مشاهدة فيلم أحمد نوتردام

برستيج

last month

Transcript

00:01:00I'm going home to tell my dad that I was there.

00:01:04Tell him that you were taking a class at the center.

00:01:07What kind of center is that that opens at 11.30?

00:01:11My hand is on me and on my teeth.

00:01:13Him too?

00:01:14Is there anyone else?

00:01:15Block him and get rid of him.

00:01:17Don't worry, he loves you.

00:01:18This block could make him commit suicide.

00:01:20He could die in this room in 60 minutes.

00:01:21And what about my family?

00:01:22Are you going to stay like this without a marriage?

00:01:24I'm either going to find the one who fired me,

00:01:26or I'm going to stay in jail or I'm going to regret it.

00:01:30What do you think?

00:01:31Are you going to get out of this station with me or are you going to continue to the end of the line?

00:01:34No, no, I have to go. My mom is very tired.

00:01:36Your mom too?

00:01:54What are you doing?

00:02:08Peace be upon the merciful God.

00:02:12Say something.

00:02:13I'm going to hit you with my shoe.

00:02:15And I'm going to fall.

00:02:17What the hell are you talking about?

00:02:35Can I know exactly what you want from me?

00:02:40If you want money, I'll give it to you.

00:02:43Come with me, I'll give you a ride.

00:02:49You shouldn't have drunk the alcohol you gave me.

00:02:52I haven't slept in five hours.

00:03:07You look like a pig.

00:03:09And you feed the birds.

00:03:12Is this a woodpecker?

00:03:14Not a woodpecker?

00:03:18It looks like a woodpecker.

00:03:22What is this, brother?

00:03:24Is this a camera?

00:03:26Are you going to film me?

00:03:28If you get out of the station with the hidden camera,

00:03:30I'm not going to keep quiet.

00:03:33And if you tell me I'm going to get lost, I'm not going to get lost.

00:03:36Even if you give me money, I'm not going to get lost.

00:03:40Is this a toilet paper or a cardboard?

00:03:44I'm going to kill you.

00:04:15I'm going to kill you.

00:04:17I'm going to kill you.

00:04:19I'm going to kill you.

00:04:21I'm going to kill you.

00:04:23I'm going to kill you.

00:04:25I'm going to kill you.

00:04:27I'm going to kill you.

00:04:29I'm going to kill you.

00:04:31I'm going to kill you.

00:04:33I'm going to kill you.

00:04:35I'm going to kill you.

00:04:37I'm going to kill you.

00:04:39I'm going to kill you.

00:04:41I'm going to kill you.

00:04:43I'm going to kill you.

00:04:45I'm going to kill you.

00:04:47I'm going to kill you.

00:04:49I'm going to kill you.

00:04:51I'm going to kill you.

00:04:53I'm going to kill you.

00:04:55I'm going to kill you.

00:04:57I'm going to kill you.

00:04:59I'm going to kill you.

00:05:01I'm going to kill you.

00:05:03I'm going to kill you.

00:05:05I'm going to kill you.

00:05:07I'm going to kill you.

00:05:09I'm going to kill you.

00:05:11I'm going to kill you.

00:05:13I'm going to kill you.

00:05:15I'm going to kill you.

00:05:17I'm going to kill you.

00:05:19I'm going to kill you.

00:05:21I'm going to kill you.

00:05:23I'm going to kill you.

00:05:25I'm going to kill you.

00:05:27I'm going to kill you.

00:05:29I'm going to kill you.

00:05:31I'm going to kill you.

00:05:33I'm going to kill you.

00:05:35We are waiting for the train to die.

00:05:37After the driver lost control,

00:05:39there was a break in the brakes.

00:05:41All attempts to stop the train failed.

00:05:43Unfortunately, there was a break in the transformation.

00:05:45What do you mean?

00:05:47We are on top of the bridge.

00:05:49The train will be here in five minutes.

00:05:51Did you have an interview with any of the officials?

00:05:53No, I didn't do anything.

00:05:55But don't worry.

00:05:57All channels and websites have done interviews.

00:05:59Why didn't you do it?

00:06:01We agree that this is a big event.

00:06:03We are going to do it.

00:06:05We are going to do it.

00:06:07We are going to do it.

00:06:09Where are you going?

00:06:11I'm going to the bowling alley.

00:06:13What are you doing?

00:06:15The cars are not moving.

00:06:17There is an accident.

00:06:19You have to do something.

00:06:21I will hit Superman with a sling and blow up the city.

00:06:23Are you crazy?

00:06:25We will not be able to do this interview.

00:06:27We will not be able to do this interview.

00:06:29We will not be able to do this interview.

00:06:31Hello.

00:06:33Yes, Hajj.

00:06:35I'm late for the customer.

00:06:37I'm going to the location that you told me about.

00:06:39The location is in front of the alley.

00:06:41Yes, Hajj.

00:06:43Is this an order to scare him?

00:06:45I don't care.

00:06:47I don't care.

00:06:49I don't care.

00:06:51I don't care.

00:06:53I don't care.

00:06:55I don't care.

00:06:57I don't care.

00:06:59This is Prince of the Bukhara Motorcycle.

00:07:01What is it?

00:07:03I'm sorry. I have a problem with this kebab.

00:07:05Are you crazy?

00:07:07You want to eat this kebab?

00:07:09Eat it.

00:07:11Uncle, I want to eat it for free.

00:07:13I want you to take me to the location in less than a minute.

00:07:15I will take you to the location if you want.

00:07:17Put on your seat belt and go.

00:07:21Put on your seat belt and go.

00:07:23Put on your seat belt.

00:07:25You are a man of faith.

00:07:27Good morning!

00:07:27One more please!

00:07:29Insha'Allah!

00:07:30Insha'Allah!

00:07:31Thank you, Allah!

00:07:43Cheers to Flusa!

00:07:57Oh

00:08:27Oh

00:08:57Oh

00:09:27I

00:09:57Don't think I'm at all. Tell me I'm alive. I'm Shakira. What's up?

00:10:00What kind of a vacuum? I say you say Dean and to be a man

00:10:04We call me hot ass man. No, I'll be hot ass

00:10:07Yes, ma'am. Oh, yes, ma'am

00:10:08Yes, ma'am. Oh, yes, ma'am

00:10:10Yes, ma'am

00:10:12Yes, ma'am

00:10:14Yes, ma'am

00:10:16Yes, ma'am

00:10:18Yes, ma'am

00:10:20Yes, ma'am

00:10:22Yes, ma'am

00:10:24Yes, ma'am

00:10:26Yes, ma'am

00:10:28yes

00:10:30Yes

00:10:36Yes

00:10:38Yes

00:10:40Yes

00:10:42Yes

00:10:44Yes

00:10:46Yes

00:10:48Yes

00:10:50Yes

00:10:52Yes

00:10:54After your permission, go to the door and tell them to like and subscribe to the website

00:10:59Tell them what?

00:11:00Tell them to subscribe

00:11:01Tell them to subscribe to the website

00:11:03And tell them to activate the bell

00:11:05The bell will wake you up and you will die with me

00:11:08Come on!

00:11:10Help!

00:11:11Help!

00:11:12Help!

00:11:23All I know so far is that she died of electricity

00:11:25Electricity? You are a liar!

00:11:27This case took a long time and I am very worried

00:11:30Sir, I feel and appreciate the value of this case

00:11:34When we see the end of it, with peace, I die

00:11:37Hello

00:11:38How are you, sir?

00:11:39Is the street medicine done yet?

00:11:41We are working on it

00:11:42Who is the doctor?

00:11:43Dr. Abla

00:11:45Okay, ask for two cappuccinos and a double shot

00:11:59Doctor, are you still in a lot of blood?

00:12:02Just a little

00:12:07It is two o'clock after midnight

00:12:09I am the one who takes my kids to school every morning

00:12:13By the way, I don't play. I am busy

00:12:16May God help you

00:12:17And do you remember when did this girl die?

00:12:21Almost three days ago

00:12:22Don't tell me that he is a moron

00:12:25Unfortunately, he is

00:12:26Why are you so sure?

00:12:28Because this time he took the left leg

00:12:31One time he took his hand, one time he took his chest, one time his leg

00:12:35You are not a muscle dealer, doctor

00:12:37No, sir. Muscle dealers don't take these parts

00:12:40They take kidneys, arteries, heart

00:12:43This guy is definitely a criminal

00:12:45And he is definitely committing all his crimes under the influence of drugs

00:12:48Unfortunately, sir, even this hypothesis is completely false

00:12:51What do you mean?

00:12:52Because, sir, whoever commits a crime like this and leaves no evidence behind

00:12:55He must be fully conscious

00:12:57This is not just a dangerous criminal who will kill

00:12:59He will use a baton and a gun

00:13:01But the criminal here is torturing the victim

00:13:04And it is also clear that he is famous

00:13:06Because every crime he commits is published on the internet

00:13:08So this is published on the internet?

00:13:09Not yet, but it will definitely be published

00:13:11Where did you get it from?

00:13:13What did I do?

00:13:14I have a feeling that you are thinking about the wrong drug

00:13:17No, I am telling you, doctor

00:13:18You should finish your work, write your report and hand it over to us

00:13:22So that we can see our work

00:13:24Is it clear?

00:13:25Yes

00:13:28Who published this?

00:13:30Who needs to be denied?

00:13:33The brave ones need to be denied

00:13:36In order for a journalist to be successful

00:13:38He must be present at the event before it happens

00:13:43The video of the train in which he was about to die

00:13:46David Firmo

00:13:47Has reached 15 million views

00:13:50And the brave ones are still praying for the prophet

00:13:52So we decided to give them the shield of the site

00:13:58What?

00:14:01This is your shield

00:14:02And this is your shield

00:14:04What shield?

00:14:05Don't touch it, so that it doesn't lose its value

00:14:08These are oriental sweets made from the local ghee

00:14:12This is baklava and basbousa

00:14:13What basbousa?

00:14:14What are you talking about?

00:14:15You are talking about sweet and ghee

00:14:16Thank you

00:14:17This way we will get sugar that we don't deserve

00:14:19And you made me a journalist

00:14:21What?

00:14:22Yes, what are you saying?

00:14:25The video of the train?

00:14:26What train?

00:14:27I don't know

00:14:28What?

00:14:29What?

00:14:31This is your right

00:14:32As we told you before

00:14:35There is a site before the event

00:14:36You are always at the event

00:14:38What?

00:14:39Is there something wrong?

00:14:41No, it's fine

00:14:42But we need a fight scene

00:14:44We were on a train, not a theater

00:14:47Aren't you spending 10,000 pounds on the video of the funeral?

00:14:50No, the video of the funeral has 5 million views

00:14:54But this video has 15 million views

00:14:57So if we take 1,000 pounds, we will get 30,000 pounds

00:15:00No, 37,500 pounds

00:15:02What?

00:15:03Isn't that too much?

00:15:04What is too much?

00:15:05What do you think?

00:15:06Mr. Ahmed Moussa can pay 50,000 pounds for this video

00:15:08No, no, no

00:15:09Don't you get it?

00:15:11Where is your loyalty to the organization?

00:15:13Loyalty to the organization?

00:15:14Are you talking about Hussam Ashour?

00:15:16Are you out of your mind?

00:15:17We are money dogs

00:15:18I will give you 7,500 pounds

00:15:21Are you going to give each of us 7,500 pounds?

