In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy deeds, the Templars bodies were left out for the crows to peck out their eyes. Now, in modern day Portugal, a group of people stumble on the Templars abandoned monastery, reviving their rotting corpses to terrorize the land.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
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00:10:00Look, Roger, this is absolutely wrong.
00:10:02Should I go to her?
00:10:03No, I'd better go.
00:10:11You're not sorry I came along, are you?
00:10:14No, it's not you, it's Roger.
00:10:17You know he means nothing to me, or have you forgotten?
00:10:20No, I haven't.
00:10:22Why are you acting like this?
00:10:23I only came along because of you.
00:10:25You didn't forget me, and all the things that happened at school?
00:10:29No.
00:10:31No.
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00:11:32May I have your ticket, please?
00:11:35You can get it from the gentleman in the last car.
00:11:37Very well. Enjoy your trip.
00:11:40Can you tell me where our next stop will be?
00:11:42There's no stop till we reach Puerta.
00:11:45Think you could stop a moment? I'd like to get off.
00:11:48That's impossible, against regulations.
00:11:50And where would you go in this deserted area?
00:11:53There must be a village around here.
00:11:55No, not around here, there isn't.
00:11:58You're welcome.
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00:12:40Virginia!
00:12:41Virginia!
00:12:42Virginia, have you gone mad?
00:12:45Virginia!
00:12:46Virginia!
00:12:48Stop, you idiot!
00:12:49Virginia!
00:12:50Please come back, listen to me, I beg you!
00:12:53It's the brake alarm.
00:12:55Should I pull it?
00:12:56No, I never stop in this place.
00:12:58But you heard the alarm.
00:12:59I don't care.
00:13:00Look, look there.
00:13:15That girl doesn't know what she's in for.
00:13:17What do you mean?
00:13:18Nothing, just put the crow to the fire.
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00:15:29Is anyone here?
00:15:33Hello?
00:15:46Oh!
00:15:59Oh!
00:16:29Oh!
00:16:59Is there anyone here?
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00:17:54Oh!
00:17:55Oh!
00:18:12Oh!
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00:29:50Oh, no!
00:29:55Oh, my God!
00:30:01Oh!
00:30:20Oh!
00:30:22Oh!
00:30:29Oh!
00:30:45Oh!
00:30:52Oh!
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00:32:32No!
00:32:42I called Lisbon.
00:32:43Virginia didn't return home last night.
00:32:45Well, where could she have gone?
00:32:47Would you like something, senor?
00:32:48No, thank you.
00:32:49Just the check, please.
00:32:51What's the village near here towards Lisbon?
00:32:53No village, sir.
00:32:55There's the mountains.
00:32:56And after the River Guadiana,
00:32:58there's the frontier of Spain.
00:33:00But what about the one I saw from the train?
00:33:03You must need Arsano.
00:33:04Ah, but it's been deserted for over a hundred years.
00:33:07But maybe our friend stayed the night there.
00:33:09Ah!
00:33:11Oh, sorry.
00:33:13I wouldn't ask about it if I were you, senor.
00:33:16And just why not ask about it?
00:33:18Nothing, senor.
00:33:19We're not allowed to talk of such...
00:33:20Speak up.
00:33:21The management of this hotel
00:33:22doesn't want anyone to know of our local superstitions.
00:33:25It's not good for tourists.
00:33:26I'm sorry.
00:33:27I can't talk about it anymore.
00:33:29But you must.
00:33:30No, please.
00:33:31I don't want to lose my job.
00:33:35Excuse me.
00:33:38Is there anything wrong, senor?
00:33:40Have you any complaints about the service?
00:33:42No, not at all.
00:33:43Could I rent a horse here?
00:33:44Of course, senor.
00:33:45We have excellent hunters.
00:33:48It doesn't matter.
00:33:49Just one for the country.
00:33:51Muy bien.
00:33:52You'll find the country very beautiful.
00:33:54I'd like a horse, too.
00:33:55Betty, no.
00:33:56I feel I should go.
00:33:57There's no telling what we might find at Bersano.
00:33:59I'm as curious as you.
00:34:02Do you want to go to Bersano, senor?
00:34:04Yes, and superstition be damned.
00:34:06Hey!
00:34:18There's that girl.
00:34:19Should we try to help her?
00:34:20We're not stopping yet.
00:34:21We'll call the police at the next stop.
