El Remojo Da Color A La Noche - Pájaro Soñador
Category
🎥
Short filmTranscript
00:00At that time I was in London. I was there for three months.
00:03Did you study there?
00:04Yes, but it would have been impossible to coincide with you
00:07because I was a very good student and I didn't go out to have fun.
00:11I was very ambitious.
00:12You were ambitious?
00:13Then it means that you are not anymore.
00:15What happened to you?
00:16Let's say that now I am an executive focused on professional success.
00:20In general.
00:21And you have succeeded.
00:22Of course.
00:24I recognize that you have done a lot for the company.
00:26I'm glad to see it.
00:27Cheers.
00:31Have I told you how I started working at the agency?
00:35No, tell me.
00:36I was coming back from London.
00:38I was just graduated from college.
00:41I went to the agency to meet your father.
00:43We talked a lot.
00:44I told him everything about me and the big dreams I had for the future.
00:48Then I tried to convince him of how good I would do by hiring me as a creative.
00:52And wow, now I feel ashamed just to think about it.
00:56I was just graduated.
00:57I thought I knew everything about work.
00:59Your father got up and told me.
01:01Tomorrow you start working.
01:03Yes, my father likes the safe people of himself.
01:06And the working people who get involved.
01:09As you know, you are very special to him.
01:11And he to me.
01:13The truth is that I learned a lot by his side.
01:16Jan, I'm glad we went out.
01:19It's been a long time since we had the opportunity to talk like this.
01:22Yes, yes.
01:23It was very good.
01:24I needed to talk to someone.
01:26I'm glad.
01:27Do you have a problem?
01:29You're a little...
01:31thoughtful.
01:32Do you want us to talk?
01:33You know I talk a lot, but I'm also good at listening.
01:36No, it's nothing.
01:37It's just...
01:38I don't want to tell you.
01:40No.
01:41But don't worry.
01:42It will pass.
01:43I'm sure it will.
01:44It will pass.
01:46Well, I think I've overcome Eileen's trauma.
01:49And I'm not going to give it any more importance.
01:52What do we do?
01:53Shall we have another drink?
01:54Yes.
01:55Sure, but...
01:56maybe next time, right?
01:58I'd rather go home.
01:59I'm tired.
02:00Yes, it's late.
02:01Of course.
02:03We'll leave it for another time.
02:05The bill, please.
02:55I love you.
02:57I love you.
03:25I love you.
03:45When did you get here?
03:48Four hours ago.
03:52Welcome.
03:54Thank you very much.
04:01Do you have something to tell me?
04:05Well, yes.
04:09Do you really want me to tell you?
04:16You may not believe it, but I already lived this moment.
04:19It was in my dreams.
04:20So...
04:22I'm not sure I want to hear it.
04:40Why don't you want to be with me?
04:46Because I love you too much.
04:50Why?
05:04Why do you run away from me?
05:09Because I love you.
05:17Because...
05:18you don't want to be with me.
05:22Because I love you.
05:27Even...
05:29even more than myself.
05:48I love you.
06:12What are you doing to me, Sanem?
06:15What am I doing to you?
06:16I wish I knew and could explain it.
06:22We're getting wet.
06:26I don't care.
06:27I could stay here...
06:29looking at you...
06:31until tomorrow.
06:35I swear.
06:36I'm going crazy with so many emotions.
06:38I think...
06:39I'm crazy.
06:40I don't know what to do.
06:47Maybe when we kiss again...
06:49we'll feel better.
06:50Do you want to try?
06:52Good idea.
07:01Let's go.
07:05Run, get in!
07:10Are you hungry?
07:11Yes, I'm very hungry.
07:13I'm going to cook something.
07:14I can make you some tortillas if you want.
07:16No.
07:17No, leave it to me.
07:18Now it's my turn, okay?
07:20What's wrong?
07:21Don't you want to put your life in danger?
07:23For you?
07:24I'd risk it without thinking about it, but...
07:27I want to enjoy this night together.
07:29I'll risk it another time.
07:32You must be cold.
07:33I'll get you something dry.
07:35Oh, yes.
08:01Hi.
08:02Hi.
08:03I put my dress in the dryer.
08:05It'll be ready soon.
08:06Very good.
08:07Your...
08:09I covered your shoulder a little, but I like that a lot.
08:11I like it.
