Salón de té La Moderna - Ep 210
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00:00I have not managed to make him come to his senses. He has left without wanting to listen to me.
00:10Well, he shouldn't have allowed it. That he goes around knowing everything he knows puts us in danger.
00:16I told you I had suspicions. Don't try to blame me for all your mistakes.
00:21Enough of useless debates. What happens if he goes to the police station now to report us?
00:26He won't do it. Believe me.
00:28And why not? Have you seen how he looked at us?
00:32He is not so impulsive. He knows that would get him to a point of no return.
00:40With all the time he spends in this house, he knows that it is easy for the matter to get to him.
00:45How can he be so sure? Besides, with the friendships he has and the circles in which he moves, I'm sure everyone would believe him.
00:53Fabio is a very thoughtful man. He thinks a lot about everything he does. He's not going to tell us.
00:59If he kills my reputation, he will also do it with his.
01:03We'd better not. Because he spends all day talking about his morals.
01:08And if he does what he really thinks, I'm sure he'll be entering the police station now.
01:14I'll talk to him as soon as possible. He'll have to listen to me. I'll get him to dissolve. Listen to me.
01:20We'd better not. Because we are in his hands. And it seems he has decided to sink us.
01:51Good morning.
01:53Good morning.
01:54You get up early, don't you?
01:57I have no choice.
01:59I imagine you are waiting for Pietro to go to work.
02:03Yes.
02:04And you would like to stay a little longer in bed, right?
02:07The same thing happened to me when I was your age.
02:09Although tonight I have barely been able to sleep.
02:12So when it dawned, I was tired of going around in bed and I left early.
02:18I imagine it must be difficult to sleep and have a calm head with everything that is happening to you.
02:23Yes, a lot, really.
02:25Although, given the circumstances, I think I'm holding up pretty well.
02:30Well, it's normal, Lucia. You come from abroad, a strange country.
02:34And the shock of finding my husband about to marry another woman.
02:39I knew it wasn't going to be easy to find him.
02:42But I confess that I didn't expect this.
02:44That he was going to get married right now is bad luck.
03:05Matilde?
03:14Matilde?
03:20Good morning.
03:24You left early.
03:26Although you think I don't have my head in my place, I realized that we hardly had anything to eat.
03:32And I bought some snacks for breakfast.
03:34You're right.
03:37I should have been more attentive too.
03:40And although I could have taken advantage, no.
03:43I haven't bought any medals.
03:46I see you're still angry with me.
03:50I think I've already overcome that point.
03:52Rather disappointed.
03:54I understand you.
03:56But I need you to understand me too.
03:58This isn't easy for me.
04:00It's the first time I've seen myself in a situation like this and I'm lost.
04:05Everything I've done has been for you.
04:09For me?
04:10Yes.
04:11Or for you?
04:12Well, I think it would be better if we calm down.
04:16Because talking about being distrustful doesn't solve anything.
04:19You're right.
04:21And I have no interest in convincing you that I'm not crazy.
04:25Neither you nor Dr. Mendoza.
04:27Of course, you don't need my opinion to put a label on me, lock me up in a sanatorium and throw the key.
04:32It hurts me a lot.
04:34To hear you talk like that.
04:37Me too.
04:42And I understand, Antonia. Don't believe me.
04:44Everyone is kind to me.
04:47But I can't help feeling a little lonely.
04:50Has it ever happened to you to feel like a fish out of water?
04:55Well, yes, the truth is yes, Lucia.
04:57Life makes you mature suddenly.
05:00Look, Lucia.
05:01I have nothing against her.
05:03But understand me.
05:04For me, Antonia is like a second mother.
05:07All I want is for her to be happy.
05:09My heart will always be with her.
05:11Of course, Marta.
05:12I understand. Don't worry.
05:14And I don't want you to think that I'm going to try to convince you of something.
05:18But it's good for me to talk to you.
05:21I don't know.
05:22It seemed to me that you understand my situation.
05:25Well, yes.
05:26And I wouldn't like to be in his skin, really.
05:30I wish Pietro's life hadn't appeared this way.
05:34But it couldn't be anything else either.
05:37Que chivuefa.
05:38It is what it is.
05:41Although now all this situation...
05:43I don't know.
05:44It seems like a bad joke.
05:47Look, Lucia.
05:48Sometimes things happen that we can't control.
05:52Good morning.
05:53Good morning.
05:54Good morning.
05:56Marta.
05:57What are you doing up so early?
06:00It doesn't seem to me that today you have to clean in the bookstore, right?
06:03No, no, no.
06:04I don't have to.
06:05The only thing is that Mrs. Lázara had asked me to clean the first floor before opening.
06:08Because of the drugstore convention.
06:10Yes, yes, yes.
06:11Then let's go.
06:12I'll call you later.
06:13Okay.
06:14Goodbye, Lucia.
06:15Have a good day.
06:16Have a good day.
06:22Sit down, please.
06:24Sit down.
06:38Íñigo, I admit that very strange things are happening to me.
06:42For which I have no explanation.
06:45I know it's impossible for you to hear it, but when I hear it, it's very real.
06:49And I would like your first reaction not to question me, but to believe me.
06:54I understand you.
06:57What happens to me is that ...
07:00I don't understand how you can see and hear Carla, knowing that she is dead.
07:05I don't understand it either.
07:08But it happens.
07:10And there has to be an explanation that is not that I'm crazy.
07:13Which is the first thing women think.
07:17And I'm sorry, Íñigo, but I'm not crazy.
07:20It's just that I'm not.
