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00:00Well, who's the legend?
00:02Well, well, well, how are you?
00:04What kind of brother are you? How are you?
00:06What are you doing here?
00:08What do you mean here?
00:10I'm in my store.
00:11Now, who are you going to put as a manager of human resources?
00:14Probably an inept or a lover of the owner.
00:18A lover of the owner of Mrs. MartÃn?
00:22Of course, if the aunt likes collagen.
00:24Look, I remind you that I've been living in that house for years.
00:27You can have a whole life here in the house,
00:30but I betrayed you.
00:33And if you want to come back,
00:35you'll have to be submitted to my will.
00:38Now I have to wait for them to accept me in my own house.
00:41Well, they are liars.
00:42Either you take them or you leave them.
00:44Was it a ruin or was it not a ruin?
00:46It was not a ruin, Agafar, it was not a ruin.
00:47I don't know what I'm going to do, but you have to help me get it out of my head, please.
00:50And if I have to get it out of my head, I'll do it.
00:52I don't know, you take care of it.
00:53You, you're going to help me.
00:54Because if not, I'm thinking clearly.
00:56You said goodbye, Agafar.
00:59Look, Joel.
01:01I'm going to see how I can help you with that.
01:03Berenice, you can't go.
01:06You are a living institution for the Maldini Corporation.
01:10Thank you, dear partner.
01:12But the new human resources manager doesn't think like that.
01:16That's how things are, baby.
01:18I don't think they'll let us go back.
01:21We have to find someone who is interested in us.
01:24Someone who will stand on our side in this negotiation.
01:29I know who can help us, buddy.
01:32Who?
01:34I'm going to introduce you to a part of the director.
01:38I want you to talk to a person who, like Mrs. Berenice, has been here for many years.
01:43Too many, I would say.
01:46Do you want...
01:48Do you want me to run in the same direction as Berenice?
01:58Don't tell me you feel something with me.
02:01Look, I blush.
02:03I get like a teenager, like a little boy.
02:07By the way, I want to ask you.
02:09Your husband, when do you plan to return from the trip?
02:13Bruno!
02:14I'll call you later, ma'am.
02:17Bruno, this is Maximiliano Marquez.
02:20Our new and flamboyant human resources manager.
02:25Don't tell me, so this young man is the new human resources manager.
02:29Very good.
02:30Mr. Picasso, how are you?
02:32Very good.
02:33I want you to work with him on some budget and planning issues.
02:38And that you give him all the collaboration he needs, can it be?
02:42Be careful, I will do everything possible to help Sebastián.
02:46Maximiliano.
02:47Sorry, Maximiliano.
02:49Thank you very much.
02:51I leave you to work.
02:52Don't worry.
02:53Don't worry, I'll take care of it.
03:01Get me out, Gaspar.
03:02Get me out, get me out.
03:03You got me in, don't get me out, please.
03:04At once, get to work, okay?
03:05Calm down.
03:07We're going to do a job of reverse psychology.
03:09But what do you know about psychology, Gaspar?
03:10Tell me if you know everything.
03:11This is a tutorial, okay?
03:12Oh, well, with that you understand.
03:13Start.
03:15As far as I understand, you die for Romina.
03:19I don't like Romina, I've already told you.
03:20What's wrong with you?
03:21What's wrong with you?
03:22If you stay down, if you stay down.
03:23So you won't be able to get me out, what's wrong with you?
03:24Do you understand?
03:25Please.
03:26Let's go the right way.
03:27Let's go the right way.
03:28Throw away all that hate, throw it away.
03:29So you won't be able to get me out, Gaspar.
03:32Listen to me, listen to me.
03:33According to reverse psychology, because I saw it myself.
03:35It's about that.
03:36I'll tell you one thing so you can think of another.
03:37Do you understand?
03:38I want a branch too.
03:40Yes, yes.
03:41I trust you.
03:42Let's see, yes, yes.
03:44We are going to go point by point of all Romina's defects.
03:47Okay?
03:48No, no, no.
03:49It's going to take a week.
03:51Romina is ...
03:52Stunning.
03:54It is also ...
03:56Heavy.
03:57If you want the last mango chupa.
03:59I think it's a tasteless pepper.
04:01And the physique?
04:02Ah, it's killed.
04:03It's killed.
04:04It's killed.
04:05Yes?
04:06Yes, throw your hand with Cairo.
04:07No, nothing will happen.
04:11Her smell.
04:12Her smell.
04:13Give me her smell.
04:14Burned oil.
04:15It smells like burned oil.
04:16Worse than my socks.
04:17Neither.
04:18No, no.
04:19They won't even come close.
04:20In a word, Romina is ...
04:21A disaster.
04:24You see, Joel?
04:26Do you see everything you would lose if you fell in love with her?
04:30Go out with your friends.
04:31Your music.
04:32Do everything you like the most.
04:35With what I like to have fun.
04:38But ...
04:39You could also close the doors to love.
04:41To true love.
