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00:05:59Why do you learn Greek?
00:06:02What do you mean why?
00:06:04To be able to read the signs under the erotic scenes faithfully from you Greeks.
00:06:10You're so stupid.
00:06:13My professor always repeats that Greek is very necessary,
00:06:17because thanks to it he has a certain job.
00:06:21Of course, until the German dominates Europe.
00:06:25Do you think this is a good time to get married?
00:06:29Everyone is great with you.
00:06:31Everyone is great with you.
00:06:33♪ MUSIC ♪
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00:08:12Eh, what's up with the rest?
00:08:17You didn't have to.
00:08:20♪ MUSIC ♪
00:08:45It was such a moving story that Mr. Inspector left us.
00:08:51I completely understand that a high-ranking police officer
00:08:56shouldn't make a move in a public place.
00:09:00We can also take another version of events.
00:09:04A cabaret is faster than the police.
00:09:08And every number from the Warsaw Police Department
00:09:11is treated as a report of a crime.
00:09:14So Mr. Inspector went to explain the circumstances
00:09:18of the descent of the Black Seagull.
00:09:21Yes.
00:09:23Politics constantly provides us with attractive heroes
00:09:27and funny texts.
00:09:29And the representatives of the government
00:09:32probably come here for author's tantrums.
00:09:35Welcome, Mr. Minister, along with your wife.
00:09:39Unfortunately, what's going to happen now
00:09:42won't be yours, Mr. Minister.
00:09:45For sure.
00:09:47Firstly, too good.
00:09:50Secondly, funny.
00:09:54Thirdly, intelligent.
00:09:57LAUGHTER
00:09:59DOORBELL RINGS
00:10:06Hush!
00:10:10Please don't shout.
00:10:12I'll let you go, but promise me you'll behave yourself.
00:10:17I have to get changed. I don't have much time.
00:10:22You're not a messenger from the flower shop.
00:10:25I'm not.
00:10:27In any case, I have to warn you.
00:10:30It's not true that I'm in real jewellery.
00:10:33Such carelessness would be madness.
00:10:36You sing the Black Seagull beautifully.
00:10:39You came for the autograph.
00:10:41You're even a bit like the original.
00:10:44You make a lot of money.
00:10:46Who are you?
00:10:48For you?
00:10:50A chorus of a few famous pieces.
00:10:53But that's the fashion, I understand.
00:10:55Intelligentsia prefers to hear about Stach than to meet him.
00:11:03I'm counting on your discretion.
00:11:12Thank you for the flowers.
00:11:14You're wonderful, wonderful, extraordinary.
00:11:17I'm sorry, we won't be able to meet today.
00:11:20The Prime Minister has called for an extraordinary meeting.
00:11:22I have something for you.
00:11:27For luck.
00:11:30I sent you the diamond.
00:11:32I wanted to give it to you in our account, but I had to.
00:11:39I'm sorry.
00:11:41I can't stay until the end of the show.
00:11:43You'll sing to me later.
00:11:45But only for me.
00:11:53You can go.
00:11:55One minute to the stage.
00:11:57I'm sorry.
00:11:59That wasn't an elegant gesture towards a lady.
00:12:02I wouldn't give it to you.
00:12:06Not to make you a minister.
00:12:08But if it was someone of a lower rank, who knows?
00:12:13By the way, is your accountant a waiter?
00:12:16I don't understand.
00:12:18Oh, a waiter.
00:12:20Great.
00:12:22I'll ask for your address and keys.
00:12:24I'll lend you the diamond for a day or two.
00:12:26It's not mine.
00:12:28But it's definitely taken.
00:12:30You know, mobilization.
00:12:32It's full from my side.
00:12:34I promise everything will be in order.
00:12:38Unless the house goes up in flames.
00:12:40It's not a good time for such a deputy.
00:12:42And for deputy ministers it is?
00:12:44That's my business.
00:12:47I'm sorry.
00:12:52Thank you.
00:13:03Performing after such artists is a risk.
00:13:07Anyway, everything is a risk today.
00:13:10A man wakes up,
00:13:12doesn't know if it's necessary,
00:13:14enters the day,
00:13:16knows that it's a failure,
00:13:18meets a woman and knows that he knows nothing.
00:13:22That's why ignorance is justified in this situation.
00:13:26Because a woman is an eternal mystery.
00:13:29And an eternal mystery is not the one with no answer at all,
00:13:33but the one with a different answer every day.
00:13:39What is there to look for?
00:13:41A moment ago I was a lady,
00:13:43and in a moment I'll be an angel.
00:13:46Those of you who think that such a transformation
00:13:49is possible only in cabaret,
00:13:52are happy people,
00:13:54whose lives were spared.
00:13:57I don't save money because we don't eat pork.
00:14:01So I don't even have a piggy bank.
00:14:04Well, I'm leaving
00:14:06with my favorite question to the speaker.
00:14:08Have a nice reception!
00:14:23Hot blood flows in my veins
00:14:28I'm lovely and a little sad
00:14:32I like boys and I like singing
00:14:37I am Andzia,
00:14:41known from the basement
00:14:45Hot blood flows in my veins
00:14:49I'm lovely and a little sad
00:14:54I like boys and I like singing
00:14:59I'll tell you, Andzia, you've got class.
00:15:02But one day they'll throw her out of school for being a whore.
00:15:05No one asks for a certificate at the prison.
00:15:07What do you mean, no one?
00:15:09I got three of them yesterday.
00:15:11High school students.
00:15:13And one of them says to me,
00:15:15in general, grades are not the most important thing.
00:15:16But he wants to have the best grades in high school.
00:15:19Do people have problems with that?
00:15:21If he wanted to get rid of his wife,
00:15:23he should have sent her to us.
00:15:25We would have poisoned her with mummy's piss.
00:15:27Daddy, don't you like mummy?
00:15:30And who was making a bigos yesterday?
00:15:32A bigos and something else.
00:15:34Because I like a week's review.
00:15:36But such a pasty is a waste.
00:15:39I heard mummy telling the masseur
00:15:41to use a ladle,
00:15:43because they'll go with bags.
00:15:44Well, the boy admitted
00:15:46that he's been adding horses for a long time.
00:15:48But fair and square,
00:15:50one hare, one horse.
00:16:14I like boys
00:16:16and I like singing.
00:16:19Why are you so weird?
00:16:21She's definitely not yours.
00:16:23Ania, give him a piece of paper.
00:16:25He thinks that if he gives you
00:16:27a bike in Krakow,
00:16:29he'll get a subscription.
00:16:31You should have given him a lady,
00:16:33not just any lady.
00:16:35Give him a break.
00:16:37If he doesn't give me back what he turned me into.
00:16:39What are you talking about?
00:16:41About Willy Hageneyer,
00:16:42a gynecologist
00:16:44from the trade.
00:16:48The divisions were even.
00:16:50Shit, not even.
00:16:52He took the whole pharmacy.
00:16:54Did you get the money?
00:16:56The money, yes.
00:16:58The paintings and other shit too.
00:17:00But I'm talking about the medicine.
00:17:02Give him a break.
00:17:04I also want to have a bit of stupid Jasia
00:17:06to put down stubborn ladies
00:17:08and morphine for my cousin from Komorowo.
00:17:09If you don't give me the money,
00:17:11you can go to hell.
00:17:13But no.
00:17:15You can make a lot of money with that.
00:17:17People stand in queues to night pharmacies.
00:17:20They buy tampons
00:17:22instead of gas masks.
00:17:24And because they're afraid of the cops,
00:17:26they give them money.
00:17:28Son of a bitch.
00:17:30Get the fuck out of here.
