The Perfume of the Lady in Black (Italian: Il profumo della signora in nero) is a 1974 giallo film directed by Francesco Barilli.The film has no relation to the novel of the same name by Gaston Leroux.
Plot
Silvia Hacherman is a successful manager at a chemical laboratory in Rome. Accompanied by her boyfriend Roberto, she visits some Afro-Italian friends including Andy, a university professor, who explains that witchcraft, black magic and human sacrifice are all commonplace in Africa. He also reveals that in his country, there are still cults that target unknowing victims who are driven insane and ultimately killed. Silvia soon begins to experience a series of hallucinations and repressed memories, such as visions of her mother, Marta, sitting in a chair and putting on perfume in a black dress, as well as Marta being raped by a man that is not Silvia's father, who went into the Navy and died at sea. Marta died by apparently jumping off a balcony when Silvia was younger. Intermixed with these visions are a series of strange events that seem to indicate Silvia's inability to determine what is real: a vase from Silvia's past appearing in her apartment after vanishing from a local antique shop, a bouquet of flowers dying suddenly and a mysterious little girl, representing a younger Silvia.
Gradually, it becomes evident that everyone around Silvia seems to be conspiring together. This includes Roberto, Andy and the doorman, who all are seen driving off together one night. Long gazes from neighbours, co-workers and store clerks all seem to fuel this paranoia. As Silvia's visions and hallucinations become more frequent, her neighbour and close friend Francesca invites her to a séance, which is also attended by Andy and Mr. Rossetti, another neighbour. There, Silvia reluctantly consults a blind psychic named Orchidea who, tapping into Silvia's troubled past, sees her father drowning at sea and Silvia pushing her mother off the balcony. Orchidea also warns Silvia that her stepfather, who attempted to molest Silvia, will pursue her relentlessly. After a frantic Silvia storms off, Andy, Francesca and Orchidea are all revealed to be part of a cult, as they convene in an abandoned tunnel and put on blue lab coats, before disappearing into the tunnel.
Source: Wikipedia
Plot
Silvia Hacherman is a successful manager at a chemical laboratory in Rome. Accompanied by her boyfriend Roberto, she visits some Afro-Italian friends including Andy, a university professor, who explains that witchcraft, black magic and human sacrifice are all commonplace in Africa. He also reveals that in his country, there are still cults that target unknowing victims who are driven insane and ultimately killed. Silvia soon begins to experience a series of hallucinations and repressed memories, such as visions of her mother, Marta, sitting in a chair and putting on perfume in a black dress, as well as Marta being raped by a man that is not Silvia's father, who went into the Navy and died at sea. Marta died by apparently jumping off a balcony when Silvia was younger. Intermixed with these visions are a series of strange events that seem to indicate Silvia's inability to determine what is real: a vase from Silvia's past appearing in her apartment after vanishing from a local antique shop, a bouquet of flowers dying suddenly and a mysterious little girl, representing a younger Silvia.
Gradually, it becomes evident that everyone around Silvia seems to be conspiring together. This includes Roberto, Andy and the doorman, who all are seen driving off together one night. Long gazes from neighbours, co-workers and store clerks all seem to fuel this paranoia. As Silvia's visions and hallucinations become more frequent, her neighbour and close friend Francesca invites her to a séance, which is also attended by Andy and Mr. Rossetti, another neighbour. There, Silvia reluctantly consults a blind psychic named Orchidea who, tapping into Silvia's troubled past, sees her father drowning at sea and Silvia pushing her mother off the balcony. Orchidea also warns Silvia that her stepfather, who attempted to molest Silvia, will pursue her relentlessly. After a frantic Silvia storms off, Andy, Francesca and Orchidea are all revealed to be part of a cult, as they convene in an abandoned tunnel and put on blue lab coats, before disappearing into the tunnel.
Source: Wikipedia
Category
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Short filmTranscript
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00:03:33Morning, Senorita.
00:03:34Good morning.
00:03:35♪
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00:03:55♪
00:03:59Ciao, Franco.
00:04:00Is everything okay?
00:04:01Mm-hmm.
00:04:02Yeah, it's pretty good.
00:04:03I just have to bring it up to temperature.
00:04:04Soon be ready to serve.
00:04:05Mm.
00:04:11Morning.
00:04:12Morning.
00:04:13Okay?
00:04:14Yes, thanks.
00:04:15How's it going?
00:04:16Sylvia, you were right.
00:04:17This compound is positive.
00:04:19That's fine.
00:04:20That means we're almost ready.
00:04:23Let me get this down.
00:04:27I'm going to go see how Elizabeth is doing.
00:04:34What's going on?
00:04:35Haven't you finished yet?
00:04:37It wasn't as easy as I thought.
00:04:39Series K didn't work out too well,
00:04:41and I had to do it over.
00:04:42You know this material has to be sent off
00:04:44to Berlin tomorrow morning.
00:04:45I know, Sylvia,
00:04:46but it's not my fault that it's late.
00:04:48I've been working on it all night.
00:04:50I want everything finished by tonight.
00:04:52If you need anything, call me at home.
00:04:54All right.
00:04:55Bye-bye.
00:04:56Goodbye.
00:04:57Morning.
00:04:58Hi.
00:04:59Good morning, Signore Lovati.
00:05:01Oh, hello.
00:05:02I began to think you wouldn't be coming today.
00:05:04Isn't it beautiful?
00:05:05I hate this place when it's raining.
00:05:07It's so sad.
00:05:08I know.
00:05:09I know.
00:05:10I know.
00:05:11I know.
00:05:12I know.
00:05:13I know.
00:05:14I know.
00:05:15I know.
00:05:16I know.
00:05:17I know.
00:05:18I know.
00:05:19I know.
00:05:20I know.
00:05:21I know.
00:05:22I know.
00:05:23I know.
00:05:24I know.
00:05:25I know.
00:05:26It's so sad.
00:05:29You're right.
00:05:30It's a lovely day.
00:05:31If you need the hoe, please help yourself.
00:05:33Thank you.
00:05:56Thank you.
00:05:57Thank you.