04:43You know what?
04:46The truth is that I've caught a fever from that little girl.
04:50Now you have to check if you can forget her.
04:53Right now I'm going to the traffic light.
04:55And I'm going to the store of answers.
04:56Right?
04:57Go.
04:58Go.
05:03Am I good at this?
05:05I'm good.
05:07Well, in addition to my invaluable service in the directory.
05:12I love it.
05:13I'm fascinated.
05:14I rolled to put a seed in everything related to money.
05:19Well, as you can appreciate.
05:22Look here.
05:23Our income and our income are almost equal.
05:27That's why we don't have those substantial earnings of money.
05:32I don't know what to do anymore.
05:33There it is.
05:34There it is.
05:35That's what you have to reverse.
05:36Well, look at how you do it for me.
05:39Do you know one thing?
05:40I'm going to get a coffee.
05:42With this matter of austerity.
05:43They have taken away my advisors.
05:45My secretaries.
05:46They have taken everything away from me.
05:47So you see how you fix it, right?
05:49Don't worry.
05:50I'm going.
05:51I'm going.
05:52I'm going.
05:53I'm going.
05:54Don't worry.
05:55See you.
05:56See you.
06:03Family.
06:04I have gathered you here to discuss a very delicate matter.
06:08What is it, grandfather?
06:09Dad, it's very important.
06:10I have a date with the manicurist.
06:12He has canceled it.
06:13Of course it is important.
06:15Please listen.
06:16Let's see, Olindita.
06:18Tito and Pepe want to return home.
06:21That's good.
06:22Friends, I got upset.
06:24I even miss them.
06:25Oh no.
06:26I don't even miss them a little bit.
06:27I think it's great that they stay on the street.
06:29What do I care?
06:30Yes.
06:31Uncle, Pepe and Tito have already spent enough time outside.
06:33It's not bad.
06:34Enough time?
06:35They have been one day.
06:36Let them stay as long as possible.
06:38Look, they don't deserve our mercy.
06:40They behaved very badly with the family.
06:42Teresita, we have to make a decision.
06:46Let's vote.
06:47Do we do it with a secret vote or by hand?
06:50I already have my vote.
06:52No.
06:53I say they come.
06:57I'm going.
06:58Let's see.
06:59God.
07:01Who is knocking on the door?
07:02Let's see, aunt.
07:04Father Manuel.
07:18Bruno, I'm sorry to tell you this, but I think you are wrong in this picture.
07:22I'm wrong?
07:23That's impossible.
07:24No, no.
07:25Yes, look.
07:27It seems that you were not counting 600,000 soles.
07:32They are not counted.
07:33Well, I would swear I had put it.
07:37Well, they are not.
07:38So you should be a little more careful.
07:42Well, be careful.
07:43It won't happen again.
07:44No, no.
07:45Surely not.
07:47What year did you tell me these pictures are from?
07:50Well, 2024.
07:53Excuse me, but they are not from 2024.
07:56They are from 2014.
07:58Let's see.
08:00Yes, you are right.
08:01Here it says 2014.
08:02Yes, well, you are right.
08:05That says.
08:06Excuse me for telling you this way, but have you thought of retiring?
08:13How could I think of retiring?
08:15A member of the board can never retire.
08:18Please.
08:19A member of the board does not have to be here every day.
08:23Bruno, you should be enjoying your life.
08:25Of everything you have earned these years.
08:27Away from the company.
08:28Away from stress.
08:33Yes, you are right.
08:35Yes, yes.
08:39Family González, it is always a pleasure to see you again.
08:42Father Manuel.
08:43Uncle Pepe.
08:44Uncle.
08:45How are you, son?
08:46All right here?
08:47We were just talking to you.
08:49What are these two people doing here?
08:51They are ungrateful in our home.
08:53Teresa, we have come here to defend our rights.
08:56What rights are you going to have?
08:58If we have them and Father Manuel is going to intercede for us.
09:01That is the mission that the Lord has entrusted me in this life.
09:05To unite the family.
09:06I asked them to leave because they have betrayed our trust.
09:11Gilberto, you know that making a mistake is human and forgiving is divine.
09:15Father, but it is difficult to forget what they did.
09:19They allied with our enemy to destroy our marriage.
09:24Is that true, boy?
09:26That means we did what we had to do.
09:28Yes, the money was also going to benefit the whole family.
09:33Wait a minute.
09:34There is something I do not understand.
09:36How is it that you allied with the enemy to prevent them from getting married?
09:41Have you been married?
09:42Yes, against the law.
09:44Yes, for the civil.
09:47We were waiting for the religious marriage.
09:50That you are going to celebrate it.
09:52And I wait like this, as if nothing.
09:54They should have let me know.
09:56Or at least invite me.
09:58I have been a confessor of this family for decades.
10:01Please, you can't do that to me.
10:03I'm sorry, Father.
10:05Yes, forgive us, please.
10:08Father, do not lose focus.
