A woman is kidnapped and her identity is stolen by criminals attempting to collect her inheritance.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:30Ah, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
00:01:00Hello. Here it brings Edgar Watt.
00:01:30Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey
00:02:00Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey
00:02:30hey, hey.
00:03:00So it's a matter of life and death for the gentlemen, yes?
00:03:02Well, after all, we've already found three million.
00:03:04Three out of thirty million? Do you think that's a reasonable amount?
00:03:07No, but...
00:03:08Who is to blame for this blatant failure of the police?
00:03:11Well, not me.
00:03:12But? Who is working on the case of the citizen?
00:03:14One of my best people, Inspector Hopkins.
00:03:16Unfortunately, also without success.
00:03:17Mr. Jones, you are in charge of a very high office.
00:03:19Do you feel responsible for these mistakes?
00:03:20What do you think of your retreat?
00:03:24Well, gentlemen, that's enough.
00:03:26Get your information wherever you want.
00:03:28My way in the lower or upper house.
00:03:30But don't stay with me.
00:03:31Good morning.
00:03:35That gives a fat headline, gentlemen.
00:03:37In good shape, of course.
00:03:38Like Mr. Wirth?
00:03:39Yes, just like the others.
00:03:41And she's wearing gloves, too.
00:03:43That may be due to the season.
00:03:44Yes, but we are in summer.
00:03:46Yes, unfortunately a very rainy one.
00:03:48Doctor,
00:03:50didn't you notice how strangely soft and white
00:03:53the hands of all the victims of the citizen are?
00:03:55Inspector, you forgot that the girls are dead.
00:03:57All colors are fading.
00:03:58Besides, almost all women today have clean hands.
00:04:01Yes, almost all.
00:04:03Good morning, Doctor.
00:04:04Good morning, Mr. Jones.
00:04:05Tell me, Hopkins...
00:04:09Tell me, Hopkins, you're making fun of me.
00:04:11I'm angry with the reporters
00:04:12and you seem to be guarding the dead.
00:04:14Do you have the perpetrator?
00:04:16No?
00:04:17Then hurry up, please.
00:04:18The Morning Star is already talking about a new Mackie Messer.
00:04:20Excuse me, Mr. Jones,
00:04:21you surely mean Jack the Ripper.
00:04:23It doesn't matter what the guy's name is.
00:04:24In any case...
00:04:25Mr. Jones, if you're not satisfied with me,
00:04:27another prosecutor can take over the case.
00:04:29But Hopkins, he's not a nonsense.
00:04:31So don't be so stingy.
00:04:33Have you visited the crime scene?
00:04:35The crime scene, Mr. Jones,
00:04:36which doesn't necessarily have to be the crime scene.
00:04:38Of course not, of course not.
00:04:40Just as little as a lady driving her car in this elevator.
00:04:42I have the feeling that this is not a lady,
00:04:45just as little as with the other victims of the citizen.
00:04:48A criminal should have no feelings, my dear.
00:04:51So here, here,
00:04:52there are little gray cells.
00:04:54Yes, yes, yes, yes, yes.
00:04:55Put them in motion
00:04:56and let me know when you have the Jack the Ripper.
00:05:00Yes, when you have the Ripper.
00:05:02Good morning.
00:05:06Oh, dear God.
00:05:09A sensitive gentleman.
00:05:10Yes.
00:05:11So, Emelian, please write down.
00:05:13Date of today,
00:05:14at the signed,
00:05:16lawyer Harold Stone,
00:05:17address and so on and so on,
00:05:19Ms. Wanda Merville from New York.
00:05:23Personnel, according to the previous passport,
00:05:26RGY 454-68-9-66,
00:05:31issued on the 8th.
00:05:33You can find it all here.
00:05:35Ms. Wanda Merville declares herself ready
00:05:37to enter the inheritance of her father, Lord Donald Perkins.
00:05:41So, that would be all.
00:05:42I'll call you when I need you.
00:05:45You have a pretty secretary.
00:05:47Excuse me?
00:05:49Yes, yes, yes.
00:05:51And very skillful, too.
00:05:59May I now open the will?
00:06:05I, Lord Donald Jeremy Perkins,
00:06:07here with my daughter, Wanda Merville,
00:06:10to inherit my entire fortune
00:06:12in the amount of 500,000 pounds.
00:06:15It follows the date
00:06:16as well as the credible signatures of two witnesses.
00:06:18What?
00:06:19500,000 pounds?
00:06:21How much is that in dollars?
00:06:22About one and a half million.
00:06:26Ms. Emily, please come.
00:06:29Yes.
00:06:31And all this time,
00:06:32you haven't heard anything from your father?
00:06:34No.
00:06:35I went to America with my mother.
00:06:36She took her maiden name there again.
00:06:39Two years later, she died in a car accident.
00:06:41And yet, he took such good care of her.
00:06:43My father?
00:06:44No.
00:06:45Oh, yes.
00:06:46He even sent me to America
00:06:48to find out how they live,
00:06:50what they do and do.
00:06:53And if I'm worthy of inheriting his fortune.
00:06:55To be honest, yes.
00:06:56He didn't know anything about you.
00:06:58And were you in America?
00:06:59Yes.
00:07:00Two weeks.
00:07:01Why didn't you look me up?
00:07:02I intended to observe you.
00:07:05Doesn't my father have any other relatives?
00:07:08A brother.
00:07:09General Perkins.
00:07:11Yes.
00:07:12Ah, there you are.
00:07:13Write this down.
00:07:14The will has been read out to Ms. Wanda Merville.
00:07:17She is ready to fully inherit the fortune.
00:07:21Yes.
00:07:22So, that would be all for now.
00:07:25Tomorrow morning, we'll go to the notary
00:07:27so that your signature is certified.
00:07:30I'll pick you up at the hotel.
00:07:32Oh, excuse me.
00:07:33Thank you, Mr. Stone.
00:07:35Your passport, Ms. Merville.
00:07:37You must be tired after the exhausting flight.
00:07:39It's not that bad.
00:07:40Oh, Emily.
00:07:41Get a cab for Ms. Merville.
00:07:43It's already done, Mr. Stone.
00:07:44See?
00:07:45Good, good.
00:08:07Hello!
00:08:08Where are you taking me?
00:08:23Hotel Savoy, I said!
00:08:34♪♪
00:08:44Hello!
00:08:46♪♪
00:08:51Aah!
00:08:53♪♪
00:09:02Aah!
00:09:04Help!
00:09:06Aah!
00:09:08♪♪
00:09:29But, ladies, you sing these beautiful words without any real feeling.
00:09:33Why?
00:09:35A choral has to sound joyful, has to sound jubilant.
00:09:38Something like that. I'll sing a cappella.
00:09:41Hmm.
00:09:45♪♪
00:09:54Try to put this expression of joy into it.
00:09:57Joy.
00:09:59Joy of beautiful divine radiance.
00:10:02Or does it mean something?
00:10:04No, Jane, be careful.
00:10:06I'd like to ask why we're not allowed to write letters.
00:10:08Why is every connection to the outside world forbidden to us?
00:10:11That's not true at all.
00:10:13I'm allowed to write letters, and I also get mail from home.
00:10:15Yes, you maybe, but we don't.
00:10:17And everyone else doesn't either.
00:10:21Is that so, Miss?
00:10:23For example, I'm treated here like a prisoner of war.
00:10:25What have I done?
00:10:26I know every file of Jane by heart.
00:10:28Thief.
00:10:29Traitor.
00:10:30We don't want to talk about the other one.
00:10:32That's why I got my punishment.
00:10:34But what is this?
00:10:36This home is a foundation of the revered Lady Perkins.
00:10:38It's supposed to help you girls find your way from prison to normal life.
00:10:42That's a despicable lie.
00:10:44This so-called home is worse than a brothel.
00:10:47Shut up!
