The young and inexperienced teenager Libero is taken into custody by his anarchist grandfather. Lusting for their nephew, 3 females obtain guardianship of him from him. Then he discovers the joys of sex.
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#TheSweetAunts
#LeDolciZie
#1975Film
#Comedy
#Erotic
#ItalianCinema
#PascalePetit
#FemiBenussi
#MarisaMerlini
#MarioImperoli
#SexComedy
#EroticComedy
#ItalianErotica
#Stripping
#SexualFrustration
#FemaleVoyeur
#PosingNude
#NudeModeling
#EroticFantasy
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#FirstTimeSex
#SexualAwakening
#SkinnyDipping
#Voyeur
#NudeSunbathing
#NudeBathing
#EroticFilm
#CheatingWife
#FemaleNudity
#FemaleFullFrontalNudity
#FemaleRearNudity
#Undressing
#LossOfVirginity
#Virginity
#Erotica
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#ItalianSexComedy
#ClassicErotica
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Category
🎥
Short filmTranscript
00:00:00You
00:00:30Oh
00:01:00Madonna
00:01:19I'll stay back when I'm a born in Jericho leader. Come on in Jetta, Pascola. I love a porter. I don't know if I score. No, I can minister
00:01:26I'm
00:01:56I
00:02:26I
00:02:56Oh
00:03:13Quando deve pisar dice que va a far quattro passi allora quando deve cagare cosa dirá que fa il chilometro lanciato
00:03:19Proprio betty posato panocha grande grosso como un caballo
00:03:22Cora se vergogna de este cose poverino forse se vergognava perché c'estavo io e così ha detto che andava a far quattro passi, no
00:03:28poteva dir quattro pisi
00:03:31Jo panocha cosa come ti chiami tu
00:03:36Libero lo sai ecco bravo cerca di essere libero allora spander acqua si dice pisar
00:03:43O
00:03:45Pisato nonno
00:03:49Che può pisar per noi non c'è mica da vergognarsi è una cosa fatta tutta a mano
00:03:56Veramente non ho sete
00:04:00E brava quattro passi anche a tutti va e viene oggi e questo ripeto coi piedi e fa sangue
00:04:14Oh
00:04:20No, I like a post a la senora a mette quattro manuela del carro si che adesso se impugna
00:04:33Jette stretto sa jette stretto
00:04:43Oh
00:05:14Oh
00:05:29Aluta don Fioreno
00:05:32Come vanno gli affari
00:05:34Per tua regola non sono un commerciante e nel mio ministero l'ingresso è gratuito
00:05:40Oh
00:05:41E poi cosa sarebbe questa cosa che io non avrei
00:05:45L'umiltà caro don Fioreno perché venivo proprio da voi
00:05:49Da me sicuro io per una messa in suffragio de un'anima santa
00:05:54Ah se per questo fa sempre piacere vedere una pecorella smarrita tornare allo ville e chi sarebbe quest'anima benedetta
00:06:01Giuseppe stalin e mi cantate anche te profondi si queste cose non faccio economia
00:06:06Io ti ci canto il de mortaci sti ci canto
00:06:08brutto figlio di una mia
00:06:10Ma ma ma ma
00:06:12Sta parlando della sua mamma
00:06:14Libero ciao
00:06:16Fermo che arriva le cornacchie
00:06:20Liberino
00:06:23Dio come ti hanno ridotto
00:06:25Don Fioreno
00:06:27Mettilo giu
00:06:29Non toccare questo fiore che appassisce
00:06:31Guarda chi che parla di appassite
00:06:33Una due tre sono arrivate le grandi
00:06:36Grazie a grazie e la grazia al cielo
00:06:38Maleducato
00:06:39E tu chiudi questa boccaccia
00:06:41Se no ti stronco con queste mani
00:06:43Stronco sarai tu
00:06:45Vieni qui tu
00:06:47E piantala di fare la cretina
00:06:49Tu piuttosto
00:06:51Non ti vergogni di come hai ridotto questo povero ragazzo
00:06:53Sembra il figlio di nessuno lo vedi
00:06:55Ma va via gingaro
00:06:57Libero sta benissimo
00:06:59E sano e robusto
00:07:01E di voi se sbate le bale capito
00:07:03Ateo,cafone,lurido bifolco
00:07:06Che cosa ha in mano
00:07:08Un fiasco di vino
00:07:10L'hanno alcolizzato
00:07:12Il vino fa bene
00:07:14Domanda a Don Fioreno che se tu ci ha messo un litro faro gli messa
00:07:16Adesso mi hai proprio rotto i cosa
00:07:18Voglio dire
00:07:20Mi hai rotto i timpani
00:07:22Porca troia
00:07:24Dio dammi la forza
00:07:26Dammi la forza
00:07:28Lasci perdere Don Fioreno
00:07:30Ci pensiamo noi a questo rifiuto
00:07:32Della società
00:07:35Non ha diritto di prendersi il figlio
00:07:37Di nostra sorella
00:07:39E figlio di mio figlio
00:07:41E libero deve crescere cosi come è nato
00:07:43Libero
00:07:45De nome e de fatto
00:07:47Deve vivere il più lontano possibile
00:07:49Dalle sottane di tre zitelle
00:07:51Vece e beghine
00:07:53Come vuoi altri
00:07:55Basta
00:07:57Io non ti permetto sai
00:07:59Cosa non permetti
00:08:01Di dire queste cose
00:08:03D'accordo ma ricordati che hai le ore contate
00:08:05Contate
00:08:07Libero sarà nostro
00:08:09Ci puoi giurare
00:08:11Ciao caro
00:08:17Ne volete una che vuoi Don Fioreno
00:08:20Oh
00:08:36Merli
00:08:38Merli
00:08:40Andi via della mia terra
00:08:42Ferandroni
00:08:44Orteriella
00:08:46Fanuloni
00:08:49Ramengo
00:08:51C'avevo un bel lavoro a Roma
00:08:53Un lavoro tecnico, ho rifinito
00:08:55Avevo messo pure l'annuncio sul giornale
00:08:57Poi sai com'è
00:08:59Un giorno è arrivata la buon costume
00:09:01Un casino
00:09:03Beh insomma m'hanno rimandato qui col foglio di via
00:09:07E piega la testa
00:09:09Lo sai come sono fatti in paese no
00:09:11Neanche in faccia mi guardavano
00:09:15L'unico che m'ha aiutato è stato tuo nonno
00:09:17Per questo gli voglio bene
00:09:19A quel vecchiaccio
00:09:21Se lo merita proprio
00:09:24Ehi ti, cos'è staccata
00:09:26Ehi dico te
00:09:28Ma dico ma ti giornali leggi
00:09:30Oh, ta roba fa solo scaldare la testa
00:09:32Oh
00:09:34Ehi ti
00:09:36Ma ti guarda che roba
00:09:38Ehi ti, cos'è staccata
00:09:40Ehi dico te
00:09:42Ma ti guarda che roba
00:09:44Ehi ti, cos'è staccata
00:09:46Ehi ti guarda che roba
00:09:48Ehi ti guarda che roba
00:09:50Ma ti guarda che roba
00:09:52It only warms up your head, you know.