10:10Concentrate on what we have come to do, please.
10:12Yes, that they let us return to the house.
10:14And Pepe and I make him a couple of mixes of ammonia.
10:16We had just been doing a vote.
10:19And there is one in favor and another against.
10:22I, the truth, vote for him not to give the house to Chico.
10:27How ugly your heart, Olinda.
10:29Really, how ugly your heart.
10:30Me neither.
10:31I would like him to return.
10:33How have you changed the marriage, Gila?
10:35It is better that Joel comes to return.
10:37No, we are not going to do anything.
10:38It is better that Father Manuel votes in his representation.
10:40What did you do?
10:41Well, I, as a man of faith,
10:44I trust that Pepe and Tito have learned the lesson.
10:48Therefore, my vote is that they return to the house.
10:52Please, let us return to Chico.
10:54Yes, I have to watch my daughter closely.
11:02Okay, you can stay.
11:03Yes.
11:04But.
11:05With a condition that must be fulfilled yes or yes.
11:09What condition?
11:37What happens?
11:38Stop.
11:43Please, Mr. Adolfo, don't be bad.
11:45Give me a few more days to find a place to move.
11:48I'm sorry, Romina.
11:49But I already gave you more than enough time
11:50for you to find a new place to live.
11:52Yes, what happens is that I was fed up.
11:54I couldn't look for it.
11:55But right now I'm freer to start looking.
11:57Please.
11:58Look, if I wanted, I couldn't have you here anymore.
12:01The new buyer is coming tomorrow.
12:03I have to make many gifts here in the house urgently.
12:05But I don't care about the buoy.
12:06I can be there next door.
12:07It doesn't matter.
12:08Please don't throw me away.
12:09If you want, I'll pay you double a day.
12:11Yes, please.
12:13Romina.
12:14With the smell of my heart, I can't accept that offer.
12:17So really, look.
12:18Goodbye.
12:19I wish you well and good luck.
12:25Oh my God.
12:27And now where am I going to go?
12:32JafarÃn.
12:34Be careful.
12:36I don't see her anywhere.
12:38Don't you have hallucinations anymore?
12:39No, no, no.
12:40I don't see her anywhere anymore.
12:42Yes, I went to the traffic light.
12:43And I saw the little duck.
12:44The little duck, the one that was cleaning the dune.
12:46Then I went to Ruther's.
12:47And Ruther was there.
12:48All quiet.
12:49I don't see her anymore.
12:50That makes me calmer.
12:53Now, I'm going to ask you a favor.
12:54Don't mention Romina anymore.
12:56What do you say?
12:57I want to talk to Romina.
12:58I'm going to say goodbye.
12:59I'm leaving.
13:00Be careful.
13:01I'm going to start working.
13:02I've lost a lot of time thinking about Romina.
13:04The time goes on.
13:05The time goes on.
13:06Where do we start?
13:09I think this bank is going to be my new home
13:11until I find a place to move in.
13:15Because with how expensive things are,
13:18plus the rent,
13:20plus the months ahead,
13:23I don't know if I'm going to find a new place.
13:35Hi.
13:36Hi.
13:37How are you?
13:38I'm fine.
13:39How are you?
13:40I'm fine.
13:47Romina.
13:48Hi.
13:49What's wrong?
13:50Why are you crying?
13:52Oh, Yuli.
13:54It's just that the man who rented the room to me,
13:55he kicked me out.
13:57I don't know where to go.
13:59Oh, poor thing.
14:01And where are you going to spend the night?
14:04I don't know.
14:11I don't know.
14:34Why?
14:35I don't know.
14:45Pepe y Tito have been sorry from the bottom of their heart
14:48for the disloyalty they committed.
14:51And I can believe they are truly remorseful,
14:54but that final condition they were given
14:57to go back does seem drastic to them, doesn't it?
15:02No.
15:03that Tito has against us.
15:05Yes, they are completely out of place, Father.
15:07Tito has no viruses.
15:09Well, now they will have it.
15:34Hello, boss.
15:38What are you doing here?
15:41Joel, RamÃrez knows what it's like to live here.
15:54Thank you for bringing me to pick up the things Maripaz forgot.
15:57You know I love spending time with you.
15:59And now without work I have a lot of free time.
16:02Don't worry, soon you'll get a job that's perfect for you.
16:06Amen.
16:07By the way, what did you do all morning?
16:10I went to see my new office.
16:13Wait for me.
16:17Hello, Francesca?
16:24Julie?
16:26Julie!
16:30Come here.
16:33Are you telling me that the product of my imagination is going to stay here in the house?
16:39Joel, Ramina is not a product of your imagination.
16:42She's here and she's going to stay and live for a few days.
16:45That's impossible. It's impossible.
16:49Can I touch her to see if she's alive?
16:51Boss, you can only touch me until I give you permission.
16:55Is that you? So it's you?
16:57And what are you doing here?
16:59Ramina was evicted and I thought we could help her.
