Có Lẽ Là Yêu 2 Tập 12 Thuyết minh
Category
🎥
Short filmTranscript
00:00Translation and Timing by Tomb Riders Team www.tombridersteam.com
00:30Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:00Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:30Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:40Translation and Timing by Tomb Riders Team www.tombridersteam.com
02:00Why am I sleeping in this outfit?
02:05Did I get drunk last night?
02:27Why is this here?
02:29What do you want to do in this outfit?
02:32Ask me.
02:33What did you prepare for this outfit?
02:35Tell me.
02:36Whose outfit is this?
02:42This is...
02:44I imagined it.
02:59Hello, Lin Minh Thanh.
03:05I'm not coming to the company today.
03:08Just stay at your company and handle the case.
03:10Mr. President.
03:11Do you need any help?
03:12It's okay.
03:13Focus on your work.
03:14If there's nothing, don't call me.
03:22Pei.
03:23Sister Thuy.
03:24You fix this part according to what I wrote to you.
03:26Then give it to the designer.
03:28Do you understand?
03:29Sister Thuy.
03:30Someone wants to see you.
03:32What's your name?
03:33Khanh.
03:38So the designer works in Thuong Giac?
03:42That's right.
03:43What if the work is busy?
03:45Lin Minh Thanh and the designer can handle it.
03:47But as you can see,
03:49my office is only this big.
03:51There's no place for the designer.
03:53When will you arrange it?
03:56I think this place is good.
03:58Take a break.
04:00Pei.
04:01What's up?
04:03Send two people to move the desk away.
04:07Arrange it for a while.
04:08The desk will be here soon.
04:10Thank you for your help.
04:17By the way,
04:19when did you leave last night?
04:21I left when my clothes were dry.
04:23What were you doing when I left?
04:25I was drunk and fell asleep.
04:27Sleep?
04:28Yes.
04:29Sister Thuy.
04:30Your stuff is here.
04:31Where is it?
04:32Put it here.
04:35Okay. Get out.
04:36Okay. Get out.
04:43How is it?
04:44Is this desk suitable?
04:48Yes.
04:49It's good.
04:50I can look at you.
04:53Then take your time.
04:55I have work to do.
05:02You want to piss me off?
05:04I'm not angry.
05:20So when do we start yoga?
05:22Choose a set you like.
05:25This set is fine.
05:26Let's start.
05:27How to do it?
05:30I'm here.
05:40If you dare to have any ill-intentions,
05:43I'll let you know
05:45what it's like to be a stupid lover.
05:49Come here.
05:52Okay.
05:55Let's start.
05:56Start what?
05:57Massage your head.
05:59That's it?
06:00Why are you so lazy today?
06:03Let's start.
06:09That's not right.
06:10Use more strength.
06:20What's wrong?
06:21My way is not right?
06:23If you were her,
06:25it would be great.
06:28Do you want me to massage you?
06:33No need.
06:35As long as she is by my side,
06:38I can see her every day.
06:45I'm sleepy.
06:46I want to sleep.
06:48Can you stay with me
06:50until I'm drunk?
06:52Okay.
06:58You saw it all.
07:00He was drunk at that time.
07:02He thought I was someone else.
07:05He imagined it.
07:07I shouldn't have told you this.
07:10But considering your relationship,
07:13I think you should know.
07:15When did you start having hallucinations?
07:19When did you start having hallucinations?
07:21Half a year after you left,
07:23he started to have hallucinations.
07:25He saw you everywhere.
07:27Then he came to my clinic.
07:29I gave him medicine for a while,
07:31but it didn't get better.
07:33I also saw him enjoying this hallucination.
07:36But why did he have it again?
07:39It's like a disease.
07:41But I didn't expect that
07:43when you came back,
07:45he was still sick,
07:46even though I shouldn't have asked.
07:48But between the two of you,
07:50did you have any tears?
07:52No.
