Sitara, a lively orphan living with her brother, aunt, and uncle, finds joy in life's small things despite her aunt's poor treatment. Her aunt keeps her around because she has a share in the family's property.
Salar, the son of a wealthy businessman, is passionate about photography, which often earns him criticism from his family. With a pure heart, Salar is known for evading his responsibilities.
At her cousin's wedding, Sitara wrongly assumes Salar is the photographer. Salar develops a soft spot for Sitara after seeing how poorly she is treated. However, due to a conspiracy, objections arise about their closeness. Salar, once again, avoids the issue, leaving Sitara to face doubts from her own family.
Can Sitara prove she’s not guilty? Will Salar help her avoid further mistreatment? Will her family support Sitara? Can Salar show he genuinely cares? Will there be more plots against Sitara?
Category
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FunTranscript
00:00You can ask Pupo, Pupo sent me to get the bride's flowers.
00:25Okay.
00:32You bought this yesterday?
00:34Yes. Doesn't it look good?
00:37Did you pay for it?
00:40I…no…
00:42Salman paid for it.
00:45Salman?
00:47Shahida is right.
00:49I made a deal with Najma for no reason.
00:53Go.
00:55I'm sorry.
00:56I'm sorry.
01:12Congratulations! Congratulations!
01:16For what?
01:18Your proposal…
01:19Yes, I'll get breakfast.
01:26What happened?
01:30Will I get breakfast?
01:32Yes, of course.
01:33Tell me, what will you like to eat?
01:36French toast, omelette with spinach.
01:38Okay?
01:39Will I get it?
01:46For whom did you bring this breakfast?
01:48For myself.
01:49Can I give it to you?
01:51Of course, why not?
01:52Here you go.
01:54What is this?
01:56It's breakfast, what else?
01:57Come with me.
01:58No, no, I'm serious.
01:59I can't eat all this.
02:01I said, come with me.
02:03Hello, what happened?
02:11What happened?
02:13She went to get Salar to have breakfast.
02:17What will you eat?
02:19Go to hell!
02:21Go to hell!
02:22Hey, hey, hey!
02:24What's going on?
02:25What are you doing?
02:26Do you want to create a scene again?
02:28Look, mom.
02:29What is Sitara doing?
02:31What? What Sitara?
02:33She's making Salar have breakfast.
02:35What?
02:38Get rid of her.
02:39You go and make breakfast.
02:41You…
02:42You don't care at all?
02:44No.
02:45Now you don't worry either.
02:47Go and make breakfast.
02:48I'll ask Sitara to clean the kitchen later.
02:53Nimmi, make breakfast for me too.
02:56Sitara took my breakfast for Salar.
02:58I'll mix some poison in it.
03:00Get lost.
03:05What's your problem?
03:06Can't you spend four days here in peace?
03:08What respect do you lose when you have breakfast?
03:10I don't lose respect when I have breakfast.
03:11I lose respect when I ask for breakfast.
03:13Listen to me.
03:14Listen to me.
03:15When the one who feeds you is ready,
03:17the one who cooks for you is ready,
03:18what's your problem that you've brought this poison for me?
03:20Listen to me.
03:21Use your brain.
03:22I'm saving you from death here.
03:24And you…
03:25You don't know what French toast and omelette you had to eat.
03:27What was the name of the omelette?
03:28Sitara.
03:30I'm here.
03:31Tell me.
03:33Sitara.
03:38What are you doing here?
03:40And why are you so angry?
03:41Angry?
03:42When did I get angry?
03:44She was asking about the pictures.
03:47The camera stopped working yesterday,
03:48so I thought I'd ask if the pictures are good or not.
03:51Okay.
03:52Do one thing.
03:53Come downstairs.
03:54I have some work with you.
03:55I'll wait downstairs.
03:56Okay?
03:57Okay.
03:58You go, I'll come.
03:59What do you mean you'll come?
04:00You come with me.
04:01Come on.
04:02Let's go.
04:03Come.
04:08Hey.
04:09Eat it quickly.
04:10Eat it quickly.
04:11He's such a drama queen.
04:17What is this?
04:24Come, Tuti.
04:25Hurry up.
04:27Yes.
04:32You know him, right?
04:37Yes.
04:38You're Aunt Suraiya's son, right?
