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00:00Lollipop lollipop
00:02Go lolly lolly lolly lollipop
00:05Lollipop on lolly
00:06Lolly lolly lolly pop
00:08lollipop on lolly
00:10Lally loss
00:10Lolly pop
00:14Lolly pop
00:15Oh
00:20Lollipop
00:24That supposed to haunt
00:27Turn it down.
00:28Out the window.
00:28That's what you like, running out the window?
00:31Dad, you can play the game as well as one,
00:33and I play it pretty good.
00:35Yeah?
00:36You'll never stop me at all, you'll never stop me.
00:51Mom?
00:53Janie?
00:58Janie?
01:02Janie?
01:10Mom?
01:27Janie?
01:40My baby boy.
01:43What did you do?
01:49I'm sorry.
01:52I'm so sorry, Janie, I'm so sorry.
01:57I'm so sorry.
02:00I'm so sorry.
02:01I'm so sorry, Janie, I'm so sorry.
02:04I'm so sorry, Janie, I'm so sorry.
02:07I'm so sorry, Janie, I'm so sorry.
02:10I'm so sorry, Janie, I'm so sorry.
02:13I'm so sorry, Janie, I'm so sorry.
02:16I'm so sorry, Janie, I'm so sorry.
02:18I'm so sorry, Janie, I'm so sorry.
02:21I'm so sorry, Janie, I'm so sorry.
02:24I'm so sorry, Janie, I'm so sorry.
02:28I'm so sorry.
02:35I'm sorry.
02:42I'm so sorry.
02:43I'm sorry.
02:45I'm so sorry.
02:47I'm so sorry.
02:48For the lives that you've lost.
02:51I'm sorry.
02:54Where's the old timer?
03:03The eclipse.
03:05Stayed home today.
03:07Well, at least someone should tell him it's just the moon.
03:10Sun spirit ain't gonna steal his eyeballs.
03:13We're gonna rest, huh?
03:15I want to interrogate him, but I need some more time.
03:19Now, Joe, he's looking at three counts of murder.
03:21One, then the fed stick to turn for the Charlie boy
03:25he got on the Malpais.
03:27You add in all the attempts for you and Chi and the kid,
03:31and blondie, it's barbecue by Christmas.
03:33It's over.
03:37Why'd he do it?
03:40Sweet Mary and Julius.
03:42Who cares why?
03:44Monsters don't need reasons.
03:46We got enough evidence to bury him in the Grand Canyon.
03:51He killed one of my boys.
03:53I want him put down.
03:55Benny Charlie told me you overheard his dad and his grandpa
03:57talking about a blond man blowing up Drum Corps.
04:00When a blond man shows up here,
04:03he starts picking off Charlies.
04:05Do you think that's a coincidence?
04:07I think it's a 6-year-old talking.
04:09Let me search the trailer.
04:11Get some time with him before you take him.
04:13If I can't get at him,
04:15you'll have six more bodies to hang on to.
04:17I don't need any more bodies to put him in front of a judge.
04:19If you take him now,
04:21you'll never find out who he's working for,
04:23and I can't live with that, can you?
04:25Joe, I know where you're coming from,
04:27but it ain't protocol, what you're asking, you know.
04:31So you're just gonna take him now?
04:35After all I went through to get him here?
04:37Come on.
04:44What the hell?
04:46I could give you six hours.
04:48Give me until tomorrow.
04:50I gotta come back and get him tonight.
04:52That's the best I can do.
04:56Reno!
04:58John, we're leaving.
05:00What's going on?
05:02Find me something there that links to the Drum Corps explosion.
05:05Now!
05:13♪
05:43♪
06:06What?
06:09I got him, Emma.
06:13That's good.
06:15I think someone else is at the vault.
06:19Maybe somebody at Drum Corps.
06:23I want to find out who.
06:27Then we can finally put all this behind us.
06:36When Sally moved in,
06:39I was so excited.
06:43The smell of the new baby.
06:47Little hands and feet.
06:52Holding him while he slept.
06:59There's been such a haul these past few years.
07:04I thought, maybe...
07:14I wasn't thinking about Sally.
07:19I wasn't even thinking about the baby.
07:28I was thinking about myself.
07:35Trying to fill that hole my grief was digging every day.
07:43I was convinced that this is what I needed
07:47to put this all behind us.
07:53But there is no behind you, Joe.
07:56There's only through.
07:59There's only grief.
08:03And we're going through it.
08:06Together.
08:08Not in the same way, but together.
08:19I have to find out who's behind this, Emma.
08:23I have to.
08:28I know. You do.
08:39Jesus.
08:42Hey, you want to enjoy that inside?
