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00:00:00You
00:00:30I
00:01:00I
00:01:30I
00:01:53May we go inside?
00:02:00I
00:02:30I
00:03:00I
00:03:14Moliere
00:03:16Was an absolute master
00:03:20Was an absolute master
00:03:25In creating his characters
00:03:30In creating his characters
00:03:36He had
00:03:39an inimitable gift
00:03:43He had an inimitable gift of
00:03:49Portraying life of
00:03:54Portraying life
00:03:57In its most vivid aspects in its most
00:04:12One was a lazy you don't feel like writing this afternoon
00:04:18No, I
00:04:21Don't want to
00:04:27Perhaps you're also bored by the company of so many girls
00:04:31How would you like to live a few days in complete seclusion
00:04:36If I remember correctly you've already had that experience. Would you like to try it again as you wish no as you wish?
00:04:43Mademoiselle is ye. I don't give a damn. I
00:04:47doubt that
00:04:49You can doubt all you please
00:04:51Very well
00:04:53We shall see who's right. Mademoiselle to Pam. Yes, madame
00:04:57Accompany mademoiselle is ye to the seclusion room and then come back at once, please
00:05:02Here's the key
00:05:06Mademoiselle is ye
00:05:09May I take a book with me? No
00:05:12No doubt. I'll see you later. Yes, we'll have a talk
00:05:15In its most vivid aspects in its most
00:05:24There's a gentleman with a girl to see you they're waiting in the library
00:05:30I'm sorry, but I'm not in the mood to talk
00:05:34I'm sorry, but I'm not in the mood to talk
00:05:38I'm sorry, but I'm not in the mood to talk
00:05:40There's a gentleman with a girl to see you they're waiting in the library
00:05:45Girls mademoiselle de pray will continue dictation in my place
00:06:02Mademoiselle well, are you too tired to stand up? Excuse me, please madame for no
00:06:11I
00:06:18Will continue go to hell
00:06:30Monsieur baldy
00:06:32I am madame for no
00:06:34The principal of this college. What can I do for you? Pleasure to meet you madame
00:06:39I'd like to enroll mademoiselle graven as a pupil here
00:06:43Are you a relative?
00:06:44No
00:06:46just a
00:06:47friend of the mother
00:06:49We read your advertisement in the paper and a colleague of mine recommended your establishment
00:06:55But I hope you like it would you care to look around madam?
00:06:58This is the room for painting drawing and modeling three times a week our pupils copy from real life
00:07:05In oil aquarelle and clay some of the paintings you see hanging on the walls of this establishment
00:07:11Are the works of our pupils?
00:07:16There is this way, please
00:07:28I
00:07:30Believe in healthy minds and healthy bodies for the girls entrusted in my care
00:07:39This room's for music and dancing
00:07:41solfeggio is obligatory
00:07:43But afterwards the pupils could choose piano violin harp or the violoncello
00:07:49The barn the mirror are for belly exercises. I don't insist on them perfecting this out, but they must practice one hour a day
00:07:57Besides providing them a graceful movements. Don't forget. Most of our pupils are no longer children
00:08:03It also provides them with useful exercises and prevents them from indulging in morbid thoughts
00:08:10You play the piano mademoiselle I learned a little three years ago, but I had to stop
00:08:16But you still remember your solfeggio
00:08:19Yes, I think so
00:08:28So
00:08:32What's the matter
00:08:36No, nothing
00:08:47Of course our pupils are also given cookery lessons as you know culinary art is most important for future housewives
00:08:54There's a very cordial atmosphere between our pupils
00:09:00This is the dining room
00:09:02I could also show you the workroom
00:09:05And the reading room, but I don't want to tire you
00:09:11Would you like to see the dormitories? No, it's not necessary. Thank you madam
00:09:24How old are you mademoiselle 18 and a half have you ever been to boarding school? No, madam
00:09:42Ah marie
00:09:49Please take mademoiselle gravel
00:09:54To the dining room. It's five o'clock. She might like some tea and biscuits. We'll join you there in a few minutes
00:10:05Shall we go into the library certainly after you madam
00:10:13Please sit down. Thank you
00:10:19Name of the parents, please
00:10:21I
00:10:23Want you to know that we are very discreet here particularly what concerns the parents of the students
00:10:29The mother of therese only wishes she could educate the girl all by herself
00:10:34But i'm afraid that at the moment she's not able to
00:10:37Well, she can stay with us until she comes of age
00:10:39All we need to know is the name and address of the person directly responsible for her
00:10:43And the sum of 300 francs per term must always be paid in advance
00:10:48All right
00:10:50Mother's name is violet
00:11:00For two terms in advance
00:11:03Would you like a receipt no, it's not necessary
00:11:08This school specializes in students whose character is um, shall we say, um
00:11:15difficult
00:11:17And there are a few among them who inspire of their youth
00:11:20Have not exactly led exemplary lives
00:11:24In order to bring them back to the right path
00:11:28I must run this establishment with a firm hand
00:11:50So
00:12:20Hmm
00:12:51I'm so would you be looking for something?