07:53Uncle,
07:54the disease he had before
07:56was also cured by you.
07:57The hallucination this time
07:59still has to rely on you.
08:00You are his support.
08:02So what do I have to do?
08:03You still like him.
08:05Then continue to love him.
08:08He will get well soon.
08:14I love you.
08:23Are you done?
08:24Let's go eat.
08:26I'm not hungry.
08:27The exhibition is two years this time.
08:29In addition to Ngo Tranh,
08:30there are also many works of excellent artists.
08:32I have to strengthen the contract
08:33and decide the works to participate in their exhibition.
08:35I have to go to Tranh's room before 2 o'clock.
08:37Discussing how to arrange the exhibition,
08:39the amount of work is so big,
08:40I need to eat more.
08:41One hour left.
08:42After eating, go to Tranh's room.
08:43It's okay.
08:44I have this.
09:02Do you only drink this every day?
09:04Yes.
09:05I don't like to eat rice anyway.
09:09Are you kidding me?
09:11Before, when you chased me,
09:12I gave you everything you wanted.
09:14There was only food that I couldn't send back.
09:16Now I tell you again,
09:17I don't enjoy food.
09:19Everyone will change, right?
09:22Do you want to drink coffee?
09:23I make you a cup.
09:39Have you been treating yourself like this for the past two years?
09:43Fortunately, you came back.
09:54Excuse me,
09:55do you order now?
09:59You suddenly came back to find me,
10:01I was so surprised.
10:04Do you have anything to tell me?
10:07If you have anything to say, just say it.
10:09Snow is a family business.
10:12The most important decision,
10:14you did a great job for Snow.
10:16But in the end, you were only adopted.
10:19Snow certainly likes you to make money for their family,
10:22but to really return the company to you,
10:24I guess most people will not agree.
10:28They want to find a successor
10:30to bring the blood of the Snow family.
10:32At first, I contributed to the award,
10:35but you couldn't object.
10:36I immediately knew that in your heart,
10:38you didn't value the award too much.
10:40I guess this two-year exhibition
10:42is just a challenge for the old men of the Snow family
10:44to find a successor.
10:46Does it have anything to do with
10:47whether I can inherit the family business?
10:49You let Chu Thi participate in this
10:50not because you want to attract my attention,
10:52let me get away from this mess.
10:54You have to know that
10:56I have the ability to help the award succeed,
10:59get a place to stand firmly,
11:01win or lose.
11:02You have to look at Snow's attitude,
11:04let me think,
11:05the condition is that Chu Thi is willing to help me.
11:09I don't care what method you use,
11:11I can give you everything you want,
11:13with the condition that
11:16you have to let Chu Thi go.
11:18I didn't expect it to be so long,
11:20but the boss is still as stubborn as she is.
11:23I'm a little jealous.
11:24So I can understand that
11:26we have reached a consensus.
11:28I believe in the boss's eyes,
11:30he will definitely give an exact choice.
11:39What are you doing?
11:41Sister Chu Thi,
11:42come and have a look.
11:51I just went to Bon Lo.
11:53I think you probably don't want to go out to eat,
11:56so I told them what to buy.
11:58If you don't want to eat anything, choose it yourself.
12:01Boss, can you fix your mask?
12:04Like this mask?
12:05I'm sure they bought too little.
12:07Hurry up and eat.
12:11Xiao Pei, have you eaten yet?
12:13Not yet.
12:14No one has eaten yet.
12:20Everyone eat together.
12:22Thank the boss.
12:24Thank the boss.
12:28Thank the boss.
12:36Okay, I got it.
12:37We will try to improve the problems you have raised.
12:39After completing it, I will send it back to you again.
12:41Okay.
12:42It's hard for you.
12:47Okay, it's getting better and better.
12:49I used to be your assistant.
12:51I didn't even know how to answer the phone.
12:52Now I can answer the phone myself.
12:54Thank the boss for the compliment.
