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Short filmTranscript
00:00:00So, I finally had to tell her last night.
00:00:21Bon voyage, Coco.
00:00:22You know, I know she was wrong for me from the moment we met, but she's beautiful, man.
00:00:29She had them long legs.
00:00:30She was wrapped around me.
00:00:31Crystal blue eyes, like swimming pools of beauty.
00:00:35Just...
00:00:36Hey, Mark, I'm over here just pouring my heart out to you, and I feel like you're not even
00:00:42listening.
00:00:43Are you listening?
00:00:44No.
00:00:45Okay.
00:00:46All right.
00:00:47You're right.
00:00:48You were right.
00:00:49Because I know from the moment that you met her, you were all like...
00:00:51She wasn't right for you.
00:00:53And why is that, exactly?
00:00:56She was normal.
00:00:57Yeah.
00:00:58Well, you know this is all kind of your fault, right?
00:01:03My fault?
00:01:04Well, yeah.
00:01:05We've been working together for years now, man.
00:01:09All you got to do is come out with me every once in a while, just have a couple drinks,
00:01:12and maybe you could steer me clear of the wrong girls.
00:01:14Look, I told you.
00:01:15I'm not into that singles dating thing.
00:01:18Singles dating scene?
00:01:19Man, that's all the dating scene is, is a bunch of singles.
00:01:21Come on, man.
00:01:22You're the only guy I know who's got his ex-wife's name tattooed on his finger.
00:01:28She wasn't my ex-wife when I got the tattoo.
00:01:31Yeah, I know that.
00:01:33Just add a little something to it.
00:01:34What does that say, anyway?
00:01:35A teller?
00:01:36It's Aquila.
00:01:37Aquila.
00:01:38Okay.
00:01:39So, add a T, and now it's tequila, right?
00:01:42You be the cool guy at the bar, you got tequila on your knuckle.
00:01:45Here, here.
00:01:46Get serious.
00:01:47Rock, paper, scissors?
00:01:49Okay.
00:01:50You always do rock, anyway.
00:01:51What's up, Los?
00:01:52Hello, my friend.
00:01:53How you doing?
00:01:54How the fuck you think I'm doing, man?
00:01:55Waiting out here in West Bubble?
00:01:56Fuck for your ass, man.
00:01:57What's up?
00:01:58Let's not waste time.
00:01:59You got the money?
00:02:00Yo, I ain't wasting the time, man.
00:02:01All right, yeah.
00:02:02I got your paper.
00:02:03I'll be right back.
00:02:04All right.
00:02:05All right.
00:02:06All right.
00:02:07All right.
00:02:08All right.
00:02:09All right.
00:02:10All right.
00:02:11All right.
00:02:12All right.
00:02:13All right.
00:02:14All right.
00:02:15All right.
00:02:16All right.
00:02:17All right.
00:02:18Yeah, I got your paper.
00:02:19You got my shit?
00:02:20Si.
00:02:21All right.
00:02:22What's up, Jose?
00:02:23Oh, you too hard for that shit, right?
00:02:24This motherfucker.
00:02:25So, what's up, man?
00:02:26We gonna transact, or we gonna bullshit?
00:02:27What?
00:02:28We'll check it out.
00:02:29My brother's gonna get the money from the car.
00:02:30Hey, hey, hey.
00:02:31Yo, Rambo, man.
00:02:32Is that shit necessary?
00:02:33I'm afraid it is.
00:02:34Amigo.
00:02:35Rambo.
00:02:36Rambo.
00:02:37Rambo.
00:02:38Rambo.
00:02:39Rambo.
00:02:40Rambo.
00:02:41Rambo.
00:02:42Rambo.
00:02:43Rambo.
00:02:44Rambo.
00:02:45Rambo.
00:02:46Amigo.
00:02:47Hey, yo.
00:02:48What's up with Senor Gancho over here?
00:02:50It's cool, man.
00:02:51Just show him the paper.
00:02:55Come on, now, handsome.
00:02:56Let me show you something real pretty.
00:03:00What's up, man?
00:03:01Where's my shit?
00:03:04Step into my office, my friend.
00:03:11About to make your day, man.
00:03:12Come on.
00:03:17Lento.
00:03:23We happy?
00:03:25Yeah.
00:03:26That's your happy face.
00:03:27The meat and potatoes, as promised.
00:03:34Same quality as before?
00:03:36Even better.
00:03:43Bien?
00:03:45We good.
00:03:46Give him the money.
00:03:47Great.
00:03:49Well, it's been a pleasure doing business with you, but don't take this the wrong way when I say
00:03:53I'm not going to lose any sleep if I never have to see your ugly fucking face ever again.
00:04:01Well, that's not good.
00:04:02Yo, Phil.
00:04:04We good?
00:04:05Talk to me.
00:04:06Never better.
00:04:07Just think we got a little lost in translation over here.
00:04:11I'm going to need you to pick up that bag.
00:04:14Or I will end you.
00:04:15Right here.
00:04:16Right now.
00:04:18Wait, so this whole time you can speak English?
00:04:20Pick up that bag.
00:04:23Slowly.
00:04:25Listen, man.
00:04:26Okay?
00:04:27It was real rude of me.
00:04:28And if I'm being honest with myself, rather racist to assume you don't speak English.
00:04:34Hey.
00:04:35LAPD, motherfucker.
00:04:36Drop it.
00:04:37Drop it.
00:04:38Phil, talk to me.
00:04:45He's a dead man.
00:04:46You both are.
00:04:47Shut the fuck up.
00:04:49Hey, Phil!
00:04:55Wait, wait.
00:04:56You're under arrest.
00:04:57LAPD!
00:05:00Phil!
00:05:01You might as well shoot, because I promise you my family will come after you and everyone you love.
00:05:06Phil!
00:05:07Until all of your lifeless bodies are hanging from an overpass.
00:05:09Hey, hey.
00:05:10Shut the fuck up.
00:05:11It was not a request.
00:05:12Shut up.
00:05:13Phil!
00:05:14You have the right to remain silent.
00:05:15Anything you say can be used against you in a court of law.
00:05:23You okay?
00:05:29If you can't afford an attorney, one will be appointed to you.
00:05:35Have you understood these rights as I have read them to you?
00:05:38Hey.
00:05:39Amigo.
00:05:40Buddy.
00:05:41Ah, shit.