00:10:49My dear child, this is a serious accusation you are making.
00:10:52What do you say to this assertion, Miss?
00:10:55This girl is a pathological liar.
00:10:58Well, listen to yourself, my dear child.
00:11:01You are alone with your accusation.
00:11:03So, improve yourself.
00:11:05Go into yourself.
00:11:07Then you will be allowed to send your beloved home greetings.
00:11:11So, the whole thing again.
00:11:16Don't let me go!
00:11:25Don't let me go!
00:11:36What do you want from me?
00:11:38Don't you know?
00:11:39I can imagine.
00:11:41You know that I came to London because of an inheritance.
00:11:43Exactly.
00:11:44You are not lucky. I only have a few dollars in my pocket.
00:11:46I can wait.
00:11:48Very well.
00:11:50What do you want?
00:11:52What do you offer?
00:11:54If you take me to my hotel right now, I won't put up any ads.
00:11:59I'm afraid you won't be able to, Miss Van der Merwe.
00:12:02Please take a seat.
00:12:10No!
00:12:12What are you doing to me?
00:12:25No!
00:12:27No!
00:12:28Please, listen to me!
00:12:31No!
00:12:32No!
00:12:33Don't do it!
00:12:35Stop it!
00:12:37No!
00:12:38Don't do it!
00:12:40No!
00:12:42Don't do it!
00:12:44I'll do whatever you want!
00:12:46No!
00:12:55I...
00:12:57I'll do...
00:12:59whatever you want.
00:13:20Our new Zögling has become powerless.
00:13:22Don't just stand there! Get back to work!
00:13:52Hey!
00:13:53You!
00:13:54You!
00:13:55Hey!
00:13:56I told you to get back to work!
00:13:57What inheritance do you want to destroy with your brutality?
00:13:58This one?
00:13:59Yes!
00:14:00Yes!
00:14:01Yes!
00:14:02Yes!
00:14:03Yes!
00:14:04Yes!
00:14:05Yes!
00:14:06Yes!
00:14:07Yes!
00:14:08Yes!
00:14:09Yes!
00:14:10Yes!
00:14:11Yes!
00:14:12Yes!
00:14:13Yes!
00:14:14Yes!
00:14:15Yes!
00:14:16Yes!
00:14:17Yes!
00:14:18Yes!
00:14:19Yes!
00:14:20Yes!
00:14:22I don't have any quality food!
00:14:25I want to go to work!
00:14:28Wait a minute.
00:14:29In this moment, at exactly eight o'clock....
00:14:33under orders of general Perkins, the second army brigade already reached the battle formation.
00:14:37So they found the field
00:14:48confused.
00:14:50The battle was lost. That's what it looked like until I intervened.
00:14:55I threw all the tanks forward.
00:14:59And fired from all the pipes, boom, boom.
00:15:03Right, Marjorie.
00:15:05Stand still. You are the enemy.
00:15:07Tobruk lies behind you.
00:15:10I come from here.
00:15:12Sand clouds. The wind from the west.
00:15:14From the east, Edward.
00:15:16Why from the east?
00:15:17Until now he always came from the east when you told the story.
00:15:21From the east?
00:15:22Yes.
00:15:23Besides, Tobruk is not behind me, but Emily with the tea.
00:15:27Close the battle, Anthony.
00:15:30Yes, Milady.
00:15:31Did I really always say from the east?
00:15:34Edward, we finally won the war.
00:15:37So enjoy yourself.
00:15:39Who's coming?
00:15:40We're expecting Archie for tea.
00:15:42Of course. The inevitable Sir John.
00:15:44This playboy late-reader.
00:15:46Edward, now I'm going to get angry.
00:15:49And remember that you're no longer a Twain.
00:15:52Please. Thank you.
00:15:54Oh, good day, dear Marjorie.
00:15:56Good day, General.
00:15:57Good day.
00:15:59Ton, you're getting old.
00:16:01You're getting very old.
00:16:03Are you new?
00:16:04Yes.
00:16:05Unfortunately, I only have her for half a day.
00:16:07She still has to take care of her sick father.
00:16:09Is that so?
00:16:10Yes, now don't play with the flowers.
00:16:12They're supposed to be for me.
00:16:15Yes, thank you.
00:16:16Tell me, why are we still alone?
00:16:18I suppose you're wondering where Wanda is.
00:16:20Yes.
00:16:21She hasn't called yet.
00:16:22No, she should be in London by now.
00:16:24So what? Why should she call?
00:16:26She inherits my brother's fortune.
00:16:28If you think so, then you could really believe...
00:16:31Thank you!
00:16:32You could believe you're not giving the girl her inheritance.
00:16:35I'm not, dammit.
00:16:37Half a million pounds is a lot of money.
00:16:39Oh, Edward, you're really hopeless today.
00:16:41Am I right or not, Archie?
00:16:43Oh, you know, a young, pretty girl...
00:16:45who's so unexpectedly lucky.
00:16:47Who told you she's pretty?
00:16:49My gut feeling?
00:16:51In any case, I'll take care of her.
00:16:53After all, she's your niece.
00:16:57Oh, David!
00:16:58That's nice of you to let yourself go.
00:17:01You know Sir John, don't you?
00:17:02Of course, Sir John.
00:17:03Dear uncle.
00:17:04What?
00:17:05Oh, no!
00:17:06I thought only the general embodied the military part of the family.
00:17:09I was also in Tobruk, Sir John.
00:17:11As a chaplain.
00:17:12Even on the battlefield, you can win, dear uncle.
00:17:15By the way, how's your little boss, dear Reverend?
00:17:18Oh, his little herd gives him a lot of joy.
00:17:22Even if there are some black lambs under it...
00:17:25whose thoughts are still too worldly in nature.
00:17:28Nonsense!
00:17:29Nonsense?
00:17:30That's not nonsense at all.
00:17:31That's even highly interesting.
00:17:33And strange at the same time.
00:17:34Because it was precisely this that made Lucifer particularly attractive and well-designed.
00:17:38Oh, what you don't say.
00:17:39So listen, if I can somehow help him...
00:17:41I have a lot of experience...
00:17:43Imagine that, David.
00:17:45Wanda still hasn't called.
00:17:50Excuse me.
00:17:51I would like to see Miss Wanda Merville.
00:17:53Court of Appeal?
00:17:54Yes.
00:17:55Room 312, Sir.
00:17:56You are expected.
00:18:12Yes, please.
00:18:15Good morning, Miss Merville.
00:18:17Good morning.
00:18:18Did you sleep well?
00:18:19Great, thank you.
00:18:20Bravo!
00:18:24Oh, excuse me.
00:18:25I must have knocked on the door.
00:18:28But Mr. Stone, what do you have there?
00:18:30I wanted to see Miss Merville.
00:18:32That's me.
00:18:33Oh, that's a joke.
00:18:35But no.
00:18:36Do you want to see my passport?
00:18:38Here.
00:18:41Hello?
00:18:42This is Miss Merville's passport.
00:18:44But you are not Wanda Merville.
00:18:46Who told you that the lady who pretended to be Miss Merville yesterday was not your maid?
00:18:51I know Miss Merville personally.
00:18:53Mr. Stone, remember one thing.
00:18:55From now on, I am Wanda Merville for you.
00:18:57Do you understand me?
00:18:58No.
00:18:59But I'd better notify the police.
00:19:01And right from here.
00:19:02But don't forget to tell the police which charges you have as a murderer.
00:19:07Charges?
00:19:08Me?
00:19:09Yes, you.
00:19:10Here are the documents.
00:19:11Who are you?
00:19:12I'll introduce you later.
00:19:13Listen, what I did for my client has strictly adhered to the tax laws.
00:19:17Even the limits of legality sometimes.
00:19:23I'll kill you.
00:19:24If you don't do it, I'll kill you.
00:19:27I'll kill you.
00:19:28I'll kill you.
00:19:29I'll kill you.