12:55Thank the boss for giving me good basic skills that year,
12:57so I can be like today.
12:59Thank the boss for not forgetting me all my life.
13:02Can I eat sushi now?
13:16When did you become a woman?
13:19What do you know?
13:20Don't let lipstick stick.
13:26I'm full.
13:28You eat a lot.
13:29You haven't eaten anything all day.
13:37What is your idea about the content of this exhibition?
13:40Shu Jia is a young company,
13:42so I want to show the enthusiasm of young people in this exhibition.
13:46To create a new style,
13:47we plan to use the latest works of Gou Chang
13:50as the main work of the exhibition.
13:52Gou Chang's exhibition is a masterpiece.
13:56But if you look at the commercial value,
13:58the most commercial value of the work
14:00is the work in the middle of the farm.
14:01It is closer to reality,
14:02more in line with the current popular reality,
14:04and more acceptable to the public.
14:06No.
14:07Although the painting is in the middle of the classic,
14:09it is still a work of the early period.
14:11It may satisfy the feelings of a group of fans,
14:13but it may not attract a new part of fans.
14:16After all, this time,
14:17Gou Chang did not intend to transfer the classic work.
14:19This is okay.
14:20Just tell the publisher to transfer the copyright.
14:23I'm afraid it's not that easy.
14:24It's not that difficult.
14:26It's just a matter of whether the conditions are reasonable or not.
14:28This is my first time organizing an exhibition in China.
14:30You have more experience than me,
14:31so you know the market better.
14:34Of course, you go first.
14:36But I used to plan for a few exhibitions abroad.
14:38Although the scale is not large,
14:39I still have a certain experience
14:41about how to attract young people.
14:43The market environment in China is different from abroad.
14:45The audience of the exhibition in China
14:47only has a small number anyway.
14:48The exhibition is very objective and stylized.
14:50It's quite difficult for the public to accept it.
14:52So when the public accepts new things,
14:54they tend to choose classic works
14:56rather than new works.
14:57You are right about that.
14:59So before that, we investigated a lot of data.
15:01The conclusion is completely different from mine.
15:03People want to see new works
15:05rather than classic works.
15:07If you search on the Internet, you will find it right away.
15:08As you said, there are not many people every year.
15:10It's okay to line up like Mona Lisa and watch it on the Internet.
15:13But what the public sees is popularity,
15:14not art.
15:15As you said, you have to choose a classic work.
15:17Popularity and art go hand in hand.
15:19So the audience can also choose according to their preferences.
15:21But as I said,
15:22the title of Mona Lisa is not intended to transfer the right to a classic work.
15:24I think there will be a way.
15:26Right?
15:27So wait for the arrangement to think of a way and discuss.
15:30Before that,
15:31you still have to follow my plan.
15:33You have to know that
15:34the organizers of this exhibition are ordinary people.
15:37People are always on the same side.
15:39So this time the arrangement is easy.
15:41You have to listen to me.
15:46Just do everything as I said.
15:48Is there anything else?
15:50Why do you look so bad?
15:52What's wrong?
15:53Arguing with Thy Thy?
15:54Don't mention it anymore.
15:55You don't know
15:56how much the host's attitude has changed now.
15:58I just gave her some advice.
16:00As a result, I said one sentence,
16:01she said about ten sentences.
16:02She didn't give me a chance to speak up at all.
16:04Let me guess.
16:06Did you use your experience to push her?
16:08I seem to have more experience.
16:10Can't she respect a man like me?
16:12Chairman,
16:13I remember you hate to talk about experience the most.
16:15When we first took over Vân Mã,
16:17there was an old man,
16:18a flower in his hand,
16:19was told by you again.
16:20What is it?
16:23It's not right.
16:24So who are you on the side of?
16:26Why are you always on Thuy's side?
16:29Of course we are on your side.
16:31But if you want to make peace with Thy Thy,
16:34you have to be tolerant.
