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00:00In this program, a conversation between two people.
00:06The conversation tonight is...
00:09I like Haruta.
00:12In Osu! Love, they're both acting as lovers.
00:15In private, they're both acting as actors.
00:19He's like an older brother to me.
00:23The secrets between the two are revealed one after the other.
00:27It's so boring.
00:29He's got it all planned out.
00:31And also...
00:32Did you hear that?
00:33Nakai has an unexpected relationship with the talented actor, Ken Hayashi.
00:37He's so cute!
00:43So, Nakai, you're our guest for tonight.
00:46Have you met him before?
00:48I think I have.
00:49Me too.
00:50We're in the same field.
00:52This isn't about acting, but I'd like to hear from the three of you.
00:56Today, we're going to talk about acting.
00:59Sounds good.
01:01Let's bring in our guest for tonight.
01:04Come on in!
01:09I'm Ken Hayashi.
01:11Nice to meet you.
01:12Nice to meet you, too.
01:13Nice to meet you, too.
01:15Please have a seat.
01:17Nice to meet you.
01:19It's been a while.
01:21How long has it been?
01:22Me and Ken...
01:25We've been...
01:26We've been...
01:27Yes.
01:28We've been...
01:29We've been...
01:30I'm sorry to interrupt you, but I have to go to Murano's house.
01:34Oh, you're going to his house?
01:35It's a long way to his house!
01:37It's just a coincidence.
01:39It's not a coincidence that we're going to his house.
01:41It's just a coincidence that we're going to his house.
01:42I did a drama on Fuji TV the other day.
01:45I thought we should have a drink and talk about a lot of things before the drama started.
01:51I'm so sorry.
01:52There's a bug.
01:53I'm so sorry.
01:54Are you okay?
01:55I'm not a bug.
01:57I'm not a bug.
01:58I know that.
01:59I know that.
02:00But it was a good drama.
02:03It was a good drama.
02:05I'm not a bug.
02:06The director of the drama was Kei Tanaka, who played the role of Osu-san's Love.
02:13We got excited and said,
02:15Let's do our best.
02:17We got excited and decided to call Kei.
02:20That's a good footwork.
02:21I was outside and I was about to go home when I got a call.
02:25I said, I'm going.
02:27Can I go to your house?
02:29Of course.
02:30He came to my house when there were about 10 people.
02:3310 people?
02:34He was sitting in the living room and drinking.
02:38I see.
02:40Kei makes it lively.
02:42Is that so?
02:43I'm lively, too.
02:44When Kei comes, I have a lot of fun.
02:46I can drink just by looking at Kei.
02:48Everyone is excited.
02:50It's fun.
02:51It's fun.
02:52I like to do something with everyone.
02:57What do you do with everyone?
02:58Do you drink with everyone?
02:59When I drink with everyone,
03:01there are people who are quiet at the end.
03:05I get involved.
03:07If there are about 10 people, you can do that, right?
03:09I'm the kind of person who gets involved with everyone.
03:11You like to be with everyone.
03:12I'm the kind of person who gets involved with everyone.
03:15Even if there is room in the broadcasting company...
03:17Actor, Kei Tanaka
03:20Can I be the 32nd V?
03:24He appeared in Water Boys when he was 19 years old.
03:27He played the role of a friend of the main character, Takai Yamada.
03:30He got a lot of attention.
03:32Now that I see it...
03:34You've become a man.
03:35What are you thinking?
03:38He has been in many popular films since his 20s.
03:41He has shown his presence.
03:45And...
03:47In 2018, he became a hot topic.
03:49He played the role of an old man.
03:55He played the role of a man.
03:58He was chosen as the most popular actor of the year.
04:01He was also the most popular actor in the world.
04:03He's an actor.
04:06Next year, he will play the role of a woman.
04:08He is a very popular actor.
04:12He appeared on the show for the first time.
04:17I've heard that he's been on the show for a long time.
04:23I always thought it was amazing.
04:26I still think so.
04:28When I saw the face of Water Boys...
04:31I'm glad you've become a man.
04:33Really?
04:34I'm glad you've become a man.
04:36Did you forget about Water Boys?
04:39I was 18 years old.
04:41I'm not that old.
04:43I don't have the eyes to see.
04:45When I saw the face of Water Boys, I didn't feel the future.
04:49I don't think I'll be able to represent Japan in the future.