04:40Yes.
04:41Kasim.
04:44So?
04:46Do one thing.
04:47Take her to Zoya's house.
04:49She wants to give her some gifts.
04:51Me?
04:53I won't go anywhere right now.
04:54I'm very sleepy.
04:55I'm going to sleep.
04:56Go for a while.
04:58Just for five minutes.
05:00What's wrong, Tusham?
05:01Who goes to a bride's house and comes back in five minutes?
05:04I'm very sleepy right now.
05:05Let me sleep, please.
05:06Sitara, come and sleep.
05:07And anyway,
05:09this is not the time to sleep.
05:10I've been awake all night.
05:11I'm tired.
05:12Do one thing.
05:13Send her with Kiran.
05:16Go away.
05:17She has a big complaint.
05:18That I didn't introduce her to the bride.
05:20Please.
05:21What?
05:22Complaint of not meeting the bride?
05:26It's a very abnormal complaint, by the way.
05:31Sitara.
05:32I'm saying the right thing.
05:33Who complains of not meeting other people's bride?
05:38Yes.
05:40Who does that?
05:41Of course.
05:42At this age, people want to meet their bride.
05:45They make a setting wedding.
05:47They want to see your bride.
05:48No, by the way,
05:50I have to make my own setting.
05:52But...
05:53Then what's this but?
05:55Make it.
05:56What's the need to go to her in-laws?
05:59Sitara.
06:01You will take her there.
06:02Only then her scene will be on.
06:04Her scene at the bride's house?
06:08Oh.
06:09Okay.
06:10So say this.
06:11With the bride's sister.
06:14You should have told me earlier.
06:16Okay, listen to me.
06:17I will take you on one condition.
06:18We will come back soon from there.
06:21Yes.
06:23Okay.
06:24Come soon.
06:25Come.
06:26Come.
06:27I will tell you today
06:28how far their house is.
06:29Go.
06:46What's all this?
06:48What is this?
06:49Nasreen, Fatima.
06:50Pick up all this.
06:54What's this list?
06:55Hello.
06:56You go there.
06:58What's this list for?
07:01Saba told me
07:02to promote my social work
07:03on my social media.
07:06Oh.
07:07Do you want to make a documentary?
07:08What do you want to do?
07:11All this is useless.
07:13Tell Saba to post this list to me.
07:16I will look into it.
07:20It's of no use.
07:21It's a very expensive plan.
07:23What's the problem with money?
07:25I am investing money.
07:26I will invest money.
07:27You become a worker.
07:28Me?
07:29Sure.
07:31I attended one of your function.
07:32So, I lost the deal because of you.
07:35Oh.
07:36For God's sake.
07:37I didn't bankrupt
07:38because of one deal.
07:40Company is still there.
07:44I don't know.
07:45But I don't want to get into this mess.
07:48Okay.
07:49If you don't want to get into this mess
07:50then it's fine.
07:52You make the decision.
07:53Decide.
07:56What decision?
07:57Either you support me completely
08:00or don't get involved in any of my matters
08:02to harm me.
08:07Harm you?
08:09What do you mean?
08:10I will tolerate any harm
08:12from my partner
08:13with a smile on my face.
08:17I will never forgive anyone
08:19who acts like a show-off
08:21like a show-off.
08:23I hope you understand all this.
08:43Ittashan.
08:44Yes, mom.
08:45Come here.
08:50This
08:51Did you send a gift to Zoya?
08:55No.
08:57But Musarrat was saying
08:59that Sitara has gone to give a gift to Qasim.
09:03Yes, mom.
09:04Qasim was insisting.
09:06That's why I sent him.
09:07Yes, you should have sent Nimmi.
09:10Was it necessary for Sitara to go?
09:12Mom.
09:14Nimmi is needed here.
09:18You tell Nimmi
09:19to give breakfast to Salar.
09:22Ittashan.
09:23Mom.
09:25Try to understand.
09:28If Sitara and Qasim
09:29get more attached
09:31then the photographer will lose his focus.
09:34Do you understand?
09:37That's why I sent them together.
09:42You talk to uncle
09:44before
09:46he understands what aunt is saying.
09:50Hmm.
09:59Brother, after all
10:00what is so bad about Qasim?
10:03He is your aunt's grandson.