16:36Thy Thy's personality is a person,
16:37the stronger the meeting, the bigger she is.
16:39The whiter you are, the whiter she is.
16:41Okay, okay.
16:42It's just giving in.
16:44Men have to adapt to the situation.
16:45Chairman, so we won't bother you anymore,
16:47or do you need our help?
16:49No need.
16:50I just need to learn from you.
16:52Listen to your wife.
16:53Wife is just to pamper.
16:55Okay, okay.
16:56Hurry up and go to work.
17:12Hello.
17:13Can you please get me a glass of warm water?
17:15Yes, please wait a moment.
17:42What's wrong?
17:43Are you uncomfortable?
17:44I'm fine.
17:45Stomachache.
17:46Old illness.
17:47What old illness?
17:49You don't eat on time every day.
17:51You can't stand it.
17:57Are you hungry?
17:58A little bit.
18:00Then I'll take you to eat.
18:02No, I'm still busy.
18:04By the way,
18:05did you take the sushi away?
18:07I ate it all.
18:10How about this?
18:11Can you find something for me to eat?
18:13When you're done,
18:14I'll take you to eat.
18:16Okay.
18:17Stupid.
18:31This is called life.
18:33If you want to live like this,
18:36you have to eat on time.
18:40I also want to eat on time,
18:42but I'm usually busy,
18:43so I don't have time to think about it.
18:45Do you have to be so lazy to work?
18:48Shouldn't you be lazy when you're young?
18:51Before, when you set up the code,
18:53didn't you have to be lazier than me?
18:57It's because you've suffered,
19:03so I don't want you to suffer anymore.
19:06This can't be avoided.
19:08If you don't suffer from this,
19:10you have to suffer from something else.
19:12It's called energy conservation.
19:14Do you understand?
19:18Actually...
19:21Actually...
19:22Stop.
19:23If you still want me to go back to the code,
19:25you'd better not say it.
19:26If you say it again,
19:28I'll just argue with you.
19:35Can you tell me why?
19:37Do you want to know the real reason?
19:39The real reason is...
19:43I really don't want to be your subordinate anymore.
19:45Look at your attitude today in the photo studio.
19:48If I continue to be your subordinate,
19:50I'll be so mad at you
19:52that I can't resist.
19:55Actually...
19:58Distance is beautiful.
20:00I hope we can keep a safe distance like this for a while.
20:04It's good for you, it's good for me.
20:08Mr. Thuy.
20:11Thanh Hoc.
20:14Is anyone home?
20:23I'm so hungry.
20:27I really miss the days a month ago
20:29when I could eat Mr. Thuy's cooking
20:31when I came home.
20:32It was still better than going to school.
20:38It's too much.
20:40I've eaten a lot and I'm still so full.
20:43I didn't leave any, I have four.
20:45Throw it away first.
21:05You're back.
21:08Isn't it filming at night?
21:09Who sent this to me?
21:13I don't know.
21:23What are you eating? Put your foot down for me.
21:26Do you eat gunpowder?
21:27I just got home and it's all fogged up.
21:29If you want to live in my house,
21:31you have to follow my rules.
21:35Oh my god.
21:36When did you become friends with him?
21:38In theory, now
21:40it's just temporary memory loss.
21:42In fact, you're the same person.
21:44I'm just a transfer of feelings.
21:46I'm just for Ninh Phi to Tiet Phi.
21:48There's nothing wrong with that.
21:50Listen, listen.
21:51It's still Thanh Hoc who understands the problem.
21:53I advise you
21:55to treat me well
21:57if I don't like it.
21:59Ninh Phi will also like it.
22:02Are you sure Ninh Phi will like it?
22:04To put it simply,
22:06now he is Tu Ha and Thanh Ha.
22:08If you want to meet Tu Ha,
22:10you have to take good care of Thanh Ha first.
22:13I understand this.
22:14Clap your hands.
22:18Good, very good.
22:19It depends on you two.