17:02In the meantime, you can stay in Aunt Charo's room.
17:05Yes, I can pay for the room for a few days.
17:07It will be a maximum of two weeks.
17:09And then I'll look for another place.
17:11Look, don't worry about time.
17:13The important thing is that you have a roof to stay on.
17:15And regarding the money, we'll talk about it later with the family.
17:18Thank you, Julie.
17:20And it's you?
17:21Yes, rather, I take the opportunity to ask you to pay me for the days I've worked in the workshop.
17:25So I can cover the room and my daily expenses.
17:28Yes, yes, yes, I'll pay you.
17:30But why don't you go to a hotel?
17:32Julie, a hotel is going to be very expensive.
17:35And don't worry because we're going to leave you the room at a minimum price.
17:38No, no, no, don't worry.
17:39In fact, I don't want to bother you.
17:41If it bothers you, tell me. I'll look for another place.
17:43No, no, no, no. Don't bother, don't bother at all.
17:45As soon as the whole family comes, we'll solve this whole issue.
17:50It can't be.
17:51Just now that I no longer have visions, she's going to live in my house.
17:58This is an exaggeration and an injustice.
18:00It's our condition, Pepito.
18:02And if you want to stay, you have to respect it.
18:05If they put a mosaic on my compadre, they should also do the same.
18:08You know that of the two titos is the satin one.
18:11This is censorship here and in China.
18:13Where, where is our freedom of expression?
18:15What did I do, compadre?
18:16I don't know.
18:17I don't know.
18:18I don't know.
18:19I don't know.
18:20I don't know.
18:21I don't know.
18:22I don't know.
18:23I don't know.
18:24I don't know.
18:25I don't know.
18:26I don't know.
18:28I can't talk to you now.
18:30Well, do you realize that you feel unease now that we don't hear Tito's slurs?
18:35And I understand that this is part of your condition, but it cannot be like that forever,
18:40as if it were a ferocious animal, no?
18:42How long will you stay like that?
18:44Until I can control your wild impulses
18:47of talking meio-silly.
18:49Well, now that everything is solved, I'm going to rest.
18:52Eh, wait, Teresa, there's something we must talk about.
18:55Of what, father?
18:56about the religious marriage of Gilberto and Olinda.
18:59They must fulfill that sacrament.
19:02But, let's see.
19:03Well, well, well, father, aunt, family,
19:05I have to go to the chief to close the box,
19:07so I'm going to wash my face and I'm going there.
19:09Proceed, proceed.
19:10But I don't understand,
19:11if they already signed the wedding papers,
19:12why spend money?
19:14It is what corresponds, Teresa.
19:16And Olindita, you deserve it.
19:19Thank you, Gilberto.
19:20Teresita, don't worry,
19:22I'm going to do something small but beautiful,
19:24just for the family.
19:30Family!
19:31Family!
19:33Who is Francesca?
19:37Yes, Francesca, of course.
19:38Don't worry, I already talked to Bruno.
19:40Yes, personally.
19:42It seems that he has understood
19:43and is going to take a step aside.
19:46Don't worry,
19:47I'll see the contractual issues tomorrow.
19:50Rather,
19:51do you think if we meet early tomorrow?
19:55Perfect.
19:57Thank you very much, Francesca,
19:58and thank you for your trust.
20:01I'll see you tomorrow.
20:03Ok.
20:04Was she your boss?
20:05Yes.
20:06And her name is Francesca?
20:07Francesca.
20:08And what's her last name?
20:09Maldini.
20:10Are you working for Francesca Maldini,
20:12the bastard who left me without a job?
20:14Yes, yes, yes, I know, I know.
20:15Look, it's an opportunity
20:16that I couldn't miss.
20:18I'm the human resources manager
20:20of the Maldini Corporation.
20:21And I'm your girlfriend.
20:23What did you want?
20:24To put our relationship
20:26and my profession on a scale?
20:28No way!
20:29Look,
20:30surely you won't understand it today.
20:32I won't understand it.
20:33Not today,
20:34not ever, Max.
20:35Tomorrow, maybe you'll understand.
20:37You know perfectly well
20:38how that woman treated me.
20:39She made me feel
20:40that she was an insignificant whore.
20:42She talked to me horribly,
20:43she left me on the street without a job,
20:44without anything.
20:45You know how I feel.
20:46Yes, yes, yes, I know how you feel.
20:47Yes, I understand.
20:49But trust me,
20:50I'm not doing this
20:51because it will only benefit me
20:53in some way,
20:54but because it will benefit
20:56both of us.
20:58I don't understand
20:59how it can benefit me.
21:01Be a little patient
21:04and tomorrow
21:07you'll understand me better.
21:12Kisses.
21:18They evicted Romina
21:19from the room where she lived
21:20and now she has nowhere to go.
21:22I thought we could rent
21:23my aunt Charo's room.
21:25It won't be more than two weeks.
21:27I hope you can help me.
21:29I found her sitting on a bench
21:31and with the cold it's making...