10:05What can be worse than this?
10:08What bad is this?
10:11Look, Najma.
10:13Your aunt doesn't even like our daughter.
10:16Then why should we marry our daughter
10:18to her grandson?
10:21Brother,
10:22Suraiyya is the boy's mother.
10:26What about aunt?
10:27She is not here today or tomorrow.
10:29Suraiyya will keep her in her sight.
10:33Okay.
10:35If aunt herself asks,
10:36we will think about it.
10:39Okay, brother.
10:41If you want this,
10:42then aunt herself will get married to you.
10:44But then you will not refuse.
10:46Not marriage, Najma.
10:49Apologize.
10:52For the insult
10:53she has put on our daughter.
10:58You are doing injustice, brother.
11:00No, Najma.
11:02I am just refusing the marriage.
11:08Okay, fine.
11:09You talk to Sitara once.
11:11Okay, fine.
11:12You talk to Sitara once.
11:17What will happen by talking to Sitara
11:19when I am not ready?
11:22When Qasim has told his mother himself,
11:25then he must have told someone else.
11:30You mean,
11:31Qasim talked to his mother
11:33because Sitara told him?
11:37I don't know.
11:38She can tell this herself.
11:43No, Najma.
11:44Sitara cannot do this.
11:49Maybe you are right, brother.
11:52I saw both of them going together.
11:54I told you what I felt.
11:57Who did you see going together?
12:00Sitara and Qasim went somewhere together.
12:04Outside.
12:06Where did they go?
12:09I don't know.
12:10How would I know?
12:11Ask her when she comes.
12:13She will tell you.
12:38I am coming.
12:39I am coming.
12:40One second.
12:41Please wait.
12:44Yes.
12:47Mother has sent me.
12:48Really?
12:49You come.
12:50You also come.
12:51Please.
12:54From where did the sun rise today?
12:59I was also thinking
13:00from where did the sun rise today?
13:02I was also thinking
13:03from where did the sun rise today?
13:05I was also thinking
13:06from where did the sun rise today?
13:08First, there was breakfast in the tray.
13:10Now, you have brought lunch.
13:12I am telling you,
13:13order dinner as well.
13:14What do you think?
13:21Is this the time for breakfast?
13:24Actually,
13:25I wanted to eat spinach omelette.
13:27So, I thought I will make it myself.
13:29Sitara gave tea to the poor guy.
13:33Who eats spinach omelette with French toast?
13:36Me.
13:38I eat spinach omelette with French toast.
13:41Oh.
13:42Okay.
13:43So, you must eat like this.
13:46Yes.
13:50Kiran,
13:51you go.
13:52Sitara is looking for you.
13:54Sitara?
13:55She has gone out with Kasim.
13:58She must have come back.
14:00Go.
14:01She is looking for you.
14:02She shouldn't come back so soon.
14:04She must be meeting some shopkeeper.
14:06Shopkeeper means,
14:08has she gone to the market?
14:13I don't know.
14:14She must have gone to the market.
14:15Now, she has to shop.
14:16Is she in her senses?
14:17How can she go to the market like this?
14:22She didn't go to the market.
14:23She went to sister-in-law's house.
14:24What has happened to her?
14:26You tell me,
14:27what has happened to you?
14:28Since when have you started coming for breakfast?
14:31He is a poor man.
14:33He was having tea and snacks.
14:35So, I thought…
14:40You have also brought food for him.
14:43You have become very selfish.
14:48Stop your nonsense.
14:50And get lost from here.
14:51Get lost.
14:52Don't push me.
14:53What will he ask you?
14:55So, what else do you do other than studying?
14:57I do everything other than studying.
15:00And I do a job, by the way.
15:02Really?
15:03Do I know that?
15:06You look worried.
15:07Me?
15:08No.
15:09Then why do I feel that you are worried?
15:13I am not worried.
15:14I am just a little confused.
15:17Why are you confused?
15:18I am confused because
15:20you had gone to meet some sister of sister-in-law.
15:23But you didn't talk to anyone there.
15:25But I met you.
15:29Me?
15:30What do you mean?
15:31I mean, I wanted to meet you.
15:35Me?
15:36Why?
15:37I wanted to talk to you.
15:39I wanted to tell you something and ask you something.
15:41Hello.
