wherever she is ...
33:42I was going to pay Mrs. Pia a visit
33:45and she caught me red-handed.
33:47Have they given you a lot of homework?
33:49What's not written.
33:51That if they've given me some shirts,
33:53that if I'm going to rent a room to cool off,
33:55that if I get a broken sheet from Mrs. Cruz ...
33:57No, no.
33:59I can see that you won't be hand in hand.
34:01You already know that Petra suspects us, right?
34:06Yes.
34:08And that's why she doesn't stop sending us homework.
34:12Of course, wherever I go,
34:14I have her there looking at me as if she were my shadow.
34:17Yes, I think we have her out of sight.
34:19And that's why she doesn't stop sending us homework.
34:21But come on, what?
34:23I don't know.
34:25I don't know.
34:27I don't know.
34:28But come on, what?
34:30It's impossible for her to know the whole truth, right?
34:33No, no, she doesn't have to know the truth.
34:35But I think she's already gathering information
34:37and in the end she ends up setting up her own puzzle.
34:40Yeah, that's for sure.
34:42But come on, she'll be far from knowing something that ...
34:44that I'm in danger of ...
34:46that I trust her.
34:48Well, that's how it has to be, Maria.
34:50Because since Mrs. Peta has been in contact with Gregorio ...
34:53Shut up, shut up.
34:55I still remember when ...
34:56I saw him in the middle of the night.
34:58Like a hidden ghost.
35:01And poor Mrs. Pia, stuck in that filthy cave.
35:04With barely any space, no light.
35:08My poor thing is consuming herself.
35:10Like a fistful of Nibals.
35:12Yeah.
35:14And we both know that that cave is horrible.
35:17And we've only been there a few days.
35:19Well, she's talking about you, Ana.
35:21Because I was locked up for an eternity.
35:24Yeah, you got me, Maria.
35:26I'm sorry.
35:28But yes.
35:30When Mrs. Pia is still there,
35:32you're going to end up losing the trial.
35:34Yeah, of course, there's something there,
35:36but it's not very good.
35:38Well, no, Hanna.
35:40It's bad.
35:44Well, we have to do something so she doesn't lose it.
35:46We'll definitely make it.
35:53It's just that Mr. Baeza isn't talking to the Marquis.
35:54And I don't know what to expect.
35:59Come.
36:10The bad habit doesn't take anyone away from your niece, huh?
36:14Ayala remained in her thirties until the last moment.
36:17And how do you know that?
36:19You were out with me.
36:22The captain told me.
36:25Don't trust everything Lorenzo tells you.
36:29What is clear is that it had to be a distressing moment for her.
36:33There were two nuns waiting at the door to take her to the convent.
36:36I just hope that with the donation we gave them,
36:39they are calmer
36:41and don't spread curses out there.
36:44Women are religious.
36:46You never know.
36:48So,
36:50a limousine in time and everything solved.
36:54Besides, I understand
36:56that Ayala will take care of all that.
36:58So,
36:59better than better.
37:02The truth is that I was hoping that last night at dinner,
37:04the count would bring up the subject, but
37:06nothing.
37:07Thank God.
37:08You don't know how to thank his silence.
37:11Finally, a little peace.
37:13Although it is clear that poor Martina is still so shocked
37:15that she doesn't even go down to dinner.
37:19I find it hard to believe that the count has forgotten everything in a blink of an eye.
37:21In a blink of an eye.
37:23I'm sure the issue is still rumbling inside.
37:25Well, let him be alone.
37:29You don't know anything?
37:31Have you had a chance to talk to him alone?
37:34No, the truth is that no.
37:36Alonso has handled all this.
37:38He has taken care of everything.
37:40And very well, by the way.
37:42He has handled everything carefully and without losing authority.
37:46Until the last minute, I was trying to convince Ayala
37:48to reconsider her position.
37:52And Lorenzo has told you that too?
37:55Margarito has corroborated it.
37:57But I don't need it either.
37:59I know Alonso very well and he is a man of firm principles.
38:03Stubborn, but always polite.
38:10Alonso, your husband,
38:12he had an affair with Maria Antonia, he kissed her.
