Category
🎥
Short filmTranscript
00:00:00You
00:00:30Ah
00:01:00Oh
00:01:30Oh my god
00:02:00What you staring at you think I killed him I found him like this
00:02:08Just now
00:02:10You wait here comrade. I'll go and telephone for an ambulance
00:02:30I
00:03:00Oh
00:03:30Oh
00:04:00Oh
00:04:30Oh
00:05:00Oh
00:05:07Put him here
00:05:13An accident no, I don't think so. There's no sign of any injuries
00:05:30Hmm what happened to him? I don't know they found him lying in one of the parts unconscious
00:05:55Call the morgue
00:06:00Dead
00:06:02I'm dead
00:06:05Can't be I'm alive and you'd tell I'm alive
00:06:15I've got to make them see you
00:06:19Listen to me
00:06:21Look at me
00:06:24That you hear me
00:06:31Maybe it's a nightmare. I try I wake up. I've got to move. Yeah finger
00:06:40It can't
00:06:43Get lost
00:06:46Don't leave me like this. Help me. Help me
00:06:53All he was carrying is his passport and a little loose change he was an American
00:06:57What's his name
00:07:01Gregory Moore
00:07:04Born in Springfield, Illinois
00:07:07The 6th of December 1935 is issued in America
00:07:12His address
00:07:14Don't find it listed. It's somewhere
00:07:19It's on the permit we issued
00:07:21It's on the permit we issued by Vodich cover Street, it was a journalist and what do I put as cause of death?
00:07:27Cause of death
00:07:32Said dead on arrival and you ought to print to make it more legible to
00:07:37What's this a new regulation a simple precaution so the American press can't accuse us
00:07:44I said call the morgue
00:07:47But I'm alive
00:07:50You can't do this
00:07:53Shorts
00:07:55Undershirt
00:07:57Socks sure that can be drip-dried
00:08:00pair of new slacks
00:08:03wristwatch
00:08:05And the pair of high tops
00:08:08Real cordovan
00:08:10Not too small for me either. Should I leave him out or no?
00:08:14You've said so now I list them I don't want to lose my job for a pair of shoes
00:08:33Strange
00:08:35It doesn't feel as cold as the others
00:08:38The medics might have closed your eyes at least too late now
00:08:49In you go
00:09:08We seem to have more work
00:09:11Sure have
00:09:13But the pay is the same
00:09:16What's happened to me
00:09:19Only my brain can still function
00:09:22I have to remember
00:09:24Let's see
00:09:26I'm Greg
00:09:28Gregory Moore
00:09:30That I know
00:09:32But what else?
00:09:37You
00:09:53Their association which was uncovered last week was not an organized political movement that has been about officially
00:10:01They espouse no political issue
00:10:04They were followed because they held an occasional meeting to discuss the conditions in the country
00:10:12Jack, give him his hat
00:10:15One of the party officials said those arrested last night were charged with publicly inventing governmental errors that led to failures
00:10:24And open exploitation on an international scale
00:10:28New paragraph
00:10:30No one arrested yet has been declared a prisoner
00:10:33All are confined to a special mental asylum created supposedly for drastic treatment in a hopeless case
00:10:41Nothing specifically limits the treatment
00:10:44Add the byline
00:10:47Back to you gin rummy
00:10:49To a late defector
00:10:51You'll defect if you don't cut off your intake of vodka
00:10:54I'll follow, sure I'll follow but not till they carry you out
00:10:57They'll find you flat in your ass
00:10:59From too many women
00:11:01It drains your energy
00:11:03Well, it's a marvelous way to go
00:11:06Oh, I'm quitting early tonight
00:11:08I've got a date with Mira
00:11:09It's no quicker way as any
00:11:12Here's a flash that looks worth sending
00:11:15An AP stringer says that in Siberia a new type of missile with a nuclear warhead was tested
00:11:23Here
00:11:26Are you spiking it?
00:11:27I'll move it tomorrow
00:11:29If the Russians confirm it
00:11:33Might be a story
00:11:34Let me have the telex when you're finished
00:11:36So long
00:11:37After the race, sir
00:11:38Covering the press conference at the Presidium Hall tonight?
00:11:41No, but if you want company, Jack will go with you
00:11:45So chez la femme
00:11:50Sorry, Jessica, I forgot about you
00:12:15Beep, beep, beep
00:12:21Beep, beep, beep
00:12:45Mira
00:12:48I love you
00:12:49You've been following my lessons?
00:12:51Or did you get another tea?
00:12:53Yeah, a new one every day
00:12:56I forgot
00:12:57Here
00:12:59For me?
00:13:00With love
00:13:15I could hardly wait for you to come back
00:13:18And even now when we're together again, I'm afraid
00:13:21Afraid you might leave suddenly
00:13:24What a thing to say
00:13:26Why would I leave all of a sudden
00:13:28When all I've waited for is to be with you for days and days?
00:13:36I don't know
00:13:38But I always have this uneasy feeling when we meet
00:13:41But I always have this uneasy feeling when we meet
00:13:44That it's only for a moment or two
00:13:47As if someone or something must come between us
00:13:51Maybe
00:13:55You know, sometimes when I try to think what my life would be a year or ten years from now
00:14:02It's like, well, as if I were walking between two high walls
00:14:07They won't let me imagine anything or hope for anything
00:14:12That's when I feel I have to get away and come here to you
00:14:16Because you make me feel there's nothing to fear
00:14:21Almost all the way
00:14:23All the way
00:14:24But finally he left me alone when he realized I meant it
00:14:27Madame, monsieur
00:14:29He was a painter
00:14:30Excuse me, may I?
00:14:32It's a specialty served only in our restaurant
00:14:38Is it safe?
00:14:41Don't worry
00:14:42In emergencies, I'm able to extinguish it
00:14:51Madame
00:14:52Thank you
00:14:55Monsieur
00:15:08You'd be sad to leave Prague
00:15:11Why yes, in a way
00:15:14In spite of the oppression of the party
00:15:17The average man manages to survive it and keeps individualism alive
00:15:21And we found each other here
00:15:37Madame
00:15:49What's the time?