00:12:54No, nothing. Thank you. Have you finished your tea yet? Yes
00:13:00Why don't you eat the biscuits? They're very good ones
00:13:03No
00:13:04I'm, not hungry keep them there. You won't get much to eat for supper
00:13:10Danny is the true made his way to the fastness where apollo rules enthroned on high into the vast cavern beyond
00:13:17Which is the awful civil's own secluded place
00:13:21Here the prophetic delian god breathes into her the spirit's visionary might revealing things to come
00:13:28They were already drawing near to diana's wood and the golden temple there
00:13:34Diadolus for this is the story adventured his life in the sky
00:13:40He consecrated his wings to phoebus apollo
00:13:43Before whom he founded a gigantic temple on the temple gate
00:13:47He pictured the death of androgynous and lower down the athenians obeying the ghastly
00:13:53To surrender seven of their stalwart sons his annual repartation
00:13:57And there was the urn from which the loss had just been drawn
00:14:00The island in which cronus stands rising high above the sea balance is seen on the other leaf of the gate
00:14:07There he had depicted the bull's brutal passion and fessius's secret union with him
00:14:13And there in the midst as a warning against wicked love their hybrid
00:14:17offspring child of two breeds the minor
00:14:22Here wore the cretin building in all its elaboration with enough
00:14:37You're excused mademoiselle
00:14:53What's your name?
00:14:54Did you bring much luggage everything? I own i've run out of stockings. Can you let me have a few pairs?
00:15:00Oh, shut up you
00:15:06So
00:15:20Will you please come with me
00:15:33It's all right, she's gone
00:15:37Quiet a moment not so loud. Her name's terese. Yes terese gravin from avignon. Oh, do you know?
00:15:43My name's isabel claire. Cecile and i'm suzanne and my name's margaret
00:15:50Can we look at your luggage? Yes, of course
00:16:06Me
00:16:20Your family's got a lot of money. Oh, no, but these things are such good quality
00:16:25Isabel doesn't it suit me? My mother gave me most of these things. She doesn't need them. And did this belong to your mother?
00:16:33Yes, well
00:16:36I think it's lovely. Will you sell it to me?
00:16:41I'll give it to you. Thank you
00:16:45And does your mother know anything about this school, thanks, I think so
00:16:49Do you think your parents will let you leave here if you want to?
00:16:53Of course
00:16:54Then you won't be staying much longer three have already escaped terese
00:16:58Mademoiselle de prene will be here in a minute get ready quickly. Don't listen to those two
00:17:03You won't find it all that bad here tomorrow when you see catherine
00:17:06That is unless they keep her another day and night in the punishment room. Ask her what she thinks of the place
00:17:11Who is catherine?
00:17:13a very nice girl
00:17:23Well
00:17:25Have you thought about your behavior this afternoon?
00:17:30Yes
00:17:31Are you ready to apologize in front of your friends?