00:09:54Look, look. All naked women.
00:09:57And in all positions, too.
00:10:00In my days, all I did was read illustrated newspapers.
00:10:12Look at that.
00:10:17Libero! Libero!
00:10:20Libero, come here.
00:10:26Come here.
00:10:31I don't like this card at all.
00:10:33Not at all.
00:10:35Not at all.
00:10:38What do you want it to be, a piece of paper?
00:10:41In front of the Majesty of the Creator?
00:10:44I come to you, sir, with a pure heart and full of love.
00:10:48I come to you, sir, with a pure heart and full of love.
00:10:52I come to you, sir, with a pure heart and full of love.
00:10:57Manuela! Manuela!
00:11:00Come with me. Come on.
00:11:07I come to you, sir, with a pure heart and full of love.
00:11:14Don't be afraid. Please.
00:11:18Reverend Fathers, come forward.
00:11:25Good morning. I'd like a meter of black fettuccine.
00:11:28Good morning.
00:11:30Even if my mother said that I shouldn't talk to her,
00:11:34I'll serve her the same.
00:11:42Does your mother mind if I take two cigarettes in a row?
00:11:46Excuse me.
00:11:47The meter of fettuccine is used to make the black bow
00:11:50to that little orphan that you keep at home?
00:11:53Yes. I think you guessed right.
00:11:58Instead, the thread is used to tie the tongue to the bitches like you.
00:12:02So give me the robust.
00:12:03It's 400 lire.
00:12:04If you want, I'll give you a discount.
00:12:08Your mother is right.
00:12:10You look good in a merchandise. You're a nice guy.
00:12:13Good morning.
00:12:14Bye.
00:12:17Holy Mary, full of grace...
00:12:21The breast!
00:12:37Thirteen...
00:12:40Fourteen...
00:12:43Fifteen...
00:12:47Sixteen...
00:12:51Seventeen...
00:12:55Eighteen...
00:12:59Nineteen...
00:13:05Twenty...
00:13:07Twenty-one...
00:13:15Twenty-two...
00:13:19Twenty-three...
00:13:21Twenty-four...
00:13:23Twenty-five...
00:13:37I don't know. I think he's a boy.
00:13:40Not really.
00:13:42To me, he's a man.
00:13:44What do you mean?
00:13:45Yesterday, at the stable, he was looking at me with certain eyes.
00:13:50And then, when the preys passed by, I think...
00:13:54Wait, wait, I get it.
00:13:57He's a big boy.
00:13:58He's tied up.
00:14:00Here he is.
00:14:01By force.
00:14:02His name is Libero, like his grandfather.
00:14:05That's good blood.
00:14:06Blood from wine.
00:14:09He has a third leg that always walks.
00:14:11Grandfather!
00:14:14Well, I'll explain tomorrow.
00:14:16Because you have to explain everything to the boys.
00:14:18Everything.
00:14:19And explain it with delicacy.
00:14:24He's whistling.
00:14:31This is the boy, the bull.
00:14:34So...
00:14:36You know that a man is a woman...
00:14:42Hey, do you know it or not?
00:14:48So...
00:14:50Anita Garibaldi!
00:14:52She's a good cow.
00:14:54Full of milk!
00:14:56You don't know the boy or the bull?
00:14:59No.
00:15:00That's good.
00:15:02So...
00:15:05Do you want to smoke?
00:15:06I've never smoked.
00:15:08No?
00:15:09No.
00:15:11Listen.
00:15:15Here is the woman.
00:15:19And here is the man.
00:15:25Do you understand?
00:15:26No.
00:15:28Come on.
00:15:29Come here.
00:15:31Now let's have a nice chat among men.
00:15:35Sit down.
00:15:38Wait a minute.
00:15:39Let's drink.
00:15:40Drink.
00:15:44It's good.
00:15:46This is a man's stuff.
00:15:51So...
00:15:53The man is the woman.
00:15:56So...
00:15:57The man...
00:15:59Is the woman...
00:16:03But...
00:16:05And then...
00:16:09Libero!
00:16:10Libero, come here!
00:16:11Go to Manuela.
00:16:13I'm coming.
00:16:15Come on, give me a hand.
00:16:21Come on, move.
00:16:23What are you doing there?
00:16:25Come on.
00:16:32The man and the woman are fighting.
00:16:34Our man says so.
00:16:35Where are they fighting?
00:16:37If they were fighting here.
00:16:39What are you doing?
00:16:41I'll show you what gentlemen are like.
00:16:44Let's see what you can do.
00:16:46You were the strongest in the school.
00:16:47The strongest?
00:16:48Here.
00:16:51And the others?
00:16:52Ricotta?
00:16:53Ricotta?
00:17:23I'll show you.
00:17:25To the horns.
00:17:27Get her.
00:17:30Look, the cow's husband.
00:17:32Put it there.
00:17:33You've come to my house.
00:17:34Get out of here.
00:17:36Get out of here, I said.
00:17:37Bloodsucker.
00:17:38Let's run away.
00:17:39Get out of my house, horns.
00:17:41Or I'll shoot a quarter of a kilo of bullets for each ass.
00:17:44Wait a minute, Libero.
00:17:45You don't unload anything on anyone.
00:17:47I won't leave you alone.
00:17:48I'll shoot a quarter of a kilo of bullets for each ass.
00:17:51I'll shoot a quarter of a kilo of bullets for each ass.
00:17:53There you ここが prossめた
00:17:56Alliance!
00:17:57Hands up.
00:17:58Calm down.
00:17:59Successful fall.
00:18:00Take her away!
00:18:05Give me the gun!
00:18:07I feel sick...
00:18:09It's not the moment now.
00:18:12You know you are ugly.
00:18:14You are drunk.
00:18:16Drive my house out, horns.
00:18:18To evil and the devil.
00:18:20What is happening here?
00:18:21What's going on here? I'm the one who's going to fix this mess!
00:18:24Calm down, for Christ's sake!
00:18:26There's no need to make such a fuss.
00:18:28Talk like you eat!
00:18:29You don't call it a fuss, you call it a mess.
00:18:31You're a troublemaker!
00:18:32Whatever you say, the marshal is here too.
00:18:34Brigadier.
00:18:35Things can be resolved in peace.
00:18:38By good men.
00:18:39Let's hope so.
00:18:40Are you coming to talk to me in church?
00:18:42Go back, Merlo.
00:18:45Go back, Merlo.
00:18:46I can't shoot.
00:18:47Go back.
00:18:48Jump, Merlo.
00:18:49Hopla, hopla, hopla, hopla.
00:18:52Oh, my God.
00:18:53It's impossible.