00:19:30I'll kill you.
00:19:31I'll kill you.
00:19:32I'll kill you.
00:19:33I'll kill you.
00:19:34I'll kill you.
00:19:35I'll kill you.
00:19:36If you don't do what I tell you...
00:19:41Do you understand?
00:19:42Yes, sir.
00:19:43But...
00:19:44You're shy?
00:19:45Yes, sir.
00:19:50I mean no, sir.
00:19:53You will go to the notary with this lady and have your signature certified.
00:19:57I don't think about it.
00:20:01Do we agree now?
00:20:06Yes, sir.
00:20:20You're too loud.
00:20:21What do you want to hear?
00:20:22Laura, do you know who she is?
00:20:23I don't want to know anything.
00:20:24Here are the turntables.
00:20:25Be careful.
00:20:26What's the name of the lawyer?
00:20:27Stone.
00:20:28Jane.
00:20:29And the phone number?
00:20:30Jane, don't interfere.
00:20:33So, May 4, 6, 7, 2, 5.
00:20:35Jane, think of Kitty and Alice.
00:20:37They wanted to do something and never came back.
00:20:39I think we should be more careful.
00:20:41Then we'll never get out of here.
00:20:43I can't and I don't want to.
00:20:45I'll risk it.
00:21:05Oh.
00:21:35Oh.
00:22:05Oh, my God.
00:22:06Oh, my God.
00:22:22Mr. Stone, who is this?
00:22:29Hello?
00:22:31Hello?
00:22:35No! No! No!
00:22:39Help! Help! Help!
00:22:45Star, I'm warning you.
00:22:48You didn't hear anything when no one called.
00:22:51And don't forget that we're waiting for the papers.
00:22:54You have 24 hours.
00:22:56Not a minute longer.
00:23:06Fire!
00:23:09We're ending our show.
00:23:12It's open!
00:23:22Who's there?
00:23:23Officer.
00:23:25Hopkins, why don't you answer?
00:23:28I've been trying to reach you for hours.
00:23:31Excuse me.
00:23:36Forget it, Hopkins.
00:23:38You shouldn't do that.
00:23:40I don't want to be disturbed.
00:23:42Besides, my caretaker is on vacation.
00:23:45To Capri.
00:23:49Hopkins.
00:23:52Now listen carefully.
00:23:53I'm listening.
00:23:55Don't ask me why I'm here.
00:23:58I can imagine.
00:23:59Please, hold on.
00:24:01It can't go on like this, Hopkins.
00:24:03Virgo has...
00:24:05Is there something?
00:24:08No.
00:24:10I'm young, Mr. Lesurgeon.
00:24:12Get out of here, you two.
00:24:14They're still drinking without you.
00:24:15I have something to tell you.
00:24:18Virgo has hit again.
00:24:21Again a girl.
00:24:22And again a Virgo.
00:24:24And again without any exception, Mr. Michael.
00:24:26Yes, just as usual.
00:24:28That's the way it is.
00:24:29Are you coming to the same show with me?
00:24:31No, no, Hopkins.
00:24:32I...
00:24:34I don't do anything as a girl...
00:24:36when you're dead.
00:24:38Pathological finding from 18.05.1966.
00:24:42A micro-examination showed that the hands of the female
00:24:45number 3-412-00
00:24:48had been in contact for years with sharp,
00:24:50sometimes irritating, detergents.
00:24:52This type of skin-damaging detergent
00:24:54is only rarely used.
00:24:56There is a detailed report on the chemical composition
00:24:58of the above mentioned detergents.
00:25:01Tell me, Doctor.
00:25:04What does this mean in practice?
00:25:06All these girls have to have worked in a laundry for years.
00:25:09In a laundry that uses such cheap detergents
00:25:11that they even destroy the epidermis.
00:25:20The opponent!
00:25:21Where is the opponent?
00:25:22He is far from being ready to fight, sir.
00:25:26This is a refusal of orders, Anthony.
00:25:28I'll throw you in front of the court of war.
00:25:30But that's how we always fought.
00:25:32Yes, but after this stupid study here.
00:25:34That's what it is.
00:25:35I will prove to Montgomery that this study is wrong.
00:25:39Panzer zurück in Ausgangsposition.
00:25:41Panzer zurück in Ausgangsposition.
00:25:46Wo bleibt der Wind?
00:25:47Hier, sir.
00:25:48Der Nebel?
00:25:49Wo bleibt der Nebel?
00:25:50Der Tank, sir.
00:25:52Nebel.
00:25:53Hat er mich vergessen?
00:25:59Ich werde Sie strafexerzieren lassen, Anthony.
00:26:01Sie sind heute nicht bei der Sache.
00:26:03Ich habe schlecht geschlafen, sir.
00:26:04Sie lügen, Anthony.
00:26:06Sie waren gar nicht in Ihrem Zimmer.
00:26:09Ich hatte Kopfschmerzen, sir.
00:26:10Und da bin ich im Park spazieren gegangen.
00:26:12Sie haben in letzter Zeit sehr oft Kopfschmerzen.
00:26:16Edward!
00:26:18Edward!
00:26:19Wenn du die Schlacht um Togo einen Augenblick unterbrechen würdest,
00:26:23dann hätte ich eine große Überraschung für dich.
00:26:25Archie hat Wanda mitgebracht.
00:26:27Wanda?
00:26:28Wanda Mercy?
00:26:29Ja!
00:26:30Hat sie diese alte Bock doch geschafft.
00:26:31Ich komme.
00:26:34Ãœberbeendet!
00:26:37Wanda, ich muss es Ihnen immer wieder und wieder sagen,
00:26:40wie großartig Sie aussehen, wie zauberhaft.
00:26:43Danke, Sir John.
00:26:44Aber nicht doch, Sir John.
00:26:45Doch nicht für Sie, Wanda.
00:26:47Alle meine Freunde nennen mich Archie.
00:26:49Ja, auch Ihr Vater.
00:26:50Wir waren befreundet, wir waren im selben Club
00:26:52und wir pokerten miteinander.
00:26:54Verzeihung, störe ich?
00:26:55Ja, ungemein.
00:26:57Jetzt bin ich raus.
00:26:58Wo war ich stehen geblieben?
00:26:59Beim Pokern.
00:27:00Ah, ja, richtig.
00:27:01Das ist nicht Donalds Tochter.
00:27:03Aber Edward, wie kannst du sowas sagen?
00:27:06Keine Ähnlichkeit.
00:27:07Aber das darfst du nicht.
00:27:08Nicht die geringste.
00:27:09Ich sehe meiner Mutter ähnlich.
00:27:11Sie sagte immer, Gott sei Dank siehst du nicht so aus wie dein Vater.
00:27:14Verzeihen Sie, Sir.
00:27:15Das mag sein.
00:27:17Und Gott sei Dank sage ich auch.
00:27:19Aber ich verrate ja kein Geheimnis.
00:27:21Ich mochte meinen Bruder nicht.
00:27:23Ein Kaufmann mit einer Rechenmaschine im Gehirn.
00:27:26Dafür hinterlässt er auch 500.000 Pfund.
00:27:30Und was hinterlässt du?
00:27:31Nichts.
00:27:32Eben.
00:27:33Setzen wir uns doch.
00:27:36Wer sind Sie denn?
00:27:37Das ist Inspektor Hopkins, er brachte mich her.
00:27:39Kein schöner Beruf, den Sie sich da ausgesucht haben.
00:27:41Edward, was bist du für ein ungezogener Junge?
00:27:45Nehmen Sie es ihm nicht übel, Inspektor.
00:27:48Wollen Sie nicht ablegen?
00:27:49Ach ja.
00:27:51Both wine, Sir John.
00:27:53Danke.
00:27:57Ist noch was?
00:27:58Die Handschuhe.
00:27:59Danke, es geht schon so.