07:22And it's not that I don't want to go to the sanatorium, it's just that I don't see the need.
07:25Because apart from these isolated episodes, my head works just as well as ever.
07:31I'm glad you don't have it so clear.
07:35And I don't see the need to keep seeing Dr. Mendoza either.
07:38Believe it or not, Dr. Mendoza has helped many people.
07:42Yes, Íñigo, but I think it doesn't suit me.
07:45And I think he's confusing us.
07:48And that's why I want to go to the consultation to say goodbye and to make my opinion clear about that medal.
07:54And honey ...
07:58Do you really think it's necessary to face it like that?
08:02I'm just curious to know where he thinks I bought that medal.
08:06And in case I have to ask any dependent if he had a crazy face.
08:12Matilde, please.
08:14Do you know what hurts me the most?
08:18That my husband doesn't believe me.
08:22Íñigo, please tell me if you believe me.
08:25Tell me you believe me, please.
08:26And tell me you believe me when I tell you I didn't buy that medal.
08:29I believe you.
08:31I believe you, my love.
08:33And I promise you that deep down in my heart I know that something is escaping us.
08:48But I assure you that we will deal with it.
08:50Thank you, my love.
08:53Forgive me.
08:56Forgive me.
08:59Forgive me.
09:03Forgive me.
09:24What's wrong with you, Teresa?
09:25I notice you are less martial than usual.
09:28Well, I'm tired.
09:29With the absence of Cañete, I have to take care of his obligations plus my own, which are many.
09:36It's normal, we're not used to being without Cañete.
09:39By the way, I come from the upper room and I've seen that Marta and you have left him...
09:43Great, like the goldfish.
09:46I wanted to thank you.
09:48Well, thanks for the compliment.
09:50Are you okay?
09:52Well, it's never too bad to recognize a well-done job.
09:55And not just the one now, the one of always, which has much more merit.
09:57Have you seen if you have a fever or something?
10:00Leave that man alone, I'm serious.
10:03By the way, how is the cancellation of Miguel and Trini's wedding going?
10:07Regular, I wouldn't say bad.
10:09It's just that I already saw myself as a godmother in the church hall.
10:13And of course, I've wanted to get married after Antonia's non-wedding.
10:17It's just that Marfario has the weddings here.
10:20Of course, good luck, we don't have here.
10:23What worries me the most is the state Trini is in.
10:28What do you mean the state Trini is in?
10:31Nothing, nothing.
10:33Esperanza, tell me.
10:35Okay.
10:37I've always suspected that Trini is in a state of good hope.
10:42Oh, no one has escaped.
10:44Let's go.
10:56Fabio, thank you very much for coming.
10:59And for doing it as early as I asked you.
11:02Sit down.
11:06I know it hasn't been easy.
11:09And you're doing it with a grudge.
11:11But it's important that we have this conversation.
11:14But of course, I doubt that she will understand your reasons.
11:18All this that has happened is unthinkable.
11:21Inaudible, I would say.
11:23With that attitude, Fabio doesn't seem willing to understand anything at all.
11:26But you know what? I don't care.
11:29After the hell I've been through, I'm not going to bow to his arrogance.
11:33Daughter, please, he has come to listen to us.
11:36But doesn't he realize, mother?
11:38He has already made a decision before coming.
11:40I don't know why he has come if he doesn't want to believe us.
11:43Fabio, forgive my daughter.
11:45As you will understand, the time she has been locked up has affected her emotional stability.
11:50Well, I see her very calm.
11:52You'll see, Fabio.
11:54Carla is absolutely innocent of all the crimes she is accused of.
11:59She has not killed Aguirre.
12:01And of course, she has not planned the accident of Íñigo, Matilde and the girl.
12:06Nor has she sent a hitman to her wedding.
12:09It's hard for me to say how ridiculous it sounds.
12:13A long list of accusations.
12:16Are you sure she had nothing to do with any of those matters?
12:19Of course not.
12:21Everything was part of a plan that Íñigo and Matilde have plotted
12:24to blame Carla and thus ruin her life.
12:27I don't understand, Barbara.
12:29Why would they want to do something like that to your daughter?
12:32Ask them.
12:34That in addition to being the victim of all this, I have to give explanations.
12:39This meeting is a waste of time.
12:41I've heard that before, that you're innocent.
12:44Well, it doesn't seem so.
12:46On the contrary, it seems that anger moves you, it is seen in your face.
12:48You don't know what you're talking about.
12:50That is the best argument for me to create your version of the story.
12:54That you have considered that the only possible solution
12:57was to pretend Carla's murder and blame Íñigo.
13:03I'm sorry.
13:12Irini.
13:14Yes?
13:16Look, I don't want to be indiscreet or get into where they don't call me, but ...
13:20Are you pregnant?
13:23Me, pregnant?
13:25Well, let's see, I've eaten a little more than usual lately, but pregnant, no.
13:30You're fatter.
13:31Yes, a little.
13:33Yes, I had noticed, but you have to be polite and those things are not said.
13:37Yes, I already knew that what Esperanza had told me could not be true.
13:41What are the typical rumors that arise when a couple wants to get married a little fast.
13:45You have to see how people are.
13:47I was thinking, Íñigo, it's impossible.
13:50Would you have told me something like that?
13:52Well, of course.
13:54And thanks for the trust.
13:56Well, I'm glad for you.
13:58That everything is always much easier if you get married without a gift.
13:59Of course.
14:01Well, I'm going to continue with the job and with so much work that Mrs. Lázaro has put on me, I don't give up.
14:06How are you with her?