00:15:50It's 4.30
00:15:54We're out of cigarettes
00:16:03Your kiss tasted of apple
00:16:07It looks nicer
00:16:09Yes, they are beautiful
00:16:11The species has one peculiar trait though
00:16:13They haven't any instinct at all to fly
00:16:15In spite of their brilliant wings, they only know how to play on the ground
00:16:23We have lots of them, you know
00:16:25You're adorable
00:16:33When is it you're going?
00:16:35I don't know
00:16:37In less than a month for sure
00:16:39To Berlin?
00:16:40No, London
00:16:41It means I go to a foreign country
00:16:46But can you smuggle me out of this one?
00:16:50Don't worry about crossing the frontier
00:16:52I've already crossed the pond
00:16:55Volinsky
00:16:56He's pulling some strings
00:16:58Someway, you're coming
00:16:59I'm moving you out of this place
00:17:01I paid the price
00:17:02Kind sir
00:17:03I'm unable to repay the cost
00:17:06But if you will allow me
00:17:08I'll express my thanks in a manner more pleasant for us
00:17:13All right
00:17:21That's Jack
00:17:31Greg
00:17:36Is all this for you really a very simple thing?
00:17:39No
00:17:40But you're worth all the trouble
00:18:36I'm beginning to remember, Mira
00:18:38Mira
00:19:07Hey, you there
00:19:08Can you hear me?
00:19:10Is it like this for you too?
00:19:14Maybe it's always like this when you're dead
00:19:16And we can't go back to tell the others
00:19:22No
00:19:23I mustn't give up
00:19:26I'm not going to give up
00:19:28I'm not going to give up
00:19:30I'm not going to give up
00:19:32I'm not going to give up
00:19:34I'm not going to give up
00:19:35I'm not going to give up
00:20:05All right
00:20:06Ah, dear lady, if I'd gone into journalism instead of the police, I'd have been caught.
00:20:37I would have had beautiful colleagues to work with.
00:20:39The Commissar has his policewomen.
00:20:41That is true, but they're not quite so pretty.
00:20:44You know, my vocation is for banking. It's a great game.
00:20:47And our good comrade Schoenbart can put you into it if you like.
00:20:51Oh, no thanks.
00:20:53After all, he just plays with state money.
00:20:55I'd bankrupt it.
00:20:57I'm sure these people are statues, but where are they carved?
00:21:02Your position includes some of the greatest personalities of Middle Europe.
00:21:06Politicians, banks, queers, black marketeers. Interested?
00:21:10No, thank you.
00:21:12Bonsoir.
00:21:15He looks familiar. Who is he?
00:21:17Franz Tibber, the famous pianist.
00:21:20Good evening, Commissar.
00:21:22Good to see you.
00:21:24This is Miros Pobeda.
00:21:26Never have believed you were a compatriot.
00:21:28I must say, Marx would have been most surprised.
00:21:31Naturally, you are aware that Gregory is about to leave us.
00:21:35I want to take Mira with me to London.
00:21:37I hope that your department won't keep us waiting.
00:21:40I say that reporting for a woman surely presents some problems for the men who like her job.
00:21:45We're not disliked.
00:21:47The principal reason is that we can open doors.
00:21:50We turned open to mail reporters.
00:21:53Don't worry. Mine will be open at all times.
00:21:56Banks are such crowded places.
00:21:58At the Ministry of the Interior, I can give exclusive interviews.
00:22:01Wouldn't you like that?
00:22:04Ah, yes, of course. Excuse me for a moment.
00:22:09Now let me introduce you to a few of my other guests.
00:22:12They are all dying to meet you.
00:22:14Professor Carding, Miss...
00:22:16Dr. Polonsky, who, of course, you know by reputation,
00:22:19and his equally well-known wife, Professor Irina Polonskaya.
00:22:23This gentleman is her foreman, who's in love with her.
00:22:27Old friends aren't being noticed anymore.
00:22:30Eva, how are you?
00:22:31I'm fine, Greg.
00:22:32What a surprise to see you.
00:22:34Now, Miss Falkwater, if you'd like a drink, we'll...
00:22:37Why didn't you tell me Greg was bringing that little baggage?
00:22:40Oh, Jessica, Greg's a man.
00:22:42Neither does woman live on bread alone.
00:22:44Funny, Jack.
00:22:53Ah, excuse me.
00:22:57My dear Jessica,
00:22:59I've read your report on our economic agreement with the Socialist Republics,
00:23:03and it was very interesting.
00:23:05But if you permit, I would like to inquest you on one small point.
00:23:08How's your revolution going, Ivan?
00:23:10Did it die at the Sorbonne?
00:23:12Ah, no, it was in Moscow.
00:23:14I was an intern two years in Moscow.
00:23:16I'm a specialist in cardiology now.
00:23:18And the same fixations about naked girls?
00:23:22The heart is big in our country. We are tops.
00:23:25Like McCarthy.
00:23:27Pretty good.
00:23:29I hope success doesn't go to your head, too.
00:23:32It better not.
00:23:34I'd better rescue Mira from the body snatchers.
00:23:36You got to meet her.
00:23:37I'll see you at the bar.
00:23:38Greg, may I introduce you to another spectacular dame?
00:23:43Come and say hello to Mira.
00:23:45Oh, don't look right now.
00:23:47My brain won't act naturally.
00:23:50Just like her.
00:23:52Not that she's missing any of her essentials.
00:23:54Right here there's a rock,
00:23:56which records her physical impression.
00:23:58She loves to be bedded down with communist guys.
00:24:01The cowboys who work on her ranch
00:24:04are going to learn all about the thrills behind the iron bit curtain.
00:24:08Aren't they funny?
00:24:11On the blanche, that's what turns me on.
00:24:15She's so sweet and trusting.
00:24:17What a delightful child.
00:24:18Our young people are beautiful today.
00:24:20Oh, please.
00:24:22Make love with me.
00:24:24Right now.
00:24:27Let's go back inside.
00:24:31Just as a matter of record,
00:24:33I wanted to see what a fool you are.
00:24:47Wake up, lover boy.
00:24:49Get out of the sock now.
00:24:51Come on, get rid of your sex urges
00:24:53the same way I get rid of the alcohol.
00:24:55Commodore Baskov seems to have had a major fall.
00:24:5830 meters.
00:24:59That's 100 feet to you.