08:12You should leave it like that.
08:14I just hope the dryer takes a long time to dry
08:17and that you stay a little longer with me.
08:19I made pasta and salad.
08:20I hope you like it.
08:21I love it.
08:22Great.
08:23Very good.
08:24Very good.
08:26Did you add cream?
08:42Yes.
08:48Try it.
08:49See how it is.
08:51Do you like it?
08:53Yes, it's delicious.
08:54Great.
08:55I also prepare it like this.
08:56Wait.
08:57I must admit that it is better than those tartar meatballs I prepared.
09:03Yes, it looks very good on you.
09:04If you want, I can finish the salad.
09:06Of course.
09:26I warn you that this knife is very sharp and it is quite dangerous.
09:29You could cut yourself.
09:30Be very careful when using it.
09:31Okay.
09:33No, leave it.
09:34Wait.
09:35Wait.
09:36Let's put this here and we'll leave this here.
09:40I forgot to ask you what you want to drink.
09:42I can offer you a glass of wine, but ...
09:45You could start calling me evil king and that can not be.
09:50By the way, why did you call me that night?
09:58Something happens to you?
10:03Yes.
10:04I begin to explain it to you.
10:05In the end I will have to tell you everything.
10:08Right now I have a lot of time.
10:10Come on, tell me.
10:11I want to know everything about you.
10:13If you find out about me, you'll stop loving me.
10:17Please.
10:18You do not know.
10:19Please.
10:21No.
10:22Please.
10:23Please.
10:24I beg you.
10:26I beg you.
10:27I beg you.
10:29Please.
10:30No.
10:31Please.
10:32Let me go.
10:33No.
10:34Please.
10:35Please.
10:36No.
10:37No.
10:38Let me go.
10:39I beg you.
10:40I don't care what you've done in the past.
10:44Why did you say that?
10:47Listen, it's impossible for that to happen.
10:50I want you to be clear from the beginning.
10:52Why do you say that I will stop loving you?
10:55Tell me what's wrong with you.
10:56Why do you look so sad?
11:00I think being together is not right.
11:05What did I tell you?
11:08Don't think, just feel.
11:12Listen to your heart.
11:16Just think about the present and not the future.
11:19You're right.
11:21But I need to tell you everything.
11:24I want to tell you.
11:26That's what we'll do.
11:27I know you're obsessed with me.
11:29But I want to tell you.
11:32I want to tell you.
11:33That's what we'll do.
11:34I know you're obsessed with the simplest things.
11:36You can't avoid it.
11:37But don't do it tonight.
11:39We'll talk about it later.
11:40We'll solve it later, okay?
11:43The truth is, Sanem.
11:47I don't want anything bad to happen tonight.
11:50Let's not let magic be lost.
11:53I know you don't like what you want to tell me.
11:55So let's forget it.
11:56Let's do it on one side.
11:57But...
11:58No buts, Sanem.
12:00We'll talk about it later.
12:01I'm always willing to listen to you.
12:03When you're ready.
12:04There's no rush.
12:05Okay?
12:06Tonight, it's just you and me.
12:09Living the moment.
12:10Here and now.
12:11Do you understand?
12:12Okay.
12:13Good.
12:14I love it.
12:16Come.
12:23I think...
12:27I'll have a glass of wine.
12:30Hey, slow down.
12:32Slow down, Sanem.
12:33Calm down.
12:34Slow down.
12:38Just one.
12:39Yeah, it's okay.
12:40Now you'll ask me to dance.
12:42And I'll see how you hug me.
12:44And I won't answer for the crazy things you do.
12:46No, I'll drink more.
12:47Just one glass.
12:48Are you okay?
12:49I'm going to see if my dress is dry.
12:53You look pretty.
12:56Leave it on.
13:26I'm going to see if my dress is dry.
13:27Leave it on.
13:28Leave it on.
13:29Leave it on.
13:30Leave it on.
13:31Leave it on.
13:32Leave it on.
13:33Leave it on.
13:34Leave it on.
13:35Leave it on.
13:36Leave it on.
13:37Leave it on.
13:38Leave it on.
13:39Leave it on.
13:40Leave it on.
13:41Leave it on.
13:42Leave it on.
13:43Leave it on.
13:44Leave it on.
13:45Leave it on.
13:46Leave it on.