21:35Oh, please, Tito!
21:36You don't have a candle in the cemetery!
21:38What a relief that we don't have to
21:39listen to your nagging!
21:40Oh, look at this girl.
21:42All alone, defenseless,
21:44all pretty she is.
21:46Oh, family!
21:48What do you think if we give her purple?
21:51What do you think?
21:52I totally agree.
21:54We can't leave her on the street.
21:56Yes, if we have a free room
21:58we can rent it.
22:04Yes,
22:06you can stay
22:08in our home.
22:10Welcome!
22:11Welcome to the family!
22:13Thank you very much.
22:14Wait a minute.
22:15Does my opinion matter?
22:17Of course it matters.
22:19But I suppose you agreed.
22:21You stayed quiet.
22:23I stayed quiet because I wanted to see
22:24how far they would go.
22:25I'm just saying that my mom
22:26could come at any moment.
22:27Joel!
22:28Your holy mother
22:30just went to Canada
22:32and she'll still be there for a long time.
22:34We have a free room
22:36we can rent it to Rominita
22:38and improve the house a little.
22:42Okay, she can stay here.
22:43But she has to follow the rules
22:45of living together.
22:46I'm very organized and collaborative
22:49and I'm going to follow each of the rules.
22:51I have no doubt about that, Rominita.
22:53Now,
22:55you'll see how soon
22:57you'll feel part of this family.
23:05Hello!
23:09Quico!
23:13What's wrong with you?
23:14What are you doing with that thing in your mouth?
23:16What's wrong?
23:18Are you sure you're angry?
23:24I'm sorry to interrupt the meeting.
23:26I just came to pick up some things
23:28from Maripaz that I forgot.
23:32Rominita, come, I'll show you your room.
23:34Yes, thank you.
23:35Thank you all.
23:38Well, I also have to leave
23:40to fulfill my ecclesiastical obligations.
23:43May God bless you
23:45and thank you for bringing us back home.
23:48I'm here to serve.
23:50Remember, it's our religious marriage.
23:53I'll be back tomorrow
23:55to finish that topic.
23:57Thank you, Father. Bless you.
23:59Bless you, daughter.
24:01Bless you for everyone.
24:03Excuse me.
24:10I don't understand you at all.
24:12You can't take that thing off.
24:14No, no, no, no.
24:16Well, I have to go now.
24:18Maripaz sends her greetings to everyone.
24:20Can you help me?
24:22Yes, yes.
24:28Don't worry.
24:30I can do both.
24:36Breathe, Tito.
24:40Breathe, Tito.
24:43Breathe, Tito.
24:45That's it.
24:59I can't believe I'm going to live
25:01in the same house as Joel Gonzalez.
25:05Life gives you surprises.
25:07Surprises give you life.
25:13What was that?
25:15What is this?
25:33Today
25:35I got
25:37to a place
25:39I never
25:41imagined coming to.
25:53Finally, man.
25:55I couldn't take it anymore.
25:57Now you can say everything you wanted.
25:59Listen.
26:01Here you go, Pepe.
26:03I am Tito Lara Smith.
26:05The King of Ice.
26:07And my comments define me when I speak.
26:10I am Tito de Frios.
26:12And I don't give a damn if they limit me this way.
26:14You'll have to put up with it if you want to keep living here.
26:16Well, what do I have left?
26:18Anyway, compadre.
26:20You don't know how much I wanted to tell Father Emmanuel
26:22that instead of thinking about marrying Olinda
26:24and Don Gil,
26:26it's better to think about giving that old man the Holy Oil.
26:28And then you complain about the mosaic, compadre.
26:30Yes, yes.
26:32I also wanted to tell TV
26:34that we have more right to live here
26:36than Romina
26:38You're right about that, compadre.
26:40Tomorrow I'll talk to the family
26:42so that that division is done equitably.
26:44Of course, compadre.
26:46We have to make our rights count,
26:48even if it's by force.
26:50And I also wanted to tell Maximiliano
26:52when he said he was going to take care of the girls
26:54that it's better to...
26:56I think we all imagined what you meant, compadre.
26:58Don't worry.
27:00A beer to end the day well?
27:02Yes, please, compadre.
27:04I think the bag gives me more thirst.
27:07Then I'll give you double cheers, compadre.
27:09Very good, very good.
27:11Calm down, calm down.
27:13Are you already without a bag?
27:15Yes, yes.
27:17Drink, drink.
27:19I toast to the nights in family.
27:21Dance Kike, follow the joy.
27:23Dress to celebrate with you.
27:35Oh, for God's sake.
27:37Why is it taking so long in the bathroom?
27:39I'm sure it's Tito, who is well seated on the throne.
27:41What did you say about my compadre, Tire?
27:43Oh, sorry.
27:45I thought it was Tito who was in the bathroom.
27:48It was a witch hunt against my compadre.
27:50Oh, my Tito.
27:52Yes, grandpa.