15:42Should I ask?
15:43What are you doing here?
15:44What happened?
15:45What do you mean, what happened?
15:46Don't you have any manners?
15:47How can you talk to anyone?
15:49Excuse me.
15:50What excuse me?
15:51Can't you see that I am talking?
15:52Look, you are creating a scene.
15:53Listen, buddy.
15:54This is my personal matter.
15:55Okay?
15:56So, stay out of it.
15:57Okay?
15:58This is my personal matter.
15:59This is our personal matter.
16:01Really?
16:03Okay, fine.
16:04This is your personal matter.
16:05Happy now?
16:06Now I am talking to her.
16:08What are you doing?
16:09I…
16:10Hello.
16:11Who are you to ask us?
16:13Listen, buddy.
16:14I think you don't understand what I am saying.
16:15I said, stay out of this.
16:18What is your problem?
16:19Who are you?
16:24What is your problem?
16:25He is saying that it is personal.
16:27Go from here.
16:28But he is troubling you.
16:29Let him trouble me.
16:30You go from here.
16:31He is very angry.
16:32Go.
16:33Go.
16:40What were you doing here?
16:41What is your problem?
16:42I can go with anyone wherever I want.
16:43Who are you to ask me?
16:44You have come to some other city.
16:46It is not appropriate to roam around alone.
16:49I was not alone.
16:50He was with me.
16:51What is the guarantee for this?
16:52Where is it written?
16:53That there can't be any mishap while he is around?
16:55He is my relative.
16:57He takes care of everything.
16:59Okay.
17:00Just like Salman is your relative.
17:02He was running away after seeing a loafer.
17:06Listen.
17:07You know that your relatives are not sincere with you.
17:11They don't take a stand for you.
17:12Then why don't you be lenient?
17:14You should be lenient.
17:16The one you were fighting with.
17:18He is our relative.
17:19So, you should be lenient now.
17:21So?
17:22What should I do?
17:23What is your problem?
17:24Do what you have come to do.
17:25Live a peaceful life.
17:26Yes.
17:27Even if you are in danger.
17:29Who am I to you?
17:30First tell me this.
17:31I am not in danger from anyone.
17:33Got it?
17:34As far as Salman is concerned.
17:36I told him not to fight with anyone.
17:39I don't know what kind of people they are.
17:41Just leave quietly.
17:42Okay.
17:43You said it and I agreed.
17:45You are lying.
17:46Why should I lie to you?
17:49I told him.
17:50And he listened to me.
17:51Because it is a different city.
17:53If we fight with anyone here.
17:54I don't know what kind of people they are.
17:56If they take out a gun or a dagger.
17:58It will be a problem.
17:59Oh my God.
18:00You are lying so clearly.
18:02If you were a lawyer.
18:03You would have been very successful.
18:05Hello.
18:06What success are you talking about?
18:08Didn't you see?
18:09I am already very successful.
18:11Everyone loves me so much.
18:12I think you have forgotten.
18:17Come on.
18:18You go.
18:19No use arguing with you.
18:20Crazy girl.
18:22Will you stand on the road alone?
18:25Jugnu.
18:26Aren't you ashamed of your stupidity?
18:28I feel that you can fall to this extent.
18:32You have so much hatred.
18:34My life and my time will end.
18:38I have deleted Jugnu's number.
18:40If you want.
18:41She can check my phone.
18:42If you don't believe.
18:43She is not with you.
18:47Brother Hamza married Sonia Pasant.
18:51He also fights with the whole world.
18:53In front of the whole world.
18:54This marriage of love will end.
18:58You will see.
19:06How is she?
19:07Isn't she a beauty?
19:15She is very beautiful.
19:17But I don't need her.
19:20Sweetheart.
19:21You don't see the need of children.
19:22You also see the comfort.
19:25Mom.
19:26I have a car for my comfort.
19:29Where is it?
19:30I can't see it.
19:31Yes.
19:32Junaid.
19:33He has gone to meet dad.
19:35Exactly my point.
19:36You cannot move without him.
19:39Okay.
19:40Come.
19:41I will give you tea.
19:45Sit.
19:50Do you know why your dad called Junaid?
19:54No.
19:55I don't know.
19:56I will ask him when he comes.
19:58He must have told you something.
20:00Yes.