14:09Well, bad, Trini.
14:11Bad. I hope things get better, but if they don't get better, maybe we'll all get a surprise.
14:17You're scaring me.
14:19Well, don't worry.
14:22God willing.
14:24Come on, get to work.
14:30I look at you and it seems incredible to me that you have not realized the gravity of what you have done.
14:37Even if it were only because it is impossible that you do not end up paying for it.
14:41Fabio, please.
14:43We have done nothing but save Carla's life.
14:47And keep her out of jail for crimes she has not committed.
14:50Tell me, what will happen?
14:52What will happen when Íñigo and Matíles find out about all this nonsense?
14:56What do you mean?
14:58Are you threatening us, Fabio?
15:00No.
15:02No, it's just a warning of what could happen.
15:05And now I'm leaving.
15:07I've heard too many inconsistencies for today.
15:09Fabio, for God's sake, wait.
15:16And now what are we going to do?
15:18I'm not going to tell you out there.
15:20No.
15:21She does not only allow her class and her condition.
15:25And neither the bond that unites us.
15:27Well, it has sounded like a threat to me.
15:29And a very real one.
15:35Celia.
15:37Is Laurita here?
15:39No, your brother has gone to see your uncle to talk about the new radio station.
15:43And then he told me that he would go home.
15:45That he works there with more concentration.
15:47She is always so busy.
15:48Yes, he needs to deliver it as soon as possible.
15:50And with the agitation of the store, he has not been able to advance much.
15:53Yes, yes, it is very dynamic, but then it is difficult for him to get everything.
15:56By the way, how have you been with Mrs. Juanes?
15:59Laura told me that you have finished the sessions.
16:01Yes, a shame.
16:03Mrs. Juanes is wonderful.
16:05She has opened my head in a way.
16:07It was a before and after.
16:09Inés, I love to hear that.
16:11Yes, the truth is that meeting her has changed my life.
16:14Really?
16:16Yes, yes, really.
16:19How are you?
16:21Your sister told me that your logopedas had to leave.
16:24Yes, a shame.
16:26But her sessions went very well for me.
16:28And I have regained my desire to sing.
16:30She has left me a table of exercises that I am going to fulfill.
16:33I am very glad that you are so determined.
16:36You already know that you are still my favorite to be the protagonist of the court of Pharaoh.
16:41By the way,
16:43I'm going to look for some recordings that I have of the work
16:46so that I can listen to them and serve as a reference.
16:50I would love to.
16:52And now I have to leave you because I have to go to work.
16:56Goodbye.
17:00Celia,
17:02I wanted to thank you for helping me
17:05to try to stay with Laurita.
17:07Really, I had stayed with the distributor and I was not doing well.
17:11But you see that Laurita is not very receptive,
17:13she is not very for work.
17:16Well, don't take it so seriously.
17:18Laura has had relationships that have not gone well for her.
17:21And it is normal that it is difficult for her to let herself go.
17:24If at least I could, I don't know,
17:26have a moment of intimacy with her, like a date,
17:29I'm sure I could convince her
17:31that I'm not going to let her down,
17:33that I'm a person who goes head-on.
17:38I think I just came up with a way
17:41so that they can have that date.
17:43I don't know.
17:50Don Fabio,
17:52good morning.
17:54What a joy to see you here.
17:56Don Fermin, I say the same.
17:58How are you?
18:00Too busy.
18:02But I prefer that to boredom.
18:04Sit down, please.
18:09And you, how are you?
18:10You seem a little restless.
18:12Well, it's just tiredness.
18:14Too many calls, too many meetings
18:17and very few hours of sleep.
18:19Then I celebrate that it is only the excess of work that is the reason.
18:23By the way, I wanted to ask you
18:25how you have managed the liquidation of the companies
18:28of the Morcuende group that I had planned to do.
18:31I'm sorry, but there is not much to tell about that right now.
18:36I prefer not to go into details,
18:38more than anything, not to waste your time.
18:40By the way,
18:42are you in contact with Iñigo Peñalver?
18:44I called his apartment and I went through the Madrid-Cabaret,
18:47but I can't reach him.
18:49Maybe he's been here, I don't know.
18:51No, not today, but if something happens
18:53and I can help you in some matter.
18:55No, no, no, no.
18:57I just haven't heard from him in a long time
19:00and I wanted to say hello to him to tell him a few things.
19:03It's urgent and I don't care.
19:05As soon as I see him, I'll pass him the message.
19:07No, don't worry.
19:08I don't think the man is going through his best moment
19:12because of the health problems of his wife Matilde.
19:14I don't know if he's okay.
19:17Not in detail, but enough to know
19:20that it is a very delicate situation,
19:22a very bitter drink for the couple.
19:25That's why I wanted to see him,
19:27to convey my support and ask him how Matilde is evolving.
19:30Sure.
19:33Good morning, Mrs. Bárbara.
19:35Good morning.
19:36Bárbara, I didn't expect to see you here.
19:39I'm sorry I don't serve you as you deserve,
19:43but there are urgent matters that demand me.
19:50Can I know what you're doing here?
19:58It's none of your business.
20:00I hope it's not what I'm afraid of,
20:02asking for Inigo.
20:04Of course that's why I'm here.
20:06You don't want me to be left with my arms crossed
20:09after what you've done.
20:11Listen to me, Fabio. Listen to me carefully.
20:13You're making a mistake.
20:15It's not the first time they try to coerce me.
20:17What makes me sad
20:19is that this time it's you who does it.
20:21I warn you, don't challenge me.
20:24I don't care what you tell me.