00:05:58Thank you.
00:06:26Thank you.
00:06:27Thank you.
00:06:28Thank you.
00:06:29Thank you.
00:06:30Thank you.
00:06:31Thank you.
00:06:32Thank you.
00:06:33Thank you.
00:06:34Thank you.
00:06:35Thank you.
00:06:36Thank you.
00:06:37Thank you.
00:06:38Thank you.
00:06:39Thank you.
00:06:40Thank you.
00:06:41Thank you.
00:06:42Thank you.
00:06:43Thank you.
00:06:44Thank you.
00:06:45Thank you.
00:06:46Thank you.
00:06:47Thank you.
00:06:48Thank you.
00:06:49Thank you.
00:06:50Thank you.
00:06:51Thank you.
00:06:52Thank you.
00:06:53Thank you.
00:06:54Thank you.
00:06:55Thank you.
00:06:56Thank you.
00:06:57Thank you.
00:06:58Thank you.
00:07:00I'm sorry to disturb you.
00:07:01Oh, hello, Senor Rosanti.
00:07:02But I just realized I've run out of tea.
00:07:05All our fellow tenants are away on vacation.
00:07:07We're the only ones left.
00:07:09Might I ask you to do an old widower a favor?
00:07:12Coffee's so bad for me.
00:07:14Of course, I'm right back.
00:07:17A couple of spoonfuls will be quite enough.
00:07:25I hope this is enough.
00:07:35Mozart, what a genius, eh?
00:07:39I remember once in Vienna...
00:07:40Excuse me, Signor Rosetti.
00:07:41I don't mean to be rude, but I've got to go out.
00:07:43I still have to dry my hair.
00:07:44I'm already late.
00:07:45Of course, I quite understand.
00:07:46If you'd like to come back another day.
00:07:47Thank you so much.
00:07:48I'm so sorry to have troubled you.
00:07:50If there's ever anything you need, please don't hesitate to ask.
00:07:53Thank you.
00:07:54Thank you.
00:07:56We've changed a lot too, Roberto.
00:07:58Once we used to eat our enemies, now we study to become engineers.
00:08:02Unfortunately, progress is slow.
00:08:03There are still many primitive prejudices in our villages.
00:08:06We have far too few schools and hospitals, and the witch doctor's word is still law.
00:08:10The witch doctor is Africa.
00:08:16And one must know the continent well before judging it.
00:08:21Andy, you forget that Roberto's work schedule take him to Africa often.
00:08:26I know, but he's still a white.
00:08:29Speaking of whites in Africa, I remember an English geologist who was with me once in
00:08:34Cameroon.
00:08:35He made the fatal mistake of making enemies with the local witch doctor.
00:08:40One day, they found him dead in his tent.
00:08:43It seemed as if he had suffered for hours.
00:08:45The authorities ordered an autopsy which revealed short, barb-like cat whiskers embedded in
00:08:51the wall of his stomach.
00:08:53He had apparently swallowed them, but no one knew how.
00:08:58One of the more puerile examples of witchcraft.
00:09:02How can you believe in all that?
00:09:04After all, you're a university professor.
00:09:07In every corner of Africa, be it jungle, savannah, village, river, or even in the tallest skyscrapers
00:09:20of our newest cities, a certain fear rides the hot winds.
00:09:25A fear which has many names.
00:09:30Black magic, witchcraft, superstition, rites, mysterious deaths, human sacrifices.
00:09:44Not only in Africa, Andy.
00:09:46Even in Europe.
00:09:47Europe's not so well known, of course, but it goes on, you know.
00:09:50Those people aren't normal.
00:09:52In our country, there are still certain cults which conduct human sacrifices.
00:10:00The victims are unaware that they have been chosen for these mysterious purposes, but
00:10:04when the time comes, they are either killed or driven mad by means of potions and secret
00:10:14rites.
00:10:15It is a kind of challenge thrown to the face of the powers of evil.
00:10:22Such practices, of course, take time and patience.
00:10:28They are like a test of man's mental strength over his weaknesses.
00:10:36Did I frighten you?
00:10:43I was only joking.
00:10:45You mustn't believe a word of what I said.
00:10:47We don't do such things anymore.
00:10:50Henry, was it you?
00:10:55Now you go back to bed right away.
00:10:56Go on, be a good boy.
00:11:00Don't make me be angry now, eh?
00:11:01That's right, run along.
00:11:15What time is it?
00:11:30It's 1.30.
00:11:311.30?
00:11:32Mm-hmm.
00:11:33That's funny, I thought it was much later.
00:11:36That means we left the party only half an hour ago.
00:11:37Mind if I don't come up tonight?
00:11:39We're going to have to get a real early start tomorrow.
00:11:43But you know I'm not coming.
00:11:44I can't come, I told you.
00:11:46For Christ's sake, Sylvia, we've known each other nearly four months, and every Sunday
00:11:50it's the same story.
00:11:51All you can think about is that goddamn laboratory.
00:11:55It's the third time that Andy has asked us to play tennis at his house.
00:11:58You don't want to offend him, do you?
00:12:04Sometimes I really don't understand you.
00:12:06It's as if you were trying to exclude me from your life as much as possible.
00:12:10That's not true.
00:12:12It's just that I absolutely must check that material that's going off to Berlin tomorrow
00:12:15morning.
00:12:16The hell with the material.
00:12:17It's like you had an obsession about winning the Nobel Prize.
00:12:21I wish you wouldn't get so upset over something so unimportant.
00:12:25All right.
00:12:26Do as you please.
00:12:29One of these weeks I'll call you.
00:12:32Good night.
00:12:35Good night.
00:12:38Good night.
00:13:08Signorina.
00:13:11Signorina Sylvia.
00:13:15Wake up.
00:13:19It's late.
00:13:23Signorina.
00:13:26Carlotta.
00:13:29It's already late.
00:13:32Carlotta.
00:13:35It's already 9.30?
00:13:38No, signorina.
00:13:39It isn't.
00:13:40It's nearly 4 o'clock.
00:13:41But that's not possible.
