Cecilia (Andrea Torres) ran away from her suitor and hid in the car of a stranger who found her attractive.
Watch the episodes of 'Sana Ay Ikaw Na Nga,’ a romantic drama remake of the 2001 drama series of the same title. Starring Andrea Torres, Mikael Daez, Chynna Ortaleza, Gabby Concepcion, Rita Avila, and Jestoni Alarcon. #SanaAyIkawNaNga
Watch the episodes of 'Sana Ay Ikaw Na Nga,’ a romantic drama remake of the 2001 drama series of the same title. Starring Andrea Torres, Mikael Daez, Chynna Ortaleza, Gabby Concepcion, Rita Avila, and Jestoni Alarcon. #SanaAyIkawNaNga
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FunTranscript
00:00You
00:30Miggy?
00:32Anak, what are you doing?
00:43I thought you love that book?
00:58I thought you love that book.
01:01Yes, Mommy.
01:02That's why I'm letting it fly in the wind.
01:05So that when someone catches it, he can read it too.
01:28Wow, it's so beautiful.
01:58Sia!
02:00Sia, your friend!
02:02The parade is about to start!
02:05Oh!
02:06Oh!
02:07Oh!
02:08Oh!
02:09Sia!
02:10Sia!
02:11Sia!
02:12Sia!
02:13Sia!
02:14Sia!
02:15Sia!
02:16Sia!
02:17Sia!
02:18Sia!
02:19Sia!
02:20Sia!
02:21Sia!
02:22Sia!
02:23Sia!
02:24Sia!
02:25Sia!
02:26Sia!
02:27Oh!
02:28I'm sorry.
02:30I accidentally cut the book I was reading when I was a kid.
02:34I couldn't resist reading it.
02:37Oh my God, Cecilia.
02:38Haven't you had enough of reading?
02:41It's beautiful.
02:43Come on, hurry up.
02:44We have to sell the books first.
02:47Yes.
02:48You know, I need to sell a big one now.
02:51So that I can save more.
02:54So that I can continue my studies.
02:56You're right, friend.
02:57Come on, let's sell it quickly.
02:59I'm sure we can sell a lot.
03:02And there are a lot of rich people there.
03:04What do you mean by rich people?
03:06Friend, I mean rich people.
03:07Rich and handsome people.
03:10You never know, I might meet one of those rich people.
03:13Come on, hurry up.
03:22You know, Mr. Altamonte,
03:24we really didn't plan to sell this property.
03:27If we weren't approved in America,
03:30we wouldn't have left this place.
03:32But because you've been singing this place for a long time,
03:36we trusted your family.
03:38That's why I hope that you won't destroy this place.
03:49Don't worry, Mr. Manansala.
03:50We bought this property because of its natural beauty.
03:53The concept of the mountain resort that we're going to build here
03:56is going to be one with nature.
03:58That's why we're not going to cut down a single tree.
04:02You have my word.
04:04Alright, that's good.
04:06Thank you, Mr. Manansala.
04:09I'll get the papers from your lawyer right away.
04:13I'll leave you now.
04:15Tell them to fix the...
04:23Hello?
04:24Dolovic?
04:26Guess what?
04:28After years of negotiating,
04:30we finally have the property of the Manansalas.
04:34Yes, construction can start immediately.
04:37Alright, I will call the lawyers.
04:40Yes, and I'll be there.
04:41Yes, I will call the lawyers.
04:44Yes, and the architects.
04:45We'll fix everything.
04:47Okay, bye, Grandma.
04:48I'll see you later.
05:04You know what, Alvin?
05:08Mom used to bring me here.
05:12But there were no trees back then.
05:15But now, look at it.
05:17It's a beautiful place.
05:18And I remember,
05:20I used to fly the pages of my old books.
05:24Now, it's up to us.
05:26We're going to build a resort.
05:30Carlos Miguel, by the way,
05:32we have a meeting in Manila.
05:34We need to leave.
05:35And there's a mascara festival here, right?
05:38We might get stuck in traffic.
05:39Let's go.
06:10Oh, there.
06:12The parade has already started.
06:14We're stuck in traffic.
06:16Ma'am Pabs,
06:17check if there's another way.
06:20Hurry up.
06:21If we get lost, we'll be late.
06:28Excuse me.
06:30Thank you very much.
06:40Excuse me.
06:41Hey, Ms. Bess.
06:42Oh, look.
06:43I have a lot of new plants.
06:44Buy some.
06:45Ms. Bess, this color is beautiful.
06:47It really suits you.
06:48Look, it really suits you.
06:49Hey, Sue.
06:50What are you doing?
06:51The parade has already started.
06:52What a waste.