20:02Tea.
20:04About Salar.
20:06For example what?
20:09Did Junaid contact Salar?
20:14I don't know.
20:16I don't know.
20:21Okay.
20:25Have something else.
20:26No.
20:27Thank you so much.
20:32He won't tell anyone.
20:35Kasim is not like that.
20:37What won't I tell?
20:38And how am I not?
20:40Let's talk later.
20:43Nothing.
20:44Nothing.
20:45Do you remember that boy Salar?
20:48The one because of whom you insulted?
20:51I didn't insult him.
20:52I just made him understand.
20:53I saved him from getting beaten up.
20:54Saved him?
20:55How?
20:56I am telling you.
20:58Please be patient.
20:59And end this topic here.
21:01Come with me.
21:03Yes.
21:04Take him.
21:05And when you get to know,
21:06come and thank me.
21:09Okay.
21:10Then you tell me.
21:11Why should I thank you after getting insulted so much?
21:15Because I saved you from getting beaten up.
21:17That's why.
21:22From getting beaten up?
21:23Of course.
21:25He is very angry.
21:28He raises his hand on such a small thing.
21:30Yesterday he fought with a boy in the market too.
21:32He beat him so much.
21:33He beat him so much that you won't be able to think.
21:36That photographer?
21:37Yes.
21:38Yes.
21:39Don't underestimate him thinking he is poor.
21:41He has a lot of strength in his fist.
21:45Where did you go Sitara?
21:48Me?
21:49Where did I go?
21:50I am right here.
21:51What are you doing here?
21:54I was talking to brother Ahitasham.
22:01Come on.
22:02Go inside and sit with everyone.
22:05Yes.
22:09Come.
22:10I will join you.
22:11Yes.
22:19I don't understand what Salar has gone to do in such a place.
22:26He needed a place to stay for a few days.
22:30That's why he went there.
22:34Dad, you called me in an emergency.
22:36All good.
22:37Is everything fine?
22:39All good.
22:42I have found out where Salar is.
22:48He is in Hyderabad.
22:51Hyderabad?
22:55I think you should go and get him right now.
22:58As in right now?
23:00Why? Is there a problem?
23:01No dad.
23:02Sabha has an appointment with the doctor today.
23:05I will go tomorrow.
23:08What if he plans something else by tomorrow?
23:11No, till the wedding…
23:23So you lied to me.
23:27Dad, I found out just now.
23:29And you still haven't told me yourself.
23:33Dad, I was on my way.
23:34I was driving when he called.
23:37And anyway, he didn't tell me the place.
23:43Won't you ask how we found out where he is?
23:50How?
23:54By tapping your phone.
23:56By tapping your phone?
23:59Excuse me?
24:00I was sure you were with me.
24:03But Salim thought
24:06that wherever Salar is, he will definitely keep in contact with you.
24:23Dad, he trusts me and I…
24:25It's a good thing that you trust someone.
24:31Salim, you go and get Salar when he attends the wedding.
24:34There is no need for that. I will go.
24:35No, you won't go.
24:37Because I don't trust you anymore.
24:40Why?
24:41Just because I am loyal to Salar?
24:45Only dogs are loyal.
24:51You bring Salar.
24:55You bring Salar.
25:11Was Junaid here for some important work?
25:15Why do you get involved in work?
25:19Go and do your shopping.
25:25Go and do your shopping.
25:55Go and do your shopping.
26:11Take it from here.
26:13What are you doing?
26:15Take it out.
26:16These will get burnt.
26:17Okay, okay.
26:18I make pots in my house very quickly.
26:20But I don't know about this fire.
26:22Then lower the flame.
26:23I have increased the flame.
26:24See, they are getting burnt.
26:26Yes, Sitara must have an idea about the flame.
26:28Do it like this.
26:29Because she knows very well how to increase the flame.
26:31Isn't it?
26:32Yes, so?
26:33I know.
26:34Do one thing.
26:35You people go.
26:36I will make it.
26:37Yes, yes.
26:38This is absolutely fine.
26:39Now the girls will make it.
26:40We have made a lot.
26:41We have taught them.
26:42Yes, okay.
26:43I will put the last one.
26:44Be careful.
26:45Be careful.
26:46Come.
26:47Hold this.
26:48I will make it.