00:17:33Stasiek got away.
00:17:35Stasiek got away from the crime.
00:17:36Stasiek got away from the crime.
00:17:38Where are you from?
00:17:40From Slepoje.
00:17:42When?
00:17:44Today.
00:18:06I'll come back
00:18:08When I see you again
00:18:11Come back to me
00:18:13Come back
00:18:15Even if you're unhappy
00:18:19God forbid
00:18:23I'll always be nice to you
00:18:27I'll come to you
00:18:30Stasiek
00:18:32I loved you
00:18:36I gave you my heart
00:18:41Come back to me
00:18:43Come back
00:19:07What are you doing here?
00:19:13I'm going to pee.
00:19:15They took a bath.
00:19:21Are you going to drink something?
00:19:23I didn't expect you to stay here.
00:19:26And who?
00:19:29I'm not going to drink anything.
00:19:31I'm going to pee.
00:19:33I'm not going to drink anything.
00:19:34I'm going to pee.
00:19:38My husband...
00:19:41It's uncomfortable for me to talk about it.
00:19:44Are you alone here?
00:19:46Not for a while.
00:19:48With you.
00:19:52You mentioned your husband.
00:19:54Is that his waiter?
00:19:56How do you know?
00:19:58I don't know, I guess.
00:20:00He probably meets some artist here.
00:20:02My husband...
00:20:04He's a secretary of state.
00:20:06He works abroad.
00:20:08Well...
00:20:11Each of us crosses the border every day.
00:20:15You're unlucky.
00:20:17Your husband won't be here today.
00:20:19Or her.
00:20:21But please come at a different time.
00:20:32Do you want me to pour you a drink?
00:20:41He's a bit surprised.
00:20:44You're an incredibly attractive woman.
00:20:48But after all, you're just a minister.
00:20:51Even if you're better at making mistakes than an ordinary mortal.
00:20:54An ordinary mortal.
00:21:00It's the first time I've heard something like that.
00:21:03That you're attractive?
00:21:05That's impossible.
00:21:07No, that you're just a minister.
00:21:10Up until now, people have called you...
00:21:19Is that his dress?
00:21:22It's ours.
00:21:24I don't know what it looks like.
00:21:27But I warn you, there's nothing under it.
00:21:32It's not night.
00:21:54You're a poor girl
00:21:58In a sick room
00:22:02You're sitting alone by the window
00:22:06And you're crying
00:22:10And the reason is known
00:22:12Some worthless boy
00:22:14At first he had, then he threw
00:22:16Before that he loved, now he doesn't
00:22:18And you still love him
00:22:20Well, let's say
00:22:21And every day you see him in your dreams
00:22:26But what is a sick room
00:22:31And your sadness, and the boy, and you
00:22:35A billion flowers in a whirlpool
00:22:39In a milky road, fog and mist
00:22:44Then the earth is the land and the sea
00:22:48And on the ground, in the middle of the land
00:22:51Countries and cities
00:22:54A tiny patch of Warsaw and Chorz
00:22:58What does it mean, among the worlds and cities
00:23:05Maybe she really loves him.
00:23:07My husband, that weirdo?
00:23:09Yes.
00:23:11I wouldn't be so radical in judging this woman.
00:23:13A great artist.
00:23:16Does that mean she deserves to be applauded for everything?
00:23:18Maybe.
00:23:20I don't know.
00:23:24But if he fell in love with her,
00:23:26it means he doesn't leave her.
00:23:28Family is important to him.
00:23:30Yes.
00:23:32Very important.
00:23:35I wouldn't leave either,
00:23:37knowing the value of my position.
00:23:40But...
00:23:42Maybe he really is a good man.
00:23:43He's a good man.
00:23:47He feeds all the local whores.
00:23:52A woman shouldn't speak so rudely.
00:23:54Even about herself.
00:24:00I have a bad feeling.
00:24:02No, he won't leave you.
00:24:04I'm not that stupid.
00:24:06Although I'm a minister.
00:24:08I'm afraid of war.
00:24:10Everyone is afraid.
00:24:13I admit it.
00:24:19It's a time when it doesn't matter how many people you have.
00:24:22What matters is who you are.
00:24:24Really.
00:24:26So what I have doesn't matter anymore?
00:24:30For me, it's the most important thing.
00:24:33You have a beautiful face.
00:24:38They're coming.
00:24:40You said they wouldn't be here today.
00:24:42Boss, everyone is looking for you.
00:24:44The inspector is making a fuss.
00:24:46No one's coming.
00:24:48They're just blind.
00:24:50Blind?
00:24:52Just a nickname.
00:24:54Excuse me.
00:25:01What is it?
00:25:03The guys stole all the money.
00:25:05Who?
00:25:07Everyone.
00:25:08I'm staying at Dzikia's.
00:25:11What kind of house?
00:25:13A nice one.
00:25:15There was supposed to be a pub on the ground floor,
00:25:17a pub downstairs,
00:25:19and a living room upstairs.
00:25:21At the brothel?
00:25:23Yes, at the brothel.
00:25:25That's nice.
00:25:27When I explained to them that they only have control over their own money,
00:25:29they laughed at me.
00:25:31And now?
00:25:33Yes, but the house has burned down.
00:25:35What do you mean?
00:25:36That's it.
00:25:38Someone probably set it on fire.
00:25:40Take the money from the insurance.
00:25:42But the guys didn't have time to insure it.
00:25:49Houses don't burn down just like that.
00:25:52It wasn't them who stole the money.
00:25:54It was someone at their concert.
00:25:56Someone snitched.
00:26:06I'm sitting alone,
00:26:08lonely,
00:26:10and I'm looking into the night.
00:26:14And apparently there's a third one,
00:26:19who lives on the ground floor,
00:26:23the fourth,
00:26:25the fifth,
00:26:27the thousandth.
00:26:29Oh, power.
00:26:31In every city,
00:26:33in Paris,
00:26:34in Copenhagen,
00:26:36in London,
00:26:38even in Tokyo,
00:26:40in Kalisz,
00:26:42in Yokohama,
00:26:44a poor girl's heart is pounding with love,
00:26:46so it has to be like that when she's sick.
00:26:49They bought the house from Hochgelender.
00:26:53So it wasn't him.
00:26:55David Hochgelender
00:26:57wouldn't dare to mess with us,
00:26:59he's not a fool.
00:27:01He's a fool.
00:27:02My dad raised the price.
00:27:04His shops, his goods, his prices.
00:27:06But not after the mobilization.
00:27:08The government doesn't want people
00:27:10to buy everything from panic
00:27:12and earn from it.
00:27:14They considered him a conman
00:27:16and sent him to Brest
00:27:18with Mendeleev,
00:27:20Ciechomsky and Brandt.
00:27:22An example.
00:27:24But because of his virtue,
00:27:26tell the guys to join the anti-terrorist digging.
00:27:29Yesterday,
00:27:30Not a bad place.
00:27:31Even more so.
00:27:32If you don't vote, you'll have to deal with me.
00:27:35The guys are afraid of you.
00:27:38It's beautiful, blind.
00:27:41They've located their future in a brothel, hope in cards and love in a pub.
00:27:45Let someone tell me that there are no romantics in Czerniakow and Targówka.
00:27:49They can be romantics...
00:27:53...if they let themselves be smoked.
00:27:55The earth and the sea are huge
00:28:00The world is somewhere in size and shape
00:28:04And the fear of the rooms, of the sick
00:28:08The heart and tears are even smaller
00:28:13But you will understand one thing, oh God
00:28:17In the majesty of your starry robes
00:28:22That it's more important in the heart of the sick
00:28:27Than these stars in your face and in your dreams
00:28:36Time to collect some money.