08:45I'm working. Get out of here.
08:48What, you mean like surveillance?
08:51Mrs. Vines?
08:53She's got six rugs laid out in there.
08:56She's got six rugs laid out in there.
08:59She's got six rugs laid out in there.
09:02She's got six rugs laid out in there.
09:05She's got six rugs laid out in there.
09:08I'm still trying to decide.
09:11It'll be a minute.
09:13Don't tell her I'm out here, okay?
09:15If you say so.
09:17Hey, you hear?
09:19They got your man.
09:21What man?
09:23The blonde man.
09:25He's sitting in Lee Point's jail right now.
09:36The eclipse is starting at 123,
09:39with all clear by 237.
09:42Remember to stay inside.
09:44No eating, no drinking.
09:47This is not the time for watching TV,
09:49reading or working.
09:51Sit still. Stay reverie.
10:06You going home yet?
10:08Stay as long as I can.
10:11You better get going. You're gonna be late.
10:14I'm gushing.
10:18See ya.
10:24Navajo Reservation Police. This is Natalie.
10:36Hi.
10:54What's this?
10:56None of your business.
10:58I saw a position in Border Patrol.
11:01Something you want to tell me?
11:03What can I do for you, Mr. Chi?
11:08Did you get a new job?
11:16Hey.
11:18What are you doing here?
11:22I wanted to take a look at him.
11:25Want to stay and help?
11:27You can use the hand.
11:29Yeah, I should get back.
11:31I'm working surveillance.
11:33All right.
11:39What's going on?
11:41Nothing.
11:44I'll get him into the box.
11:51What's your name?
11:53What's it matter?
11:55I'd like to know who I'm talking to.
11:58Thank you, too.
12:11You're a dead man. You know that, right?
12:16This isn't a charge you're gonna slip out of.
12:19Alfred Newman.
12:23My name.
12:29Try again.
12:34Trent Ralston.
12:47You know, we could sit here and talk.
12:50You know, we could sit here and talk.
12:53You know, we could sit here and talk.
12:56You know, we could sit here and play games.
12:59Or you can tell me something that's gonna help you.
13:05No one can help a dead man.
13:08Not even me.
13:10Coming down to the resin, killing Indians,
13:12wasn't your idea, was it?
13:14Who else's would it be?
13:16That's what I want to know.
13:20Who you work for?
13:22Who got you into this mess in the first place?
13:25Who told you to blow up that oil well?
13:28What oil well?
13:36You're gonna be executed.
13:38Feds, the sheriff.
13:40They got more than they need to make that happen.
13:43The only way you might prevent it
13:45is if you tell me who's behind this.
13:50Who are you working for?
13:54Well, maybe...
14:01I just don't like Indians.
14:14Lloyd Webster. He's a private investigator.
14:17And they had a meeting in the morning.
14:19Our suspect went after Chi in the hospital.
14:21You think they're working together?
14:24Let's find out.
14:26Thanks.
14:41How you doing?
14:43I'm Lieutenant Lee Porn. This is Sergeant Manny Alito.
14:46Hello.
14:47Thank you for coming.
14:49Take a seat.
14:51Not every day an Indian cop asks for my help.
14:55What can I do you for?
14:57We were hoping that you could tell us
14:59where you were last Tuesday around 10 in the morning.
15:02We're trying to establish a timeline.
15:04You're not a suspect, but this man is.
15:10You know him?
15:12Sure, yeah.
15:14My Tuesday morning.
15:16First time I had the pleasure of meeting him in person.
15:18What's his name?
15:20Said it was Al Newman.
15:22It isn't.
15:24I'm not surprised.
15:25What was the meeting about?
15:28I was giving him an update.
15:30Oh.
15:32Hey, now. Come on, Lieutenant.
15:35Dealing with a professional. That shit's confidential.
15:38The client is currently sitting in my interrogation room.
15:41He's facing four counts of murder at once,
15:43so you can either tell us what you discussed now
15:45or you can take a seat in there and wait for the sheriff.
15:50That weird-ass teddy bear.
15:52Four counts of murder and more to come.
15:55Shit.
15:57Dude hired me to find his mother.
16:00Linda Maddox said her name was,
16:03but the whole thing's kind of squirrely, you know?
16:06Kept having me run down things that didn't check out,
16:09bringing up new places, new leads.
16:12Money's good, though, so no complaints.
16:14You dig?
16:21Do you know any of these women?
16:26Nope.
16:32This one.
16:34Who is she?
16:36Just told you. Linda Maddox.
16:38Took that one myself.
16:40But as you can see,
16:42she ain't old enough to be that dude's mother.