00:25:01He flattened some innocent passerby in Veroff Street.
00:25:04We'll make it snobby.
00:25:20White bounties swift to lover
00:25:24winter wind
00:25:29White bounties swirling
00:25:34Well, a false tip.
00:25:37Commodore Baskov, the suicide, is not the air minister.
00:25:39He's just Baskov, a grocer.
00:25:41And a cook called a grocer, besides.
00:25:45Even chickens in the frying pan are called political suicides here.
00:25:48What a place.
00:25:50And the staff photographers?
00:25:52They pulled it up and went back in the night.
00:25:54They told me to wait and to fill you in on it.
00:25:57Hey, I'm sure we met.
00:26:00I just can't remember where.
00:26:02But you can speak.
00:26:04Oh, you guys are so fabulous.
00:26:06Why don't we all go down for a drink at my place?
00:26:08No, not tonight. I'm finished.
00:26:10And how about you?
00:26:12Leave him alone. He's got better things to do.
00:26:15Go ahead. Back to me.
00:26:18Oh, he's really groovy, that cute friend of yours.
00:26:24Waitress, where is the telephone, please?
00:26:29It'll be back in a minute.
00:26:40Ah, Miss Natasha.
00:26:42So early to market?
00:26:44Oh, Mr. Moore, I'll be late.
00:26:46To me, it's not early.
00:26:51Oh, I'll pay you tomorrow, huh?
00:26:53Oh, yes.
00:26:55Anytime.
00:27:16I'll be right back.
00:27:46Thank you.
00:28:08Mira?
00:28:11Mira?
00:28:13Mira, where are you?
00:28:16I'm going to get you out of here.
00:28:18I'm going to get you out of here.
00:28:19I'm going to get you out of here.
00:28:20I'm going to get you out of here.
00:28:21I'm going to get you out of here.
00:28:22I'm going to get you out of here.
00:28:23I'm going to get you out of here.
00:28:24I'm going to get you out of here.
00:28:25I'm going to get you out of here.
00:28:26I'm going to get you out of here.
00:28:27I'm going to get you out of here.
00:28:28I'm going to get you out of here.
00:28:29I'm going to get you out of here.
00:28:30I'm going to get you out of here.
00:28:31I'm going to get you out of here.
00:28:32I'm going to get you out of here.
00:28:33I'm going to get you out of here.
00:28:34I'm going to get you out of here.
00:28:36I'm going to get you out of here.
00:28:37I'm going to get you out of here.
00:28:38I'm going to get you out of here.
00:28:39I'm going to get you out of here.
00:28:40I'm going to get you out of here.
00:28:41I'm going to get you out of here.
00:28:42I'm going to get you out of here.
00:28:43I'm going to get you out of here.
00:28:44I'm going to get you out of here.
00:28:45I'm going to get you out of here.
00:28:46I'm going to get you out of here.
00:28:47I'm going to get you out of here.
00:28:48I'm going to get you out of here.
00:28:49I'm going to get you out of here.
00:28:50I'm going to get you out of here.
00:28:51I'm going to get you out of here.
00:28:52I'm going to get you out of here.
00:28:53I'm going to get you out of here.
00:28:54All right.
00:28:55What's the matter?
00:29:19Yvan.
00:29:20Oh, thank God.
00:29:22Doctor, it was a cardiac arrest.
00:29:37Strange, there is no rigidity yet.
00:29:43How long would you say he's been dead?
00:29:45He was already dead when they brought him.
00:29:47A good three hours, doctor.
00:29:50Ivan, you've got to help me.
00:29:53All the same, I want to try something, doctor.
00:30:02We might reanimate him.
00:30:04If you believe it, comrade, then prove it.
00:30:06But I'm going straight home today.
00:30:07Move him upstairs.
00:30:08Nurse.
00:30:10Come on, Jan.
00:30:11Give me a hand.
00:30:19No.
00:30:43Nothing.
00:30:44Not in that one.
00:30:45They said there's no record of their treating the young girl.
00:30:47Then what could have happened to her, Jessica?
00:30:51It can't be very serious.
00:30:53Just remember, we called all the hospitals,
00:30:55all the police stations, so...
00:30:58You're lucky.
00:30:59She's not in a morgue with a broken neck.
00:31:03I'd better have a drink, though.
00:31:04That was an experience that almost finished me.
00:31:07It's strange that she left no message for you.
00:31:10Why would she just walk out like that?
00:31:12She didn't just walk out, she was taken out.
00:31:15Someone forced her to leave.
00:31:17So she left with them.
00:31:18But at the same time, she could have wanted to go.
00:31:21Maybe she didn't intend to stay with you all of the time.
00:31:24And what if she was only pretending with you?
00:31:26Jessica, don't talk nonsense.
00:31:28You didn't know her, either.
00:31:29And you?
00:31:30What do you know about her?
00:31:31We do not know anything, Gregory.
00:31:33Jessica's right.
00:31:34So what?
00:31:41For more than two hours,
00:31:42we've been making one guess after another
00:31:44without finding any reason why she disappeared.
00:31:48I agree, it's weird.
00:31:51The way she just disappeared like that.
00:31:56And yet I've known it to happen
00:31:58that someone suddenly decides to move out.
00:32:02They leave.
00:32:03There's no warning.
00:32:05And no arguing.
00:32:07They leave with no clothes on?
00:32:08Look at this.
00:32:09She left her dresses.
00:32:11Her shoes.
00:32:14Everything she brought.
00:32:15Everything she brought.
00:32:17And these.
00:32:18Bra.
00:32:19Handbag.
00:32:20Jewelry.
00:32:21That is not sufficient proof.
00:32:24When you say the girl was wearing nothing when she left,
00:32:27in fact, you mean she left this house without this underwear.
00:32:31Or these.
00:32:34Unless you are able to swear that you know
00:32:36the exact contents of the wardrobe
00:32:39brought by Miss Warbata.
00:32:42Well, I believe so.
00:32:43Believe.
00:32:44And you say you left to cover a news story last night.
00:32:47All the same, nothing occurred of any importance last night.
00:32:51It was a false report.
00:32:52Now I see it was to get me out of the way.
00:32:54Hey, why wouldn't that be a lead?
00:32:59How were you notified?
00:33:00The source was official?