00:28:38When?
00:28:39Yesterday.
00:28:40Stasiek will come to his atelier, what will you tell him?
00:28:43How much do you need?
00:28:44You, Wanda, will never have so much, even if you draw.
00:28:47What would you do with this fortune?
00:28:49A slight accident and that's it.
00:28:51We bought a tenement house on a wild one.
00:28:53From a Jew?
00:28:54No, from a Swede.
00:28:55From someone.
00:28:57It was good for a pub.
00:28:59Morda could even keep his pigeons on the roof there.
00:29:01How can you buy a house when the war is hanging in the air?
00:29:04That's what Hania's occasion was about.
00:29:06The price dropped and that's it.
00:29:07You didn't tell me.
00:29:09There was nothing to talk about.
00:29:10They signed for two days, everything was going well.
00:29:13The car was stolen, bought.
00:29:15Hania, we don't have any other aunts.
00:29:19Did Stasiek know?
00:29:20He didn't know anything.
00:29:21It was supposed to be a surprise.
00:29:24Stasiek will surprise you.
00:29:49If only there was something to drink
00:29:52When it's Christmas Eve, you need to dance, you need to live
00:29:58Harmony, silence, three quarters of a glass
00:30:04Hania, dance, Hania, dance
00:30:10With respect, because it can end badly
00:30:16Harmony, silence, three quarters of a glass
00:30:22He took a shit in front of everyone.
00:30:24He didn't let anyone sleep.
00:30:25And now what are you going to tell him?
00:30:28The same as when Mr. Buda was poured out for smuggling dollars.
00:30:32That we can always count on him.
00:30:34He will come here to count in force, not on you.
00:30:37And you didn't get anything from that Hagmeier?
00:30:39Morda, this gynecologist is a sensitive topic.
00:30:41How sensitive? He's cheerful.
00:30:44His mother was very worried when her son became a dentist.
00:30:47She asks her,
00:30:49Are you going to look at a stranger's face now?
00:30:53What does she answer?
00:30:54And where does my husband look at a stranger?
00:30:57Stop it, Morda, it's not time for jokes.
00:30:59Exactly, it's not time at all.
00:31:02Who knew Antek, he had mine.
00:31:05But one didn't know him.
00:31:08And that's why he got hurt.
00:31:10And that's why he got hurt.
00:31:14Antek with a gun in his hand.
00:31:17And Franek with a fire in his eyes.
00:31:20And Fraher, Frajera, Pompko,
00:31:22From the bike, Zajd, Vanya, Zastraž.
00:31:26Armuje na ściga na trzy czwarte brzmi.
00:31:32Rana, tańcz, Janie, tańcz.
00:31:38Z szacunkiem, bo się może skończyć źle.
00:31:44Jeden, a niby najbardziej my się.
00:31:51What are you drinking, Inspector?
00:31:53Nothing.
00:31:56It's cold.
00:31:57With respect, Inspector.
00:31:59The woman offers you something to drink.
00:32:01You're grumbling.
00:32:03Shut up, Felek.
00:32:04We have a good card for you, so don't jump up quietly.
00:32:10Inspector, you will explain to the subordinate
00:32:13that the Warsaw parishioner Gelb is jumping up.
00:32:15Where is he?
00:32:17He loves to dance, to sing.
00:32:19If you really want to know
00:32:23the truth about our shabby world,
00:32:28you will know it when you go
00:32:32to what they are playing in the cabaret today.
00:32:37Hi.
00:32:39Where is he?
00:32:40There he is.
00:32:41The lanterns are no longer shining.
00:32:44The night is getting quieter.
00:32:48And Kat Maciejowski is waiting for us
00:32:52in the dressing room.
00:32:55And the rumble is quiet for three quarters of a day.
00:33:02Rania, don't dance.
00:33:05I don't dance.
00:33:08With respect,
00:33:10because it can end badly
00:33:17when we're having fun at Gnojna.
00:33:33If you tell me where you got drunk,
00:33:35I won't accuse you of helping the fugitive.
00:33:39All right.
00:33:41I'll show you this place.
00:33:43You're being reasonable, Felek.
00:33:45Maybe I'll kiss you.
00:33:47Shut up.
00:33:48If you shut up, you won't be able to talk.
00:33:50You and the inspector have unresolved confessions.
00:33:54Hi, inspector.
00:33:56Let him go, Szmontak.
00:33:58Girls, we have to turn off the radio.
00:34:01Maybe he'll say something about the Libyans.
00:34:03Have you ever heard of a radio station in Poland?
00:34:05No. What happened?
00:34:07They say we're being attacked by radio stations.
00:34:10Mom, what's that?
00:34:12A dress.
00:34:13It's pretty.
00:34:14The lady found it.
00:34:16The Germans?
00:34:17When?
00:34:18A moment ago.
00:34:20All right.
00:34:22I see you're bored.
00:34:25What's going on?
00:34:26They're looking for Staszek.
00:34:27Here?
00:34:28Look for him here.
00:34:30What a mess in this police station.
00:34:33Prisoners can't be counted.
00:34:36Send someone who can add.
00:34:38Staszek from Biały.
00:34:39Good.
00:34:40Send someone who can take him away.
00:34:43The lady thinks we're hiding him.
00:34:46Really?
00:34:47Yes.
00:34:48Inspector.
00:34:50You're the thinker, aren't you?
00:34:53If you go on like this,
00:34:54they'll send you back to that section
00:34:56where everyone's playing with a stick.
00:34:58You're exaggerating, Mom.
00:34:59You're the one who's exaggerating.
00:35:01You come in here without an invitation,
00:35:03you're flirting with the boys,
00:35:04you're scaring the girls,
00:35:05and you turn your ass around.
00:35:07Do you want me to shut it all down?
00:35:11All right, girls,
00:35:12let's see what the inspector is here for.
00:35:15And you, boys, go to the toilet.
00:35:17You too.
00:35:19Come, inspector.
00:35:20You'll learn how to use a toilet brush.
00:35:28Be careful, Mom, I'm serious.
00:35:30I'll close this mess for you
00:35:31if you don't tell me where he is.
00:35:33Then close it, inspector,
00:35:35because I'll withdraw your subscription.
00:35:39If the girls gave the inspector
00:35:41a memorial portrait,
00:35:43it would look better than a photo,
00:35:45so don't blackmail me.
00:35:48I'm looking for a place.
00:35:49In a bad place.
00:35:51Tell your people to get the hell out of here.
00:35:54Each of them has the right
00:35:56to one interesting silence
00:35:57in exchange for my girls,
00:35:59so don't make me blow my top,
00:36:02because you won't get out of here for long.
00:36:04Oh, Olga and Mommy,
00:36:06the police can't do anything on their own.
00:36:09But the newspapers can.
00:36:12I'll call the police tomorrow
00:36:14and we'll see
00:36:15if you don't get out of here, inspector.
00:36:18I have to find him,
00:36:19or he'll come after me.
00:36:20Help me, Mommy.
00:36:22They'll put you in my place
00:36:23as a snitch and you'll be in trouble.
00:36:25Don't count on us.
00:36:26No one will fall asleep here.
00:36:29What, are they more afraid of him than me?
00:36:31No.
00:36:32They value him more than all of you,
00:36:35so look for him yourself.
00:36:37Where?
00:36:40Inspector,
00:36:43you know what the prisoners do
00:36:46with the clay in Kitsch, right?
00:36:51Yeah.
00:36:55Sit quietly
00:36:57and watch the Warsaw youth having fun.
00:37:00Today Mr. Andrzej has a day off.
