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TVTranscript
00:00:00Suitable for people over 12 years of age.
00:00:03The program includes violence scenes, sexual scenes and inappropriate speech.
00:00:30This program contains strong language and may not be suitable for people under 12 years of age.
00:00:56Push.
00:01:00Push.
00:01:04Push!
00:01:06Push!
00:01:09Push!
00:01:12What are you doing here?
00:01:24Come.
00:01:26Eliphi.
00:01:27What are you doing here?
00:01:29I'm cooking.
00:01:31Aren't you wearing a mask?
00:01:33Ok, bye.
00:01:37Papadopoulos!
00:01:44Did you find it?
00:01:45What did you find, you idiot?
00:01:47Call him.
00:01:48Why?
00:01:49Call him to show up at the battalion.
00:01:51With your personal things.
00:01:52Let's eat first.
00:01:53You'll eat where you go.
00:01:56Has the departure arrived?
00:01:58What a mess!
00:02:01What happened to your uniform?
00:02:03They're going to cry.
00:02:09And this?
00:02:10This is to make you angry.
00:02:12Bye, magicians.
00:02:17Hey, Stravanti.
00:02:18You'll get it.
00:02:20You'll be eaten by bears.
00:02:2318 and 1!
00:02:30I'm looking for a mechanic.
00:02:32What do I have to do with a mechanic?
00:02:34Are you asking me?
00:02:35Ask your fortune teller.
00:02:37And where is this unit?
00:02:38In Athens.
00:02:39And they're waiting for you.
00:02:41In Athens?
00:02:42A mechanic in Athens?
00:02:44You're kidding me, Mr. Anthipas.
00:02:46And 10 days in prison from the director.
00:02:49So you won't forget us.
00:02:51Bye, magicians.
00:03:51TO BE CONTINUED...
00:04:09What are these?
00:04:11I have these.
00:04:12Take them from here.
00:04:14Thanks a lot.
00:04:15Take care.
00:04:16How many are left?
00:04:18506 and 1.
00:04:20Have you got anything to eat, you whore?
00:05:20Come on, let's go.
00:05:29Katerina?
00:05:31It's me.
00:05:33Strafilia!
00:05:37No, I have to go to the unit right away.
00:05:40What about the kids?
00:05:45What did I do wrong, my dear?
00:05:48Come on, Katerina.
00:05:52I'll get you out of there again.
00:05:57Okay, bye.
00:06:11Stop it!
00:06:13Leave me alone, man.
00:06:14If I tell you to stop, you have to stop.
00:06:17Alphamitis!
00:06:19A soldier!
00:06:25What do you want?
00:06:27I have a friend here.
00:06:29Welcome.
00:06:31Let me see.
00:06:36Who are you?
00:06:38Papadopoulos Yannis.
00:06:39What's your name?
00:06:41Soldier Papadopoulos Yannis.
00:06:44Why did they bring you here?
00:06:46I don't know.
00:06:48You don't know, do you?
00:06:50Take Karamazov and get out of here.
00:06:52Who's going to do your job?
00:06:54Don't make me do it again.
00:06:56You're waiting for me to make a choice.
00:07:05Goodbye, Karamazov.
00:07:10What kind of unit is this?
00:07:12Don't worry, they'll tell you.
00:07:14Sit down, Karamazov.
00:07:16They call me Karamanos.
00:07:18Thalamofilakas!
00:07:20Newcomer.
00:07:22Bye.
00:07:32What's going on?
00:07:34What time did you get here?
00:07:36I don't know.
00:07:39Yannis!
00:07:41What are you doing here?
00:07:43What am I doing?
00:07:45Look who's here!
00:07:47What's going on?
00:07:49Wake up!
00:07:51What's going on?
00:07:53What's going on?
00:07:55What's going on?
00:08:00What are you doing here?
00:08:02He doesn't know where he is.
00:08:04Do you know where you are?
00:08:06What do you want me to know?
00:08:07Are you a filmmaker?
00:08:09What are you doing here?
00:08:11Plouhias!
00:08:17Who are you?
00:08:19I'm a soldier of Papadopoulos Ioannis.
00:08:22Are you a filmmaker?
00:08:24Yes, sir.
00:08:26Yes, sir.
00:08:28Come out to the station.
00:08:30Yes, sir.
00:08:33Karamanos!
00:08:35Yes, sir.
00:08:37Where are you going, Mr. Plouhias?
00:08:39To the kitchen.
00:08:41Yes, Mr. Plouhias.
00:08:43Newcomer.
00:08:45Enjoy your meal.
00:08:49Come on, you little mountain goat.
00:08:52Where are you going?
00:08:55Come on, sir.
00:08:57I'll make some jam for the others.
00:09:07Are you hungry?
00:09:09A little.
00:09:11Tsiganaki?
00:09:13Do you smoke?
00:09:18We smoke the same brand.
00:09:21That's for later, with the coffee.
00:09:24Potitsa?
00:09:32Merci.
00:09:34Paloulos!
00:09:35Hurry to the office.
00:09:39We'll be fine, won't we?
00:09:52I take the honor to inform you.
00:09:54Thirty-five present.
00:09:56Five justified.
00:09:58To the report, three.
00:10:00Before the report.
00:10:02Honor!
00:10:03Honor!
00:10:09Sergeant Karamanos Michael,
00:10:12I take the honor to inform you
00:10:15that I'm here because...
00:10:17Why did you disturb me, sir?
00:10:20Good.
00:10:25Sergeant Papadopoulos Ioannis,
00:10:28I take the honor to inform you
00:10:30that we demand 48 hours of leave for family reasons.
00:10:33You haven't come yet and you want leave, Papadopoulos?
00:10:36I haven't seen my wife for three months, sir.
00:10:38You're in a hurry to get married, Papadopoulos.
00:10:44Sergeant Balourdos Paragiotis,
00:10:46driver of the 727 S.O.
00:10:48I take the honor to inform you, sir,
00:10:51that we demand five days of agricultural leave.
00:10:53Since when did you become a farmer, Balourdos?
00:10:55My father has a pet, sir.
00:10:57I can see that.
00:10:59Attention!
00:11:01Why do you want leave?
00:11:03To give birth to our children, sir.
00:11:06Has he paid the last penalty?
00:11:08No, sir.
00:11:10Two days in prison for his appearance
00:11:12and ten days in custody for his behavior.
00:11:14Yes, sir.
00:11:18Attention!
00:11:22We're going to the prison.
00:11:24Why?
00:11:26We're going to vote.
00:11:28What's going to happen to the coffee?
00:11:30It's coming, it's coming.
00:11:33Let me have a sip.
00:11:38You're all unfair.
00:11:40Go and clean up now.
00:11:42Didn't I tell you to count us all?
00:11:44What's going on here?
00:11:46Who is he?
00:11:48Papadopoulos, I told you.
00:11:50Are you Papadopoulos?
00:11:52I've heard that name somewhere.
00:11:55Don't listen to them.
00:11:56Are you Papadopoulos?
00:11:58Give me a hand, kid.
00:12:00Get out of here!
00:12:02Get out of here!
00:12:04Three days in prison for your appearance.
00:12:10Who are you?
00:12:12Soldier of Papadopoulos Ioannis,
00:12:14of the infantry battalion 820 SO.
00:12:16Where did you come from?
00:12:18From Filiatra, sir.
00:12:20You have the Constable Papadopoulos.
00:12:22Nothing, sir.
00:12:24Good.
00:12:26It's service time.
00:12:28Get out of here!
00:12:30Get out of here!
00:12:32What's he doing here?
00:12:34Various things.
00:12:36Singers, music, critics.
00:12:38And what does he do here?
00:12:40It's what they call a charity program.
00:12:43Voila!
00:12:48Good morning.
00:12:50Good morning.
00:12:57Good morning.
00:13:07Soldier of Papadopoulos Ioannis,
00:13:09I have your file here.
00:13:15Diploma with three.
00:13:17Five days in prison.
00:13:19Forty-two states.
00:13:21Good.
00:13:23And your political priorities,
00:13:25unfortunately,
00:13:27are very dubious.
00:13:30I made a great effort
00:13:32to bring you to Athens.
00:13:34But if you create
00:13:36the slightest problem,
00:13:38I will send you back
00:13:40from where you came from.
00:13:42Do we agree, Papadopoulos?
00:13:44Yes, sir.
00:13:46And stop repeating my rank.
00:13:48Yes, sir.
00:13:49Yes, sir.
00:13:51Come here for a minute.
00:13:55I heard you're a good cameraman.
00:13:58That's what they say.
00:14:00You do a good job.
00:14:02I want you to do the same here.
00:14:04You will film
00:14:06various military activities
00:14:08and psychological programs
00:14:10for the experimental TV station
00:14:12we have created.
00:14:14At your command.