06:53There are a lot of people here.
06:55Let's go later.
06:56Let's go.
07:00You know, Alvin,
07:01can you call up the architects
07:02and then tell them we're going to be late?
07:05And then,
07:06Eva is also emailing
07:07the design studies.
07:08Tell her I'll review them tonight.
07:10And...
07:11Hello?
07:12Oh, yes.
07:13Here are the papers for the property transfer.
07:15Fix it up.
07:16Just make sure that it's all fixed.
07:19Hello?
07:20Oh, yes.
07:22Hello?
07:24Hello, Olga.
07:25Yes, we're on our way home.
07:26Actually, we just left the site.
07:29But it looks like I'll be late.
07:32Okay, fine.
07:33You just take care of the design of the wedding invitation.
07:35Hello?
07:36Okay, fine.
07:37I'll see you.
07:38Bye-bye.
07:39If we're near the expressway,
07:42I'll call you.
07:43Okay, bye-bye.
07:45What did I hear?
07:46Is Olga's wedding still going on?
07:49Yes.
07:50That's what Grandma wants, right?
07:54Why is your wedding different?
07:55Grandma's orders are different.
07:59Alvin,
08:01you know it's going to be a good marriage.
08:03Altamonte,
08:04Villavicer,
08:05Villavicer has a lot of land.
08:07Altamonte will develop it.
08:11Okay,
08:12I'll ask a different question.
08:14Do you love Olga?
08:18It will be a good marriage for the Villavicers and Altamontes, Alvin.
08:23You know, you're just saying that
08:25because
08:26you haven't met the woman who will make your heart pound.
08:36Ksenia!
08:37Ksenia!
08:39Hey, Ksenia!
08:40It's Gandoy!
08:41Oh, why?
08:42I borrowed money from him.
08:44Do you want to pay him?
08:45It's a date.
08:46It's just a date.
08:47He already agreed.
08:48Stop it.
08:49What about you?
08:50Are you going to go on a date with Gandoy?
08:55No, I don't want to go to Guaho.
08:56What is Guaho?
08:58Guaho,
08:59handsome and smelly.
09:01You're the only one I can hear from.
09:03What?
09:04What's wrong?
09:05Cecilia, wait, I'll go there.
09:08Wait, hold this.
09:09Put on your mask.
09:10He's not going here.
09:13Excuse me, sorry.
09:14Sorry.
09:15Excuse me.
09:25Cecilia is missing.
09:27There, she's wearing a mask.
09:31There.
09:32A lot of people are wearing masks.
09:34Yes, she's wearing a mask.
09:36There, there.
09:37She's waving at you.
09:41Just go ahead.
09:45Oh, miss.
09:46What's wrong with you?
09:47I'm sorry, I'm sorry.
09:48I thought you were mad at me.
09:49I'm sorry, I'm sorry.
09:50I thought you were mad at me.
09:51Miss, get out.
09:52Get out.
09:53Get out.
09:54Wait, there's a person in the car.
09:55Don't be mad.
09:56Don't be mad.
10:05I'm sorry.
10:06I'm sorry.
10:25Get down.
10:26Ma'am Paps.
10:27Ma'am, Ma'am, I'm sorry ma'am.
10:29What?
10:30I'm sorry ma'am.
10:31Miss, you need to go down first.
10:32Ma'am, please take care of this.
10:34Miss, you need to go down first.
10:36Miss, wait.
10:37Wait, wait.
10:38What's going on?
10:39What?
10:40Carlos Miguel, can we go?
10:41We need to leave.
10:42We're late for the meeting.
10:43There, she's calling.
10:44Hello?
10:45Ma'am, get in.
10:46Get in.
10:50Close the door.
10:52Come on.
10:53Get out.
11:01Hey, what happened to you?
11:14He's so handsome.
11:16What?
11:17Dandoy is handsome?
11:19No, the guy in the red car.
11:23Where?
11:26Hurry, Cecilia.
11:27Your mom is getting lost again.
11:29Come on, let's go.
11:30Let's go.
11:32Hey, Cecilia.
11:35You're just gossiping.
11:37Aren't you tired of my life?
11:40What are you going to do if you're always talking about me being left by a man?
11:44That I'm left by my daughter in childbirth?
11:46Are you rich?
11:48That's enough, that's enough.
11:49Here, here.
11:50This is what you're gossiping about.
11:51There, my daughter in childbirth.
11:53That her father left me.
11:55Are you happy now?
11:57Mom, let's go home.
11:59Mom, let's go home.
12:00I'm embarrassed.
12:01Why are you embarrassed?
12:02She knows that we smell bad and that we're waiting here.