00:28:01Wanda, du kommst am besten zu meinem Mann.
00:28:05Ich habe das Gefühl, du hast sein Herz bereits gewonnen.
00:28:08Sagen wir, die erste Feindberührung verlief erfolgreich.
00:28:11Was macht das Erbe?
00:28:13Inspektor, Sie kommen an meine Linke.
00:28:15Ich habe so gern junge Männer um mich.
00:28:18Ach, war ein Punkt, ja?
00:28:20Verzeihung.
00:28:21Wo ist denn heute die reizende kleine Emily?
00:28:25Sie hat etwas für mich zu erledigen.
00:28:28Hier!
00:28:29Hier steht es ja!
00:28:30Erlass und Dekret Anno 1712 und so weiter und so weiter und so weiter.
00:28:36Hier sollte jedoch selbiges wie in Paragraf 7 bis 13 Absatz 2 Strich 19 zutreffen,
00:28:43so entfällt dieser Anmeldepflichtner.
00:28:46Harald Stone und Unterschlagung,
00:28:48das ist ja dasselbe, als wenn die Queen striptease tanzen würde.
00:28:52Ach, Emily, verbinden Sie mich mal gleich mit Scotland Yard.
00:28:55Ja, Mr. Stone, dieses Telegram ist eben für Sie gekommen.
00:28:57Ja, lesen Sie vor.
00:28:58Erwarten umgehend Unterlagentestament Perkins.
00:29:00Beerdigung Harald Stone, sonst morgen 13 Uhr Zentralfriedhof.
00:29:04Unterschrift, ein Freund.
00:29:06Ich verbinde Sie jetzt mit Scotland Yard, Mr. Stone.
00:29:09Nein!
00:29:10No!
00:29:41RINGTONE
00:29:52Aufhören!
00:30:04Was ist denn?
00:30:05Lady Perkins hat angerufen, die Besichtigung findet bereits heute statt.
00:30:08Wann?
00:30:12In einer Stunde.
00:30:20Duschen abstellen! Rauskommen!
00:30:39Was hat das eigentlich zu bedeuten?
00:30:41Nichts Besonderes. So eine Besichtigung kommt jeden Monat vor.
00:30:44Du, weißt du was?
00:30:45Wenn dieses Mal die Lady Perkins kommt, dann frage ich sie,
00:30:47ob sie weiß, was mit Jane passiert.
00:30:48Vorsicht!
00:30:52Sandra!
00:30:53Hier wird nicht geschwatzt.
00:30:56Marsch!
00:31:08Du nicht.
00:31:09Die Lady ist eine große Wohltäterin der Menschheit.
00:31:12Nein!
00:31:13Ich habe mir nur vorgenommen, den jungen Menschen zu helfen,
00:31:17die vom rechten Weg abgekommen sind.
00:31:19Sir John hat mir davon erzählt.
00:31:21Und mein Mann, der Gute, hat mir dafür Schloss Castlewood überlassen.
00:31:25Der alte Kasten ist auch sonst zu nichts anderem mehr zu gebrauchen.
00:31:28Willst du nicht mit zur Besichtigung kommen, Wanda?
00:31:31Wir haben im Augenblick mehr als 20 Mädchen im Heim.
00:31:34Ach nein, sowas deprimiert mich.
00:31:36Ich muss sowieso gleich ins Hotel zurück.
00:31:38Und Sie, Inspektor?
00:31:40Vielleicht ein andermal. Ich habe noch zu tun.
00:31:42Es sind alles Vorbestrafte, Hopkins.
00:31:44Gefallene Engel.
00:31:47Wo ist Wanda?
00:31:48Im Keller.
00:31:49Tot?
00:31:50Nein.
00:31:51Und wenn er es erfährt?
00:31:52Dieses Risiko müssen wir auf uns nehmen.
00:31:54Wenn wir im Spiel bleiben wollen,
00:31:56dann kann die echte Wanda Myrville unser Trumpfass werden.
00:32:07Guten Tag, Lady Perkins.
00:32:10Nun, Archie, was sagst du?
00:32:12Ach, entzücken, wirklich entzücken.
00:32:15Diesen Kindern muss man doch einfach den Weg in ein neues Leben ebnen.
00:32:19Ja, muss man. Das ist eine lohnende Aufgabe.
00:32:23Werden die Duschanlagen täglich benutzt?
00:32:26Jawohl, milady.
00:32:27Vor 20 Minuten wurde das letzte Mal geduscht.
00:32:30Oh, wie schade.
00:32:31Sie fühlen sich doch alle wohl hier.
00:32:34Jawohl, Lady Perkins.
00:32:36Wie schön.
00:32:38Ja, das wird denn wohl alles.
00:32:40Schade.
00:32:41Darf ich Sie etwas fragen, milady?
00:32:44Ja, natürlich, sehr gern, mein Kind.
00:32:48Ein Mädchen, Jane Kohler, ist seit gestern verschwunden.
00:32:52Das stimmt, milady.
00:32:53Wir haben Jane in besonders guter Führung vorzeitig entlassen.
00:32:56Aber...
00:32:57So, und jetzt, meine lieben Kinder,
00:32:58wollen wir unserer verehrten Lady Perkins zum Abschied
00:33:00noch ein wunderes Wanderliedchen singen,
00:33:02dem Gott wohl rechte Gunst erweisen.
00:33:06Zwei, drei...
00:33:12Was war denn das?
00:33:14Da hat doch ein Mensch geschrien.
00:33:16Das ist ein Neuzugang, milady, ein trauriger Fall.
00:33:18Wie heißt das Mädchen?
00:33:20Vanderbilt.
00:33:21Ja, Patsy Vanderbilt, milady.
00:33:23Ich möchte das Mädchen sehen.
00:33:25Ja, die möchte ich auch sehen.
00:33:27Ich gehe sie holen.
00:33:29Wie steht es mit der Disziplin, David?
00:33:31Gibt es da Klagen?
00:33:32Nein, Tante Marjorie.
00:33:33Im Allgemeinen sind die Mädchen rechtartig und folgsam, nur...
00:33:36Was nur, David?
00:33:37Ja, weißt du, manchmal wünschte ich mir,
00:33:39sie wären mir gegenüber etwas aufgeschlossener und freier.
00:33:42Aber das kann man wohl nicht verlangen.
00:33:44Oh, doch, mein Junge, das kann man sehr wohl.
00:34:01Oh.
00:34:21Hier ist sie, milady.
00:34:22Ja, warum haben Sie vorhin denn so geschrien, mein Kind?
00:34:26Ich fürchte, milady, das Mädchen ist in diesem Zustand nicht ansprechbar.
00:34:29Typisches Symptom einer Süchtigen.
00:34:31Ja, absolut typisch.
00:34:33Das ist doch alles gelogen.
00:34:42Warum warst du im Gefängnis?
00:34:45Na, komm, sag's, Lady Perkins.
00:34:48Wegen meiner Eid.
00:34:49Dann würde ich aber mit meinen Äußerungen vorsichtiger sein.
00:34:53Warum ist denn dieses unglückliche Geschöpf bei uns?
00:34:56Sie gehörte zu einem Rauschgiftring und ist dann selber süchtig geworden.
00:34:59Ist denn der Handel mit Rauschgift in England erlaubt?
00:35:03Natürlich nicht, im Gegenteil, er wird streng gestraft.
00:35:06Nur wo wir ein Loch zustopfen, öffnet sich ein anderes.
00:35:09Mein Gott, wie schlecht ist unsere Welt geworden.
00:35:12Komm, David.
00:35:13Archie, bitte komm.
00:35:15Ja, ja, geh.
00:35:19Laura.
00:35:20Alles zieht sich jetzt um.
00:35:21Es wird sofort weitergearbeitet.
00:35:26Komm.
00:35:31Was haben Sie denn mit ihr gemacht?
00:35:34Spritze.