00:15:23No!

00:15:24You both have 7,500 pounds

00:15:26You can split them

00:15:29What's the matter?

00:15:30Turn off the subway and play a new video

00:15:34The body of Ms. Olfat Al-Mashad was found

00:15:36Her body was found lying on the street

00:15:39She was electrocuted

00:15:41According to our information, the killer, as usual

00:15:44Recorded the moment of the video

00:15:47And posted this video on social media

00:15:51We are with our colleague Hussain Al-Hannawi

00:15:53To know more details about him

00:15:55Hussain, what made the police confirm

00:15:57That the killer kidnapped the victim from the subway?

00:16:00According to the information we know from the investigations

00:16:02The murderer's friend said that the last place she was arrested in was the subway

00:16:06Don't you think it's a little strange, Hussain?

00:16:08That the criminal always finds his victim in a specific place

00:16:11And until now, he hasn't been found?

00:16:13The officials confirmed that the subway is frequented by 3.5 million citizens a day

00:16:19And of course, this makes investigations very difficult

00:16:21Did the killer keep a part of the victim as usual?

00:16:24Yes, Mr. Sharif

00:16:25Why didn't Hussain announce these parts?

00:16:27The response was that the disclosure of the parts of the victim

00:16:30Was something that would undermine the secrecy of the investigations

00:16:33According to our information, the corpse was moved

00:16:36The corpse of Ms. Olfat Al-Mashad

00:16:38To the Zenoh clinic for identification

00:16:40And the final report was issued

00:16:42A few days later

00:16:46The whole of Egypt wants to know

00:16:49What does this madman take from the corpses?

00:16:54Oh, God!

00:16:55Hold yourself, we need you!

00:16:56The back is broken and the rope is gone!

00:16:59I'm sorry, I'm sorry

00:17:00Who's back is broken and who's rope is gone?

00:17:02And the people are dead, and the victims are still alive

00:17:04The poor guy, he got out of the car in the middle of the night

00:17:07And the bus hit him in the car

00:17:09He didn't have the right to hit his brother

00:17:11Oh, God!

00:17:12I don't know who hit him, the poor guy or the bus

00:17:15Oh, God!

00:17:16We want to see the victim

00:17:17No, we can't!

00:17:18Oh, God, I'm burning your heart for your loved ones

00:17:21Oh, God, we can't!

00:17:22Oh, God, I'm cutting your dear under the bus

00:17:24No, we can't!

00:17:27It's okay with me

00:17:29But it's okay with them too

00:17:31Look, they don't deserve it

00:17:33Just because of the danger I sent you

00:17:35I didn't trust you

00:17:37Okay, come with me

00:17:40Oh, God!

00:17:41Respect yourself, man

00:17:43You're a grown man

00:17:44He's burning his heart

00:17:45The bus hit him in the car

00:17:47He didn't have the right to hit his brother

00:17:49Oh, God, I'm burning your heart for your loved ones

00:17:51Oh, God, I'm cutting your dear under the bus

00:17:53No, we can't!

00:17:54Oh, God, I'm cutting your dear under the bus

00:17:56No, we can't!

00:17:57Oh, God, I'm cutting your dear under the bus

00:17:59No, we can't!

00:18:00Okay, I'm telling you

00:18:01I think you should go

00:18:02And I'll wait for you here

00:18:03I'm weak

00:18:04I can't stand this feeling

00:18:06My heart is with you

00:18:07Yes, brother

00:18:08Do you want to leave me alone or what?

00:18:10No, no, I'll wait for you outside

00:18:11I'll wait for you outside

00:18:12But trust me

00:18:13When you see the Hajj

00:18:14You'll see me in his room

00:18:15What if I find him in his room?

00:18:16Oh, God!

00:18:17You'll tell me he's in his room

00:18:18And we'll be in his room all day

00:18:22Dispute, Mr. Sheikh

00:18:25And action is something else

00:18:27That's it

00:18:28And since I'm going to tell you

00:18:31In our show

00:18:33First

00:18:34Your nerves

00:18:36You have to hold your nerves well

00:18:40Finally

00:18:41You come to me with an empty stomach

00:18:45So you don't get bored

00:18:47And now you can go

00:18:49And put on your shoes

00:18:52And your gloves

00:18:53And listen to me until you go

00:18:55Go

00:18:56Come on

00:18:57Come on

00:19:01What's your father's name?

00:19:03His name is Al-Azabi

00:19:05What's this?

00:19:07This was in the...

00:19:10Oh, Ahmed!

00:19:15When did the incident happen?

00:19:17Today, around dawn

00:19:19So it's still fresh

00:19:23It's still raw

00:19:29Are you sure they brought this scene?

00:19:31Yes, I'm sure

00:19:34His name is Najeeb

00:19:37What did he do now?

00:19:39Did he put all this in the fridge?

00:19:41Maybe he put it in the lunch box

00:19:53Where are you going, sir?

00:19:55Training

00:19:57Here you go

00:19:58Thank you

00:20:01Thank you

00:20:32What's going on?

00:20:45What's going on?

00:20:48What?

00:20:59Zahid!

00:21:00Zahid!

00:21:01Zahid!

00:21:03Zahid!

00:21:17Zahid!

00:21:27Oh, my God!

00:21:33As we've told you, dear viewers

00:21:35On the website of the Heart of the Incident

00:21:37You'll see what you haven't seen

00:21:39On other websites

00:21:40I'm now with him

00:21:42Inside the studio

00:21:43Where the smell of death is everywhere

00:21:46There's a voice above the voice of Israel

00:21:48I'm now, guys

00:21:50Next to the body of Ashkar Atila

00:21:53The body of Ulfat Al-Mashad

00:21:55Who killed Al-Saffah

00:21:56All of Egypt, guys

00:21:58Wants to know

00:21:59What Al-Saffah took from this body

00:22:01And I'm now

00:22:02Judging by the horrible sight

00:22:04I can only tell you

00:22:06That Al-Saffah

00:22:07Was the hero of the left leg

00:22:09After the three-inch thigh

00:22:11I was with you

00:22:13Ahmed Lasheen

00:22:14From the fridge of the dead

00:22:26What are you doing here?

00:22:28I was...

00:22:29What were you doing?

00:22:30I was digging for eggs under the bed

00:22:32Eggs?

00:22:33Who are you?

00:22:34I'm...

00:22:35Dr. Zahid

00:22:36That's right, ma'am

00:22:37I'm a trainee

00:22:38That's right

00:22:39Okay, come and help me

00:22:40What about the eggs?

00:22:41What eggs?

00:22:42You came to the hotel

00:22:43Come in, ma'am

00:22:48Oh my God

00:22:49What is this violence?

00:22:52What are you looking at?

00:22:53Don't look at me and focus

00:22:54Okay

00:22:55Look

00:22:57Write it down, Samir

00:22:58The name of the deceased

00:22:59Zahid Fekri

00:23:00The job is mechanical

00:23:02The cause of death

00:23:03Is a tree

00:23:04The body was found

00:23:05On a key

00:23:06That penetrates the right eye

00:23:10Wipe the blood

00:23:11And show me the key

00:23:12Why, ma'am?

00:23:13Aren't we going to drown?

00:23:14Are you ready?

00:23:15You're a man

00:23:16You have to be careful

00:23:23Number 22

00:23:24Write it down, Samir

00:23:2522

00:23:2622

00:23:30This is very difficult

00:23:31It looks like it penetrated the eye

00:23:33Show me the key

00:23:34Me?

00:23:35Of course

00:23:36Are you here to practice or watch me?

00:23:37I'm here to watch you

00:23:38What?

00:23:39I'm here to practice

00:23:40Okay, practice

00:23:42Don't you know?

00:23:44I'm telling you, Mr. Engineer

00:23:45Yes?

00:23:46Don't you have an order to add more paint to this?

00:23:48Add what?

00:23:49More paint

00:23:50Okay, ma'am

00:23:55What did you do?

00:23:56I took out the man's blood

00:23:57So what?

00:23:58Should I add more?

00:23:59What are you doing?

00:24:00Okay, okay

00:24:01Forget it

00:24:03Write it down, Samir

00:24:04There is a wound in the chest

00:24:08Put on these glasses

00:24:09I'm wearing them, ma'am

00:24:10I'm telling you

00:24:11Are we going diving or what?

00:24:12You're the one who got into medical school

00:24:13Listen to me

00:24:14Okay

00:24:19This step

00:24:21will show you how to spread a human's chest

00:24:24I don't want to know

00:24:25Focus with me

00:24:26Don't tire me

00:24:27Okay

00:24:41One

00:24:42Two

00:24:43Three

00:24:44Four

00:24:45Five

00:24:46Six

00:24:47Seven

00:24:48Eight

00:24:49Nine

00:24:50Ten

00:24:51Eleven

00:24:52Twelve

00:24:53Thirteen

00:24:54Fourteen

00:24:55Fifteen

00:24:56Sixteen

00:24:57Seventeen

00:24:58Eighteen

00:24:59Nineteen

00:25:00Twenty

00:25:01Twenty-one

00:25:02Twenty-two

00:25:03Twenty-three

00:25:04Twenty-four

00:25:05Twenty-five

00:25:06Twenty-four

00:25:07Twenty-five

00:25:08Twenty-four

00:25:09It's too soon, let me die, it's too soon.

00:25:31Are you ready?

00:25:34Hold on to your soul!

00:26:04It's a breath that takes me far away from me.

00:26:09It's a breath that takes me far away from me.

00:26:13I'm here for you.

00:26:17I'm here for you.

00:26:21I'm here for you.

00:26:24Yabnifo!

00:26:25Alam Aleikom!

00:26:27Alam Aleikom!

00:26:28Alam Aleikom!

00:26:29I'm here for you!

00:26:31I'm here for you!

00:26:32I'm here for you!

00:26:33I'm here for you!

00:26:34Where are you?

00:26:35I'm here for you!

00:26:36Where are you?

00:26:37I'm here for you!

00:26:38I'm here for you!

00:26:39I'm here for you!

00:26:40What's wrong with you?

00:26:41You're not well, doctor.

00:26:43Doctor?

00:26:44Who's the doctor?

00:26:45Aren't you a doctor?

00:26:46Yes, I'm a doctor.

00:26:50How old are you?

00:26:51Aren't you a little old to be a student?

00:26:53I'm 6 years old in college.

00:26:55I'm 6 years old in college.

00:26:56And then my parents passed away.

00:26:57So I had to work to support my siblings.

00:26:59It was a struggle.

00:27:00If you have time, we can have lunch and talk.

00:27:02No, I don't have time.

00:27:03Thank you.

00:27:04You can go ahead.

00:27:07I want to ask you a question.

00:27:08Go ahead.

00:27:09How can a beautiful and sweet woman

00:27:11work in the massacre we were in?

00:27:13To tell you the truth,

00:27:14I really like this job.

00:27:16And by the way,

00:27:17you can't do this job.

00:27:18I advised you to try to be a dentist.

00:27:20I also told them that.

00:27:21Who?

00:27:22In college.

00:27:23I asked them to transfer me to another specialty.

00:27:26I wanted to be a midwife.

00:27:29But life was full of problems.

00:27:31Well, good luck.

00:27:32You can go ahead.

00:27:33You're a good guy.

00:27:34No, I'm a bad guy.

00:27:35I'm tired.

00:27:36No, go down and take a cup of juice.