20:26I know perfectly well what I have to do.
20:28And what are you going to do to put an end to it
20:30and not stain your shoes with mud?
20:36I'll do anything for my daughter.
20:38Don't make me show you.
20:40If you don't give me another option,
20:42I'll do it.
21:07Good morning, Marta.
21:09How are you?
21:11Good.
21:13Yesterday I started tidying up the warehouse
21:15so that when you come in,
21:17you'll have it a little easier.
21:19Ah, well, I appreciate it.
21:22You can't imagine how many books Miguel has.
21:24Well, one falls on your head and kills you.
21:29So, have you decided
21:31which one you're going to buy?
21:33I don't know.
21:34So, have you decided to start studying?
21:37Yes.
21:39It's a bit difficult with so much work,
21:41but I want to try.
21:43Hey, maybe yesterday
21:45I acted like an idiot about the book.
21:47I hope I didn't make you feel bad.
21:50I know that my opinion doesn't matter
21:52and that everything I say or stop saying
21:54doesn't matter, but
21:56I really think you do very well in studying.
21:59It's not easy for those of us
22:01who have everything against it.
22:02Of course.
22:04I never stop to think about it.
22:06In my life, I've given it my all.
22:08You're very lucky.
22:10Don't waste it.
22:12What's hard for me
22:14is not to fall on my knees, you know.
22:16And, look,
22:18my grandmother always says
22:20that knowledge doesn't take up space
22:22and I think she's quite right.
22:24I like that phrase.
22:26I'm sure your grandmother is very wise.
22:28Yes.
22:30And even though she's older,
22:32she's still a great teacher.
22:36I'm ashamed to talk to you about all this.
22:39I don't know, you're a university student,
22:42you've studied so much.
22:46By the way,
22:48how much time do you have left to graduate?
22:50That's a good question.
22:52The truth is I don't know
22:54because I take it all very calmly.
22:56Now, seriously, forgive me.
22:58I acted like an idiot the other day.
23:00I've always had everything done in life
23:04and that's why I allow myself the luxury of wandering.
23:06Thank you for being so honest with me.
23:11I don't want to tell you how I feel, but...
23:15Well, I've had to get myself out of the fire
23:18since I was a little girl.
23:20Well, then yours has twice the merit.
23:23Yes, I think we should all have
23:25as many opportunities as possible
23:27to get a good education.
23:29It depends a lot on where you were born.
23:31Sure.
23:33Before judging someone,
23:35you have to keep in mind that not everyone
23:37has the same opportunities as you.
23:39Trying to study is the only thing left for us
23:41who haven't been lucky enough
23:43to prosper in life.
23:45And no one is going to give me anything
23:47and it's not going to be easy.
23:49That's something I've learned from the bad ones.
23:52So if I have to study and work at the same time,
23:55I will.
23:57And I think it's going to be worth it.
24:00You're a very brave woman and a fighter.
24:04You set a good example for a Zangaro
24:06and a living person like me.
24:08Don't talk about yourself like that.
24:10I don't think that's the case.
24:12Well, you're the one who sees me with good eyes.
24:14Well, I'm sorry I don't want to waste your time
24:17or make you leave work later because of me.
24:19I just want to tell you that
24:21I really like talking to you
24:23and I always learn something new.
24:29Bye.
24:46My God, if you look at them, they'll kill you.
24:51You see, I was right.
24:53Mrs. Lázaro looks at me that way.
24:55But I've gotten lost, ma'am.
24:56You'll find out in due time,
24:58like the rest of your colleagues.
25:00Come on, woman, don't be like that.
25:02You're worrying me with so much mystery.
25:04No, man, not at all.
25:06Come on.
25:08With this wedding thing, you're all very clueless.
25:10Shut up, shut up.
25:12Don't talk to me about the wedding.
25:14What a pain in the ass.
25:16Come on, for God's sake.
25:18It seems that it affects you more than hope.
25:20It can be affected,
25:22but defeated, never.
25:24You have to fight for what you want, right?
25:26The machinery is on, Mrs. Teresa.
25:28But as you say, you'll find out in due time.
25:31Well, there's not much time because the wedding was today.
25:34And the ceiling of a hermitage
25:36is not something that can be fixed so easily.
25:38Unless...
25:40Unless what?
25:42Look, I don't want to say anything.
25:44I don't want to give false hopes to people,
25:46but something is going to happen, Mrs. Teresa.
25:49Elias, Elias.
25:51Tell me what you're up to.
25:53Well, look,
25:54for me to plan something for real,
25:56the first thing I need is to be away from the hall for a while.
25:59Would that be possible?
26:01Now? Yes.
26:03In the middle of the convention?
26:05Yes, but everything is organized, I've applied myself well.
26:07The agape has already been served,
26:09and Montero and the others are getting ready to pick it up
26:12when this is over.
26:14Are you sure?
26:16Okay, Elias, but only for a while.
26:18You can't be away all day.
26:20Thank you, ma'am.
26:21Sorry, I think it's going to rain,
26:23so I'll be right back.
26:25Run.
26:27Montero.
26:29Replace Elias.
26:31Take care of the clothes.
26:38I hope he didn't have a hard time
26:40releasing Elias when we know
26:42that Cañete is delivering.
26:44It's an important thing, Mrs. Lázaro.
26:46He won't be out for long.
26:48Not long.
26:49I don't think it's going to happen today.
26:51That's what I'm telling you.
26:56You say a lot of things.
26:58Let's see if any of them are true.