00:34:36This is the place we saw from the train.
00:34:38Yes.
00:34:39This is the place we saw from the train.
00:34:41Yes.
00:35:09Let's go.
00:35:39Let's go.
00:36:09How are we going to get back from here?
00:36:11The best way is the train.
00:36:13Yes, but they'll stop.
00:36:14Don't be worried about that now.
00:36:16Roger, what do you think frightened the horses?
00:36:20Could have been a snake or something.
00:36:24Look, these tombs have strange crosses.
00:36:27Never seen anything like it.
00:36:31What do you think of it?
00:36:33I don't know.
00:36:34It's very strange.
00:36:35Betty, there's one with writing on it.
00:36:39Oh, it's an archaic script of some sort.
00:36:42If my Latin doesn't fail me...
00:36:44Oh, these are the tombs of the Templars,
00:36:47an ancient order that worshipped the devil in the year 1250 A.D.
00:36:50Let's go.
00:36:51This place is giving me the creeps,
00:36:53and I certainly don't want to spend the night here.
00:36:55We still have time, and we must look for Virginia.
00:37:05Virginia!
00:37:24Virginia!
00:37:35Betty, look here.
00:37:46Virginia's sleeping bag.
00:37:48Virginia?
00:38:05That's her shoe.
00:38:08It's all very strange.
00:38:12Virginia!
00:38:14Virginia!
00:38:15Are you here?
00:38:18Virginia, is that you?
00:38:26Virginia!
00:38:28Virginia!
00:38:30Virginia!
00:38:32Virginia!
00:38:33What are you doing here?
00:38:37A friend of ours spent the night out here, you see,
00:38:39and we're looking for her.
00:38:41Is this friend of yours Virginia White?
00:38:43Yes.
00:38:44And you may I ask...
00:38:45Police.
00:38:46Officer Martin, Inspector Oliveira.
00:38:48What's wrong?
00:38:49Where's Virginia?
00:38:51How did you get out here?
00:38:53We rented a couple of horses from our hotel.
00:38:56They both ran away.
00:38:58Then you must be Elizabeth Turner.
00:39:01And Roger Whelan.
00:39:03Yeah, that's correct.
00:39:04And you spent the night at the Hotel Flores
00:39:06and left this morning at 11.
00:39:08What's that to do with our friend?
00:39:10Our police station is not what you'd call very modern,
00:39:13but you see, we do have a telephone.
00:39:15Please tell us what happened to Virginia.
00:39:20Your friend has been murdered.
00:39:23No!
00:39:24It's my fault!
00:39:26Betty, it's not your fault.
00:39:29Nobody could foresee what happened.
00:39:31We'll need you for the identification.
00:39:36Would you please come in?
00:39:39I'm afraid you'll find...
00:39:42it's not a very pleasant sight.
00:39:59Please uncover her.
00:40:10Ah!
00:40:14It's not this one.
00:40:16The young girl we brought in this morning.
00:40:19Yes, Doctor.
00:40:29Betty!
00:40:54Here, drink this.
00:40:59Who could have done that?
00:41:01That's difficult to say.
00:41:02What about the autopsy?
00:41:04I haven't performed the autopsy,
00:41:06but I can see this particular case is strange.
00:41:09It appears that some kind of animals attacked her.
00:41:12As though she was tortured.
00:41:14Technically speaking, there were no signs of internal damage.
00:41:17How did she die, Doctor?
00:41:19She bled to death.
00:41:20Was she molested?
00:41:21Oh, no, Inspector.
00:41:23It was not a crime of passion, I can assure you.
00:41:26It surely looked like the work of a sadist.
00:41:28Quite a few sadists.
00:41:30Judging from the different sets of teeth marks,
00:41:33at least a dozen combinations.
00:41:37I know it will sound crazy,
00:41:40but I think she was the victim of a death ritual.
00:41:43Impossible.
00:41:45Black masses are a thing of the past, Doctor.
00:41:48Blood rituals.
00:41:49I want to look into this myself.
00:41:58Yes?
00:41:59Is Miss Turner in?
00:42:00This way, she's expecting you.
00:42:08Strange lighting in here.
00:42:10It's from the skylight.
00:42:12They're placing a neon sign on the roof.
00:42:14It must be annoying.
00:42:16It doesn't bother us in the workroom.
00:42:19I don't think so.