00:27:37You'll be fine.

00:27:38I'm not free.

00:27:39I have work.

00:27:40I'm tired.

00:27:41Go ahead.

00:27:42What's wrong with you?

00:27:44He's not coming back.

00:27:45He's not coming back.

00:27:46And he's the most arrogant one.

00:27:47Who's going to take care of the kids?

00:27:49You take care of them.

00:27:50It's not fair.

00:27:51The kids don't get it.

00:27:52They keep asking me about you.

00:27:53They keep asking me where Mom is.

00:27:55Mom, what kind of a man are you?

00:27:56We've been together for 4 hours.

00:27:57How can I tell him,

00:27:58Mom, it's all because of you.

00:28:00And what did you put in this bag?

00:28:02Yes, of course.

00:28:03I told you.

00:28:04Yes, of course.

00:28:05I swear to God.

00:28:06Najla.

00:28:08Najla, listen to me.

00:28:10Najla.

00:28:15Yes, Mom.

00:28:17No, Mom.

00:28:18I beat him up 60 times.

00:28:19And I beat him up and I let him go on the subway.

00:28:21You're a king, Mom.

00:28:22I want to be a queen.

00:28:23You're going to be a part of my life.

00:28:24Look, I've had enough of this.

00:28:26I don't want to waste time on you.

00:28:27And it's not the time to talk on the phone.

00:28:29I'll be back in 10 minutes.

00:28:36What's going on?

00:28:37I'm Ahmed Lashin

00:28:40from the dead man's fridge.

00:28:42I swear to God,

00:28:43I don't know how this creature got in here.

00:28:46I went to get the doctor in charge of the fridge

00:28:48and I saw the video.

00:28:49I'm sure you saw the video.

00:28:50Yes, I saw it.

00:28:51Then how did this creature get in here?

00:28:53I found it in the fridge

00:28:54and I put a belt around it to train it.

00:28:56I thought it belonged to you.

00:28:57So I asked him to help me.

00:28:58So he explained it to you?

00:28:59He explained it to me.

00:29:00This is a black mishap.

00:29:01I swear to God, Doctor.

00:29:02I was very suspicious of him.

00:29:03You were suspicious of him.

00:29:04But why didn't you hand him over to the police?

00:29:06Because I didn't think

00:29:07that a crazy person could do that.

00:29:08Yes.

00:29:09But you know what, Doctor?

00:29:10I'm not going to let him go

00:29:11until I get my revenge.

00:29:12I'm not going to let him go

00:29:13until I get my revenge.

00:29:14I'm not going to let him go

00:29:15Yes.

00:29:16But you know what, Doctor?

00:29:17I'm not going to let him go

00:29:18until I get my revenge.

00:29:19Maybe you will get your revenge really well.

00:29:21And now give me what you have

00:29:24and I'll be able to do it.

00:29:25Cut.

00:29:29When was the last time you called me?

00:29:31Three days ago.

00:29:32Was it on my home phone or my mobile?

00:29:35No, it was on my phone.

00:29:38Who was calling you?

00:29:39The station phone.

00:29:40What time was it?

00:29:41It was past midnight.

00:29:42Were you having dinner

00:29:43Do you think she will always come to you at this late hour?

00:29:45I beg you sir, give me back my daughter.

00:29:47I am afraid that the subway driver is the one who kidnapped her.

00:29:50We need to calm down a bit.

00:29:52By the way, what exactly did she tell you in this conversation?

00:29:55She told me that she fought with her husband,

00:29:57and wiped the floor with his dignity and beat him up.

00:29:59As long as she fought with her husband and beat him up with his dignity,

00:30:02then her husband is the one who kidnapped her.

00:30:04Sir, he is a citizen, he knows how to do things.

00:30:06Anyway, we will ask the citizen to come with us to find out what happened.

00:30:09You can leave now.

00:30:11And you, Shahda, leave your phone number.

00:30:13May God never burn your heart, Mazen.

00:30:16May God teach you a lesson, Mazen.

00:30:18She is right, sir.

00:30:19It is true that at the end of the conversation,

00:30:21she told me,

00:30:22Shahda, when you see this guy, what does he want?

00:30:25A guy?

00:30:26Yes, a guy who was beating her up in the subway car,

00:30:28and he was going to send her this picture.

00:30:30Yes.

00:30:31Why are you silent, Badri?

00:30:35I am one of them.

00:30:36No, sir, I tried to talk to her to find out who is one of them.

00:30:39Her phone gives me a headache.

00:30:42Ahmed, he is a good journalist.

00:30:45He is a professional.

00:30:46Of course, his work does not mean that he will hurt you in any way.

00:30:49He is doing his job as a journalist.

00:30:51So, he is doing his job as a journalist.

00:30:53When I turn into an investigator and quit my job,

00:30:55I will report you to the public prosecutor,

00:30:57and I will file a case on the website,

00:30:58and I will complain to the press.

00:30:59God willing, you will even complain to FIFA.

00:31:01I don't care, by the way.

00:31:02Shut up!

00:31:03Shut up!

00:31:05What is all this, sir?

00:31:07Just tell me what you want, and we will do it.

00:31:10First, he will file a case on the website,

00:31:12and he will say that he has no guilt.

00:31:13Then, he will file a case on CNN.

00:31:15Shut up!

00:31:16Shut up!

00:31:17That's enough, sir.

00:31:18Consider what happened.

00:31:19What happened?

00:31:20We did not do anything wrong.

00:31:21Shut up!

00:31:22Shut up!

00:31:23Ahmed, calm down.

00:31:24Ahmed, calm down.

00:31:26Salam.

00:31:27This video will be deleted immediately.

00:31:28You think it will be deleted?

00:31:29What do you think it will be deleted?

00:31:30This video is worth 17 million.

00:31:32I found it 40 minutes ago.

00:31:33I will return it in two hours.

00:31:35Hamada!

00:31:36Is it possible, Hamada?

00:31:38Go away, son.

00:31:39Solve the problem together.

00:31:41As soon as I delete the video.

00:31:43Yes?

00:31:44Yes!

00:31:47I don't know what to do with you.

00:31:48I have never thought about this.

00:31:50I am saying this because of you.

00:31:51Stop working.

00:31:52Honestly, stopping working is a good thing.

00:31:54Why, God willing?

00:31:57You are not supposed to be alone in beauty.

00:31:58You are supposed to be in a concert.

00:31:59Where am I supposed to be?

00:32:00You are supposed to be at the Gona Festival.

00:32:04I want to apologize for the video I made.

00:32:07I didn't know it would hurt you like this.

00:32:09Or hurt me.

00:32:10You are done.

00:32:11Social media and this nonsense are driving you crazy.

00:32:12If you allow me, don't say nonsense.

00:32:14When I did press interviews and videos and posted them on social media,

00:32:17I participated in a lot of crimes.

00:32:18When you are like this,

00:32:20what analysis do you have on the crimes of the subway?

00:32:22Honestly, I can't interfere in this matter.

00:32:24I need someone's special opinion.

00:32:25Like who, for example?

00:32:27I have a meeting tomorrow with Jahabas in crime science.

00:32:30And he is the one who will bring the tea.

00:32:32He is a doctor who can confuse me.

00:32:33Who can confuse you?

00:32:34He is a great researcher.

00:32:35He has a Ph.D. in crime science.

00:32:38He is just a writer of horror stories and stories about crime.

00:32:43There is a new and important development in the case of the subway train

00:32:46that turned into a metal clock.

00:32:47It seems that the fight has really started.

00:32:50Because the investigators are trying to get to the first evidence.

00:32:54We are here in the studio,

00:32:55and we are honored to have Mr. Adly,

00:32:56who is the president of Qalb Al-Hadath.

00:32:58We are here to talk to him.

00:32:59Is there anything new in the case?

00:33:00What's new?

00:33:01What's new is that Mr. Najlaa Abu Al-Ainin Al-Shawatfi

00:33:04has been missing for five years.

00:33:06The last time I spoke to her on the phone,

00:33:08she was talking to her sister.

00:33:10She saw a man,

00:33:11and he had a very scary look on his face.

00:33:14She took a picture of him without him realizing it.

00:33:16She sent this picture to her sister.

00:33:18But there are two pictures in the picture.

00:33:20Their information is not clear,

00:33:21and only one is clear to everyone.

00:33:23The man in the middle has a very scary look on his face.

00:33:27This is evidence that he is the closest to being the murderer.

00:33:30The investigators worked very hard.

00:33:33They found out that this man is a dangerous recorder.

00:33:37His name is Khamis Al-Jarboa.

00:33:39He has three charges of harassment,

00:33:41and four charges of robbery.

00:33:43He is the neighbor of the suspect.

00:33:44I hope the police will enlarge the picture

00:33:46so that the viewers can see his face better.

00:33:54Are you afraid of dying?

00:33:57This is what happens when someone dies.

00:34:00It is better to die.

00:34:03This world was created innocent and pure.

00:34:08But you...

00:34:11You are the ones who have been betrayed.

00:34:14You took a man out of heaven.

00:34:18There is only one good thing in this world.

00:34:22What did you find in it?

00:34:24In the name of God.

00:34:25In the name of God.

00:34:29In the name of God, my love.

00:34:31In the name of God.

00:34:37Why are you looking at me like that?

00:34:40Is it hard for you?

00:34:42It is very hard for you, my brother.

00:34:44You are not a man.

00:34:47You are an angel.

00:34:49You are a devil.

00:34:50Yesterday.

00:34:54Yesterday.

00:34:56All my troubles seemed so far away.

00:35:01Now it seems that they are here to stay.

00:35:06Oh, I believe in yesterday.

00:35:14I love you.

00:35:15I can't live without you.

00:35:17Get out of this world.

00:35:20I will be with you.

00:35:22The only place you will stay in.

00:35:26In the spirit of purity.

00:35:30I will kill you.

00:35:32I will kill you.

00:35:33I will kill you.

00:35:34I will kill you.

00:35:35I will kill you.

00:35:36I will kill you.

00:35:37If you see this devil in any place,

00:35:40you must inform the authorities.

00:35:42Do you think they are smarter than me?

00:35:47Rrrrrr.

00:35:49Rrrrrr.

00:35:51Is he the genius who solved the crime?

00:35:53He brought me to someone who eats goats.

00:35:55He looks like a sheep, but he is not.

00:35:57His brain is old.

00:35:59Do you think he only eats sheep?

00:36:01Then why?

00:36:02He thinks.

00:36:03Like this?

00:36:04May.

00:36:05Why are you looking at me like that?

00:36:07From the day you were born, they told me you are naughty.

00:36:10Amina.

00:36:12Why don't you eat?

00:36:13Why don't you eat?

00:36:16Rrrr.

00:36:17Rrrr.

00:36:19Abou Nadia.

00:36:21How are you, sir?

00:36:22Didn't I tell you a hundred times not to eat goats?

00:36:25Did you run away from the goat?

00:36:26Sir, I am stuck in time in front of you.

00:36:28That's not enough.

00:36:29Why, sir?

00:36:30Did something happen?

00:36:31Amina is pregnant.

00:36:33I told you to stay away.

00:36:34I have a medical case.

00:36:39Forgive me for leaving you.

00:36:41But this is not the food of May, Amina and Carla.

00:36:44God, let them be like this and you see them with the president.

00:36:46May and Amina, we understand.

00:36:47What does this mean?