38:14That's why he wants to kick her out.
38:17And ...
38:19Tell me, are you already packing your things?
38:24As you said, have you already thought about when you are going to abandon the promise?
38:28Yes.
38:30You're in a hurry for me to leave, aren't you?
38:33Don't say that, Maria Antonia.
38:35But a few days ago you told me that you had to prepare everything with the maids, right?
38:39And you know you came because things weren't right.
38:42So now, with this happy ending of Martina's,
38:45well, it seems that everything will return to its course.
38:51That's what it seems.
38:55That's what it seems.
39:06Well, where do we start?
39:09From the beginning.
39:11And what is the beginning?
39:13Well, for the first thing.
39:15Very good.
39:16This is how we can be all day.
39:18It's about organizing the wedding.
39:22We've talked about it so many times, and I've imagined it so many times,
39:25that I don't know anymore.
39:27And it's hard to believe that it's going to come true.
39:30A lot of talk, but little on paper.
39:33If we had put ourselves as God commands, we would already be married and well married.
39:36And not talking about how to get married,
39:37that we are specialists in talking about how to get married.
39:39But come on, we don't even get married, we don't even know how to get married.
39:43I'm lost.
39:45I admit that the wedding thing imposes a little on me.
39:49Well, but it's not that bad, is it?
39:50I'm talking about the truth.
39:52Oh yeah?
39:53But, the truth of the good.
39:55The truth of the good.
39:56The truth of the good.
40:05Well, get serious too.
40:08Serious as a funeral.
40:10Where do we start?
40:12Again with this, Salvador?
40:13This is an endless loop.
40:15Well, I say that the first thing would be to talk to the Marquises.
40:19Yes, I suppose.
40:20No?
40:21Because don't you see that we don't own ourselves,
40:23and for everything we have to ask permission.
40:25True, like that time when we couldn't get married,
40:27because the gentlemen had to get married before,
40:29because of that absurd tradition that, well, I don't know.
40:31And look how the story of Don Pelayo and Miss Catalina ended in the end.
40:35Well, but don't get mad at that.
40:37And let's be practical.
40:39Who talks to Don Rómulo?
40:40If you want, I'll talk to him.
40:41But with Doña Petra...
40:43Well, if you want, I'll take care of that.
40:45And you, talk to the parish priest.
40:47Very well.
40:49But he's no longer sick, right?
40:50No.
40:51Now there's a new priest.
40:53They say he's very peculiar.
40:55Well, look.
40:56I'm also peculiar.
40:57I'm going to get along with him.
40:59You're going to do it?
41:00Let's see if you're going to get in trouble for talking too much.
41:03María, please, I'm not a priest,
41:05but I'm not a...
41:06I'm not a...
41:07I'm not a...
41:08I'm not a priest, but I'm not a...
41:09I'm not a...
41:10I'm not a...
41:11When I explain myself, I explain myself like an open book.
41:14I know that.
41:15Please.
41:16You have a little bit of gold.
41:19And just for that,
41:21I'm going to give you another kiss.
41:39Good morning.
41:41Good morning.
41:48How's your day been going?
41:50Good.
41:57No, Vera, wait.
42:00I'm sorry.
42:01No, no, please.
42:02I'm sorry.
42:03I'm sorry.
42:04I'm sorry.
42:05I'm sorry.
42:06I'm sorry.
42:07No, please.
42:08Don't touch me again.
42:15No one will know that you're the daughter of the Duchess of Carril.
42:19At least not from my lips.
42:21You've told me that so many times.
42:23What do you want?
42:26Nothing.
42:27Just don't be afraid of me.
42:29You don't have to avoid me when we cross the hallways,
42:33or avoid my gaze when we're all together.
42:35Or like now, Vera, when I'm not a monster.
42:41I've learned that I can't force anyone to be with someone they don't love.
42:47And it's clear that you don't love me.
42:50And it's no use revealing your secret.
42:55You have the right to live in peace.
42:59I'm not going to lie to you, Santos.
43:00I don't trust your words.
43:03And I want you to do it.