00:18:54It's all right.
00:18:55Things can be resolved.
00:18:56But the good men are leaving.
00:18:58And I'll lower the rifle.
00:18:59Take it off his head.
00:19:01And I'll pick it up.
00:19:02You can't do anything about it.
00:19:04Here's a sentence from the court.
00:19:06The boy was entrusted to them.
00:19:08What?
00:19:09Yes, to us.
00:19:10You understood very well, my dear.
00:19:12I'm telling you that Libero,
00:19:13the court of the minors has decided,
00:19:16that he is part of the honorable Chiappala family.
00:19:21That's enough.
00:19:22I have the order to execute the sentence.
00:19:24And I'll have it executed.
00:19:26Hey, public force.
00:19:28Aren't you going to do another trick of paper?
00:19:31You want to take my boy away.
00:19:33The blood of my blood.
00:19:35With a touch of the court paper.
00:19:37But I'll kill you all.
00:19:39I'll kill you all.
00:19:40But what's going on?
00:19:42Grandpa is getting into trouble.
00:19:46The priests, even the public force.
00:19:48Eat what you said.
00:19:50And you let me eat it.
00:19:52Don't touch him.
00:19:54Grandpa.
00:19:56Let him be.
00:19:57Do it for me.
00:19:58Let's go, Libero.
00:19:59Benedetta, let's go too.
00:20:00Follow him.
00:20:04Panoccia.
00:20:08You won't be free anymore, you know.
00:20:10Good morning, sir.
00:20:12Good morning.
00:20:13Good morning, sir.
00:20:17Cornacchie.
00:20:18Chiappala sisters.
00:20:20Did you want war?
00:20:22You'll have it.
00:20:24Terrible.
00:20:25Calm down.
00:20:26You're under attack.
00:20:28Yes, you.
00:20:29Oh, God.
00:20:30Oh, Lord.
00:20:31Oh, Lord.
00:20:32Lord, help me.
00:20:33Oh, God.
00:20:34Oh, Lord.
00:20:35There.
00:20:36And the Lord will help you.
00:20:37Oh, yes.
00:20:38Satanic dictator.
00:20:40Now we'll have a nice coffee.
00:20:46A little more cake, eh?
00:20:48No, no, thank you.
00:20:50Come on, it's good.
00:20:51I can't take it anymore.
00:20:52Eat, eat, come on.
00:20:53But don't insist, Nini.
00:20:55It will make him burst.
00:20:57Poor boy.
00:20:58You have to go for grades.
00:21:00God only knows how much he must have suffered in that horrible Tocurio.
00:21:03But it's nice to take care of someone.
00:21:06Especially a man.
00:21:11It's what our poor sister would have wanted.
00:21:15A duty.
00:21:16A holy duty.
00:21:18From tomorrow we will dedicate ourselves to him.
00:21:20Oh, yes, only to him.
00:21:22To moral education.
00:21:23He has to look at everything in the right perspective.
00:21:26We will open new horizons for him.
00:21:28And then, no, I don't want him to go around with these rags.
00:21:32I'll sew him a new dress.
00:21:34Yes, a little stitched.
00:21:36And we'll change his name.
00:21:37I don't want anarchy to be used in this house.
00:21:40Or worse.
00:21:41We'll call him Rino.
00:21:43Okay?
00:21:44Yes, yes, Rino.
00:21:45Okay.
00:21:46What an idea.
00:21:47No, no, no, you have to see it.
00:21:49They all know him.
00:21:51He's an anarchist.
00:21:52That ugly rag.
00:21:53Never again in Rome.
00:21:55Poor boy.
00:21:56Forchetta.
00:21:57A name that starts with F.
00:21:59So, Fifi.
00:22:01Fidel Castro.
00:22:02No, he has a beard.
00:22:04Figaro.
00:22:05It can't be.
00:22:06Fi, fi, fi, Fiorella.
00:22:10Well, now relax.
00:22:12The day has been quite tiring for everyone.
00:22:14Beautiful aunt.
00:22:16Let's go.
00:22:28Here, Rino, this is your room.
00:22:30I hope you like it.
00:22:32It's very beautiful.
00:22:34Here's the pajamas.
00:22:38I'll help you.
00:22:40One.
00:22:42Two.
00:22:50I'll take off your shoes.
00:22:53Pajamas.
00:22:54Come on, Benedetta, you can do it yourself.
00:22:56Leave him alone.
00:22:57Come on.
00:22:58Good night.
00:22:59Come on.
00:23:00Good night, aunt.
00:23:01Good night.
00:23:02Bye, dear.
00:23:03Good night.
00:23:04Come on.
00:23:05Poor boy.
00:23:06Good night.
00:23:33Good night.
00:24:03Good night.
00:24:04Good night.
00:24:34Grandpa.
00:24:45Damn it.
00:24:52Who's going to do it now?
00:24:55Damn it.
00:24:57Stop.
00:24:58Don't move.
00:24:59So, let's see.
00:25:01Necklaces.
00:25:03Sixty-two.
00:25:06You'll see, your aunt will sew you a dress with bows.
00:25:09You'll look like a prince.
00:25:11On the arms, I'm not done.
00:25:13Would you like to be a prince?
00:25:15The princes are beautiful, tall and blond.
00:25:18I once saw one on the newspaper.
00:25:20It was low and archaic.
00:25:22Then he was definitely not a prince.
00:25:24So, chest ninety-three and life seventy-eight.
00:25:29And now the pants.
00:25:35Spread your legs.
00:25:41The length, here it is.
00:25:44About one hundred and two centimeters.
00:25:47Now the horse.
00:25:49Horse.
00:25:50Seventy-four.
00:25:51Plus four.
00:25:52Why plus four?
00:25:53Well, for the thing.
00:25:55For the annoyance, in short.
00:25:57It doesn't bother me at all.
00:26:00You say that?
00:26:02You didn't know?
00:26:04You call your grandfather in another way.
00:26:07I don't know.
00:26:08I don't know.
00:26:09I don't know.
00:26:10I don't know.
00:26:11I don't know.
00:26:12I don't know.
00:26:13I don't know.
00:26:14I don't know.
00:26:15I don't know.
00:26:16I don't know.
00:26:17I don't know.
00:26:19Your grandfather is a real dirtbag.
00:26:22And what's his name?
00:26:23Bird.
00:26:24I didn't understand.
00:26:25What?
00:26:26Bird.
00:26:27Joke.
00:26:28Not fly.
00:26:30One moment.
00:26:31Maybe I was wrong.
00:26:32I want to check the measurements.
00:26:35That's for the length.
00:26:42Maybe a little more.
00:26:49That will do.
00:26:51He won't fly, but you can lift.
00:27:01A little less.
00:27:04What did you say?
00:27:05Nothing. Can I go, aunt?
00:27:08Of course, dear. Go ahead.
00:27:23You don't come well and I'll destroy you.