00:05:42Hey, Mark.
00:05:43You think he heard that last part?
00:05:44Am I going to have to read him his whole Miranda rights warning all over again?
00:05:49Because I don't want to.
00:05:50Well, judging by his rap sheet, I think he's heard it before.
00:05:53You, uh, look clean.
00:05:55You guy, he was a lot smaller.
00:05:59True.
00:06:00Maybe you should cuff him.
00:06:01I don't know if you have the punching power to keep him out very long.
00:06:05All he's got is a gun.
00:06:06I don't have the punching power to keep him out very long.
00:06:08All he's got is jokes and wet pants.
00:06:12Hey, it's not a good time.
00:06:36Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:06:56We are gathered here today to celebrate the life of our brother Akeem.
00:07:03I have known Akeem's mother, Yvonne, and his brother, Mark, for a long time.
00:07:10I can remember the day Akeem was born.
00:07:13Bringing with him into this world and to this island that infectious smile that all of us would soon know and love.
00:07:22I ask all of you now to remember fondly Akeem and his infectious smile.
00:07:29But also to let his tragic death be a reminder that we must collectively guard the lives of our youths.
00:07:38Because make no mistake about it, whereas our island is surely a gift from God, lest we forget the devil does not strike at us from afar.
00:07:49No, he slithers along the soil we call home, waiting to coil around the feet of any who dare oppose him.
00:08:19Yvonne, I am so sorry.
00:08:25Thank you, Akiva.
00:08:30Please, come see me soon.
00:08:40We never met. I'm Manuel Alvarez. I'm terribly sorry. My deepest condolence.
00:08:50If there is anything I can do for you, please let me know.
00:08:58I'm so sorry for your loss.
00:09:20I'm sorry, son. I didn't get a chance to clean the house.
00:09:23Mom, it's fine. It's fine.
00:09:24I'm glad you're home, baby.
00:09:25Me too.
00:09:26Let me get you something to eat. You must be hungry.
00:09:29No, Mom, Mom, Mom. Please, please stop. I just want you to relax. You don't need to be doing anything right now.
00:09:35Come, sit. Come sit.
00:09:37Look, I have some things from your brother.
00:09:41Come on.
00:10:08He was wearing that one. He'd like you to have it.
00:10:19Thanks, Mom.
00:10:26Tell me what happened.
00:10:28I don't, I don't know. He got a job and he was staying out of trouble.
00:10:34Trouble?
00:10:35A lot has changed over the past seven years that you've been gone, son. The island just isn't the same anymore.
00:10:43I'm going to find out what happened.
00:10:45No, no, Mark. I just lost one of my sons. I cannot lose another.
00:10:51Mom, listen to me, okay? Everything is going to be okay. Just trust me. Get some rest, okay?
00:11:07It's going to be okay.
00:11:11Okay, Mom? It's going to be alright.
00:11:16Just some rest.
00:11:18Okay.
00:11:45Okay.
00:12:15I swear to God, it's not my fault.
00:12:17It's not your fault.
00:12:18It's not your fault.
00:12:19It's not your fault.
00:12:20It's not your fault.
00:12:21It's not your fault.
00:12:22It's not your fault.
00:12:23It's not your fault.
00:12:24It's not your fault.
00:12:25It's not your fault.
00:12:26It's not your fault.
00:12:27It's not your fault.
00:12:28It's not your fault.
00:12:29It's not your fault.
00:12:30It's not your fault.
00:12:31It's not your fault.
00:12:32It's not your fault.
00:12:33It's not your fault.
00:12:34It's not your fault.
00:12:35It's not your fault.
00:12:36It's not your fault.
00:12:37It's not your fault.
00:12:38It's not your fault.
00:12:39It's not your fault.
00:12:40It's not your fault.
00:12:41It's not your fault.
00:12:42It's not your fault.
00:12:44I swear to God.
00:12:45It's not our stuff.
00:12:46I'm telling you.
00:12:47Tell him.
00:12:48Yo, somebody put that in my car.
00:12:49We've been set up.
00:12:50We've been set up.
00:12:51Big misunderstanding.
00:12:52It's a big misunderstanding, okay?
00:12:53It's the truth.
00:12:54It's the truth.
00:13:01Yes, brother.
00:13:04About time.
00:13:05Yeah.
00:13:06Sit down.
00:13:07Sit down.
00:13:09I'm really sorry about Hakeem.
00:13:13He was a good kid.
00:13:17So, what have you found out?
00:13:23We got way back.
00:13:24So, I'm just going to give it to you straight.
00:13:26We don't have the same man power like you do in L.A.
00:13:30I remember.
00:13:31So, this...
00:13:35This is going to take a while.
00:13:38It's going to take some time.
00:13:41And right now, we don't have a whole lot to go off of.
00:13:51This is Aliyah?
00:13:54That's everything from the table.
00:13:57Maybe I fight with the gangs.
00:13:59Gangs?
00:14:02Yeah.
00:14:03There's been a lot of crime here on the island since you've been gone.
00:14:06Especially with gangs from neighboring islands coming here to party.
00:14:09And drug traffic is way up.
00:14:12So, you think this is gang related?
00:14:18Like I said,
00:14:20this is going to take some time to find out what actually happened.
00:14:25But when I do,
00:14:26you'll be the first to know.
00:14:30All right.
00:14:36Let's go.
00:15:06Nine.
00:15:08Ten.
00:15:12And one.
00:15:13Two.
00:15:14Three.
00:15:15Four.
00:15:17Bye, Sensei Akila.
00:15:19Bye, Sensei.
00:15:20See you guys next week.
00:15:26So, how's the big city treating you?
00:15:29Well, not a day goes by that I don't think about the island.
00:15:34If that's what you're asking.
00:15:37But you left.
00:15:39And you know why I left.
00:15:42Yeah.
00:15:45So,
00:15:48did you ever
00:15:51be married?
00:15:56No.
00:15:59You?
00:16:01Nope.
00:16:06Well, I'm happy you kept up with your training.
00:16:10How long have you had the dojo?
00:16:13Going on about three years now.
00:16:18I'm impressed.
00:16:20The kids are lucky to have you.
00:16:26You know, I...
00:16:27I always hoped I'd see you again.
00:16:31But not like this.
00:16:34I'm so sorry about Akeem Mark.
00:16:41How long are you staying for?
00:16:44Long enough to find out what happened to Akeem.