22:22I'm so angry.
22:23Wait a minute.
22:25Where did I sleep last night?
22:28Of course,
22:29I don't mind sleeping where I slept last night.
22:32Where did he sleep last night?
22:33Last night...
22:35Of course, he slept on the sofa last night.
22:38Don't worry.
22:39I will definitely arrange a wonderful place for you.
22:44Are you going to let me sleep here?
22:47There is no door.
22:49What about my privacy?
23:05Privacy.
23:10Mrs. Thanh Hao.
23:13Please, I'm useless.
23:15At first, Ninh Phi also slept here.
23:17Now you are very fair.
23:19I really like your fair and upright attitude.
23:22Go, go sign the contract.
23:25Let's go.
23:30You made me sleep by the window.
23:32Why did you make me sign the contract?
23:34It's all about the contract.
23:38Don't bring other people to play.
23:40At home, it's just called Ninh Phi.
23:44It's too much.
23:45If you like to sign, sign. If you don't sign, change.
23:50You have to cooperate with Lam Phi Phi's treatment.
23:54What treatment?
23:57Are you crazy?
23:59I'm treating you.
24:00I'm treating you.
24:01It's still like that in the movies.
24:03Losing memory after a brain injury.
24:05Read it again to restore memory.
24:07I just want to try it once.
24:09Is it not, Mrs. Thanh Hoc?
24:12Memory loss is a complex medical process.
24:15If the brain is seriously injured,
24:17causing damage to the occipital, occipital vertebrae,
24:20occipital vertebrae, occipital vertebrae, occipital vertebrae,
24:22brain stem cells of the brain and central brain
24:25are all likely to cause memory loss.
24:27But two serious injuries
24:30can restore memory.
24:33This has not been scientifically proven yet.
24:35I think you should just watch the movie.
24:39It seems that I have to control my strength.
24:41Are you crazy?
24:45You don't have to sign.
24:46It's too late to regret now.
24:54How long do you dare to beat me to death?
24:56Anyway, I was injured.
24:58It means that Ninh Phi was injured.
25:00Watch it yourself.
25:08Where are you going?
25:10Take a shower.
25:12Do you want to go crazy?
25:13Do you want to go crazy?
25:27Can you tell me if he can restore his memory?
25:30Everything can happen.
25:33I don't want to face the past
25:35because I don't want to face my weak self before.
25:38If life and death are at the same level,
25:40it is very likely to restore memory.
25:42So I'll find someone to beat him up.
25:45Don't be reckless.
25:47Don't be reckless at all.
25:49I don't care.
25:50As long as he can restore his memory,
25:52I will try everything.
26:02Oh, my God.
26:03It's so cold.
26:05Lam Phi Phi is you again.
26:08What are you going to do?
26:09I heard that the sudden impact
26:11can help restore memory.
26:13I want to try it.
26:14How?
26:15I don't care.
26:17I like to take a cold shower.
26:20I often take a shower, so my skin is beautiful.
26:32Lam Phi Phi
26:34I have a cold.
26:35You have to take responsibility.
26:37There are girls here.
26:38Can you pay attention?
26:40Say it.
26:41How much compensation?
26:44This is a necessary sacrifice for the experiment.
26:48Although I feel very guilty,
26:50this situation is hard to avoid.
26:53Since you have signed the contract,
26:55bear with it.
27:01What are you doing?
27:02Do you hate me that much?
27:03Are you sure you want me to disappear?
27:05If you don't disappear,
27:07he won't come back.
27:08If he doesn't come back,
27:09he has the medicine.
27:10The medicine is better than you.
27:15Are you really sick?
27:16What else?
27:17Maybe I'm pretending to be sick to fool you.
27:19I'll get you some medicine.
27:22I don't take medicine.
27:24I'm hungry.
27:25Go cook me a bowl of noodles.
27:26What?
27:28Do you want to eat noodles I cook?
27:31How?
27:32No?