13:47Leave it on.
13:48Leave it on.
13:49Leave it on.
13:50Leave it on.
13:51Leave it on.
13:52Leave it on.
13:53Leave it on.
13:55One question.
13:57How is it possible that you finished a bottle of wine so quickly?
14:01I'm fine.
14:02Seriously.
14:04I'm not drunk at all.
14:06I'll show you that those glasses of wine
14:09didn't affect me at all.
14:12I see you're fine.
14:14It's clear that the wine didn't affect you.
14:16Let's walk around here.
14:17Oh, what a nonsense.
14:18Come on, little by little.
14:20You know what?
14:21You're talking to me through your gestures.
14:25I know your expressions by heart.
14:27I have photographic memory.
14:29Really?
14:30Let's see.
14:31Give me an example.
14:32For example, when I say something nice to you,
14:36you're embarrassed.
14:39And you do this.
14:41And when I say something nonsense,
14:43you look at me with the face of a few friends.
14:49Like this.
14:51And when you want me to go somewhere,
14:53you do this with your hands.
14:55Like this.
14:56What else?
14:57Well, if one day you're very handsome,
15:01well, for me you're always very handsome,
15:03it's the truth.
15:04If you feel good, you do this gesture.
15:06Also when people make a fool of you,
15:08like saying, keep going.
15:11And when you feel confident of yourself,
15:13you take off your glasses like this.
15:17You do it like this.
15:18Yes.
15:19And if you want to look at something more carefully,
15:23then you put your glasses on your forehead.
15:26Yes, I do it when I'm angry.
15:28Really?
15:29To see better who's bothering me.
15:30Really.
15:31Very good.
15:32Wow, so you investigated me.
15:33Come, hug me.
15:37I love hugging you.
15:39Now it's your turn.
15:40I don't have as good memory as you.
15:42You're impressive.
15:43But I do remember some things.
15:45Like what?
15:46Like your smile.
15:47Yes.
15:48Your smile lights up the whole universe.
15:51And when you get excited, you talk very fast.
15:53Blah, blah, blah, blah, blah, blah.
15:55So fast, huh?
15:56And then when you're thoughtful, you touch your hair.
16:00Yes.
16:01And that perfume of yours makes me crazy.
16:07That scent is always with me.
16:09I love it.
16:10It accompanies me everywhere.
16:14You know what?
16:15We could leave this place, right?
16:16We should escape.
16:17What do you think?
16:18Where?
16:19Wherever you want.
16:20To Galapagos, if you wish.
16:21Some place you've never been to.
16:23I've never been anywhere.
16:24I've never left the country.
16:26Don't tell me.
16:27Never?
16:28When you work as a waitress, you don't have to travel.
16:30Choose a place.
16:31Any place you want to go with me.
16:34Here.
16:35Where?
16:37Right here.
16:42That's enough for me.
16:57Here, baby.
16:59It's hot.
17:00It'll help you feel better.
17:06I really love tea.
17:13What time is it?
17:15I don't know, but it's pretty late.
17:17What did you say?
17:18Really?
17:19Time flies when I'm with you.
17:21I don't understand.
17:22I have no more excuses than to tell my mother.
17:24I should go.
17:25No.
17:26Don't go, please.
17:27Stay.
17:28I have to go.
17:29Don't go.
17:30Stay with me.
17:31I'm leaving.
17:32Don't go, please.
17:33I have no reason to go home.
17:34Of course not.
17:35But my mother could kill me.
17:37No, she won't.
17:38But it's past midnight and I can't stay here any longer.
17:44Don't ask me to stay or I won't be able to leave.
17:48Okay.
17:49But I'll take you home.
17:50Take this and you won't catch a cold.
17:52And drink the tea.
17:54Okay?
17:56The tea is really good.
17:59Up.
18:01That's it.
18:04Let's go.
18:10It's better if I get off here so my parents don't see me.
18:15So you won't tell them?
18:17What?
18:18Our thing.
18:19Our thing?
18:20But what am I going to tell them about us?
18:23That you and I are dating.
18:26Well, I don't know.
18:27If I tell my mother, she could faint.
18:30I don't think I'll tell her for now.
18:34I'll tell her another time, okay?
18:37Okay, whatever you want.
18:38It's okay.
18:39See you tomorrow.
18:40See you tomorrow.