00:16:48I went to the police station to talk to Nate.
00:16:51He says there are gangs here on the island.
00:16:53Unfortunately, yeah.
00:16:55The gangs come over on the weekends from other islands
00:16:58and bring with them more drugs and crime.
00:17:01But I wouldn't hold on to too much hope
00:17:04in whatever Nate Sessel does.
00:17:06Why is that?
00:17:08Because people around here are afraid to make waves.
00:17:12I'm listening.
00:17:15This guy, Manuel Alvarez,
00:17:18everyone calls him Akeem Mark.
00:17:20This guy, Manuel Alvarez,
00:17:23everyone calls him the company
00:17:25because he owns everything that's important on the island.
00:17:28He owns the bank, construction companies, hotels.
00:17:32In less than four years,
00:17:35he basically managed to control the entire economy of the island.
00:17:39Not to mention the only places that the gangs seem to avoid
00:17:42are the businesses he owns.
00:17:44And I'm pretty sure he controls them too,
00:17:47just to scare the people on the island.
00:17:48So whether they like it or not,
00:17:51a lot of people around here rely on him to survive.
00:17:54Do you remember Vanessa?
00:17:57Yeah.
00:17:59She's working at the bank
00:18:01and told me in confidence that hundreds of millions go to the bank now.
00:18:05But what does that have to do with Akeem?
00:18:10Two months ago,
00:18:12Akeem took a job as a bartender working for Alvarez.
00:18:17What club?
00:18:19Luna. Club Luna.
00:18:24What are you going to do, Mark?
00:18:27I'm gonna do whatever it takes.
00:18:31Starting with a visit to this Alvarez.
00:18:36Just be careful.
00:18:46Okay.
00:19:11Can I help you?
00:19:13You need to speak to your boss.
00:19:14You're gonna have to make an appointment.
00:19:17Not my style.
00:19:19Your style?
00:19:21Perhaps you've not heard...
00:19:22It's okay.
00:19:24Please.
00:19:26Come, sit down.
00:19:28No, thank you.
00:19:31Can I get you something to drink?
00:19:33No.
00:19:36So, how can I help you?
00:19:40My brother worked for you.
00:19:42He did.
00:19:44He did all the work for me.
00:19:46Here at this bar?
00:19:48Yes.
00:19:49And he was a good bartender.
00:19:51So you're aware that my brother was killed the night he was working here?
00:19:54You know,
00:19:56I don't think I like the implication you are making.
00:19:59I look like I care what you think?
00:20:02What the fuck happened to my brother?
00:20:08You're upset.
00:20:09And I get it.
00:20:11And I'm here to help.
00:20:12But you're not going to find the answer you're looking for here.
00:20:16Your brother
00:20:18left after his shift that night.
00:20:20And it seems to me
00:20:21he may have gotten himself into some troubles with the gangs.
00:20:32Here.
00:20:35What is this?
00:20:37A spot.
00:20:38A bar, actually.
00:20:40Where?
00:20:41Where a lot of the gangs
00:20:42that come over from other islands hang out.
00:20:45My people told me that your brother used to go there after work.
00:20:50This is not the same island you grew up on.
00:20:53Not anymore.
00:20:55You know, everybody keeps telling me that.
00:20:58Change is inevitable.
00:21:00Good and bad, I'm afraid.
00:21:02You're right about that.
00:21:04Changes are coming.
00:21:06So you might want to move your business off of the island.
00:21:10Oh.
00:21:12A threat by an LA police officer.
00:21:16Yes.
00:21:18I have friends all over America.
00:21:21I did my homework on you, Mark.
00:21:25Apparently not enough.
00:21:27Otherwise you'd be packing right now.
00:21:30I've done my homework on you too, Mr. Alvarez.
00:21:35And I know your type.
00:21:37And I promise you
00:21:39the weather is about to get very bad for you here.
00:21:52What do you want me to do?
00:22:00Get the gangs from the north to handle him.
00:22:10TEN YEARS LATER
00:22:26Dajan.
00:22:28Mark.
00:22:30My brother.
00:22:31Welcome home, man. Good to see you.
00:22:33You hungry? Hey, let me hook you up, man.
00:22:35No, no, no, no. No thanks, man.
00:22:37Leave some for us.
00:22:40Man, I'm sorry about Akeem.
00:22:43I really wanted to go to the funeral,
00:22:45but with six months to feed, now I got to...
00:22:47Wait, wait, wait.
00:22:48You and Dajan have got four more kids now?
00:22:50Yeah, brother.
00:22:51We've been blessed.
00:22:53But things have been tough.
00:22:56At least for those of us who still choose to do things the right way.
00:22:59You know?
00:23:01Yeah.
00:23:04You remember that package I asked you to hold for me?
00:23:07Of course.
00:23:08I buried it where you told me to.
00:23:10Good.
00:23:11I'm gonna need it.
00:23:14Shit is coming.
00:23:15Shit is coming big time, brother.
00:23:38Ugh!
00:24:09Fuck.
00:24:15Hey, man, what the fuck?
00:24:18Which of you is in charge?
00:24:20Yo, big man.
00:24:21You know when to get out here before you get hurt, shit.
00:24:24Look.
00:24:25I don't want any trouble.
00:24:27Yo, bitch, if you're a cop, we got nothing to say.
00:24:35Like I said.
00:24:37All I want is some information.
00:24:39Now, my brother...
00:24:40If you're not a cop, you're in the wrong fucking place.
00:24:43I'm not here as a cop.
00:24:45I'm here as a brother of the island who has lost his brother.
00:24:49And all I want is a little information about what happened to my brother.
00:24:54Motherfucker, you do see I got a loaded gun, right?
00:24:57Look.
00:24:58I realize you guys are not from the island, so you don't know me or my reputation.
00:25:03Shoot this motherfucker, man.
00:25:04All I want is...
00:25:08...some information.
00:25:13Like I said.
00:25:15I'm not here to hurt anyone.
00:25:17Okay?
00:25:21All I want to know is if my brother Akeem was here on the night that he was murdered.
00:25:34Hey!
00:26:05Ah!
00:26:26You broke my fucking nose.
00:26:29You want to tell me about my brother now?
00:26:31Fuck your brother.
00:26:34Ah!
00:26:49That's right.
00:26:50Had it.
00:26:51Didn't need it.