00:35:36Sie wird mir langsam unheimlich erinnern.
00:35:39Umso besser.
00:35:45Was?
00:35:46Was wollt ihr von mir?
00:35:47Was fragst du noch?
00:35:57Du bist eine Verräterin.
00:35:59Du weißt, wo es hingeblieben ist.
00:36:01Und du weißt auch, wo alle anderen geblieben sind.
00:36:03Ich weiß es nicht.
00:36:04Ich schwöre es.
00:36:05Ich weiß es nicht.
00:36:08Du lügst.
00:36:19Hier.
00:36:20Damit hast du uns verraten.
00:36:21Das ist nicht wahr.
00:36:27Hey.
00:36:40Das soll Jennifer!
00:36:51Hülsen, da!
00:36:52Was ist?
00:36:53Hülsen, da!
00:36:56It will cost you dearly to get up.
00:37:17Come, my child. Don't be afraid.
00:37:26In five minutes, everything will be down.
00:37:50Come on, get out of here, quick!
00:37:57Come on, quick!
00:38:10I think you'd better take a cab.
00:38:13Someone seems to have something against me. Or against you.
00:38:16Who should have something against me?
00:38:18Who knows?
00:38:26I don't know.
00:38:42How can you trust the police all of a sudden?
00:38:45And already there's an accident.
00:38:49Here, the only thing that's left unharmed.
00:38:52Take off your dirty gloves. I'll hold the bag for a while.
00:38:55Do you want me to get my hands dirty, too?
00:38:58Oh, no. Not at all.
00:39:06Hello, Mrs. Tindall. Viola is with you. I had to take her out.
00:39:10I hope you can use her.
00:39:12Of course. If you have another pretty girl, send her here.
00:39:15The business is doing well.
00:39:17Let's see what can be done.
00:39:20Where's Hopkins?
00:39:22I don't know, sir.
00:39:23Why not?
00:39:24He just called. He'd like to take Mrs. Merville to the hotel.
00:39:26Yes, yes. If it's about taking a walk with a pretty girl,
00:39:29then my inspectors suddenly have a lot of time.
00:39:32But I'm going to kick his ass.
00:39:33Your tea, sir.
00:39:34Ah, yes. Thank you, my child.
00:39:40Hello? C-H-6935, please report.
00:39:43C-H-6935, please report.
00:39:45Sir John...
00:39:46C-H-6935, please report.
00:39:48Your C-H-6935...
00:39:50Finally! What is it?
00:39:56Oh, how nice. Great that you're here.
00:39:58But first you have to get dressed, right?
00:40:01You don't think about my health, do you?
00:40:04What's new?
00:40:05I'm wondering, sir.
00:40:07So, you're wondering.
00:40:08Here you are, John.
00:40:09Thank you, my child.
00:40:10And may I ask what you're wondering about?
00:40:12I wonder why Mrs. Merville never takes off her gloves.
00:40:15And? Why?
00:40:16And why she was at the opera on the 12th,
00:40:19even though she arrived in New York on the 16th.
00:40:24Oh, that's because...
00:40:26What do you look like?
00:40:29Oh, I think I'm going to have to start washing again.
00:40:45I'll tell you, there's a way out of here.
00:40:47Do you really think so?
00:40:48I know. A girl did it.
00:40:50Be careful.
00:40:52Maybe I'm lucky.
00:40:53If not, think of me.
00:40:55In case you get out of here.
00:40:58Laura!
00:41:07Laura did it.
00:41:09Get up!
00:41:11Get up!
00:41:13I did it.
00:41:15Get up!
00:41:17Water.
00:41:23You can count on me, Lady Perkins.
00:41:28You will do it.
00:41:37Leave us alone.
00:41:38Please.
00:41:44Come here.
00:41:51What's going on?
00:41:53I don't know, sir.
00:41:54It's all right now.
00:41:56I beg your pardon.
00:41:58How long have you been with us?
00:42:00Almost two years, sir.
00:42:01I read your file and you behaved well.
00:42:03No complaints.
00:42:04The lady called you particularly reliable.
00:42:06I always tried, sir.
00:42:10Do you want to get out of here?
00:42:12Yes, sir.
00:42:15There is a possibility.
00:42:18Only for a few.
00:42:22Only for girls as beautiful as you.
00:42:26Who have learned to follow the rules.
00:42:31Yes, sir.
00:42:35Inspector, the point picture from New York has arrived.
00:42:38Yes, good.
00:42:40Can you start with that?
00:42:42Yes.
00:42:43That means somewhere in London there is a real Wanda Merville who is in great danger.
00:42:47If she is still alive.
00:42:51Hello, Parker, listen.
00:42:53On the 16th, a Miss Wanda Merville from New York arrived in Savoy.
00:42:57Send two officers to watch her.
00:42:59I want to be taught about every step of this lady.
00:43:01What?
00:43:02Yes, even at night.
00:43:11This is the new one.
00:43:12Her name is Laura.
00:43:13Help her, she has no experience yet.
00:43:15Hello.
00:43:16Hello.
00:43:17So, I'll tell you again.
00:43:18Any connection outside is forbidden and will be punished.
00:43:20Strictly punished.
00:43:21This is not only valid for you, but for everyone.
00:43:23Do you understand?
00:43:24Yes, ma'am.
00:43:25So, go upstairs.
00:43:26In half an hour the operation will begin.
00:43:28Yes, ma'am.
00:43:29I'll tell you again.
00:43:30Any connection outside is forbidden and will be punished.
00:43:32Strictly punished.
00:43:33This is not only valid for you, but for everyone.
00:43:35Do you understand?
00:43:36Yes, ma'am.
00:43:37So, go upstairs.
00:43:38In half an hour the operation will begin.
00:43:40Come with me.
00:43:54Here she is.
00:43:58We know each other.
00:44:02What is it? Have you lost your tongue?
00:44:04No, Reverend.
00:44:09Are you surprised to see me here?
00:44:14In my profession, you have to know the depths of life in order to understand and forgive everything.
00:44:19I have already made you familiar with your tasks.
00:44:21Good. Then do your duty.
00:44:23And remember, the joy you give to others returns to your own heart.
00:44:29Disappear.
00:44:38Disappear.
00:44:53Hello, Inspector.
00:44:54Hello, Savchen.
00:44:57You just went in. Alone.
00:44:59Thank you, Savchen.
00:45:11I have something very enchanting for you.
00:45:13Come with me.
00:45:21One moment.
00:45:33Since when have my orders not been followed?
00:45:36I have explicitly forbidden you to come here, Gladys.
00:45:39You will be grateful to me that I have come.
00:45:41Don't make it so exciting. Speak.
00:45:42Your Emily, to whom you hold such great pieces, has made me a tempting offer.
00:45:48Shall I continue?
00:45:49Come on, don't talk nonsense. Speak already.
00:45:52She has found out something. She didn't tell me what.
00:45:55But she has offered me to share half of it with you.
00:45:58Why you?
00:45:59Stupid question, because she needs you as a false wanderer.
00:46:03What shall I do?
00:46:04Shall I accept the offer?
00:46:06If your life is no longer worth anything to you, please.
00:46:14How did Laura get here?
00:46:16That's none of your business.
00:46:17Are you crazy? She is not reliable.
00:46:20Shut up!
00:46:23No one asked for your opinion.
00:46:24But if I tell you...
00:46:25Be quiet!
00:46:27That was a mistake.
00:46:29Who did it?
00:46:31I had no idea.
00:46:33I thought that...
00:46:34There are people who shouldn't think.
00:46:37What a pity, Alan.
00:46:38Really a pity.
00:46:40You shouldn't have done that.
00:46:46Go now.
00:46:48Both of you.
00:47:00What's going on?
00:47:01Come on, kids.
00:47:10Go away!
00:47:30Go away!
00:47:50Don't be so clumsy.
00:47:52There are enough guests.