18:41I guess I can't leave you here because it's your neighborhood.
18:44Yes, we can't.
18:45Everyone would see us and I'd die of shame.
19:01Good morning.
19:03Good morning.
19:05I bought you some bread.
19:07I love these breads.
19:09Should we share?
19:10Okay.
19:11Good.
19:31Why are you letting go of my hand?
19:33Do we have to go like this?
19:36Of course, so everyone knows.
19:38Really?
19:39I don't want Emre and everyone else to find out.
19:42Why?
19:43Come on.
19:44It's not wrong.
19:46I hate secrets, you know that.
19:48Yes, I know.
19:49But I don't want anyone to find out.
19:52I don't want anyone to find out.
19:54I don't want anyone to find out.
19:57I don't want anyone to find out.
19:59Yes, I know.
20:00But I feel uncomfortable.
20:02I need more time, please.
20:04Okay.
20:06You go first, Miss Zanem.
20:08Have a good day.
20:09Thank you, Mr. Cenk.
20:22Good morning, Eren.
20:24Good morning, Eren.
20:25Good morning, Cenk.
20:26Good morning, Jan.
20:27You look fabulous as always, you know that.
20:29Jan, we'll be very busy this week.
20:31We should meet with the creative team and see what's up.
20:35See you in the conference room.
20:37Very well.
20:38Mr. Jan, now I'll take you to your...
20:42Yes, it won't take long to arrive.
20:44Zanem.
20:45As you know, there are two prizes for the competition you won.
20:48The first is the shooting of the ad following your script,
20:50and you will participate in all stages of the shoot,
20:53so you will have to pay close attention and work very hard.
20:56And the second is a job as a screenwriter in practice at the company.
20:58Are you interested?
20:59I was waiting for this opportunity to come to me.
21:01I'm going to be a screenwriter, I can't believe it.
21:03Of course I accept.
21:04I'll finally stop being a waitress.
21:06That's enough.
21:07I'm also happy for you, but I don't like you touching me, Zanem.
21:10Sorry?
21:11No hugs, I understand.
21:12That's right.
21:13In general, as a waitress, you will continue as a waitress.
21:16You will prepare the coffees and teas, you will make the photocopies,
21:19everything you have done so far, and you will also write the scripts.
21:22No one said it would be an easy job.
21:24I know.
21:25If it's clear, take it.
21:26Thank you very much.
21:27You are the new waitress and former waitress.
21:30I better get to work.
21:31Exactly.
21:34Well, okay guys, we're ready.
21:37We should be able to carry out this project by reducing costs to a minimum.
21:41Such a well-known brand and it has no replacement.
21:44The budget for advertising on social networks is over.
21:47Anyway, the amount of money was very limited.
21:49We want to show our good intention to the client,
21:51because it's our first project together.
21:53Do you think it's okay, Mr. Volkan?
21:55You're right, Miss Teren.
21:56Besides, I'm not an expert in financial work.
22:00Yes, it's true.
22:01So you're right.
22:07Come in, Zanem.
22:08It's your first meeting as a screenwriter.
22:09Sit down.
22:10Go ahead.
22:11Oh, I'm very nervous.
22:14I also made you very nervous with my first projects.
22:17You'll get used to it.
22:18You just have to work hard and stay focused.
22:21Very good.
22:22Listen, we chose the location with Zanem,
22:24and she has also chosen the actors.
22:26Zanem, you'll have to review the script with Deren,
22:29and they'll decide what's the pace of work
22:31we're going to take during the recording.
22:33Okay.
22:34This is the actors' department, Zanem.
22:36Do you want to review it?
22:38Okay.
22:40We start with the 80s?
22:42Yes, the 80s.
22:43These four girls leave the neighborhood in an old car
22:46to try to fulfill their dreams.
22:48After several years, they return to the neighborhood,
22:50and then it's them who send their daughters away.
22:53The neighborhood is the same, but the car is different.
22:56And we see other young people leaving the neighborhood.
22:59Zanem, we don't have that much budget.
23:01But our clients want the ad to be
23:03just like the screenwriter's idea.
23:05So give us everything you have in mind,
23:07and we'll do whatever we can.
23:09Perfect.
23:10Okay.
23:11This is the shot of your neighborhood, Zanem.
23:14Oh, what an interesting way to see the neighborhood.