04:55I don't think so.
04:57I don't think so.
04:58It was 20 years ago.
05:00It's a military drama.
05:02He played the role of Takayuki Yamada.
05:05He played the role of Eita Mirai.
05:09He also played the role of Gen Hoshino.
05:12He played various roles.
05:14It's a great work.
05:15But he was a little late.
05:17That's right.
05:18The timing was different.
05:20I thought it was amazing.
05:22I thought he was going to be buried in the drama.
05:24I thought he was going to be buried in the drama.
05:27But he came out the other way.
05:31In the last 7 or 8 years, he has appeared in a lot of dramas.
05:39He appeared in eight dramas in the last year.
05:41That's right.
05:43He appeared in four dramas in the last year.
05:47He is an extraordinary person.
05:49He also appeared in the main role of the drama.
05:52He appeared in the main role of the drama.
05:53He was on stage for more than two months.
05:55He is a man who practices and performs.
05:57He also appeared in two dramas.
06:00I'll say this again.
06:01He is a crazy person.
06:03He is a crazy person.
06:05He is a crazy person.
06:06I don't think there are any other actors.
06:08There aren't any.
06:09It's true that people often ask me when I'm filming.
06:13I think it was 2019.
06:15When I was doing Annabelle and Old Man's Love,
06:20my friend from another actress asked me what I was doing.
06:25She said,
06:26Can you take off the lead role?
06:30We use the word take off.
06:32What does that mean?
06:33We do two roles at the same time.
06:37Why do you take off the lead role?
06:39I see.
06:40Why do you take off the lead role?
06:41Why did you take off the lead role?
06:42At that time,
06:46I wasn't on the main cast for a long time.
06:52So, the third and fourth roles were overlapped.
06:55I've been doing it for a long time.
06:59I understand that.
07:00But it's not enough.
07:02It's not enough to have the same role.
07:04I had a few roles,
07:08and they were in harmony.
07:09In harmony?
07:10Each role had its own uniqueness.
07:13When I had only one role,
07:15I felt like I was giving it my all.
07:17So, I couldn't concentrate.
07:19You're a great man.
07:20You were giving it your all.
07:22I thought I was.
07:24You only had one role.
07:27I had one.
07:28If you had two roles,
07:31you were giving it your all.
07:34If I had two roles, I was giving it my all.
07:37You were giving it your all.
07:38I didn't have two roles.
07:41No, I did.
07:43I had two roles in a week.
07:48You had one role in a week.
07:50That's right.
07:51It's physically impossible.
07:53I had two roles in a week.
07:56Really?
07:57Of course.
07:58What?
07:59In the morning?
08:01In the afternoon?
08:02Of course.
08:03What?
08:04Are you kidding me?
08:06Of course.
08:07Sometimes, I had one more role.
08:09What?
08:10Of course.
08:11You weren't giving it your all.
08:14No, I wasn't.
08:16You were giving it your all.
08:18I was giving it my all,
08:21so I had to do it right.
08:24I was doing it right.
08:26I think you had the same hairstyle.
08:29I had the same hairstyle.
08:31The same hairstyle?
08:33The same hairstyle.
08:34You had a tight hairstyle.
08:36You had a low hairstyle.
08:38It's impossible.
08:39Was it a minor change?
08:41My right side hair was like my left side hair.
08:44It was a big difference.
08:47But I didn't change my appearance.
08:49I had the same hair style.
08:51I can't imagine you as an actor.
08:52I don't have many examples.
08:54I'm a man who doesn't have many examples.
08:56I play a few games every year.
08:59Last year?
09:01Basketball?
09:02Yes.
09:03Basketball?
09:04World Cup.
09:05Basketball World Cup.
09:06I was a caster.
09:07I was a caster.
09:08I thought,
09:09he started something again.
09:11I was like,
09:12go!
09:13He started this show.
09:16It's the same every week.
09:18Let's try something new.
09:20I thought it was amazing.
09:21I used to play basketball.
09:23At first,
09:24when I was a variety show host,
09:30I thought,
09:31why me?
09:33I don't think I can do it.
09:35What do you want?
09:36I don't know.
09:37When I was a caster for the Basketball World Cup,
09:39I was very happy.
09:40Because I like basketball.
09:41It's the best.
09:42I was very happy.
09:43But I thought,
09:44there must be someone who says a lot.