00:47:54All these people have come to do three things.
00:47:57Drink, play or go upstairs.
00:47:59So, let's go.
00:48:03Hello, Mrs. Tindall. How are you doing?
00:48:06The Lord will judge personally.
00:48:11May I help you, sir?
00:48:13Do you want to play?
00:48:14No, thank you.
00:48:15Would you like something to drink?
00:48:16Oh, yes.
00:48:17With pleasure.
00:48:18May I invite you?
00:48:19Of course, sir.
00:48:30Thank you very much.
00:48:33Shall we sit down?
00:48:34Yes, please.
00:48:36What do you drink here?
00:48:38We drink champagne.
00:48:40From the Mecca, right?
00:48:47Sorry.
00:49:00Do you know with whom Laura is sitting at the table?
00:49:03If not all know.
00:49:04With Inspector Hopkins from Scotland Yard.
00:49:09Oh, sorry.
00:49:11You haven't been doing this for a long time, have you?
00:49:14Yes, yes.
00:49:16So, you can't lie.
00:49:18And you don't look happy either.
00:49:20Why actually?
00:49:21Are you looking for someone?
00:49:22Yes.
00:49:24A young lady, about as tall as you.
00:49:26Dark blonde, long hair.
00:49:27Pretty.
00:49:29Very pretty, even.
00:49:30She came here alone.
00:49:31Cheers.
00:49:32Cheers.
00:49:35Are you looking for her in private or are you from the police?
00:49:38Police.
00:49:40Listen, I'm being held here against my will.
00:49:43I have something important to tell you.
00:49:48Later.
00:49:50Yes, I'm sorry, my dear.
00:49:52Maybe another time.
00:49:54Here, make him happy.
00:49:58Any complaints, sir?
00:49:59Oh, no, no, no.
00:50:00Quite the opposite.
00:50:02I can't imagine that.
00:50:03Our guests are all very satisfied.
00:50:04Excuse me, your name?
00:50:06Inspector Hopkins from Scotland Yard.
00:50:08Oh, but our company is licensed, sir.
00:50:10Please don't take offense at my job.
00:50:12My inspector is only a man after all.
00:50:14Good evening.
00:50:21Come with me.
00:50:28What did you tell the man?
00:50:30Nothing, I swear.
00:50:32What did you talk about?
00:50:33Nothing special, the usual.
00:50:35Oh, leave it.
00:50:37Do you want to tell me that it was a coincidence?
00:50:39As what did he imagine?
00:50:41As Inspector Hopkins from Scotland Yard.
00:50:43And I tell you that it was no coincidence.
00:50:45I smell something like that.
00:50:47Come on, close it.
00:50:55Ladies and gentlemen,
00:50:57as we have just learned from a rifleman,
00:50:59the police will carry out a raid today.
00:51:01We thank you for your visit
00:51:03and ask you to leave the club at once.
00:51:05Our emergency exits are ready for you.
00:51:12Sir John, between the murder of the citizen,
00:51:15the disappearance of the real Wanda Merville
00:51:17and the nightclub Mecca, there is a connection.
00:51:19Who says that?
00:51:20I do, and I can prove it
00:51:22if I get a search warrant for the nightclub Mecca.
00:51:24But I don't want to do that.
00:51:25I don't want to do that at all.
00:51:27All right, you should see that I'm a man of my word.
00:51:30I'm taking a risk.
00:51:45Laura, who didn't say anything,
00:51:47and you, Inspector, who didn't notice anything.
00:51:49Bravo!
00:51:51You didn't say anything, did you?
00:51:53Do you hear what's going on out there?
00:51:55Finally!
00:51:57Police! Scotsman!
00:51:59Now it's your turn!
00:52:01Now you'll get your pay!
00:52:03You murderers!
00:52:05Take them away!
00:52:22Come on!
00:52:23I knew it!
00:52:25I knew it!
00:52:27You're a bastard!
00:52:29Where do you want to go, Sir John?
00:52:31If you ask me, I'll give you my release.
00:52:48Is that the girl?
00:52:50Yes.
00:52:51The murder commission, understood.
00:52:53Go!
00:52:58What are you looking for?
00:53:02What are you looking for?
00:53:06What are you looking for?
00:53:21What are you looking for?
00:53:23What are you looking for?
00:53:38What the hell is going on here?
00:53:41I was in front of the canal.
00:53:43I think it's better if you stay here, Sir John.
00:53:45It's not better at all.
00:53:47Come on! Get out of here!
00:53:51Get out of here!
00:54:10Hup! Hup! Hup!
00:54:12Hup! Hup!
00:54:14Hup! Hup!
00:54:16Hup! Hup!
00:54:18Hup!
00:54:19Ah!
00:54:20Ah!
00:54:21Sir Tom?
00:54:23Ah!
00:54:24Ah!
00:54:26Ah!
00:54:27Ah!
00:54:29Sir Tom?
00:54:30Ah!
00:54:40Sir Tom?
00:54:41What is wrong?
00:54:45What is passing?
00:54:47I think I just saw death in his eyes.
00:54:51You mean the citizen.
00:55:12Where am I?
00:55:13Brendan Street, East End, London, England.
00:55:16I need a taxi.
00:55:18Why a taxi?
00:55:19Go back down and take the subway.
00:55:21It's faster.
00:55:22Tell me, what kind of tone do you have against me?
00:55:27Don't you know who I am?
00:55:28No.
00:55:29No.
00:55:30Then I won't tell you.
00:55:35Emily!
00:55:37Connect me to Scotland Yard.
00:55:40I wouldn't advise that, Mr. Stone.
00:55:47Why me?
00:55:48You know where you are, don't you?
00:55:50Or is your life worth so little to you?
00:55:54How do you know that?
00:55:56Have you forgotten the telegram?
00:55:57The telegram?
00:55:59Yes.
00:56:00I have a suggestion for you.
00:56:01You pay me 10% of the inheritance,
00:56:03and I make sure that the people you threaten are made harmless.
00:56:09And how, if I may ask?
00:56:17What do you want?
00:56:32Interesting, Emily.
00:56:34I didn't know you were so versatile.
00:56:36The police must have seen him.
00:56:38That's a mistake that can't be rectified.
00:56:40The man has become useless, and he threatens us.
00:56:43The man has become useless, and he threatens us.
00:56:47This must be done immediately, Ellen.
00:56:53You heard it.
00:56:54Are you downstairs?
00:56:55Yes.
00:56:56The girls?
00:56:57In the bedroom.
00:56:59Me?
00:57:00Yes, you.
00:57:14Harry!
00:57:27Harry!
00:57:30I'm sorry.
00:57:43I'm sorry.
00:58:01It's dangerous not to be needed here anymore.
00:58:04I can't disobey you.
00:58:13I can't disobey you.
00:58:44The fight
00:59:00What's up?
00:59:01A little operation.
00:59:03The girl fell out.
00:59:04The guy was faster.
00:59:05Dead?
00:59:06He's alive.
00:59:10It changes the situation.
00:59:12It's a difficult situation.
00:59:15Also for you.
00:59:17If you want to move in, you can move in instead of the upper one.
00:59:20How much is in there?
00:59:21100,000.
00:59:22Dollars?
00:59:23Pounds.
00:59:24I'll sell my soul for that.
00:59:25So it's settled.
00:59:26Upstairs in the bedroom is a girl, Vanda Merville.
00:59:29Get her as inconspicuous as possible.
00:59:31Will you obey me?
00:59:32The upper one is on vacation. You are her representative.
00:59:35Good.
00:59:42Done.
00:59:49Did you talk to him, David?
00:59:51Yes.
00:59:52Is everything okay?
00:59:53Hopefully.
00:59:54What is it, Anthony? You can go.
00:59:57Yes, ma'am.
01:00:01Give me a whiskey.
01:00:02Pure.
01:00:04Imagine, Sir John would have come up with the idea to take the case.