12:06Cecilia, I'm sorry.
12:07Your mom is getting drunk again.
12:09Mom, that's enough.
12:10Let's go home.
12:11She's just a kid.
12:12Ever since I gave birth to you, your life has been a mess.
12:16You're a mystic.
12:18Mom, that's enough.
12:19Let's go home.
12:20Let's go home.
12:21Let's go home.
12:22Let's go home.
12:23Let's go home.
12:24Let's go home.
12:25Oh, my.
12:26He's blaming Cecilia again.
12:28Meanwhile, he's the one who's responsible for Cecilia's life.
12:31You're right.
12:32Did you hear that?
12:33So what?
12:34It's the truth.
12:41He ruined my life.
12:45Whatever, Cecilia.
12:55It's okay, Mom.
12:57It's okay.
12:59It's okay.
13:11It's okay.
13:25It's okay.
13:30Cecilia,
13:33you know what?
13:35Your mom is a burden in your life.
13:39How can you ask her to do that when you're working?
13:44Mom is also working.
13:47Yes.
13:48She's just massaging.
13:50How much does she earn when she buys alcohol?
13:55How can you ask her to do that?
13:58Esme,
14:00I can't do that.
14:04You know how much I love Enay, right?
14:10Yes.
14:12I know.
14:13So you won't be sad if you don't have the man you know.
14:17Right?
14:19Mom,
14:22I won't be able to see him for a long time.
14:26I won't be able to see him for a long time.
14:37What are you doing?
14:55The next day
15:12Barako said
15:15it's better if you buy the land in Batangas
15:19than in Pangasinan.
15:22Good evening.
15:25You're just in time, son.
15:27Why?
15:28It's almost dinner time.
15:30Okay, let's go.
15:34Now, I want you to check the property in Pangasinan, Carlos Miguel.
15:39It's a good idea to build our new project there.
15:43Grandma, I thought Madam Esper said that there's a property in Badangas that we should buy.
15:51Why should I listen to her?
15:54I make my own destiny, son.
15:58Why do you get riddles?
16:03Specifically, to counter the riddles.
16:07I make my millions by not doing what the others are doing.
16:12Sometimes, we need to counter our fate, son.
16:17That's what you should do.
16:19Make your own destiny.
16:24Cecilia?
16:25Oh my, I can't believe you.
16:29Believe?
16:30Believe!
16:32Believe it!
16:34Believe it!
16:38Cecilia.
16:41Good evening to you.
16:43I brought flowers.
16:44It's really fresh.
16:45I just picked it up outside.
16:48And this is for Oman.
16:49It's delicious.
16:52You're welcome.
16:54Cecilia, can I ask you out tonight?
17:15Do you love Olga?
17:17It will be a good marriage for the Villa Vicesen of the Montes Alvin.
17:22You know, you're just saying that because you haven't met the woman who will make your heart beat.
17:45Sometimes, we need to counter our fate, son.
17:51That's what you should do.
17:55Who is that?
17:58She's so beautiful.
18:08Come in.
18:10Come in.
18:12Sir, excuse me.
18:14Yes, Paps. What's up?
18:16Sir, I got this from the side of the car.
18:19I think I left it with a girl earlier.
18:25Okay, I'll take care of it.
18:26Thank you, sir.
18:28What should I do?
18:29Just try it.
18:30Put it on me.
18:31I can take it off.
18:32Okay.
18:33Okay.
18:37Cecilia.
18:38Yes, what's that?
18:40Look at it.
18:44Does it look good?
18:45Yes.
18:46Let me see.
18:48It's beautiful.
18:49It's beautiful.
18:50It's beautiful.
18:51It's beautiful.
18:52It's beautiful.
18:53It's beautiful.
18:54It's beautiful.
18:55Does it look good?
18:56Yes.
18:57I'll do some magic.
18:59Like that?
19:00Count.
19:01One.
19:02Two.
19:03Three.
19:05Four.
19:06Five.
19:09See?
19:10It looks good, right?
19:11How did you do that?
19:13It's easy.
19:16Here.
19:17Hairpin?
19:18Hairpin.
19:20That's why you should always have a bow like this so you won't get caught.
19:23It looks good.
19:24So, do you want me to teach you how to do this?
19:26Yes, teach me.
19:27Hold on.
19:28Like this.
19:30Now,
19:32you'll put it inside.
19:34When you hear this sound,
19:39you'll say yes.
19:40See?
19:42That's great.
19:44Okay.
19:45I'll go now.
19:46You're great.
19:47Okay.
19:49Ate,
19:50you might not have the eyeshadow you bought for me.
19:53This one has a lot of colors.
19:55And,
19:56I have a lot of new products here.