00:14:16Take Papadopoulos
00:14:17to the service.
00:14:28Guns!
00:14:30Personal cleaning, sir.
00:14:32It's service time.
00:14:34Three days in prison.
00:14:36Who's in the dark?
00:14:38Triantafyllakis.
00:14:40He's dead.
00:14:42Five days in prison.
00:14:44Both of you.
00:14:49The service provides
00:14:51the most modern
00:14:53experimental machines
00:14:55of the latest type.
00:14:57Everything
00:14:59of American construction
00:15:01and origin.
00:15:06The presence
00:15:08of the International Mobile Force
00:15:09in this area
00:15:11shows the solidarity
00:15:13of NATO countries
00:15:15as well as the readiness
00:15:17and ability
00:15:19of the Allied Forces
00:15:21to face any threat
00:15:23directed at the Allies
00:15:25such as...
00:15:27Where you said
00:15:29any threat
00:15:31you will put
00:15:33a communist threat
00:15:35domestic or foreign.
00:15:37I see.
00:15:40Let's watch it again.
00:15:42The people
00:15:44have expressed their
00:15:46great enthusiasm
00:15:48for the royal visit.
00:15:50With warm expressions
00:15:52on behalf of the throne
00:15:54and the army
00:15:56the people
00:15:58have accepted
00:16:00the royal couple
00:16:02through the cries
00:16:04of the people
00:16:06and the real parade
00:16:08of the people.
00:16:21I have forbidden
00:16:23smoking
00:16:25in places
00:16:27of cinematographic material.
00:16:29But you can do it.
00:16:31Five days in prison.
00:16:33Both of you.
00:16:35But Mr. Damatakis
00:16:37will you prove it now?
00:16:39No, Mr. Damatakis.
00:16:41No, if he eats you.
00:16:43Here.
00:16:45He smokes in front of his greatness.
00:16:47Parias.
00:16:58As you can see
00:17:00our facilities
00:17:02are constantly improving
00:17:04and soon they will be
00:17:05in the hands of the Europeans.
00:17:07What are you building here, my boy?
00:17:09The lighting console, Mr. Commander-in-Chief.
00:17:12Karamanos is losing it
00:17:14as a diplomat
00:17:16of the University of Tashkent, Russia.
00:17:18And he is a brilliant example
00:17:20of a Greek scientist
00:17:22who fled communism
00:17:24to serve his country.
00:17:26What are you saying, Mr. Commander-in-Chief?
00:17:28All the kitchens
00:17:30and the lighthouses
00:17:32provide me with services.
00:17:33I understand
00:17:35that there is no discrimination
00:17:37and if you are a scientist
00:17:39you will clean up the mess.
00:17:41This is the meaning
00:17:43of military intelligence
00:17:45everywhere
00:17:47and to the whole world.
00:17:49Do you feel anything?
00:17:51Nothing at all, my boy.
00:17:55Do you realize
00:17:57that your role is 100% romantic?
00:17:59Yes.
00:18:01Have you never been in love, my boy?
00:18:03What is he asking now?
00:18:06Come on, my boy!
00:18:08But this is not possible.
00:18:10If you have never been in love
00:18:12it is possible...
00:18:14Come on, my boy, don't delay it.
00:18:16Everyone will realize that you are lying.
00:18:19Try to feel something
00:18:21with the touch of my hand
00:18:23to pass through your body.
00:18:25Look, Mr. Kostakis,
00:18:27to learn that they are watching you.
00:18:29No!
00:18:31No!
00:18:33No!
00:18:35What are you doing to her, Karanikos?
00:18:37Technical inspection, Mr. Stachmatarcha.
00:18:39And what is this noise?
00:18:41It is coming from the TV set, Mr. Stachmatarcha.
00:18:43It is a disaster!
00:18:45Wake up!
00:18:47But we don't have another movie for Sunday, Mr. Stachmatarcha.
00:18:49Find it
00:18:51or we will repeat the blood of heroes.
00:18:53No, I don't want to!
00:18:55I have become unclear, Karanikos
00:18:56I have become unclear, Karanikos!
00:19:14Labrou!
00:19:22What are you doing here?
00:19:23Mr. Stachmatarcha,
00:19:25Manlafekas is in charge of the TV models.
00:19:27What are you doing there, my boy?
00:19:29Technical damage, Mr. Stachmatarcha.
00:19:31Don't forget to put the emblem
00:19:33of the armed forces on the letters.
00:19:35Yes, Mr. Stachmatarcha.
00:19:37Savvidis
00:19:39is writing the newspaper
00:19:41and publishing the program.
00:19:43But in England,
00:19:45I forgot all his Greek.
00:19:47I have seen Savvidis...
00:19:49You are exaggerating, Mr. Stachmatarcha.
00:19:51I am not exaggerating.
00:19:53You will never publish
00:19:55the Greek language
00:19:57in the newspaper.
00:19:59And you, the same and worse.
00:20:02What are you translating there?
00:20:04It is a documentary from Australia
00:20:06about the herd of lambs, Mr. Stachmatarcha.
00:20:08Is that how you translate it?
00:20:10The herd of lambs, you say, Greek.
00:20:12Illiterate!
00:20:14I have sheep, Mr. Stachmatarcha.
00:20:16Nonsense!
00:20:18We have undertaken the sacred obligation
00:20:20to the people
00:20:21of Greece
00:20:23to publish the Greek language.
00:20:25Savvidis has become redundant.
00:20:27Yes, Mr. Stachmatarcha.
00:20:29Don't let your father down.
00:20:31You stay here.
00:20:33I will call you again.
00:20:35Yes, Mr. Stachmatarcha.
00:20:43You, son of a bitch,
00:20:45you are a child.
00:20:47You are a child
00:20:49who...
00:20:51What a mess you have made!
00:20:53You are always out with a service.
00:20:55Don't you know your job
00:20:57or have you made a mistake?
00:20:59I am from here, in Finland.
00:21:01In Finland?
00:21:03We were working
00:21:05and we didn't get any leave.
00:21:07You did it wrong.
00:21:09We don't even get 24 hours.
00:21:11What is this?
00:21:13Your wife's choice.
00:21:15I found it.
00:21:17We will make her a gym.
00:21:19You know, to draw like this,
00:21:21I have been doing this for 3 years.
00:21:23And if I don't make Friderika a gym,
00:21:25she will take a picture of herself.
00:21:27Shut up and do your job.
00:21:31Which good boy will go to Afrapedes?
00:21:34I think Papadopoulos
00:21:36has never been to Afrapedes.
00:21:38Shut up, you idiot.
00:21:40The boy hasn't come yet.
00:21:42What? Me again?
00:21:44I am not a coward.
00:21:52Have you seen the English?
00:21:54This is a different job.
00:21:56Don't look at him like that.
00:21:58He is an astute man.
00:22:00Shut up, you idiot.
00:22:02I am from Crete, Papadopoulos.
00:22:04For business reasons, they say.
00:22:08He has increased obligations.
00:22:10What is the English doing?
00:22:12Did he find a job?
00:22:14Shut up, you idiot.
00:22:16What's up, dirty boy?
00:22:18A cigarette?
00:22:19Give him one.
00:22:21I said one.
00:22:23You came for a cigarette?
00:22:25Didn't I tell you that entry is forbidden?
00:22:27I want to see Papadopoulos.
00:22:29Come on, Katsabelas wants you.
00:22:31We are going to Alipsi.
00:22:33The boy from Afrapedes.
00:22:35Where are you going?
00:22:37To Alipsi.
00:22:39And what are you doing in Afrapedes?
00:22:41In the fridge.
00:22:44Who called you?
00:22:46Papadakis has permission.
00:22:47Are you going to need lighting?
00:22:51It depends on what we are going to film.
00:22:53A singer, Emanuela.
00:22:56Then we will need two reflectors.
00:22:58Do you know Blambro?
00:23:00The management of...
00:23:02Reflectors?
00:23:04Of course, Mr. Stamatakis.
00:23:06Then you will pass the bar from the Hilton hotel at 10 o'clock.
00:23:09Are we going to do a playback, Mr. Stamatakis?
00:23:11I don't know what you are going to do.
00:23:12But you will be fired if you do it again like the last time.
00:23:18Her uncle is a military officer.
00:23:21Do you understand?
00:23:23Yes, Mr. Stamatakis.
00:23:33Where are the reflectors?
00:23:35Who told you that we have reflectors?
00:23:37That's what you told Stamatakis.
00:23:39I told you that I know, I didn't say that we have them.
00:23:42Let's go.
00:24:06Why did you put it there, my little birds?
00:24:08I don't know.
00:24:10Let's see your services.
00:24:13What time is your shift?
00:24:15I sold it.
00:24:17Will you go to Hilton in an hour?