00:33:02An informer called.
00:33:03They never are identified,
00:33:05though without them, coverage in our business would be pretty poor.
00:33:09Commissar, let me work on this case with you.
00:33:12Mr. Moore.
00:33:14We prefer to avoid all complications with foreign journalists in our work.
00:33:18Don't interfere.
00:33:20Police will do the utmost within their power.
00:33:22Is that so?
00:33:24Now let me say this to you.
00:33:26They'd better because I'll write a story
00:33:28and blast every last one of you for murder.
00:33:31Why did you say murder?
00:33:36Oh, I don't know.
00:33:37Sorry.
00:33:38As a reporter, I'm used to saying it.
00:33:41Morris, prepare the forms for the investigation.
00:33:44At once, Commissar.
00:33:51Yeah?
00:33:52Okay, it's me.
00:33:54Whose body?
00:33:58She was found naked.
00:34:01We'll come now.
00:34:02The river and bank.
00:34:11Come on.
00:34:20Wait here.
00:34:25Foreign press.
00:34:37Come on.
00:34:42Come on.
00:34:49Show him the body.
00:34:54It isn't her.
00:34:56I wonder who this girl might be.
00:34:58I'll tell Jessica.
00:35:00As long as I'm here, I'll take some pictures.
00:35:02Okay.
00:35:12We're wasting so much time.
00:35:15But if we could only find one person who knew her
00:35:17or who knows that she's alive.
00:35:20Another lover?
00:35:22No, lover is not what I meant.
00:35:25Did she meet anyone through you?
00:35:28No, not while she was with me.
00:35:30Because she was with me,
00:35:32I didn't want her to be alone.
00:35:34I didn't want her to be alone.
00:35:36I didn't want her to be alone.
00:35:38I didn't want her to be alone.
00:35:41She says we were always alone.
00:35:43She went to Walensky's.
00:35:46I forgot that.
00:35:48And several of Walensky's friends met her there.
00:35:51One of them might have the answer.
00:35:53We ought to question everyone.
00:35:54It would be a help to establish just how many she talked to.
00:35:57We'll start with carding.
00:35:58You can make a list of everybody who talked to her.
00:36:00Is that all?
00:36:12Good afternoon.
00:36:13Professor Carding is expecting us.
00:36:15I'll tell him you're here, sir.
00:36:31All right, gentlemen.
00:36:32Now let's try it.
00:36:42Ah, it reacts.
00:36:44It feels mean.
00:36:46Human beings separate all matter into classes.
00:36:50The world isn't made that way.
00:36:53Everything alive has its senses.
00:36:56Its own vitality.
00:37:00There's nothing wonderful about this tomato
00:37:02feeling just as sensitive to pain as we do.
00:37:12I think that could make a good story.
00:37:27Cutting a flower is a criminal act, it seems.
00:37:30It's not criminal, Ethan.
00:37:33There are both good and evil in crime.
00:37:36They're not separate.
00:37:37Don't be sentimental.
00:37:38Go on, eat it.
00:37:39After all, you can't hear it crying.
00:37:43Excuse me, professor.
00:37:44The two journalists are here to see you.
00:37:46So they mean.
00:37:51Yes, I love modern expressionists.
00:37:53And I feared I had to break a few laws
00:37:55to get these paintings into my possession.
00:37:58Ah.
00:38:00I see.
00:38:02I see.
00:38:04I see.
00:38:06Ah.
00:38:08My favorite journalist.
00:38:09In what way can I be of help?
00:38:11We're trying to trace Miss Svoboda.
00:38:13Mira Svoboda.
00:38:15Somehow or other, she's disappeared
00:38:16and no one can explain it.
00:38:18It's incredible.
00:38:21Oh, that most attractive girl with you
00:38:23at Belinsky's reception.
00:38:25We hope there's a chance that one of the persons
00:38:27who spoke to her might lead us to her.
00:38:29The police tell us not to worry about it.
00:38:31They'll investigate.
00:38:32I'm sure they're reliable.
00:38:33You were the first she met last night
00:38:34and I saw her talk with you.
00:38:35Could you please tell me what she said?
00:38:37Let me think a moment.
00:38:39We talked about music, yes.
00:38:41It was a great success in Berlin and Moscow, principally.
00:38:45She told me she planned to move from here
00:38:47and live in Moscow.
00:38:49Really?
00:38:50You didn't know about that?
00:38:51Live in Moscow?
00:38:53It's odd she wouldn't tell me that, too.
00:38:56But besides, she went without her documents.
00:38:58If I were you, I would not worry.
00:39:01She will be all right, I'm sure.
00:39:04I hope that you're right.
00:39:07I'd hate to think that there was anything wrong.
00:39:19Any reaction?
00:39:21No, nothing.
00:39:34No, no, no, no, no.
00:39:55Don't give up, Ivan.
00:39:56Don't give up.
00:39:58Let's put him on the pyramid.
00:40:01But he's been dead for too long.
00:40:02I don't think there's anything more we can do for him.
00:40:05Don't listen to him, Ivan.
00:40:07You've got to save me.
00:40:11No.
00:40:14His temperature hasn't gone down far enough.
00:40:16There must be a reason.
00:40:19Let's bring in karting.
00:40:21Yes, sir.
00:40:23Let's bring in karting.
00:40:25Yes, sir.
00:40:27Yes, hurry.
00:40:29Karting will understand.
00:40:31Meanwhile, I have to keep remembering.
00:40:33It's the only way I can tell I'm alive.
00:40:47What'd they tell Jack?
00:40:48Nothing. No one can remember.
00:40:49It's as if she never existed.
00:40:55Huh.
00:40:56Well?
00:40:57Is there anything new?
00:40:58This.
00:40:59You begin to act dangerously, being foreigners.
00:41:01My advice was to wait and not interfere at all.
00:41:04As an accredited reporter in this case, Commissar, I must protest.
00:41:08Interference is going too far.
00:41:10And what's this method that you use?
00:41:11Are you suggesting that others should report every last thing they said
00:41:13when they talked to this mirror's father?
00:41:15That's how to do it.
00:41:16Commissar.
00:41:17Because you ought to know.
00:41:18We want to help you.
00:41:19Let's cooperate.