00:27:28That's it.
00:27:35Oh, Rino, hello. Did you sleep well?
00:27:38Yes, thank you, aunt.
00:27:39Good boy, Rino.
00:27:44What a nice face you have.
00:27:47One day or another I'll make you a bust. Do you want?
00:27:49Why not?
00:27:53There's someone ringing. Do you want to think about it?
00:27:55I'll get in line and come.
00:28:01And move.
00:28:02I'm coming.
00:28:05You did it to come and open me.
00:28:07At times I was a moth out here.
00:28:13What's up, Nini?
00:28:14He's busy for a moment. He said he'd be right back.
00:28:17I...
00:28:18Yeah, I'm free.
00:28:20You shouldn't say that.
00:28:21I mean, I'm free.
00:28:22Actually, no, Rino. Now my name is Rino.
00:28:25You should decide at your age.
00:28:28Forget it. I know very well who you are.
00:28:30How do you know?
00:28:31Everyone here in town knows.
00:28:33They saved you from a possible psychophysical reward.
00:28:37From what?
00:28:38Developmental deviation.
00:28:41Do you have sexual problems?
00:28:44Well, I...
00:28:45What do you mean?
00:28:47Masturbation retention.
00:28:49It's complex and typical.
00:28:52Are you stupid by any chance?
00:28:54No, but...
00:28:55I mean...
00:28:57Anna, can you move?
00:28:59The music can't wait for you.
00:29:04Today we'll try to perform pieces by Boccherini and Segovia
00:29:07in silence and with a light hand.
00:29:24Libero!
00:29:25Pannoccia!
00:29:26Grandpa!
00:29:28Good, good!
00:29:29Down!
00:29:30Down!
00:29:31If the crickets hear me, they're capable of biting the dogs and the cats.
00:29:36So...
00:29:37I brought you some fresh caciotta.
00:29:40My dear...
00:29:42Listen, look.
00:29:47Here it is.
00:29:50It's a flask of what you're whistling at.
00:29:53Grandpa, you're in the way.
00:29:54Get down!
00:29:55The crickets will see you.
00:29:58Here, Grandpa.
00:29:59This is for you.
00:30:01Here, good boy.
00:30:03And this bread is for me.
00:30:05What a mess!
00:30:06It's so hot!
00:30:11Excuse me, but if you created the heat in winter, it wasn't good.
00:30:15What's she doing here?
00:30:25So, how are things going?
00:30:26Not so bad.
00:30:27They're taking me to the beach tomorrow.
00:30:29Really?
00:30:30But it was different with you.
00:30:31I didn't get bored.
00:30:33Maybe.
00:30:35Do they treat you well?
00:30:37Too well.
00:30:38They're after me all day.
00:30:40Really?
00:30:41Yes, they never leave me.
00:30:45Tell me, tell me.
00:30:46Do they touch you?
00:30:47Yes.
00:30:48No, I don't know.
00:30:50But they're strange.
00:30:52What do you mean?
00:30:53What do you mean?
00:30:54Listen to your grandpa.
00:30:56He understands these things.
00:30:59Those are fake puritans.
00:31:01And also whores, because they drink for the male.
00:31:04Do you understand?
00:31:06The truth is that Fiorella didn't want anyone.
00:31:09And the other two, until she gets married, whistle.
00:31:13Do you understand?
00:31:14And they have to respect the precedent.
00:31:16Now I understand.
00:31:21Wait a minute.
00:31:24Did they tell you that they're taking you to the beach?
00:31:26Yes, it was an idea of Aunt Fiorella.
00:31:30All right.
00:31:34Anyway, if you need me, you just have to call me.
00:31:37Do you understand?
00:31:38Put a red stripe, but a beautiful red one,
00:31:40on top of the house, and I'll come knocking.
00:31:43Okay?
00:31:44Okay.
00:31:49Listen, listen to this.
00:31:50Give me money.
00:31:51Give me money.
00:31:53Listen to this.
00:31:54Give me money.
00:32:05And I, the anarchists...
00:32:07Forgive me, sir, but when it's necessary, it's necessary.
00:32:10But what are you teaching this boy?
00:32:14I'm teaching him how to kill priests.
00:32:17Anyway, you're free, you have to let him go.
00:32:19Do you understand?
00:32:20Now, thank God, in good hands.
00:32:22And in good hands he must stay.
00:32:25I understand that good hands.
00:32:27I know what they want to grab those hands.
00:32:31I do not allow the honor of three holy women
00:32:33to be stained by a dirty man without God like you.
00:32:37Did I explain myself?
00:32:41You explained yourself very well.
00:32:44And now I'll explain myself.
00:32:46A dirty man without God, a man like me.
00:32:48Don't worry.
00:32:49He's never ashamed to be in this world.
00:32:52And when he wants to eat, he eats.
00:32:54Without ever justifying his hunger.
00:32:56And when he wants to spit or piss, he does it.
00:32:59Without much history.
00:33:01But what are you saying?
00:33:02The sisters in Pala have only legitimate desires.
00:33:06Poor virgins and martyrs.
00:33:08Make them holy.
00:33:16There.
00:33:18Wait, wait.
00:33:19And you'll see.
00:33:20Para pulsi pulsi po.
00:33:21Saraceno.
00:33:32How beautiful the sea.
00:33:34Come, Benedetta, admire.
00:33:37Look how much water.
00:33:40Let's go up.
00:33:42One of these days I want to make a sculpture to the sea.
00:33:46What an idea.
00:33:47Instead of the crepe, I'll make a croissant.
00:33:49And then you throw spaghetti.
00:33:51And this would be the nest.
00:33:53But where are the establishments?
00:33:55The cabins?
00:33:56The umbrellas?
00:33:57The boats?
00:33:58The girls?
00:33:59There's nothing here.
00:34:00This is just a mud house.
00:34:03What a fool.
00:34:07But how don't you like this beach?
00:34:10I hate beach establishments and their confusion.
00:34:13Here there is calm.
00:34:15Serenity.
00:34:16And above all, there are no curious people who spend the day spying on you.
00:34:27Go, go, go.
00:34:29Go play.
00:34:31Yes, play alone.
00:34:47But how does it cook?
00:34:50Well, in the meantime I'm going to look for shells.
00:34:52I'm coming too.
00:34:53I want to know if the water is cold.
00:35:00Come on.
00:35:06It's really cold.
00:35:08It's cold.
00:35:09It's cold.
00:35:10It's cold.
00:35:11It's cold.
00:35:12It's cold.
00:35:13It's cold.
00:35:14It's cold.
00:35:15It's really cold.
00:35:17Rino.
00:35:19Rino.
00:35:21Come, dear, come.
00:35:22Come, please.
00:35:23What is it?
00:35:24Please, hold the box in front of me.
00:35:27I want to change it open.
00:35:29Hold it straight.
00:35:30Here, please.
00:35:32Don't look.
00:35:34Don't look.