00:36:48I called her Carla.

00:36:49Her mother is Lebanese.

00:36:50Regardless of the family, what do you think of what we said?

00:36:54It is clear from what I heard and the videos I saw of this naughty boy and the way he killed the ugly women.

00:37:02I am sure this boy is complicated from the soft sex.

00:37:07Why does this boy always take from the victims of the left foot?

00:37:11No, it is life, doctor.

00:37:12And what I do not announce to the public opinion is that every time he takes from the victim a different part.

00:37:16And how do you hide information like this?

00:37:17Because this information can cause more concern in the public opinion and make people more worried.

00:37:21This means that this boy wants to reach a certain goal.

00:37:24What is this goal, doctor?

00:37:25A subject like this, to answer you, needs a little boiled potatoes on a stick and two and a half leaves.

00:37:34No, doctor, we have a lot of time.

00:37:42What?

00:37:46According to the many theories of the psychology of crime,

00:37:51I can tell you that this record is called the Thursday of Garboa.

00:37:55It is impossible that he is the one who committed the crime.

00:38:00This is his brother.

00:38:01He steals a bag and harasses a woman.

00:38:05But he commits these crimes.

00:38:08I don't think so.

00:38:10I said the same thing, doctor.

00:38:11Also from the photos that you brought to me,

00:38:14I saw that Safah took from the first victim the chest cavity,

00:38:19and the second victim the left hand,

00:38:22and the third victim the right hand,

00:38:24and the fourth victim the left foot.

00:38:26I can say that this man wants to form a body.

00:38:31Does this mean that there are other crimes that will happen?

00:38:35Exactly.

00:38:36Did you notice, doctor, from the way he steals?

00:38:38Did you notice the pressure on his chest cavity?

00:38:43What is it?

00:38:44You will see, he wants more, doctor, not less.

00:38:46When he wants more,

00:38:49I want to tell his relatives that there is a bloody attack from the Hedayat.

00:38:58Run, doctor!

00:38:59Ameen is on the third floor!

00:39:01This is not Ameen!

00:39:02This is Surha!

00:39:03Abu Laga!

00:39:04The police, quickly!

00:39:05The murderers!

00:39:07This is black.

00:39:08It's cold, it's raining, it's raining.

00:39:10I want a murder that will kill us all.

00:39:12I'm terrified.

00:39:13I haven't been able to touch a soul for a long time.

00:39:15You're not the one who's trying to use me.

00:39:17But I'm not surprised.

00:39:18What crime do you commit?

00:39:19Do you take care of it like this?

00:39:20No, of course not.

00:39:21But this time, Safah killed my grandmothers.

00:39:23How can I be the only one who killed them?

00:39:25I also have a feeling that they are looking for the wrong person.

00:39:28I mean, if they are looking for Karboa,

00:39:30I think the crime will continue.

00:39:31With all due respect to Mr. Karom,

00:39:33all of this is just a strategy.

00:39:35I mean, all of this could turn out to be a trap in the end.

00:39:38The problem is in this scary place.

00:39:40I know.

00:39:41Dr. Kharbotly might have a friend,

00:39:42and he could help him in this situation.

00:39:44Dr. Kharbotly is the only friend I have.

00:39:46Dracula!

00:39:47Frankenstein!

00:39:48Azra! Azra!

00:39:49Azra! Azra!

00:39:50Azra! Azra!

00:39:51Azra!

00:39:52Azra!

00:39:53Azra!

00:39:54Azra!

00:39:55Azra!

00:39:56Azra!

00:39:57Azra!

00:39:58Azra!

00:39:59Azra!

00:40:00Azra!

00:40:01Azra!

00:40:02Azra!

00:40:03Azra!

00:40:04Okay.

00:40:06What is this?

00:40:07What?

00:40:08This car has a roof opener.

00:40:13Yes, it does.

00:40:14Is this a difference in price,

00:40:15or the show's owner didn't have an eye on it?

00:40:18A huge difference.

00:40:34I mean, I don't know.

00:40:35He doesn't live in this apartment,

00:40:37and this apartment is supposed to be in your building.

00:40:39Oh, Sa'ad Al-Basha,

00:40:40this building is in the back,

00:40:41and there's no one living in it.

00:40:43Since the day I built it,

00:40:44there's been a demolition order,

00:40:45and I've been in jail.

00:40:46Yes, but how did he live here?

00:40:47I swear to God, I don't know.

00:40:49This man, Sa'ad,

00:40:50used to come down to the apartment a lot.

00:40:52Yes, Basha.

00:40:53But I don't know how he lived here.

00:40:55I don't know.

00:40:56I don't know.

00:40:57I don't know.

00:40:58I don't know.

00:40:59I don't know.

00:41:00I don't know.

00:41:01I don't know.

00:41:02I don't know.

00:41:03I don't know.

00:41:04This is all correct, sir.

00:41:05Yes, sir.

00:41:06I'm absolutely sure.

00:41:08Sa'ad's answers are in his handwriting, too.

00:41:10The only thing that's related

00:41:12is that all the victims are still in the apartment.

00:41:14Everything is in your handwriting, sir.

00:41:16Goodbye.

00:41:18Wow.

00:41:20What are you doing here?

00:41:22I'm on my work.

00:41:24What did you order, doctor?

00:41:26You forgot that you are suspended from the job

00:41:27and flung into investigation.

00:41:29And he turned out to be a dangerous prisoner.

00:41:31And Saeb Jawad has his fingerprints on a line of his hand.

00:41:34That's not to say that his fingerprints are everywhere in the apartment.

00:41:37I mean, if each one of us paid attention to his work,

00:41:39this wouldn't have been our problem.

00:41:48Ahmed, do you believe that Jarbo is the killer?

00:41:51Even if I don't believe it,

00:41:52the man who wrote Jawad confessed to everything he did.

00:41:55That's not to say that they found his body in the same place where he killed his victim.

00:41:59That's true.

00:42:00But even though the evidence and the witnesses say that Jarbo is the killer,

00:42:04my heart tells me that it's not him.

00:42:07Well,

00:42:09don't you have anything else on your mind?

00:42:11No, Ahmed.

00:42:12I don't want to get close to this area at all.

00:42:14Why? The area of sorrow?

00:42:17Look,

00:42:18I've had a failed experience.

00:42:20I've been married for five years.

00:42:22There were always problems between us because of my work.

00:42:24Why? Did you take the body with you to the house or what?

00:42:26He always blamed me for not taking care of him,

00:42:28and that I work all the time.

00:42:30And honestly, your job is very difficult.

00:42:32Not everyone can marry a legitimate doctor.

00:42:34By the way, you can marry a doctor in a normal way.

00:42:38But how do I get rid of this beauty?

00:42:40Ahmed, please.

00:42:41Let's not talk about this again.

00:42:42I didn't say anything.

00:42:43You're the one telling me about areas, rubble, and sand.

00:42:48But believe me, the view from here is amazing.

00:42:51It's the first time I've seen October 6th from above.

00:42:53What's that over there?

00:42:55That's Arkaneh.

00:42:57And that's Bandy Mohib.

00:43:01He's a weakling, son.

00:43:04The Garboa is his real name.

00:43:07I've known him for a long time,

00:43:08and they call him Garboa.

00:43:10Yeah, I mean, the Garboa was born here.

00:43:12Yeah, man.

00:43:13The Garboa was born and grew up here.

00:43:15Yeah, yeah, yeah. Born and grew up.

00:43:17And I'm asking you about Tahseen.

00:43:18That's a different story.

00:43:20Was the Garboa a sign of his behavior

00:43:22that he could be like this?

00:43:24I swear to God, no one believed that the Garboa could do this.

00:43:26He did move left and right,

00:43:28but it didn't get to the point of killing.

00:43:30Man, this is from when his wife left him

00:43:32three years ago.

00:43:33No one has ever seen him like this.

00:43:34As we're used to,

00:43:36exclusive interviews and exclusive interviews.

00:43:38Now, the exclusive and exclusive interview

00:43:41with the Garboa girl,

00:43:43the Garboa's fifth wife,

00:43:45Azza Al Ifesh.

00:43:46Can you tell us,

00:43:47what's the reason for your divorce?

00:43:49He used to play like this,

00:43:50and his eyes were blurry,

00:43:51and he used to flirt with women.

00:43:53Flirt?

00:43:54So, you didn't have any contact

00:43:56since the divorce?

00:43:58Never.

00:43:59I haven't seen his face in three years.

00:44:01He didn't even think about the day

00:44:02he'd fall in love.

00:44:03Come on,

00:44:04God have mercy on him,

00:44:05he's in a bad place.

00:44:06Do you remember,

00:44:07what's the motive

00:44:08that made the Garboa commit these crimes?

00:44:10I'm a pure hearted person, yes.

00:44:12But the Garboa doesn't kill.

00:44:14Why doesn't he kill?

00:44:15He's an engineer, a decorator,

00:44:16and then he's a professional,

00:44:17and he left a fingerprint on his hand.

00:44:18What fingerprint?

00:44:19The Garboa is a fingerprint.

00:44:20So, he can't read or write?

00:44:22Fingerprint?

00:44:24He can't read or write?

00:44:30Can I know what's the important thing

00:44:31that made you kick me out of my house

00:44:32so late?

00:44:33I'll explain to you,

00:44:34I'll tell you what it is.

00:44:35And who is this?

00:44:36I'll be your Uber driver,

00:44:37I'm his friend.

00:44:38Don't ruin the problem.

00:44:39This is my friend's friend,

00:44:40and we do all the press interviews together,

00:44:41except that he's reading on the computer.

00:44:43That's true.

00:44:44So, you kicked me out of the house

00:44:45to introduce me to this guy?

00:44:46Yes, don't ruin it for us,

00:44:47Mrs. Falhousam,

00:44:48you're not the one who's asking.

00:44:49Are you guys going to fight or what?

00:44:51The thing is,

00:44:52Shaker did a press interview

00:44:53with Mrs. Khamis Al-Garboa,

00:44:54and in the interview,

00:44:55there's something important

00:44:56that you have to see.

00:44:57What's the answer?

00:44:58The Garboa is a fingerprint.

00:44:59So, he can't read or write?

00:45:02You believe me?

00:45:04You're right.

00:45:05You know what, guys?

00:45:06As soon as I post this video on the website,

00:45:08it'll be trending in an hour.

00:45:10Excuse me,

00:45:11this video isn't going to be posted at all.

00:45:13Why? Why?

00:45:14You can't see it?

00:45:15Calm down, man.

00:45:16Because if this video is posted

00:45:17and the real Shaker sees it,

00:45:18he'll be arrested,

00:45:19and he might just disappear

00:45:20and not be caught.

00:45:21So, you're saying

00:45:22we should hand this video over to the police?

00:45:24To the police,

00:45:25the case is closed,

00:45:26and I'm not talking about

00:45:27the Garboa's way

00:45:28of accusing him.

00:45:29We need strong evidence.

00:45:38Oh, my God,

00:45:39what a dark place.

00:45:40We're going into Shaker's house,

00:45:41and we're going into

00:45:42Mr. W's house?

00:45:43Come on, get in.

00:45:48Hassan!

00:45:50Hassan!

00:45:51What?

00:45:52These are the crime scene signs.

00:45:57Hassan, Hassan,

00:45:58don't step in here.

00:45:59This is Garboa's body.

00:46:00The place where the body was found.

00:46:01The place where the body was found.