00:24:19Look, we were going to pass by Vloka to buy you a Pinemiki, but...
00:24:22You know, there is a big chocolate shop on the right.
00:24:25And they should wrap it well.
00:24:27Don't let them smell it.
00:24:34Come on, hurry up!
00:24:42Ladies and gentlemen!
00:24:44Ladies and gentlemen!
00:24:51Where are you going?
00:24:53Home.
00:24:55What are we going to cook tonight?
00:24:57Fries.
00:24:59Where are you going?
00:25:01We are going to shoot a movie.
00:25:03Really, Panagiotis?
00:25:05Yes, sweetie.
00:25:07When are you going to take me to the cinema?
00:25:09We will take you.
00:25:10We will be late.
00:25:12Bye.
00:25:14Bye, sweetie.
00:25:25Where did you find this rock, Murko?
00:25:27It works opposite the apartment building.
00:25:29I can't find it.
00:25:31You can't do it like this.
00:25:40Two bucks, right?
00:25:42Achillea, bring your friends too.
00:25:44No, I'm going to buy something.
00:25:46You won't eat anything, my child.
00:25:48Not now, I'm going to catch you.
00:25:50Where did you put the money I brought the day before yesterday?
00:25:53In the pot.
00:25:55It was in the commercial book.
00:25:59What a mess.
00:26:02What are these?
00:26:04Some cookies.
00:26:06You can eat them on the street.
00:26:08Leave us alone with your cookies.
00:26:10What do you want to eat today?
00:26:12Whatever you want, mom.
00:26:19It's not for you, it's for the kids.
00:26:21Thank you very much, Mrs. Lambros.
00:26:23Go to hell.
00:26:25Leave me alone.
00:26:29And don't forget to bring me the tupperware.
00:26:34Here, here.
00:26:36Stop.
00:26:38Stop.
00:26:40What are you doing?
00:26:50What are you doing there?
00:27:05You're a fool.
00:27:11Let's go.
00:27:15What did you sell him, Lambros?
00:27:17Bikinis. I saved 3,000.
00:27:19And where did you find them?
00:27:21I import them from Taiwan.
00:27:23I buy them by the kilo.
00:27:25Most of them don't have a price tag.
00:27:33Where are you going?
00:27:35We're going to get a client.
00:27:37A client? What client?
00:27:38I'm going to give you an invoice.
00:27:40You can't come in here in this outfit.
00:27:43Do you know who I am?
00:27:46No.
00:27:48That's why I'm telling you.
00:27:50Go to hell if you don't find a client.
00:28:01Here you go, sir.
00:28:09Miss Emanuela?
00:28:12Guys, I don't have an autograph with me.
00:28:15We're not here for an autograph.
00:28:17We're here to pick you up.
00:28:19I don't understand.
00:28:21We're here...
00:28:23Stop it, Karagiozis.
00:28:25We're here to pick you up for a movie.
00:28:27How do you say it?
00:28:29For television.
00:28:31What am I saying?
00:28:33Can we help you?
00:28:35Please.
00:28:36Thank you.
00:28:47Are we going to the studio?
00:28:49No, we're going to Filopapa.
00:28:51Will there be a co-worker there?
00:28:53We're the co-workers, miss.
00:28:55The operator, the sound engineer, our driver, and my boss.
00:29:01Achilleas Lambo.
00:29:04Isn't there a director?
00:29:06He can do whatever he wants.
00:29:11Hilton is nice, isn't it?
00:29:13A lot of service, right?
00:29:15Yes.
00:29:17Very convenient.
00:29:20Are you going to stay in Athens for a while?
00:29:22We're staying here.
00:29:24In Pankrati.
00:29:27I've only been to Hilton for the movie.
00:29:29What's going on?
00:29:35A first and a second.
00:29:37Get out of here, you idiot!
00:30:00Two terrified doves
00:30:07And in my hands, your hands
00:30:13Two terrified doves
00:30:20I love you, I love you, I love you
00:30:25This love is killing me
00:30:32This love is suffocating me
00:30:38I love you, I love you, I love you
00:30:45This love is killing me
00:30:48I love you, I love you, I love you.
00:30:51This love is killing me.
00:30:57What did you cook for your boyfriend today?
00:31:00Just a little pilaf with meat.
00:31:02He has been caught again by that whore.
00:31:04With so many responsibilities.
00:31:06The boy is very tired.
00:31:12But it was not necessary.
00:31:15Pilaf again, mom?
00:31:17For your stomach, my child.
00:31:19Start a little.
00:31:20Will you bring me the tapas?
00:31:21Not today.
00:31:25What is this?
00:31:27Toulouba.
00:31:32Come on, Karamazov, give me the last one.
00:31:34What is there to serve?
00:31:36Because it is the only food that is eaten.
00:31:38Karamazov, the boss, the bucket to Moskowitz.
00:31:40Moskowitz.
00:31:43We boys will say it again, okay?
00:31:48Let's leave before he starts crying.
00:31:50Where are we going?
00:31:51Let's go to the bakery to have a beer.
00:31:53I don't feel like it.
00:31:54Come on, I'm in the mood.
00:32:02How did it go, my child, Papadopoulos?
00:32:04I learned that you tore your grandfather's kiss.
00:32:06Are we going to Bugada again?
00:32:08Put it on a plate to eat like a man.
00:32:11You, the fourth match.
00:32:13Come on, you saved it again.
00:32:16Come on, we'll tear it.
00:32:23What happened?
00:32:25Come on, sit down.
00:32:33What is this?
00:32:35Your secretary.
00:32:36He fixes the machines.
00:32:39Is he always like this?
00:32:42You've seen him.
00:32:43Before they brought him here, they had him in a battalion.
00:32:46Very tough, huh?
00:32:51I got rid of him and now he's a regimental commander.
00:32:53What are you saying?
00:32:57Are there a lot of us here?
00:32:59You're a magician.
00:33:00Because of your specialty, you see.
00:33:06Papadopoulos, to the gate.
00:33:08Me?
00:33:09Papadopoulos, isn't that you?
00:33:13Girls, huh?
00:33:14What girls?
00:33:15With two babies.
00:33:18They're sweet.
00:33:19Long live.
00:33:22Why didn't you take me? I was worried.
00:33:24Now I would have taken you, but you immediately stopped me at the service.
00:33:26Look at the babies.
00:33:27My mother, what are they doing?
00:33:29Your bitches grew up in two months.
00:33:32What is this? Is this Maria?
00:33:35They're little girls.
00:33:37Fortunately, they took their mother.
00:33:42Let's not go too far.
00:33:44He told me you were doing the military television program.
00:33:47Were you working?
00:33:48No, that's why they brought me here.
00:33:49To shoot.
00:33:50So you're going to sleep at home?
00:33:51Not these days, because we're in prison.
00:33:53But after the elections, I'll be out day after day.
00:33:55Go ahead and do some work, because they don't give me any more work at home.
00:33:58Why?
00:33:59What do you mean, why?
00:34:00Because I can't afford it.
00:34:01I'm going to be homeless and I'm going to be stuck in the nuthouse.
00:34:03One day, a producer came to pay me and I was scared.
00:34:07Didn't your mother say anything?
00:34:09Nothing.
00:34:10Only a call once.
00:34:12She said we should give birth to the babies in May.
00:34:13Your father will be happy.
00:34:15We did, Panagiotis.
00:34:17A Christian should have died.
00:34:19They should have taken you out of the family.
00:34:20Don't say such things, Katerina.
00:34:22Papadopoulos, come on.
00:34:24The Fonganari is calling you.
00:34:25Come on, hurry up to A2.
00:34:27What is A2?
00:34:28The second office.
00:34:30That's where I make my living.
00:34:32Do you have any change? I'm out of cigarettes.
00:34:34I have 200 drachmas.
00:34:36Give me 100 drachmas and I'll find Kostas to borrow.
00:34:38Kostas hasn't paid for the work I did for him.
00:34:40The movie was a flop.
00:34:41Because of the elections.
00:34:42Stop it, Papadopoulos.
00:34:44Give me something, Katerina, and I'll find someone to borrow.
00:34:48Come on, bye.
00:34:49I'll see you at home after the movie, OK?
00:34:52Bye, Panagiotis.
00:35:00I'm the only woman at the institute.
00:35:04But I have a lot of work.
00:35:06I don't have time to think about other things.
00:35:10But when I think...
00:35:14I only think of you, my love.
00:35:19So that's how it is.
00:35:20Go on.
00:35:21I'm the only woman at the institute.
00:35:24But I have a lot of work.
00:35:26I don't have time to think about other things.
00:35:29Go on.
00:35:32Last night...
00:35:34I went for a walk on the eve of the festival...
00:35:37and I was thinking of Raskolnikov...
00:35:40who was here on leave.
00:35:43Who was this Raskolnikov?