16:48I need a favor.
16:55This seat taken?
17:00Cops found your little book.
17:02Had my name in it,
17:04so they brought me in and told me what you been up to.
17:07And what have I been up to?
17:09No good, baby.
17:12Look, if you did it, I don't want to know.
17:14I'm not a cop or a lawyer.
17:17Far as I'm concerned, you are a client
17:20who hired me to do a job.
17:25Do you think I'm stupid?
17:27I think you killed four people and got caught.
17:30So what do you think?
17:34Hey, partner,
17:36I don't care about Rez's business.
17:38I don't work for the Rez,
17:40and I'm not beholden to these cops.
17:42I work for you.
17:44And...
17:46I found something
17:48that you might be interested in.
17:53Chandler, Arizona.
17:55Just outside of Phoenix.
17:57She's the right age,
17:59right height, right build.
18:02Thing is, her name is not Maddox.
18:05It's McGuire.
18:07And that's why none of the other mopes you hired
18:09were able to find her.
18:11But I told you,
18:13old Deloitte gonna find her.
18:15Here's the deal.
18:17You want to see your mama again,
18:19even through bars,
18:21you're gonna have to give them something.
18:23That's how it works.
18:25Ain't no time in history it ain't worked that way, you dig?
18:37Thank you all for coming.
18:39As you know, my work at IHS has been...
18:42Emma, I'm so sorry.
18:44We're being late.
18:46What's she doing here?
18:48I thought she could sit in with us.
18:53I think she should be here, too.
18:57What about the rest of you?
18:59Are you okay with this?
19:01With her?
19:03Yeah, we're good.
19:05Mm-hmm.
19:11You are not to write or publish anything
19:14from this meeting without my permission.
19:16Of course.
19:24Yá'át'ééh.
19:30I've met some of you already,
19:32but for the rest, my name is Mary Landon.
19:35I work for the Los Angeles Times,
19:37and I'm writing a story
19:39about the Family Planning Services Act.
19:42I want to thank Helen and Emma
19:46for allowing me to sit in and hear more
19:48about the work they're doing on this reservation.
19:52I'm really just here to listen.
19:56Great.
19:58Let's just get started.
20:26Dean?
20:28What the hell?
20:30Caught him at the laundromat trying to hotwire a car.
20:33Wasn't trying to hotwire it.
20:35He was trying to get it started.
20:37For a friend.
20:39Has code for it. He's guilty as hell.
20:41I'll take him.
20:43Leaphorn's sending everyone home for the Eclipse.
20:47Oh.
20:50What's with you?
20:52It's the second time this week.
20:56What's going on?
21:00I got picked.
21:02What do you mean, you got picked?
21:04The draft.
21:06Where you been?
21:08They're supposed to take us out to Phoenix tonight.
21:11I don't know what's going on.
21:13I don't know what's going on.
21:15I don't know what's going on.
21:17They're supposed to take us out to Phoenix tonight,
21:20but if I'm locked up, they can't.
21:22That's not how it works.
21:24They don't want criminals burned.
21:26That's exactly who they want, Dean.
21:28Hey, listen to me.
21:30It's our duty to serve when we're called.
21:33I served.
21:35Lieutenant Leaphorn served.
21:38What about your uncle, the Code Talker?
21:41He's a legend around here.
21:43Look, I can't go.
21:45I take care of my grandmother and my sister.
21:48What are they going to do if I go off to fight for a country
21:51that doesn't even recognize me as an American?
21:56What are they going to do if I don't come back?
22:02Go home, Dean.
22:04Talk to your Masana,
22:06and she'll help you figure out the right thing to do.
22:08You told me I'll go into Vietnam,
22:10get my ass shot, if it's the right thing to do.
22:16Hey.
22:18Go home.
22:30Another reminder to everybody listening.
22:33The eclipse is starting at 123,
22:35with the all-clear by 237.
22:38Stay inside. Stay reverent.
22:46Said he was hired by a man named Carl LeBeck.
22:50That name mean anything to you?
23:08Thank you, Mr. Webster.
23:10Natalie. Yeah?
23:12Have Byrne bring Guy Acidine here as soon as the eclipse is over.
23:15Yes, sir.
23:18You know, normally I charge $25 an hour for my services.
23:23I normally hand over criminal associates to the FBI.
23:28Man, you weren't far on the end here.
23:32No offense.
23:43So don't be scared
23:46Just get down
23:49And don't come back again
23:52I don't want anything from you
24:12You lost?
24:30I didn't think you'd be home.
24:33What's this?
24:35An apology from earlier.
24:38Pignon nuts?
24:40You pick these yourself?