00:41:21What do you expect, for girls to disappear in a city like this all the year round?
00:41:25It is I whose duty it is to talk to the suspects and to interrogate.
00:41:28And not you.
00:41:29Don't forget again.
00:41:31They'll reprimand you.
00:41:32Scare everybody away.
00:41:34They'll write in your record that you've been a fool.
00:41:36You do as I tell you or you shall crawl on your knees in front of someone
00:41:39a little bit higher than what you call a bureaucratic underling.
00:41:43Because I might tell you others have been equally surprised
00:41:45their press immunity to police arrest is suspended.
00:41:50Think it over.
00:41:55You were wrong to challenge Kirkoff.
00:41:57Now he'll hinder instead of helping us.
00:41:59I'm not afraid.
00:42:00But you heard.
00:42:01You said in this city girls disappear all the year round.
00:42:03So I want you to check on it.
00:42:05You keep interviewing the others we listed.
00:42:07I'm counting on you.
00:42:09All right.
00:42:10But it'll help matters to keep cool.
00:42:15Where to, lady?
00:42:16Guiliano 32.
00:42:45You want me?
00:43:15Yes.
00:43:21I want the last two years of Rudy Pravo from your file.
00:43:43Here.
00:43:44I guess you prefer dollars.
00:43:48Your guess is right.
00:43:49I need information.
00:43:50It's paid for.
00:43:51Girls who've disappeared.
00:43:53I like criminal stories.
00:43:55All of them are memorized too.
00:43:59I file them here.
00:44:00I don't look in the official archives anymore though.
00:44:02They don't keep even the half.
00:44:14I don't care.
00:44:15I don't care.
00:44:16I don't care.
00:44:17I don't care.
00:44:18I don't care.
00:44:19I don't care.
00:44:20I don't care.
00:44:21I don't care.
00:44:22I don't care.
00:44:23I don't care.
00:44:24I don't care.
00:44:25I don't care.
00:44:26I don't care.
00:44:27I don't care.
00:44:28I don't care.
00:44:29I don't care.
00:44:30I don't care.
00:44:31I don't care.
00:44:32I don't care.
00:44:33I don't care.
00:44:34I don't care.
00:44:35I don't care.
00:44:36I don't care.
00:44:37I don't care.
00:44:38I don't care.
00:44:39I don't care.
00:44:40I don't care.
00:44:41I don't care.
00:44:42I don't care.
00:44:43I don't care.
00:44:44I don't care.
00:44:45I don't care.
00:44:46I don't care.
00:44:47I don't care.
00:44:48I don't care.
00:44:49I don't care.
00:44:50I don't care.
00:44:51I don't care.
00:44:52I don't care.
00:44:53I don't care.
00:44:54I don't care.
00:44:55I don't care.
00:44:56I don't care.
00:44:57I don't care.
00:44:58I don't care.
00:44:59I don't care.
00:45:00I don't care.
00:45:01I don't care.
00:45:02I don't care.
00:45:03I don't care.
00:45:04I don't care.
00:45:05I don't care.
00:45:06I don't care.
00:45:07I don't care.
00:45:08I don't care.
00:45:09I don't care.
00:45:10I don't care.
00:45:11I don't care.
00:45:12I don't care.
00:45:13I don't care.
00:45:14I don't care.
00:45:15I don't care.
00:45:16I don't care.
00:45:17I don't care.
00:45:18I don't care.
00:45:19I don't care.
00:45:20I don't care.
00:45:21I don't care.
00:45:22I don't care.
00:45:23I don't care.
00:45:24I don't care.
00:45:25I don't care.
00:45:26I don't care.
00:45:27I don't care.
00:45:28I don't care.
00:45:29I don't care.
00:45:30I don't care.
00:45:31I don't care.
00:45:32I don't care.
00:45:33I don't care.
00:45:34I don't care.
00:45:35I don't care.
00:45:36I don't care.
00:45:37I don't care.
00:45:38I don't care.
00:45:39I don't care.
00:45:40I don't care.
00:45:42Are you her mother?
00:45:44No, don't ask me anything, and it's all behind us now.
00:45:47Her father and mother said she didn't take her clothes and nothing was missing.
00:45:51Tell him.
00:45:52Tell him.
00:45:53Why don't you speak?
00:45:55We're all cards.
00:45:57That's what you are.
00:45:58Well, I'll tell—
00:45:59Shut up!
00:46:00There is nothing to tell.
00:46:02But was she related to you?
00:46:04Marika was her daughter when she left us.
00:46:06I don't remember any more and I won't be reminded either.
00:46:11Get out of here
00:46:36Hey you in the red shirt
00:46:41You know that old man? Yeah
00:46:45You want to earn this? Yeah, yeah
00:46:50Then just give him this Alright
00:47:11I
00:47:23Have to thank you again if you hadn't driven me I never would have found my way out here on my own
00:47:28Does me good to get away from the office?
00:47:31Although I do think you are making a wild goose chase you go ahead. I'll be watching the dogs
00:47:41I
00:48:11I
00:48:41I
00:49:00What are you doing in this house, my name is more
00:49:05Did you know Irina Dupchik
00:49:07Yes once
00:49:09I'm a journalist. I'm doing a story on young girls who have disappeared a story. I
00:49:18Can't tell if you're a friend or foe I'm a friend, but it doesn't matter I
00:49:28Can only die once and death isn't far I
00:49:33Told everything they can't ask for more and Irina
00:49:39Irina has left they forced her to serve them. But who did she serve? Is she alive or dead?
00:49:47You have followed her in vain sir. She's no more. Is there anyone you suspect?
00:49:54And who was it? She served she was forced to
00:49:57all our
00:49:59All our youth must eventually be sacrificed
00:50:02preserving those in power
00:50:04First they ask for the lives of our young soldiers or a young student that protest that he must die
00:50:12Impassioned they fall
00:50:14Yes, I have suspicions of my own
00:50:20But I can't fight it anymore
00:50:24You could you could fight if you're young you can still fight
00:50:28Hmm it's too late. I forsaken the dead. All I can do is try to blot out the past
00:50:59Please
00:51:03Tell me what, you know, I
00:51:05Have told everything that is to tell young man. There is nothing more. I know nothing now go
00:51:15Irina love music didn't she?