00:35:45The hero of Dostoevsky.
00:35:48He was sentenced to death, sir.
00:35:52Come in!
00:35:55The army of Papadopoulos Ioannis...
00:35:58Wait.
00:36:02Go on.
00:36:06This was the prison where he was locked up.
00:36:10Why was he locked up?
00:36:12He killed his wife and sister with a knife.
00:36:15So you did the same thing.
00:36:17I was three years old, sir.
00:36:19They should have sent you to Siberia...
00:36:21to accompany Raskolnikov.
00:36:24Get out!
00:36:25I want to take the letter, sir.
00:36:27Take it.
00:36:29Get out!
00:36:36My son collects letters.
00:36:40What do you do, Papadopoulos?
00:36:42I mean, in your free time.
00:36:44Nothing, sir.
00:36:46Any organization, youth, association?
00:36:50No, sir.
00:36:51What's the matter?
00:36:54What's your relationship with your grandfather?
00:36:57He's dead.
00:36:58Where?
00:36:59In Makronissos.
00:37:01I didn't catch him at all.
00:37:03Good.
00:37:06What does your wife do?
00:37:09She has two kids, five months old.
00:37:11God bless you.
00:37:13Thank you, sir.
00:37:14Well, Papadopoulos, if you have no further questions...
00:37:18I'll give you a copy of a book.
00:37:21You'll write it in blue and white.
00:37:24Until the 30th of the month.
00:37:26And don't lose it. It's expired.
00:37:28Did we agree, Papadopoulos?
00:37:30Yes, sir.
00:37:31Dismissed.
00:37:34Get out!
00:37:37Papadopoulos, Neto is out.
00:37:44Good evening, sir.
00:37:46Good evening.
00:37:47I'm here to inform you about our program.
00:37:52Today's program includes...
00:37:55The chronicle of the day.
00:37:57A documentary about the Australian animals.
00:38:01The kangaroos again.
00:38:03The Australian embassy will kick their asses.
00:38:06Don't believe him.
00:38:11Stop it.
00:38:12You'll watch...
00:38:13Manuela's models.
00:38:15Her name is Asteria Tintagradou.
00:38:17She's the popular singer-songwriter Manuela.
00:38:20Who is she?
00:38:21I don't know her.
00:38:22We invited our special guest, Mr. Karlandi...
00:38:25to the show, for you, gentlemen.
00:38:27It's about what to wear in the summer.
00:38:33Have fun.
00:38:35One shot.
00:38:38Go.
00:38:40Go, asshole. What are you waiting for?
00:38:43What are you shouting for?
00:38:45I can hear you in the studio.
00:38:47I hope you don't blow up.
00:38:51Papadopoulos, find Giorgos to see what's going on with Manuela.
00:38:54They must be ready in an hour.
00:38:56Savvidis, this is the Rolling Stones' concert.
00:38:59We don't use any Greek words.
00:39:01Even Katsabela will like it.
00:39:03A concert, a musical show.
00:39:05Katsabela?
00:39:06Then put up an agreement for a band of cast iron.
00:39:12What?
00:39:17What's going on with Manuela?
00:39:19It's her last gig.
00:39:21What are you going to do?
00:39:23Come on, Politellis. She's fine.
00:39:26A little over-the-top.
00:39:28And she's a very good actress.
00:39:31One more take.
00:39:32One more take.
00:39:37Stop.
00:39:40Cut.
00:39:42What do you want?
00:39:44I want to see a playboy.
00:39:46What's your problem?
00:39:48Wait.
00:39:57What are you doing here?
00:39:59Bulkumedes.
00:40:00Welcome to...
00:40:02It belongs to the generation of warriors who shed their blood
00:40:05on the snow-covered peaks of Spindos
00:40:07and the bloody mountain slopes of the village of Voutitsi.
00:40:10Their voices blow the wind of freedom
00:40:13and weave the fabric of the heroes
00:40:15who sacrificed themselves for their homeland.
00:40:17A lot of blood, kid.
00:40:18Ricola, you too.
00:40:20New pages, glory and honor.
00:40:25Following our show, dear viewers,
00:40:28we will present you with some new plays.
00:40:31Well done, my boy.
00:40:33What happened, Papadopoulos?
00:40:35What's going on with Manuela?
00:40:37Is it enough?
00:40:38Enough.
00:40:39I don't want to cause any technical damage.
00:40:41These interesting facts and many more, dear viewers,
00:40:45are presented to the reader in the book...
00:40:48Can you come closer to the book?
00:40:50Come here.
00:40:53At this point, our show has come to an end.
00:40:56Dear viewers...
00:41:01Turn up the volume, please.
00:41:09The sun rises...
00:41:12Who's that?
00:41:13Manuela.
00:41:15She's got a beard.
00:41:16She's got a monophonic voice.
00:41:18Let her do it.
00:41:20Look at her.
00:41:27Good evening.
00:41:29Good evening, Panagiotis.
00:41:31My boy, a sweet soup for me in the studio
00:41:34and two oranges for the girls.
00:41:36Thank you.
00:41:39Ciao.
00:41:45Panagiotis, it's time to go.
00:41:48Cigarette?
00:41:52Why didn't you put the short one?
00:41:54Because they didn't give it to me.
00:41:55Why didn't you put a long one?
00:41:56How many long ones should I put?
00:41:58You turned the whole thing around.
00:41:59This Papadopoulos is a long one.
00:42:01Whatever.
00:42:02Give me two minutes.
00:42:04But we like the lady.
00:42:10Look, Narikos, it's yours.
00:42:12At least bring me one more, Prokopis.
00:42:14Good evening, Mr. Karlate.
00:42:16Another pack of cigarettes.
00:42:23What are you doing?
00:42:25I have a friend who used to work at London Photomodelo
00:42:28and now she's in Athens.
00:42:30I thought you might need her sometime.
00:42:32Yes, but tell her we don't give much money.
00:42:34It doesn't matter.
00:42:37It's not about money. It's about idealism.
00:42:40Your ass is giving me a headache.
00:42:47What are you doing here?
00:42:49We came to learn how to do the job.
00:42:51What job?
00:42:54Girls, get juicy.
00:42:57Mr. Duncan, are you okay?
00:43:03Let's get ready.
00:43:06Let's go.
00:43:18Hey, man.
00:43:19Are you ready?
00:43:25Let's go, man.
00:43:30My dear friends.
00:43:32Hello.
00:43:35Last week, I introduced you to the models
00:43:38that will be wearing a lot this summer.
00:43:41Oh, my God.
00:43:43I knew it.
00:43:45That's why the Metre Temps Pret-a-porter
00:43:48designed a fashion that transforms the woman
00:43:51into a creature like the one we all dream of.
00:43:57Julie is presenting a pink dress
00:43:59that combines a lot of flesh
00:44:01with white lace.
00:44:03This year, the long dress will go over the knee
00:44:07and the accessories will play a decisive role
00:44:10in the fashion battle.
00:44:12You're great, sir.
00:44:14I'll see you at the talent show.
00:44:22What's going on in here?
00:44:24What are you doing here?
00:44:26We're interested in fashion, Mr. Stamatardi.
00:44:29Get out of here.
00:44:31I don't want to get you in trouble with my father.
00:44:42And now, a turquoise dress
00:44:45with pearls that will be worn at night
00:44:48and in the afternoon.
00:44:50Your daughter, Mr. Stamatardi?
00:44:53Yes, my daughter.
00:44:55Long live.
00:44:56Thank you.
00:44:58How old is my daughter?
00:45:00Katsamella Fotini.
00:45:02Minaki Sofie.
00:45:04Get in.
00:45:05You're drunk. You'll fall.
00:45:07Do you have a cigarette?
00:45:11Your fingers.
00:45:13What's the matter with you, Lambros?
00:45:15It's you. I can see the smoke.
00:45:28I'm going to see how the girls are doing.
00:45:31I'll be right back.
00:45:58Zula!
00:46:00Zula!
00:46:29Minaki!
00:46:32Do you have a cigarette?
00:46:39Where?
00:46:40At the hotel.
00:46:43Let's go!
00:46:56Get the electronics.
00:46:58He's going to win.
00:47:09He's the only goalkeeper.
00:47:12It's over in two minutes.
00:47:14I'll go and clean up.
00:47:15Everybody, a round of applause.
00:47:17Go, go, go, go!
00:47:26What a great game!
00:47:33I've cleared all the players. Once the crowd leaves, we'll get the goal.
00:47:36How?
00:47:47Well done, my child Papadopoulos. Your report is very lively.
00:48:01It's also my montage.
00:48:03I can't judge that with your certainty.
00:48:10Come on, throw them.
00:48:13You, only three. Did they give it to you?
00:48:15They'll give me the rest later.
00:48:17How many did the fat guy give you?