00:46:03This is the place.

00:46:04What?

00:46:05Do you see the two black guys

00:46:06and the two black guys?

00:46:07Yes,

00:46:08these are the tools

00:46:09his victims used to kill him.

00:46:10Oh, my God, it's black.

00:46:11If he was killing him,

00:46:12he wouldn't have used these tools.

00:46:15Shh!

00:46:16There's a sound of water dripping.

00:46:19This must be someone

00:46:20with a strange skin.

00:46:21Or a burnt picture.

00:46:23Of course, I'll take you to him.

00:46:24Where to?

00:46:25I'll take you to his house.

00:46:27Come on, let's go see him.

00:46:29You're not coming with us, are you?

00:46:30No, no,

00:46:31I'm going to the living room.

00:46:32I swear to God.

00:46:34Didn't you hear him?

00:46:35He told you to swear to God.

00:46:36Are you going to let me go alone?

00:46:37No, he's an orphan,

00:46:38and his skin is broken.

00:46:39Come on, let's go.

00:46:44I swear to God.

00:46:58I'm telling you,

00:46:59we're going to see him

00:47:00and we're going to drop water on him.

00:47:01We're not going to let him go.

00:47:04I swear to God.

00:47:06Yes.

00:47:15The bathroom is empty.

00:47:16Come on, let's go.

00:47:17Open the curtain.

00:47:19I'm not going to let anyone

00:47:20take the shower or anything.

00:47:21Open it.

00:47:39Hey!

00:47:40Hey!

00:47:41Are you okay?

00:47:42Do you have anyone with you?

00:47:43Are you okay?

00:47:44Do you have anyone with you?

00:47:55Shakir!

00:47:56Shakir!

00:47:57Hey, Shakir!

00:47:59Hey!

00:48:00Hey!

00:48:02Ahmed!

00:48:03Ahmed!

00:48:04Ahmed!

00:48:05Ahmed!

00:48:06Ahmed!

00:48:07Ahmed!

00:48:08Ahmed!

00:48:09Ahmed!

00:48:10Ahmed!

00:48:11Ahmed!

00:48:13He's got a scar.

00:48:15Go to the scar doctor.

00:48:16I'm not ready to know.

00:48:18Get out, Ahmed.

00:48:19What's wrong?

00:48:20Get out.

00:48:21Get out, I'm wearing a jeep.

00:48:22Get out, Ahmed.

00:48:23Okay.

00:48:24Get out.

00:48:25Okay.

00:48:26What do you want?

00:48:27Okay, okay.

00:48:34Hey, black hair.

00:48:36Shakir!

00:48:38Don't come in here.

00:48:39Enough, man.

00:48:40Enough, man.

00:48:41I'm in the jeep you're wearing.

00:48:42But this is not a scrubber, guys.

00:48:43No, it's a scrubber.

00:48:44It's not a scrubber.

00:48:45Then what is it?

00:48:46A scrubber.

00:48:47A scrubber, guys.

00:48:48Enough.

00:48:49And bring me some tea.

00:48:50Okay, enough.

00:48:51One second.

00:48:52One second.

00:48:54One second.

00:48:56One second.

00:49:24What does this novel mean?

00:49:25And you wanted to buy it from the market and couldn't find it, or what?

00:49:28Return the banana.

00:49:29Return the banana!

00:49:32Where did you find this bag?

00:49:33I was hiding it in a secret place.

00:49:35But it's also clear from the amount of books Ahmed found

00:49:37that he's educated and reads in general.

00:49:40This is not a matter of culture, Dr. Abla.

00:49:42It's obvious that he's interested in it

00:49:44to the extent that he's taught a certain sentence in the novel.

00:49:47For example, this sentence.

00:49:50The proof is that the soul is distorted

00:49:53when it's in a deficient body.

00:49:58In a deficient body.

00:50:00And there's another very important sentence.

00:50:12There are two very important words in this sentence.

00:50:15Damamati and Ishfaq.

00:50:19It's obvious that this man is complicated

00:50:21and has a deficiency in something.

00:50:23What does a deficiency in something mean?

00:50:25Does he have a deficiency in calcium?

00:50:27Calcium what?

00:50:28We're at the Burg factory.

00:50:29Leave the apple alone.

00:50:30This too?

00:50:31Leave the apple alone!

00:50:32Yes, sir.

00:50:36I want to watch this video again.

00:50:38What are you doing?

00:50:40Is this a camera?

00:50:41Return this section to me again.

00:50:43Don't return it.

00:50:44This is the seventh time I'm returning this section.

00:50:46I won't return it.

00:50:49What are you doing?

00:50:51Is this a camera?

00:50:52Didn't you notice anything?

00:50:53Of course we did.

00:50:54He's a simple, crazy man with no heart.

00:50:57I mean the camera movement.

00:50:59What's wrong with it, Dr. Sherifa Arafa?

00:51:00No, no, no.

00:51:01By the way, I can't talk or continue.

00:51:03And this creature is here.

00:51:04You're right, doctor.

00:51:05Don't get involved in trouble.

00:51:07Continue, doctor.

00:51:08What's wrong with the camera movement?

00:51:10In all the videos,

00:51:11the apple moves in the victim's direction.

00:51:14The camera moves in the same direction.

00:51:16And this means that this apple has something in its leg.

00:51:20What is this, doctor?

00:51:21A skeleton.

00:51:22A skeleton.

00:51:23By the way, we need to know

00:51:25if this creature, called the fifth squirrel,

00:51:28was a skeleton or not.

00:51:30How are we going to know that, doctor?

00:51:32The fifth squirrel is dead.

00:51:34We can't even ask his wife or neighbors.

00:51:37By the way, doctor,

00:51:38me and Shaker did a press conference with everyone we know.

00:51:41They said they didn't know anything about him for three years,

00:51:44and they haven't seen him at all.

00:51:45That means that even if they said he was okay,

00:51:47this injury could have come close and they didn't know.

00:51:50Exactly.

00:51:51Now there's only one solution in front of you.

00:51:59Are you sure he told you to wait here in the middle of the dirt?

00:52:01Of course.

00:52:02You came before me.

00:52:03Where do you want us to wait?

00:52:04At Starbucks?

00:52:05One!

00:52:08You're late.

00:52:09No, I'm not.

00:52:10I'm sorry, Uncle Ghandour.

00:52:11I didn't think we'd know how to get there.

00:52:13The address isn't on Google Maps.

00:52:15As long as you're late,

00:52:17let's do it tomorrow.

00:52:18Why?

00:52:19The dead are gone?

00:52:20We're all gone.

00:52:23What's he doing?

00:52:24He's about to go back to the grave.

00:52:26It's not right.

00:52:28We're entering a dead body

00:52:30at a late hour, sir.

00:52:34Now that's more like it.

00:52:36What will happen to Uncle Ghandour

00:52:38if we go down to the dead body now?

00:52:40A lot!

00:52:41Like what?

00:52:42One!

00:52:43Wait, I'm not done yet!

00:52:47Go ahead.

00:52:52What?

00:52:53I'll tell you what.

00:52:54I'm sick of this dirt.

00:52:56Why?

00:52:57You look like you're in a medical school.

00:52:59If you want a body to explain it,

00:53:01there's a body over there.

00:53:03Fresh.

00:53:05Fresh.

00:53:06Fresh, Uncle.

00:53:07We're going to eat it.

00:53:08We want this dirt specifically.

00:53:10What does this dirt mean?

00:53:11The poor girl, the precious one,

00:53:13has a job that's far from marriage.

00:53:16So this job is buried in this dirt.

00:53:18A job?

00:53:19That's what I was afraid of.

00:53:22I'm not a pregnant woman, you see.

00:53:25You love me,

00:53:27so you wear me.

00:53:28Why would I wear you, Uncle?

00:53:29You're not sleeping.

00:53:30I'm telling you,

00:53:31we're going to go down to this dirt

00:53:32and put our feet on your feet.

00:53:33You forgot that you're Abish Baku.

00:53:35Ha, ha, ha, ha, ha, ha.

00:53:37That was a long time ago.

00:53:39It's sweet.

00:53:40It never showed up before.

00:53:41I want Baku again,

00:53:42instead of Mokhatra.

00:53:44That's enough, Abed.

00:53:45Take it, take it.

00:53:47This is Baku Kabil.

00:53:49We've had enough of this dirt.

00:53:55Wahidou!

00:53:59Do you know where you came from?

00:54:00Or are we going to sit in the dirt?

00:54:02Yes, we know.

00:54:03We're going to sit in the dirt.

00:54:06The dirt?

00:54:08No.

00:54:09This is a big deal.

00:54:10It's a big deal.

00:54:11We've had enough of this dirt.

00:54:12We're not going anywhere until now.

00:54:14It's the dirt.

00:54:16That's what I've been looking for.

00:54:18What do you want now?

00:54:19I want Baku 3.

00:54:22Instead of a dog.

00:54:23You're going to take 3 Baku from us

00:54:25just to show us the dirt?

00:54:27But if we ask you to see the dirt,

00:54:28how many are you going to take from us?

00:54:29Just give me the meat.

00:54:34I'm going to cut your throat, Wahid.

00:54:47Someone's almost dead.

00:54:51Don't be afraid.

00:54:52This is Sobhi.

00:54:53Sobhi?

00:54:54What does Sobhi mean?

00:54:55He's alive or what?

00:54:56He's alive, he's not alive.

00:54:57What did we find in the dirt?

00:54:59He was opening the dirt for you.

00:55:00Do you see it, Abed?

00:55:01Go and get the dirt.

00:55:03Go and get the dirt.

00:55:07Hold this.

00:55:09I'm going to cut your throat, Wahid.

00:55:31What's going on?

00:55:34He's not the killer.

00:55:49When are you going to stop, Mr. Shaker?

00:55:51Looks like you're not going to be able to do anything.

00:55:54I wish Ahmed knew that he was talking to himself.

00:55:58I'm Zakarberg of Egypt.

00:56:00I'm Zakarberg of Egypt.

00:56:03I think we should take this laptop

00:56:06and throw it in the police station.

00:56:09That's not going to work.

00:56:10We've only reached the conclusion.

00:56:13In order for us to go to the police and open the case again,

00:56:15we need evidence.

00:56:22Congratulations, guys.

00:56:25The metro cameras network has a history under your command.

00:56:31Well done, Mr. Shaker.

00:56:32Here are the dates and stations where the victims disappeared.

00:56:38Are you going to keep looking at me like that?

00:56:40Or what?

00:56:41Get up and make us some tea.

00:56:42Come on, man.

00:56:44How much sugar do you want?

00:57:00I don't know.

00:57:18What are you doing here?

00:57:19Come on, let's eat.

00:57:21No, you eat.

00:57:22I'm not hungry right now.

00:57:23This place is quiet, but it's scary.

00:57:26I want to tell you that this place makes me feel better.

00:57:28What's wrong with you?

00:57:29Why are you laughing?

00:57:31I'm just trying to cheer you up.

00:57:32I'm not ready to laugh and be afraid of anything.

00:57:35Like what?

00:57:36This woman, for example.

00:57:37Are you sure she's not your mother?

00:57:39Your sister?

00:57:40My father and mother passed away a long time ago.

00:57:42I only have one brother.

00:57:44Why haven't you gotten married yet?

00:57:46Look, marriage is a big responsibility for me.

00:57:49I always run away from it.