00:13:42It's 10 to 4.
00:13:43I promise you.
00:13:44You've had quite a sleep.
00:13:47I didn't even get undressed.
00:13:50That's what happens when you stay out so late.
00:13:57Why didn't you bother waking me up earlier?
00:14:00We tried.
00:14:03Both Luigi and I kept on ringing the bell.
00:14:05Then we thought you must have gone out.
00:14:07It was Signorina Francesca who told me she was sure you were still in.
00:14:10I'll leave the papers here for you.
00:14:12Thank you.
00:14:19Signorina, be careful.
00:14:21Don't walk around barefoot.
00:14:22You might cut yourself.
00:14:23Your photograph fell and smashed to pieces.
00:14:25I know.
00:14:26I broke it.
00:14:27Thank you.
00:14:30Signorina.
00:14:37It's 3.31.
00:14:46Continue.
00:14:47Music for you.
00:15:00You must be a witch, Francesca.
00:15:02How do you know that I had a fight with Roberto?
00:15:04I was looking out the window last night when you came back.
00:15:06It's funny.
00:15:07It's never happened to me before.
00:15:08I went to sleep right away.
00:15:09And I slept right through until Carlotta woke me up an hour ago.
00:15:11I never even got undressed.
00:15:13You're overtired.
00:15:14You work too hard.
00:15:15You should take more time off and have some fun with Roberto.
00:15:17I'll have to help you find a way to make it up to him.
00:15:19I don't know.
00:15:20I don't know.
00:15:21I don't know.
00:15:22I don't know.
00:15:23I don't know.
00:15:24I don't know.
00:15:25I don't know.
00:15:26I don't know.
00:15:27I don't know.
00:15:28I don't know.
00:15:29We'll have to find a way to make it up to him.
00:15:30Doesn't he collect butterflies?
00:15:31Yes.
00:15:32Why?
00:15:33I've got an idea.
00:15:34Come on.
00:15:35I'll show you.
00:15:36Gorgeous creatures.
00:15:43That's pretty.
00:15:44Uh-huh.
00:15:47Anybody here?
00:15:52Is anybody here?
00:15:53Funny.
00:15:54I never noticed this shop before.
00:15:55I'm sorry.
00:15:56I couldn't find my glasses.
00:15:59Well, what can I do for you?
00:16:01I'd like to buy a butterfly piece.
00:16:02It's a present for someone who collects them.
00:16:03Uh-huh.
00:16:06Can I see that one?
00:16:16It's pretty, isn't it?
00:16:17Uh-huh.
00:16:19Okay, I'll take this one.
00:16:20Would you give that one to me, please?
00:16:21Yes, of course, Irina.
00:16:22Right away.
00:16:23Thanks.
00:16:29Thank you.
00:16:55Huberto?
00:16:59Huberto?
00:17:25Huberto?
00:17:29Huberto?
00:17:30Huberto?
00:17:31Huberto?
00:17:32Huberto?
00:17:33Huberto?
00:17:34Huberto?
00:17:35Huberto?
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00:17:41Huberto?
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00:17:50Huberto?
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00:17:53Huberto?
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00:17:59Huberto?
00:18:00Huberto?
00:18:01Huberto?
00:18:02Huberto?
00:18:03Huberto?
00:18:04Huberto?
00:18:05Huberto?
00:18:06Huberto?
00:18:07Huberto?
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00:18:15Huberto?
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00:18:57Huberto?
00:18:58Huberto?
00:18:59Huberto?
00:19:00Sylvia.
00:19:01Sylvia.
00:19:02There was a woman sitting there watching.
00:19:04What are you talking about?
00:19:10There was a woman sitting there watching.
00:19:19There was a woman sitting there watching.
00:19:28What are you talking about?
00:19:35I swear, I saw her.
00:19:50There's nobody here, Sylvia.
00:19:53There was a woman sitting in that chair.
00:19:57You really are overtired, aren't you?
00:19:59Look, this old robe of mine, that's what you saw.
00:20:02I was expecting you.
00:20:03I thought you'd come over tonight.
00:20:09Would you turn the light, please?
00:20:12There's no reason to be afraid now.
00:20:14Come on.
00:20:16Kiss me.
00:20:28I was so afraid.
00:20:45I was so afraid.
00:21:14I was so afraid.
00:21:43I was so afraid.
00:22:12I was so afraid.
00:22:40I was so afraid.
00:22:55Don't serve so hard.
00:22:56I haven't played in years.
00:22:57Don't worry.
00:22:58I'm not exactly a champion myself.
00:23:08I'm glad you invited Francesca.
00:23:10She's a nice girl.
00:23:12And it's not so easy to please, you know, when it comes to women.
00:23:15Sylvia?
00:23:17I'm worn out already.
00:23:19It's too good for me.
00:23:20You play.
00:23:21Go on.
00:23:22Good idea, Sylvia.
00:23:23Come on, before it gets too hot.
00:23:25Don't you want to play next?
00:23:26No, you go ahead.
00:23:27I'll wait till you've worn out, Andy, and then I'll beat the hell out of you.
00:23:29Francesca deserves a nice, cool drink.
00:23:31How does that sound?
00:23:32Drink?
00:23:45Ah!
00:23:46What happened?
00:23:49I grabbed hold of the racket and something stuck me.
00:24:10That's funny.
00:24:11There's a nail in the handle.
00:24:12That's what did it.
00:24:16I...
00:24:17I can't stand the sight of blood.
00:24:19Here.
00:24:21I know what to do.
00:25:04Sylvia's hurt herself.
00:25:18Sylvia's hurt herself.
00:25:20Sylvia's hurt herself.
00:25:33Oh, come on.
00:25:36Don't get mad at me.
00:25:37The other evening, but...
00:25:38Look, it's not my fault.
00:25:40I told you.
00:25:41I had a screening tonight of that documentary on geological research.
00:25:46Of course I'd rather be with you.
00:25:49Anyway, I thought you were going out to dinner with Francesca.
00:25:51No, she said she was going out with Andy and a whole group.
00:25:54Ah.