00:51:19Yes
00:51:21As most of her friends as I took see who's I'm gonna kill you
00:51:26I
00:51:42Have been trying to get you from New York. I told him that you were sick, but that should be back later. Ah
00:51:49Finally I was beginning to wonder if we had to start looking for you as well
00:51:53I'm afraid there isn't much and I don't know who to ask anymore
00:51:58The only thing is that someone repeated that story on
00:52:01Moscow what story didn't I tell you?
00:52:05It seems that Mira had been talking of going to Moscow
00:52:09By the way, anything new in those missing girls. I did find out one thing
00:52:14There's an old fellow who might know a lot nothing else
00:52:17Well in every case of a missing girl, I found an odd fact they played chamber music
00:52:21Oh, you must be kidding
00:52:23All that peruse is a coincidence because there are thousands who drink the same liquor as me or smoke my brand of tobacco
00:52:29But besides all that I don't remember Mira playing any music. No, but there are other coincidences
00:52:36Listen Greg, we're in a strange place and what surprises you here could be going on all the time
00:52:42It strikes some as strange others as normal
00:52:44Please try to see if you bow to it as much as I do, then you won't have any bugaboos try to resign yourself
00:52:51Take their position
00:52:54With my stubborn temperament
00:52:57It's my nature to oppose any resistance as long as force is used and with no explanation that's logical for it
00:53:07You can picture why I'm always in such hot water
00:53:10Don't chase it Greg. You're too involved as it is. Mr. Moore this message came for you a boy brought it
00:53:18It's from the old man he says where I'm supposed to meet him
00:53:22Don't do it Greg. I have to go mind telling me what the hell is going on. Let me read it
00:53:27You don't know who it's from really there's not even the man's name on it
00:53:30And you're going to this neighborhood to meet a perfect stranger. He's crazy. Look Jack. I'm not going to tell you anything
00:53:36No, because it says I've got to go alone. I'll see you both later
00:54:06I
00:54:36I
00:54:57Watch out
00:55:06I
00:55:20Don't let them fly. What do you mean who tell me?
00:55:27They don't lie
00:55:36You
00:55:52Now what's happened what are you doing here?
00:55:55well, I
00:55:57Had a suspicion you didn't have been hot water. What'd you see in the dark? I'm not Moe Moe
00:56:02I saw you go towards someone maybe this old fellow
00:56:04And disappear into the smoke and come running out a moment later like a scared rabbit great
00:56:09Tell it to the police and the believe. I'm a homicidal maniac. I
00:56:15What are you off to now leave me alone don't follow me I mean it great
00:56:34I
00:56:42Based the oxygen to maximum the cardiac muscle isn't reacting to stimulus. Yes still rigor mortis hasn't set in
00:56:50It is not rare for a cadaver to retain a certain flexibility after many hours there's still no sign of natural respiration professor
00:56:59Temperature temperature hasn't varied it has stayed around 32 degrees even under refrigeration
00:57:08Some oxidation process must exist perhaps at the muscular level
00:57:12Even under refrigeration
00:57:15Some oxidation process must exist
00:57:17Perhaps at the muscular level, but doctor think how long his heart's been stopped
00:57:21It's biologically impossible for him to we're not engaged in an exact science
00:57:26The things we do not know are far more numerous than those we do
00:57:31You're right guarding
00:57:33This can't be real death
00:57:39Respiratory action nil
00:57:42Cardiac nil encephalogram flat
00:57:47There's no indication of any activity at all
00:57:50Yes, but the scope is registering something. It's above zero
00:57:55by old man
00:57:58Who killed him?
00:58:00Maybe they're the same when he
00:58:12You
00:58:24Would you please have the pitiful old woman to cross the street
00:58:42Thank you, you're very kind God bless you
00:59:12You
00:59:42You
01:00:12You
01:00:42You
01:01:12You
01:01:42You
01:01:53Who are you?
01:01:54What do you want?
01:01:56Get out. You don't belong here. I'm one of the club members
01:02:01Get out of here get out
01:02:13You
01:02:34Master a non-member is here a
01:02:37A westerner, how could you tell by the shoes? He was wearing you ran from the hall
01:02:47We must find him
01:03:07I
01:03:18Looked all around. I'll make another search
01:03:33Let's hope he hasn't gone in there
01:03:36You
01:04:06I
01:04:23Never realized my thoughts about Mira why'd I phone you that night so you'd get out I
01:04:29Opened your flat broke her neck
01:04:32To counteract the power she had over me
01:04:35Naturally, I got rid of her body by throwing it in the nearest sewer and that's not all I threw in a spare
01:04:41When I had around the house since Friday
01:04:43Go ahead summon the police and then you can turn me in
01:04:46Well, I hope that makes it perfectly clear. I'm sick of the whole thing
01:04:50It's a bore. I know it
01:04:54Everyone knows it
01:04:57Stop letting the police bug you let it drop rest for a couple of days. Otherwise the rest will be from our failure
01:05:04Hmm, maybe you're right heart failure
01:05:10I'll file your copy too. I can piece it together from my stuff
01:05:15Ah, have you seen Jessica lately what Jessica no, she's been looking high and low for you
01:05:25Or are you leaving yes, I guess I'll go home and get some rest take care of Greg. Oh
01:05:32I wanted to ask you have you ever heard the music recitals at the Club 99 are a front for the members just to conceal that
01:05:39They're chronically bored to death
01:05:41Everyone in there is a deadhead Oh
01:05:44Politicians one or two illustrious actors who play around with other things besides quartets
01:05:51Porcelain
01:05:52Pretty paw chess provided a boresome. Why nothing I qualify. All right, maybe there's an opening
01:05:59That'll put you to sleep and just what you need I
01:06:07Can't take it any longer
01:06:18You referred a minute ago to a club you've reason to fear what do you mean?
01:06:25Who are you?