01:00:09That wouldn't have been good for our reputation.
01:00:11But I put everything in order.
01:00:13I knew I could rely on you.
01:00:16Miss Merville,
01:00:18that you are still alive,
01:00:21you owe it to me.
01:00:23Us.
01:00:24Us.
01:00:25I don't care who I owe it to.
01:00:27I only know one thing.
01:00:28If I'm locked up here any longer, I'll go crazy or I'll kill myself.
01:00:32Since we don't want both,
01:00:34I'd like to make you a fair offer.
01:00:37Listen carefully, you are a smart girl.
01:00:40Mrs. Tindall will take you to a place where you are absolutely safe.
01:00:45As soon as we have the money in our hands, you are free.
01:00:50But Elton, the game club is gone.
01:00:52Good, we don't mind.
01:00:53But how did the inspector get behind it?
01:00:55Did he see me?
01:00:56Or was I followed?
01:00:57You don't have to be afraid, Gladys.
01:00:59Really not.
01:01:00Really not, Elton?
01:01:01Are you telling me the truth?
01:01:02But yes, my dear.
01:01:04I'm not going to lie to you.
01:01:07You can believe me,
01:01:08by the time the police get there, we'll be over all the mountains.
01:01:16Wait here in front of the door, Sasha.
01:01:20Are you expecting someone?
01:01:22No.
01:01:23Ask who's there.
01:01:25Who's there?
01:01:26Police.
01:01:27Who's there?
01:01:30Don't lose your nerve.
01:01:31Get a move on.
01:01:33Go on.
01:01:34One second.
01:01:35I'm coming.
01:01:40Oh, you are the inspector.
01:01:42Good day.
01:01:43That's a surprise.
01:01:44That's right.
01:01:45There's no point in lying to you, Miss Gardner.
01:01:47That's what you're called.
01:01:49We have a photo of the real wanderer, Merville.
01:01:52Sit down.
01:01:54You will understand that I have a few questions for you.
01:01:57First of all, what is your job?
01:02:00And who is the man in this photo?
01:02:04He's a friend, otherwise he wouldn't know what you mean.
01:02:07Listen to me, Miss Gardner.
01:02:08If you are reasonable and admit it,
01:02:12you might be able to get out of this story as a witness with a blue eye.
01:02:17Do you promise me that?
01:02:19His name is Alan Davies and...
01:02:23I don't know.
01:02:28Get out of here.
01:02:44He must be the fireman.
01:02:45Or else it will all go to hell.
01:02:54Sergeant Morgan here.
01:02:56The mortician, please.
01:02:58Yes, yes, I'm waiting.
01:03:05Sergeant Morgan.
01:03:06Hello, friends.
01:03:07A nice, sweet little murder happened here.
01:03:23Oh, my God.
01:03:53What's going on, Davies?
01:03:54Are my eyes deceiving me or are you trying to get out of the dust?
01:03:57Yes, and I advise you to do the same.
01:03:58Hopkins knows everything.
01:03:59He can be here any minute.
01:04:00And not alone.
01:04:01What happened?
01:04:02Gladys is dead.
01:04:04They wanted to throw her out and I shot her.
01:04:06Excellent.
01:04:08That fits exactly in my account.
01:04:10What kind of account?
01:04:12What's that?
01:04:13Are you crazy?
01:04:14Sit down, Alan.
01:04:16I will explain my account to you.
01:04:19Who negotiated with Gladys?
01:04:20You.
01:04:21Who got all the wrong papers?
01:04:22You.
01:04:23Who will the girls in this house burden?
01:04:25You.
01:04:26And now to me, Alan.
01:04:28What did I do?
01:04:30I stopped the construction hours.
01:04:32I never knew anything.
01:04:34And Lady Perkins?
01:04:35Leave the lady out of the game.
01:04:37I don't know anything.
01:04:39I don't know anything.
01:04:41I don't know anything.
01:04:43I don't know anything.
01:04:46Not a bad idea.
01:04:49But there is someone who will burden you.
01:04:52Miss Vandermeer will.
01:04:55The real one.
01:04:57You let her live?
01:04:59Where is she?
01:05:01Put that thing away.
01:05:02You don't play with that.
01:05:04So?
01:05:06Where is she?
01:05:07In the old inn.
01:05:08The Tindle guards her.
01:05:09What a pity, Alan.
01:05:11And in such a favorable situation you commit suicide.
01:05:16What favorable?
01:05:17Here, on this desk, you will find her.
01:05:21You shot yourself because you didn't know the way out.
01:05:24Amen.
01:05:45Let's go.
01:06:15Fuck.
01:06:16Fuck.
01:06:17Fuck.
01:06:45Why are you standing there?
01:06:47You drove me crazy running around with her.
01:07:17Fuck.
01:07:47Fuck.
01:08:06Now I know what you're up to.
01:08:10First you want the money,
01:08:13and then you kill me.
01:08:15You are not only rapists, you are murderers.
01:08:19Very mean murderers.
01:08:29You stay here.
01:08:45Hey.
01:08:47Hey.
01:09:14Fuck.
01:09:44Fuck.
01:10:12Hey.
01:10:15Hey.
01:10:20Reverend, you?
01:10:21Yes, my child.
01:10:22How did you get here?
01:10:24A man.
01:10:25The Bukligar chased me.
01:10:26That's incredible.
01:10:27I'm the savior of the need.
01:10:29Don't be afraid.
01:10:30I'll protect you.
01:10:45Calm down, ladies.
01:10:46You are not allowed out.
01:10:47We're not hungry.
01:10:48We didn't get to eat today.
01:10:50We are locked up since early morning.
01:10:53I will make sure that everything is OK.
01:10:55Besides, I promise.
01:10:58I will personally
01:11:01check each and every case.
01:11:03Keep them out!
01:11:04Console!
01:11:05Consoled!
01:11:06Consoled!
01:11:07Cousin?
01:11:08Keep the children!
01:11:09Stay where there is light!
01:11:10Constortune!
01:11:11Excuse me.
01:11:12Uncle Carl has reported
01:11:13Unser befreier! Unser befreier!
01:11:16Und wunderbare Augen!
01:11:18Danke, danke, danke!
01:11:20Bitte nur einen nach dem anderen, ja?
01:11:26Meine Damen, meine Damen!
01:11:44Unser befreier! Unser befreier!
01:11:46Unser befreier!
01:11:48Unser befreier!
01:11:50Elendil is dead?
01:11:52Yes, and I have to tell you something else.
01:11:54The upper one is...
01:11:55Come in!
01:11:59The police, milady?
01:12:01I'll let you pray.
01:12:03Excuse me, how was it when Montgomery said to me in Tobruk?
01:12:07Now let me finally be satisfied with Tobruk!
01:12:09Well, please don't! It was just a question!
01:12:11Please!
01:12:14Archie! Archie, I have to tell you something terrible!
01:12:16But please, please, don't get angry!
01:12:18What happened?
01:12:20Archie, tell her what happened!
01:12:22Yes, David! David just told me that Mr. Ellen Davis committed suicide!
01:12:27And David is telling a terrible story in this context!
01:12:31I pray to God that she's not right!
01:12:33I think it's better you tell us what you know, Reverend!
01:12:37Yes, sir!
01:12:39About half an hour ago, Ellen Davis called me and...
01:12:42Maybe I should warn you that I haven't agreed with his way of leading the house in Castlewood for a long time.
01:12:47Why not?
01:12:48Well, Mr. Davis was very strict, but with means that I couldn't afford as a clergyman.
01:12:53So, half an hour ago, Mr. Davis called?
01:12:56Yes, he was completely desperate.
01:12:58He was... he was at the end, that's how he expressed himself.
01:13:01And I should help him to disappear.
01:13:03Where to disappear?
01:13:05Abroad!
01:13:06You have to block the airports immediately!
01:13:08But, sir...