26:49Why should I come?
26:50Really?
26:51I am getting very excited.
26:52Then you come and hold it.
26:53So that you know how heavy it is.
26:54My hand is aching.
26:55I am not getting excited.
26:56You people are making it so cold.
26:58Okay?
26:59Then why don't you do one thing?
27:01Call some powerful person.
27:03What powerful person?
27:04Who is the powerful person here?
27:05My hand is aching.
27:07Hey, hello.
27:10Have you come here to put the camera?
27:11Come and make my pictures.
27:13These are the memorable moments.
27:18Sitara.
27:20This is not the time to make pictures.
27:23Aunty, this is the time.
27:24Now see.
27:25My arm is aching from lifting such a heavy weight.
27:28At least there will be a picture.
27:29It will be memorable.
27:31No, dear.
27:32You stay here.
27:38Memorable.
27:39Now see for yourself.
27:41Tomorrow I will be able to show someone
27:42that in my aunty's daughter's wedding
27:44my arm is aching from lifting such a heavy weight.
27:47And none of my loved ones
27:48realized that if they lift my weight…
27:50No.
27:51Go.
27:53Go.
28:06Go away from here.
28:07You go away from here.
28:09Have you gone mad?
28:10You have gone mad.
28:11You are not doing any work properly.
28:12And you are making such good pictures.
28:13What about that?
28:14Then don't eat.
28:18Go.
28:37Aunty.
28:38Uncle Shaukat is calling you.
28:47Go.
29:08Yes, brother.
29:09Did you call me?
29:11Najma, I don't like it at all
29:14that Sitara should be sent with someone on an excuse.
29:18Who?
29:19Who?
29:20Whom are you talking about?
29:21Who sent her?
29:23Ittisham sent her with Qasim.
29:27And you knew this but you…
29:35Anyway,
29:36take care next time.
29:39She will not go anywhere with Qasim.
29:45I have refused the proposal.
29:47You tell me further.
29:55Hello.
29:56What happened to him?
29:58He got lost suddenly.
30:00I think he is not getting enough sleep.
30:15Junaid.
30:19What are you doing here at this time?
30:22Nothing.
30:23I just came to take some fresh air.
30:25Where were you?
30:27Do you know how much I was waiting for you in the evening?
30:30Yes.
30:31I got late.
30:33Why is your phone switched off?
30:35I called you so many times.
30:37My phone is getting tapped.
30:39Why?
30:41I don't know.
30:42My phone is getting tapped.
30:45Your phone is getting tapped?
30:48It means someone is spying on you
30:50and is tapping your calls.
30:54Yes.
30:56But why? Who?
30:58Junaid, you should have told dad.
31:00I will tell him.
31:02Leave it.
31:04Junaid, you should have told dad.
31:08He told me.
31:10What?
31:13What?
31:19Nothing.
31:21You mean to say
31:24that dad is tapping your calls.
31:29How can he do this to you?
31:32Why can't he?
31:33Junaid, you are his son-in-law.
31:36No matter how good a dog is,
31:38the owner always beats it.
31:42Why are you saying this about yourself, Junaid?
31:44I don't like it at all.
31:45Who am I?
31:47Me.
31:49Junaid.
31:55They have found Salar's address.
32:01He will be back soon.
32:08Junaid.
32:26Mom is right.
32:28I should have become
32:30what Tahir wanted me to be.
32:33I am such a good wife.
32:35I have a good mother.
32:36But my son thinks I am a gold digger.
32:40Am I a gold digger?
32:43I lost my youth, my beauty
32:46to make that man happy.
32:49And he is still not happy.
32:51It would have been better
32:53if I made my career with his money.
32:56Then I would have had my own earnings
32:59and a good image in my son's eyes.
33:02Anyway, the time has not passed yet.
33:04I can improve my image.
33:18Yes, hello.
33:20Hey, where are you?
33:22The tea is getting cold.
33:27What?
33:28One second.
33:29What are you doing?
33:30Don't receive it.
33:31Is this your phone?
33:32Is this your phone?
33:33So expensive?
33:35Yes, so?
33:36No, what are you doing with such an expensive phone?
33:38Where did you get so much money from?
33:39What do you mean?
33:40Can't I have money?
33:42According to the way you work,
33:44you can never earn money.