00:37:05Today he's alone,
00:37:08a great lady.
00:37:11Why are you so stiff, inspector?
00:37:17Bubbles on your paws?
00:37:19What's that for?
00:37:21For self-service?
00:37:22Stop whining, Andrzej.
00:37:24The inspector was probably
00:37:25working on the anti-aircraft gun.
00:37:27Just so you know,
00:37:29they were waving their shovels.
00:37:31Today he has a day off,
00:37:35a great lady.
00:37:36Today he's alone,
00:37:38a great lady.
00:37:40Calm down, Andrzej.
00:37:41Don't get provoked.
00:37:43Oh, you got provoked, inspector.
00:37:45The provocation was today,
00:37:47in Gliwice.
00:37:52My husband gave me flowers.
00:37:54How did you know him?
00:37:55On his feet or on his shoulders?
00:37:57On a ribbon.
00:38:00He said he was going to the ministry.
00:38:02It didn't sound convincing.
00:38:04True.
00:38:05It's rare for a guy going to his lover
00:38:07to say he has to prevent a war.
00:38:10I need a visa.
00:38:12An American one.
00:38:14Can you help me?
00:38:17Do you have a passport?
00:38:19A few.
00:38:20In the shop.
00:38:23I have three surnames here.
00:38:25Polish, German and Jewish.
00:38:27Which one do I get first?
00:38:29You're cheating.
00:38:31I feel terrible, too.
00:38:35If it weren't for the fact that I'm being chased around town,
00:38:37I'd really like to come with you
00:38:39through the Krakow suburbs
00:38:41to show that even an element like me
00:38:43can sometimes find happiness.
00:38:46What are you talking about?
00:38:49About our meeting.
00:38:51Please.
00:38:53Who knows?
00:38:54Maybe it's more important to me than the visa.
00:38:57I'm going.
00:38:58Keep an eye on everything.
00:39:00Mr. Blind.
00:39:04You didn't see me here.
00:39:05How could I?
00:39:07Blind.
00:39:14Do you need an alibi?
00:39:16I'll see you in the evening.
00:39:20Tomorrow I'll find ten reliable witnesses
00:39:22who will confirm that you were in Milan.
00:39:26The driver is waiting for me.
00:39:30Did you come here with a driver?
00:39:33Do you always take a limousine on a date?
00:39:35It was supposed to be my husband's date.
00:39:39Will it be a big mistake
00:39:42if I ask you
00:39:44to accept this little gift?
00:39:49A diamond bracelet?
00:39:53For luck.
00:39:56As a souvenir of our first meeting.
00:39:59How do you know there will be a second one?
00:40:01Intuition and perception.
00:40:06Give me your passport.
00:40:09I don't want three visas to America.
00:40:14Which one is real?
00:40:17All of them.
00:40:40For the rest of my life.
00:40:43In the whole world.
00:40:46No one.
00:40:48Only you.
00:40:52No one.
00:40:54Only you.
00:40:59For all the moments
00:41:01and hours.
00:41:05You're the only one.
00:41:07You're the only one.
00:41:11No one.
00:41:13Only you.
00:41:17And then there was
00:41:19an ordinary life.
00:41:23And one day after another.
00:41:29Memories became more and more faint.
00:41:35I still can't believe
00:41:39that once
00:41:41no one
00:41:43but you.
00:41:47Oh, if only you wanted to stay then.
00:41:53Oh, you could come back
00:41:55but you didn't want to.
00:41:58And today
00:42:00I'm looking
00:42:02at you.
00:42:08Why didn't he come right away?
00:42:10Hanka.
00:42:13He knew I was waiting.
00:42:19Maybe he got drunk.
00:42:21Unless he got drunk.
00:42:24I don't know.
00:42:29No one.
00:42:32Only you.
00:42:36That's what I think
00:42:38with regret in my heart.
00:42:42You were the only one.
00:42:48No one.
00:42:49Only you.
00:42:53No one.
00:42:55Only you.
00:43:00He has a friend,
00:43:02a long time friend.
00:43:06After you, of course,
00:43:08there were others.
00:43:12No one.
00:43:13Only you.
00:43:18And now the rain is knocking on the windows
00:43:24with a stubborn whisper of sad words.
00:43:30How beautiful it would be
00:43:36if you came back again.
00:43:40And I think
00:43:42no one
00:43:44but you.
00:43:48And I'm a little surprised
00:43:54that no one else,
00:43:56that actually
00:44:00no one
00:44:02but you.
00:44:03Bandziu,
00:44:05but Saszek doesn't drink.
00:44:07He does.
00:44:09Okay, but not that much.
00:44:12Mr. Kacicho, be quiet, because I have to turn off the lights.
00:44:17Nice?
00:44:21Ugly.
00:44:22So it has to be nice.
00:44:41I don't know.
00:44:44I don't know.
00:44:47I don't know.
00:44:50I don't know.
00:44:53I don't know.
00:44:56I don't know.
00:44:59I don't know.
00:45:02I don't know.
00:45:05I don't know.
00:45:08I don't know.
00:45:11I don't know.
00:45:14I don't know.
00:45:38I don't know.
00:45:41I don't know.
00:45:44I don't know.
00:45:47I don't know.
00:45:50I don't know.
00:45:53I don't know.
00:45:56I don't know.
00:45:59I don't know.
00:46:02I don't know.
00:46:05I don't know.
00:46:08You can't afford to lead a war?
00:46:10It's a piece of cake, isn't it?
00:46:12It's not like that.
00:46:14Everyone wanted to be deceived.
00:46:16We dug defensive ditches with joy.
00:46:19We laughed at test aircraft alarms.
00:46:22Do you know how many people watched today's air raids out of curiosity?
00:46:27They saw something like that for the first time in their lives.
00:46:30Some for the last time.
00:46:33What are you talking about?
00:46:35Ambassador Noel called a special conference in the name of France with the participation of the Germans.
00:46:43It's more than diplomatic impudence.
00:46:47What time is it?
00:46:48I don't know.
00:46:50I can't be late.
00:46:52I have to confess something to you.
00:46:54I don't know how it happened.
00:46:56I really don't know.
00:46:57I lost my watch.
00:47:00It's not a loss, it's a bad sign.
00:47:04On the first day of the war, I'm running out of time.
00:47:06What sign?
00:47:08You're a fool and that's it.
00:47:14You won't leave me, will you?
00:47:18Where did you get that idea?
00:47:21I have to go somewhere.
00:47:24Me too.
00:47:26I heard there's a shortage of staff.
00:47:29Won't you mind if I apply?
00:47:34Are you crazy?
00:47:36Maybe I'll be useful.
00:47:38That's not what I mean.
00:47:39How could you think I'd mind?
00:47:49Come on, come on, Antoś.
00:47:52Your bag is packed.
00:47:53You'll take it to St. Cross.
00:47:59It's heavy as hell.
00:48:00What is it?
00:48:01What do you mean?
00:48:02My mother's treasure.
00:48:03I don't know, I'll guess.
00:48:04There are gems, powder.
00:48:06You're crazy.
00:48:07Why are you pushing it?
00:48:08I'm not pushing it, I'm giving it.
00:48:09The priest will know who needs it.
00:48:11A few bombs fell,
00:48:12and my mother is already making a fuss.
00:48:15But you won't get it,
00:48:16because you have foreign influx.
00:48:18You've always had it,
00:48:19at least once a week.
00:48:21An inspector or a police officer.
00:48:23Stop lying.
00:48:24The inspector was wounded,
00:48:25somewhere at the camp.
00:48:26I've heard rumors
00:48:27that Smolcówna has died.