01:13:10Well, it's not necessary anymore.
01:13:12Go on!
01:13:13Yes, I... I refused, of course.
01:13:15And after that, he told me a... a very incredible story.
01:13:19And that's the greatest, Archie!
01:13:21Say it, David!
01:13:22In his violence, Wanda Merville was present.
01:13:24The real Wanda Merville!
01:13:27Go on, Reverend, go on! Mr. Davis is still on the phone.
01:13:30Yes.
01:13:31Yes, and now the terrible thing comes.
01:13:33I told him that I would immediately inform the police.
01:13:37And, uh...
01:13:38I'm doing that now as an accusation, Inspector.
01:13:41Because after that...
01:13:43After that, he shot himself.
01:13:45No!
01:13:46Yes.
01:13:47I...
01:13:48I heard the shot through the phone.
01:13:51It was...
01:13:52It was a sentence.
01:13:54Milady, we're just coming from Kasselgut.
01:13:58We saw everything that the Reverend described.
01:14:01You're coming from there, Edward!
01:14:03I hear it, Marjorie! I'm not deaf!
01:14:06Unfortunately, your touching story is a beauty mistake, Reverend.
01:14:09Why don't I know that?
01:14:10Ellen Davis was at the desk and shot herself in the heart.
01:14:13And the Reverend heard this shot through the phone.
01:14:16Yes, that's how it was.
01:14:17Then explain to me how a man who shoots himself in the heart
01:14:19still has the strength to put the hearing back on!
01:14:21He wasn't even put on!
01:14:22How do you know that?
01:14:24Hands up!
01:14:36Stand still, Hopkins!
01:14:38Hands up!
01:14:40Throw that thing away!
01:14:42Stand behind me, Marjorie!
01:14:59Stop, Marjorie!
01:15:06Revengeance, sir?
01:15:09Revengeance, sir?
01:15:25No!
01:15:27No!
01:15:35There was a girl screaming!
01:15:36I'll show you! Come with me!
01:15:51What?
01:15:54Stop!
01:15:55Stop!
01:16:03Help!
01:16:09Go!
01:16:20That was close.
01:16:22That pig!
01:16:23Use the girl as a bullet!
01:16:25Go!
01:16:49Are you tired of living?
01:16:52No!
01:17:08Bring the girl to safety!
01:17:22No!
01:17:35The spiel ist aus, Herr Reverend!
01:17:40The end of our play.
01:17:52The end of our play.
01:18:07What's that?
01:18:09A plane!
01:18:10Stop it!
01:18:11Stop it!
01:18:12Where?
01:18:13Outside, at the switchboard!
01:18:15Go!
01:18:17Go away, or I'll shoot!
01:18:24Stop it!
01:18:25Stop it!
01:18:30Stop it!
01:18:43Wait!
01:18:44Let's go!
01:19:14Let's go!
01:19:44The name is Harry Winston.
01:19:46Pass him the shirt.
01:19:56My dear Majorie, if you don't mind, I'd like to confess something to you.
01:20:00But Archie, not now!
01:20:02For a moment, I really believed that you were involved in the murder of my wife.
01:20:09Here you are, sir.
01:20:11Hopkins, there you are at last.
01:20:13Well, what is it?
01:20:14Can we blow the hallelujah?
01:20:15I have to talk to you, Sir John.
01:20:17Shoot.
01:20:19In four eyes.
01:20:21Excuse me, Majorie.
01:20:22Well, do your duty.
01:20:25What do you want to do?
01:20:27Under four eyes.
01:20:30Excuse me, my jury.
01:20:48Do your duty.
01:20:56Lady Perkins?
01:20:59Where is he?
01:21:02In the cellar.
01:21:10Stop!
01:21:12Taste it!
01:21:15Not on me!
01:21:18What is it?
01:21:26Let's go.
01:21:37Leave us alone.
01:21:39Yes, sir.
01:21:47Maybe you can explain to me what this all means, Archie!
01:21:50Inspector Hopkins.
01:21:52I have been informed about you, General.
01:21:54Since yesterday, I know everything.
01:21:56To be precise.
01:21:58You were acting on your own at the battle of Tobruk.
01:22:01You were fired from your post.
01:22:03You were no longer used as a front commander,
01:22:05but you were transferred to the command of a military penal camp.
01:22:08How do you know that?
01:22:09A humiliation you could hardly bear.
01:22:11Hopkins, get to the point!
01:22:12The public forgot you.
01:22:13But there was one who kept this humiliation awake year after year,
01:22:16who didn't let any chance pass by,
01:22:18to mention in great detail your brother Donald Perkins,
01:22:20the successful merchant,
01:22:22who didn't care about the military.
01:22:24Finished, Inspector?
01:22:25You wanted to do the same to him in successful business,
01:22:27but you only knew the methods you had learned in your penal camp.
01:22:30You are fantasizing.
01:22:32When your brother died, you knew only one goal,
01:22:34to take possession of his fortune,
01:22:35with the help of a false Van der Merweel.
01:22:37I say you are fantasizing!
01:22:38Turn around!
01:22:40General.
01:22:46This is Van der Merweel.
01:22:48I don't know this girl.
01:22:50I don't know what you're talking about.
01:22:52Then I'll tell you.
01:22:56You wanted to get Erwin out of the world,
01:22:58but you cheated on your own accomplices.
01:23:00You left Van der Merweel alive only to enrich yourself.
01:23:03It's a lie!
01:23:04But not enough of that.
01:23:06You smuggled the most beautiful girls out of the house
01:23:08into the brothels of the country.
01:23:10You are crazy!
01:23:12As you wish.
01:23:16In the files about you, Bosch is mentioned.
01:23:19A man who was a slave to you.
01:23:21In Cairo, he was charged with murder.
01:23:24He raped a girl.
01:23:26He owes you his life.
01:23:29The name of this man is Harry Winston.
01:23:33Germans!
01:23:34Go!
01:23:44You know that.
01:23:49He thought the reverend wanted to kill him.
01:23:52He couldn't imagine that you ordered the murder
01:23:54after he was uncomfortable with you.
01:24:14Not yet, General.
01:24:15Leave it.
01:24:17We need survivors.
01:24:19Look at that man.
01:24:21Look him in the eye.
01:24:23I know it's hard to say,
01:24:25but you know what I mean.
01:24:30What will you do?
01:24:31Will you stay in England or go back to America?
01:24:34I don't know yet.
01:24:35I'll get out of here first.
01:24:37Besides, I have a lot of formalities to do with Judge Stone.
01:24:40He'll be surprised that I didn't call him.
01:24:43Come in.
01:24:44Good morning, Miss.
01:24:46Or whatever you like to call me.
01:24:48I'm here to tell you that the game is over.
01:24:50The police have already understood
01:24:52and will be here shortly.
01:24:54As for the charges you want to charge me with,
01:24:56I can tell you that according to paragraph 7,
01:24:58paragraph 2, verse 19,
01:25:00they are not punishable.
01:25:03Besides,
01:25:04I can destroy your notarial signature
01:25:07with this.
01:25:11Here you are.
01:25:13My foremost task will be
01:25:15to find the real Wanda Merville
01:25:17so that she can finally enjoy her legacy.
01:25:22Go on, Mr. Stone.
01:25:24I am the real Wanda Merville.
01:25:26Yes, indeed.
01:25:30And who are you?
01:25:31Inspector Hopkins from Scotland Yard.
01:25:33What? You're already here?
01:25:35Thunder, is that a tempo?
01:25:37Well, then the overwriting of the will is no longer in the way.
01:25:40Write to the deed, Mr. Stone.
01:25:43That's strange.
01:25:45I recently met a few people here in this room.
01:25:49Strange. Extremely strange.
01:25:53Put your glasses back on, for heaven's sake.
01:25:55Yes, you're right.
01:25:57Maybe it's because of that.
01:25:59So...
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