00:57:50It's the only thing I've been through in my life.

00:57:52I didn't affect them, nor did they affect me.

00:57:59Ahmed and Abla, come quickly.

00:58:01Here you go.

00:58:03May God destroy your house.

00:58:05This is his time.

00:58:06No, this is not your time.

00:58:08The victim is number five.

00:58:10The robber really followed her.

00:58:12If we pay attention, we will find her waving a nerve signal like this.

00:58:16It is clear that the robber was harassed by her while she was shaking him.

00:58:19She walked, he followed her.

00:58:21So this is him, doctor.

00:58:22Shaker.

00:58:23Yes?

00:58:24Turn on all the videos of the victim's descent from the subway.

00:58:29If we pay attention, sir,

00:58:31the robber is only present in one video.

00:58:35This is complicated, doctor.

00:58:37Shaker,

00:58:38turn on one video.

00:58:42Stop.

00:58:44Give me the man standing in the deep and wearing a cap.

00:58:47Here.

00:58:48What does this mean, doctor?

00:58:50Because this man is decided in all the videos.

00:58:52Look.

00:58:55How did you know it was the same person?

00:58:57He is wearing a cap and his face is not visible.

00:58:59Turn on, Shaker.

00:59:03From the deep.

00:59:07If I assume that he is the robber,

00:59:09why did you ask?

00:59:11From the reality of the photos you brought me,

00:59:14I will discover that the chair that the victim was sitting on,

00:59:18that there is a picture of Al-Ahda in Notre Dame,

00:59:21that there is a picture of Al-Ahda in Notre Dame,

00:59:24here behind.

00:59:25And the favorite novel of the interpreter is Al-Ahda in Notre Dame.

00:59:29Even the sentence that he was talking about in the novel

00:59:32talks about disability and physical and psychological deformity.

00:59:37The mannequin that you found inside the building,

00:59:40when I searched behind it,

00:59:41I found him wearing the same Asmeralda dress

00:59:44in the film Al-Ahda in Notre Dame.

00:59:46Who is this Asmeralda?

00:59:48She is the daughter of Al-Ahda in Notre Dame,

00:59:50who loved him despite his disability.

00:59:52But we still don't understand why he kills them.

00:59:54Because there is no Asmeralda who loves him.

00:59:56We are in front of an interpreter who sees himself in Al-Ahda in Notre Dame.

01:00:00What should we do now, doctor?

01:00:02We have to reach him.

01:00:05Al-Ahda in Notre Dame

01:00:15Are you okay, Abla?

01:00:17He hasn't shown up yet.

01:00:19But I have a problem.

01:00:20I'm always in the wrong, doctor.

01:00:22What did the pretty girls say in the subway?

01:00:24Did you hear what they said?

01:00:25Tell him to shut up, you son of a bitch.

01:00:27Do you think I'm stupid in front of cameras?

01:00:35How are you, Ahmed?

01:00:37I'm fine, doctor.

01:00:39This is the fifth station I get off at.

01:00:41People see my face and run away from me.

01:00:44I'm sorry, but you don't look like you're doing well.

01:00:46I'm telling you, doctor.

01:00:48Al-Ahda in Notre Dame was working in the iron and steel industry.

01:00:51What do you mean?

01:00:52The man's face is swollen.

01:00:54But honestly, the one who made this mask for you is an artisan.

01:00:57What do you mean by an artisan?

01:00:58I'm not Ruff Ruff.

01:00:59The one who made this mask is one of my best students.

01:01:02But unfortunately, he's a little blind.

01:01:06Excuse me.

01:01:07This is the last station.

01:01:12What's going on, Ahmed?

01:01:13Someone came in a hurry after seeing the plate I'm in.

01:01:21Mom, mom, the ball fell.

01:01:23I told you not to play around here when you go home.

01:01:25Excuse me, can I have the ball?

01:01:29You scared me!

01:01:31That's too much.

01:01:32That's too much. I'm not going to continue.

01:01:34I'm telling you, doctor, you ruined it for me.

01:01:36I'm telling you, it's an insult.

01:01:38I can't stand anything unless I see people like this.

01:01:41Prove it, Ahmed.

01:01:42If we hold on to this plate, it'll be an isolated case.

01:01:45An isolated case? What are you talking about?

01:01:48I want to see the end of it with you.

01:01:52Mom, make us some tea.

01:02:00Mom, make us some tea.

01:02:30Mom, make us some tea.

01:02:31Mom, make us some tea.

01:02:32Mom, make us some tea.

01:02:33Mom, make us some tea.

01:02:34Mom, make us some tea.

01:02:35Mom, make us some tea.

01:02:36Mom, make us some tea.

01:02:37Mom, make us some tea.

01:02:38Mom, make us some tea.

01:02:39Mom, make us some tea.

01:02:40Mom, make us some tea.

01:02:41Mom, make us some tea.

01:02:42Mom, make us some tea.

01:02:43Mom, make us some tea.

01:02:44Mom, make us some tea.

01:02:45Mom, make us some tea.

01:02:46Mom, make us some tea.

01:02:47Mom, make us some tea.

01:02:48Mom, make us some tea.

01:02:49Mom, make us some tea.

01:02:50Mom, make us some tea.

01:02:51Mom, make us some tea.

01:02:52Mom, make us some tea.

01:02:53Mom, make us some tea.

01:02:54Come on!

01:03:25I'm telling you, guys, I'm fed up.

01:03:29We've been on the same page for a week now.

01:03:32From Helwan to Shobra to Tebbin.

01:03:34I haven't paid my tuition yet.

01:03:36If I give it to you, you can go to summer school and come back.

01:03:38I'm not going to continue.

01:03:40Ahmed, what are you saying?

01:03:42Don't do this.

01:03:43Ahmed!

01:03:44Ahmed!

01:03:55Ahmed!

01:03:56It looks like he's gone mad.

01:03:58Don't stand up.

01:04:00Don't stand up so you don't get in his way.

01:04:05Are you sure it's him?

01:04:08Yes, it's him.

01:04:09He's the same guy.

01:04:10What should I do?

01:04:11Should I call people?

01:04:13What's there to call?

01:04:14Are you crazy?

01:04:15Continue.

01:04:18Abla, this is a plan B.

01:04:25Let's go.

01:04:34Let's go.

01:04:54Abla, this is a plan B.

01:04:55Let's go.

01:05:11Why are you laughing?

01:05:12Is it a question?

01:05:13Yes, it's a question.

01:05:14I'm far away from you.

01:05:15I'm taking off my sleeping bag.

01:05:16It's 7 o'clock now.

01:05:17That's strange.

01:05:18I've been following the diet doctor for a month.

01:05:20You seem to be following Chef Sherbini, not the diet doctor.

01:05:23I'm the diet doctor.

01:05:25If I eat cold food, I won't reach my goal.

01:05:30You're crazy.

01:05:31You're crazy.

01:05:32You're crazy.

01:05:36What's this?

01:05:37Are you going to put me in the car's trunk?

01:05:38Where do you want me to put you?

01:05:39In the car's trunk?

01:05:40They're the ones doing this.

01:05:41Die!

01:05:53Die!

01:06:23Die!

01:06:24Die!

01:06:54No!

01:06:57Please don't kill me.

01:06:59Please don't kill me.

01:07:05It's not working.

01:07:07You can do this.

01:07:08Please don't kill me.

01:07:12No!

01:07:19No!

01:07:21Ahh!

01:07:22Ahh!

01:07:23Ahh!

01:07:24Ahh!

01:07:24Have you seen anything?

01:07:26I can't find him.

01:07:27He's too late.

01:07:28We should hide.

01:07:28Doctor, I think you're mistaken.

01:07:31Ahh!

01:07:32Ahh!

01:07:33Aih!

01:07:33Ahh!

01:07:34Ahh!

01:07:40What are you doing?

01:07:42He's okay.

01:07:43Inside?

01:07:44Yeah.

01:07:45Ahh!

01:07:46Ahh!

01:07:47Five!

01:07:48Five!

01:07:49Five!

01:07:51Five!

01:07:56What's that?

01:07:57What did you put in front of me?

01:07:58Frosted strawberries

01:07:59Frosted strawberries?

01:08:00They are the best fruits I've ever eaten

01:08:01Throw it!

01:08:03FIVE!

01:08:17Let's go to the second phase of the plan

01:08:21No, this is too much!

01:08:23This is too much!

01:08:24Who are you?

01:08:25How long have you been standing here?

01:08:28Who are you?

01:08:29I'm...

01:08:31I'm Mabhour

01:08:32Mabhour?

01:08:34I know Madkour

01:08:36Mandour

01:08:37But this Mabhour

01:08:39Is new to me

01:08:40You have to die!

01:08:41Please, please, please

01:08:43Listen to me

01:08:44I have to kill you

01:08:45Before you report me to the police

01:08:46I'll report you to the police

01:08:48But no one in the world reports their teacher

01:08:50Your teacher?

01:08:51I'm...

01:08:52Your student Najeeb

01:08:54And your little brother, the doctor

01:08:56Nasb al Salahdar

01:08:57Your hand is burnt

01:08:58Why are you touching my hand?

01:08:59Why?

01:09:00This is...

01:09:01Why is your hand so trashy?

01:09:03It doesn't have to be trashy

01:09:04When I was making pasta

01:09:06I was the only one who did it

01:09:08You're right

01:09:09Can I get to know you?

01:09:11My name is Ahmed

01:09:13Ahmed

01:09:14Ahmed Nooterdam

01:09:16Ahmed Nooterdam?

01:09:20Is Nooterdam your name?

01:09:21What do you mean?

01:09:22It's my nickname

01:09:23Nooterdam is my nickname

01:09:25What about your son's name?

01:09:27I don't have a father

01:09:28And I don't have a mother

01:09:30When I was born, I found myself in a cage

01:09:33And every year, I grew up in it

01:09:35The pregnant woman on my back

01:09:37Was growing up with me

01:09:39Until I was nicknamed

01:09:41Ahmed Nooterdam

01:09:43Ahmed Nooterdam

01:09:45Don't you have any idea

01:09:47How much I love Ahmed Nooterdam?

01:09:50I'm not like him

01:09:51I'm addicted to Ahmed Nooterdam

01:09:54Oh, okay

01:09:55As far as your back, we understand

01:09:57Your face, I mean

01:09:58Is that the style you were born with?

01:10:00And there's someone

01:10:02Who was born with this face

01:10:04Like I told you

01:10:06When I grew up, I found myself

01:10:08In a cage

01:10:09One of the poor people's cages

01:10:11We were 95 families

01:10:13In one cage

01:10:15We washed our clothes

01:10:17Once a week

01:10:19The cage

01:10:21Was used to collect

01:10:23Our underwear, our drinks, our clothes

01:10:25When we were kids

01:10:27What's in the cage?

01:10:29Something to make you feel better

01:10:32Should I continue or are you going to leave me?