01:06:27My name is Prasky
01:06:31Corporal Prasky
01:06:40Good evening, mr. Moore
01:06:47Mr. Moore, please have I offended you mr. Moore
01:06:58You
01:07:08How did you get in my apartment what are you here for I want to tell you that someone's watching your house
01:07:13He's down there now
01:07:23It's one of their police stooges
01:07:27They must suspect you Greg, you should never question anyone. I'm sure Kirkoff's behind it
01:07:33It's the murder of Marika's father. I'm sure he'll say that you're the one who caused it
01:07:41You'd better go back to London I certainly could use a vacation
01:07:49I've a permit that'll place you on a priority flight
01:07:52If you want I'll come with you
01:07:55We both want a vacation now more than ever
01:08:12Give me the maximum
01:08:14You
01:08:22Sit in
01:08:44I
01:09:14Know
01:09:16Carter don't stop. Don't give up. I'm very sorry
01:09:22You look friend
01:09:25I'm a team years ago when I studied in Paris
01:09:29Yvonne's deserted me too for them. I'm not one of the living anymore
01:09:45Well, if you like I will perform the autopsy I don't believe it's necessary
01:09:51You'd like to find out why there was never any sign of rigor mortis in him
01:09:56You make the arrangement
01:10:01Or perhaps I could perform it tomorrow during my lecture on anatomy
01:10:14I
01:10:39Know I'm not being fair to you Jessica
01:10:45I really can't understand why you persist in your fixation and I can't see why you let that girl haunt you
01:10:52Who are this place should hang you up?
01:10:56And the part that beats me is how the hell you could care for someone like her. What do you mean like her?
01:11:02Why you never even knew her you have no idea what she's like you have no idea
01:11:07She cared about you and the pigs I she did she wasn't able shut up
01:11:11She belonged to another world a different kind. It's no use looking in every sewer in town
01:11:15You're never going to see her again. I know you don't believe a thing. I say she was just a little bitch
01:11:25Miss Ben passion now, I shall go before they carry off the jail or worse
01:11:30My apologies, I know him to blame
01:12:01Yes, they are beautiful the species is one peculiar trait, so they haven't any instinct at all to fly
01:12:07In spite of their brilliant wings. They only know how to play on the ground. They
01:12:12don't fly
01:12:15Jack I just been talking with that blind man, you know, well, he's walking across with a lowdown on that club
01:12:21You didn't know that it had branches in Paris, London, New York, Tokyo everywhere
01:12:27There are plenty of other strange things. For example in these clubs these two men are playing
01:12:31They're playing in a club. They're playing in a club. They're playing in a club. They're playing in a club
01:12:36They're playing in a club. They're playing in a club. They're playing in a club. They're playing in a club
01:12:41There are plenty of other strange things for example in these clubs these too many tropical flowers in the dot
01:12:47But in black magic the number 99 signifies our man finished. Yes
01:12:53How should I know do you think it's a coincidence? No, no, it's not a coincidence. I also found what I was looking for
01:13:00The connection with the girls who disappeared in Mira. It was a hell of a lot more than music
01:13:04Listen, look for me. I'm outside here
01:13:07Yeah, the club at the corner of the plaza in a phone booth from where I watch I've seen a lot tonight
01:13:12They go in the club, but there's no concert on the program
01:13:16Why don't we go in and look around and bring that card with you? I'm coming right over
01:13:21Don't you move? Well hurry up chum
01:13:26That puppet figure it was a butterfly
01:13:37I
01:14:07Jack are you there?
01:14:37Jack
01:14:47Is that you
01:15:08I saw human beings drinking rain and the huge valley swelling and bursting
01:15:17Spreading out money red rain
01:15:21Rain of God
01:15:29Oh, why don't you let
01:15:33Butterflies with gaily colored
01:15:38fly free in the clear skies
01:15:43Yeah, why don't you let
01:15:47Butterflies with gaily colored wings
01:15:52Free in the clear skies
01:15:55I
01:16:03Thought I was dreaming and I washed my face and the water was as red as blood
01:16:12My blood I
01:16:18Wanted to fly away in the clear sky, but they cut my wings
01:16:25Oh
01:16:29Don't you let butterflies
01:16:34Colored wings
01:16:38In the clear skies
01:16:44You don't expect us to believe that your comrades an alcoholic are not responsible for what he says
01:16:49So stop claiming phantoms are trying to get rid of you and unless you obey you'll go to prison
01:16:56I
01:16:59Know you're a drug addict
01:17:02We found a tube in your house and we're having it analyzed now it contained morphine didn't it?
01:17:09You know that both you and the girl took drugs obviously you injected her with an overdose confess she died because of you
01:17:18Now follow carefully my solution
01:17:22Establish in your confession that it all took place as I say and you will stand trial
01:17:28But for accidental death
01:17:32In that way I can be lenient I
01:17:35will find extenuating circumstances and
01:17:40You can leave the country
01:17:42the club
01:17:45The butterflies I
01:17:47Must go back there. I
01:17:49Feel cold I
01:17:52feel cold
01:17:54I'm gonna look inside the club
01:17:58I'm afraid I can't think
01:18:01precisely
01:18:03I'll refer this case to a mental facility for advanced electroshock therapy. He's only fast
01:18:10I'll take care of him with your approval
01:18:14Gregory I'll drive you home. It's Balinski. You know me, don't you?
01:18:25I have to get in
01:18:28Let's do it
01:18:36In your position I advise you to get some rest
01:18:40I am the director
01:18:43If you had asked me I could easily have shown you our club
01:18:51Call me up tomorrow
01:18:56Faster I have to go through the night
01:19:00I have to see you faster. I have to go through the night
01:19:11Don't get upset I must take you home now
01:19:17Don't worry, you will be all right
01:19:30You
01:20:00You
01:20:30You
01:21:00Oh
01:21:30You
01:22:00Oh
01:22:31Oh
01:22:49You can't consider this case closed
01:22:51Midas Barbara was killed by her lover the American journalist Gregory Moore and your colleague also killed another one of you
01:22:59He stabbed to death Jack McPherson in a telephone booth. I found his handkerchief beside the body
01:23:06We have definite proof that Moore suffered from a persecution mania and recently exhibited frequent states of deep psychic derangement
01:23:16It was in one of those seizures that he was driven to kill his young fiancee whose disappearance he reported himself
01:23:23But he had to kill your colleague because he had found incontrovertible proof of his guilt
01:23:30You
01:23:37You
01:23:44Professor Carting thinks the autopsy will reveal
01:23:59I'm going to get you out of here, you hear me?
01:24:01I'm going to get you out of here, you hear me?