27:33Okay.
27:35You asked for it.
27:36Eat it.
27:37Hurry up.
27:50It looks good.
28:07I worked very hard to cook that bowl of noodles.
28:09You don't respect me at all.
28:11Your noodles
28:12are poisonous.
28:13Do you know how many people
28:15want to eat noodles
28:17I cook?
28:27Why is it not good?
28:29Your noodles are poisonous.
28:36It's not that bad,
28:37but it hurts my self-esteem.
28:44Your noodles are poisonous.
28:57I can't even protect
28:58the person I love the most.
29:01Why am I so stupid?
29:06I can't even protect myself.
29:29I've revised the description,
29:31based on your opinion.
29:32This is the plan after editing.
29:34Please take a look.
29:36No need to see it. I agree.
29:38What do you mean?
29:40This plan is good. Use it.
29:42Don't you always want to use the classic painting?
29:44Why did you suddenly change your mind?
29:46I've thought about it all the time.
29:48For me, the exhibition is not important at all.
29:50You can arrange it yourself.
29:52As long as you're happy.
29:54It's easy to arrange.
29:56I'm talking about work with you very seriously.
29:58Please don't get involved in personal feelings.
30:00I don't want to get involved in personal feelings.
30:02I don't want to get involved in personal feelings.
30:04Please don't get involved in personal feelings.
30:06I'm talking about work with you.
30:08This plan is good. Use it.
30:10But you haven't seen it yet.
30:12You don't need to see it. I believe you.
30:14Okay, we're done talking about work.
30:16Let's go eat.
30:18What can I do with this plan?
30:20Wei Qian, can you be serious?
30:22I've been very serious about your opinion.
30:24At the same time, I've been editing.
30:26Can you respect my work results?
30:28Yes.
30:30You're wrong.
30:32The first time I held an exhibition,
30:34I was under a lot of pressure.
30:36What do you mean?
30:38I didn't mean that.
30:42Why are you not happy about what you say?
30:44Wei Qian,
30:46I don't need to know
30:48why you came to me.
30:50At the company, we're just business partners.
30:52If you can't even do the least bit of respect,
30:54I hope you leave here immediately.
30:56Don't bother my work.
30:58Help me.
31:00Okay.
31:10Go. Don't be angry.
31:20I'm so angry.
31:22Xiao Pei,
31:24if Wei Qian comes back,
31:26don't let him into my office.
31:40Come in.
31:42Who is it?
31:44Titi.
31:46Brother Ming Cheng,
31:48why are you here?
31:50Brother Ming Cheng,
31:52why are you here?
32:00He asked you to come to the conference, didn't he?
32:02The chairman asked me to come here
32:04to take over the exhibition once every two years.
32:06I only know how to make a name for myself.
32:08What are you two arguing about?
32:10I think the chairman's face
32:12is very sad.
32:14I don't want to mention it.
32:16Brother Ming Cheng,
32:18I don't think you look good.
32:20Is it because the name of the exhibition
32:22makes you look bad?
32:24No.
32:26I've been working a lot lately,
32:28but I'm also the chairman who values you.
32:30There are a lot of important things to do for you,
32:32including the exhibition.
32:34It's true that I'm a little busy,
32:36but it's fun.
32:38And Titi, you've changed a lot.
32:40You're no longer the girl you used to be.
32:42Anyway, not everyone can
32:44scold him like that.
32:46It hasn't been long since we joined society,
32:48but everything has changed.
32:50It's not like you,
32:52who always think about cleanness.
32:54And we
32:56are already part of society.
32:58That's right.
33:00So I really appreciate her cleanness.
33:02I hope I can protect it.
33:04I really admire you.
33:06If you only know how to respect
33:08half of your girlfriend,
33:10you won't be so angry.
33:12Titi,
33:14in fact, the chairman cares about you a lot.
33:16It's just that he sits in that position.
33:18Sometimes,
33:20it's hard to avoid
33:22thinking differently about us.