24:44Well, okay.
24:47Where are you going?
24:49You only got 15 minutes before the eclipse.
24:55You either come inside or be the bad Navajo out roaming the streets.
24:59You're inviting me into your trailer.
25:01Offer expires at the count of three. One!
25:03Okay.
25:05Why don't you tell me twice?
25:08Good choice.
25:35What's with Elvis?
26:05Uh...
26:10We went on a date.
26:13He had a pretzel, I had a beer.
26:16He told me he couldn't wait to start touring again.
26:19And I don't know, it kind of went downhill from there.
26:22So you had a date with Elvis Presley.
26:25The Elvis Presley.
26:27Mm-hmm.
26:28When I was stationed in Germany.
26:30Elvis the pelvis.
26:32Don't call him that.
26:34Be quiet.
26:36Some Navajo you are.
26:42You tell Leporn about the job?
26:47He knows that I applied.
26:49Not that I got it.
26:54I can't imagine you not wearing that uniform.
27:01It's just...
27:05There's no way for me to move up around here.
27:08Yeah, Leporn's not going anywhere and there's always going to be another you, so...
27:15What would it take to get you to stay?
27:20Here?
27:25It's not that simple.
27:27But you love it here.
27:28Your life is here, your animals, your weird little trailer.
27:32Yeah, well, I can always come back.
27:36Can you?
27:38You did.
27:50I got to get back to work.
27:53I got to pick up Guy at City.
28:00Thanks for the safe haven.
28:02Yeah.
28:05Chi?
28:07If you mention Elvis to anyone, you're a dead man.
28:10You know that, right?
28:13That might be fun.
28:36Navajo Police.
28:38Hold, please.
28:41Lieutenant.
28:43Carl Lebeck's sister, eh?
28:45Line one.
28:49Miss Lebeck.
28:50Yes, Lieutenant.
28:52Leporn, is it?
28:54It's Leporn.
28:56Left the key at the substation of Navajo Tribal Police.
28:59We're, um...
29:00We're trying to track down your brother.
29:03Oh.
29:04Well, that's going to be a problem.
29:06How so?
29:07Well, because he's dead, Lieutenant.
29:10My brother's been dead for over three years now.
29:14I'm sorry to hear that.
29:16Is there anything else I can help you with?
29:18No, thanks.
29:20Thanks for your time.
29:39Good addition, huh?
29:41What's going on?
29:42Yeah, I'll tell you, brother.
29:43Thanks for coming down.
29:45Bern said you had some questions about Drumco.
29:47Carl Lebeck.
29:48Yeah.
29:49I did.
29:50Not sure it matters anymore.
29:51I just got off the phone with his sister.
29:54Lebeck's dead.
29:57What do you mean?
29:59That's Lebeck right there.
30:24Don't turn your back on me, baby.
30:28Yes, don't turn your back on me, baby.
30:36Don't turn your back on me, baby,
30:39Don't turn your back on me, baby.
30:41Don't turn your back on me, baby.
30:42Don't turn your back on me, baby.
30:43Don't turn your back on me, baby.
30:44Don't turn your back on me, baby.
30:45Don't turn your back on me, baby.
30:46Don't turn your back on me, baby.
30:47Don't turn your back on me, baby.
30:48Don't turn your back on me, baby.
30:49Don't turn your back on me, baby.
30:50Don't turn your back on me, baby.
30:51Don't turn your back on me, baby.
30:52Don't turn your back on me, baby.
30:53Don't turn your back on me, baby.
30:54Don't turn your back on me, baby.
30:55Don't turn your back on me, baby.
30:56Don't turn your back on me, baby.
30:57Don't turn your back on me, baby.
30:58Don't turn your back on me, baby.
30:59Don't turn your back on me, baby.
31:00Don't turn your back on me, baby.
31:01Don't turn your back on me, baby.
31:02Don't turn your back on me, baby.
31:03Don't turn your back on me, baby.
31:04Don't turn your back on me, baby.
31:05Don't turn your back on me, baby.
31:06Don't turn your back on me, baby.
31:07Don't turn your back on me, baby.
31:08Don't turn your back on me, baby.
31:09Don't turn your back on me, baby.
31:10Don't turn your back on me, baby.
31:11Don't turn your back on me, baby.
31:12Don't turn your back on me, baby.
31:13Don't turn your back on me, baby.
31:14Don't turn your back on me, baby.
31:15Don't turn your back on me, baby.
31:16Don't turn your back on me, baby.
31:40You killed Karl Lebek.
31:43And you assumed his identity
31:44to gain access to that drill site.
31:47You set those charges, and you killed six men.
31:51Six men who didn't have to die.