01:24:03I'm going to get you out of here, you hear me?
01:24:05I'm going to get you out of here, you hear me?
01:24:07I'm going to get you out of here, you hear me?
01:24:09I'm going to get you out of here, you hear me?
01:24:11I'm going to get you out of here, you hear me?
01:24:13I'm going to get you out of here, you hear me?
01:24:15I'm going to get you out of here, you hear me?
01:24:17I'm going to get you out of here, you hear me?
01:24:19I'm going to get you out of here, you hear me?
01:24:21I'm going to get you out of here, you hear me?
01:24:23I'm going to get you out of here, you hear me?
01:24:25I'm going to get you out of here, you hear me?
01:24:29I'm going to get you out of here, you hear me?
01:24:31I'm going to get you out of here, you hear me?
01:24:33I'm going to get you out of here, you hear me?
01:24:35I'm going to get you out of here, you hear me?
01:24:37I'm going to get you out of here, you hear me?
01:24:39I'm going to get you out of here, you hear me?
01:24:41I'm going to get you out of here, you hear me?
01:24:43I'm going to get you out of here, you hear me?
01:24:45I'm going to get you out of here, you hear me?
01:24:47I'm going to get you out of here, you hear me?
01:24:49I'm going to get you out of here, you hear me?
01:24:51I'm going to get you out of here, you hear me?
01:24:53I'm going to get you out of here, you hear me?
01:24:55I'm going to get you out of here, you hear me?
01:25:25I'm going to get you out of here, you hear me?
01:25:27I'm going to get you out of here, you hear me?
01:25:29I'm going to get you out of here, you hear me?
01:25:31I'm going to get you out of here, you hear me?
01:25:33I'm going to get you out of here, you hear me?
01:25:35I'm going to get you out of here, you hear me?
01:25:37I'm going to get you out of here, you hear me?
01:25:39I'm going to get you out of here, you hear me?
01:25:41I'm going to get you out of here, you hear me?
01:25:43I'm going to get you out of here, you hear me?
01:25:45I'm going to get you out of here, you hear me?
01:25:47I'm going to get you out of here, you hear me?
01:25:49I'm going to get you out of here, you hear me?
01:25:51I'm going to get you out of here, you hear me?
01:25:53I'm going to get you out of here, you hear me?
01:25:55I'm going to get you out of here, you hear me?
01:25:57I'm going to get you out of here, you hear me?
01:25:59I'm going to get you out of here, you hear me?
01:26:01I'm going to get you out of here, you hear me?
01:26:03I'm going to get you out of here, you hear me?
01:26:05I'm going to get you out of here, you hear me?
01:26:07I'm going to get you out of here, you hear me?
01:26:09I'm going to get you out of here, you hear me?
01:26:11I'm going to get you out of here, you hear me?
01:26:13I'm going to get you out of here, you hear me?
01:26:15I'm going to get you out of here, you hear me?
01:26:17I'm going to get you out of here, you hear me?
01:26:19I'm going to get you out of here, you hear me?
01:26:21I'm going to get you out of here, you hear me?
01:26:23I'm going to get you out of here, you hear me?
01:26:25I'm going to get you out of here, you hear me?
01:26:27I'm going to get you out of here, you hear me?
01:26:29I'm going to get you out of here, you hear me?
01:26:31I'm going to get you out of here, you hear me?
01:26:33I'm going to get you out of here, you hear me?
01:26:35I'm going to get you out of here, you hear me?
01:26:37I'm going to get you out of here, you hear me?
01:26:39I'm going to get you out of here, you hear me?
01:26:41I'm going to get you out of here, you hear me?
01:26:43I'm going to get you out of here, you hear me?
01:26:45I'm going to get you out...
01:26:55It's not Meera, Meera was a rebel.
01:26:57She refused sex and gold.
01:27:00But everybody here was lured with them.
01:27:03We use them for bait the whole world over.
01:27:06They're important
01:27:07because they suppress the will to resist.
01:27:10She is sleeping now,
01:27:12And you will follow her in your death.
01:27:17Unwanted visitors, the Sabbath broom gets rid of them.
01:27:22The oldest persons beat the drum.
01:27:25And the youngest go to battle.
01:27:27We will hold the reins of power in the world as long as there are people willing to be killed.
01:27:32Willing to shed their own blood.
01:27:35And nothing must ever be changed.
01:27:38Our bitterest enemies are persons who love freedom.
01:27:42That is why we always have them removed.
01:27:45We destroy them.
01:27:46We must enslave the free to preserve our powers.
01:27:49They must think as we do.
01:27:52And those who rebel must be sacrificed.
01:27:58Atalepsi.
01:28:08They will find your body and declare you dead.
01:28:12Your mind will work after it is buried.
01:28:15But by that time it has gone mad.
01:28:20After it is buried.
01:28:23After it is buried.
01:28:38It sounds like my heart.
01:28:40It's my heartbeat.
01:28:42My heart is beating again.
01:28:44Don't you hear it?
01:28:46My heart is starting to beat.
01:29:07It's the same.
01:29:31But my heart is beating.
01:29:33They must be able to realize that.
01:29:35We shall take advantage of this autopsy
01:29:38to demonstrate the errors that could occur in an operation on the heart
01:29:42if it is not performed with the greatest precision.
01:29:45In all operations in the cardiac cavity
01:29:48the surgeon's technique is of the utmost importance.
01:29:52Therefore I beg you to observe this lesson with the closest attention.
01:29:56Gloves, please.
01:30:06Thank you.
01:30:19Now then, first
01:30:21an incision between fourth and fifth rib is marked.
01:30:25That will be the area of the left mammilla.
01:30:28It is a delicate area requiring special technique.
01:30:36Close the shutters, please.
01:30:42Remember
01:30:44the merest error or wrong movement
01:30:46could irreparably damage the organ and cause death.
01:30:55Pay close attention.
01:31:06Lights, please.
01:31:31Cardiac.
01:31:36Cardiac.
01:31:43I shall proceed.
01:31:47No!
01:31:50You must poise the scalpel in the intercostal space.
01:31:54Then make a quick and precise thrust.
01:31:57Like this.
01:32:05No!
01:32:35No!
01:33:05No!
01:33:35© BF-WATCH TV 2021