00:35:38So good.
00:35:39You have to be a gentleman.
00:35:40Don't take advantage of the situation.
00:35:42Come here.
00:35:45Come here.
00:35:54Listen.
00:35:55Tell me, Mr. Veterinarian.
00:35:57Do you have any experience?
00:35:59Yes, thank you.
00:36:00But maybe it's not because the man leaves the woman,
00:36:03that he still wants to go back inside.
00:36:05But what does the cement have to do with it?
00:36:07I want an orange.
00:36:09Actually, better a quinoa.
00:36:24Good afternoon.
00:36:40What a beautiful day.
00:36:42Good?
00:36:43Done a very beautiful sermon.
00:36:44It's a dream!
00:36:45Now we won't overdo it.
00:36:46Well, a little bit of singing, young man.
00:36:48No!
00:36:49Him again.
00:36:50The Soraceno.
00:36:51In the house, little show in the morning, eh?
00:36:54Who knows, try the one in the afternoon, which is not better.
00:36:57By your rule, in this country, there is only one misbeliever.
00:37:00And you know who I'm talking about.
00:37:01It's me.
00:37:02Good.
00:37:03Look at the moral publicity of your red comrades.
00:37:04There is not a dog that looks at it.
00:37:06And now look at the sacred warnings of the parish.
00:37:09They fight to read them.
00:37:11Compliments?
00:37:12You would do well to read them too.
00:37:13Dirty soul.
00:37:14Oh my God!
00:37:15I fainted!
00:37:16Oh my God!
00:37:17I fainted!
00:37:18What is it?
00:37:19It's called collapse.
00:37:20But here there is a glass of water.
00:37:21But why not a nice glass of wine?
00:37:22But in short.
00:37:23What's going on?
00:37:24Poor us, poor us.
00:37:25But I didn't see anything.
00:37:26He's insane.
00:37:27He's insane.
00:37:28He's insane.
00:37:29He's insane.
00:37:30He's insane.
00:37:31He's insane.
00:37:32He's insane.
00:37:33He's insane.
00:37:34He's insane.
00:37:35He's insane.
00:37:36He's insane.
00:37:37He's insane.
00:37:38He's insane.
00:37:39He's insane.
00:37:40He's insane.
00:37:41He's insane.
00:37:42He's insane.
00:37:43He's insane.
00:37:44He's insane.
00:37:45He's insane.
00:37:46He's insane.
00:37:47He's insane.
00:37:48I'm so ashamed, Mr. President.
00:37:49Mr. President, I don't know where you're hurt in your general health.
00:37:50Your general health just can't get any worse.
00:37:51Even the lungs we put off with food,
00:37:52Every cell, every nerve,
00:37:53Someone died today at the presence of the Lord.
00:37:54It's a shame, it would be quite a shame.
00:37:55How many little bites are there?
00:37:56Cigarettes.
00:37:57Are you harping?
00:37:58Now with bread and oranges.
00:37:59Your mouth is tangled, you savage.
00:38:00Are you starving?
00:38:01With shellfish, or ...
00:38:02Gas masks.
00:38:03Come on, everybody, with bread.
00:38:04Buona, buona.
00:38:07Niente uovo.
00:38:09Certo che il gallo nostro più che quel gallo della checca
00:38:11è quella checca del gallo.
00:38:13Lei che ne dice, Don Fiorello?
00:38:15Io non mi intendo di galli e galline.
00:38:18Ho solo un greggio di pecore.
00:38:20Tutte bianche, meno una.
00:38:23Eh, non se la prenda, Don Fiorello.
00:38:25Lui è fatto così.
00:38:26Male è fatto.
00:38:27E tu dovresti aiutarlo.
00:38:29Io? E come?
00:38:30Parlandogli.
00:38:31Convincendolo a comportarsi come un bravo cristiano.
00:38:34È una parola.
00:38:35Sono stato io a battezzarti, a metterti in grazia del Signore.
00:38:39Se tu lo convincessi a regolarizzare la vostra posizione,
00:38:42sarebbe tutto più facile.
00:38:43Anche lei come tutti, eh, Don Fiorello?
00:38:45E se le dicessi che non m'ha mai toccato?
00:38:48Sì, lui lo dice sempre che le donne sono buone solo per una certa cosa.
00:38:51Ma con me non s'è mai comportato come gli altri uomini.
00:38:55Le cose stanno proprio così.
00:38:56E mo' come la vede, Don Fiorello?
00:38:58Lasciamo perdere.
00:38:59Io la vedo storta.
00:39:01Piuttosto, perché non la pianta di rompere le scatole
00:39:03a quelle brave sorelle, eh?
00:39:05Chiappalà.
00:39:06Appunto.
00:39:07Le cornacchie! Chiappalà!
00:39:09Onoratissime serve di Dio.
00:39:13Puritane.
00:39:15E pure puttane.
00:39:18Guarda che stai parlando con un sacerdote, sai?
00:39:20Pensa le parole!
00:39:22Stavo parlando col sacerdote dall'occhio lungo
00:39:24che guarda perché vuole toccare.
00:39:26Io non guardo e non tocco.
00:39:27Ah, no? E chi taca?
00:39:28Chi taca sulla porta della cesa?
00:39:30Le figure delle donne nude?
00:39:31Ah, per arricchire la società Vaticano e ci?
00:39:34Io non taco niente.
00:39:35E se trovo quello lì, guarda lo strozzo!
00:39:37No credo.
00:39:37E piuttosto, che vai in giro la notte
00:39:39a cantare versi o scedi sotto le finestre della brava gente?
00:39:44Che se libertà de parola, sa?
00:39:46E anche di canto, lo dice la Costituzione.
00:39:48Io me ne frego della Costituzione.
00:39:50Oh, bel democratico.
00:39:52Christian! E poi se la prende coi comunisti.
00:39:54Ora vengo, Don Fiorello.
00:39:55Guarda che mi li hai rotti, sai?
00:39:56Non li hai.
00:39:57Ma cosa so?
00:39:58Ti riduco in portiglia, sai?
00:40:00Guarda che paura che ho.
00:40:01Forza, Don Fiorello!
00:40:05Cos'hai da ridere tu?
00:40:07Guarda che bel segno, Don Fiorello!
00:40:09Che bello! Che bello!
00:40:10Il compromesso storico!
00:40:30Siedi pure, Rio.
00:40:32Ma che dobbiamo fare?
00:40:33Io non ci ho capito niente.
00:40:35Adesso vedrai, non aver paura.
00:40:37Metti su le mani.
00:40:38Formiamo la catena.
00:40:39Preparati.
00:40:41Raccoglimento.
00:40:43Noi facciamo le sedute spiritiche ogni venerdì sera a quest'ora.
00:40:47Ma io non me ne intendo.
00:40:48Silenzio.
00:40:49Non so neanche da che parte si comincia.
00:40:50Ma tu non devi far niente.