27:06Breakfasts, snacks and sensational events
27:09in the modern tea room,
27:11quality and enjoyment always usual.
27:20Agustín, what are you doing here?
27:22With the rain and no umbrellas.
27:24Are you looking for something you don't have?
27:26Well, more than looking,
27:28I've come to bring this to Inés.
27:30Even if she sees it,
27:32I might get pneumonia as a gift.
27:34These are the recordings
27:36from the pharaoh's court.
27:38I've tried not to get too wet,
27:40but it's a bit wet.
27:42It's a bit wet,
27:44but it's a bit wet.
27:46It's a bit wet,
27:47but it's a bit wet.
27:49That's great.
27:51You'll be very excited,
27:53but you could have waited for the rain to stop.
27:55I could,
27:57but I couldn't contain myself.
27:59You're the one who can't.
28:01Well,
28:03I'd better go now.
28:05Please make sure you can hear me,
28:07because if you get wet,
28:09you won't hear anything.
28:11I've tried to protect you,
28:13but the water curtain is falling.
28:14Let's check it together.
28:16If it dries up and gets hot,
28:18I can't let it go like this.
28:20Of course.
28:22Let's go.
28:24Come on.
28:31I'm sorry.
28:33I'll put it in the lost house.
28:35No, don't worry.
28:37Should I put the box here?
28:39Yes.
28:45Here you go.
29:02Thank you very much.
29:04This coffee tastes better.
29:06It's wonderful.
29:08Yes, especially because of Esperanza and Elías.
29:10I don't know what got into them
29:12about being godparents.
29:14I don't know.
29:16I don't want to imagine it.
29:18No wedding, no worries.
29:20Don't worry so much,
29:22because at some point we'll have to get married,
29:24and sooner rather.
29:26I think we're messing it up
29:28with the hermit thing.
29:30We'll have to think of an easier wedding.
29:32We'll think about that.
29:34What we should do now is rest.
29:36It's been a very intense few days.
29:38When I got up,
29:40the first thing I thought was
29:41that we were going to have our wedding.
29:43Yes, please.
29:45A movie, a play, whatever you want.
29:47Whatever you want, but you'll tell me later.
29:49If the vampire sees me here talking, she'll kill me.
29:59Thank you very much for your patience,
30:01but above all for saving me from pneumonia.
30:04What's the matter with you?
30:06How could you let him leave so calmly?
30:08I mean it.
30:09In any case,
30:11I don't want to steal your time.
30:13I imagine you'll have things to do.
30:15I said it as if you weren't busy.
30:17And I think it's hard work to set up a play.
30:19And money.
30:21But you know what?
30:23That's my dream.
30:25The first time I read The Court of Pharaohs,
30:27I thought,
30:29I have to produce this wonder.
30:31And you'll do it.
30:33Because when someone has something so clear
30:35and puts so much effort,
30:37everything comes out.
30:39And I...
30:41I don't really agree with that.
30:43But I'm going to keep trying.
30:45That's the reason I get up every day.
30:47You know, there are people
30:49who want a palace
30:51or fast cars.
30:53What I want is to make that play
30:55in such a way
30:57that people come out with their mouths open.
31:00It's very important to have dreams.
31:02Otherwise life would be very boring,
31:04don't you think?
31:06I completely agree.
31:07We have to fight for them
31:09to make them come true.
31:12Always.
31:14And I don't know what these things have
31:16that, even if they get complicated,
31:18it's very difficult to give them up.
31:21It's like...
31:23Like poison.
31:37As I told you,
31:39the convention is going great.
31:41I'm convinced that if there is another one,
31:43it will be here.
31:45I'm glad, Mrs. Lazarano.
31:47But for now, I prefer to focus
31:49on everything going well.
31:51If there is another one,
31:53we will take care of it in the future.
31:55And if there is nothing else to discuss,
31:57you can leave. Thank you.
31:59Well, the truth is that I wanted to talk
32:01to you about the dismissals.
32:03I don't know if it's a good time.
32:05To talk about it, yes.
32:07But I don't think this is the day
32:09to dismiss anyone, don't you think?
32:11I don't know what you mean.
32:14We can't afford to dismiss anyone.
32:16We have a convention going on.
32:18Cañete is not here.
32:20And if those comments are referring to Teresa,
32:22I just saw her in the upper floor
32:24getting rid of herself
32:26because everything works perfectly.
32:28I'm sorry, Mr. Fermin,
32:30but I think I've expressed myself badly.
32:32I have never said that Teresa
32:34is a bad professional.
32:35So I don't understand where you're coming from.
32:37Excuse my frankness,
32:39but I mean her sick jealousy,
32:42the lightness with which she treats certain employees.
32:45And I have to tell you that from my experience,
32:48when you start with a favorable treatment,
32:50in the end they get on your nerves.
32:52So I think the best solution
32:54would be to facilitate her departure.
32:56That's what I told her yesterday.
32:58After yesterday's talk
33:00and meditating on it,
33:02I think it's better to find another solution.
33:07What do you think of a conversation with her?
33:12I think it's good.
33:14As soon as the Boticarios convention is over,
33:16I'll talk to her.
33:18No, I don't think I understood well,
33:20or maybe I haven't explained myself well.
33:22I mean a conversation between her and me.
33:25Excuse me,
33:27but I honestly think
33:28that her authority could be,
33:30I don't know, diminished.
33:32I don't see why.
33:34After all, I'm the owner of the salon
33:36and Teresa is one of my best and oldest employees.
33:38And I'd like to let her know,
33:40in person.
33:42It's a matter of education.