00:48:19What are you talking about? Who cleared for the goal?
00:48:30What are you doing there?
00:48:32Haven't you seen him play?
00:48:42What's going on?
00:48:44Look, he's got a sledgehammer and he's hitting.
00:48:47Don't you remember me?
00:48:49Were you in the tripod?
00:48:51Not from the army, from the marches.
00:48:54What marches?
00:48:55Do you remember the protest where they kicked you and broke your bike?
00:48:59Were you there?
00:49:01That day I ate the wood of my life.
00:49:08Papadopoulos!
00:49:13What's going on, Papadopoulos? We've lost you.
00:49:15This kid is going around a lot.
00:49:17Where's Lambros?
00:49:18Aren't we doing it to you?
00:49:20I want him for a job, my mother.
00:49:22But we got bored. Have we started working with Lambros now?
00:49:25Talk to me now, asshole!
00:49:29What's up?
00:49:30What do you want, Papadopoulos?
00:49:32I have to go out today, no matter what.
00:49:34And what do I want?
00:49:36Kostas told me you'll go to the rehearsal with him.
00:49:38Let me go, it's necessary.
00:49:40I can't, I'm dating a woman.
00:49:42A woman again, Lambros? What's going to happen to this kid?
00:49:45My boy!
00:49:46Who is she? Do I know her?
00:49:48Only Papadopoulos knows her.
00:49:50Who is she?
00:49:51Emanuela.
00:49:53When did you get the chance to meet her?
00:49:55I'll tell you later.
00:50:03Here are the gentlemen I was talking about.
00:50:06Mr. Savvidis, Mr. Lambros, Mr. Papadopoulos and Mr. Varlafekas.
00:50:13Ms. Dimaki is now a voice actor.
00:50:18What's up, Lambros? Don't you like the idea?
00:50:21Of course, Mr. Amatarkas.
00:50:24A lot.
00:50:25Savvidis is writing the scripts for the voice actors.
00:50:27Is Savvidis ready?
00:50:28That's what I wrote, Mr. Amatarkas.
00:50:30Tell Ms. Dimaki she's ready to watch it.
00:50:33Of course.
00:50:34I'll be in my office if you need anything.
00:50:37Give Ms. Dimaki a seat.
00:50:48Mr. Amatarkas.
00:50:50It's mine.
00:50:51How did you decide so suddenly, Ms. Dimaki?
00:50:54I heard that the station was looking for a voice actor and I came.
00:50:57And the song?
00:50:59The song?
00:51:00Since you saw that I'm not a great singer...
00:51:03What are you talking about?
00:51:05Maybe it's the composer's fault.
00:51:07What do you know about composers?
00:51:09I have a friend who has a record company.
00:51:11It's a big company.
00:51:13Pan is for public relations and broadcasting.
00:51:15If you don't have a good manager, you're lost.
00:51:17I'm the good one.
00:51:19But my problem is the voice.
00:51:21The voice doesn't matter.
00:51:23I have a friend who doesn't have a voice at all.
00:51:25He's the friend who works at the other friend's company.
00:51:28Leave Savvidis alone with your spirit.
00:51:31Someone has to go with Kostas.
00:51:33Since you have work, I'll have to go.
00:51:38It's nice to have good friends in the army.
00:51:49Armanos.
00:51:50Come here.
00:51:55Karamasou.
00:51:57It's not good to rub the Russians too much.
00:51:59He'll get rid of them before he pays the taxes.
00:52:09Hello, young man. We have two kids.
00:52:12Hello.
00:52:29Hello, Panagiotis.
00:52:32What movie are you going to watch today?
00:52:34We're not going to watch a movie today.
00:52:36We're going to play.
00:52:37Didn't you say you weren't going to watch a movie?
00:52:39I said I was going to take you to the cinema.
00:52:41Where are we going?
00:52:42The kids are going to play in the cinema.
00:52:44I'm going down a bit.
00:52:45No, you're going to help me set up first.
00:52:47Should I go far?
00:52:49To the devil's mother, it's military time.
00:52:51Don't fall!
00:52:52Get down, get down, get down.
00:53:03What was that?
00:53:12From the 31st of August to the 12th of September 1966...
00:53:16...a large-scale exercise was held in Northern Greece...
00:53:20...with the military of the Multinational Army...
00:53:23...and the Allied Army of Munich...
00:53:25...with the participation of the Greek forces and the 3rd Army.
00:53:33Departure was scheduled for the 8th of the morning...
00:53:36...with full air cover.
00:53:42The exercise was followed by the King...
00:53:46...who flew from the helicopter to the base.
00:53:54King Konstantinos with the Allies.
00:53:57I fought with them in Saranaporo...
00:53:59...and I see that he is still holding on very well.
00:54:02Did you fight with his grandfather?
00:54:04Ah, yes.
00:54:07I'm going.
00:54:09Don't forget me.
00:54:29Good evening.
00:54:31Good evening.
00:54:35Are you starting a business?
00:54:37Run, grandpa, run, you won't make it in time.
00:54:40They're coming! They're coming, brothers and sisters!
00:54:47Are you feeling anything?
00:54:49I feel sick.
00:54:50Have you ever been in love?
00:54:52No.
00:54:53No?
00:54:55Then it's not possible.
00:54:57If you haven't been in love...
00:54:59...and you see a love scene in 2,000 people...
00:55:02...they will understand that you're a liar.
00:55:05Try now, with the touch of my hand...
00:55:08...to feel that something is passing through your body...
00:55:11...like a love tremor.
00:55:13I'm afraid.
00:55:15What are you afraid of, my dear?
00:55:17I'm afraid I'll get sick.
00:55:19You won't get sick, my dear.
00:55:21The presence of the multinational military forces...
00:55:24...in this area...
00:55:27...and the readiness and ability of the important forces...
00:55:30...to deal with any communist threat...
00:55:33Who are the communists?
00:55:35They don't take part in the gymnasiums.
00:55:56What time did you say the kids were coming to pick you up?
00:55:59At one o'clock.
00:56:01It was five o'clock.
00:56:03Five o'clock.
00:56:10It's half past midnight.
00:56:12Papadopoulos, you did it.
00:56:16What now?
00:56:18I don't know.
00:56:20I don't know.
00:56:22I don't know.
00:56:25What now?
00:56:28It stopped.
00:56:33It sounded like a tank.
00:56:40What about the gymnasium?
00:56:44I don't know.
00:56:46I don't know.
00:56:54I don't know.
00:57:00The money.
00:57:04Don't forget the envelope.
00:57:06I have to give it to you in ten days.
00:57:09I'm leaving, Lani.
00:57:25Royal Decree.
00:57:28In accordance with Article 91 of the Constitution...
00:57:31...and in accordance with the instructions of the government...
00:57:34...we hereby issue the following orders to Articles 5...
00:57:37...6, 8, 10, 11, 12...
00:57:41...14, 18, 20, 95 and 97...
00:57:46...of the Constitution...
00:57:48...in accordance with the state's duty...
00:57:51...to protect the interests of the people...
00:57:54...and the security of the country.
00:57:57In Athens on the 21st of April, 1965...
00:58:01...Constantinos Vassilev of Edina.
00:58:04The Minister of Health, the President...
00:58:07...Kamelis.
00:58:48The Minister of Health, the President...
00:58:51...Kamelis.
00:59:13Where are you coming from?
00:59:15What time is it?
00:59:18There are a lot of blocks.
00:59:23It looks like there was a revolution.
00:59:26There was no revolution, Karanikos.
00:59:28We did a revolution.
00:59:30Go and get your weapons.
00:59:32Why did you sell me?
00:59:34You opened the envelope.
00:59:36You took mine.
00:59:38We don't have any weapons. What happened?
00:59:40We did a revolution.
00:59:42And you say nothing to us?
00:59:44Do you realize that the people are doing the revolution?
00:59:47Stop!
00:59:49This morning, armed forces...
00:59:52...led by a group of enlightened officials...
00:59:56...put an end to the country's march...
00:59:59...towards the communist prison...
01:00:02...because that's where it leads...
01:00:04...because of the fanaticism, the anarchy...
01:00:07...and the political repression.
01:00:10Armed forces have been put in prison...
01:00:13...in order to repel the danger...
01:00:16...that the people are facing.
01:00:19Long live the people!
01:00:21Long live!
01:00:23I can't hear anything.
01:00:25Chief, didn't you give them an early warning?
01:00:30I can't hear you!
01:00:32Long live the people!
01:00:34Long live!
01:00:38Karapanos, Lekas, Balurdos and Papadopoulos...
01:00:41...come out!
01:00:45Long live the people!
01:00:47Long live!
01:00:49Better.
01:00:51Long live the army!
01:00:53Long live!
01:00:56All together now!
01:00:58Long live the king!
01:01:00Long live!
01:01:02Enough!