27:54I had to take a shower.
27:56Sorry, sorry, family.
27:58I have a very important meeting with Mrs. Lee
28:00and the new Chinese vegetable supplier.
28:02Don't worry.
28:04The important thing is that you have success
28:06in your job interview.
28:08Yes, I have to go now, grandpa.
28:10If you want, we can go later.
28:12Aren't you going to have breakfast?
28:14No, we'll eat at the chef's.
28:16Good morning, family.
28:18Good morning.
28:20How are you? How did you wake up?
28:22Very well.
28:24And did you manage to reconcile the dream
28:26in the bed of the charito?
28:28Yes, Mr. Gilberto, thank you.
28:30I slept great, but there were a lot of toothpicks
28:32everywhere.
28:34That's the memory of Koki.
28:36And that the mattress of the charo
28:38will be embedded forever.
28:40How good, compadre.
28:43Not even with you
28:45we get rid of your comments, uncle.
28:47Juan is going to pay me later,
28:49so I'll give you the rent later.
28:51Do I look like it or are you talking about me?
28:53Romina says she's waiting for you
28:55to pay her what she deserves
28:57for her job, so don't forget.
28:59Yes, yes, I'll give it to her.
29:01Thank you, boss.
29:03You're welcome.
29:05Hey, hey, hey.
29:11These French toasts
29:13have to be ready before Mr.
29:15Franchesca wakes up.
29:17Oh no, the eggs with bacon
29:19of Mr. Diego.
29:27Here they are, here they are.
29:29Ready.
29:31Fortunately, Miss Alessia
29:34and young Cristobal are still sleeping.
29:36If not, I would be like crazy.
29:38Good morning, Claudio.
29:40I'm going to have breakfast alone in the fruit salad, please.
29:42Can you make me an omelette with mushrooms, please?
29:44What are you doing awake at this hour?
29:46I'm going out for a run.
29:48And I have a photo shoot before going to the restaurant.
29:50Okay, young man, I'll take care of that,
29:52but can you wait for me in the dining room, please?
29:54Yes, yes.
29:56You're welcome, you're welcome.
29:58Oh, how inopportune.
30:00Who rings this time?
30:04Good morning, Mrs. Maldini.
30:06Good morning, Miss Franchesca.
30:08Who is it from?
30:10Maximiliano Marquez.
30:18Hello.
30:22Oh my God, I didn't realize I was dead.
30:26This Maximiliano Marquez told me.
30:28That's right.
30:30You must be Claudio.
30:32Oh, how do you know my name?
30:34Well, Francesca, from time to time
30:36he mentions your name and I remember it.
30:38Here's a curious fact.
30:40You know that people
30:42called Claudio
30:44are generally very intelligent,
30:46analytical
30:48and reflective individuals.
30:50Of course, of course, I'm like that.
30:52Of course, of course, it shows.
30:54Please, come to the room
30:56and I will immediately
30:58tell Mrs. Francesca that you are here.
31:01Come to the room, please.
31:05Excuse me.
31:07I'll be right back.
31:09Come in.
31:29Come in.
31:33Mrs. Francesca,
31:35an Adonis is looking for you.
31:38What are you talking about?
31:40Maximiliano Marquez,
31:42that's what he says his name is.
31:44Who is Mrs. Francesca?
31:46He is my new manager
31:48of human resources of the corporation.
31:50I congratulate you, Mrs. Francesca.
31:52Excellent hiring.
31:56But what is he doing here?
31:58Did he tell you anything?
32:00I don't know.
32:02He asked me about you.
32:04Well, he has to go downstairs.
32:06Let's go.
32:36This, this, this.
32:38This security system
32:40is very good.
32:43I am a man of my word
32:45and I will keep my word.
33:13Romina!
33:15Romina!
33:17Romina!
33:19Romina, I brought you what you asked for.
33:43Today I arrived
33:45where I would never have imagined
33:47to be.
33:49To the house of Joel Gonzalez.
33:51It's me.
33:53Yes, the legend.
33:55My legend.
33:57My favorite artist.
33:59The house of Joel González.
34:01The house of Joel González.
34:03The house of Joel González.
34:05The house of Joel González.
34:07The house of Joel González.
34:09The house of Joel González.
34:11The house of Joel González.
34:13The house of Joel González.
34:15The house of Joel González.
34:17The house of Joel González.
34:19The house of Joel González.
34:21The house of Joel González.
34:23The house of Joel González.
34:25The house of Joel González.
34:27The house of Joel González.
34:29The house of Joel González.
34:31The house of Joel González.
34:33The house of Joel González.
34:35The house of Joel González.
34:37The house of Joel González.
34:39That was horrible.
35:09She gives me the illusion that there is true love in her gaze.
35:16She gives me the illusion that there is...
35:30My life, my star.
35:35Maximiliano, what are you doing here so early?
35:38Good morning.
35:40We agreed to meet early, remember?
35:43But there is an office here in my house.
35:45Or has there been a setback?