00:42:21I don't think so.
00:42:23I don't think so.
00:42:25I don't think so.
00:42:27I don't think so.
00:42:33Hello, Betty.
00:42:34Hello, Roger.
00:42:35What a place you've got.
00:42:36You're too close to the morgue.
00:42:38You wanted to see me?
00:42:39My assistant Nina was born in a village
00:42:4113 kilometers from Bursano.
00:42:45Can you tell us anything about that strange place?
00:42:49I left there when I was young.
00:42:51You must have heard of things when you were a child.
00:42:53It could be important.
00:42:55I don't know a thing.
00:42:56Really, nothing.
00:42:57You've got to tell Roger.
00:42:58Now explain to him the superstition.
00:43:07There was this old legend
00:43:09that they used to tell the children
00:43:11when we were bad.
00:43:12It was silly, I guess.
00:43:14But it still made us frightened.
00:43:16What was this legend?
00:43:18It was haunted by the Templars.
00:43:20Bursano, that is.
00:43:21And they were ghosts.
00:43:22I remember
00:43:23that the Templars were excommunicated
00:43:25because of their changing
00:43:27to worship the devil.
00:43:28What has that got to do with Virginia's murder?
00:43:31There's been many strange deaths.
00:43:33They found many bodies there.
00:43:35How long ago?
00:43:36Tell us.
00:43:37That's enough.
00:43:38I don't want to talk any more about it.
00:43:53What are you doing?
00:43:55Aren't you finished with her yet?
00:43:57The dog took extra time on this one.
00:43:59Anything interesting?
00:44:01Nothing but the teeth marks.
00:44:04I wonder who could have done it.
00:44:06If you want my opinion.
00:44:08Yeah.
00:44:09The muchachos.
00:44:11They showed too much today.
00:44:12That was her problem.
00:44:13Yes.
00:44:19I don't know.
00:44:21I don't know.
00:44:51I don't know.
00:45:13What are you doing?
00:45:14What's the matter?
00:45:15You're not scared, are you?
00:45:17My sweetheart?
00:45:19Come on.
00:45:20Come, little one, sing for me, hmm.
00:45:37And you two, did you think I forgot you, hmm?
00:45:41Now you're not sleeping, are you?
00:45:50Come, little one, sing for me, hmm.
00:46:21Come, little one, sing for me, hmm.
00:46:24I don't know what you're talking about.
00:46:26I'm not talking about you.
00:46:28I'm talking about you.
00:46:30I'm not talking about you.
00:46:32I'm not talking about you.
00:46:34I'm not talking about you.
00:46:36I'm not talking about you.
00:46:38I'm not talking about you.
00:46:40I'm not talking about you.
00:46:42I'm not talking about you.
00:46:44I'm not talking about you.
00:46:46I'm not talking about you.
00:46:48I'm not talking about you.
00:46:50I'm not talking about you.
00:46:52I'm not talking about you.
00:46:54I'm not talking about you.
00:46:56I'm not talking about you.
00:46:58I'm not talking about you.
00:47:00I'm not talking about you.
00:47:02I'm not talking about you.
00:47:04I'm not talking about you.
00:47:06I'm not talking about you.
00:47:08I'm not talking about you.
00:47:10I'm not talking about you.
00:47:12I'm not talking about you.
00:47:14I'm not talking about you.
00:47:16I'm not talking about you.
00:47:18I'm not talking about you.
00:47:20I'm not talking about you.
00:47:22I'm not talking about you.
00:47:24I'm not talking about you.
00:47:26I'm not talking about you.
00:47:28I'm not talking about you.
00:47:30I'm not talking about you.
00:47:32I'm not talking about you.
00:47:34I'm not talking about you.
00:47:36I'm not talking about you.
00:47:38I'm not talking about you.
00:47:40I'm not talking about you.
00:47:42I'm not talking about you.
00:47:44I'm not talking about you.
00:47:46I'm not talking about you.
00:47:48I'm not talking about you.
00:47:56Over here.
00:48:02Professor Cantel?
00:48:04Professor?
00:48:06Yes.
00:48:08Yes.
00:48:10What do you want?
00:48:12The library is already closed.
00:48:14Don't you know that?
00:48:16That's the trouble with the world.
00:48:17Excuse us, Professor. There's been a murder. A friend of ours...
00:48:20Then what do you want of me? You should go to the police.