01:01:05Get to work!
01:01:08...during the interview...
01:01:10...to representatives of the Greek and foreign press...
01:01:13...the Prime Minister of Greece...
01:01:16...Mr. George Papadopoulos...
01:01:18...referred to the causes of the revolution...
01:01:21...on the 21st of April...
01:01:23...and its goals.
01:01:25The weakness of the consensus...
01:01:28...between the political leaders...
01:01:31...of the country...
01:01:34...and the former Czechoslovakia...
01:01:37...and the Greek government...
01:01:40...had led the country...
01:01:43...to a dead end.
01:01:45You see, from the political leaders...
01:01:48...after they declared the first revolution...
01:01:51...they said that the path to communism...
01:01:54...for our country...
01:01:56...was not the first generation...
01:01:59...but the second generation.
01:02:02But, gentlemen...
01:02:04...we are in front of a patient...
01:02:07...whom we have under surgical closure...
01:02:11...for whom, if the surgeon...
01:02:14...to Hellenic Christianity...
01:02:17...which is the basis of the education of the Greeks...
01:02:20...during the course of its history.
01:02:22The Prime Minister said the following...
01:02:25...he spoke about operations...
01:02:27...the time of the patients...
01:02:29...and the duration of the operations...
01:02:31...is something that depends...
01:02:33...on the severity of the disease.
01:02:35Hello, Papadopoulos.
01:02:37What did you understand, you idiot?
01:02:39He's going to operate, you idiot.
01:02:41The morning we were going to the GES...
01:02:43...they said they were going to give us...
01:02:45...American uniforms and scarves...
01:02:47...and they're going to tell us all the jokes.
01:02:49Who are they talking about?
01:02:51The locusts at the GES.
01:02:53They don't know.
01:02:55Did anyone see Lambros?
01:02:59Where did he go?
01:03:01Lambros?
01:03:03Did you find him?
01:03:04Nothing.
01:03:05Now he found a Christian to jump.
01:03:07Did you kick him?
01:03:08No, my child. He's kicking her around here.
01:03:10Come on, honey. The show's about to start.
01:03:13Don't ruin the show for me.
01:03:16Lambros?
01:03:18What do you want, Papara?
01:03:20We want Manuela, Kopane.
01:03:21Shut the door, you idiot.
01:03:24Some people have to jump...
01:03:27Why?
01:03:29You're going to jail.
01:03:33Come on!
01:03:36What about you, Papadopoulos?
01:03:39I have to see my wife for more than a week.
01:03:41What about me?
01:03:43Your English is very good.
01:03:45It's good, but she wants to get married.
01:03:49Come on, guys.
01:03:51I wasn't expecting you for at least ten minutes.
01:03:54Why don't you read the program?
01:03:56I'm writing it for myself.
01:03:57Leave me alone with your humor.
01:03:59Come on, we're in a musical break.
01:04:04Why this delay, Mr. Dimaki?
01:04:08We changed her make-up, sir.
01:04:11She looks very dark.
01:04:13Good.
01:04:14Come on, hurry up.
01:04:18Dear viewers, now you're going to watch our show,
01:04:22which is presented by our co-host, Mr. John Papaloukas.
01:04:27Come on!
01:04:32Here we are again.
01:04:36This is the title of our show, which you will watch three times a week.
01:04:41My name is John.
01:04:46What is your name?
01:04:51What is your name?
01:04:55Very good.
01:04:57My name is John.
01:04:59How do you do?
01:05:01Very good.
01:05:03Thank you.
01:05:05Thank you.
01:05:07Thank you.
01:05:09Thank you.
01:05:11Thank you.
01:05:13Thank you.
01:05:15Thank you.
01:05:17Thank you.
01:05:19What is this?
01:05:21What is this?
01:05:23This is a pipe.
01:05:25This is a pipe.
01:05:27And what are you going to do in the show?
01:05:29I'm going to make her a mask with a finely chopped cucumber,
01:05:31and if I have time, I'm going to put a little egg on it.
01:05:35We have to find a nice knife.
01:05:38Let's put some garlic, let's make some tzatziki.
01:05:42Oh, Cindy!
01:05:44How are you?
01:05:47And me?
01:05:49What's going on in here, Savidi?
01:05:52My nurse, Colonel.
01:05:55And what is your nurse doing here, Savidi?
01:05:58She is cooperating with Mr. Carlato.
01:06:00And what is her name, Miss Savidi?
01:06:03Cindy.
01:06:04Colonel, she is English.
01:06:07This is Colonel Katsambelas.
01:06:09Very glad to meet you.
01:06:12The pleasure is all mine, sir.
01:06:14What are you?
01:06:44What's the matter with you?
01:06:46Come on, let's see the play first.
01:06:48Come on, Pankos.
01:06:50Cigarette?
01:06:52He doesn't have one.
01:06:54Asshole.
01:06:56Come on, let's go.
01:07:01Everything is going to work out in the play.
01:07:03Wait a minute.
01:07:04Good luck, Malikos.
01:07:06Shh, shh.
01:07:07Get down, get down, get down.
01:07:10Hey, that's Soula.
01:07:12What's the matter with you?
01:07:18I told you, we're going to have a great time tonight.
01:07:21Soula!
01:07:23Soula!
01:07:25What's going on?
01:07:27Wait a minute.
01:07:33Come on, man.
01:07:35Come on.
01:07:37Come on, man.
01:07:39Get down.
01:07:41Come on, man.
01:07:43Nice?
01:07:46What do you mean nice, asshole?
01:07:52Come on, Yioutsos.
01:07:56Come on, man.
01:08:02We are late.
01:08:04Come on, now.
01:08:08Come on, my little girl.
01:08:10My little girl.
01:08:12Get up, my little girl, get up.
01:08:14My little bird.
01:08:16If I take you out to the movies,
01:08:18it's going to be great.
01:08:20Come on, man, what are you saying?
01:08:22What are you doing, man?
01:08:24Get up, man.
01:08:26Come on, man.
01:08:28What was that?
01:08:30I don't know, man.
01:08:34Come on, man.
01:08:38What are you doing, man?
01:08:40Come on, man.
01:08:48We don't know, guys.
01:08:50It's going to be a cut again.
01:08:52Come on, Papadopoulos.
01:08:54Stay inside, we're closing.
01:08:58My dear friends.
01:09:00What's going on?
01:09:02What's going on, man?
01:09:04What's going on, man?
01:09:06What's going on, man?
01:09:08What's going on?
01:09:12No, it wasn't like that, Mr. Chief of Staff.
01:09:14I heard it from outside.
01:09:16Something happened to Lekas.
01:09:18Let me tell you, Mr. Chief of Staff.
01:09:22Yes, Mr. Chief of Staff.
01:09:24A serious accident.
01:09:26Lekas.
01:09:29He was injured.
01:09:32He was found in the ambulance.
01:09:35Yes, Mr. Chief of Staff.
01:09:42Get back to your seats.
01:09:47Dear viewers, our show has come to an end.
01:09:50We wish you a good night.
01:09:54The greatest.
01:09:56What are you waiting for?
01:10:07Today, communism doesn't promote its theory.
01:10:10It doesn't promote its demonic techniques
01:10:13as a model for the free world.
01:10:16Louder.
01:10:18And communism doesn't promote itself
01:10:21because it knows that today
01:10:24a person with a previously perceived
01:10:26economic and moral character
01:10:28cannot be trusted.
01:10:32Enough.
01:10:34Analyze us.
01:10:36What is the minister saying?
01:10:38That we cannot believe in communism.
01:10:43You, who ate communism with a spoon.
01:10:46Tell us, what do you think of the system?
01:10:49He has his own problems, Mr. Chief of Staff.
01:10:51Don't talk to me. I know them.
01:10:53Talk to them.
01:10:55What problems do they have?
01:10:57Lack of production.
01:10:59And...
01:11:01How do you call it?
01:11:03Supply.
01:11:05So, they are hungry.
01:11:07No, they are not hungry.
01:11:09But they don't have good food like us here.
01:11:12Shut up.
01:11:14Do they have cars?
01:11:16Very few in private.
01:11:19I didn't ask you if they have cars.
01:11:21I asked you what they don't have.
01:11:24Do they have personal liberties?
01:11:26It depends. What do you mean by personal...
01:11:28What do you mean by it depends?
01:11:30Can you go to the square and say
01:11:32that your comrade Brezhnev is an asshole?
01:11:34No, Mr. Chief of Staff.
01:11:36Get him out of the building.
01:11:38Wait a minute.
01:11:40Are you going to rewrite it three times
01:11:42in a row?
01:11:44Papadopoulos.
01:11:46Where is the text that I gave you to rewrite?
01:11:50Here.
01:11:52One with the tone, one with the syllables.
01:11:54I left it at home, Mr. Chief of Staff.