00:48:29That prima ballerina from Wittelberg?
00:48:31Son of a bitch.
00:48:32They put goods on auction,
00:48:34they killed people in Otwock,
00:48:36in Grodzisk, in Pruszków.
00:48:37The most important thing is that the bridges are standing.
00:48:39What are you talking about?
00:48:40When people die,
00:48:41the bridges don't matter.
00:48:42You'd better go.
00:48:44Was she the wife
00:48:45or mistress of this conductor?
00:48:46Do you see her face?
00:48:47You're talking about her
00:48:48in the past tense.
00:48:49She was dancing with him the day before yesterday.
00:48:53I saw Smolcówna with the conductor once,
00:48:56when they were coming back from Stanczyk
00:48:58for some program.
00:49:00She was pretty.
00:49:02You see, Wanda,
00:49:03I'm ugly,
00:49:05but I'm here.
00:49:08Did you hear that?
00:49:11The inspector is wounded.
00:49:13Yes.
00:49:14It's a sad story.
00:49:18We heard it, didn't we?
00:49:21I came to say goodbye,
00:49:22because I'm leaving.
00:49:23Where are you going?
00:49:25Now?
00:49:26When every couple of hands
00:49:27will be needed in Warsaw?
00:49:29I know.
00:49:30But I'll come back.
00:49:32I have to go to Kalisz now,
00:49:34because my whole family is there.
00:49:36And Germans?
00:49:37Right.
00:49:38Apparently, Germans are there now.
00:49:40My wife gave birth a month ago,
00:49:41and I didn't even have time
00:49:42to see my daughter.
00:49:44Do you have a photo?
00:49:47Yes.
00:49:52Cool.
00:49:53Show me.
00:49:55Inspector,
00:49:56how will you get to Kalisz?
00:49:58By train.
00:50:00I was at the station this morning.
00:50:01It's a mess there.
00:50:02I've seen so many people
00:50:03at the last match against Hungary.
00:50:05Here.
00:50:08What's this?
00:50:09I put it on the way.
00:50:10No, thank you, Mom.
00:50:12I can't take it.
00:50:13You'll come back when you come back,
00:50:14as they say.
00:50:15We'll come back
00:50:16when he doesn't feel well.
00:50:17Antek!
00:50:18Wanda.
00:50:19Are you doing something for me?
00:50:20Don't give him anything.
00:50:21He has a baby.
00:50:22Give me a break, Antek.
00:50:24Will you sing?
00:50:46But as it usually happens,
00:50:48the boy was talented.
00:50:51He didn't smoke, he didn't drink,
00:50:52but he still lived on music.
00:50:55His fate didn't favor him,
00:50:57and he had a talent, Antek.
00:51:00Regret flowed from his heart
00:51:02when he played every night at the dancing.
00:51:05And when he stopped playing,
00:51:07because he had had enough of it,
00:51:09he felt something in his throat
00:51:11when a guest shouted from the hall.
00:51:14Play, Antoś, tango,
00:51:16the guests want to dance.
00:51:18If you can do it, they'll laugh.
00:51:22If you have a sore throat,
00:51:24then you play much better
00:51:26while the tango is in fashion.
00:51:30Play, Antoś, tango,
00:51:32you can play,
00:51:34you probably don't want to sleep at this time.
00:51:38It's 5 a.m. on the clock,
00:51:40and you're asleep.
00:51:42Play, Antek, let them know.
00:51:51Have you thought about what we'll live on?
00:51:57No, for now I was thinking about whether we'll live on.
00:52:00So when the cursed day comes,
00:52:03when death drowns in black wine,
00:52:07all musical instruments,
00:52:10flowers, poems, peaches...
00:52:14It's sad, but crying will help.
00:52:17Stop it.
00:52:19I'll make you a bright blonde.
00:52:22You'll bury all the mirrors in front of me.
00:52:25I'll drown your hair and eyelashes.
00:52:27You don't have to bury them
00:52:29if you're going to burn my eyes out.
00:52:32What will I do?
00:52:34The same as in the dark, but more.
00:52:37This is Radio Blondy.
00:52:39We're sending a special message.
00:52:42Do you think the English and the French will leave us?
00:52:46No one will leave you, Zosia.
00:52:49Not everyone.
00:52:51The French won't leave a blonde.
00:52:56You're stupid.
00:52:58I know.
00:53:05I left the thief alone with my happiness.
00:53:12He stole my present before I could try it on.
00:53:16Zosia, you're so lucky with presents.
00:53:19You don't even have to take it.
00:53:22Isn't it enough for you?
00:53:27I don't think so.
00:53:34He woke up on a foggy day
00:53:37He took his old footer
00:53:41And went home like a man, but like a shadow
00:53:45Walking through the dark streets
00:53:48He saw his dreams in the mirror
00:53:52And his eyes were filled with tears
00:53:56He had to hold his tears with his hand
00:54:00But before he could, he followed his fate
00:54:04And he laughed, and he sang, and he screamed
00:54:08Play the antoś tango, the guests want to dance
00:54:12If you can do it, they will
00:54:15When you're about to lose your voice
00:54:18Then play as much as you can
00:54:20As long as it's in fashion
00:54:23Play the antoś tango, you can play
00:54:27You don't want to sleep at this time
00:54:31Tomorrow will be the same
00:54:34He'll look out the window, he'll spit under the gate
00:54:37He broke the violin, he won't play anymore
00:54:45Do you want a bike?
00:54:48It's a priceless thing today.
00:54:51Take it, maybe you'll need it.
00:54:57Let's go.
00:55:16Hi, Inspector.
00:55:18You look good in this hat.
00:55:21At least you don't hear how others scream.
00:55:25I don't have much time.
00:55:28I have to go to the unit.
00:55:31You have morphine here.
00:55:34It should be enough for a week.
00:55:37Magmajer.
00:55:39Freier, Sarajer.
00:55:41What are you doing, Inspector?
00:55:44The German took your leg, and you're thinking nonsense.
00:55:48Here are your bandages.
00:55:52Help me, Freer.
00:55:55He can't get up.
00:55:58Please lie down, Inspector.
00:56:01I'm fine.
00:56:07She's a nice sister.
00:56:10I like her.
00:56:13As long as Fritz didn't hurt his leg, we're fine.
00:56:16Calm down, Freer.
00:56:18She's helping you.
00:56:21I'm not.
00:56:24It's not for you, Freer.
00:56:27I wouldn't say anything about your place, Inspector.
00:56:31She's a nice woman.
00:56:34If they hurt me, I'll tell the guys to bring me here.
00:56:37You're more of a nobleman than a German whore.
00:56:40You're lucky.
00:56:42I couldn't lock you up for two years.
00:56:45It's just laziness.
00:56:48I like you for that.
00:56:50The end of the ball, Mr. Nolalu.
00:56:53The patient has a serious problem.
00:56:56What happened, Inspector?
00:56:59Morphine and bandages.
00:57:02Please give it to the doctor.
00:57:05Where did you get it, Inspector?
00:57:08That's my business, Nina.
00:57:11Don't answer my questions.
00:57:14You seem to feel better.
00:57:17Much worse.
00:57:20I remember.
00:57:23Let me introduce you.
00:57:26He's a notorious thief.
00:57:29He's a scoundrel.
00:57:32I'll break your other leg.
00:57:35He must have a high fever.
00:57:38Will you help me?
00:57:42Are you connected to the criminal world?
00:57:45Yes, I was here once.
00:57:48By the Inspector.
00:57:50But only briefly.
00:57:52Do you know Stach?
00:57:54The Inspector knows him, too.
00:57:56Will you meet him?