23:17You liked it, didn't you?
23:19This is our store.
23:20If you want, we can decide now where we're going to shoot,
23:23where we're going to shoot each scene,
23:25and we'll do the preparations later.
23:27Our store's street is very pretty.
23:44Okay.
24:14I love it.
24:16Well, listen, we know everything we have to do,
24:19so let's do our best.
24:20It won't be easy.
24:21Deryn, please tell Eileen that she's the supervisor
24:23on this material, and she has to give a good look.
24:26Is that okay with you?
24:27Yes, I think it's fine.
24:28What a relief.
24:29I have to see her.
24:30Very well.
24:31See you later.
24:34I'm very nervous.
24:35This is starting to become something constant in my life.
24:38I have to see her.
24:40If you want, you can take this.
24:43And you can keep this.
24:44Why did they choose you and not me, huh?
24:46I've been working as a mailman for years.
24:48Why didn't they make me a screenwriter in practice?
24:50They offered it to you.
24:51I want to improve. It's over.
24:52Right now I'm going to talk to the director of this company.
24:55I'm going to make things clear to them.
24:56They're going to find out how valuable I am.
24:58Well, here's the director of the company.
25:00I heard what you were telling Sanem.
25:02Do you want to talk to me, Yeye?
25:03Mr. Jan.
25:04Well, actually, I didn't want to say anything.
25:06It's just that I drink too much coffee and I speed up a lot.
25:08I have things to do.
25:09See you later, sir.
25:10I'm leaving.
25:11And you, what do you think of me?
25:14Hello, Mr. Jan.
25:15Hello, Sanem.
25:16Would you bring me a cup of tea?
25:18I'll take it.
25:20We've already started preparing the campaign.
25:22We'll launch it next week.
25:23Uh-huh.
25:25Uh-huh.
25:26You're welcome.
25:27Of course.
25:28Goodbye.
25:29Let's see, can you tell me where you're going?
25:31I brought you the tea.
25:32I take my work very seriously, you know?
25:34Now you're a screenwriter in practice at the agency.
25:36So I must congratulate you.
25:38Yes, I'm very happy.
25:39When Deren told me, I was so happy that I hugged her.
25:42Can I hug you too?
25:43Yes, if you hugged Deren.
25:45Technically, you can hug me too.
25:55Oh no, I can't do it, Mr. Jan.
25:57Okay.
26:01Well, thank you very much.
26:02I want to say thank you for the opportunity you've given me.
26:05I appreciate it.
26:06You earned it.
26:07You showed your talent and you got it.
26:12Brother.
26:13Yes.
26:14Now I'm a screenwriter in practice, but I'm still a waitress.
26:17If you need a tea, here you have me.
26:19You just have to let me know and I'll be here immediately.
26:21Fine.
26:22See you later.
26:23See you later.
26:24Can you come?
26:25Yes, I'll be right there.
26:28I sent you the financial report of the last three months.
26:31Did you see it?
26:33How can I do it?
26:34I don't have time between one shoot and another.
26:36Besides, I don't understand finance.
26:39You solve it.
26:40This is not as easy as other times.
26:42We have complications.
26:44Expenses have increased and our profit margin is decreasing a little.
26:48We have many new projects that are important.
26:51We have a lot of new projects.
26:54We have a lot of new projects that are important.
26:57It is normal for expenses to increase.
26:59But everything is going well.
27:00Customers are satisfied.
27:01You're wrong.
27:02It's not going so well.
27:03The expenses for the photos doubled more than last year.
27:05Something unexpected always happens at the set and that means additional expenses.
27:09We spend more than we make.
27:11And what should we do?
27:12Close?
27:13I never said that.
27:14But if there are additional costs, let me know.
27:16You can't always do whatever you want.
27:19Whatever I want?
27:24Whatever I want?
27:26Do you think that's what I do?
27:28Do you mean that, Memre?
27:29That I have no perspective?
27:31That I don't know what I'm doing and that I'm out there
27:33wasting the company's money?
27:35Do you think that?
27:36You understood perfectly what I meant.
27:38Of course I understood, of course.
27:40But you should know who is the boss of this company.
27:43I am responsible for everything we do.
27:45I am responsible for everything we do.
27:47Don't worry, brother.
27:48It's clear to me.
27:49But when you get bored and leave,
27:50Dad and I will have to take care of everything.