19:58Miss.
19:59I'm sorry.
20:13I think this is for you.
20:18Oh,
20:20yes.
20:22How did you get that?
20:25I think you dropped it in my car one day.
20:29Oh,
20:30yes, this is mine.
20:40Miss,
20:41what's your name?
20:44What?
20:46Police!
20:53Let's go this way.
20:55Miss,
20:56let's hide.
20:57We shouldn't hide.
20:58The police will catch us.
20:59We can't do business here.
21:00We can't do business here.
21:02We can't do business here, right?
21:04I don't have a job here.
21:07Hey, you!
21:10Hey, you!
21:11Are you a salesman?
21:13Boss,
21:14I'm with him.
21:15Is there a problem?
21:17No, nothing.
21:18Sorry.
21:26Sorry.
21:29I'm sorry.
21:30I made you wait here.
21:33It's okay.
21:35No problem.
21:37Okay.
21:43Ah,
21:44wait, Miss.
21:46Why?
21:47Oh,
21:48what's your name?
21:51Cecilia.
21:53Cecilia Fulgencio.
21:58Nice to meet you, Cecilia Fulgencio.
22:01I'm Carlos Miguel Altamonte.
22:07Ah,
22:09wait,
22:11can I ask for a favor?
22:13Sure,
22:14what is it?
22:16Do you want to have a snack with me?
22:19I'm not used to this place.
22:27Here's your snack.
22:28This is my favorite.
22:29This is your favorite, right?
22:30Yes.
22:31Yes, it's delicious.
22:32Oh,
22:33it's delicious.
23:11Ah,
23:13when I see you
23:16in my dreams,
23:19I get nervous.
23:22It's true,
23:25I love you.
23:28Do you feel it in your heart?
23:34You're in my heart,
23:37you're in my mind,
23:40you're always
23:43in my dreams.
23:46Every morning,
23:49I hope it's you.
23:52For me,
23:55you're the happiness.
23:59When I feel you,
24:04I hope it won't change.
24:10Whenever you're in my heart,
24:17I hope it's always me.
24:28Oh,
24:29are you okay, Cecilia?
24:35Why are you crying?
24:38I'm scared.
24:41Why are you scared?
24:44Maybe,
24:47maybe you'll just fool me
24:50like your father and mother did.
24:55That won't happen, Cecilia.
24:58Do you know why?
25:02Because I love you.
25:06I love you so much.
25:12You're in my heart,
25:15you're in my mind,
25:18you're always
25:21in my dreams.
25:24Every morning,
25:27I hope it's you.
25:30For me,
25:33you're the happiness.
25:36When I feel you,
25:42I hope it won't change.
25:48Whenever you're in my heart,
25:54I hope it's always me.
25:59For me,
26:02you're the happiness.
26:06Carlos Miguel,
26:07where are you?
26:09But you need to sign the documents.
26:12Attorney Vergara is waiting for you.
26:18What?
26:22Thank you, my love.
26:26Always keep that in mind.
26:31You don't have another mouth,
26:32but Cecilia, Cecilia, Cecilia.
26:38Oh, like that?
26:40Okay, okay, okay.
26:42Just call me.
26:44Okay, okay, okay.
26:47Who's Cecilia?
26:57Really?
26:58Carlos Miguel already answered?
26:59Shh!
27:00Don't be loud.
27:01Someone might hear us.
27:03What's wrong with you, Cecilia?
27:05You should be the one to shout at the world
27:07that you have a boyfriend,
27:08and you're still single.
27:10Please, May.
27:11I haven't told Kenai yet.
27:13Hey, don't worry.
27:16I heard it already.
27:18Cecilia,
27:20whatever your illusion is with that Carlos Miguel,
27:23just stop it.
27:25That guy will just fool you.
27:27He'll make you happy,
27:29he'll make you beautiful,
27:30then he'll leave you,
27:32just like what your father did to me.
27:36Sir, you have a visitor.
27:38Olga.
27:41Well, I'm glad you're here,
27:44because we need to talk.
27:49About Cecilia?
27:53How did you know about Cecilia?
27:57I don't know.
28:01How did you know about Cecilia?
28:23I love you.
28:25I love you.
28:27He loves you,
28:29but you?
28:30Does he love you?
28:31No, Olga.
28:32And you are the father.
28:34And I don't want my son to grow up
28:37without knowing you.
28:39Get married to Olga Villavicel.
28:43If you don't come into our lives,
28:45Carlos Miguel will surely marry me.
28:47I don't know who will switch the lights,
28:50Cecilia or Carlos Miguel.
28:53Cecilia!
28:56Cecilia!
28:58Cecilia!