01:11:56I will rewrite it ten more times.
01:11:58Mr. Pouli.
01:12:00Are you sure that we are justified?
01:12:02I went to the radio station Kanari,
01:12:04and I told them that we are nationalists.
01:12:06No.
01:12:08Why don't we make an advertising company?
01:12:10Who will be the model?
01:12:12The foundation will write the slogans.
01:12:14Papadopoulos.
01:12:18Here.
01:12:20And Swinas makes advertising movies.
01:12:22We have good men too.
01:12:24Shut up, Mario.
01:12:26You will die.
01:12:28Leave us alone.
01:12:30If I like her...
01:12:32Give me a cigarette.
01:12:34I was thinking about doing a job.
01:12:36Are you an advertiser?
01:12:38We have materials.
01:12:40We have machines.
01:12:42We have models.
01:12:44He is a complete idiot.
01:12:46Why don't we make a movie?
01:12:48With sex ideas.
01:12:50Who will be the model?
01:12:52A family.
01:12:54For greek sex?
01:12:56It's violence.
01:12:58I have a friend who is always involved in all this.
01:13:00Leave us alone with your friends.
01:13:02I asked Pouli to take these ideas
01:13:04and he wrote a script.
01:13:06The voluntary advocacy of the people.
01:13:08Who published it?
01:13:10We will have dialogues?
01:13:12Yes.
01:13:14Mr. Papaloukas says that English people
01:13:16always speak with their mouth.
01:13:18Where will we find actors?
01:13:20We will find actresses.
01:13:22Tissoula.
01:13:24Tissidi.
01:13:26Why don't you play with Emanuella?
01:13:28If Emanuella plays,
01:13:30I will play her little sister.
01:13:32Papadopoulos and Mardafekas
01:13:34at 21.
01:13:36What are they doing?
01:13:44What do you want?
01:13:48Cigarette?
01:13:50Yes.
01:13:52Very good.
01:13:54I will answer you as soon as possible.
01:13:56And please,
01:13:58don't call.
01:14:00We will answer.
01:14:02Thank you.
01:14:12I have a very urgent job
01:14:14and I want to help Mardafekas
01:14:16to finish it as soon as possible.
01:14:18Do you know this Papadopoulos?
01:14:22You don't know him?
01:14:24Where is he?
01:14:26Anyway,
01:14:28whoever he is,
01:14:30I want him to be 2.5 by 3 meters
01:14:32and to stick him
01:14:34with the same dimensions.
01:14:38Mardafekas,
01:14:40do you know what this is?
01:14:42Don't tell me
01:14:44that it is the Mercedes' flag.
01:14:48Anyway,
01:14:50I want you to make 12 pieces
01:14:52of printed paper
01:14:54with a diameter of 80 cm.
01:14:56They must be ready by next Monday.
01:14:58Don't worry.
01:15:02All the work will be done
01:15:04in your office
01:15:06with absolute secrecy.
01:15:08Thank you.
01:15:10Who is the next one?
01:15:12Chief of staff,
01:15:14I brought a note from the minister.
01:15:16Let him pass.
01:15:28Good morning.
01:15:30Good morning.
01:15:36What do you want, Lydis?
01:15:38I want to see what you are doing
01:15:40and if it fits the Land Rover.
01:15:42These are lost.
01:15:44The minister asked for a photo.
01:15:46Where is it?
01:15:48In the photo studio.
01:15:50Go and see if it fits the Land Rover.
01:15:52It doesn't fit anywhere.
01:15:54Where are you going?
01:15:56I want to see if it fits the Land Rover.
01:15:58I want to see if it fits the Land Rover.
01:16:00I told you,
01:16:02from the beginning.
01:16:04What did you say?
01:16:06That he is a national communist.
01:16:08Stop talking nonsense.
01:16:10Emanuela told me.
01:16:12The uncle is a Nasserite.
01:16:14There is a whole core of Nasserites in here.
01:16:16Leave Emanuela and Soit alone.
01:16:18What are all these guys doing in the parliament?
01:16:20They are putting them in the trucks with the weapons.
01:16:22Didn't they say that they found 70 trucks
01:16:24What is Papadopoulos saying?
01:16:26This guy is very cunning, like his nickname.
01:16:28What are the Moraites to you?
01:16:30Guys, guys.
01:16:32It will be a surprise for some time.
01:16:34For the 50 euros of the Soviet Union.
01:16:36In front of the hellish land
01:16:38of the pirate slave
01:16:40In front, in front
01:16:42In front for a new land
01:16:44In front with a sad heart
01:16:46In front with a sad heart
01:16:48I see a lot of work.
01:16:50What are we going to do, Mr. Blokagi?
01:16:52What are we going to do, Mr. Blokagi?
01:16:54Nothing.
01:16:56Let's make something for the horse, Mr. Blokagi.
01:16:58Do you know what you should make for me, Marlafeka?
01:17:00A nice decoration for the celebration of Easter.
01:17:02From now on, Mr. Blokagi?
01:17:04We still have 15 August.
01:17:06I say from now on
01:17:08so you can think of something original.
01:17:10Because it will coincide with the anniversary of the 20th of April.
01:17:12Ah, I see.
01:17:14So, we will make a big phoenix
01:17:16and we will put the phantom
01:17:18to hold
01:17:20an egg instead of the phantom.
01:17:24Don't you like it?
01:17:26The egg will be small.
01:17:28Why don't you put the phoenix
01:17:30and leave it for a big egg?
01:17:32That's it.
01:17:34Papadopoulos, you are a very good artist.
01:17:36Marlafeka, this is what we will do.
01:17:38When you have time, prepare me a plan.
01:17:40Of course, Mr. Blokagi.
01:17:42As soon as we finish here with the ironworks.
01:17:44What are you doing here?
01:17:46It's for the parliament, Mr. Blokagi.
01:17:48The parliament is closed.
01:17:50It seems that they will reopen it, Mr. Blokagi.
01:17:52Who gave you the order?
01:17:54It's extremely urgent, Mr. Blokagi.
01:17:56I understand.
01:17:58But I will find out.
01:18:00Many heads will fall, remember that.
01:18:04Communism will not pass.
01:18:08Papadopoulos!
01:18:10Put Mr. Brumita.
01:18:12And the others.
01:18:14I mean, you are doing a good job.
01:18:16It's your responsibility.
01:18:18Let's go, gentlemen.
01:18:46You're welcome.
01:18:58It's yours.
01:19:10Hey, Patrida!
01:19:12Where are you going?
01:19:14You haven't left yet?
01:19:16How can I know you?
01:19:18I'm doing a job for KGB.
01:19:20Hey, Giannakis!
01:19:22What are you doing here?
01:19:24How are you?
01:19:26Where are your hair?
01:19:28Do you want a drink?
01:19:30No.
01:19:32Look at this, gentlemen.
01:19:34The great treachery.
01:19:36One with helicopters, tanks and troops.
01:19:38As much as you want.
01:19:40It's the production of Jezna.
01:19:42What are you doing here?
01:19:44We're shooting the scenes of Kremlin.
01:19:46A Soviet conference.
01:19:48You couldn't find a better place to shoot it?
01:19:50Come on.
01:19:52I'll give you a slap.
01:19:54I got it.
01:19:56Bye, Eury.
01:19:58Guys!
01:20:00We're unloading here.
01:20:02Let's finish.
01:20:04How did you get involved with them?
01:20:06What can I do, Giannakis?
01:20:08I have three children.
01:20:10What else can I do?
01:20:12From bad to worse.
01:20:14Dimitris!
01:20:16Come on, let's go.
01:20:18Come on, Giannakis.
01:20:22It's a bit thick, isn't it?
01:20:24Yes, yes.
01:20:26Take it out.
01:20:28Take the bag.
01:20:30Look at him.
01:20:32Isn't he handsome?
01:20:34Did you see his body?
01:20:36Come on, guys.
01:20:38Let's go.
01:20:44Do you think we're going to make a comedy?
01:20:46Why?
01:20:48Say your line.
01:20:50I will kill you.
01:20:52What are you laughing at?
01:20:54Say it properly.
01:20:56What does the maid in my band...
01:21:00What is he saying?
01:21:02What does the maid in my band do in my bed?
01:21:04Who is the maid?
01:21:06And who are you?
01:21:08Your wife.
01:21:10How do I know?
01:21:12Come on, let's go.
01:21:16Where was the monkey?
01:21:18Didn't I tell you to be careful?
01:21:20I had it.
01:21:22Put it where you have it.
01:21:24Wait, I'll call you.
01:21:26What do I do when he comes in?
01:21:28Nothing.
01:21:30What is this?
01:21:32Get in.
01:21:34Yannis.
01:21:36I want to sleep.
01:21:38We have two more films.
01:21:40Don't you have a show today?