00:26:53I could use it now if you like.
00:26:57No.
00:26:58I never met him.
00:27:00We were just told to fuck some student up looking for his brother.
00:27:04That's all I know, I swear.
00:27:06I believe you.
00:27:13Dude, that's him!
00:27:19He's here!
00:27:27Let's go!
00:27:35Let's go!
00:27:46That way!
00:28:05Ah!
00:28:12Shoot him!
00:28:31Yo, you guys see him anywhere?
00:28:34Shit.
00:28:35We lost him.
00:28:37Let's go.
00:28:51Fuck.
00:28:53I'll call him.
00:28:56We lost him.
00:28:58That's very disappointing.
00:29:00I will deal with your failures later.
00:29:02Go to the mother's house.
00:29:04Use her to flush him out.
00:29:06Understood.
00:29:34Fuck.
00:30:04Going dark.
00:30:34Fuck.
00:30:52Fuck.
00:31:04Fuck.
00:31:25Here you go.
00:31:27Don't mention it.
00:31:28Ivan.
00:31:30Everything is going to be okay.
00:31:33He's going to be okay.
00:31:35You know, when you're a mother, you always have to worry.
00:31:43I'm sorry.
00:31:45I wasn't thinking.
00:31:47I'm so sorry.
00:31:48It's okay.
00:31:51You know, I really wish that I could tell you that after losing a child,
00:31:55it gets easier.
00:31:57But even after seven years,
00:32:01it doesn't.
00:32:10You two good?
00:32:12Yeah.
00:32:15You have a first aid kit?
00:32:17Yeah, I'll go grab it.
00:32:25All right, so what we got?
00:32:27We have a DOA.
00:32:29The rest have gone on to the hospital.
00:32:32Jesus Christ.
00:32:34These boys got hit hard.
00:32:37Who else is here?
00:32:38No one's talking.
00:32:42All right, so I'll take it from here.
00:32:44Just make sure you secure the perimeter.
00:32:46Yes, sir.
00:32:48Excuse me, sir.
00:32:49Yes, officer.
00:32:50The station, I've been trying to get over to you.
00:32:52What is it?
00:32:53They said there's a possible crime scene that you'd want to know about.
00:32:57Do I have a crime scene here already?
00:32:59It's at Hakeem's mother's house.
00:33:04Tell them I'm on my way.
00:33:06Okay, sir.
00:33:23You think nobody was home?
00:33:26It is time.
00:33:30Any idea what happened to a bunch of gang members so late tonight at the beach bar?
00:33:34Hmm?
00:33:36Any idea what happened to my brother,
00:33:38or who tried to break into my mother's house and kill her?
00:33:41You have no idea what you're asking of me right now.
00:33:46This?
00:33:48This is so much bigger than what I remember.
00:33:50This is so much bigger than your brother.
00:33:53You're right.
00:33:55It's not going to stop,
00:33:57unless you help me to make it stop.
00:34:00I think you already know the answers to the questions you're asking.
00:34:03This is our island.
00:34:06Our home.
00:34:08My father built this house with his bare hands,
00:34:11just like your father built yours.
00:34:14And they wanted my mother to be there.
00:34:16Nate,
00:34:18changes are coming.
00:34:21And you need to decide what side of those changes you're going to be standing on.
00:34:37Speak to Luna, she's a new singer.
00:34:40One of my informants told me she was working the night your brother was killed.
00:34:45Her name is Nora.
00:34:46She's staying at a motel by the church, room E18.
00:34:51Is your mother somewhere safe?
00:34:54Yeah.
00:34:57At Akiva's place.
00:34:59Good.
00:35:03I need to trust you, Nate.
00:35:05This island needs help.
00:35:07And I can't do it alone.
00:35:20I'm sorry.
00:35:39I don't think the word disappointed
00:35:41carries enough weight for what I'm feeling right now.
00:35:44We did what you asked for us, after we lost the Mentone.
00:35:47But the house...
00:35:49It's empty.
00:35:50They must have known someone was coming.
00:35:53So,
00:35:54this was my fault?
00:35:56No, no, that's not what I meant.
00:35:58No, no.
00:35:59It's okay, forget about it.
00:36:02You tried, right?
00:36:04You did the best you could with the information you had,
00:36:06but they knew you were coming.
00:36:09Right?
00:36:11Yes, sir.
00:36:12Yes, sir.
00:36:15Hey, hey.
00:36:16Take it easy.
00:36:17Take a deep breath before you hyperventilate.
00:36:32One thing I can stand is excuses.
00:36:35And a lack of accountability.
00:36:38No!
00:36:42Please!
00:36:45Please!
00:36:47Please, please!
00:36:50I'm sorry.
00:36:51Fuck.
00:36:52Let's get back to the accountability.
00:36:54Fuck, fuck, fuck.
00:36:56Please, no, no, no!
00:36:57Wait, wait, wait, wait, wait!
00:36:58I have a photo!
00:36:59In my pocket!
00:37:10I think I know how to get this guy.
00:37:12He's a local.
00:37:13Runs the island dojo.
00:37:15Please, please!
00:37:28Are you gonna come back inside and finish fucking me or what?
00:37:32I'll be back in a moment.
00:37:35This cop?
00:37:36More trouble than we expected.
00:37:39He put the boys of the nurse gang in the hospital.
00:37:45Make a call to our special friends, okay?
00:38:16Who is it?
00:38:17I'm a police officer from Los Angeles.
00:38:24Nora, please open the door.
00:38:28My name is Mark F. Rich.
00:38:30Akeem, the bartender, was my brother.
00:38:37Listen.
00:38:38If you know the information I'm looking for,
00:38:40then you're not safe.
00:38:42Not here, not anywhere on the island.
00:38:45But I can help you.
00:38:48Are you really a cop from L.A.?
00:39:16You tell me about what you know,
00:39:17and I will get you off this island.
00:39:21I can't.
00:39:23They will kill me.
00:39:27You have to go.
00:39:28If they see me talking to you...
00:39:29No, no, no, Nora, Nora, Nora.
00:39:31Please.
00:39:33Just...
00:39:34Look.
00:39:35Calm down.
00:39:37No one is here,
00:39:38and no one is going to kill you.
00:39:40Now, it is my job to protect people in your situation,
00:39:43and I swear I will get you back to the U.S.
00:39:48When?
00:39:49When can you get me out?