33:44If you allow me, Mr. Fermin,
33:46I'll give her your word.
33:48I'm sorry to insist,
33:50but I think as a manager
33:52it's my duty to lighten these procedures.
33:53Very good.
33:55Very good.
33:57I trust you to avoid Teresa's dismissal.
33:59And let's hope she collaborates
34:01and we end this situation once and for all.
34:04I agree.
34:06But if she doesn't collaborate...
34:08If she does,
34:10and only if she does,
34:12I'll have no choice but to stop her.
34:14Good.
34:16I'll talk to her then
34:18and I'll do my best
34:20to keep her company.
34:21She deserves another chance.
34:23I know.
34:25And as I said,
34:27I trust you.
34:52What?
34:54Why do you end up learning
34:56by heart like the newspaper?
34:58Well, you have to do this in time.
35:00Besides, having decided to extend
35:02my break time,
35:04I'm going to squeeze until the last second.
35:06Yes, well, like Don Salvador
35:08in Trevores de Puertecita.
35:10He'll take a pleasant surprise.
35:12He'll see his son in charge of his business.
35:14Don't you see that Salvita had to take care
35:16of the hardware during the wedding?
35:18And now that we're not married,
35:19you're not smart at all.
35:21Because of this, you married me.
35:23Oh, well.
35:28What are they up to?
35:30I don't know.
35:33Oh,
35:35I think he's coming.
35:37He's leaving.
35:41Elias, are you soaked?
35:43Yes, of course, Miguel.
35:45But in these moments,
35:47it's the least important thing.
35:49What are we going to do?
35:51Well, I'll try, Mrs. Teresa.
35:53Well, I'm telling you,
35:55pieces are not good advisors.
35:57And if you don't ask Trini and Miguel.
35:59And what about us?
36:01Now nothing, Miguel.
36:03As the sacred scriptures say,
36:05ask and you will be given,
36:07seek and you will find.
36:09But what is this man saying?
36:11I think he has a fever.
36:13Well, a fever of union,
36:15Trini of marriage,
36:17of the most beautiful thing in the world.
36:19He wants to go to Rome with Santiago
36:21so that these two have a church.
36:23We thank you, but ...
36:25But you haven't got it, have you?
36:28Yes!
36:30Yes, yes.
36:32Let's see, it's not the almighty
36:34of Santa Maria del Venado,
36:36but it's the only one they married you quickly.
36:38How quickly?
36:40A lot, Miguel, a lot.
36:42If I have it all arranged,
36:44I have stayed tomorrow with the priest
36:46to bring him your documents.
36:47I'm sorry.
36:49Trini, Trini, I know,
36:51you don't have to thank me.
36:53I do this with all my heart,
36:55I do this for you.
36:57No, I think theater is a much more
36:59complicated discipline for the actor.
37:01It's more tiring, immediate.
37:03Look, for reasons of life
37:05and for some other coincidence,
37:07I've been able to attend shoots.
37:09And believe me, they are much more exhausting.
37:11Many hours waiting for the set to be set up,
37:13more waiting between takes.
37:15But it's better for me.
37:17The sequence, that doesn't exist in theater.
37:19There's no time to prepare the scene.
37:21Do you understand?
37:23That's what I mean by immediacy.
37:25No, no, I don't understand what you mean.
37:27In theater,
37:29everything that happens on stage is unique.
37:31There's no function like any other.
37:33Everything happens in the moment.
37:35Do you understand?
37:37There's no waiting, there's no margin for error.
37:39Well, I've seen more than one actor make a mistake.
37:42But that's precisely
37:44what makes that function
37:45unique.
37:47That mistake is what makes that play
37:49unrepeatable.
37:51No, no unique and unrepeatable functions.
37:53That's getting to the bottom of it.
37:55But look at me.
37:57I've left home without an umbrella.
37:59And thanks to that, we're here talking.
38:01You and me.
38:03I've made a mistake.
38:06Well, I'll go see if your clothes are dry.
38:16This is almost done.
38:21Do you want more coffee?
38:23No, no, no.
38:25I don't want to bother you anymore.
38:27No, no, it doesn't bother me.
38:29Really, it's been a wonderful time.
38:31But I think it's better if you dress me up
38:33and that I leave.
38:35Okay.
38:38Listen,
38:40everything in that box
38:42are recordings for my sister.
38:43Everything in that box
38:45are recordings for my sister.
38:56Not exactly.
38:58The recordings
39:00are from the Faraon court.
39:06And the box
39:09is more for you.
39:11For me?
39:13It's a gift.
39:15But what is it?
39:21But it's a magic lantern.
39:24Agustín, this
39:26is a wonderful gift.
39:28Thank you very much.
39:30We approve it.
39:37Why didn't you imagine
39:39that the pharmacists gave so much work?
39:41Well, no, Esperanza.
39:43We've had events in the living room.
39:45But none as exhausting as this one.
39:47I want to sleep at home.
39:49Well, there's a storm coming.
39:51I'll wait for you here.
39:53With how good it was this morning.
39:56God willing,
39:58Miguel and Trini's wedding will be good.
40:00Second wedding in two weeks.
40:02I hope this is the good one.
40:04I hope I get along with the others.
40:06Well, I'm sure everything will be fine.
40:07As long as it's not because of Elías.
40:11What an element.
40:13Sometimes he's a bit of a walker.
40:15But when he's into something,
40:17he never stops.
40:19What are you?
40:21Woman, take off your shoes and rest.
40:23With your suit on
40:25and the manager
40:27who's having a drink with you.