09:47There are various ways of thinking.
09:51Do you want to give a half-baked opinion?
09:55Or do you want to stand in the eyes of someone who plays basketball for the first time without knowing anything?
10:03I think about a lot of things.
10:05You don't talk to the staff?
10:06What kind of person do you want?
10:08Of course, I consult with them.
10:10If I try hard to say it, I can say it.
10:13Because you have knowledge.
10:14I used to play basketball.
10:15Even if I do that,
10:17I can't get close to a deep person.
10:20If I do that, I'll do it with everyone.
10:22But if I say,
10:23I don't know anything,
10:24I can't get close to a person.
10:26I'm doing it because of that.
10:29I don't want to do it.
10:31But I want to see basketball live.
10:34I want to speak with everyone.
10:35I want to play sports.
10:36Beginners.
10:37People who haven't seen basketball can get close to you.
10:42I want to make it interesting.
10:44I want to make it interesting.
10:45I want to make it interesting.
10:46I want to make it interesting.
10:47Especially, I do it in WBC, Premier and Olympics.
10:50I do it in WBC, Premier and Olympics.
10:52You get a lot of knowledge.
10:54You get a lot of knowledge.
10:55You know the players, and their teams.
10:57They're active but
10:58Because of that, you ask if they are open,
11:01They say they don't know anything and
11:03Am I sure?
11:05You only ask.
11:07What is that?
11:08Oh! That's how you play it, too.
11:10There's a trick like that?
11:11You need to ask.
11:13And you can let players to do that.
11:15We need to let players to do that.
11:16Basketball was great. I watched it.
11:19It was the best.
11:20It was so noisy.
11:25It was the best.
11:27It was really the best.
11:29Hayato and I joined together.
11:33I was able to watch it comfortably.
11:35That's good.
11:37Keio, do you have any impression of Nakai-san?
11:42My impression is that he is a monster.
11:50Don't say that.
11:52A cute monster has appeared.
11:54He is cute.
11:57What kind of monster is he?
11:59He is really good.
12:01The speed of his head.
12:04He is really fast.
12:08When I talk to Keio,
12:12I think about what I should say to whom.
12:19When I look at Keio in the middle of the VTR,
12:25I ask him not to look at me.
12:27I'm scared.
12:28I'm scared.
12:31I watch it in the middle of the VTR.
12:34When I look at him in the middle of the VTR,
12:38I wonder if he is angry.
12:40I think it's better to watch it.
12:42When I watch Nakai-san's VTR,
12:47I'm scared at first.
12:50Stop it.
12:52I'm scared at first.
12:53I'm afraid that he will find out.
12:55I'm afraid that he will think I'm boring.
12:58That's not true.
13:01He has a scouter.
13:03I'm sorry.
13:05It's difficult.
13:06When I listen to his story,
13:08I want to know how he feels.
13:12I want to know how he feels.
13:17When I listen to his story,
13:19I think it's not good to be too strict.
13:23I think it's not good to be too strict.
13:28I think he should be more restrained.
13:32There is an interview.
13:34Even if it's not a studio,
13:36if it's a different place,
13:37for example, if it's a poster,
13:39it's a five-minute interview.
13:42There is an interview with AD.
13:44Yes, there is.
13:45At that time, the actors
13:48don't look down on the AD or the director,
13:53but when they see him answering calmly,
13:56they get jealous.
13:58Jealous?
13:59The director has no pressure
14:03and no tension.
14:05So I think it's a scene
14:08where he can expose himself.
14:13After all, when I listen to his story,
14:15I wonder what it's like.
14:18That's what I think.
14:20If you think it's better,
14:22should you shift to that direction?
14:24It's difficult to shift.
14:27Of course, I don't want to be sloppy,
14:30but I think it's better to be a little nervous
14:35so that I don't meet him before the show.
14:39It's a program, so I say a word.
14:41I just said,
14:42I'm sorry.
14:43I wonder what Mr. Nakai is thinking.
14:46He's being watched a lot.
14:48I think it's better to be a little more strict
14:51than to be strict.
14:53I've been thinking about it lately.
14:56I'm getting more and more interested.
14:59It's easy to talk to.
15:01The director doesn't say,
15:03I'll ask you this.
15:05He answers very flatly.
15:07It's a common story in the prefecture.
15:09It's not like,
15:11I don't have to fall for it.