43:04Then leave me alone already.
43:06It's not that complicated.
43:08At least I'm trying to calm things down.
43:11Let's be clear.
43:34I love you.
43:46Lorenzo.
43:48Would you like a cup of tea?
43:50Before I change my clothes, I've been walking for a long time.
43:53Then I'm sure you need to hydrate yourself with a good cup.
43:57I need to talk to you, please.
44:01Okay.
44:05You haven't managed to convince me, but you've managed to intrigue me.
44:10What are you going to surprise me with today?
44:13The same thing as yesterday.
44:15What do you mean?
44:16Come on.
44:17If you think a little, I'm sure you'll figure it out yourself.
44:20My sister-in-law again?
44:21Cruz again, yes.
44:23She reminded me again that it's time for me to leave the promise.
44:26And it's too much insistence in a very short time.
44:30Why do you find it so funny?
44:32Because I don't find it funny at all, frankly.
44:34That woman is desperate.
44:36She doesn't know what to do to kick you out of the palace.
44:38She just needs to kick you in the ass.
44:39Don't be rude, please.
44:40I'm sorry.
44:41I'm sorry.
44:42Again?
44:43I couldn't help it.
44:44I'm sorry.
44:46Well, you should have a little more patience.
44:49I already warned you about my sister-in-law's little diplomatic ways when she wants to get something.
44:53I already warned you about my sister-in-law's little diplomatic ways when she wants to get something.
45:01She hasn't been rude.
45:03She's been stubborn.
45:04Too stubborn.
45:06I see.
45:08And she keeps thinking about Alonso.
45:11What about Alonso?
45:12Don't play dumb with me.
45:13You know it perfectly well.
45:15The ordinary and inappropriate approach she had with you.
45:19Yes.
45:20That's right.
45:22You yourself told me that Cruz is too smart to see everything that happens around her on her own.
45:28But it gives me the feeling that more than suspicions, what you have are certainties.
45:32And that certainty has only been given to one person.
45:35Alonso.
45:36You!
45:37Accusing me again?
45:39It hurts so much.
45:40Don't play dumb with me.
45:41I don't do anything to her.
45:42And you know it.
45:44It's all too strange.
45:47I don't understand it.
45:48After everything we've been through together.
45:51She's throwing me as if I were a plague.
45:53Don't take it that way.
45:56It's not your fault.
45:58It was Alonso who made that approach.
46:01He's to blame for everything.
46:03But Cruz pays for it with you because, unfortunately, and as I suppose you know, life is not fair.
46:10No, it's not.
46:12But we can make it fun.
46:15Well, right now I don't see anything fun.
46:18Well, I would love to teach you.
46:22It hurts to see you so down.
46:26I have to get out of here as soon as possible.
46:28That doesn't sound fun at all.
46:32It's been too long.
46:52It's been a long time since we received a letter from Teresa, right?
46:57That's true.
46:58How is she doing in America?
47:01Let's see if something happened to her and that's why she doesn't write.
47:03She's already in agony.
47:05And you're happy with a loss.
47:07You like to put everything in the worst, Simona.
47:09It's never too much.
47:11One is never prepared for the bad.
47:13I think we don't know anything about Teresa because of the war.
47:16But Teresa is very far from the front, luckily.
47:19Yeah, but the trans-oceanic mail is being affected.
47:22There are fewer ships that leave from one continent to another.
47:24That's what Salvador said.
47:25The Germans had to sink the ships with the submarines.
47:29Mother of beautiful love.
47:31Well, it's a shame.
47:33Teresa's letters were the most entertaining.
47:35I liked to know about her trips to America.
47:38You have to see the difference in life out there.
47:40She tells everything.
47:42And besides, most of us will not have the opportunity to travel so far.
47:47I would be happy to visit some places in Spain.
47:51I would love to go to Burgos, Santander, Castellón de la Plana, for example.
47:57The truth is that Teresa's letters made us travel far without leaving here.
48:03I just hope they solve all that mail problem.
48:06I just sent her a letter telling her the news about Teresa.
48:10And I don't want her to miss my wedding.