00:25:55They seem to have made friends quickly.
00:25:58Listen.
00:25:59If nothing comes up, I'll pick you up tomorrow after work and take you out to dinner.
00:26:04I've discovered a new place out in the country.
00:26:06The food's fantastic.
00:26:09Yes.
00:26:11You know I do.
00:26:14Good night, darling.
00:26:35Can you give me a light?
00:27:06Dear Daddy, I'm now in the fourth grade.
00:27:14I don't want presents from you.
00:27:16I just want you to come home.
00:27:18Mama told me that you'd be away at the sea for a long time.
00:27:21Why must you leave Mama and me alone so much?
00:27:24The man who has the animal shop has given me a black cat.
00:27:27He often comes to get us and takes us out, but he'll never take me to the zoo.
00:27:31Mama bawled me out the other day because I told her I thought the man was horrible and he scares me.
00:28:02Here.
00:28:31Whoa.
00:28:39Meow.
00:28:42Meow.
00:28:57Meow.
00:29:27Mama.
00:29:57Meow.
00:30:16Isn't Sylvia here yet?
00:30:18No. I called her home just now, but there was no answer.
00:30:20But it's nearly 11 o'clock.
00:30:22She's probably on her way.
00:30:24Maybe she's sick.
00:30:25In that case, someone would have answered the phone.
00:30:34Good morning.
00:30:35Can I help you?
00:30:36Yes, please.
00:30:37I'm looking for the vase that was there.
00:30:38Which one?
00:30:39The pink one with the flower on it.
00:30:41It was in the window.
00:30:42I'm afraid you're wrong.
00:30:44I've never had a vase of that type.
00:30:45I'm sorry.
00:30:46It's not possible.
00:30:48It's always been there.
00:30:49I've seen it many times.
00:30:50Well, I'm afraid you're mistaken.
00:30:51I'm sure because I set up the window displays myself.
00:30:54Maybe I could show you something else.
00:30:56Senorina.
00:31:11How do you want your steak?
00:31:12Same as usual.
00:31:20Do you really have to leave tomorrow?
00:31:23Yes, I do.
00:31:25I'm afraid it's not up to me.
00:31:27Where are they sending you this time?
00:31:29Cape Town.
00:31:31There's a new layer to examine.
00:31:32I should be able to get some interesting samples.
00:31:38I'll only be gone a week.
00:31:42I wish you weren't going at all.
00:31:48Please don't leave me alone tonight.
00:31:52I don't want to sleep alone.
00:31:56I want to know you're near me.
00:32:22Senor Rosetti.
00:32:36Oh, it's you, Senorina.
00:32:38Come and excuse me a second.
00:32:39Just a second.
00:32:4155, 56, 57, 58, 59, 60.
00:32:48Oh, that's beautiful.
00:32:51Not bad, eh?
00:32:53Just think that this one I've now taken 220.
00:32:56But I must admit the first ones were all out of focus.
00:32:58You must be very fond of animals.
00:33:00Only at the bottom, I...
00:33:05I'm sorry, Senorina, but...
00:33:07If it doesn't sound rude, would you mind taking off your dark glasses?
00:33:10It makes me very nervous speaking with a person when I can't see their eyes.
00:33:20To think I switched to hide such beautiful eyes is unfair to us men.
00:33:30Don't you teach anymore, Senor Rosetti?
00:33:32No, I left the school a year ago.
00:33:34They thought I was getting too old.
00:33:40Since the death of my dear wife, my life has not been the same.
00:33:46I know what you mean.
00:33:48I've been alone an awful lot, too.
00:33:58What happened to your mother?
00:33:59How did she die, I mean?
00:34:04I don't remember.
00:34:05I was too little.
00:34:17I'm glad you're here today.
00:34:19It reminds me of when I was a little girl.
00:34:22And I used to come to the zoo with my father.
00:34:23Those were the happiest days of my life.
00:34:25We used to come here every Sunday when he was home from the sea.
00:34:29Let's take a little walk.
00:34:35Oh, come on, please, turn around and let me take a photograph of you.
00:34:37The lights are perfect now.
00:34:39Oh, no, I look so awful.
00:34:40No, no, no, no, no, just like that.
00:34:41Don't move.
00:34:43You'll be a winner.
00:34:491, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21.
00:35:05Luigi?
00:35:07Luigi?
00:35:10Oh, good evening, Senorina Hackerman.
00:35:14Oh, before you go up, I almost forgot.
00:35:16There's a package for you.
00:35:29Who brought it?
00:35:31I don't know.
00:35:32They delivered it to my sister while I was down in the basement cleaning the boiler.
00:35:36They handed it to me just before she went out.
00:35:40Oh, just a moment.
00:35:42Just a moment.
00:35:43I'm coming up, too.
00:35:44Hello, Senor Cardini.
00:35:45Good evening.
00:35:46Oh, no mail again.
00:35:47No, no, Chopin.
00:35:49Senorina Hackerman's not going to hurt you.
00:35:51She's a friend.
00:35:53Good evening, Luigi.
00:35:54Good evening, Senorina.
00:35:55There we are.
00:35:57I hope you're not allergic to cats, too, are you, Senorina?
00:36:01Do you know, yesterday, a cab driver wouldn't let me into his house.
00:36:04Because he said his mother-in-law was not allergic.
00:36:07Oh, for God's sake.
00:36:08For God's sake.
00:36:38Oh, my God.
00:37:00Who is it?
00:37:13It's me, Francesca.
00:37:15Hi.
00:37:17Can I come in?
00:37:18Sure.
00:37:23Are you alone?
00:37:25No Roberto?
00:37:26He went away last night.
00:37:29Oh, what a pretty vase.
00:37:30Is it new?
00:37:34I bought it today.
00:37:36Mother had one just like it.
00:37:38Are they for me?
00:37:40Andy sent them to me.
00:37:42It's a strange thing.
00:37:43Send me 24 roses and two lilies.
00:37:46It's funny, isn't it?
00:37:48I was sure you wouldn't mind sharing them with me.
00:37:51Thank you.
00:37:52It's very sweet of you.