15:13When I look at the actor,
15:16I think this is better.
15:20But Mr. Nakai doesn't say anything
15:23that's hard to talk to.
15:26No, it's hard to talk to.
15:28Don't mess with me.
15:30Be nervous.
15:35We're often asked about the work.
15:38You know how much you want to hear
15:41from the listener.
15:43I see.
15:45If you listen to it as hard as you can,
15:48I'll talk as hard as I can,
15:50but if you're not interested,
15:52you'll get used to it.
15:54You're listening, but you're not listening.
15:57Yes.
15:58What do you think about this work?
16:03You're listening, so you're talking,
16:06but you're not listening.
16:08I'm trying to be careful,
16:10but I can't help it.
16:13I'll be careful.
16:15I'll try not to look today.
16:18Where do you want to look?
16:21Mr. Keiji, what kind of person is he?
16:25He's an actor.
16:27He's a good friend of mine.
16:30He's a bit younger than me,
16:33but I respect him.
16:35He's younger than you.
16:37He has a lot of things that I don't.
16:40This is Mr. Keiji Tanaka's partner.
16:44Please come in.
16:50This is Mr. Hayashi Kento.
16:53Nice to meet you.
16:55Nice to meet you.
16:57Nice to meet you.
16:59When did you last meet?
17:02About two weeks ago.
17:04At the studio?
17:06No, we were eating.
17:08You two were eating?
17:10You two are close.
17:12How about you, Mr. Nakai?
17:14I was on a TV show.
17:17It's the first time we've talked this close.
17:21You're right.
17:24You're dark.
17:27Aren't I dark?
17:29Yes, you are.
17:31Am I dark today?
17:33Yes, you're always dark.
17:36I thought you were dark.
17:39I didn't know you were this dark.
17:41I was watching you from the opening.
17:45You were spinning your head so fast.
17:48I'm very slow.
17:50I think you're amazing, too.
17:52You two are amazing, too.
17:54You're fast.
17:55I was scared to come here.
17:58But when I heard you were nervous,
18:04I thought I didn't have to be nervous.
18:07That's why I came here.
18:10I thought I didn't have to be nervous.
18:13I see.
18:14That's a good idea.
18:16I'm nervous.
18:19I'm not used to this kind of place.
18:24I've been thinking about this for days.
18:29Do you have a simulation?
18:31Yes, I do.
18:33When I heard you were nervous,
18:37I thought I had to do my best.
18:40I was saved.
18:44Actor KENT Hayashi
18:47He debuted as an actor when he was 17 years old.
18:50Suddenly, he became the main character of the movie BATTERY.
18:54He was selected as the New Actor of the Japanese Academy Award.
18:58He has been popular since his teens.
19:02He has a career as a young actor who is recognized by everyone.
19:08You like the sun, don't you?
19:11In the drama OSSAN'S LOVE,
19:14I like Haruta.
19:16He played the role of a lover in the movie TADAKA KEI.
19:21He was very popular in Japan.
19:26KENT Hayashi is a very talented actor.
19:32Tonight, his love for TADAKA KEI will be revealed.
19:41It's love love matching.
19:45OSSAN'S LOVE is the reason why you two became famous.
19:53Even now, people who know me through OSSAN'S LOVE support me.
19:59I'm very grateful for that.
20:02KENTA, you also acted in the movie.
20:05Yes.
20:06I acted in the movie BATTERY.
20:11There were many one-on-one scenes.
20:13When I heard about OSSAN'S LOVE,
20:19I wanted to do what I had to do with KEI.
20:25I want to do that in this movie.
20:32I met him at a restaurant before.
20:36It was the first time I saw him.
20:38His impression has changed.
20:40He is very cool.
20:42I'm glad to hear that.
20:44He is very cool.
20:46KASUKE, please.
20:48I have a very cool story.
20:51Don't say the title.
20:55I have a story that I will never forget.
21:00I have a one-year-old child.
21:03I was taking a movie called MIGARI CHUSINGUA when I gave birth.
21:10I was shooting in Kyoto.
21:14I was shooting a scene with Mr. Muro.
21:16I thought I might not be able to meet him.
21:20Mr. Muro told all the staff to shoot the scene where KENTA appears first.
21:33The scene was full of energy.
21:36I thought I would definitely return Hayashi by last train.