00:40:52Pensa tutto nei lini.
00:40:54Non mi fa piacere.
00:40:55Non mi fa piacere.
00:40:56Non mi fa piacere.
00:40:57Non mi fa piacere.
00:40:58Non mi fa piacere.
00:40:59Pensa tutto nei lini.
00:41:01Concentrazione.
00:41:04È Medium.
00:41:05È lei che chiama lo spirito di Gerolamo Patacchi.
00:41:08E chi è Gerolamo Patacchi?
00:41:09È il nostro spirito guida.
00:41:11È un'anima pia.
00:41:12Viene ogni venerdì, puntualissimo.
00:41:17Chiudiamo gli occhi.
00:41:22Spirito di Patacchi.
00:41:26Spirito di Patacchi.
00:41:29Se ci sei, batti un colpo.
00:41:45Non sento niente ancora.
00:41:49Spirito di Patacchi.
00:41:51Spirito di Patacchi.
00:41:54Spirito di Patacchi, se ci sei, dammi un segno della tua presenza.
00:41:59Fatti vivo.
00:42:01Un piccolo segno.
00:42:04Un tocco.
00:42:09C'è!
00:42:11Lo sento!
00:42:12Sei sicura che c'è?
00:42:14Io non sento niente.
00:42:16È l'ultima volta che faccio una seduta.
00:42:19E non sopporto che si dimentichi di me.
00:42:23Ma che succede?
00:42:24Patacchi?
00:42:25Dove sei?
00:42:26Patacchi?
00:42:27Patacchi?
00:42:28Ma che patacchi!
00:42:33Uno, due, tre, quattro.
00:42:36Uno, due, tre, quattro.
00:42:44Bravo, sei proprio un campione.
00:42:46Hai visto come fa?
00:42:48Uno, due, tre, quattro.
00:42:51Uno, due, tre, quattro.
00:42:53Brave!
00:42:55A me non avete mai voluto insegnare a ballare.
00:42:57Signorina.
00:42:59Bravo, ecco ancora.
00:43:01Bravo, sì.
00:43:03Adesso incrocia i piedi.
00:43:04Ecco, proviamo.
00:43:16Forza, Fiorella!
00:43:17Facci vedere!
00:43:27Adesso casca!
00:43:32Verista!
00:43:57Ah!
00:44:21Che profumo!
00:44:22Look at that perfume.
00:44:26The only good thing about Anna's sock is the land and the goods her father will leave her.
00:44:31For the rest, she has nothing feminine about her.
00:44:35But it's a party.
00:44:37We'll have to think about fixing Rino.
00:44:40He's getting big.
00:44:41Don't you think so?
00:44:42How wonderful, what peace, what silence.
00:44:45A silence that invites dancing.
00:44:53Before thinking about marriage, Rino needs to find a position.
00:44:56He's a young man.
00:44:58Who knows, he could study to become a lawyer.
00:45:03For me, even the pianist has certain hands.
00:45:06When he moves them, music is born.
00:45:11Listen, you know what I'm telling you, Benedetta?
00:45:14Even a military career wouldn't be bad.
00:45:16Because the firefighters are military?
00:45:18They have a splendid uniform.
00:45:20You stay quiet, think of the flowers, dear.
00:45:25Oh my God.
00:45:27I'm so upset, Don Fiorello.
00:45:30We didn't expect to find him in Ruscello.
00:45:32We have him, so to speak, caught red-handed.
00:45:36You understand me, right?
00:45:38Yes.
00:45:39Pescava di Frodo?
00:45:40What Pescava?
00:45:42I already told you there was that girl.
00:45:44Won't you tell me?
00:45:46What do you mean, Don Fiorello?
00:45:48I didn't say anything.
00:45:50You tell me.
00:45:51I'm telling you, there was that girl.
00:45:54And they were so close?
00:45:57Not even for a dream.
00:45:59You were seven or eight steps away from him.
00:46:01Then what the hell?
00:46:03Do you like my new whiteness?
00:46:05Oh my God.
00:46:07Don Fiorello.
00:46:09Don't look at me.
00:46:11It's a word, I've already looked.
00:46:13What are you doing there?
00:46:14Go to your room right now.
00:46:16Get out of here.
00:46:18I'm sorry.
00:46:25So, we were sleeping together.
00:46:27I mean, with Ruscello.
00:46:28So, tell me what happened.
00:46:30And stop this nonsense.
00:46:32Don't look at me.
00:46:34You too?
00:46:35But you're dressed.
00:46:37No, don't look at me while I tell you.
00:46:41Is that okay?
00:46:43Are you sure you don't want to look at me while I tell you?
00:46:47Not in the face.
00:46:49You're naked, Don Fiorello.
00:47:06How elegant, Don Fiorello.
00:47:08Don't look at me.
00:47:12Don Fiorello, don't look at me.
00:47:23Rino.
00:47:25Rino.
00:47:26Are you still sleeping?
00:47:28Rino, wake up.
00:47:29Good boy.
00:47:32Good morning.
00:47:36Rino.
00:47:37It's nine o'clock.
00:47:39Wake up.
00:47:41Good morning, auntie.
00:47:46Rino.
00:47:47What did you do?
00:47:48A bad dream?
00:47:50No, a beautiful dream.
00:47:54Dreams come true, you know.
00:47:55It's a good breakfast.
00:47:57It's what you want.
00:47:59Eat.
00:48:02Drink.
00:48:07Drink.
00:48:33Ciao, auntie.
00:48:34Ciao.
00:48:38Can you get me some water, please?
00:48:40Sure.
00:49:07You're welcome.
00:49:21You only do head?
00:49:23Yeah, only head.
00:49:25Why don't you do a whole statue?
00:49:28You're not good at it.
00:49:30Of course I'm good at it.
00:49:31I just need a model.
00:49:33I'd be fine.
00:49:34You're good at it?
00:49:36Yes, I think so.
00:49:40But you see, normally the statue is without clothes.
00:49:49If you want, I'll make you a model.
00:49:52Naked?
00:49:53Sure, naked.
00:49:54No, you know, Fiorella would disapprove.
00:49:57She doesn't have to know.
00:49:58Besides, you're an artist.
00:50:00Well, if you really want.
00:50:02I'll make the statue and you get dressed, okay?
00:50:05Okay.
00:50:21Are you ready?
00:50:24Naked?
00:50:25Ready, auntie.
00:50:26Naked.
00:50:32Naked.
00:50:37Now let's study the position.
00:50:39How could you put yourself?
00:50:41There you are, where you are.
00:50:43Behind the window.
00:50:48Come on, come on, Rino.
00:50:49Here, please.
00:50:51So many dresses.
00:50:56What is this, auntie?
00:50:57It's a wedding dress.
00:50:59It's yours?
00:51:00Yes.
00:51:01Do me a favor.
00:51:02What?
00:51:03Put it on.
00:51:04Come on, it's not Carnival.