27:52We both know that you won't stay long.
27:54I will have to assume all the responsibility.
27:57You understand what I'm saying, right?
27:59I have a meeting.
28:00Yes.
28:01We'll talk later.
28:07It's good to see you.
28:09Likewise.
28:11You know what?
28:12Five more minutes and I'll miss you.
28:14Really?
28:15Uh-huh.
28:16I don't know what I should do.
28:18Do you want me to leave my job and go back to work at the store?
28:21I'm just looking for my little dosis of Sanem.
28:24Dosis of Sanem?
28:25Dosis?
28:26Very well.
28:27See you later.
28:28Yes.
28:29I'm leaving.
28:30Goodbye.
28:44Yes, yes.
28:45Sanem.
28:46How long have you been there?
28:48Enough.
28:49Did you see Mr. Jan?
28:51Sure.
28:52Now he calls him sir.
28:54Wasn't it Jan?
28:55Did he take his dosis of Sanem?
28:58Uh-huh.
28:59Well, I guess I'll have to go.
29:01I'll be back.
29:02Goodbye.
29:03Goodbye.
29:04Goodbye.
29:05Goodbye.
29:06Bye.
29:07Goodbye.
29:08Goodbye.
29:09Goodbye.
29:10Goodbye.
29:11Goodbye.
29:12Goodbye.
29:13Goodbye.
29:14Goodbye.
29:15Yes?
29:16It's the archive room.
29:19There were many powder barrels, forgotten documents, a place far from everyone.
29:26If these walls could talk.
29:28I don't understand.
29:32I don't know.
29:39scream some madness but you seem too calm if I'm calm that's all don't worry about me
29:47I've relaxed again and that's good you know what I recommend you do it baby give yourself
29:53herbs that will help you calm down by the way they make a beautiful couple
29:58but
30:03No, no niggas, it's about me boy, but I will come back until I see you baby
30:13Stunt is polvorientos
30:17Documentos olvidados y tambien una dosis de san m
30:24Voy a que vergüenza
30:28Música
30:51Te encontre
30:54Me hace rato que pensaste que no me daría cuenta pero como lo haces llanto siempre me sorprende si yo quería ser lo mismo
31:00contigo tengo ojos en la nuca
31:03a ver
31:06Muchas gracias que pasa con nosotros tienes alguna idea porque yo no
31:14Nos vemos en secreto como adolescentes nos encontramos en los parques para que no puedan vernos que hay entre nosotros
31:21Cuando vi tu mensaje para vernos en el parque casi se me sale el corazón de la emoción no me digas
31:27Yo cuidaré tu corazón no te preocupes
31:31Tengo un regalo para ti así si crees que solo tú puedes sorprenderme
31:37No me digas que tú lo hiciste
31:39Haces origami es mi hobby de verdad sí porque una mariposa
31:45porque cuando te veo siento mariposas en el estómago
31:47Hablas en serio si
31:53El teléfono de Deren
31:55Deren está llamando Jan
31:59Hola Deren estoy aquí sí allí
32:03bueno estoy aquí y allí si está bien por supuesto voy para allá claro no tardo adiós
32:09Lo siento Deren quiere que vaya a la oficina y haga algunas correcciones al texto no pueden estar dos minutos en mí
32:16A mí me pasa lo mismo no puedo estar dos minutos y tenemos el mismo problema podemos vamos de la mano de la mano
32:38Jan
32:39Oye tengo buenas y malas noticias
32:41Dime cual quieres escuchar primero
32:44Bueno empieza por las buenas me llamó JJ y habló con todo el mundo en el vecindario y no hay problemas para rodar ahí
32:50Perfecto entonces
32:51Empecemos a montar el set no lo crees y ahí es en donde está la mala noticia
32:55Resulta que tenemos un gran problema adelante sigue cuál es no tenemos actrices
33:01Las chicas que elegimos no van a venir se trata de la agencia no quieren enviarlas
33:06porque
33:08Porque no hemos renovado el contrato con ellos
33:11Como tenemos a metin para ocuparse de los asuntos legales estamos bastante perdidos con eso yo me encargo de preparando el set como lo
33:18Harás no te preocupes
33:20Tengo mis métodos conseguiré que vengan tú ocúpate del set
33:28Está bien si tú lo dices
33:41You