21:39The Kyoto studio was very united.
21:42I was able to meet Mr. Muro on the last train.
21:46I was able to meet Mr. Muro as soon as I gave birth to my child.
21:53Is your child's name Tsuyoshi?
21:57No.
22:00Isn't it?
22:03Let's call him Tsuyoshi.
22:04Let's call him Hayashi Muro.
22:07Hayashi Muro.
22:09I want to hear your story.
22:11I didn't know this.
22:13Is the car you are driving a car that you were given by KENTA TANAKA?
22:18Yes.
22:19There was a car I was driving.
22:24A senior gave me half of the money and bought me a car.
22:30A senior gave you half of the money?
22:34I thought it was impossible to sell the car.
22:39I got a car from a senior.
22:41I called KENTA TANAKA.
22:47I got permission from KENTA TANAKA.
22:50It's a good car, isn't it?
22:52A senior gave me a car.
22:55Who is it?
22:57It's Oguri Shun.
22:58It's Oguri Shun.
23:04Why do you call him Oguri Shun?
23:07Because it's real.
23:09Does Oguri Shun appear once every two weeks?
23:12I'm sorry.
23:13I never got a birthday present from Shun.
23:19I didn't care about it.
23:22When I was working on my work, I didn't have time to read books.
23:32I asked him if he had a car.
23:36He said he would buy me a car.
23:38What is that?
23:40He said he had never given me a present.
23:43He said he would buy me a car.
23:46I thought it would be easier if I went to the site.
23:48Are you crazy?
23:51I think so, too.
23:53It's different from buying a wallet.
23:57It's not 200,000 to 300,000 yen.
23:59That's not true.
24:01You are crazy.
24:04I got a car for free.
24:07Did you get a car for free?
24:09How did you get a car for free?
24:11I wanted a car.
24:13He said he would buy me a new car.
24:17I think I can go beyond your driving range.
24:21You didn't have a car.
24:23At that time, I got a car from my agency.
24:29Did you get a car for free?
24:31You want to go drinking.
24:33You don't drink when you go drinking.
24:35I don't drink.
24:36I drink when I go out with my family.
24:39I drink when I go to see a theater in the distance.
24:43When I got a car for free, it was full of children's sweets.
24:48It was full of life.
24:50I didn't take care of it.
24:52I didn't take care of it.
24:54After this, Kei Tanaka is out of place.
24:57He is surprised by his new friend, KENTA Hayashi.
25:00When I prepared it, it was very boring.
25:03I prepared it.
25:05It was very boring.
25:06It's very cute.
25:09When I'm around you, I love myself.
25:13You make me shine.
25:15I didn't go to a deep place.
25:17I woke up by myself.
25:20I understand why.
25:21I like you too.
25:27What are you doing?
25:29I don't go up to the venue.
25:35I like to live positively.
25:39Why did you laugh?
25:44How old are you?
25:46I'm 40 years old this year.
25:48I'm 34 years old.
25:49We are about the same age.
25:51We are the same age.
25:53I respect him as a senior actor.
25:56He is like an older brother to me.
25:59He is more like an older brother than a senior actor.
26:01I'm glad.
26:04Do you know KENTA Hayashi?
26:07Did he have this kind of personality?
26:09I don't know his public image.
26:12He is a very smart person.
26:15He can do anything.
26:18He studies, exercises, and trains his body.
26:21He can do anything better than people when he does something for the first time.
26:26You said it earlier.
26:28He can do many things.
26:30Is there anything you want to say to him?
26:33For example, when I was acting in a difficult play,
26:40I met KENTA Hayashi.
26:42He gave me a script and I read it.
26:44You read the script.
26:46He gave me advice on what to take care of in such a play.
26:53You read the script.
26:55You read the script.
26:57Did you understand his advice?
27:00It was about two weeks ago.
27:04I read the script.
27:07I read the script.
27:09I read the script.
27:11I read the script.
27:16KENTA Hayashi said,
27:18KENTA Hayashi said,
27:20KENTA Hayashi said,
27:22KENTA Hayashi said,
27:25KENTA Hayashi has often give you advice
27:30KENTA Hayashi has often give you advice
27:34KENTA Hayashi has often give you advice
27:36I didn't teach him much.
27:39I taught him things.
27:43He taught you a lot.
27:47He's too good at it.
27:49His love for tanaka is great.