00:39:51If you tell me what happened to my brother,
00:39:53I will get you out today.
00:39:56Okay?
00:39:57I will have my partner meet you at the airport back in the U.S.,
00:40:01and he will make sure you're safe.
00:40:04But...
00:40:05I need to know what happened.
00:40:13What happened?
00:40:19He killed him.
00:40:22Right in front of me.
00:40:24Because he spilled some wine on me.
00:40:27Alvarez?
00:40:32Yes.
00:40:38I see it every time I close my eyes.
00:40:41I'm so sorry.
00:40:45I'm so sorry.
00:40:52I just came here to sing.
00:40:59It's going to be okay.
00:41:10It's going to be okay.
00:41:40Come on.
00:41:45Come on.
00:41:54Don't worry. You can trust him.
00:41:56You sure?
00:41:57I promise you.
00:41:59He's one of the good guys.
00:42:02Hey.
00:42:04I want to thank you for telling me about what happened to my brother.
00:42:11So, how are we looking?
00:42:12We're good.
00:42:14It sure isn't best for her to stick her own...
00:42:16We could arrest him now.
00:42:18And with her testimony, we could...
00:42:19There isn't going to be any trial.
00:42:25And I promised to get her off the island.
00:42:29You better get going.
00:42:32No need to thank me for doing what's right.
00:42:37You can come with me.
00:42:39You can come with me.
00:42:41It's all right.
00:42:57I've got news.
00:43:02There was an eyewitness.
00:43:04Alvarez killed that kid.
00:43:09He...
00:43:12He...
00:43:38He...
00:43:53Everything has been taken care of.
00:43:56This boat will take you to a taxi that will get you to the airport.
00:44:03You can trust him.
00:44:09Here's your ticket.
00:44:13My partner Phil will be waiting for you when you reach Miami.
00:44:19One last thing.
00:44:22Leave the demons you're carrying, the ones in your head behind with this island.
00:44:27There's no reason for you to carry them anymore.
00:44:38Let's go.
00:45:09Here you go.
00:45:16We've got company.
00:45:17We've got to move. Go.
00:45:18What's going on?
00:45:20Mom, you've got to trust me.
00:45:22You know how to shoot one of these?
00:45:23Absolutely.
00:45:24All right. Good.
00:45:25Take Mom.
00:45:26Okay.
00:45:27I'll go.
00:45:28I'll go.
00:45:29I'll go.
00:45:30I'll go.
00:45:31I'll go.
00:45:32I'll go.
00:45:33I'll go.
00:45:34I'll go.
00:45:35I'll go.
00:45:36Good.
00:45:37Take Mom.
00:45:38Okay.
00:45:39Come on.
00:45:40Right behind you.
00:46:06Go.
00:46:07Go.
00:46:08Go.
00:46:09Go.
00:46:10Go.
00:46:11Go.
00:46:12Go.
00:46:13Go.
00:46:14Go.
00:46:15Go.
00:46:16Go.
00:46:17Go.
00:46:18Go.
00:46:19Go.
00:46:20Go.
00:46:21Go.
00:46:22Go.
00:46:23Go.
00:46:24Go.
00:46:25Go.
00:46:26Go.
00:46:27Go.
00:46:28Go.
00:46:29Go.
00:46:30Go.
00:46:31Go.
00:46:32Go.
00:46:33Go.
00:46:34Go.
00:46:35Go.
00:46:36Go.
00:46:37Go.
00:46:38Go.
00:46:39Go.
00:46:40Go.
00:46:41Go.
00:46:42Go.
00:46:43Go.
00:46:44Go.
00:46:45Go.
00:46:46Go.
00:46:47Go.
00:46:48Go.
00:46:49Go.
00:46:50Go.
00:46:51Go.
00:46:52Go.
00:46:53Go.
00:46:54Go.
00:46:55Go.
00:46:56Go.
00:46:57Go.
00:46:58Go.
00:46:59Go.
00:47:00Go.
00:47:01Go.
00:47:02Go.
00:47:03Go.
00:47:04Why you got to be kidding me?
00:47:05What's that?
00:47:07Go.
00:47:08Need back up.
00:47:09OK.
00:47:10One minute.
00:47:11Go.
00:47:12Go.
00:47:13Go.
00:47:14Go.
00:47:15Go.
00:47:16Go.
00:47:17Go.
00:47:18Go.
00:47:19Go.
00:47:20What the fuck?
00:47:21Wait.
00:47:22Are you kidding me?
00:47:23Is this my house?
00:47:24I know it's a secret.
00:47:25Go.
00:47:26Go.
00:47:27Go.
00:47:28Go.
00:47:29Go.
00:47:30Go.
00:47:31Go.
00:47:32Go.
00:47:33Go.
00:47:34Go.
00:47:35♪♪
00:47:45♪♪
00:47:55♪♪
00:48:05♪♪
00:48:15♪♪
00:48:25♪♪
00:48:36♪♪
00:48:46♪♪
00:48:56Shit.
00:48:57You okay?
00:48:58Yes, I'm fine.
00:48:59Yeah, you good?
00:49:00I'm good.
00:49:01Mom, you okay?
00:49:02Yeah, I was shaking, but I'm okay.
00:49:04Buck!
00:49:05Akira!
00:49:06♪♪
00:49:14♪♪
00:49:20♪♪
00:49:23Go, Nate.
00:49:24Oh, thank God you're all right.
00:49:26It's clear.
00:49:28They're gone for now.
00:49:29Hey, these guys were not amateurs.
00:49:31Yeah, I know.
00:49:33You have awakened the devil.
00:49:35You have a plan?
00:49:37Yeah.
00:49:38First thing is to get my mom somewhere safe.
00:49:40You have a place in mind?
00:49:42I do.
00:49:43Good.
00:49:44I'm going back to the station
00:49:46and see what I can find out.
00:49:48All right.
00:49:49Meet you in a few hours.
00:49:50Where?
00:49:51The old sugar mill.
00:49:53All right.
00:49:54Stay safe.
00:49:56♪♪
00:50:06♪♪
00:50:16♪♪
00:50:23So, where is she?
00:50:24I thought you were keeping her doped up.
00:50:26♪♪
00:50:34Kind of hard for her to stay strung out.
00:50:37She's out of a job!
00:50:40She never told me she was out.
00:50:42Huh.
00:50:43She never told?