40:30You told me yourself
40:32that since Cañete's gone,
40:34Mrs. Teresa up, Mrs. Teresa down.
40:37Well, don't worry about my work, Esperanza.
40:39Soon I'll have plenty of time to rest.
40:46Esperanza, please leave us alone.
40:49Yes, right now.
40:58It's important
41:00because otherwise I'd rather talk to you
41:02after the convention.
41:04Well, if you value your job,
41:05then yes,
41:07this conversation is important.
41:09Look, Mrs. Lázara,
41:11even if I'm going to say goodbye,
41:13I've tried my best at this convention,
41:15as I've always done.
41:17I see.
41:19You've already said goodbye.
41:21Well, yes.
41:23But know that before I go,
41:25I'll let Mr. Fermín know how you are.
41:27And he'll also tell him
41:29that he's been in my neighborhood
41:31asking about me
41:33or that he's gone to my old job
41:35because you're already telling him things, right?
41:38If that's the case,
41:40I can tell him, Teresa,
41:42that Mr. Fermín knows everything
41:45and that he won't believe you.
41:47Well, we'll see about that.
41:51Calm down, woman.
41:53You can tell him, Misa,
41:55that if Mr. Fermín has put his goodbye in my hands,
41:57it must be for a reason.
41:59And believe me,
42:01my heart won't beat when the time comes.
42:03Well, look, if he's come to say goodbye,
42:05do it and let's end this once and for all.
42:07I haven't come to say goodbye.
42:09I've come to tell you
42:11that you have a second chance
42:13to keep your job.
42:15A second chance?
42:17Why?
42:19We all deserve a second chance,
42:21including you.
42:23So I'm not only offering you
42:25to keep your job,
42:27but to have a little more leeway with you.
42:29As long as
42:31you stop investigating me
42:33and chasing me.
42:36Do we have a deal?
42:44I should go now.
42:49You should go now, yes.
43:05You should go now.
43:36I was about to, Brigida.
43:38I thought it would be a good time to come in,
43:40but then I thought it over
43:42and I can't allow it.
43:44Because coming in,
43:46even if it's only for a few hours,
43:48would be like telling the world I'm crazy
43:50and I'm not crazy.
43:52I'm not.
43:54Even if Dr. Mendoza insists.
43:56What do you mean by Dr. Mendoza?
43:58Get ready.
44:00Can you believe he's saying
44:02I do things to look like I'm not crazy?
44:03What if he calls himself a doctor?
44:05I don't think he's a bad doctor.
44:07In fact, I get along with him.
44:09Well, I don't like the way he's acting with me.
44:11So why are you coming to the consultation?
44:13To say goodbye.
44:15It's over.
44:17I'm not coming back.
44:19Dr. Mendoza is the one who should come in, not me.
44:21It's the truth.
44:23He's saying very bad things about me.
44:25Thank goodness Iñigo has finally reacted.
44:28Really?
44:29Yes.
44:30Did you tell the doctor anything?
44:31No.
44:33He told me.
44:35He was honest with me this morning.
44:37He told me he believes me,
44:39that deep down he knows I'm right
44:41and that I'm the cat in the cage.
44:43So it's over, Brígida, finally.
44:45It's all over.
44:47What's wrong?
44:49Aren't you happy for me?
44:51I don't know, Matilde.
44:53On the one hand, yes, but on the other...
44:55In the end, Dr. Mendoza isn't that bad.
44:58But everything I've told you is true.
44:59I don't doubt it.
45:01But maybe you're judging the doctor too harshly.
45:04But do you really think
45:06that doctor is a good and qualified person?
45:09If it weren't for him,
45:11I wouldn't be so well.
45:13I was very bad, Matilde.
45:15And my life changed for the better
45:17and it was all thanks to him.
45:19Well, I guess what works for one person
45:21doesn't work for everyone.
45:23And forgive me, Brígida,
45:25but our circumstances are completely different.
45:26And I'm not denying that these diseases are very severe,
45:29but I don't have them.
45:31Yeah, yeah, but you...
45:33You still...
45:35hear the voices.
45:39You too?
45:43Brígida, those voices exist.
45:45They exist.
45:47Someone's talking to me.
45:49Do you understand?
45:51If it's not Ms. Carla, it's someone who's pretending to be her.
45:53And I've also seen that woman.
45:54You don't have to say it.
45:56I'm really sorry, Matilde.
45:58I don't want you to be mad at me.
46:00I just want to help you.
46:02I thought you were different, that you believed me.
46:04But well, it doesn't matter.
46:06Because those voices exist.
46:08They're real people.
46:10I'm sure of it.
46:25No.
46:33No, please.
46:38Don't hurt me.
46:44Help.
46:47Help.
46:50Help.
46:52No, I haven't done anything.
46:54Let me go.
46:56Lucia.
46:58Calm down.
47:00You're Pietro.
47:02Yes.
47:04What happened?
47:10What's going on?
47:12You were having a nightmare.
47:17Do you want some water?
47:19Are you okay?
47:21No, Pietro.
47:23I'm afraid you'll hurt me.
47:27Don't worry.
47:29Don't worry.
47:31They won't hurt you.
47:38You can see it with your own eyes.
47:40This albaran proves that Matilde bought,
47:44as it says there, the San Cayetano medal.
47:48But that can't be.
47:50It can't be. This is a lie.
47:52Inigo, this is a lie. I didn't buy that medal.
47:55I know, darling.
47:59I'm sorry to tell you that
48:01we don't know what kind of validity this has.
48:05What do you mean?
48:07It's an invoice in her name.