27:52Many people tell me that.
27:54We don't really have a chance to show the script of the play.
27:56That's right.
27:58But we talk about anything.
28:00I don't think there's anything I don't know.
28:02There's nothing you don't know?
28:03About me.
28:04There's nothing like that.
28:06We usually talk about a lot of things here.
28:09It's been a while since we've talked.
28:11Sometimes we don't talk for a few minutes.
28:15But it's okay.
28:16It's okay if you don't talk.
28:18Do you talk so much that you don't have to talk?
28:20Yes, I do.
28:21I usually don't talk much.
28:24But everyone around Kei is like that.
28:27There are a few juniors like me.
28:29They listen to me.
28:31They always make time for me.
28:33Even if I'm busy.
28:35That's right.
28:36I think the biggest charm is...
28:39I have a lot of worries.
28:42I have a lot of thoughts.
28:45Sometimes I feel down.
28:48But I'm the kind of person who accepts all the shortcomings of others.
28:56I'm the kind of person who accepts it as a personality.
29:01The people around Kei...
29:04Only when everyone is around Kei...
29:08I can love myself.
29:10It makes me shine.
29:12I'm glad to hear that.
29:14I think that's the biggest charm.
29:17What do you think about Kei Hayashi and Kei Taraka?
29:22I really like Kei Hayashi.
29:26I really like Kei Hayashi as an actor.
29:30I really like Kei Hayashi's acting.
29:32Kei Hayashi is always very attractive.
29:35I want Kei Hayashi to do it as it is.
29:38Kei Hayashi has a habit of thinking in his head.
29:43When I think in my head, I'm really off.
29:50Don't you like that stance?
29:52I think it's very interesting.
29:55Do you like to be off?
29:57I like it.
29:58What's off?
29:59I think in my head and push forward what's off.
30:04But you're off.
30:05You're off.
30:06Your words are not good.
30:07That's right.
30:08You're off.
30:10What kind of words are they?
30:11I'm too off.
30:13I'm too off.
30:15I can't think of things simply.
30:18You're off because you're too off.
30:22But I'm not off.
30:25So you're off at the start?
30:27At the start.
30:28In the scene, there's a lot of ad-lib.
30:34When I'm off and Kotaro is there,
30:38it's the same scene.
30:39I have to be really excited.
30:42That's good.
30:43I think it's good to be excited.
30:44But if I do it as it is, it's really interesting.
30:49I can do it as it is, but the way I get excited is
30:52I get excited in the direction I think.
30:54In this scene, I'm going to do this kind of line.
30:58I'm going to do this kind of ad-lib.
31:01When I'm ready, it's really boring.
31:04You've prepared it.
31:06You've prepared it.
31:08You've prepared it.
31:09At the beginning, it's really boring.
31:12You've prepared it.
31:14You've prepared the ad-lib.
31:17You've thought about it.
31:18I've thought about it.
31:20I have something else to say.
31:22I've prepared it.
31:24I said a weird ad-lib.
31:26I said a weird ad-lib.
31:28I said a weird ad-lib.
31:30I can't deal with it at first.
31:31Then I'll go to the next test.
31:33You'll be surprised.
31:34I'll be surprised.
31:35I'm going to the next test.
31:37I'm going to say it again.
31:39I'll be able to go back to the second time.
31:41I'm going to the next test.
31:43I'll do it again.
31:45This is the actual one.
31:47This is the actual one.
31:49I'm going to go to the next test.
31:51I won't say anything.
31:54I won't say anything.
31:57I might get angry.
32:00I'm sorry.
32:01I'm really on Kento's side.
32:03It's usually the other way around, isn't it?
32:05You don't do a test, you don't do a test.
32:07You do it in the middle of the show,
32:09and you're like, well, you know.
32:11Like, shit.
32:12You do a test, you do a test,
32:14and you don't say it in the middle of the show.
32:17I understand why Kei-kun likes that stance.
32:20I like it too.
32:23You do it, you do it, you do it,
32:25and you don't do it in the middle of the show.
32:27That's weird.
32:30That's why you might be drawn to it.
32:32You might be surprised, but you're like,
32:34oh, so this is what it's like.
32:36Of course, there's a bit of a twist to it,
32:38but it's a really nice stance,
32:40so it's cute.
32:41Did you decide to not do it
32:43from the moment you did the test?