00:37:54I'll put some water in them right away.
00:37:58Oh, Lord.
00:37:59I'd better run.
00:38:00I've got to get dressed and I'm late as usual.
00:38:02Bye.
00:38:03Bye.
00:38:04Thanks for the flowers.
00:38:19Sylvia.
00:38:25Sylvia.
00:38:35Sylvia.
00:38:43Sylvia.
00:39:13Sylvia.
00:39:43Sylvia.
00:39:53Sylvia.
00:40:03Sylvia.
00:40:13Sylvia.
00:40:23Sylvia.
00:40:45Is my picture ready?
00:40:47Senorina, I'm sorry, but it seems to be lost.
00:40:49I've searched all over the shop for it, but I just cannot lay my hands on it.
00:40:52I don't know what to say.
00:40:53It just isn't here.
00:40:55But that's not possible.
00:40:58Why don't you want to give me my picture back?
00:41:00Maybe somebody else came to pick it up for you,
00:41:02and then they forgot to tell you about it.
00:41:04I want my picture back.
00:41:06Give me my picture back.
00:41:07Senorina, it's no use getting angry.
00:41:08Don't touch me!
00:41:15I just wanted to tell you that I'm having some friends for dinner tonight,
00:41:18and you're invited.
00:41:20Try to come a bit early.
00:41:21That way you can lend me a hand.
00:41:22But Roberta's away.
00:41:23Oh, come on now.
00:41:24Don't be so silly.
00:41:25You're not going to die without Roberta.
00:41:27No, I just don't feel like going out this evening.
00:41:29Why not?
00:41:30Oh, I don't know.
00:41:31I'm really not in the mood to get dressed up and to put on makeup and everything.
00:41:34Listen, I'll see you tonight, okay?
00:41:36And make yourself beautiful.
00:41:37Ciao.
00:41:47You know, it gives me shivers up and down my spine.
00:41:49She's quite uncanny.
00:41:53I'd never have believed she could be so accurate with a photograph.
00:41:58Apart from a couple of little details, she got everything absolutely right.
00:42:03Shall we see if she's just as perceptive about you, Senorina Hackerman?
00:42:08No, I'd rather not.
00:42:10Why don't you try, Francesca?
00:42:12It's useless, Sylvia.
00:42:13We've done it so often already that Orchidea, at this point, knows me like a book.
00:42:18I only have the strength for one more, so make up your mind.
00:42:22It's only a game, Sylvia.
00:42:24Don't be afraid.
00:42:26Give me your hand.
00:42:28The left one.
00:42:35You're afraid.
00:42:36I can feel it.
00:42:37Relax.
00:42:38Let yourself go.
00:42:41There, that's better.
00:42:43Try not to think of anything in particular.
00:42:46I need an object, anything, it doesn't matter what.
00:42:49Something that has always been yours.
00:42:52Something that means a lot to you.
00:42:55I don't have anything.
00:42:57What about that little doll of yours?
00:42:59Go get it.
00:43:00I think your purse is in the other room.
00:43:16I'll get it.
00:43:47Signor Ozzetti went home.
00:43:49He's leaving for the seaside early tomorrow morning and he asked me to say goodnight to you.
00:43:55Have you found it?
00:43:57Give it to me.
00:44:06Close your eyes, Sylvia.
00:44:15What is it?
00:44:42Everything is dark now.
00:44:46The boat is leaving.
00:44:51Water.
00:44:53Nothing but water.
00:44:58The wind is coming up.
00:45:02I can see a man struggling against the waves.
00:45:10He's shouting.
00:45:13Sylvia.
00:45:15Sylvia.
00:45:18Sylvia.
00:45:23Now I see him sinking.
00:45:26Sinking into the depths.
00:45:29Swallowed up by the ocean.
00:45:33He's your father, Sylvia.
00:45:35Your father.
00:45:37The seaweed wraps itself around his body.
00:45:40Someone has hurt him.
00:45:43You've opened your eyes. I can feel it.
00:45:46If you open your eyes, I cannot read your thoughts nor your past.
00:45:57I want to stop.
00:45:59I don't like this.
00:46:01No, you can't stop now.
00:46:03It's too dangerous.
00:46:06Shut your eyes.
00:46:14Now I can see you.
00:46:16When you were a child.
00:46:19Now I see a man in the house.
00:46:22He's not your father.
00:46:26You feel threatened by this man.
00:46:30Oh, what is it?
00:46:33What's happening?
00:46:35It's strange. I can't see it.
00:46:41The man the little girl is afraid of has vanished.
00:46:50Now I can see your mother in the house.
00:46:54Your mother's putting out a flag.
00:46:57And the little girl...
00:46:59No, Sylvia, don't do that.
00:47:02I'll kill you for the rest of your life.
00:47:04No, no, no.
00:47:07Stop, stop.
00:47:10I hate you, I hate you.
00:47:14We'd better be going.
00:47:16They'll be waiting for us.
00:47:21It's later than I thought.
00:49:52I hate you.
00:50:02I hate you.
00:50:21Who is it?
00:50:51Who is it?
00:51:21Who is it?
00:51:51Who is it?
00:52:06Where have you been? I rang and rang.
00:52:10I'm cold. I want to get in.
00:52:22You can't stay here. Do you know what time it is?
00:52:25It's very late for a little girl like you to be out.
00:52:29Besides, your hair's soaking wet.
00:52:32You wanted me to come, Sylvia.
00:52:36How do you know my name?
00:52:39I'm Sylvia.
00:52:42Sylvia.
00:52:45Sylvia.
00:52:49How do you know my name?
00:52:51What have you done with the picture?
00:52:54You've made Mama angry, haven't you?
00:52:58You've got to go home.
00:53:01Your parents are probably already outside looking for you.
00:53:06There's no use telephoning anybody.
00:53:12Please go away.
00:53:17Please go away.
00:53:20Go away. I'm tired. I want to go to sleep.
00:53:24Go away, do you hear?
00:53:29It's beautiful.
00:53:37Where did you get it?
00:53:40It's mine. It's my favorite toy.