00:51:06It doesn't matter.
00:51:07You do it for me, to make me happy.
00:51:09No, come on.
00:51:10Come on, auntie, put it on.
00:51:12Please.
00:51:13No, come on, don't exaggerate now.
00:51:16Why don't you want to put it on?
00:51:18Do you really want it?
00:51:19Yes, auntie.
00:51:21Okay, go.
00:51:23Go, I'll call you.
00:51:32Rino.
00:51:40Rino, you can enter.
00:51:47How are you, auntie?
00:51:49Don't take me around.
00:51:51I mean it.
00:51:52You really look like a wife.
00:51:54Are you serious?
00:51:55Yes.
00:51:59Do you really like it?
00:52:00You're so funny.
00:52:01You bet I am.
00:52:02That's what husbands say.
00:52:07This is the day of your marriage.
00:52:24What are you doing, Rino?
00:52:26And you stayed quiet?
00:52:28Yes.
00:52:29But leave me alone.
00:52:31Go away.
00:52:32Go away!
00:52:33Go away!
00:52:34You have to go!
00:52:35Go away!
00:52:36But auntie...
00:52:37Go away!
00:53:03Hi.
00:53:04Look for another one, she won't attack me anymore.
00:53:11I want a real woman.
00:53:14No, go easy, she won't attack me, you know.
00:53:19No, stay still.
00:53:20Did you hear what I said? Stay still.
00:53:22Not even for a dream.
00:53:24The other day you were the one who told me what I had to do.
00:53:26Now it's my turn.
00:53:29I'm serious.
00:53:30Kneel on the ground and take off your...
00:53:32Listen, listen, Libero.
00:53:34I didn't think it would end like this.
00:53:38I'm a virgin, I swear.
00:53:41Listen, if you're okay, I'll make you look, okay?
00:53:45And you'll do it alone.
00:53:47What an accident!
00:53:49I'm a man, and now I'll show you...
00:53:54Libero, you fell in the water!
00:53:56No, in the shit.
00:54:03Two aspirins and a nice sweat, that's what we need.
00:54:07It's not just the old woman's ointment, in some cases.
00:54:10I say that if we put it on her tonight...
00:54:13I said two aspirins.
00:54:15But it's a special ointment, Mariaccia prepares it.
00:54:20All right, Fiorella, two aspirins.
00:54:23I still don't understand how she fell into the stream.
00:54:26Oh, poor thing, look at her sweat.
00:54:29And listen to how much ointment she needed.
00:54:32Come on, girls, leave him alone.
00:54:36Here, give me your hand.
00:54:43Now you can sleep in peace.
00:54:49Good night.
00:54:52And you cover yourself, please.
00:54:57Good night.
00:55:02Ciao, caro, ciao!
00:55:27Che schifo!
00:55:29Who has a bull with oil?
00:55:31It's an ointment.
00:55:32A miraculous ointment.
00:55:34You're a stupid fool!
00:55:36You made him catch a cold!
00:55:38And now a pneumonia!
00:55:39No one can cure him!
00:55:41Even lawyer Ferretti died of pneumonia.
00:55:43He seemed to have a lot on his legs and then...
00:55:45in 4.48...
00:55:47No, Rino doesn't have pneumonia.
00:55:49Otherwise, he would cough.
00:55:52But the cough doesn't matter, not bronchitis.
00:55:55He could have a congestion.
00:55:56Have you ever heard of congestion?
00:55:58Yes, but the congestion...
00:56:00Yes.
00:56:01Or maybe a cold.
00:56:03Yes.
00:56:05Look, I don't have a fever anymore.
00:56:06Look, 36.7.
00:56:09Did you see? It was the ointment.
00:56:11No, it was the aspirin.
00:56:13My God, how old is this?
00:56:16You don't fool me, I'm telling you it was the ointment.
00:56:19The only effect of that disgust of yours...
00:56:21is that now Rino is all ointed.
00:56:23I wash him.
00:56:24No, you don't mix, you don't piss.
00:56:27I oint him and I wash him.
00:56:29Yes, you oint him, but you don't wash him.
00:56:32I take care of him.
00:56:33And why, sister?
00:56:36Because I'm the oldest.
00:56:38The youngest.
00:56:39We're not talking about age.
00:56:44Don't make me laugh, I know why you want to wash him.
00:56:47What do you know?
00:56:49Oh, my mouth, my mouth, let me be quiet.
00:56:52And if not?
00:56:53What would you like to say?
00:56:54Come on, throw it out.
00:56:55I really want to have fun.
00:56:57Enough, do you want to quit?
00:56:58I wash him, you wash him.
00:56:59What are you, laundry?
00:57:14Here it is.
00:57:16I knew it.
00:57:17I knew that sooner or later the wind would wash.
00:57:19I knew it.
00:57:21What did you know?
00:57:23My things.
00:57:24My things.
00:57:26You could also say,
00:57:28maybe under the guise of confession.
00:57:32Don Fiorello, I'm not guilty, I have nothing to confess.
00:57:35What is it?
00:57:37What is it?
00:57:39What is it, a flag?
00:57:41Hey, Don Fiorello, enough now.
00:57:44What's that thing that's blowing up on the roof of the house?
00:57:47That thing there, dear Don Fiorello,
00:57:49is the demonstration of the people of Gavinto.
00:57:52The people of Gavinto.
00:57:53And then?
00:57:54And then you have to toast.
00:57:57It's mine.
00:57:58It's yours?
00:58:00It's my wine.
00:58:01Good?
00:58:02Does he do it?
00:58:03But no, it's charity.
00:58:05But there's no shame.
00:58:06But what did you understand?
00:58:07It's the generosity of the people who are there.
00:58:09Oh, I understand.
00:58:11In practice, Naso,
00:58:12you're always around people who make money.
00:58:14But what are you saying?
00:58:15It's the generosity of the sisters who are there, poor me.
00:58:18But let's go, Don Fiorello,
00:58:19don't waste time behind those old ladies.
00:58:22You're young, with a nice man, pleasant.
00:58:25The world is young for us.
00:58:27You would be young?
00:58:28Like Nono.
00:58:29Yes.
00:58:30I'm always young.
00:58:32At 22 I was a father,
00:58:33at 40, Nono.
00:58:34Always young.
00:58:35I understand.
00:58:36That's why I'm interested in young people.
00:58:38My grandson is in my heart.
00:58:39I would like him to live in nature.
00:58:41Nice, healthy.
00:58:42And you always tell him he's sinning.
00:58:44Let's go.
00:58:45The sins of the flesh, dear.
00:58:46What?
00:58:47Of the flesh.
00:58:49But Don Fiorello,
00:58:50look around a little.
00:58:51Everything in nature speaks of love,
00:58:53not of sins.
00:58:55Even flowers make love.
00:58:58Yes, dear.
00:58:59The figs that you put in the church,
00:59:01even those make love.