31:53Everyone has to die, eventually.
31:57Why?
31:59Why do you care so much?
32:01Just six men dead.
32:05For what?
32:06Six men have died since we began this conversation.
32:11Why are those six men so important to you?
32:20Oh, I see.
32:23Now we're back to that.
32:26It wasn't the six men, was it?
32:30It was one of the six men, wasn't it?
32:37It was your son.
32:40OK.
32:41Yeah.
32:53So you don't like Indians, huh?
32:58Who hired you to blow up that well?
33:05You just want to know why he died, not you.
33:09I'll tell you, Joe.
33:13It was because he was there.
33:19That's all.
33:21He wasn't even important.
33:35I needed to find my mother.
33:39I need to find my mother.
34:01Sena's office called.
34:03The FBI is anxious to get their hand on their suspect.
34:05Sheriff's on their way.
34:07Get Vines down here.
34:09Come on.
34:39Come on.
35:09Come on.
35:30See you, brother.
35:31Join us.
35:39There you go.
35:47There's a lot of racing out there, so I
35:50could actually like it.
35:52It would be great.
35:54Oh, bless you.
35:59I'm so glad I came here.
36:01Do you want one as well?
36:02You sure?
36:03♪♪
36:13♪♪
36:23♪♪
36:33♪♪
36:43♪♪
36:53♪♪
37:04People of darkness, welcome to our holiest of days.
37:10For today, the moon goddess Pahwake
37:13concealed the wicked sun,
37:15gracing us with her blessed dark.
37:18Oh, hail the blessed dark!
37:26So we've come together here, now,
37:29to partake in the sacred medicine
37:32for the enlightenment we know it will bring,
37:35knowing that it will revive and renew us.
37:39Revive and renew!
37:51What are you doing here?
37:53I need you to heal me.
37:55Heal her! Heal her! Heal her! Heal her! Heal her!
38:11Heal her I shall!
38:25♪♪
38:37What are you doing here?
38:39What are you doing here?
38:40What's going on? What's that?
38:42You need to listen to me.
38:44This is not Navajo, okay?
38:47This is a bunch of crazy white people
38:49eating peyote and playing Indian.
38:51Hey! You!
38:52Where are you going with that bag?
38:54No, no, no.
38:55Get out of here.
38:56Hey, come on, what's going on here?
38:57Hey!
39:20All right, I'm gonna get Rosemary.
39:23Wait here.
39:53♪♪
40:18Up.
40:19I said get up.
40:23Don't you test me, you son of a bitch.
40:38Just need you to check and scratch
40:40on the change of custody.
40:53♪♪
40:58It's okay, Mother.
41:00Give me the gun.
41:02♪♪
41:12♪♪
41:22♪♪
41:32♪♪
41:42♪♪
41:52♪♪
42:02♪♪
42:12♪♪
42:22♪♪
42:31You ever pack a suitcase before?
42:33Dean.
42:35No.
42:37Can you check in on them while I'm gone?
42:40My grandma and my sister?
42:43Of course.
42:47Hey, maybe when I come back,
42:48I can do something, you know?
42:51Help people.
42:53Get on the res.
42:56Kind of like you do.
42:59Yeah.
43:01Hold on.
43:03♪♪
43:13It's for protection.
43:15We leave the land of the four sacred mountains.
43:20Yeah.
43:24Go on, then. Shut up.
43:26I'm going in. Hey.
43:28♪♪
43:38♪♪
43:48♪♪
43:58♪♪
44:08♪♪
44:18♪♪
44:28♪♪
44:36Is it over?
44:40I don't know.
44:42The feds have got him now.
44:45It's out of my hands.
44:47It's out of our hands.
44:51♪♪
44:59Yeah, it's Leopold.
45:05♪♪
45:09Shit.
45:11♪♪
45:21♪♪
45:31♪♪
45:41♪♪
45:51♪♪
45:59Jesus.
46:03Gordo.
46:05Gordo.
46:09Take it easy. Take it easy.
46:12You have to relax.
46:14♪♪
46:18Dispatch.
46:20I'm Lieutenant Joe Leopold, Navajo Tribal Police.
46:23We're in an accident.
46:25Sentence hurt.
46:26We're out on the rez.
46:28Mile marker 113, Route 60.
46:30Copy, Lieutenant.
46:32Emergency services inbound.
46:34Gordo.
46:36What happened?
46:38It's Joe.
46:40He got away.
46:42Okay.
46:44Stay still.
46:46They're on their way.
46:47Just relax.
46:49♪♪
46:59♪♪
47:09♪♪
47:19♪♪
47:39♪♪
47:49♪♪