35:47No, no, no, I'm sorry. I must have misunderstood things.
35:51Don't worry, we'll meet in the office now.
35:53No, no, stay, stay. Let's take the opportunity to talk.
35:56Do you want to discuss a particular topic?
35:58Well, yes, yes. I would like to talk about...
36:02Mrs. Francesca, young Maximiliano.
36:05The table is served.
36:07Why don't we have breakfast together?
36:09Of course, of course.
36:11Go ahead.
36:18I think I'm not indifferent to her.
36:25Hello.
36:26Good morning.
36:27Maximiliano, let me introduce you.
36:29Oh, Francesca.
36:31You don't learn from the lessons life gives you, do you?
36:35Do you like to trip over the same stone over and over again?
36:40Aren't you going to introduce us to your new gigolo?
36:42Oh, shut up, Diego.
36:44Don't talk to me like that so early in the morning, will you?
36:47Francesca, if I'm interrupting the study...
36:49No, please, no way. Sit down.
36:52Okay, excuse me.
36:54Excuse me, this way.
36:58Excuse me, please.
37:10And Maximiliano is the new advisor?
37:13He's the human resources manager at the Maldives Corporation.
37:16And we know why he's there.
37:19The thief thinks everyone is under his control.
37:22Maximiliano, you have been chosen for your excellent resume...
37:26and for your great ability for business.
37:29You said the same about the Spaniard.
37:31Where have you studied, Maximiliano?
37:33I graduated from Harvard and I have a doctorate in Stanford.
37:36I'm in charge of business psychology.
37:39I want all employees and the organization to be safe and in good health.
37:46Now you understand why he's where he is, don't you?
37:51Young Maximiliano, here are some delicious French toasts.
37:56I hope you like them.
37:58Of course, if you've made them, Claudio, of course I have.
38:00Of course I have, with my own hands.
38:09You're a genius.
38:12Spectacular.
38:14Well, excuse me, but I have to go.
38:18I have a photo shoot before I go to the restaurant. Excuse me.
38:21Yes, I'm going too.
38:22We're all going.
38:23Thank you, Claudio.
38:26Excuse me.
38:27Go ahead.
38:30This is the best way to have a quiet breakfast.
38:39Oh, cutie.
38:41The toasts are delicious.
38:44I'm glad you like them.
38:46Try the tuna, it's very spicy, just like you like it.
38:49Of course.
38:50What my friend is doing is an injustice.
38:53Now he can't even have a quiet breakfast.
38:55If he wants to have breakfast, he has to use his cane.
38:58What if we make an exception for the meals?
39:01No, there is no exception. The rules are made to be followed.
39:05I don't understand why Romina is no longer my fan.
39:08After having idolized me, now they ignore me.
39:12Oh, Romina, sit down, please.
39:14There is a free seat next to Joel.
39:16Good morning.
39:17Good morning.
39:18How are you?
39:19Good morning.
39:20Romina, I went to get your room because I already have the ticket.
39:23I'm going to deliver it to you.
39:25Let's see.
39:26Here it is.
39:27Here it is.
39:28One hundred.
39:29Two hundred.
39:30Three hundred.
39:31Four hundred.
39:32Five hundred.
39:33Thank you, Joel, you saved me.
39:36Who do I have to give the rent money to?
39:38To me, to me, to me, to me.
39:41Well, let's see.
39:42We have to organize ourselves.
39:43Who is going to take the accounts of the house?
39:45I can take it.
39:47No, Pepe, you spend all the money taking it.
39:49This plan is for slander.
39:52I agree with you, man.
39:53And if we give the money to Linda?
39:56In any case, I'll take care of it.
39:58She will be safe with me.
40:00You are going to do it, sister.
40:02Let's see.
40:03And if we give the money to Gilberto?
40:04He has experience handling money, right?
40:06For the money box.
40:07I wouldn't mind taking care of it.
40:10Do we agree?
40:11Well.
40:12Yes.
40:13Do we agree then that he is my daddy?
40:15Well, then my daddy.
40:17Thanks for the trust, family.
40:19Well, here's the money for two weeks.
40:21There it is.
40:22Ready.
40:31And this group that has been created?
40:33The silence of the innocent.
40:35Let's see what he says.
40:37Good, Gil.
40:38He already has to separate his niche.
40:47Now if you get over it, give me the phone.
40:49Give me the phone.
40:50Okay, okay, okay.
40:51Well, I'm going to the bathroom.
40:53Let's go and get some yogurt.
40:54What vulgarity is that?
40:56You're contagious teeth.
40:58No, no, girl.
41:00Up!
41:02Good, good, good.
41:05Up, good.
41:11Up, good, good.
41:17I can't believe it. I've lost my appetite.
41:34As I was saying, Francesca, the dismissals you asked for have been carried out successfully.
41:39And the compensation that each of you has received has been reduced by 10%.
41:44How did you do that?
41:46By inviting them to resign. And they accepted.