00:48:23You're an authority on the Middle Ages, Professor.
00:48:25I'd like to know about the Templars and their ritual secrets.
00:48:29You say the Templars?
00:48:30Our friend was murdered at Berzano.
00:48:32Huh? At Berzano? That's where the Templars' cemetery is.
00:48:37This is magnificent.
00:48:38He's mad.
00:48:39Can you tell us about it, then?
00:48:43Yes, I can.
00:48:47Here it is.
00:48:48In the 12th century, the Templars fought in the Crusades.
00:48:51They brought back great treasures from the East with them.
00:48:54Oh, yes, and they also came back worshipping black magic.
00:48:58The Templars took over by force,
00:49:00and their blood rituals sacrificed every virgin girl in the village.
00:49:04They continued to ravage the countryside
00:49:06until the King of Spain conquered them
00:49:08and brought them to trial.
00:49:10The Templars were killed.
00:49:12They continued to ravage the countryside
00:49:14until the King of Spain conquered them and brought them to trial.
00:49:17They were hung and left for all to witness that witchcraft was forbidden.
00:49:21The crows ate the eyes out of the cadavers.
00:49:25But can that be true?
00:49:27Absolutely.
00:49:29The archives here date back a thousand years.
00:49:32What are you trying to say?
00:49:34Are you suggesting that some new sect is practicing the old rituals?
00:49:38No, I wouldn't say that.
00:49:39What then?
00:49:40They're the old Templars that have come back to life.
00:49:43What kind of nonsense is that?
00:49:45Nonsense? Are you sure?
00:49:47Has science answered all the unknown questions of the world?
00:49:50The Templars from the East brought many secrets,
00:49:52and among them, they solved death in its mystery.
00:49:55But that's impossible.
00:49:57And now they've returned again from their tombs.
00:49:59They're the blind dead.
00:50:01But that will be no handicap,
00:50:03as they still can hear their victims
00:50:05and will continue with terror and murder.
00:50:07That's very interesting.
00:50:10Huh?
00:50:12Who's there?
00:50:15Professor, your story is very intriguing.
00:50:19More like a fairy tale, I would say.
00:50:22Believe what you want to, but excuse me.
00:50:25I'm a busy man.
00:50:27Wait a moment.
00:50:29You have a son by the name of Pedro, right?
00:50:33Yes.
00:50:35That's right.
00:50:37Why do you ask?
00:50:39Where is Pedro now?
00:50:43I don't know.
00:50:45He left our house two years ago.
00:50:48I haven't heard from him since.
00:50:51I can tell you, Professor.
00:50:53He lives in a village
00:50:55on the River Guadiana,
00:50:58near the frontier of Spain.
00:51:00He's now the boss of a gang that deals in contraband.
00:51:03His life is out of my control now.
00:51:06Why do you bring this up, Inspector?
00:51:08That village is seven kilometers from Peresano.
00:51:11What significance is that?
00:51:13That these criminals use superstitious legends for their advantage.
00:51:17Could they have murdered Virginia?
00:51:19My son is perhaps a smuggler, but not a killer.
00:51:24Why are you telling us this, Inspector?
00:51:26The attendant at the morgue was murdered,
00:51:28and the body of Virginia White is missing.
00:51:30Another murder.
00:51:32Inspector, I'm going to see Pedro and ask a few questions.
00:52:09Hello?
00:52:10Nina, this is Betty.
00:52:12Look, don't wait for me.
00:52:14I won't be back until after tomorrow.
00:52:16I want you to do something for me while I'm gone.
00:52:19Take a note.
00:52:25I've got a pencil.
00:52:27Consalvo Store, Rua Senal 17.
00:52:31Rua Senal.
00:52:35I've got it.
00:52:37I've got it.
00:52:40One blonde and one brunette.
00:52:43And they will pick them up?
00:52:46I understand.
00:52:51I'll take care of it right away.
00:52:53Bye, Nina. Adios.
00:53:07Adios.
00:53:37Adios.
00:54:07Adios.
00:54:37Adios.
00:55:07Hello?
00:55:29Hello? Hello? Hello?
00:55:32Oh, my God.
00:55:34Hello?
00:55:35Help me. Help.
00:56:06Mom! Mom!
00:56:09Mom!
00:56:11Mom!
00:56:13Mom!
00:56:17Mom!
00:56:19Mom!