01:21:42It starts in half an hour.
01:21:44Let's go, girls.
01:21:50Who is going to clean the house?
01:21:52It's a mess.
01:21:54What are we going to live on?
01:21:56What do I do, Yannis?
01:21:58I don't work.
01:22:00Don't say that.
01:22:02Get out of here.
01:22:16According to the latest information,
01:22:18the 6th Vassilevs
01:22:20invaded the airships
01:22:22and went in an unknown direction.
01:22:24The national government issued the following announcement.
01:22:26He found them to make a revolution.
01:22:28Idiot.
01:22:30I've been preparing for a long time.
01:22:32Only the others were more magicians and they made it in time.
01:22:34Shut up, Yannis.
01:22:42Did you ask for me, Mr. Commander?
01:22:44Didn't I tell you to write that the Vassilevs
01:22:46left the country?
01:22:48Mr. Commander told me to write
01:22:50in an unknown direction.
01:22:52Is that what he said?
01:22:54Good.
01:22:56And we'll throw the baguette at the end,
01:22:58in the name of justice.
01:23:00The culture of the country has not changed,
01:23:02Lambros.
01:23:04We still have a ruled democracy.
01:23:06So,
01:23:08we're going to throw the baguette at the Vassilevs?
01:23:10I'm waiting for instructions.
01:23:12But in two minutes
01:23:14the program will be over, Mr. Commander.
01:23:16I'm aware of that, Lambros.
01:23:22What's going on?
01:23:24Is Lambros back?
01:23:26Mr. Commander,
01:23:28our program is over.
01:23:30We wish you a good night.
01:23:32What are we going to do?
01:23:34Are we going to throw the baguette at the Vassilevs?
01:23:36I don't care.
01:23:38Koupoulis!
01:23:42Gentlemen,
01:23:44the revolution is the revolution of the Greek people.
01:23:46It's not a revolution of individuals
01:23:48or a group of individuals.
01:23:50It's necessary
01:23:52for all Greeks to realize that.
01:23:54We are more important
01:23:56because of the identity
01:23:58of our work.
01:24:02Do you realize
01:24:04that you are nothing
01:24:06but Greeks,
01:24:08Greeks who have
01:24:10been obliged
01:24:12to offer your support
01:24:14for Greece?
01:24:16The material
01:24:18has just been printed.
01:24:20That's why I'm afraid,
01:24:22my soldier.
01:24:30Hello, John,
01:24:32with your clarinets.
01:24:47Be careful if you meet the Vassilevs.
01:24:49Yes, yes.
01:24:58What is this, Katsambelas?
01:25:00What?
01:25:01The grapes.
01:25:02I have no idea.
01:25:04It must be a mistake.
01:25:06Stop the show!
01:25:08Leave it, guys. We'll see.
01:25:11Katsambelas,
01:25:12I'm waiting for a report.
01:25:14I'll give you a report right away,
01:25:16my lieutenant colonel.
01:25:18Get up!
01:25:36It's a bit short, isn't it?
01:25:38Come on, it'll pass.
01:25:40I miss playing it.
01:25:42Be careful.
01:26:02Katsambelas, I'm coming.
01:26:06Get out of here.
01:26:08I don't want to see anyone.
01:26:13To all present,
01:26:15attention!
01:26:18What are you doing here?
01:26:20Nothing, sir. I'm sorry.
01:26:22Why?
01:26:23Mr. Pilouhias has confiscated my diary.
01:26:25Diary?
01:26:26What is he talking about?
01:26:28You kept notes in Russian, sir.
01:26:30In Russian?
01:26:32Where is the diary?
01:26:34In A2, sir.
01:26:35I have the right to write a diary, sir.
01:26:37Who said that, Karamanos?
01:26:39The Constitution gives me the right to think
01:26:41and write a diary, sir.
01:26:43I have the right to put you in jail for 10 days.
01:26:47Mr. Pilouhias, the Constitution gives me the right to write a diary.
01:26:50Attention!
01:26:52Attention!
01:26:55The Constitution gives me the right to write a diary.
01:26:58I sentence you to 20 days of strict imprisonment
01:27:00in the basement of a two-story building.
01:27:02Lambros Achilleas,
01:27:04for the illegal production of a pornographic film
01:27:06while on duty.
01:27:08Zavidin Petros,
01:27:10for the illegal production of a pornographic film
01:27:12while on duty.
01:27:14Papadopoulos Ioannis,
01:27:16for the illegal production of a pornographic film
01:27:18while on duty.
01:27:20Panagiotis Balourdos,
01:27:22for the illegal production of a pornographic film
01:27:24while on duty.
01:27:26Apostolopoulos Apostolou,
01:27:28for the illegal production of a pornographic film
01:27:30while on duty.
01:27:33Lambros Achilleas!
01:27:38Where are you?
01:27:40I am right here.
01:27:42...for the production of a pornographic film at the time of the attack.
01:27:46Damn it! It's night already!
01:27:48Yassine Georgiou, for the production of a pornographic film at the time of the attack.
01:27:52Karadikos Konstantinos, for the cancellation of the production of a pornographic film at the time of the attack.
01:28:01What are you doing, Karamazos?
01:28:03...for the production of a pornographic film at the time of the attack.
01:28:13Damn it!
01:28:27You haven't seen Mr. Labros outside yet?
01:28:30I don't know what to do.
01:28:57Who are you?
01:29:01If you don't do it, I'll shoot you.
01:29:20I'm going to kill you.
01:29:23Don't be afraid.
01:29:26No, it's okay. Don't hit him.
01:29:29He fainted.
01:29:32Go on.
01:29:34If he didn't do it, he'll remember.
01:29:37The President of the National Government, Mr. Papadopoulos, is also visiting.
01:29:53A little bird is sitting on a charcoal fire
01:29:58The monks were playing all day long
01:30:08One day the bird will fly
01:30:13And the monks will play with it
01:30:18And the monks will play with it
01:30:27Look what they've done to him.
01:30:31They'll put him in a basement
01:30:34And they'll beat him with wooden eggs
01:30:38What do you think they'll do to him?
01:30:41They'll break his bones.
01:30:45I don't know what to say to your god, Manuela.
01:30:48I know that Ha-Ha always had him in his pocket.
01:30:51How can you not bother him?
01:30:54These Russians are strange.
01:30:57Manuela, come here for a moment.
01:31:01Do you have a cameraman?
01:31:04The cameraman is out.
01:31:06Mr. Apospasis.
01:31:08Take care of him.
01:31:11When Katerinaki comes to see you, I'll take her by taxi.
01:31:17When I retire.
01:31:19You won't retire in two years.
01:31:21Two years?
01:31:23No, don't listen to them.
01:31:25We usually retire in 27 days.
01:31:27And we have 132 inmates.
01:31:28159, don't count.
01:31:30And 30 more.
01:31:32Who says I'll go to jail for 30 days?
01:31:35Statistics, my boy.
01:31:37Here you are.
01:31:39In 27 months, you ate 132.
01:31:42In 5 months, you ate 660.
01:31:45In 5 months, you ate 660.
01:31:48In 5 months, you ate 660.
01:31:51What did I tell you? 28 and 70.
01:31:54And 5% of the population, 30.
01:31:56It's a huge number.
01:31:59What did we do for three years?
01:32:01We were just eating.
01:32:03Oh, Papadopoulos.
01:32:05You said you'd go to jail.
01:32:08Me?
01:32:10No, you. Giorgos.
01:32:12Look over there.
01:32:14Not here.
01:32:16Papadopoulos, it was your idea, wasn't it?
01:32:19Don't worry.
01:32:21I'm fed up with you all.
01:32:23You and your bird.
01:32:26You and your bird.
01:32:38Hi, Papadopoulos.
01:32:45Do you have a letter?
01:32:56Yes, Papadopoulos. It's from Athens.
01:33:26In the morning the bird will fly
01:33:29And the magicians will play it
01:33:32Ufa and Paralagi
01:33:34And the magicians will play it
01:33:37Ufa and Paralagi
01:33:56And the magicians will play it
01:33:58Ufa and Paralagi
01:34:00And the magicians will play it
01:34:02Ufa and Paralagi
01:34:26Ufa and Paralagi
01:34:28Ufa and Paralagi
01:34:30Ufa and Paralagi
01:34:32Ufa and Paralagi
01:34:34Ufa and Paralagi
01:34:36Ufa and Paralagi
01:34:38Ufa and Paralagi
01:34:40Ufa and Paralagi
01:34:42Ufa and Paralagi
01:34:44Ufa and Paralagi
01:34:46Ufa and Paralagi
01:34:48Ufa and Paralagi
01:34:50Ufa and Paralagi
01:34:52Ufa and Paralagi
01:34:54Ufa and Paralagi
01:34:56Ufa and Paralagi