00:57:58Yes, I will.
00:58:00I have something for Mr. Stanislaw.
00:58:03Can you give it to him?
00:58:06How do you know Mr. Stach?
00:58:09It's surprising.
00:58:11From newspapers, Inspector.
00:58:13Thanks to the press, he's very popular.
00:58:16A sensational escape of the biggest gangster in the capital.
00:58:20I don't know him.
00:58:22Very well.
00:58:24Your acquaintance with me will compensate you.
00:58:26When will we meet?
00:58:28After the war.
00:58:30Next week.
00:58:32I'll stay here a little longer.
00:58:37But not to you, Inspector.
00:58:39You'll forgive me.
00:58:41Pelek.
00:58:44Thank you.
00:58:46Take care, Inspector.
00:58:52Like the smile of a girl in love.
00:58:58Like the spring of an awakening wind.
00:59:02Like the twinkling of an eagle in the morning.
00:59:08Like a youthful feeling unknown.
00:59:14Like dew shining on the grass.
00:59:20Like a love born of a dream.
00:59:26This is how my heart rejoices with songs of love.
00:59:32This is how my heart rejoices with songs of love.
00:59:37This is how my heart rejoices with songs of love.
00:59:45Do you want to take a beautiful picture?
00:59:49Weddings are always beautiful.
00:59:51Even ugly ones are beautiful, because the moment counts.
00:59:54Mom, this is not the best advertisement.
00:59:56Goodbye, Flatka.
00:59:59Good morning.
01:00:01Who's blind?
01:00:06We have to arrange something.
01:00:09A party for Stach.
01:00:11We'll have to take a picture for the passport.
01:00:15Do you have to retouch the faces?
01:00:17There are no faces here.
01:00:19When? I've been alone since today.
01:00:23Michałka mobilized me.
01:00:25A lot of work.
01:00:27There will be even more.
01:00:30Beautiful.
01:00:32When will you be ready?
01:00:34I'm going to Stach.
01:00:36In the evening.
01:00:38It's a good passport.
01:00:40Like a real one.
01:00:42He'll have a real picture.
01:00:44Dad!
01:00:46Dad, you wanted to invite us to the wedding.
01:00:50It would be nice.
01:00:52He can't.
01:00:54He's leaving.
01:00:56But why not us?
01:00:58Will you make it?
01:01:00In two days.
01:01:02In the evening we'll be invited to the wedding.
01:01:29You call me, you call me yearning
01:01:35With gentle songs and words
01:01:41How much I want to see you again today
01:01:49Oh, my dream Warsaw
01:01:59Stasiek!
01:02:02Stasiek!
01:02:04Wait, wait, wait.
01:02:07Wait.
01:02:10Take the money.
01:02:12Give it to your mother.
01:02:14She'll know what to do.
01:02:16I don't want money.
01:02:18They're not for you.
01:02:20They're for you.
01:02:22And you?
01:02:24I don't want money.
01:02:26They're for you.
01:02:28What do you have for me, Stasiek?
01:02:30One more thing.
01:02:32Don't buy anything for them.
01:02:34Poland is not for them.
01:02:36And me?
01:02:38You look beautiful.
01:02:40Nice dress.
01:02:42Do you like it?
01:02:44It's new.
01:02:46What's this?
01:02:48A watch.
01:02:50Stasiek, it's not for men.
01:02:52It's gold.
01:02:55Will you come back?
01:02:57Anka, I dream about you
01:03:00In the middle of sleepless nights
01:03:03Anka, I can't live without you
01:03:11I've never left you.
01:03:25Your body is so sweet
01:03:27It's bending over
01:03:32Anka
01:03:35Let the mirror pass
01:03:37Because I'm sorry
01:03:39That my hair is messy
01:03:41I know it's my fault
01:03:43But life is boiling
01:03:44Among heat and dust
01:03:48Did you see the cross in the window?
01:03:50And the catholic?
01:03:52What's in the window?
01:03:54The catholic.
01:03:55The glass, the cross, the cross on the window,
01:03:57so they don't fly away.
01:03:58The catholic doesn't give anything.
01:04:00The dictation?
01:04:01Nothing else.
01:04:02Now you can make good money on dictation.
01:04:05You have no shame.
01:04:08I have, but not for myself.
01:04:10Okay.
01:04:11Okay.
01:04:12Focus.
01:04:14Focus.
01:04:16You'll buy a concert with the guys for this money.
01:04:18I won't sell more than two tickets.
01:04:20That's why you'll go around the city ten times
01:04:22when you'll need twenty.
01:04:23What the hell are you talking about?
01:04:25What do you care?
01:04:26You'll buy a lot of gold coins,
01:04:28gold rings, whatever you can afford.
01:04:30Maybe it's better to buy currency?
01:04:32Gold is safer.
01:04:34Blind, does that mean we won't win?
01:04:36No, why?
01:04:38We'll win.
01:04:39Not right away, but we'll win.
01:04:42A lot of racism.
01:04:43What is it made of?
01:04:45Of paper.
01:04:46Okay, I don't need to know.
01:04:47It's good that you reminded me.
01:04:49I have something from Felek.
01:04:50He said it's a film.
01:04:53Give it to me.
01:04:54He is prima gosie
01:04:55and he has such a great talent,
01:04:58that with such a talent
01:05:00he can only be a Jew.
01:05:02And there can't be a mistake
01:05:05or a mistake here.
01:05:07If he wasn't a Jew,
01:05:09he wouldn't have the talent to take a discount.
01:05:11He is covered in blood
01:05:13like this dog,
01:05:14the opposite of a dog.
01:05:15Only a man in the dark
01:05:17can't spread his neck.
01:05:24He is prima gosie
01:05:26and he has such a great talent,
01:05:28that with such a talent
01:05:30he can only be a Jew.
01:05:33He can be.
01:05:35He can be.
01:05:37He can be
01:05:39a Jew.
01:05:41He can be.
01:05:48It's from Felek.
01:05:49Everything is as you wanted.
01:05:51Thanks, blind man.
01:05:52Will you do something for me?
01:05:54I have a debt to a certain actress.
01:05:56Mrs. Minister?
01:05:57Are you blind or deaf?
01:05:58I'm talking about actresses, actors.
01:06:00Give me the keys
01:06:01with thanks for the beautiful flowers.
01:06:02For how much?
01:06:03Why are you asking for how much?
01:06:04They must be the best.
01:06:05I'll ask her to keep this painting.
01:06:07Tell her it's a reward for the elephant.
01:06:09For the elephant?
01:06:10She'll know what I mean.
01:06:40I'm sorry.
01:06:41I'm sorry.
01:06:42I'm sorry.
01:06:43I'm sorry.
01:06:44I'm sorry.
01:06:45I'm sorry.
01:06:46I'm sorry.
01:06:47I'm sorry.
01:06:48I'm sorry.
01:06:49I'm sorry.
01:06:50I'm sorry.
01:06:51I'm sorry.
01:06:52I'm sorry.
01:06:53I'm sorry.
01:06:54I'm sorry.
01:06:55I'm sorry.
01:06:56I'm sorry.
01:06:57I'm sorry.
01:06:58I'm sorry.
01:06:59I'm sorry.
01:07:00I'm sorry.
01:07:01I'm sorry.
01:07:02I'm sorry.
01:07:03I'm sorry.
01:07:04I'm sorry.
01:07:05I'm sorry.
01:07:06I'm sorry.
01:07:07I'm sorry.
01:07:08I'm sorry.
01:07:09I'm sorry.
01:07:10I'm sorry.
01:07:11I'm sorry.
01:07:12I'm sorry.