00:56:21Mom!
00:56:23Mom!
00:56:25Mom!
00:56:27Mom!
00:56:29Mom!
00:56:31Mom!
00:56:33Mom!
00:57:03Mom!
00:57:11As far as I go.
00:57:13All right. I'll walk to the village from here.
00:57:15Careful. They are dangerous.
00:57:17Do you want me to go with you?
00:57:19You stay here. If I'm not back in half an hour, you'll go and see the police.
00:57:22Okay.
00:57:28I'll wait half an hour. After that, we'll look elsewhere.
00:57:33I'd like to talk to Pedro Cantal.
00:57:56He's not here.
00:57:57I'll go get him.
00:58:16Pedro! Your jealousy touches me.
00:58:27What's the problem?
00:58:29A stranger's here asking for you.
00:58:34I'll be right there.
00:58:58Are you Pedro?
00:59:05Police.
00:59:07No, an architect.
00:59:11It's okay, boys.
00:59:18I would like some information about Berzano.
00:59:20Why come to me? I know nothing. I know nothing at all.
00:59:23Did you hear what happened there?
00:59:25I'm not curious.
00:59:26No? Well, a friend of mine was brutally murdered there.
00:59:29Why tell me?
00:59:30The police suspects your group.
00:59:31But why?
00:59:32To keep people away.
00:59:34I see.
00:59:36We've been working around this area for years.
00:59:38We're small-time operator smuggling, but murder?
00:59:41Our business is contraband.
00:59:45Do you believe we kill anyone?
00:59:47No.
00:59:48I smell trouble.
00:59:49Stay out of this.
00:59:50How can I help you?
00:59:51Help me and you help yourself.
00:59:53Okay, with me, how?
00:59:54Accompany me to the old village of Berzano.
00:59:56Then what?
00:59:57Then tonight we may solve the mystery.
01:00:11What's going on?
01:00:12Nothing.
01:00:14Do you have a gun?
01:00:16Yes.
01:00:17Here.
01:00:20That's okay for the ladies. Take this.
01:00:24And for you?
01:00:26This is all I need.
01:00:32You look like you need a drink.
01:00:34Here.
01:00:37Very gallant.
01:00:39We'll need some later, and you drink too much.
01:00:42I didn't even have a drop.
01:00:45I'm going out.
01:00:46You want me to go with you?
01:00:47You think I need an escort?
01:00:48We should be together, just in case something happens.
01:00:51What's going to happen?
01:00:53I don't believe in superstition.
01:00:55You're stupid.
01:00:56The whole thing is stupid.
01:00:58Listen to that.
01:01:00You sound like you're getting scared, Pedro.
01:01:03Do you want to take a walk?
01:01:05Are you kidding?
01:01:06She's not your type.
01:01:08It would be a pleasure.
01:01:14Thank you, Chiquita.
01:01:20There goes your nice señorita.
01:01:22Pedro likes her.
01:01:23You're not worried, are you?
01:01:26I don't see that you should worry about that.
01:01:29Betty's your girl, right?
01:01:32She's not my girl.
01:01:34In that case, she'll soon be Pedro's.
01:01:37You don't know Betty.
01:01:39And you don't know Pedro.
01:02:00You're not cold, are you?
01:02:01Not really.
01:02:02It's just this place.
01:02:03Are you in love with him?
01:02:05Who?
01:02:06Handsome in there.
01:02:08He's just a friend and nothing more.
01:02:11That makes it more interesting, Chiquita.
01:02:25Not bad.
01:02:27Not too bad.
01:02:28Pretty boys normally don't excite me.
01:02:30Let's go for a walk.
01:02:32So you don't trust them after all?
01:02:35I'm concerned about something else.
01:02:37Okay, let's go for that walk.
01:02:39I guess you won't be satisfied until you see for yourself.
01:02:43It's better if I have this one.
01:02:47I hope I don't have to use it.
01:03:18Are you afraid of me?
01:03:32I don't think you understand.
01:03:48Why not?
01:03:51You see, Pedro, I have no feelings for any man.
01:03:57You're in love?
01:04:01I had a bad experience when I was a child.
01:04:05Change all that.
01:04:07Hey, wait.
01:04:08Handsome, are we going to have to walk all night
01:04:10just because you're unhappy about your girlfriend?
01:04:12I told you she's just a friend.
01:04:14You sure you like girls?