00:59:02But those are things predisposed by God,
00:59:04for the continuity of the species.
00:59:06Okay, then let's agree once and for all,
00:59:08dear Don Fiorello.
00:59:09I am an atheist,
00:59:10thanking God.
00:59:11And then the atheists
00:59:12don't drink my wine.
00:59:16I see, I see.
00:59:17What is yours is mine, comrade priest.
00:59:19Don Fiorello,
00:59:20the cap is the wine that is ruined.
00:59:24Manuela.
00:59:25Get undressed.
00:59:26What did you say?
00:59:27Everything.
00:59:28Shoes,
00:59:29underwear,
00:59:30clothes,
00:59:31everything.
00:59:32Oh, Grandpa,
00:59:33but you're really in a hurry.
00:59:34But what did you understand,
00:59:35siocca?
00:59:37Manuela up,
00:59:38Manuela down,
00:59:39Manuela works.
00:59:41And now Manuela,
00:59:42get undressed.
00:59:43Uff.
00:59:47You're still here.
00:59:48I told you to undress,
00:59:49wash,
00:59:50perfume yourself,
00:59:51from below,
00:59:52from above,
00:59:53like the ladies.
00:59:54But do you know what happened?
00:59:55Nothing happened,
00:59:56I became
00:59:57the Easter police.
00:59:58Come on.
00:59:59Oh, but Easter has passed so fast.
01:00:00Move,
01:00:01I don't have time.
01:00:12Nini,
01:00:13Benedetta.
01:00:14Benedetta, Nini.
01:00:15What's going on?
01:00:16I'll find out
01:00:17who put this rag
01:00:18on the terrace of the house.
01:00:19I'll tear it with my hands.
01:00:21The Russians.
01:00:23The Chinese.
01:00:29Stop,
01:00:30puritans.
01:00:31If you take a step,
01:00:32I'll shoot you.
01:00:35Stop,
01:00:36there's a free man here.
01:00:39Watch out,
01:00:40mummies.
01:00:42To the chase.
01:00:46No.
01:00:47No.
01:00:54Don Fiorello,
01:00:55get out of the shop.
01:01:16Where are you going,
01:01:17you old man?
01:01:19Forgive me, sir.
01:01:21Get up,
01:01:22let's go.
01:01:23What are you laughing at?
01:01:25Get up.
01:01:27Let's go,
01:01:28don't come to the show.
01:01:29Let's go.
01:01:30Go inside.
01:01:46Go, Panoccia,
01:01:47go.
01:01:48Go up,
01:01:49go up to get my cigars.
01:01:57Hi.
01:02:00They're here,
01:02:01grandpa's cigars.
01:02:04Come here, free man.
01:02:15Come here.
01:02:16Come here.
01:02:44Here they are,
01:02:45the snitches.
01:02:48Miss,
01:02:49who's there?
01:02:51Don't come near me,
01:02:52or I'll shoot.
01:02:53Put that gun down,
01:02:54you old fool.
01:02:55This is my house,
01:02:56get out of here.
01:02:57Give us our grandson back,
01:02:58right now.
01:03:00What grandson?
01:03:01Don't play dumb,
01:03:02where's Rino?
01:03:03Give us Rino back.
01:03:05The snitch,
01:03:06get out of here.
01:03:07I don't know any Rino,
01:03:08I know Libero.
01:03:10All right,
01:03:11Libero.
01:03:12Yes, where is he?
01:03:13Where is Libero?
01:03:15Oh,
01:03:16that's what I like.
01:03:20Oh,
01:03:21that's a nice name,
01:03:22Libero.
01:03:23Oh,
01:03:24here's Don Fiorello.
01:03:25Here's the scoundrel.
01:03:26Damn it.
01:03:27Put that gun down,
01:03:28get out of here.
01:03:29Don't be a snitch.
01:03:30I'm not a snitch,
01:03:31Giuda was a dirty traitor,
01:03:32like you.
01:03:33And if you don't get that boy out,
01:03:34you'll end up in jail.
01:03:36Wait a minute,
01:03:37who told you
01:03:38that the boy is here?
01:03:39He's definitely here.
01:03:40He's here.
01:03:41Are you ready to swear
01:03:42that he's not hidden in this house?
01:03:43I'm ready to swear
01:03:44that Libero hasn't come yet.
01:03:45Now,
01:03:46one,
01:03:47two,
01:03:48three,
01:03:49and four.
01:03:50If you don't get him out
01:03:51in four seconds,
01:03:52I'll punch you in the face.
01:03:53It's all your fault,
01:03:54it's your fault.
01:03:55I don't know,
01:03:56what am I saying?
01:03:57And Libero
01:03:58has come too.
01:03:59Give it to me,
01:04:00blondie.
01:04:01Give it to me,
01:04:02blondie.
01:04:03Get up.
01:04:04Libero has come.
01:04:05Oh,
01:04:06come here,
01:04:07Merlo.
01:04:08The Lord's will
01:04:09has been done,
01:04:10and the Lord's will
01:04:11has been done.
01:04:12Thanks to his infinite mercy,
01:04:13everything has changed
01:04:14among my lost sheep.
01:04:15The sweet aunts
01:04:16have become
01:04:17more sociable
01:04:18and have gone down
01:04:19among the people
01:04:20in the square,
01:04:21in the streets.
01:04:22With the help of God,
01:04:23I hope they don't
01:04:24get to the crosswalk.
01:04:25The old anarchist
01:04:26has become more reconciling.
01:04:27Imagine,
01:04:28on Sundays he helps me
01:04:29ring the bells
01:04:30and he has stopped
01:04:31hating the merchants.
01:04:32Excuse me,
01:04:33the priests.
01:04:34Manuela
01:04:35has opened a shop
01:04:36as a hairdresser
01:04:37and no longer needs
01:04:38to put ads
01:04:39on the newspaper.
01:04:40On her account,
01:04:41she no longer whispers
01:04:42and has become
01:04:43a friend and advisor
01:04:44to all the women
01:04:45in the village.
01:04:46Rino
01:04:47has now become
01:04:48free again,
01:04:49blessed youth.
01:04:50He has become
01:04:51modern.
01:04:52He has made
01:04:53the boots,
01:04:54he has become
01:04:55the motorcyclist,
01:04:56he has become Anna
01:04:57and then there is me.
01:04:58I have stopped
01:04:59buying the people
01:05:00and to go against
01:05:01the people,
01:05:02every now and then
01:05:03I give a snack
01:05:04to the unity.
01:05:05And so,
01:05:06the village story
01:05:07of this mess,
01:05:08of this little chaos,
01:05:09of this chaos,
01:05:10let's say,
01:05:11ends up
01:05:12in Italian
01:05:13with a compromise
01:05:14that we could
01:05:15almost call
01:05:16a stupid compromise.
01:05:17In the end,
01:05:18it is what everyone does.
01:05:41© BF-WATCH TV 2021