48:12Have you already started with the preparations?
48:14Well, yes, more or less.
48:16Salvador has to go talk to the priest.
48:18The new one? The peculiar one?
48:20Yes, no matter how strange one is, I say that he will celebrate weddings.
48:23I suppose so, that a priest who does not get married is neither a priest nor anything.
48:35How curious.
48:36Every time I enter a room, there is a silence of mass.
48:41Well, that's exactly what we were talking about, Mrs. Petra.
48:44About the mass of my wedding.
48:46In case you want to join the chat.
48:49Well, I hope you wear the suit I helped you make.
48:53I invested a lot of time in it.
48:55Well, very good idea.
48:56So that I can make myself a new dress if I have a beautiful one.
49:00I hope the wedding can be celebrated.
49:02Now that there is no longer the impediment of the marriage of Miss Catalina with Don Pelayo.
49:08Anyway, I have to officially ask the Marquises for permission.
49:13And since you are here, Mrs. Petra, I take the opportunity to ask for your mediation.
49:19I will talk to Mr. Baeza to do the management.
49:21But I already warn you that it is not a priority.
49:24And it will take a while.
49:27Thank you very much.
49:30And have you already thought about what kind of flowers you are going to wear?
49:32Do you want to wear a mantle or a simple veil?
49:35I have a hairbrush from Carey stored in a box.
49:38Can you use it?
49:39And I could make you some gloves.
49:41They always give a touch of distinction.
49:43It's gorgeous.
49:44But what kind of flowers are you going to wear, Maria? You haven't answered me.
49:47She hasn't answered you because she's been silent.
49:50She, who is the most interested in the wedding, doesn't say a word.
49:54Are you okay, Maria?
49:59Yes.
50:00It's just so many things.
50:03Because I can't help but get excited.
50:13How beautiful.
50:14As if I could contemplate this wonder every day, we almost never stop looking at it.
50:19Sometimes we forget the most important things.
50:22The last time I stopped to see the sunset was with you.
50:25Do you remember?
50:26How can I forget it?
50:27It's okay here, away from people, from the noise.
50:32You can stay as long as you want, you know that.
50:37I'm not sure this is my place.
50:44The decision is in your hands, Catalina.
50:47You decide if you prefer to stay or go back to the promise.
50:52I see.
50:54I see.
51:01My idea was to take you with me and not the other way around.
51:04That you would welcome me in your house.
51:09I'm sorry, but that's how things are.
51:24Catalina.
51:27You asked me how I feel about you.
51:31And I answered you.
51:33In a very ambiguous way.
51:35As a matter of fact, it happened.
51:36Yes, but it's the truth.
51:40And I still don't know what you feel about me.
51:43Because all that you need to clarify your feelings is also quite ambiguous.
51:54Look, I don't want to pressure you, okay?
51:59Besides, I already know the answer. Are you going to leave?
52:08Look, I don't want to think anymore.
52:11I've been locked up in a hangar for months.
52:14Away from everything, from everyone.
52:16Without doing anything but think, I'm fed up.
52:18I want to propose something to you.
52:49Manuel.
52:52I brought you a snack so you can get stronger.
53:04Well, I'll tell you the truth, I'm not very hungry.
53:07And I'm full of energy, but you bring it to me.
53:11Well, actually, I just wanted to bring you the snack to see you.
53:15It was an excuse for Mrs. Petra not to tell me anything.
53:21In that case, I want to eat at all hours.
53:28What are you doing?
53:31I want to hug you, and I need space to do it.
53:36Manuel.
53:38Manuel.
53:40Wait, please.
53:41Manuel.
53:43Wait, please.
53:46I'm not in a good mood.
53:50I'm still worried about Mrs. Pia and I can't get it out of my head.
53:55But I thought that matter was already under control.
53:57Didn't María Fernández go to see her recently?
54:00Yes, but ...
54:04Didn't she stay calm? Didn't she say that everything was fine?
54:08At first, yes.
54:09But the thing is that when María left, Mrs. Pia was very distressed.
54:13And it can be seen that the confinement is affecting her mood, so ...