00:17:39Mademoiselle easy i'm talking to you answer me
00:17:45Get up
00:17:48Get up
00:17:52You're a very bad influence not only on your friends
00:17:56But on the other girls as well
00:17:58I will not stand for your insolence any longer
00:18:02Why don't you throw me out? Nothing? I would like better
00:18:05But your people insist that you must stay
00:18:09This is not the first time that I must punish you remember now for the last time
00:18:17Will you come down with me now and apologize in front of everybody
00:18:26All right take off your clothes
00:18:32This is an order take off your clothes this time you will have to do it
00:18:40As you wish go on
00:18:46Get out of me
00:18:48Let go get off me you bitches
00:18:59Hurry up mademoiselle it's late
00:19:06In the name of the father the son and the holy ghost
00:19:18As we shall
00:19:48Which may be formed and we pray for thine eternal presence
00:20:12Enough
00:20:18Good night. Good night
00:20:23Good night say your prayers
00:20:34You made me do this again
00:20:39Don't you realize that I can't allow anybody to define me
00:20:44Not even you
00:20:47You know this don't you
00:20:53Try to understand my position, please
00:21:01I'm sorry catrine
00:21:03Get some sleep I know I won't
00:21:34You
00:21:41Why did you watch the new girl and follow her around all day
00:21:48It's not true
00:21:50I saw you
00:21:52Why do you always watch the girls and follow them around?
00:21:58I know you're not a child anymore, but you're not old enough to think about girls
00:22:03not yet
00:22:05I forbid you to spy on them again
00:22:08Do you hear?
00:22:09I can't afford to have a girl come to me complaining of my own son
00:22:13Or have her parents come to see me
00:22:16And with good reason you understand
00:22:18Yes, mother. Then why do you keep on doing it?
00:22:21I'm tired of saying the same thing over and over again
00:22:24But mother if I sometimes leave don't you understand that none of these girls are any good?
00:22:29By the time they bring them to me. They're already marked
00:22:32If they're not
00:22:35Well, you know what I mean
00:22:38They've stolen
00:22:40Or done worse things
00:22:42And then they hand them over to me for correction
00:22:46impossible
00:22:49In time louis in time
00:22:52You'll find the right girl
00:22:55And you'll marry her
00:22:57And you'll have your own home
00:23:00These girls are poison
00:23:03You need a woman like me who'll love you take care of you protect you
00:23:12We'll find her
00:23:14We'll see
00:23:29Good morning
00:23:34Good morning, mademoiselle. Good morning
00:23:38Good morning, madame
00:23:40She's not married. She's still an old spinster
00:23:45Today
00:23:46The bed will be made by suzanne. Noelle and catherine leslie, but you know catherine's not here today
00:23:52I said today the bed should be made by suzanne. Noelle and catherine leslie
00:23:56But as catherine is not here
00:23:59Then you can take her place
00:24:03Me yes you
00:24:07Suzanne will tell you what has to be done
00:24:10We're ready mademoiselle, right mademoiselle come to breakfast now
00:24:20Not much to do
00:24:22Just make the beds and open the windows. No sweeping. No, all the rest of the cleaning dusting is done by lucy
00:24:28She's a maid who works in the kitchen as well
00:24:32Don't worry we'll finish this in no time
00:24:38You got a boyfriend no
00:24:41You mean
00:24:44You've never been out with a boy alone no
00:24:47Really? Yes, really. I'm glad for your sake
00:24:51It's better for you. You won't mind being locked up here without boys
00:24:54As for me I can't stand it the rest of the bad things aren't important but to go months and months, you know
00:25:00Without seeing any boys
00:25:02Why most of the girls here on the verge of a nervous breakdown?
00:25:07Every three weeks a young man comes to visit here here. That's right here
00:25:11His name's henry. He delivers wood from the village
00:25:14not much to look at but
00:25:16Anyway, he comes to suck up the woodshed outside
00:25:20Each time one of us has a chance to meet him there
00:25:23Next time it'll be my turn
00:25:25How do you mean your turn? Yes, we all draw lots to see who's going to meet him each time
00:25:31But you'd understand better why we don't if you'd had a boyfriend before
00:25:34Oh
00:25:35I understand when mademoiselle dupré is in charge of class. You can always slip away
00:25:52So
00:26:23You
00:26:28Will continue tomorrow
00:26:52Foreign
00:27:23Foreign
00:27:26Hello hello, were you waiting long?
00:27:32I came after lunch, but you've been here more than three hours then. Oh, it doesn't matter
00:27:42Did anyone see you come in? No, I don't think so
00:27:46You
00:27:51I'm terribly worried in case they find out about you worried for your sake. I mean
00:27:58And i'm worried for your sake
00:28:06Is that for me yes for you, thank you
00:28:16So
00:28:35One day
00:28:37Very soon
00:28:39the two of us
00:28:41We'll leave this place and your mother i've told you again and again it doesn't matter
00:28:49I can't
00:28:51I can't nor want to go on like this having to hide so that we can meet all the time
00:28:58Frightened that at any moment they might catch us and that
00:29:11So
00:29:34Who's out there
00:29:37I
00:29:39Don't know
00:29:44Right well plot the seeds here later on they start shooting we put them into flower pots and what do I do?