01:07:13I'm sorry.
01:07:14I'm sorry.
01:07:15I'm sorry.
01:07:16I'm sorry.
01:07:17I'm sorry.
01:07:18I'm sorry.
01:07:19I'm sorry.
01:07:20I'm sorry.
01:07:21I'm sorry.
01:07:22I'm sorry.
01:07:23I'm sorry.
01:07:24I'm sorry.
01:07:25I'm sorry.
01:07:26I'm sorry.
01:07:27I'm sorry.
01:07:28I'm sorry.
01:07:29I'm sorry.
01:07:30I'm sorry.
01:07:31I'm sorry.
01:07:32I'm sorry.
01:07:33I'm sorry.
01:07:34I'm sorry.
01:07:35I'm sorry.
01:07:36I'm sorry.
01:07:37I'm sorry.
01:07:38I'm sorry.
01:07:39I'm sorry.
01:07:40I'm sorry.
01:07:41I'm sorry.
01:07:42I'm sorry.
01:07:43I'm sorry.
01:07:44I'm sorry.
01:07:45I'm sorry.
01:07:46I'm sorry.
01:07:47I'm sorry.
01:07:48I'm sorry.
01:07:49I'm sorry.
01:07:50I'm sorry.
01:07:51I'm sorry.
01:07:52I'm sorry.
01:07:53I'm sorry.
01:07:54I'm sorry.
01:07:55I'm sorry.
01:07:56I'm sorry.
01:07:57I'm sorry.
01:07:58I'm sorry.
01:07:59I'm sorry.
01:08:00I'm sorry.
01:08:01I'm sorry.
01:08:02I'm sorry.
01:08:03I'm sorry.
01:08:04I'm sorry.
01:08:05I'm sorry.
01:08:06I'm sorry.
01:08:07I'm sorry.
01:08:08I give my head for the effectiveness of the documents.
01:08:13You know what?
01:08:14The freedom that it has a Germanic name doesn't look encouraging.
01:08:17Nothing German looks good today, but you have to leave.
01:08:21From Warsaw?
01:08:22From Poland.
01:08:25Well.
01:08:26If I were to leave Poland, I'd leave Warsaw.
01:08:31Unless I leave Adria, Savoy, Bristol and the whole of Krakow.
01:08:40There's a war.
01:08:42If they come in here, they'll kill you.
01:08:44They'll tear you to pieces.
01:08:46Maybe if I go in.
01:08:48All right, if you go in.
01:08:50But they're not here yet.
01:08:56You're an intelligent man.
01:08:58You're insulting me. I'm kidding.
01:09:01Warsaw is...
01:09:02Yes, Warsaw, Warsaw.
01:09:05Today is the premiere of Pakty i Fakty.
01:09:09Tomorrow, on Saturday, Figaro.
01:09:12With Mesalka and Grodzieńska.
01:09:16The day after tomorrow, we'll play football with Bulgaria.
01:09:19That's Warsaw.
01:09:22The Bulgarians are in trouble.
01:09:26So the audacity has won.
01:09:29To the capital of the world,
01:09:32the Prussian bulldog, covered in shoes, is coming.
01:09:36He's as narrow as in Versailles.
01:09:39On trampled flowers,
01:09:41the German camels, trained by Spitzruth, are barking.
01:09:46In Kagańce, people will be walking with numbers.
01:09:51Like cattle chased.
01:09:53With a whip and a bat.
01:10:02Do you know when Tudin wrote it?
01:10:05In 1919.
01:10:12I'm not going anywhere.
01:10:17Besides, I don't like the photo you put in your passport.
01:10:22I'm a handsome, funny man.
01:10:26It doesn't come from the documents.
01:10:32Your photos are in all newspapers.
01:10:35You're more popular than me.
01:10:39I'm not.
01:10:41But we're different.
01:10:43I'm a bit of a guru.
01:10:48Maybe you need a cover.
01:10:52I'll manage.
01:10:54It doesn't make sense for a Jew to cover you.
01:11:00Don't pack me. I'm not going anywhere.
01:11:03You have to.
01:11:05I've got one place in the car.
01:11:07Do you know how hard it is?
01:11:09I have work at St. Roch.
01:11:12I can't work in the hospital.
01:11:15I'm begging you.
01:11:17You'll be there as a patient.
01:11:20I need to get acquainted.
01:11:23Have you seen graves on the streets?
01:11:26Only the most necessary things.
01:11:29Jewelry can always be stolen.
01:11:42Where did you get this?
01:11:48I got it for luck.
01:11:52From me.
01:11:55There's no one in the world who wants your luck more than I do.
01:12:01I'm sorry.
01:12:04I'm sorry.
01:12:07For everything.
01:12:10I'm sorry.
01:12:13If you really want my luck,
01:12:17let me stay.
01:12:20I'll find someone in the car.
01:12:24Do you know how much it costs?
01:12:27If you're walking around with a watch,
01:12:30you should pay for gestures.
01:12:33I love you.
01:12:37Diplomats don't have to kiss.
01:12:40No diplomat.
01:12:45Minister...
01:12:48I'll put your pants on.
01:12:51You'll be funny.
01:12:54Try it.
01:12:58Love will forgive you everything
01:13:03Sadness will turn you into a smile
01:13:08Love explains so beautifully
01:13:14Betrayal and lying and sin
01:13:20Betrayal and lying and sin
01:13:28Even if you curse it in despair
01:13:34That it is cruel and evil
01:13:40Love will forgive you everything
01:13:47Because love, my dear, is me
01:13:56When you love as much as I do
01:14:00So passionately, so passionately, you know
01:14:06To the last, to madness, to the bottom
01:14:11Betray me then and sin
01:14:22Didn't he take you to a safe place?
01:14:25He did.
01:14:27Why don't you tell me?
01:14:30I have to find out from the courier where my husband is.
01:14:33I won't tell you because...
01:14:35Thank you.
01:14:36I'm not taking him with me.
01:14:41He's staying alone. He didn't want to take you.
01:14:44It's suspicious.
01:14:46It is.
01:14:48I want to be with Starzyński when everyone leaves him alone.
01:14:55Minister, there's a war.
01:14:59Can you love in silence during a raid?
01:15:04Definitely yes.
01:15:07Love in a shelter or in a cellar
01:15:10is not recommended for everyone.
01:15:13You just have to be careful
01:15:15not to make the building vibrate more
01:15:18than it could cause a bomb.
01:15:21Love will forgive you everything
01:15:27Sadness will turn you into a smile
01:15:32Love explains so beautifully
01:15:38Betrayal and lies and sin
01:15:45Even if you curse it in despair
01:15:51That it is cruel and evil
01:15:57Love will forgive you everything
01:16:04Because love, my darling, is me
01:16:11Mikas, what are you doing? He's happy.
01:16:15Mikas...
01:16:40Mikas...
01:16:42Mikas...
01:17:06On the 26th of December 1939
01:17:09a few people gathered
01:17:11including two German soldiers from the construction battalion.
01:17:16Suddenly, out of nowhere, Dombek and Prasula
01:17:19shot those soldiers.
01:17:21On the same night, the Germans shot
01:17:24over a hundred men from Wabra and Zanina.
01:17:27I happened to be in that group.
01:17:30I got on a train with my bike.
01:17:34It was a cargo train.
01:17:36They were transporting weapons for the army of Łódź.
01:17:41It turned out that we had to wait
01:17:44because the service was not in time to repair the tracks.
01:17:47That's when the bike came in handy.
01:17:50I almost got to Walewice.
01:17:52German planes returning from the air raids over Warsaw
01:17:56were already shooting people like ducks without bombs.