33:46So where did you get this expensive phone from?
33:48Did you steal it?
33:49No, you don't even look like a thief.
33:50Thief market.
33:52Thief market, yes.
33:54I can get it from a thief market.
33:57You can get such an expensive phone
33:58from a thief market?
34:01Tell me, how much did you get?
34:02Hey, what are you doing here?
34:05And what is this?
34:08Flowers.
34:09What?
34:13They are so black.
34:16No, they are not black,
34:17they are a little reddish brown.
34:19But because of becoming your macho man,
34:20they have become like this.
34:22Okay.
34:24Will you eat this?
34:25Yes, yes, I will eat it.
34:26Hello.
34:27Okay, close the door.
34:28Okay.
34:29Yes.
34:30Is it cold in Hyderabad too?
34:32Hyderabad?
34:34Oh man, even Junaid tells you everything.
34:38Junaid didn't tell me,
34:40dad told me.
34:41Who told dad?
34:43Junaid?
34:44No,
34:46dad got Junaid's phone tapped.
34:52Tomorrow, Uncle Salim will come to you.
34:57And why are you telling me all this?
35:00So that when you come back tomorrow,
35:02you don't say this like dad,
35:05that no one told me.
35:13Are you crying?
35:14What happened?
35:16Bye.
35:18Hello.
35:19Saba.
35:30Man,
35:31once,
35:32just once,
35:33please.
35:36Don't get me stuck somewhere.
35:38You won't get stuck.
35:39Believe me.
35:44Just handle this Nimmi guy.
35:49Where is he going?
35:50Wherever he is going,
35:52just let me talk to him once.
35:55Just one meeting.
35:56You won't get a chance in the evening.
35:59Why don't you talk to him at home?
36:01How can I talk to him at home?
36:03You know how grandma looks at me.
36:07The wedding is tomorrow.
36:08You find a chance tomorrow and talk to him.
36:11Just let me meet him once.
36:13Just once.
36:15And,
36:16apologize to him for yesterday.
36:22I will do something.
36:30What is this?
36:33Nimmi,
36:35do you have my pink nail polish?
36:37Yes, this one.
36:39Listen to me,
36:40tell me,
36:41how will these earrings look?
36:43Show me.
36:44No.
36:45Sitara.
36:46Yes.
36:48Will you give this to Zoya's house and come?
36:50What is it?
36:52Nothing mom,
36:53this is henna.
36:54I have to get it applied to Zoya.
36:55That's why.
36:56Yes, then give it to Nimmi.
36:58She will give it to her.
36:59They will come in the evening.
37:00No mom,
37:01Zoya wants it soon.
37:02And in the evening,
37:03the henna artist will come.
37:04She wants it right now.
37:06Why should I go?
37:07Why can't she buy her own henna?
37:09Tell me.
37:10This is a very special henna.
37:12It has come from very far.
37:14And Zoya was getting worried for no reason.
37:15I said,
37:16I will send it.
37:18So,
37:19that's why I am sending it.
37:20Otherwise, it wasn't necessary.
37:22By the way, last time in the evening,
37:23she asked for flowers,
37:24but no one wore it.
37:25Right mom?
37:29Hey,
37:30what happened?
37:31You did wear the flowers.
37:32No,
37:33no one wore it.
37:34You don't know who you are looking at.
37:36If you had opened your eyes,
37:37you would have known.
37:38Aunty,
37:39don't you remember
37:40that she wore the flowers?
37:42I don't know.
37:43I don't remember anything.
37:44There are so many things to do.
37:46Where do I pay attention
37:47to all these things?
37:48Wow, listen.
37:49Najma,
37:50you should have counted the flowers
37:51along with all the work.
37:52This is left.
37:53What difference does it make
37:54whether you are wearing it or not?
37:55Please Sitara,
37:56you go to Zoya.
37:57Please.
37:58Oh,
37:59now when two people are saying
38:00that they didn't wear it,
38:01then they must not have worn it.
38:02Yes,
38:03so let them say.
38:04When the pictures come,
38:05you both open your eyes and see.
38:07You will know
38:08who is the real friend
38:09and who is the fake one.
38:11Now,
38:12what to wait for
38:13till the pictures come?
38:14I will call the cameraman
38:15from the room right now.
38:25Okay.