32:45Or did you decide to do it
32:47in the middle of the show?
32:49I grew up with this.
32:54I started to see the atmosphere on set.
32:56You start to feel it.
32:58Like, oh, this is different.
33:00I thought, oh, this is different,
33:02so I decided to not do it.
33:04Oh, so in the middle of the show,
33:06you were like, oh, this is different.
33:08I wasn't really drawn to the staff
33:10or the director.
33:12The director was like,
33:14oh, this is so cute.
33:18It's so cute.
33:22The staff aren't the viewers.
33:24When you look at the staff,
33:26you're like, oh, this show isn't good.
33:28Oh, the camera is a little angry.
33:30Oh, the lighting isn't working.
33:32Ready, action!
33:34Let's stop.
33:36It's so cute.
33:38It's amazing.
33:40But there's one thing I want to say.
33:42It's related to Kei-kun.
33:44Kei-kun is the only one
33:46who can accept all the mistakes.
33:48Kei-kun is the only one who can do it.
33:50Ah.
33:52It's a lot of trouble.
33:54He trusts everyone.
33:56I don't do any other ad-libs.
33:58I don't do any other ad-libs.
34:00I don't do anything that's not written.
34:02I don't do anything that's not written.
34:04It's a relationship.
34:06There are things you don't know
34:08unless you try.
34:10If there's one person
34:12who does this in rehearsal,
34:14it's a great help.
34:16It doesn't go up.
34:18It's up.
34:20I'll take some time,
34:22but can I say it specifically?
34:24I like you.
34:26What's the relationship?
34:28Originally,
34:30we were in a relationship in the previous work.
34:32Then we had a movie and
34:34we were apart for a few years.
34:36This time, we came back from abroad.
34:38It's a reunion.
34:40We start from where we live together.
34:42It's good.
34:44It's been a few years since we reunited.
34:46It's hot.
34:48It's been a few years since we reunited.
34:50It's a scene of reunion.
34:52In the script,
34:54it's like dot dot dot.
34:56We look at each other's faces
34:58and say dot dot dot.
35:00It's a good nuance.
35:02It's a good nuance.
35:04It's a good nuance.
35:06But when we face each other,
35:08But when we face each other,
35:10this app has been broken for a long time.
35:12It's about 15 minutes away from the next station.
35:14It's about 15 minutes away from the next station.
35:16What is this app?
35:18What is this app?
35:20You talking so much!
35:22That will be uploaded to the theatre.
35:24That will be uploaded to the theatre.
35:28A little offensive presentation.
35:30A little offensive presentation.
35:32But the director
35:34and camera man
35:36had memorable scenes
35:38had memorable scenes
35:40According to our message,
35:42The direction changed.
35:44What kind of messages you're taking?
35:46What kind of messages you're taking?
35:48What kind of message you're taking?
35:50I'm a very happy person, and I'm also very depressed.
35:55However...
35:57Did you hear that?
35:58I heard it a lot.
36:07I have no idea.
36:16I'm thinking about it.
36:21I heard that you have something you want to ask everyone.
36:25I'm going to meet Nakai-san.
36:28I don't know much about him.
36:31I'm thinking about my work and today.
36:34I'm going to take it home and think about it until the next day.
36:40I thought you might say that.
36:42Kento-kun.
36:44There's a script that says what you want to ask Nakai-san.
36:49It's a questionnaire.
36:51You've been practicing it since the day before yesterday.
36:54How should I ask?
36:59I'm thinking about how to make it easier for Nakai-san to answer.
37:04I think that's a good idea.
37:09I've been thinking about that.
37:11What I want to ask you is...
37:15How do you live positively?
37:17Why are you laughing?
37:19Why did you laugh at the end?
37:21Endure it!
37:23Endure it!
37:25Continue to have a mysterious feeling.
37:27What I really want to ask you is...
37:30Nakai-san is...
37:33I've said this before.
37:37He's been living in this world for decades with a lot of pressure that no one can imagine.
37:45How did you get through those tough times?
37:51It's a vague question.
37:53I think I should have done what I was talking about earlier.
37:59I think the responsibility has already come out.
38:03When I was young, I didn't think that far.
38:05It was too early to be chased by time and people.
38:08Now that I'm in my 30s, I have a family.
38:11I think it's a sign of responsibility to think that way.
38:16What did you say at the end?