00:53:44I had one just like it.
00:53:48I'm sorry.
00:53:51I'm sorry.
00:53:55I had one just like it.
00:53:59It's funny.
00:54:02Her arm is broken.
00:54:05It's mine. Where'd you get it?
00:54:09Give it to me.
00:54:10No, you're old. You're old now.
00:54:12What do you want it for? You're too old.
00:54:24Francesca!
00:54:27Francesca!
00:54:55Senor Rossetti, please help me.
00:54:59What's the matter?
00:55:01Make her go away. I'm afraid.
00:55:04Make who go? Who's there?
00:55:07It's a little girl.
00:55:11A little girl. She won't go away.
00:55:14A little girl?
00:55:16Yes.
00:55:18No, don't worry. I'll see what I can do.
00:55:21Just leave it to me.
00:55:51She's in the living room.
00:56:14There's no one here at all.
00:56:19There's no one here at all.
00:56:22Come and see for yourselves.
00:56:24There's nothing to be frightened about. I've looked all over the room.
00:56:27There's not a sign of a little girl in here.
00:56:37It's not possible.
00:56:39You were dreaming, Senorina.
00:56:41It's not surprising with this storm.
00:56:44Look, she bit my hand.
00:56:47What if she did? There's no sign of it.
00:56:55I guess you're right.
00:56:57It must have been a bad dream, but it seems so real.
00:57:01I'm sorry I bothered you.
00:57:03Don't be silly.
00:57:05You don't have to apologize to me.
00:57:07You could be my daughter, you know that?
00:57:10Now you get a good night's sleep, my dear, and don't think any more about it.
00:57:15There's a spot on your shoe.
00:57:20Oh, dear me, another pair of shoes that'll have to be cleaned.
00:57:24This old nose, it often starts to bleed when it rains, ever since I was a boy.
00:57:31Now, no more dreams. Sleep well.
00:57:34Thank you. Good night.
00:57:45Good night.
00:58:15Good night.
00:58:33Where are you hiding? Come on, now.
00:58:46Where have you got to?
00:58:51I know it's late, but I haven't forgotten about you.
00:59:15Mmm. Mmm. Mmm.
00:59:19Mmm. Mmm. Mmm.
00:59:23Mmm. Mmm. Mmm.
00:59:26Mmm. Mmm.
00:59:30Mmm. Mmm. Mmm.
00:59:34Mmm. Mmm. Mmm.
00:59:39Mmm. Mmm. Mmm.
00:59:52Just think, I was talking to her only yesterday. Such a crazy thing.
00:59:56She asked me to bring her mail. I rang the bell, but no one answered.
00:59:59I rang again. But how did it happen?
01:00:01I don't know. Nobody seems to be sure.
01:00:03She must have been taken here, just like that, out of the blue.
01:00:05Has her family been notified? It seems she didn't have any family.
01:00:08No, she once told me she was all alone.
01:00:10It was your sister who found her, wasn't it?
01:00:12Yes. Carlotta went up to clean her apartment.
01:00:14She went into the bathroom, and there she was.
01:00:16It was horrible for Carlotta. Horrible.
01:00:18Oh, it must have been. What a shock for her to see that poor girl lying like that, and so young.
01:00:22Who are you talking about? Oh, Signorina.
01:00:25Oh, such a dreadful thing. What's happened?
01:00:28Whoever could have imagined it.
01:00:30Of course it was an accident.
01:00:32But she's dead. She's already in the mortuary.
01:00:36Who? Who are you talking about?
01:00:39Francesca. Carlotta found her about an hour ago in her bath.
01:00:42She must have been lying there for hours.
01:00:45She was completely naked.
01:00:47They said she must have taken too hot a bath.
01:00:50And then she probably felt faint or giddy.
01:00:52And her heart wasn't up to the strain.
01:00:54But who knows? She was all alone, poor little creature.
01:00:57What a tragic thing to have happened.
01:01:00Signorina, it's no use going up there. The apartment's locked.
01:01:04They've taken her body away.
01:01:29You see? I've come back early.
01:01:33Francesca's dead.
01:01:35I know. It's awful.
01:01:40I didn't know she had a weak heart.
01:01:42I'm so afraid.
01:01:46So many awful things have been happening. It'll be all right now.
01:01:59Everything is ready. Shall we proceed?
01:02:29Come on.
01:02:59Come on.
01:03:29Come on.
01:03:31Come on.
01:03:33Come on.
01:03:57Still she haunts me, phantom-wise,
01:03:59Alice moving undisguised, never seen by human eyes.
01:04:02No children yet, the tilde here, eager eye and willing ear,
01:04:05lovingly shall nestle near.
01:04:07In a wonderland they lie, dreaming as the days go by,
01:04:10dreaming as the summers die, ever drifting down the stream,
01:04:14lingering in the cold and gleam.
01:04:18Life, what is it but a dream?
01:04:32Alice.
01:05:02Alice.
01:05:32Alice.
01:06:02Alice.
01:06:32Alice.
01:07:02Alice.
01:07:33Excuse me.
01:07:34Yes?
01:07:35Do you have any blackberry jam?
01:07:36Sure.
01:07:37I want all you've got.
01:07:38All right.
01:07:47Is that all?
01:07:48Yes, these are the last two blackberries, but I have other flavors if you want them.
01:07:51No.
01:07:54Please, you forgot to pay.
01:07:57Oh, sorry.
01:07:59Good morning.
01:08:01I'm sorry to bother you.
01:08:02Were you asleep?
01:08:03No.
01:08:04What do you want?
01:08:05Chopin has disappeared.
01:08:06I was wondering if you'd seen him.
01:08:08Seen who?
01:08:09Chopin, my black cat.
01:08:11He ran away last night.
01:08:12There was a female in heat, howling on the roof,
01:08:14but I can't stand the thought of his mating with one of those wanton alley cats.
01:08:17No, I'm sorry, but I assure you, I haven't seen him.
01:08:21I'm sorry, but I assure you, I haven't seen him.
01:08:23I'm sorry, but I assure you, I haven't seen him.