01:04:16Cigarette?
01:04:18You're a gentleman, all right.
01:04:19But I like them more aggressive.
01:04:35This is Virginia's.
01:04:36Who? The girl that was murdered?
01:04:38Yeah.
01:04:39I wonder why it's here.
01:04:40I once had a man who liked to drink champagne from my shoe.
01:04:43It was the only thing that excited him.
01:04:46Really?
01:04:47What's the matter?
01:04:48Don't you have a sense of humor?
01:05:48Where are you?
01:05:50Come on.
01:05:55I'm not afraid of you.
01:05:57You hear me?
01:06:16Come on.
01:06:46Come on.
01:07:06Where's Pedro?
01:07:23I don't know.
01:07:24I left him in the cemetery when I heard those bells.
01:07:26All right, you two.
01:07:27Get in the room back there and bolt the door.
01:07:29And don't open for anyone.
01:07:30All right.
01:07:59All right.
01:08:14All right.
01:08:34All right.
01:08:54All right.
01:09:14All right.
01:09:39So you and Pedro had a little walk.
01:09:41Is that all the exercise you made?
01:10:05Who is it?
01:10:06Open the door.
01:10:07It's me, Roger.
01:10:08Open it.
01:10:09Where's Pedro?
01:10:10The Templars have killed him.
01:10:12I don't believe you.
01:10:13Don't open the door.
01:10:14But he's in danger.
01:10:15And what about Pedro?
01:10:16We only open it when he comes back.
01:10:18Leave me alone, will you?
01:10:20Ow!
01:10:21Ow!
01:10:22If you open the door, I kill you.
01:10:24What's happening?
01:10:27Ow!
01:10:48Open the door!
01:10:49Open it!
01:10:50Open it!
01:10:53They're coming!
01:11:05Open it, for God's sakes!
01:11:08No!
01:11:09No!
01:11:10No!
01:11:11No!
01:11:12No!
01:11:13No!
01:11:14No!
01:11:15No!
01:11:16No!
01:11:17No!
01:11:18No!
01:11:19No!
01:11:20No!
01:11:21No!
01:11:22No!
01:11:23No!
01:11:24No!
01:11:25No!
01:11:26No!
01:11:27No!
01:11:28No!
01:11:29No!
01:11:30No!
01:11:31No!
01:11:32No!
01:11:33No!
01:11:34No!
01:11:35No!
01:11:37No!
01:11:51Ow!
01:11:54You pig!
01:12:06Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:12:36no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:13:06if you don't speak, you'll be safe
01:13:10oh, no
01:13:36oh
01:14:06oh
01:14:32oh
01:14:36oh
01:14:48oh
01:14:56uh
01:15:07oh
01:15:16oh
01:15:27oh
01:15:37oh
01:15:50so
01:16:07oh
01:16:15oh
01:16:37oh
01:16:51please wait
01:17:06ha look over there
01:17:37oh
01:17:42wait
01:17:44help me please help me
01:17:48help me for god's sake
01:17:52come back
01:17:54what happened
01:18:06hold on
01:18:14don't you
01:18:16oh no
01:18:18hold on
01:18:20quickly
01:18:26hurry
01:18:31hurry up
01:18:34come on
01:18:36come on
01:18:38hang on
01:18:40come
01:18:42get her
01:18:49oh come on
01:18:57there
01:18:59huh
01:19:02no
01:19:04no
01:19:07ah
01:19:11no
01:19:18ah
01:19:22ah
01:19:25ah
01:19:30ah
01:19:33ah
01:19:36ah
01:19:39ah
01:19:42ah
01:19:45ah
01:19:48ah
01:19:51ah
01:19:53ah
01:19:56ah
01:19:59ah
01:20:02no
01:20:04ah
01:20:23ah
01:20:26ah
01:20:29ah
01:20:32ah
01:20:35ah
01:20:38ah
01:20:41ah
01:20:44ah
01:20:47ah
01:20:50ah
01:20:55ah
01:20:58ah
01:21:01ah
01:21:04ah
01:21:07ah
01:21:10ah
01:21:13ah
01:21:16ah
01:21:19ah
01:21:32senora what are you doing
01:21:42senora
01:21:49senora
01:21:55what happened
01:21:58you better come inside
01:22:00come on
01:22:15ah
01:22:17ah
01:22:20ah
01:22:47ah