38:22What do you usually do at home?
38:26I asked you how you feel at the end.
38:29Why did you suddenly say what you do at home?
38:32No.
38:33Did you forget?
38:35No, I didn't.
38:37You've been through a lot of things.
38:39You've been through a lot of pressure.
38:41I asked you how you feel at the end.
38:43How do you change your mind?
38:47I'm hurt.
38:53I'm happy.
38:56I'm happy.
38:58I'm depressed.
39:02I'm happy when I'm evaluated.
39:05I'm hurt just like everyone else.
39:10I think I'm the only one who's hurt.
39:12I think I'm the only one who's being criticized.
39:16I'm sure everyone in the internet community has been told that.
39:22I've been told that I'm a tough guy.
39:27I don't know where it came from.
39:32As I said earlier, I have the same feelings as everyone else.
39:36But...
39:40I don't think I'll say it.
39:45It's not about someone else.
39:48I'm hurt.
39:50I didn't want anyone to see it.
39:52Maybe that's why I got stronger.
39:54I don't know what kind of treatment I should get.
39:56I don't know if I should wear a bandage.
39:58I don't know if I should blow my nose.
40:00When I say that,
40:02When I ask for advice,
40:05Sometimes I'm denying someone.
40:09To justify myself.
40:12I want to be recognized.
40:14I lie, I humiliate people.
40:16I say bad things about people.
40:18I don't think it's going to solve anything.
40:22Maybe that's what made me stronger.
40:27It's easy to understand if you heal yourself.
40:32Did you hear that?
40:34I heard it a lot.
40:36That's a lie.
40:38I heard it a lot.
40:40In the middle of the conversation,
40:42I saw it.
40:45I'm glad I had the courage to hear it.
40:49I'm glad I was able to hear it.
40:52How about you, Kei?
40:54I'm the opposite.
40:57I'm going to do what I'm supposed to do.
40:59I can't help you anymore.
41:02I think that's a good idea.
41:04Everyone has their own way.
41:06I don't know what I'm supposed to do.
41:11I played with Kei Tanaka.
41:14I'm good at it, but I lost.
41:17The special skill of Tetsuyoshi.
41:19With a calculation problem that can be played with a chip.
41:21The battle between Kei Tanaka and Revenge.
41:23But the unexpected development.
41:36The special skill?
41:38The chip is gone.
41:41There was a chip.
41:43There were four numbers.
41:45It's a simple game of adding, subtracting, dividing, and multiplying.
41:51Is the order okay?
41:53The order doesn't matter.
41:559 ÷ 9 × 1
41:573 × 1 × 2
41:595 × 2 × 10
42:01There are many ways to do it.
42:03I was doing it because I was too free.
42:05When I was on the train.
42:07When you were on the train.
42:09Did Kei Tanaka know that?
42:11When we were on a variety show together.
42:14He wanted to play a game with everyone.
42:16He was really strong.
42:18I solved the last difficult problem.
42:21Is that so?
42:23I was the one who showed off the most.
42:25Kei said, Kei!
42:27And it was over.
42:29I did this.
42:31Makuhari.
42:33Shibumakuhari.
42:35It's a very high score.
42:37Middle school.
42:39Can I try it?
42:41Here's the question.
42:43Here we go.
42:49No.
42:51Wait.
42:53Can you do this?
42:55Raise your hand.
42:57Can you do this?
43:05I don't know.
43:07This is difficult.
43:15I'm thinking.
43:17I'm thinking.
43:19You can do this, right?
43:21That's right.
43:23I didn't know it would take this long.
43:25I'm sorry.
43:29You can do it.
43:31Can I?
43:33640.
43:35640?
43:37640.
43:39640.
43:41You made a new number.
43:4364.
43:45I'm going to hide in my room.
43:47I was the one who showed off the most.
43:49I'm sorry.
43:51I'm sorry.
43:536x6.
43:5536.
43:57I see.
43:59I'm sorry.
44:01I'm sorry.
44:03I'm really sorry.
44:05I'm really sorry.
44:09Next episode.
44:11There are a lot of comedians who can only do manzai.
44:13There are a lot of comedians who can only do manzai.
44:15Kanagawa is in the comedy world.
44:17The secret weapon of the manzai association and Yoshimoto.
44:19The secret weapon of the manzai association and Yoshimoto.
44:21I love both.