01:18:00Sometimes someone took it, but generally it wasn't dangerous.
01:18:04But sometimes they hit.
01:18:07I haven't seen my daughter since.
01:18:10It was the third day of the war.
01:18:13I was in the Saska Garden on the 9th of September
01:18:16when one of the bombs hit the Summer Theater
01:18:19destroying it completely.
01:18:21It was my fault.
01:18:23I wanted to switch to honey again
01:18:26because I had a book for the Roszkowska stage.
01:18:29She had a copy of the Heart in Rosterka
01:18:32but I wasn't there on the 2nd of September.
01:18:35The actress died in an empty theater.
01:18:38I was luckier.
01:18:41I died on the 44th of May.
01:18:44I was covering the boys who were laying the wreath
01:18:47under the Copernicus monument.
01:18:49It was the anniversary of the death of the astronomer
01:18:52who the Germans took as their own.
01:18:55It was a light thought.
01:18:57We didn't talk to the poets.
01:19:00They caught Bojarski.
01:19:03Bojarski was hit in the stomach, I was hit in the head.
01:19:06Only Gajca escaped.
01:19:09In the evening, he was crying in his wedding dress
01:19:12because Bojarski was dying.
01:19:15In the hospital, the baby Jesus.
01:19:18I was dying in the hospital in Święta Zofia on Żelazna Street.
01:19:21I'd rather switch to honey for my beloved work.
01:19:24It was the 6th or 7th of September.
01:19:27I was waiting for the train at Szczęśliwice.
01:19:30I had to go to the East Railway Station.
01:19:33Ślepa was supposed to give me some instructions
01:19:36for the Stach for Countess Chrząstowska.
01:19:39But I couldn't find him.
01:19:42Suddenly, bombs fell into the crowd of fugitives,
01:19:45soldiers, thugs and children.
01:19:48We knew there was going to be an attack,
01:19:51but on the station in such a crowd...
01:19:54All I could think about was him.
01:19:57That he was dying somewhere nearby
01:20:00and he didn't even know he wasn't alone.
01:20:03Me neither.
01:20:06I think I was trying to get into the Ministry.
01:20:09Everyone who drove a car was worth their weight in gold.
01:20:12The dignitaries had their drivers,
01:20:15they didn't need a license. I did.
01:20:18The road from Lublin to Lviv took a while.
01:20:21On the 17th of September,
01:20:24the Soviets entered Poland.
01:20:27On the 22nd, General Langer decided
01:20:30to give Lviv to the Red Army
01:20:33under honorary conditions.
01:20:36He didn't know, of course,
01:20:39that the word honor had long been excluded
01:20:42from the Soviet dictionaries.
01:20:45I stood next to two policemen,
01:20:49one officer, when the shots were fired.
01:20:52Ten days earlier, I was barely alive
01:20:55when the Germans attacked the main station
01:20:58and Kortumowa Góra.
01:21:01I would have been in pain then,
01:21:04but not with a man's hand.
01:21:07It was the first day of February 1944.
01:21:10Five years earlier, I lost my sight
01:21:13during the attack on the eastern station.
01:21:16I went for a walk.
01:21:19It was easier to clean up in the German district.
01:21:22It was more convenient.
01:21:25I felt that something was going on.
01:21:28But I was disoriented.
01:21:31I crawled under the wheel.
01:21:34I died in the attack on Kuczera.
01:21:37From the window of my apartment in Nowomiejska
01:21:40I looked at Pret.
01:21:43My neighbors died.
01:21:46The savings ended in half a year.
01:21:49In 1940, on June 22,
01:21:52my police past came in handy.
01:21:55Not only France surrendered that day.
01:21:58In fact, it gave up its arms
01:22:01and I dug out mine from under the floor.
01:22:04But it all worked out.
01:22:07We were gone on the 23rd.
01:22:10It was the end of the year.
01:22:13It could have been April 21,
01:22:16because I had been lying there for a long time.
01:22:19I was alive. I heard people.
01:22:22I mean Germans, but I was afraid to speak up.
01:22:25It was strange.
01:22:28Everything around me was burning.
01:22:31I wanted one thing.
01:22:34No one should take my elephant.
01:22:37In Leszno, I was among 50 prisoners
01:22:40who were killed in a raid
01:22:43for blowing up the railways on all departures from Warsaw.
01:22:49People were told to look at us.
01:22:52They turned their heads and hid their faces.
01:22:55I was looking for at least one pair of familiar eyes.
01:22:58I didn't find them.
01:23:01But just before I lost consciousness,
01:23:04I thought a dove had come to me.
01:23:07I was taking food to Warsaw
01:23:10from Count Chrząstowski's estate.
01:23:13They caught me many times
01:23:16and always made their money.
01:23:19But once, in mid-October 1943,
01:23:22a good man killed me.
01:23:25I've known him since I was a child.
01:23:28He worked for the Grenadier Police,
01:23:31and he let me go three times.
01:23:34But then, on the 17th,
01:23:37the SS man told him to shoot me.
01:23:40Romek knew that if he didn't shoot, he would die.
01:23:43I also knew that we didn't stand a chance.
01:23:46So I told him,
01:23:49Romek, press on,
01:23:52because they'll kill you.
01:23:55He cried.
01:23:59I'm begging you!
01:24:04We both fell.
01:24:07He whispered,
01:24:10forgive me, mother,
01:24:13and he died.
01:24:16On September 5, 1939,
01:24:19I left with Słonimski and Tuwim to Kazimierz.
01:24:22Słonimski said we'd be safe here.
01:24:25He said they were made of cardboard
01:24:28and wouldn't make it through the Vistula.
01:24:31When we heard their cry,
01:24:34they all left, and I stayed.
01:24:37The next day was a hot day,
01:24:40so I went for a swim over the Vistula.
01:24:43The Germans caught me after a week.
01:24:46I joined the group when I saw
01:24:49a smoking house on Bem.
01:24:52The house collapsed,
01:24:55maybe because planes were flying by.
01:25:08Excuse me.
01:25:11Is there something wrong?
01:25:17No, no.
01:25:20Nothing.
01:25:23Are you sure?
01:25:50No.
01:26:20Good morning.
01:26:23Good morning.
01:26:26Where did you get this?
01:26:29It's old, beautiful,
01:26:32and expensive.
01:26:35I know. How did you get it?
01:26:38It's not mine.
01:26:41I take it to the committee.
01:26:44I see.
01:26:47I'm sorry.
01:26:50I can't give you my personal details.
01:26:53Are you from the police?
01:26:56It's you.
01:26:59You're in contact with her?
01:27:02Yes.
01:27:05In case of sale, I have to let you know.
01:27:08Do you have her address?
01:27:11Phone number, but I can't.
01:27:14I see.
01:27:19You can pay with a card.
01:27:22I can.
01:27:25I don't want to, but I can.
01:27:28Can you call her?
01:27:33Do I have to?
01:27:36Can you ask her
01:27:39to call this number?
01:27:44No.
01:28:01I have to admit
01:28:04that you have not only money,
01:28:07but also a good taste.
01:28:10Cell phone rings.
01:28:40The number you have dialed is not in service.
01:28:43Please try again later.
01:29:10I'm sorry.
01:29:13I can't.
01:29:16I'm sorry.
01:29:19I can't.
01:29:22I'm sorry.
01:29:25I can't.
01:29:28I'm sorry.
01:29:31I can't.
01:29:34I'm sorry.
01:29:38I'm sorry.
01:29:53I have to go now.
01:29:56I'm sorry.
01:29:59I can't.
01:30:02I'm sorry.
01:30:35You
01:31:05You