33:24Moreover, the two of us
33:26have been in love for too long.
33:28The chairman has become insecure,
33:30so he has a strong desire to control.
33:32But now he has tried to change.
33:34Before you came,
33:36he especially told you
33:38to be nice to him.
33:40It's true that you said a lot of nice words to him.
33:42He said he would raise your salary.
33:44By the way,
33:46are you and Thanh Hoc okay?
33:48When will you pick her up?
33:52She said she still wanted to stay in Phi Phi.
33:54A few more days.
33:56I respect her opinion.
33:58If she wants to go home,
34:00you can pick her up anytime.
34:02What happened between you two?
34:04I don't know.
34:06Did she tell you
34:08what the reason is?
34:10Forget it. Let's talk about work first.
34:12Give me the plan.
34:14Okay.
34:40Wife,
34:42have you eaten?
34:46When do you want to go home?
34:48Can you pick me up?
34:54Why are you angry?
35:10Why are you angry?
35:12Why are you angry?
35:14Why are you angry?
35:16Why are you angry?
35:18Why are you angry?
35:20Why are you angry?
35:22Why are you angry?
35:24Why are you angry?
35:26Why are you angry?
35:28Why are you angry?
35:30Why are you angry?
35:32Why are you angry?
35:34Why are you angry?
35:36Why are you angry?
35:38Why are you angry?
35:40Why are you angry?
35:42Why are you angry?
35:44Why are you angry?
35:46Why are you angry?
35:48Why are you angry?
35:50Why are you angry?
35:52Why are you angry?
35:54Before I go,
35:56I have a question for you.
35:58Do you remember me?
36:00Toc Thu Tien.
36:02Wife, don't call me wife.
36:04I heard you say Toc Thu Tien.
36:06Do you know who I'm calling?
36:08That person is not here now.
36:10Did she know something?
36:36Please come in.
36:48Director, I finished the procedure and quit my job.
36:50I came here to say hello to you.
36:52OK.
36:54I came here to say hello to you.
36:56OK.
36:58I came here to say hello to you.
37:00OK.
37:02I came here to say hello to you.
37:04I came here to say hello to you.
37:06I came here to say hello to you.
37:26Do you have any plans later?
37:28Not yet.
37:30It's OK.
37:32I'm still young.
37:34I have a lot of opportunities waiting for me.
37:36Director, why are you still talking nonsense?
37:40Goodbye, Rachel.
37:42I wish you a bright future.
37:44Director.
37:46No, Minh Thanh.
37:48This time I go,
37:50I probably won't see you again.
37:52Can you call my name once?
37:54Calling Rachel is more convenient.
37:56In my heart,
37:58Rachel is Rachel.
38:00Rachel is Rachel.
38:06Take care.
38:08Take care.
38:26Give this contract to
38:28the painter Ngô Tranh.
38:30Yes, director.
38:32It seems that
38:34you are in a very good mood.
38:36I will call you.
38:38Hello, where are you?
38:42I'm about to go to your company.
38:44I want to see Andrea.
38:46What's the matter?
38:48Director.
38:54Good morning.
38:56What are you doing?
38:58What are you doing?
39:00Ngô Tranh's secretary just called.
39:02She said there was a problem with the contract.
39:04To be continued...
39:34You change my life
39:36Start turning
39:42The world is given
39:44I look forward to the color
39:48It's love
39:50I made a choice
39:54We are lucky enough
39:58No longer searching
40:00How does the heart break
40:04But always because of you
40:08The wheel of fate
40:12Moved two souls
40:16Forgive me for being so stupid
40:20I almost missed your life
40:22We are lucky enough
40:26The eyes turned around
40:30God is very pure
40:34Designed this person for me
40:38No more doubts
40:40Don't need anyone to approve
40:46Moving heart beat
40:50Every heartbeat
40:52Keep it with heart
41:00Thank you for watching