00:29:50Oh, it's very easy like this a hole another one another one all at equal distances
00:29:55Then when you finish the whole box you start planting here at the seeds
00:29:59Put them in the holes and you cover them up with earth and then cover it all with this stuff. It's fertilizer fertilizer
00:30:04Yes, you know what I mean? Oh, I think you know, it's for growing it turns them into plants. What seeds are they?
00:30:11Azaleas, you know the poisonous plant. Well, they say the seeds are as well. So be careful
00:30:16Don't believe it therese if those seeds were poisonous madam. Fennel wouldn't be alive today
00:30:22I'm sure we've all put a lot of those seeds in her supper
00:30:25Any news of katherine? Nobody knows. When do the seeds become plants then? Oh months during this time
00:30:31You'll have to tend them and plant them and transplant them and water them and water them and fertilize them a bit
00:30:36And then in the end they flower they flower we cut them. Then of course they fade and die
00:30:42And all this stupid waste of time is what they call the art of gardening. The art of gardening is the poetry of nature
00:31:01So
00:31:13Teresa come and see madame. Fennel. I haven't finished yet. Doesn't matter
00:31:19All right, where can I wash do it later she's waiting for you
00:31:32What she want don't know
00:31:39But where's madame for now
00:31:42I called you come in. I'm making some tea. Would you like some?
00:31:50This morning I left you alone with suzanne on purpose
00:31:54She talks a lot
00:31:55And I imagine by now that you know how the school is run
00:31:59No
00:32:00Didn't she talk about me? No
00:32:03Are you sure? Yes, of course I am
00:32:07Didn't she tell you about henry and about what goes on in the shed every three weeks?
00:32:12Yes
00:32:13She told me that so she did tell you
00:32:17I don't understand
00:32:19I'm the one who organizes everything around here
00:32:22Amongst others the visits to the shed on the day that henry comes
00:32:26And many other things which you'll find out soon
00:32:29Madame for no doesn't like anyone lacking in discipline and it's up to me whether she finds out or not
00:32:41Have some tea
00:32:45What have you been doing I was gardening wash your hands
00:32:59And
00:33:01It depends on you whether your life here in school will be nice or not
00:33:05I can see to it that you eat well
00:33:08And that you don't have to work too hard
00:33:15I can even let you meet henry
00:33:20All you have to do is obey me
00:33:24Obey me and everything I tell you
00:33:29So
00:33:51This is the third night they've kept catherine not she's used to it
00:33:54Don't go out dressed like that. Why any men around it's freezing put something on
00:34:24Me
00:34:40There's still no toilet paper
00:34:54So
00:35:24Good night
00:35:31Good night, mademoiselle
00:35:54So
00:36:24So
00:36:54So
00:37:24So
00:37:54So
00:38:11Louis
00:38:18Louis
00:38:24So
00:38:39Louis
00:38:54So
00:39:09How am I going to run this establishment if I have to look after you I don't even know which girl it is
00:39:15But i'll find out
00:39:18I asked you for the last time
00:39:20If any one of you see isabel de lorme leave here last night
00:39:24It is better for you to tell me all that. You know now
00:39:28I must warn you the gate of the punishment that anyone covering up for her
00:39:33Will be punished in exactly the same way as the one who escaped
00:39:38This morning when mademoiselle de pray came to wake you this door was open
00:39:44Therefore isabel de lorme left this way
00:39:47She must have used a key or something and the key makes a noise
00:39:50Well, I sleep by the door, but I heard nothing
00:39:52That's very strange mademoiselle
00:39:56Especially
00:39:58Since you're the only one with the key to the dormitory the keys that you gave me were with me all the time
00:40:03It would be impossible to take them without waking me
00:40:08Well
00:40:09If any one of you thinks of following in the footsteps
00:40:13of mademoiselle de lorme
00:40:14I advise her to do it very well and very secretly
00:40:20Don't let me catch you at it for if I find another girl trying to escape
00:40:28Well, you know me by now
00:40:32Don't you
00:40:38Have the locks changed at the dormitory and at the door how many keys shall I get
00:40:44Three one for me one for you and one for tupac. You don't think iran japan helped isabel to escape
00:40:50You're in
00:40:52No
00:40:53Get a carpenter have every window on the ground floor nail down. They want to escape they will
00:40:59This is a boarding school. Not a prison
00:41:02If it isn't one we'll make it one
00:41:05Go to the village, please and see if there's any news of isabel. Yes, madam
00:41:09But it's tuesday today the girls take their showers who will be there?