48:09I think it's pretty obvious.
48:11Yes, I understand that perfectly.
48:13But that could have been fabricated later.
48:15Isn't that so?
48:17Look, doctor, we don't want you to think
48:19that we don't trust you,
48:21not even a little bit.
48:23But, unfortunately,
48:25we have the adversity of certain people.
48:27People who are capable of doing anything to us.
48:31Much more than a simple arm.
48:33I don't know if you understand me.
48:35The truth is that I don't, Mr. Peñalver.
48:37What my husband means is that
48:39the same person who did that
48:41is the person who put the dead bird in our bed.
48:46Look, I'm sorry to tell you this,
48:47but I'm going to be frank.
48:49I think you're painting
48:51a very complicated situation
48:53and now I won't be the one
48:55to convince you otherwise.
48:57I don't want to convince you of anything, doctor.
49:00All I want is to tell you the truth.
49:03And I didn't buy that medal.
49:09It's a shame that you don't want to trust me
49:11for this process.
49:13I have cured many patients
49:15throughout my career
49:18but maybe I've done something wrong to you
49:22so that you don't want to count on my services.
49:25So I guess I owe you an apology.
49:28Don't apologize, doctor.
49:30There's someone behind everything that's happening to me.
49:33My husband and I are convinced.
49:35Besides,
49:37I know for a fact,
49:39because of Brigida,
49:41that you are a great professional.
49:43Brigida?
49:45Who is Brigida, my love?
49:47Why haven't you told me about her?
49:49She's a patient of yours, doctor.
49:51A woman of my age, more or less.
49:53I see her sometimes in the waiting room
49:56or in the garden.
50:04What's wrong?
50:06Look, Matilde,
50:08I don't have a patient called Brigida.
50:11What do you mean?
50:13But I've seen her before I came to see you.
50:15She almost convinced me to come in.
50:18No, I don't know any woman with that name.
50:22And I'm telling you,
50:24in this clinic we are very scrupulous about appointments.
50:26But are you sure of what you're saying, doctor?
50:29Of course.
50:31Besides, I don't like that no patient
50:33coincides so much with the consultations.
50:36But that can't be.
50:39It can't be.
50:41She has to have a patient called Brigida.
50:45Brigida?
50:47Otherwise, maybe, I don't know, she doesn't remember or...
50:49Calm down, my love.
50:51I'm sure this mistake can be explained.
50:53Right, doctor?
50:55I'm sorry to tell you this,
50:57but I suspect that person is
51:00another product of your imagination, Matilde.
51:10I hope you don't continue with the idea of wanting to report us.
51:13What you have done is very serious.
51:15For the friendship that unites us.
51:17Help me.
51:19Covering it would make me a person without scruples like you.
51:22And we don't look alike.
51:24Your feelings towards me were also fake.
51:26And Lucia, how is she?
51:28I wanted to get the subject out of the nightmare.
51:30But then, have you talked about something?
51:34Lucia has suffered a lot.
51:36And she still has wounds,
51:39even if she is better, right?
51:40You don't know
51:42how much Salvita has struggled to find
51:44these books of the teacher.
51:46Really?
51:48Well, to tell you that from so much searching,
51:50she knows the shelves better than me.
51:52Well, thank you very much, I didn't need it.
51:54With Mrs. Juanes, I did everything.
51:56But since she left,
51:58I'm not very sure this is going to go well.
52:00Inés, you know that the road is long,
52:02but it's worth it.
52:04You have to go little by little.
52:06And above all, don't give up.
52:08I don't know how many times
52:10I've told you that we don't want to get married there.
52:12Well, if we have achieved it once,
52:14we will achieve it again.
52:16We will tell you clearly so that you understand.
52:18I will stop investigating your affairs,
52:20Mrs. Lázara.
52:22I want to hear it from you.
52:24If you don't get into where they don't call you,
52:26I won't promote your dismissal.
52:28I'm sorry, but I proposed to fire you
52:30and you didn't agree.
52:32I managed to get Estrellita Castro
52:34to come to the store to sign records.
52:36Estrellita Castro?
52:38Mother-in-law, what a surprise, give me a hug.
52:40Oh, how beautiful!
52:42The plan with Laurita turned out great.
52:44Very well, I'm very happy.
52:46When I was at the door, about to call,
52:48with the recordings and soaked in the storm,
52:50I thought, this is not going to go well.
52:53The truth is that it was beautiful.
52:55How nice, but there were other details.
52:57Well, he bothered to come
53:00to bring the recordings of the court of Pharaoh
53:03and the magic lantern.
53:05You deserve someone who treats you so well.
53:07Tell me more.
53:09Miss Castro, welcome.
53:11Why don't you take a picture of me?
53:14I really want to know your art.
53:16That's done.
53:18It is an honor and a pleasure
53:20to immortalize a star of her size.
53:22She can't trust what she says.
53:24Her perception of reality is distorted.
53:26She should be admitted now.
53:28I think she's going to be admitted to a sanatorium.
53:30What do you mean, a sanatorium?
53:32So her condition is in everyone's mouth.
53:34I don't know if that's positive
53:36considering the seriousness of the matter.
53:38Everything is in order.
53:40What does that mean?
53:42It means that there are people following her.
53:44They are waiting for an imminent entrance.
53:46Patil, Carla's wish was a hallucination.
53:48Vigita's wish could also have been.
53:50That doesn't mean you're worse,
53:52just that you're affected.
53:54Do you think I'm crazy?
53:56Take it, I'll give it to you.
53:58Thank you very much.
54:08You're welcome.