01:08:25I'm sorry, but I assure you, I haven't seen him.
01:08:28But, but, these people have lost their minds.
01:08:35Chopin!
01:08:37Chopin!
01:08:38Where are you?
01:08:40Come back, you naughty boy.
01:08:42You naughty, naughty.
01:08:44Chopin!
01:08:57Chopin!
01:09:21Where'd you get that box?
01:09:23I had it at home.
01:09:27Home?
01:09:29Where do you live?
01:09:30You know very well where I live.
01:09:32Via Cavaliere d'Arpino.
01:09:34What?
01:09:35Via Cavaliere d'Arpino.
01:09:37You heard.
01:09:38Number five.
01:09:39Look, I've brought you a present.
01:09:58Why did you bring them here?
01:10:00Why?
01:10:01Because I've come to live with you.
01:10:03No!
01:10:06I'm sure I'll like it here.
01:10:08Besides, you know my favorite jam is blackberry.
01:10:11I want you to be happy too, Sylvia.
01:10:13If you look under the bottom dress,
01:10:15you'll find the surprise I prepared for you.
01:10:28You shouldn't have done it.
01:10:50I've always wanted a black cat of my own.
01:10:52We can have him stuffed.
01:10:54That way, he'll look like he's alive.
01:11:01No, no, Elizabeth.
01:11:02I'm fine, really, I am.
01:11:04You don't need to come over.
01:11:05I don't need anything.
01:11:06Thank you.
01:11:07Listen.
01:11:08If you could please tell everybody
01:11:10that I'll be away for a week
01:11:12and that you don't know where I am.
01:11:14Okay?
01:11:16Thank you.
01:11:17Bye.
01:11:18She said she'll be coming back to work in a week.
01:11:21But she sounded very sad.
01:11:23But she sounded very strange.
01:11:49Yes, okay, the boss said that'll be fine.
01:11:52But you'll have to wait, I'm afraid, for two or three weeks.
01:11:55That long?
01:11:57Couldn't I possibly have it before?
01:11:59Well, it's August, and we have a massive work piled up.
01:12:03We'll see what we can manage.
01:12:07Senorina, I'm afraid I must ask you to leave in advance.
01:12:10I'm sorry, but we don't accept work without a down payment.
01:12:14I don't have any money with me.
01:12:16I went out without my purse.
01:12:19And could you leave your name and address?
01:12:21Mm-hmm.
01:12:43Thanks.
01:12:47What about your telephone?
01:12:48Could you put your number down?
01:12:50We don't have a telephone.
01:12:54Would you wait a moment? I'll be right back.
01:13:10Sylvia.
01:13:13Little Sylvia.
01:13:15Sylvia Hackerman.
01:13:16Sylvia Hackerman.
01:13:19Don't you remember me?
01:13:22Yes.
01:13:24You're Nicola.
01:13:27Why did you write this address?
01:13:30You know that nobody lives there anymore.
01:13:32Where are you going?
01:13:43Go back out, I don't need you here.
01:13:46Go back out, I don't need you here.
01:14:17Have you made up your mind where you want me to go?
01:14:21Via Cavalier D'Arpino, right away.
01:14:24It's behind Botanical Gardens.
01:14:47I'm sorry.
01:14:48I'm sorry.
01:14:49I'm sorry.
01:14:50I'm sorry.
01:14:51I'm sorry.
01:14:52I'm sorry.
01:14:53I'm sorry.
01:14:54I'm sorry.
01:14:55I'm sorry.
01:14:56I'm sorry.
01:14:57I'm sorry.
01:14:58I'm sorry.
01:14:59I'm sorry.
01:15:00I'm sorry.
01:15:01I'm sorry.
01:15:02I'm sorry.
01:15:03I'm sorry.
01:15:04I'm sorry.
01:15:05I'm sorry.
01:15:06I'm sorry.
01:15:07I'm sorry.
01:15:08I'm sorry.
01:15:09I'm sorry.
01:15:10I'm sorry.
01:15:11I'm sorry.
01:15:12I'm sorry.
01:15:13I'm sorry.
01:15:14I'm sorry.
01:15:15I'm sorry.
01:15:16I'm sorry.
01:15:17I'm sorry.
01:15:18I'm sorry.
01:15:19I'm sorry.
01:15:20I'm sorry.
01:15:21I'm sorry.
01:15:22I'm sorry.
01:15:23I'm sorry.
01:15:24I'm sorry.
01:15:25I'm sorry.
01:15:26I'm sorry.
01:15:27I'm sorry.
01:15:28I'm sorry.
01:15:29I'm sorry.
01:15:30I'm sorry.
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01:15:33I'm sorry.
01:15:34I'm sorry.
01:15:35I'm sorry.
01:15:36I'm sorry.
01:15:37I'm sorry.
01:15:38I'm sorry.
01:15:39I'm sorry.
01:15:40I'm sorry.
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01:15:44I'm sorry.
01:15:45I'm sorry.
01:15:46I'm sorry.
01:15:47I'm sorry.
01:15:48I'm sorry.
01:15:49I'm sorry.
01:15:50I'm sorry.
01:15:51I'm sorry.
01:15:52I'm sorry.
01:15:53I'm sorry.
01:15:54I'm sorry.
01:15:55I'm sorry.
01:15:56I'm sorry.
01:15:57I'm sorry.
01:15:58I'm sorry.
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01:16:00I'm sorry.
01:16:01I'm sorry.
01:16:02I'm sorry.
01:16:03I'm sorry.
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01:16:05I'm sorry.
01:16:06I'm sorry.
01:16:07I'm sorry.
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01:16:09I'm sorry.
01:16:10I'm sorry.
01:16:11I'm sorry.
01:16:12I'm sorry.
01:16:13I'm sorry.
01:16:14I'm sorry.
01:16:15I'm sorry.
01:16:16I'm sorry.
01:16:17I'm sorry.
01:16:18I'm sorry.
01:16:19I'm sorry.
01:16:20I'm sorry.
01:16:21I'm sorry.
01:16:22I'm sorry.