41:49We have saved a lot of money in the compensation.
41:54And have you thought about who you are going to put in the positions available?
41:57Today I am going to make the call for the professionals suitable for each position.
42:01Wonderful. You are a genius in what you do.
42:04Thank you. However, I wanted to ask you a big favor.
42:09I need to hire a personal assistant.
42:12The truth is that I can't afford all this and I need someone specialized in hiring.
42:17I understand. Well, hire whoever you want.
42:21Thank you. Well, I'll let you finish. I'm going to work.
42:26You are fine. Come on. It has been a very productive breakfast.
42:30I say the same. See you, Francesca. See you in the afternoon.
42:34That's right. At four o'clock I'll be there.
42:36Okay.
42:38Are you going, young Maximilian?
42:40Yes. The drink calls me, Claudio.
42:43God bless you.
42:44You too.
42:46Nice to meet you.
42:47Yes. Goodbye.
43:00Why does Romina despise me so much?
43:04She is my fan. She must follow me.
43:12Here she is. She stood out all day.
43:16But...
43:18Because she doesn't love me.
43:22It must be because of my boss's condition, of course, in the workshop.
43:26And I'm not treating her so well.
43:28I mean, she is a bit hard, right?
43:30But it's not like I'm going to get off the pedestal where I used to be.
43:37Well, let's take a shower with cold water.
43:41To refresh the ideas. And we're going to work.
43:44First...
43:59You take out your gun and...
44:08I swear I didn't see anything. I swear I didn't see anything.
44:10I'm sorry.
44:15I'm sorry.
44:28Although thinking about it...
44:31I think this meeting...
44:33may make your fan...
44:36return to the ashes like the cat Felipe.
44:40Oh, what a shame!
44:42I should have knocked on the door.
44:44And I will never be able to open my eyes again.
44:47I have to end this now.
44:54That's it.
44:55Enough to get him out of my mind.
45:02This money that Romina paid for the rent...
45:06we're going to put it in this can.
45:08And when we fill the can...
45:10we can fix some things that Charito's room needs...
45:13or something else that the house needs.
45:16You always think of everything, beautiful.
45:19Hello, hello.
45:20How are you, beautiful?
45:22Good morning, Gilberto. Here I am as I promised.
45:25How are you, father?
45:27We were waiting for you.
45:29Yes, we are very excited about our religious wedding.
45:32I'm so glad to see you so in love.
45:35Rather...
45:37we want to know when we have a date.
45:40As soon as possible.
45:42Well, if you're in such a hurry...
45:44I can marry you today.
45:47Today?
45:48Yes, today I have the church at my disposal.
45:52What do you say?
46:00How did it go?
46:01I'm very stressed.
46:03The printer ran out of ink.
46:05I had to look for a photocopier to print my CV.
46:08And now where are you going to present that CV?
46:10To a non-profit foundation.
46:12I hope they give me the job.
46:14I'm a social project coordinator.
46:16I think you better not present it and forget about that job.
46:19What? Why?
46:20Because I already got you an ideal one for you.
46:23Are you serious?
46:24Yes, you're going to work at the Maldini Corporation.
46:29That's why you told me that I would also benefit.
46:32Maximiliano, I'm not willing to work next to a person who has hurt me so much.
46:37Lorena, listen to me.
46:38You're not going to work for Francesca Maldini.
46:40You're going to work directly for me.
46:42You're going to be my manager's assistant.
46:45Manager's assistant?
46:46Yes, manager's assistant.
46:48You wouldn't have to pay anyone, just me.
46:51Besides, the salary is not negligible.
46:53It's 15,000 soles a month.
46:5515,000 soles?
46:57Plus benefits by law.
47:03Look, Lorena.
47:05Think about it.
47:06This is a unique opportunity.
47:09Besides, imagine you and me working together all day.
47:15What do you say?
47:16Yes?
47:22Listen to me, listen to me.
47:23Concentrate.
47:24What are you going to do to get your fame back?
47:26I don't know.
47:27I have to do whatever it takes to get it back.
47:30I have to do whatever it takes to get back into your heart.
47:34So that you have a better idea of me.
47:36Really?
47:37Yes.
47:38What's going on with you, Claudio?
47:40I'm going to be honest with you, Mrs. Francesca.
47:42Since Pito left, I've been working twice as hard and I don't give up.
47:47I understand.
47:48Do you think it's possible to hire someone else?
47:50Especially for them to have Montalban.
47:52They are very demanding.
47:54I'll take care of that, don't worry.
47:56And Cristobal?
47:57He's sending a message, he's coming.
47:59And he's half an hour late.
48:00Yes, the photo shoot was a little complicated.
48:02And I don't care if the photo shoot is complicated.
48:04I just ask for punctuality and good service.
48:07The only thing is to ask a lot of attention.
48:08Hello dad.
48:10Sorry for the delay.
48:11The session was a little more difficult than I thought.
48:21What is she doing there?
48:29I don't know.