01:10:34No, no, continue please

01:10:36And one rainy night

01:10:38Me and my friends were playing hide and seek

01:10:41My mind wandered to a place

01:10:43I hid in

01:10:44I hid in the cage

01:10:46And under the cage

01:10:48Was the pool

01:10:49With our underwear

01:10:51And the pool was raining

01:10:53With the smell of the pool

01:10:54I hid in the place

01:10:56I felt dizzy

01:10:57While I was in the cage

01:10:58I couldn't control my balance

01:11:00So I fell in the pool

01:11:02With the pool

01:11:03And the boiling water

01:11:04I got up and found myself

01:11:06In the boiling pool, as you can see

01:11:08What a tragedy

01:11:09My tragedy

01:11:11Like the tragedy of one of my sons

01:11:18Please, don't do this to yourself

01:11:20Let's forget the bad memories

01:11:22Let me remind you of a good moment

01:11:24The first meeting

01:11:26Between Esmeralda and Cosmedo

01:11:28Cosmedo

01:11:30Cosmedo

01:11:31Yes, don't you remember?

01:11:33I know Cosmedo, but Cosmedo

01:11:35That name doesn't ring a bell

01:11:37Abu Esmeralda

01:11:39Who was standing against Esmeralda's marriage

01:11:41No one is standing against her

01:11:42She's the most hateful person

01:11:44I hate her and despise her in the novel

01:11:46But I'm the one who's open to you

01:11:50Look, look

01:11:55What is this magic?

01:11:57A pig and a prostitute

01:11:59That's his name

01:12:00What is this madness?

01:12:02One in five million

01:12:05Did you see that, Mr. Ahmed?

01:12:07We're the same age

01:12:08No, we're not the same

01:12:11I'm a killer

01:12:12I'm a rapist

01:12:13I open the graves of my victims

01:12:16And eat their hearts

01:12:17Did you see that?

01:12:18Did you see the transgression?

01:12:19Did you see the growth?

01:12:21Did you see the extinction?

01:12:22This is the least

01:12:24That can heal me

01:12:25From the kind of women

01:12:27They don't deserve anything

01:12:29Except murder

01:12:30You killed her before that

01:12:35Why are you asking this question?

01:12:36Mind your own business

01:12:37I don't trust you

01:12:40I'm asking this question because

01:12:42You told me you're a teacher

01:12:44And your hands are dirty

01:12:46And I'm a poor man

01:12:48I'll be your teacher in Berlin

01:12:51I'll tell you I'm a teacher

01:12:52But not now

01:12:53Later

01:12:54Bye

01:12:55I'll see you later

01:12:57I'll meet him

01:12:58You?

01:12:59No, don't record

01:13:00But he's a good rapist

01:13:02Very good

01:13:05Thank you

01:13:12I'm doing all this for myself

01:13:14And no one asked you to go after him

01:13:16To find out where he is

01:13:17I didn't know he was a rapist

01:13:19He's a very smart person

01:13:21And if you notice

01:13:22Anyone watching him

01:13:23After we leave

01:13:24Everyone will stop

01:13:26Especially

01:13:27If you notice

01:13:28That he's suspecting you

01:13:30I really don't believe it

01:13:31He's going to open our hands

01:13:32And give it to me like this?

01:13:33There's nothing lost

01:13:34We're missing one thing

01:13:36That we're going to take

01:13:37A confession from this person

01:13:38He's a real man

01:13:39How are we going to take a confession

01:13:40From him, Professor?

01:13:41And the real man

01:13:42In order for him to trust you

01:13:44And give you security

01:13:45He's going to watch you

01:13:47He's going to watch me?

01:13:48He's going to watch Ahmad Notre Dame

01:13:50What's the difference?

01:13:51He's not Ahmad Notre Dame

01:13:52He's me

01:13:53Do you understand?

01:13:54You have to live

01:13:55Ahmad Notre Dame's life

01:13:57And be careful

01:13:58He knows the address of his house

01:14:00And the line of his car

01:14:01Don't worry

01:14:02We're going to be with you

01:14:03Step by step

01:14:04I'm telling you guys

01:14:05What are we going to do

01:14:06If fate played its game

01:14:07And we found out

01:14:08That he's a rapist?

01:14:09Come on, Ahmad

01:14:10Don't dry your head

01:14:11This is a press conference

01:14:12If you do it

01:14:13You'll be transferred again

01:14:14I know

01:14:15We'll be transferred

01:14:16Right away

01:14:17You'll see someone else

01:14:18Don't get too excited

01:14:19I'm telling you, Doctor

01:14:20If you see that

01:14:21It's not a big deal

01:14:22I'm telling you

01:14:23I swear to God

01:14:24We're going to be transferred

01:14:25To Notre Dame

01:14:26While he's still in our hands

01:14:27I'm not going to continue

01:14:29Ahmad!

01:14:41Ahmad, I just want to tell you one thing

01:14:43Whether you continued or not

01:14:45What you did

01:14:46Made you grow up in my eyes

01:14:48How did I grow up?

01:14:51Do you remember what you said

01:14:52When I asked you

01:14:53Why you're still single?

01:14:54I told you that

01:14:55I didn't care about

01:14:56Everyone I met

01:14:57I didn't care about them

01:14:58And they didn't care about me

01:15:00I want to tell you

01:15:01That you did care about me

01:15:05Doctor, I'm screwed!

01:15:06The mask and the suit!

01:15:08I'm ready!

01:15:20I'm ready!

01:15:21I'm ready!

01:15:22I'm ready!

01:15:23I'm ready!

01:15:24I'm ready!

01:15:25I'm ready!

01:15:26I'm ready!

01:15:27I'm ready!

01:15:28I'm ready!

01:15:29I'm ready!

01:15:30I'm ready!

01:15:31I'm ready!

01:15:32I'm ready!

01:15:33I'm ready!

01:15:34I'm ready!

01:15:35I'm ready!

01:15:36I'm ready!

01:15:37I'm ready!

01:15:38I'm ready!

01:15:39I'm ready!

01:15:40I'm ready!

01:15:41I'm ready!

01:15:42I'm ready!

01:15:43I'm ready!

01:15:44I'm ready!

01:15:45I'm ready!

01:15:46I'm ready!

01:15:47I'm ready!

01:15:48I'm ready!

01:15:49I'm ready!

01:15:50I'm ready!

01:15:51I'm ready!

01:15:52I'm ready!

01:15:53I'm ready!

01:16:043-hour shift

01:16:125-hour shift

01:16:19Why don't you pick up the phone? It's your time now.

01:16:39Pick up the phone, man. It's your time now.

01:16:45Did you call the police?

01:16:47No, how could I? I'm a beggar.

01:16:51Didn't I tell you we'd meet soon?

01:16:53Yes, but I didn't know we'd meet so soon.

01:16:57Can I have the phone?

01:16:58Yes, if you want to make a phone call.

01:17:01Give me the phone.

01:17:03Give me the phone.

01:17:07What are you doing, Dr. Nazmi?

01:17:10Get out.

01:17:11Get out, Dr. Nazmi. We're in a hurry.

01:17:14Get out.

01:17:16Get out.

01:17:29Doctor!

01:17:30What is it?

01:17:31I'm fine. I'm fine.

01:17:32It's time to sleep.

01:17:33Shut up, Shaker.

01:17:34There's a Kibda car here.

01:17:35They're doing an investigation.

01:17:36I hit seven people.

01:17:37I don't feel anything.

01:17:39You hit a Kibda?

01:17:40Nazmi must have taken Ahmed and left.

01:17:42I'm not blind.

01:17:43Ahmed called me twice.

01:17:44Ahmed's phone is here.

01:17:45I found it next to the car.

01:17:48We're going to keep driving like this.

01:17:51No.

01:17:52I'm going to sleep.

01:17:53Where are we going?

01:17:55To the hospital?

01:17:56No, no, no.

01:17:57I'm not going to let you.

01:17:58I'm going to drive you to the hospital.

01:17:59I'm not going to let you.

01:18:00I'm just going to...

01:18:02The gas light is on.

01:18:04It's lighting up.

01:18:05The light is blinking.

01:18:07You don't know how smart you are to understand old cars like this.

01:18:10What?

01:18:13No, no.

01:18:14You don't look like you know.

01:18:15What's wrong?

01:18:16What's wrong?

01:18:17Why did you turn on the car?

01:18:18No, no.

01:18:19It's on.

01:18:20It's on.

01:18:21Wow.

01:18:23What a world.

01:18:24What?

01:18:27Wadi Abla isn't answering.

01:18:29It's late.

01:18:30She must have gone to sleep.

01:18:33What are you doing, Shaker?

01:18:34I hope Ahmed has your bag in the car.

01:18:36What does it have to do with the bag we're in now?

01:18:38His bag has his iPad in it.

01:18:40What iPad?

01:18:41I could reach Ahmed with this iPad.

01:18:43No, I don't understand.

01:18:44Look, this iPad has a SIM card.

01:18:46It's like a mobile phone charger.

01:18:47I can use this mobile phone charger to...

01:18:50Why am I explaining this to you?

01:18:51This is a big job.

01:18:52The minister wants to explain himself.

01:19:08Welcome, sir.

01:19:09Welcome, sir.

01:19:14What is this haunted house?

01:19:16No.

01:19:17Is this your house?

01:19:18No, no.

01:19:19It's my grandfather's house.

01:19:20Yes.

01:19:21The prince is the head of the army.

01:19:22May God have mercy on him.

01:19:23He's strong.

01:19:24He's a genius.

01:19:25Please, come in.

01:19:26Wow.

01:19:27Look at this.

01:19:28Look at this.

01:19:29What is this?

01:19:30What is this?

01:19:31What is this?

01:19:32What is this?

01:19:33What is this?

01:19:34What is this?

01:19:35What is this?

01:19:36What is this?

01:19:37Are you going to show your grandfather a haunted house or what?

01:19:42No, I'm going to show him something else.

01:19:45Please, go ahead.

01:19:46What am I going to show him?

01:19:47Let's hope for a better haunted house.

01:19:49Okay, man.

01:19:50Go ahead.

01:19:51His grandfather will be upset.

01:19:52Go ahead, sir.

01:20:02Stop, stop.

01:20:04Where are we?

01:20:05The location hasn't moved.

01:20:07We're almost at the place they're going to.

01:20:10Go ahead, go ahead.

01:20:18What is this painting?

01:20:21This is an imaginary painting.

01:20:24It's about a man who gets hungry and can't find anything to eat.

01:20:31So he eats a banana.

01:20:33What?

01:20:34Why would he order McDonald's?

01:20:36What is this?

01:20:39It's juice, sir.

01:20:41Let's go.

01:20:42Please, go ahead.

01:20:45Yes, sir.

01:20:46I'm sure.

01:20:47This is the location I sent you.

01:20:49Hurry up, sir.

01:20:50Hurry up, because he's in danger.

01:20:52Excuse me, sir.

01:20:54Is this your prison?

01:20:56No, I just wanted to let you know.

01:20:58Go ahead.

01:20:59I'm not a pervert, killer, ghost, or anything like that.

01:21:02But I have a phobia of places like this.

01:21:04You can even find me killing in the open air.

01:21:07No, I kill in the basement.

01:21:10No, I'm a musician.

01:21:11A musician.

01:21:12A school musician.

01:21:13I have a friend who's a whore.

01:21:15He can't do anything but sing.

01:21:18Go ahead.

01:21:20Go ahead.

01:21:23Welcome.

01:21:29Go ahead, go ahead.

01:21:32Go ahead.

01:21:39Two.

01:21:41No, thank God.

01:21:42You need to be careful.

01:21:44Safety.

01:21:45Safety.

01:21:46There's nothing better than that.

01:21:47Please, go ahead.

01:21:48Go ahead, my son.

01:21:49It's my pleasure.

01:21:50It's your pleasure.