01:16:23I'm sorry.
01:16:24I'm sorry.
01:16:25I'm sorry.
01:16:26I'm sorry.
01:16:27I'm sorry.
01:16:28I'm sorry.
01:16:29I'm sorry.
01:16:30I'm sorry.
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01:16:37I'm sorry.
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01:16:39I'm sorry.
01:16:40I'm sorry.
01:16:41I'm sorry.
01:16:42I'm sorry.
01:16:43I'm sorry.
01:16:44I'm sorry.
01:16:45I'm sorry.
01:16:46I'm sorry.
01:16:47I'm sorry.
01:16:48I'm sorry.
01:16:49I'm sorry.
01:16:50I'm sorry.
01:16:51I'm sorry.
01:16:52I'm sorry.
01:16:53I'm sorry.
01:16:54I'm sorry.
01:16:55I'm sorry.
01:16:56I'm sorry.
01:16:57I'm sorry.
01:16:58I'm sorry.
01:16:59I'm sorry.
01:17:00I'm sorry.
01:17:01I'm sorry.
01:17:02I'm sorry.
01:17:03I'm sorry.
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01:17:05I'm sorry.
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01:17:10I'm sorry.
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01:17:13I'm sorry.
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01:17:15I'm sorry.
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01:17:17I'm sorry.
01:17:18I'm sorry.
01:17:19I'm sorry.
01:17:20I'm sorry.
01:17:21I'm sorry.
01:17:22I'm sorry.
01:17:23I'm sorry.
01:17:24I'm sorry.
01:17:25I'm sorry.
01:17:26I'm sorry.
01:17:27I'm sorry.
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01:17:58I'm sorry.
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01:18:00I'm sorry.
01:18:01I'm sorry.
01:18:02I'm sorry.
01:18:03I'm sorry.
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01:18:23I'm sorry.
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01:18:38I'm sorry.
01:18:39I'm sorry.
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01:18:44I'm sorry.
01:18:45I'm sorry.
01:18:46I'm sorry.
01:18:47I'm sorry.
01:18:48I'm sorry.
01:18:49I'm sorry.
01:18:50I'm sorry.
01:18:51I'm sorry.
01:18:52I'm sorry.
01:18:53I'm sorry.
01:18:54I'm sorry.
01:18:55I'm sorry.
01:18:56I'm sorry.
01:18:57I'm sorry.
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01:19:00I'm sorry.
01:19:01I'm sorry.
01:19:02I'm sorry.
01:19:03I'm sorry.
01:19:04I'm sorry.
01:19:05I'm sorry.
01:19:06I'm sorry.
01:19:07I'm sorry.
01:19:12I'm sorry.
01:19:13I'm sorry.
01:19:14I'm sorry.
01:19:15I'm sorry.
01:19:16You thought you'd be safe in your old bedroom, didn't you?
01:19:17You're wrong.
01:19:18Your mother wasn't here to protect you anymore.
01:19:19You took care of that, didn't you?
01:19:25Murdering little bitch.
01:19:36You remember your mother, she was impaled on the spikes of the front gate.
01:20:06You remember your mother, she was impaled on the spikes of the front gate.
01:20:36You remember your mother, she was impaled on the spikes of the front gate.
01:21:36You remember your mother, she was impaled on the spikes of the front gate.
01:21:43You remember your mother, she was impaled on the spikes of the front gate.
01:21:58You remember your mother, she was impaled on the spikes of the front gate.
01:22:10I
01:22:15Don't want to go home I have to talk to you. What's the matter now?
01:22:28I killed a man. What's this another one of your fantasies?
01:22:31I
01:22:38Seem to have my old bedroom
01:22:46In here
01:22:49There's no one at all Sylvia
01:22:52Did you hear me? Come on in there's nobody here see for yourself. Where's this man? You say you killed?
01:23:02Why did you come to this place it's my house
01:23:05Where's this man you say you killed why did you come to this place? It's my house
01:23:18Listen
01:23:21Sylvia's come back
01:23:26Stop it
01:23:27You hear me? That's enough
01:23:30Come on, I'm taking you touch me. I'm not yours
01:23:35I
01:24:05I
01:24:26Only Sylvia's good all the others are evil and they want to hurt us only Sylvia's good
01:24:33Only Sylvia
01:25:03Sylvia
01:25:07Where have you been?
01:25:09What you leave me all alone?
01:25:12You mustn't do that again
01:25:15Today you must look your best Sylvia
01:25:19It's a big holiday the whole city's lit up
01:25:24I'd forgotten
01:25:27You must do what I say from now on let's go we have lots to do
01:25:30Yes
01:26:00I
01:26:30I
01:27:01I
01:27:04I
01:27:26The dormouse has fallen asleep again said the Mad Hatter and he poured a bit of hot tea on his nose
01:27:33The dormouse shook shook his head impatiently and said without opening his eyes, of course, of course
01:27:40I was about to say so myself
01:27:43Well, have you sold the riddle as the Mad Hatter and he turned once again to Alice
01:27:49What is the answer? I?
01:27:53Haven't the faintest idea replied the Mad Hatter
01:27:56We can't play the game Sylvia the Mad Hatter's missing
01:28:10Why did you call me
01:28:25You
01:28:36You were the only one missing
01:28:41Today's a holiday. I've invited some friends. I've even made a pot of tea
01:28:55I
01:29:25I
01:29:49Now we can start you'll be the Mad Hatter
01:29:56The dormouse has fallen asleep again said the Mad Hatter and he poured a bit of hot tea on his nose
01:30:19Sylvia
01:30:23Sylvia where are you going?
01:30:25Why don't you stay here with me?
01:30:28Sylvia
01:30:30Wait for me
01:30:35Do you hear the music I'm going to go see the band you all want to come to
01:30:55You
01:31:25You
01:31:55You
01:32:25You
01:32:55You
01:33:25You
01:33:55I
01:34:25I
01:34:55I
01:35:25I
01:35:55I
01:36:25I
01:36:55I
01:37:25I
01:37:55You
01:38:25You
01:38:55You
01:39:13You