00:41:15I will
00:41:20So
00:41:25Madam everything is ready for you now. Thank you
00:41:32Hurry up girls hurry up hurry up
00:41:50So
00:42:20So
00:42:50Foreign
00:43:15Hurry up
00:43:17Hurry up
00:43:47So
00:44:18So
00:44:38What do you think you're doing
00:44:40Taking this off
00:44:41I want to really wash my back for a change
00:44:44I think you know why
00:44:46Does it bother you
00:44:50No
00:45:17Foreign
00:45:23Mademoiselle you can come out
00:45:46Foreign
00:46:03Yes, madam
00:46:16Foreign
00:46:20Mademoiselle
00:46:22Mademoiselle, please
00:46:27I'm here
00:46:30I'm locked in the passage for the boiler room
00:46:33Mademoiselle help me
00:46:36Help me
00:46:38What are you doing theresa
00:46:40What do you do in the boiler room almost every afternoon?
00:46:43We've seen you go in there several times
00:46:46But you've seen me there one of the things that madame for no resents most is any one of us talking to her son
00:46:52Didn't you know?
00:46:54All three of us can swear that lewis and you have locked yourselves in there alone quite a few times
00:47:01We want to talk to you later
00:47:03after the music class
00:47:05We'll expect you in the dining room
00:47:08And if you're not there
00:47:10We'll have to talk to madame for no
00:47:16Foreign
00:47:27The woodman's just arrived
00:47:39Give him a hand
00:47:40No, I can manage when i'm finished unloading i'll give you a shout and you can lock up the shed
00:47:45Very well, right
00:47:50Needlework can be very beautiful
00:47:53Especially when you learn how to mix the colors
00:47:56It's almost like painting
00:47:58Excuse me madame for no
00:48:01But an hour ago in our cookery class we used up some apples to make a stew
00:48:05We left it on the stove
00:48:07So I wonder could one of us possibly go and check it
00:48:10Yes, of course you can go
00:48:12Well, if you don't mind i'd rather finish this
00:48:14Could I send
00:48:17Suzanne
00:48:22All right, you can go mademoiselle well, yes madam
00:48:36Well, how's it going oh, it's all right, but it's not ready
00:48:41Have they put you in charge? I'm in charge of everything today
00:48:44Cooking and the gardening and the greenhouse as well
00:48:48Keep an eye on this a moment. Would you I must go over and check the greenhouse?
00:48:52All right, but don't overdo it. Thank you
00:48:55We're not supposed to help you girls with your cooking, you know, yes. Yes. Thank you
00:49:06What are you looking at mademoiselle chausson, uh, nothing at all madame just taking a rest from sewing
00:49:14So
00:49:44Me again, do you mind
00:50:14Oh
00:50:45Hi
00:51:01Um
00:51:14Mademoiselle
00:51:19Mademoiselle finished for today
00:51:44So
00:52:15So
00:52:39Louis yes mother. What were you doing in the garden?
00:52:44I needed some fresh air
00:52:47Well as the girls were having their music lesson I thought it would be all right now
00:52:52It's much too damp for you. Come inside
00:52:56You know, you have to be careful, but I am careful. No, you're not
00:53:00You read until all hours
00:53:02You don't sleep enough. You don't eat enough. But mother i'm not
00:53:05How am I going to run this establishment if I have to look after you all the time?