01:21:53Oh, my God.

01:21:56What do you think, sir, about my kingdom, McDonald's?

01:21:59It's great.

01:22:01It's not even the kingdom of rings, man.

01:22:04Oh, my God.

01:22:06There's a little bit of confidence.

01:22:08Something that opens the soul.

01:22:10Really?

01:22:11Yes.

01:22:12God is great.

01:22:14What is this beauty?

01:22:16What is this beauty?

01:22:18Oh, my God.

01:22:19Oh, my God.

01:22:21What are these sweets?

01:22:22You have some goods that won't go to waste, man.

01:22:27Thank you.

01:22:28Go ahead.

01:22:29Let me check.

01:22:30Please.

01:22:31God is great.

01:22:33What is this beauty?

01:22:34God is great.

01:22:36No, no.

01:22:37It's a great job.

01:22:38It's a great job.

01:22:39And look at these eyes.

01:22:41They're real.

01:22:42They're not fake.

01:22:43Do you want to make sure for yourself?

01:22:46Do you want to taste it?

01:22:47I'll taste it, man.

01:22:48It's not fake.

01:22:49No, no, no.

01:22:50I believe you.

01:22:51I believe you.

01:22:52I swear on you.

01:22:54And when you believe me and swear on me,

01:22:56why did you ask me if I killed you or not?

01:22:59I asked you a stupid question like this?

01:23:01Yes.

01:23:02May I answer it?

01:23:03No, on the contrary.

01:23:04I greet you, and allow me to answer you now.

01:23:07I, sir, without pride, with all humility,

01:23:12and without arrogance...

01:23:14Son of Inges, I can be easier than you.

01:23:16I, sir, am the subway swindler.

01:23:20You're the subway swindler?

01:23:21Yes.

01:23:22What about Thursday, then?

01:23:24No, Thursday is a feast.

01:23:26A feast.

01:23:27A feast that I threw at the police

01:23:29when I found him with a knife in his hand.

01:23:31I swear to God, I ruined you.

01:23:33You're a devil, man.

01:23:35How did you do it, you swindler?

01:23:37Tell him, sir.

01:23:39Thursday is a feast.

01:23:40He's a real swindler.

01:23:42He's really a swindler.

01:23:43There's nothing on his mind

01:23:45other than killing women in the subway

01:23:47and being harassed by them.

01:23:48He doesn't know that the police are looking for him.

01:23:51It was a coincidence that he fell into the subway.

01:23:54Wow, you have a good intention.

01:23:56Listen to me.

01:23:57Yes.

01:23:58I cured him.

01:24:00I fed him with the spirit of the doctor in me.

01:24:02And I killed him with the spirit of the swindler in me.

01:24:04I killed him in the same place

01:24:06where I killed the women.

01:24:08And in the end,

01:24:09I confessed to him

01:24:11that he's the subway swindler.

01:24:13No!

01:24:15How wonderful!

01:24:17You're a disgrace to yourself.

01:24:19You don't deserve it.

01:24:21The subway swindler is Thursday.

01:24:24Aren't you going to wait for me?

01:24:26Come on.

01:24:27Come on.

01:24:35Oh, my God!

01:24:37Oh, my God!

01:24:39These are the parts I collected from the bodies.

01:24:42What do you think, sir?

01:24:43What do you think of my hobby?

01:24:45Your hobby is collecting bodies.

01:24:47Each one of the ones I killed

01:24:49had an ugly side.

01:24:52You deserve to die for it.

01:24:54The traitor,

01:24:55the liar,

01:24:56the liar,

01:24:57the arrogant,

01:24:58the arrogant,

01:24:59the arrogant,

01:25:00I took a piece from each one

01:25:02to make this structure.

01:25:05And then I burned it.

01:25:07Oh, my God!

01:25:08I burned it with all the evil qualities

01:25:10that I had turned into

01:25:12the original structure.

01:25:15Wow!

01:25:18What a genius idea!

01:25:19You deserve to die for it.

01:25:21But I think

01:25:23this structure needs a head to ride on.

01:25:26You're the one who's going to put this head on, sir.

01:25:29Me?

01:25:30Yes.

01:25:31I'm terrible at putting heads on.

01:25:33I can put an arm,

01:25:35a leg,

01:25:36a knee.

01:25:37You don't want to

01:25:39destroy my great honor?

01:25:41No, don't say that, man.

01:25:43On the contrary,

01:25:44I even need to participate in this massacre.

01:25:47But the truth is

01:25:49before we put the head on,

01:25:51we need the victim,

01:25:52the one with the head.

01:25:53So I have an idea.

01:25:55I'm going to go to the mosque to look

01:25:57and you go to the mosque to look

01:25:59and we'll meet tomorrow

01:26:01or the day after tomorrow at 11.30

01:26:03in the same place.

01:26:05Goodbye.

01:26:06Don't tire yourself out at all.

01:26:10The one with the head?

01:26:11Yes, the one with the head.

01:26:13The victim?

01:26:14Yes.

01:26:15Yes.

01:26:16Don't say anything.

01:26:17Yes.

01:26:18What is this mess?

01:26:20What is this mess?

01:26:25Don't stretch your car too much.

01:26:27When we get to Ahmed,

01:26:28it's going to be a mess.

01:26:29It's an animal mess.

01:26:30Didn't you tell the police?

01:26:32God willing, he'll be in time.

01:26:42Damn you, black man.

01:26:43Is there a problem?

01:26:44No, the truth is

01:26:46I'm very surprised

01:26:48by your choice of victim.

01:26:50This time, the victim is very funny.

01:26:53And look at this.

01:26:55What did you do to her?

01:26:57She's bewitching men.

01:26:59What do you mean, bewitching men?

01:27:01Are you giving them pigeons or fireflies or what?

01:27:04Here you go.

01:27:07What is this?

01:27:08A sharp knife, like an axe.

01:27:11No, we're going to cut it.

01:27:13This knife is going to bother us

01:27:15and we know that.

01:27:16We know that.

01:27:17If there's a line, we're going to cut it.

01:27:19Ready.

01:27:21Here you go.

01:27:25I'm sorry,

01:27:27but do you know what we're going to do with this line?

01:27:29What?

01:27:30We're going to throw it

01:27:31so we can put a ribbon on it and cut it.

01:27:33Not like that.

01:27:35I know that.

01:27:36If there's an electric fan,

01:27:37we're going to cut it.

01:27:38I have it.

01:27:42No, this is my knife.

01:27:44I mean,

01:27:45this fan is a little slow to turn on.

01:27:48Look.

01:27:49What's wrong with you?

01:27:51What?

01:27:53It's obvious that you haven't worked for a long time.

01:27:57What is this?

01:27:58What's going on?

01:28:01Where did the line go?

01:28:06No, the...

01:28:08The line, in my opinion,

01:28:10doesn't work.

01:28:11But it...

01:28:12What time is it in your hand right now?

01:28:14What do you mean?

01:28:15He comes to Morocco and relaxes.

01:28:18You know, if you do 12 o'clock noon,

01:28:20you'll find Zalhar working like a parachute.

01:28:22Parachute!

01:28:28Open your mouth.

01:28:29Omar.

01:28:30Open your mouth.

01:28:31Yes, sir.

01:28:34Sir, the guy who installed this fan for you,

01:28:37is he really a player?

01:28:38No, his hands are wrapped in silk.

01:28:39If there's a lesson he wants to learn,

01:28:41I'll talk to him.

01:28:42Get out.

01:28:43Get out of here, sir.

01:28:44Get out!

01:28:45Yes, sir.

01:28:51Another line.

01:28:52Give me one.

01:28:53Give me one!

01:28:57It's you, Ahmed.

01:29:00It's you, Ahmed.

01:29:04Do you want us to fall for this?

01:29:06No, sir.

01:29:07Don't talk to me like that.

01:29:09No, sir.

01:29:10We need to get to know each other better.

01:29:13But, sir,

01:29:15your plan was a trap at first.

01:29:18They call it luck.

01:29:23Until I tasted the syrup.

01:29:28You tasted the syrup?

01:29:29This is the syrup?

01:29:30Did you like it?

01:29:31No, it was too sweet.

01:29:33I told you.

01:29:34I didn't tell you to get some ketchup

01:29:36and finish the night off.

01:29:37Instead of dying,

01:29:38what should I do with you?

01:29:40I'll tell you, Ahmed.

01:29:42Cosmedo.

01:29:44I told you he's the father of Esmeralda.

01:29:47And you believed me.

01:29:51He's the most handsome man in Notre Dame.

01:29:53Cosmedo?

01:29:54He's the most handsome man in Notre Dame?

01:29:56Come on, Cosmedo.

01:29:57I told you I didn't know who you were.

01:30:01This man has taught us a lot.

01:30:03Sir.

01:30:04Sir.

01:30:05We're with you.

01:30:06Do what you want.

01:30:07Get out!

01:30:08Yes, sir.

01:30:09Get out!

01:30:10I don't want to listen to you.

01:30:11Get out!

01:30:23Mr. Nafis, listen to me.

01:30:24Doctor.

01:30:25I accept the accusation.

01:30:26When I told you about this,

01:30:28I didn't mean to hand you over to the police

01:30:30or anything like that.

01:30:31No, no.

01:30:32I just wanted to make a clean plan.

01:30:34I liked your clean plan.

01:30:36Because it's fresh.

01:30:38It's out of the box.

01:30:39But unfortunately,

01:30:40this plan needed professional people to implement it.

01:30:46Dr. Nazmi,

01:30:47I'm responsible for everything.

01:30:48The girl we're lying to isn't guilty.

01:30:50Even her friends.

01:30:51Her friends.

01:30:52Oh.

01:30:59Hey, man.

01:31:01By the way,

01:31:02are you two very close?

01:31:05Where's the girl?

01:31:06God bless you.

01:31:07It's all because of these men

01:31:09and all this love.

01:31:10Before I finish with you,

01:31:12I'm going to show you

01:31:14the head of this girl

01:31:16and I'm going to cut it

01:31:19and put it together

01:31:21to complete your plan.

01:31:24Your clean plan.

01:31:26Don't look at me like that.

01:31:27I mean, look at me.

01:31:31Don't look at me like that.

01:31:33Hey, man.

01:31:34Don't do that.

01:31:35Don't do that, man.

01:31:36Let me go.

01:31:37Let me go.

01:31:41Let me go.

01:31:49Let me go.

01:31:54Let me go.

01:31:56Let me go.

01:31:57Let me go.

01:31:58Let me go.

01:31:59Let me go.

01:32:00Let me go.

01:32:01Let me go.

01:32:02Let me go.

01:32:06Let me go.

01:32:09Let me go.

01:32:27Let me go.

01:32:36♪♪

01:32:44♪♪

01:32:48♪♪

01:32:54Don't put it in your mouth

01:32:56Take it easy my love, it's hot

01:33:01We got it

01:33:03You're going to make me a sausage like this?

01:33:05I'm going to make you a sausage like this?

01:33:07I'm going to make you a fact that the whole country is going to talk about

01:33:09I'm going to slaughter the camels

01:33:12Oh Ahmed!

01:33:13Yes my love, what is it?

01:33:14My stomach hurts, I don't know why

01:33:16From a kilo and a half of Sudanese on two bananas that you ate from the first day

01:33:19You're going to carry it on your back and you're not going to eat it like this

مشاهدة فيلم أحمد نوتردام

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