54:18I think we have to get her out of there as soon as possible.
54:24Well, we will.
54:26Don't worry.
54:28Yeah, Manuel, but I can't think of how.
54:31I can't think of how to get her out of that cave without Gregorio finding out everything.
54:36What if we ask for help, Mr. Fermin?
54:38The parish.
54:40Hanna, I know it's a perennial idea, but he's a good man and he can help us.
54:45Manuel, if I don't tell you it's not a good idea, it's just that Mr. Fermin is no longer here.
54:50Did he fail?
54:51No, they moved him to another town.
54:54And the thing is that the priest who is there now doesn't know almost anyone from Luján, so I don't think he can help us.
54:59I see.
55:02I don't know what, Manuel, but we have to do something.
55:05Doña Pia can't be in that cave much longer, do you understand?
55:08Well, we'll have to keep thinking.
55:11But that's what I've been doing for weeks, Manuel.
55:14And I promise you I don't see the way out.
55:17There will be some.
55:20Well, the only thing that has occurred to me is that maybe to end this torture I should face the problem.
55:27That is, face Gregorio.
55:30Dajana, I'm not following you.
55:33Well, I thought that maybe I should talk to him myself.
55:38And maybe I can make him come to his senses, I don't know.
55:40No.
55:42No.
55:43That man is dangerous and he can attack you.
55:46Manuel, I know.
55:48But I can't think of anything else.
55:51Not that.
55:53Besides, if he was a bad beast before going to jail, imagine now.
55:56No.
55:57And it's not so easy to deal with him either.
55:59That man is missing.
56:00That's not true either.
56:02He's lurking in the shadows, waiting for his moment.
56:06And what do you want me to do, Manuel?
56:07Stay with my arms crossed watching Doña Pia consume herself?
56:11Listen.
56:15Why don't you take me to see Doña Pia before you do something that has nothing to do with it?
56:22To the cave?
56:24Yes.
56:25Yes.
56:33Does he know anything about Doña Pia?
56:35He wanted to go to his grave and take some flowers and he got very insistent so I ...
56:39Did you have to tell him everything?
56:42Well, yes.
56:44Well, you'll see how Mr. Baeza finds out.
56:46He's going to make a mess of San Quintín.
56:48Virtudes, you have to calm down.
56:49Don Rómulo is a very understanding man.
56:51Yes, don't worry, Don Rómulo.
56:53Or not so much.
56:55And you scare me, Doña Petra.
56:56I really can't believe we're even shuffling the possibility.
57:00If I understand it a lot, this is not a charity house.
57:05Cruz, I agree to show our gratitude to María Antonia.
57:09Not only does she have a great heart, she is also patient, she is intelligent, she is sweet, she is ...
57:17beautiful.
57:19I don't understand why you have so much disdain for María Antonia.
57:21I have no disdain for María Antonia.
57:22Do you think I'm an idiot?
57:23Stop bringing Cizaña into my house or there will be two people who leave the promise.
57:27Don't threaten me.
57:28Have you thought about what we're going to do?
57:30Well, there's not much to think about.
57:31We knock on all the doors and we ask them for work.
57:35And we go to questions everywhere.
57:36In the boutique, for the seamstress, in the tavern, even in the blacksmith's shop and in Menester.
57:41I have Margarita totally at my mercy.
57:43But that can vary the moment I tell Margarita.
57:46Why did you change your mind at the last moment and decided not to take Martina with those nuns to the convent?
57:51Because Margarita asked me to.
57:53That's what you've made everyone believe.
57:55But I know you backed out the moment you saw me show up.
58:00Salvador, Alma de Cantaro, you had to talk to the priest about our wedding.
58:04Yes, the saint has gone to heaven.
58:05The saint to heaven and the sin that did not step on the church.
58:08I'm very sorry, María.
58:11We are talking about the life of Mrs. Darre.
58:14I think we have to get her out of there.
58:15What we have to do is take her to a place that has some sunlight,
58:18that she can distinguish day and night.
58:20It is known that this is not possible because it is very dangerous.
58:23Then I can't think of what else to do.
58:29Gregorio.