00:53:10You know, you're not like ordinary boys. You've always been sick. Remember you asked me
00:53:14nor your chest
00:53:16I know it's hard for you to be always indoors, but it's absolutely necessary. Doctor said so it's either that or the hospital
00:53:24Yes, mother. Oh, I would love to send you to college to be with boys of your own age
00:53:28But at the time it's absolutely impossible
00:53:32I know mother I know
00:53:35More than anything in the world louis
00:53:37I would love you to lead a normal life
00:53:41But you must help me
00:53:42and above all
00:53:44I would like to trust you
00:53:47But why do you say that mother I always do whatever you ask me to really
00:53:54I know you meet one of the girls nearly every afternoon
00:53:59It's not true you've been seen
00:54:04By whom never mind by whom I don't even know which girl it is
00:54:08But I'll find out
00:54:11Oh, I should really send you away, you know, but there isn't a school that would accept you in your present state of health
00:54:16So I have to keep you here
00:54:18Louis i've told you a hundred times
00:54:21None of these girls is any good to you
00:54:25You need a woman like me who loves you and takes care of you
00:54:32now promise
00:54:34You'll never see that girl again ever
00:54:38I promise
00:54:42Thank you, thank you louis
00:54:47You see
00:54:49The day will come
00:54:51Not so long now
00:54:53When you meet the right girl
00:54:57And you will fall in love with her
00:55:00The kind of girl I used to be can you see
00:55:04strong
00:55:05capable
00:55:07And she'll live for you the way I live for you and she'll love you the way I love
00:55:38So
00:55:55Right
00:56:08You
00:56:10Are we going to the kitchen? No. Well, where then you'll see where you'll see
00:56:25Why lock it
00:56:38You
00:56:40Who's in there
00:56:54Come in
00:57:01Go on then was she late. No, she came to the dining room as soon as the lesson finished
00:57:08So
00:57:10That's good to raise
00:57:12I like order and punctuality
00:57:16Come in
00:57:18This afternoon after needlework I spoke to madame forner
00:57:22And I told her that her son often goes to the boiler room
00:57:26to meet someone
00:57:28Don't worry therese
00:57:30I didn't say it was you
00:57:33I just said it was one of the girls, but I hadn't found out yet. Which one?
00:57:38It will depend on you whether I do tell her or not
00:57:42Come in therese dear come in
00:57:44You should have seen madame's reaction. She said she's going to expel the girl after writing to the father
00:57:50By the way therese you haven't a father have you
00:57:56Therese dear I asked you a question have you or not?
00:58:03No
00:58:05My father's dead
00:58:07Are you sure?
00:58:09Yes, you're lying
00:58:12My my mother's the photograph it's a very old one, but that could be anybody's you've got your mother's name, haven't you?
00:58:22Well have you or not
00:58:28Yes
00:58:29In madame's office. There's a register of all the girls
00:58:32And as I'm in charge of the correspondence, I get to know a lot of things
00:58:36So don't try and deceive me therese dear
00:58:40Make us some tea
00:58:50What does your mother do
00:58:56Therese we want to get to know you and get to know all about your family. Do you understand?
00:59:02Yes, your mother works
00:59:06Yes, what has
00:59:09Um, well she sings. Oh a singer
00:59:14Yes opera
00:59:18No, where does she sing therese?
00:59:22Um
00:59:24Uh in avignon. Oh, how interesting bring us a tea
00:59:31So
00:59:36So your mother works in avignon, but that's a town in which theater or concert hall does she sing
00:59:46I said in which theater
00:59:50In
00:59:52in the tivoli the tivoli
00:59:55But that's a music hall or something worse
00:59:59What is the tivoli to raise dear?
01:00:02What is the tivoli to raise her
01:00:05It's a cabaret
01:00:07a cabaret
01:00:10But those places are only for prostitutes
01:00:15Is your mother one
01:00:17Teresa
01:00:19I'm asking if your mother is a prostitute. No. No, no, she is. I think she is. No, she's a singer
01:00:24That's all your mother's a prostitute like all the women who go to those kind of places. Don't you know it?
01:00:29No, she is she is I think she is don't tell me lies your mother is a prostitute
01:00:33Don't talk nonsense because I know very well
01:00:36Your mother was still as an honest lady
01:00:38All she does is sing sing for the gentlemen who come to see her and to sing she wears these sort of clothes, right?
01:00:43Yes, I think this is your mother's isn't it? Of course it is. I find it in your trunk
01:00:46It's just like the one you gave helene. Those were really a theatrical consumers now put it on put it on
01:00:52Put it on
01:00:54You wouldn't like my dad to find out it's you who sees her son in the afternoon
01:00:58And all the girls who know what kind of work your mother does now put it on
01:01:02You will put it on
01:01:15We've never been to a cabaret
01:01:17And we'd love to know what goes on in there
01:01:19That's why you're going to sing a song from your mother's repertoire. Do you know any?