00:50:44No.
00:50:45I'm sorry.
00:50:47Okay?
00:50:48I know I messed up.
00:50:49I'm sorry.
00:50:50It's okay.
00:50:51Forget about it.
00:50:52When was the last time you saw her?
00:50:54I...
00:50:55Yesterday.
00:50:56Afternoon.
00:50:57When I dropped off some dope,
00:50:58I gave it to her.
00:50:59I swear!
00:51:01Did she use it?
00:51:02In front of you?
00:51:04I-I don't remember.
00:51:06Oh, you don't remember?
00:51:09Don't remember.
00:51:12Do you have anyone new now?
00:51:14What?
00:51:15The drugs you give her.
00:51:17Do you have someone new now?
00:51:18Yeah, yeah.
00:51:19Right here.
00:51:20Right here.
00:51:21See?
00:51:23Look, I'm sorry.
00:51:24Okay?
00:51:25I'm real sorry.
00:51:26I'm real sorry.
00:51:27Hold him down.
00:51:33No, please.
00:51:34Open his mouth.
00:51:40Swallow it!
00:51:45Volo, you junkie puta!
00:51:56Now, that's how you keep someone doped up.
00:52:45Hey, Nate.
00:53:01Yeah, everything goes planned?
00:53:03Yeah, she's safe and sound.
00:53:05You get the email I sent?
00:53:07Yeah, looking at it, though.
00:53:09Thanks for helping me with this.
00:53:11Our resources on the island are tight.
00:53:13Yeah, happy to help.
00:53:15You know, the fingerprints belong to a Sicario,
00:53:18a member of a pretty vicious Colombian cartel.
00:53:22What's going on down there, man?
00:53:24Give it to me straight.
00:53:25Mark ain't telling me anything,
00:53:26and these are not small-town players.
00:53:28I know.
00:53:30Look, I got to go.
00:53:32Um, thanks again.
00:53:34You got it.
00:54:04Hey, Mom, good to see you.
00:54:06Welcome.
00:54:07Hi, Tishawn.
00:54:08Glad to see you.
00:54:09Hey, brother.
00:54:10Hey, guys, let's go.
00:54:12Come inside.
00:54:13Welcome to my home.
00:54:17Hey, you kids be careful around our guests, okay?
00:54:21Okay.
00:54:22Hey, Tishawn.
00:54:23Hey, Tishawn.
00:54:24Hey, Tishawn.
00:54:25Hey, Tishawn.
00:54:26Hey, Tishawn.
00:54:27Hey, Tishawn.
00:54:28Hey, Tishawn.
00:54:29Hey, Tishawn.
00:54:30Hey, Tishawn.
00:54:31Hey, Tishawn.
00:54:32Hey, Tishawn.
00:54:33Don't worry about the coronavirus, okay?
00:54:35It's okay.
00:54:36The laughter of children is the most beautiful thing in the world.
00:54:40You know, I remember when you two were the same age,
00:54:43nothing but trouble.
00:54:47Kids, get in here and eat.
00:54:51I'll help you with that.
00:54:53Thanks, Yvonne.
00:54:54Welcome to our home.
00:54:56Hey, Dianna.
00:54:57Hello, Mark.
00:54:58It's good to see you.
00:54:59You too.
00:55:02Are you sure this is okay?
00:55:03Of course.
00:55:04Diana and I wish there was more that we could do to help.
00:55:07Hey, taking care of my mother and Akela
00:55:09is more than enough, bro.
00:55:11You mean taking care of your mother.
00:55:13I'm not staying.
00:55:15Akela, you need to stay here.
00:55:16What I need is to be there for my island.
00:55:20Akela, please.
00:55:21And to be there for you, too.
00:55:29All right.
00:55:30I'll be back as soon as I can.
00:55:33Stay safe, my friends.
00:55:35Don't worry about your mother.
00:55:36She's gonna be safe here with us.
00:55:38Akela, take care.
00:55:39Be safe.
00:56:00♪♪
00:56:12Forgive me, Father.
00:56:13I, uh...
00:56:15can't even remember the last time I came to church.
00:56:19As one of God's children,
00:56:21all that matters is that you are here now.
00:56:25Go on.
00:56:26What is on your mind, my son?
00:56:29I need to ask you to do something for me.
00:56:34Please keep me safe.
00:56:35I don't understand.
00:56:37What is it?
00:56:38If anything happens to me,
00:56:40open it, and I trust you know what to do.
00:56:42♪♪
00:56:51♪♪
00:56:59We could be in real trouble here.
00:57:02Mi senti, amore.
00:57:04Si, Carla, ti sento.
00:57:06Per ogni problema c'ha una soluzione.
00:57:07Ricordatelo.
00:57:09I'll take care. Don't worry about it.
00:57:10Okay?
00:57:12I might have a solution.
00:57:14You better, because if they have her,
00:57:16then she can testify against you.
00:57:18I'll find her.
00:57:20No, you won't.
00:57:21If she's gone, it means it got to her.
00:57:24And if it got to her, then that means
00:57:26it can bring an international warrant against me.
00:57:31And if you're still here,
00:57:33it means that little piece of shit is still breathing.
00:57:36He is, but we have a card to play,
00:57:39if you're willing to play it.
00:57:40I'm willing to play it.
00:57:42Do what it takes.
00:57:44It's messy.
00:57:45Everything I built on this island
00:57:46is in jeopardy because of these men!
00:57:48I will make a mess if I have to, believe me.
00:57:51♪♪
00:58:01♪♪
00:58:12I don't understand why you just don't let Nate
00:58:15make a case against him and put an end to all of this.
00:58:18Would that seem as testimony?
00:58:20He'd spend the rest of his life in jail.
00:58:23Because guys like him don't end up in jail, Akilah.
00:58:27Mark, he's never going to stop.
00:58:30And neither am I.
00:58:33There's only one way this ends.
00:58:37To carry a life inside of me for nine months,
00:58:42one that you and I created together.
00:58:46And to never get to hear her cry
00:58:51or see her open her eyes to look at me,
00:58:54to never get to hold her against my skin
00:58:58or see her take her first steps
00:59:01or watch her grow up.
00:59:04Or watch her grow up.
00:59:06Akilah.
00:59:07It broke me in more ways than I ever thought was possible.
00:59:13I was so...
00:59:15so numb to everything that wasn't heartache.