01:01:23No, and your mother never rehearsed her songs
01:01:27And your mother never sang any of them at home
01:01:31Come sing a little and then we'll leave
01:01:36Sing theresa sing sing
01:01:44This is the moment I'll know louder theresa louder
01:01:49This is the moment I'll know we still can't hear you louder and smile
01:01:55Theresa smile theresa and come on sing louder
01:02:00Now come on theresa sing sing theresa sing theresa that isn't singing
01:02:07It's coming theresa well done now smile more smile
01:02:11Come on, smile smile more smile and sing louder. Come on louder
01:02:19I can't I can't hear you
01:02:21Louder
01:02:47We'd better be going
01:02:52All right, Theresa get dressed tomorrow we'll go on all right
01:03:10So they gave away piece by piece everything they owned to the people
01:03:15hearing about this
01:03:17Lucia's betrothed was furious
01:03:20And complained to the consul pascasio
01:03:24saying
01:03:26That lucia was a christian and was not obeying the imperial law
01:03:33Pascasio
01:03:36Having sent for the young girl to appear
01:03:40Reproached her for having wasted away her anything wrong
01:03:45And demanded that she should offer sacrifices to the gods
01:03:49So
01:04:19So
01:04:49So
01:05:19So
01:05:49So
01:06:19So
01:06:49So
01:07:20So
01:07:41What's the matter
01:07:43I'm leaving
01:07:44I must get away from here
01:07:46I came to say goodbye
01:07:48Come in
01:07:50You're going where to?
01:07:52Any place I can think of
01:07:54Anywhere, but here
01:07:58It's not important did my mother do something no, but she knows we see each other
01:08:03She knows I see one of the girls but not which one
01:08:06She'll know soon enough, but that's not the only reason i'm running away
01:08:10Well, why then?
01:08:12because today
01:08:15It's nothing
01:08:17I don't want you to leave
01:08:20You're the only friend I ever had
01:08:22You know that
01:08:24I shall miss you
01:08:28I'll miss you
01:08:44So
01:09:00Here it isn't much but you may need it
01:09:03Thank you. I promise i'll return it
01:09:07It's going to be very difficult for me to get out of here
01:09:10Yes, as several girls have already escaped mother ordered all the doors to be double locked
01:09:15Yes, I know that but if I can get into the garden through one of the dining room windows
01:09:19Then perhaps I can climb the wall. You won't be able to it's very high and the gardener cut down all the creepers on purpose
01:09:27Try to climb the iron gate
01:09:30Yes, all right
01:09:32Goodbye lewis and thank you
01:09:40So
01:10:10So
01:10:40So
01:11:10So
01:11:40So
01:12:10So
01:12:40So
01:13:10Ah
01:13:40So
01:14:10So
01:14:40So
01:15:10So
01:15:40So
01:15:57So
01:16:10So
01:16:34What are you doing here
01:16:37To climb the wall without a ladder, it's impossible
01:16:42Well, perhaps there's some loose bricks or some
01:16:45Cracks in the wall she might have used no madame over the main gate
01:16:50That's the only way out. She did not leave by the gate
01:16:54Very well
01:16:56Thank you
01:17:01Nail down every window in the dining room
01:17:05Yes, all right madame
01:17:12Teresa never left this house
01:17:14Don't be absurd. Last night. I was constantly by the gate. I was watching the house all the time
01:17:20Teresa never left it
01:17:22Perhaps she uh, she left before you even reached the gate. I don't think so
01:17:28Everything seems very strange madame
01:17:34What do you mean by strange
01:17:36I'm thinking of the broken window
01:17:39And the light I saw in the dining room and the wet patch on the floor
01:17:44Five girls have disappeared in less than four months
01:17:47To raise is the fifth
01:17:50In every reformatory or boarding school girls are always running away
01:17:56Yes
01:17:57But in time one hears from them their parents write or bring them back
01:18:01But i'm in charge of the correspondence here we've never heard from any of these girls again
01:18:07Well, perhaps they got home and
01:18:09their parents
01:18:11Never bothered to write. Well, then why didn't you write to them to let them know what has happened?
01:18:16Are you telling me what i'm supposed to do?