00:59:20And I know it broke you, too.
00:59:23Broke you so much that you had to leave.
00:59:26Akilah, why are you talking about this now?
00:59:28Because nothing that either of us does
00:59:31will ever bring her back.
00:59:33She's gone, Mark.
00:59:35You can't save her.
00:59:38But I can save our island.
00:59:40But at what cost?
00:59:43I don't want to lose you, too.
00:59:48I don't think that I could take being broken anymore.
00:59:52You will never lose me.
01:00:01It's Nate.
01:00:09Nate?
01:00:14Nate.
01:00:16Talk to me.
01:00:19Wait here.
01:00:22Nate.
01:00:25Nate.
01:00:27Mark?
01:00:30Nate.
01:00:32Nate, talk to me.
01:00:35Mark.
01:00:38I'm sorry, brother.
01:00:40They're gonna kill the family.
01:00:42Shh. Relax.
01:00:44Take deep breaths.
01:00:46Slow, slow.
01:00:47Everything's gonna be all right.
01:00:49-♪♪♪♪
01:00:57Hey!
01:01:05Akilah!
01:01:27Aah!
01:01:37I'm sorry.
01:01:38Shh, shh, shh, shh.
01:01:41Relax.
01:01:43Think about all the times we were here
01:01:46and we played cricket together.
01:01:48Huh?
01:01:50Is he your brother?
01:01:53Yeah.
01:01:55I'm so glad that you were able to help teach him for me.
01:02:00And he was always so stubborn.
01:02:02And before I know it, he was better than both of us.
01:02:08Take care of him, my friend.
01:02:12Until we meet again.
01:02:16-♪♪♪♪
01:02:21-♪♪♪♪
01:02:25For God commands us to speak up
01:02:28for those who cannot speak for themselves.
01:02:32For the rights of the destitute,
01:02:35to speak up, to judge fairly.
01:02:39Reach out to someone in your community,
01:02:42one of your neighbors.
01:02:44Help those less fortunate than yourself.
01:02:48This is what God...
01:02:50I'm sorry, Father.
01:02:53May I please speak with everyone just for a moment?
01:02:57Yeah.
01:03:05My family immigrated to this island from the States
01:03:09when I was only two years old.
01:03:12Many of this community
01:03:14helped us to build a new life here
01:03:17so that we could call this island our home.
01:03:20Now, look, I know many of you
01:03:24rely on the jobs in the many businesses
01:03:28owned by Manuel Alvarez.
01:03:33But I'm here to tell you
01:03:36that he has taken Akilah hostage
01:03:39and has killed both my brother Akeem
01:03:43and now my friend,
01:03:45our police chief, Nate Wayland.
01:03:51Nate Wayland died an honorable man
01:03:54who fought for what's right
01:03:56and for the island that we love
01:03:59and have called home.
01:04:01Please, don't let him or my brother die in vain.
01:04:06Help me find Akilah
01:04:09and help me put an end to this devil
01:04:12who has coiled himself around all our feats
01:04:15and is trying to choke the life out of our island.
01:04:20Please, if you hear or see anything,
01:04:25reach out to me at the police station.
01:04:30That concludes everything for today.
01:04:36Mark.
01:04:38A moment, please.
01:04:48Nate asked me to hold on to it.
01:04:52What is it?
01:04:54I don't know.
01:04:55He said if something happened to him,
01:04:58and with his passing,
01:05:00I just think he would want you to have it.
01:05:03Thank you, Father.
01:05:06♪♪♪♪
01:05:14Wake up, bitch!
01:05:17-♪♪♪♪
01:05:18-♪♪♪♪
01:05:21Where am I?
01:05:25What do you want with me?
01:05:28Answer me!
01:05:32She's not answering you because she don't work for you.
01:05:36She work for me.
01:05:43And I'm getting really tired of your boyfriend
01:05:47getting in my way.
01:05:49Then you're really gonna be upset when he kills you.
01:05:52Oh, aren't you a clever one?
01:05:56But it's going to be hard to be clever.
01:06:00To be clever without a tongue.
01:06:06Oh, you're gonna pay for that, bitch.
01:06:09Then just get it over with and kill me now
01:06:11if you're really gonna do it.
01:06:13In time, I'll do just that.
01:06:16But unfortunately for you,
01:06:19it won't be quick.
01:06:21No.
01:06:23I'm going to take my time and enjoy so much.
01:06:29Eventually...
01:06:31you'll beg me to kill you.
01:06:40Don't leave her side.
01:06:46-♪♪♪♪
01:06:49-♪♪♪♪
01:06:52-♪♪♪♪
01:06:55-♪♪♪♪
01:06:59Everyone.
01:07:01Listen up.
01:07:07Nate was a good man
01:07:09who died fighting to protect this island.
01:07:12And now I have taken over as acting chief of police
01:07:16so I can do what needs to be done.
01:07:19Now, if any of you would like to leave,
01:07:23you can leave now.
01:07:27Good.
01:07:29Now, the first thing I want you to do
01:07:31is get the word out all across the island
01:07:34that I will be here waiting for Alvarez.
01:07:39♪♪♪♪
01:07:56Hmm.
01:07:58♪♪
01:08:06♪♪
01:08:14-♪♪
01:08:19Okay.
01:08:21Cartel drug money.
01:08:24You've been building a case against Alvarez
01:08:27for money laundering.
01:08:30Mm.
01:08:32Gotcha.
01:08:34-♪♪
01:08:39I won!
01:08:41No fair. You're taller.
01:08:44Look, Desmond.
01:08:46Who's that?
01:08:47Shh.
01:08:48Come on.
01:08:50-♪♪
01:08:59That's the guy who's always with him.
01:09:01-♪♪
01:09:05Did he see us?
01:09:06I don't know.
01:09:07Come on. Let's get out of here.
01:09:09-♪♪
01:09:11-♪♪
01:09:18Hello?
01:09:19A police officer just came here looking for the boss.
01:09:21What'd you tell him?
01:09:22That he wasn't here
01:09:23and that I don't know where he is.
01:09:24All right. You did the right thing.
01:09:26Wait, Desmond.
01:09:27Before he left,
01:09:28he told me that Marcus replaced the chief of police,
01:09:30and now he's at the station
01:09:31waiting for the boss to make a move.
01:09:34Understood.
01:09:36-♪♪
01:09:39-♪♪
01:09:41Excuse me, sir.