01:18:20I am telling you that strange things happen here
01:18:23You and I know about them. It was you who taught me
01:18:26You taught me but there are other things that I cannot and shall not tolerate. What are you talking about?
01:18:35I don't know madame. I really don't know
01:18:41All I can say is that i'm leaving you're staying mademoiselle to burn
01:18:46How will you stop me you'll find out
01:18:49I don't think it's wise for you to force me to stay here
01:18:52Remember that I know many things about you and your methods of teaching
01:18:56Whatever I do here is no different from what is done in any other school
01:19:02Are you sure madame
01:19:18Your keys
01:19:26So
01:19:41Virgil shows an exquisite sensitivity
01:19:46Virgil shows an exquisite sensitivity
01:19:52In portraying his characters
01:19:54In portraying his characters
01:19:59Who are profoundly human
01:20:05Mademoiselle is he yes
01:20:20Nothing
01:20:25Nothing continue
01:20:32Profoundly
01:20:36The the romans considered
01:20:41the romans
01:20:42considered
01:20:44the any
01:20:48Is
01:20:50The romans considered pies and cakes need lots of strength and patience just like children
01:20:58I remember my mother used to say
01:21:00The harder you beat the pastry before you put the pie in the oven the softer it would be in the end
01:21:06Let's see. You'll have a lot more work to do yet. How about yours? Very good. You can go upstairs. Keep on going
01:21:20So
01:21:26Knead the pastry gently but firmly to get the best results
01:21:30Once the pie is in the oven, it's very important to keep the heat inside at a constant temperature
01:21:36Otherwise the pastry will be heavy the baking time can only be learned by experience because we can't see what's going on in the oven
01:21:45If we could see life would be much easier
01:21:48It's all packed what should I do with the drawings burn them how about the kitchen window it's easy to open
01:21:58Do you remember if this door has a key no, I think it's lost and the kitchen no never good
01:22:04Are you going to escape today if I can?
01:22:18You
01:22:27Come in
01:22:29They're all in bed now madam, is there anything more good did you lock all the doors? Yes, madam
01:22:38Well, then you can go to bed now
01:22:40Sophie
01:22:42Sophie madam
01:22:45I would like to talk to toupee
01:22:47Is she already asleep? I don't think so. I've just put the lights out
01:22:54Please
01:22:57Tell her to come and talk to me and
01:23:06You can go to bed now, yes, madam
01:23:10You can put out the lights, please. Yes, madam sleep. Well, madam. Good night
01:23:32My myself to pan
01:23:35What's the matter go downstairs for a moment
01:23:39Madame for no wants to talk to you
01:23:48Why are you dressing mademoiselle i'm feeling cold
01:23:54You've got your keys
01:23:56Yes, of course
01:23:58right
01:23:59Until tomorrow then
01:24:01Good night
01:24:08So
01:24:38So
01:25:08So
01:25:20Mademoiselle to pan
01:25:39So
01:25:56Jacqueline
01:26:04Andre
01:26:08Andre
01:26:14Audrey, please
01:26:38So
01:27:08So
01:27:38So
01:28:08So
01:28:38So
01:28:47You're in
01:29:08So
01:29:23So
01:29:25So
01:29:35Iran
01:29:37What happened your end child
01:29:42What happened to you
01:29:47Oh my god
01:29:49So
01:29:53Ah
01:30:19So
01:30:49So
01:31:09Mama i'm so glad you've come come in. I was just going to call you
01:31:17Look there she is
01:31:19Look
01:31:21Only the hands were missing
01:31:25Iran had the same hands as yours
01:31:27slim
01:31:29but strong
01:31:30look
01:31:31I took the dress some time ago
01:31:33When I decided to make a girl
01:31:36like you
01:31:39A girl for me
01:31:42Now she's got everything
01:31:47Blonde hair like yours
01:31:50The same eyes isabel had almost the same eyes as yours
01:31:56You always said i'd have her have a girl like you when you were young
01:32:01And now i've got her
01:32:09Do you see
01:32:16Now you must teach her to take care of me the way you do
01:32:20And love me as you've always loved me
01:32:25Louis
01:32:28Louis
01:32:31Talk to her mother
01:32:34Talk to her
01:32:39Talk to her
01:32:49Talk to her
01:33:19So
01:33:49So
01:34:19Foreign