01:09:42These two children say that they saw something
01:09:45that may be able to help you.
01:09:47Oh.
01:09:48Hello, kids.
01:09:49So, what did you see?
01:09:51Mr. Mark?
01:09:53This is Marcus Flynn.
01:09:54We saw him.
01:09:56Who did you see?
01:09:57The man who's always with the man well guy.
01:10:00Oh.
01:10:01Mean-looking guy?
01:10:02Looks like Mr. Clean, never smiles?
01:10:04Yeah, that's him.
01:10:07So, where was this?
01:10:09We saw him at the old abandoned hotel.
01:10:12The one by the water?
01:10:13Yep.
01:10:16You two kids did very well.
01:10:19But listen,
01:10:20do not go anywhere near there, okay?
01:10:23And tell nobody.
01:10:25It's very, very important.
01:10:26Okay. Okay.
01:10:28All right, run along.
01:10:32Thanks, Sergeant.
01:10:36Awfully young for some C.I.s.
01:10:39Phil, what the hell are you doing here?
01:10:41Not exactly a warm island welcome.
01:10:44It's nice to see you too, partner.
01:10:46This does not concern you.
01:10:48Oh, it doesn't concern me?
01:10:50Well, um,
01:10:52I have been stashing potential witnesses for you in safe houses
01:10:56and running fingerprints for your buddy Nate
01:10:58on a Colombian Sicario working for the Cali cartel.
01:11:01But sure, it doesn't concern me.
01:11:03I'm good, by the way.
01:11:04Thank you for not asking.
01:11:08How's the girl?
01:11:09She's safe.
01:11:11Hence the word safe house.
01:11:14How's your buddy Nate?
01:11:16Well, he's been killed.
01:11:18Hence why I'm sitting at his desk.
01:11:23Then I guess you need my help more than I thought.
01:11:26Come on, cut the bullshit, man.
01:11:28Catch me up.
01:11:44Who's this?
01:11:46I think it's time we meet.
01:11:48When and where?
01:11:50Tomorrow.
01:11:527 a.m.
01:11:54At the old sugar factory ruin.
01:11:56Come alone.
01:11:58Unarmed.
01:12:00And bring Nora.
01:12:02I'll bring Akila.
01:12:04I need to know she's alive.
01:12:07Your boyfriend.
01:12:09He wants to know you're still alive.
01:12:11Mark, don't worry about me.
01:12:13Kill the bastard.
01:12:15She's a nasty one.
01:12:177 a.m.
01:12:19Oh, yo, Mark.
01:12:21What's up, man?
01:12:22This beach house you got me is fucking bitching, dude.
01:12:24I'm having a hard time doing the work.
01:12:26You're just a good man.
01:12:28Why you called?
01:12:29I had an idea.
01:12:32He'll be here any minute now.
01:12:35What's up?
01:12:36What's going on, bro?
01:12:37Nothing.
01:12:38Listen, I was just staying for a while.
01:12:40And I got a call.
01:12:42And it's about your boyfriend.
01:12:44Ah, so you got me.
01:12:47You got me is fucking bitching dude. I can see myself staying here a long time Phil Phil listen
01:12:52I just spoke to Alvarez. I need you to assemble a team we leave first thing in the morning
01:12:58Copy that buddy
01:13:17I'm here. What's your 20?
01:13:47I'm in position now. All right, you got five minutes. Okay, dad. I'm embarrassed. You think it's gonna take me that long
01:14:04Well, I'm accounting for four minutes of your blabbing and one minute of actual action
01:14:08You know, this only works if one of us is the funny one. The other one's meeting her off, right?
01:14:11Hurry the fuck up and save Akila better. I
01:14:15Didn't miss you
01:14:16Going dark
01:14:46Let's move come on
01:15:16Oh
01:15:28Hands up
01:15:30Oh
01:15:45He's clean good
01:15:54Well, I appreciate the man who shows up early for an appointment was Akila
01:16:00What is Nora? You'll get her as soon as I know Akila's safe
01:16:05You know, I don't think you're really in a position to negotiate here, where is she I just need to make a call
01:16:14Well, I suggest you do just that
01:16:23I need you to bring her now
01:16:30I
01:17:01Talk to me. Is that a problem? No problem. It's just that we are here early. Remember
01:17:11Don't waste my fucking time wait, wait, wait, hey
01:17:15Let's talk about this, huh? Drop it and come out real slow. All right here
01:17:21My gun, all right
01:17:24Here we go, okay
01:17:30I
01:17:37Get you out of here
01:17:47All right, hey you're gonna go now you're gonna go now, okay guns, okay, okay
01:17:57Despacio see
01:18:00See, okay. Okay. Thank you. Oh amigo, huh?
01:18:21She she said
01:18:25It's seven o'clock, what is she no won't be coming back to the island
01:18:31She's safe
01:18:36Well, I wish I could say the same for Akila killer
01:18:47Did you hear me
01:18:49Kill the puta matala. I
01:18:53Don't believe they can hear you because they're in the afterlife
01:19:00Well, then I have no more use for you kill him
01:19:31You
01:19:39Right Alvarez
01:19:41Things are changing
01:19:43starting with you
01:19:46Now what
01:19:48You're just gonna let your little friends shoot me
01:19:53Hmm I thought about it
01:19:56But I'm gonna give you a choice that you didn't give my brother
01:20:00You want to live you have to get through me
01:20:11Let us shoot him brother
01:20:20I wish you could have seen your brother's eyes
01:20:25When I bled the life from his body. I
01:20:27Guess I'm gonna have to settle for yours
01:20:57I
01:21:23Look forward to it
01:21:27I
01:21:32Told you the weather was gonna be mad for you. Oh
01:21:36Now look at me. This is the last place you will ever see
01:21:41Take it to hell with you
01:21:57I
01:22:27I
01:22:44So did you decide to stay
01:22:58I
01:23:01Have never left you're right. You never did
01:23:13Hey
01:23:16I'll be looking for you. I got some beers. I'm sorry. You having a are you having a moment?
01:23:22Come on
01:23:24Let's have a drink. Oh
01:23:25You guys want some alone time? All right, I get it. I get it. No, it's a cheers. Cheers to you. All right
01:23:31That's your partner
01:23:33Yeah, believe it or not
01:23:36You'll get used to it. Okay
01:23:55You