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00:00:00You
00:00:30You
00:01:00You
00:01:30You
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00:02:30She
00:02:33Deserved to be compared with Mary Stewart. No one else ever had two such diverse claims to fame
00:02:42One is a murderous
00:02:45The other is a martyr
00:02:47But she was a lady a
00:02:49real aristocrat I
00:02:51Hear his mother was supposed to be a big-time actress. Oh, yeah
00:03:00To
00:03:02My mother
00:03:05He's doing his nostalgia for mama thing Italians love that bag, you know, I said
00:03:11Good mother
00:03:30You
00:03:50All right scum of the earth, let's all give generously my mistress has a libation to perform
00:04:00You
00:04:02Come on
00:04:08Give me your heartfelt offerings for my wife
00:04:19Then you are of course you'd much rather be drinking from my skull
00:04:26To our joyous matrimony
00:04:30Oh
00:04:32Bottoms up dear wife
00:04:36When customs you have here. Oh, yes, my dear. We have a cultural background straight out of our till of the hun
00:04:43So sorry my mistress
00:04:45The wrong mixture I guess
00:04:48I
00:04:53Do you think you're going
00:04:56This is Brenda
00:04:58Not bad for a maid, huh?
00:05:01In losing our colonies and then gaining a servant like miss Brenda I
00:05:06Think we've made a whale of a deal. Have you a thing for black girls all of you know a common Caucasian disease called a
00:05:12white male's burden
00:05:14Who knows of a night with a Negress isn't everyone's secret dream
00:05:18daughter
00:05:19Lift your head. What color are your eyes?
00:05:26Daughter daughter look ahead. Don't let them tell you lies
00:05:35Be yourself prove yourself
00:05:39Help yourself
00:05:42free yourself
00:05:44Know yourself
00:05:46Show yourself
00:05:48Help yourself
00:05:50Be yourself
00:05:52daughter daughter
00:05:55Please yourself
00:05:58Daughter daughter lift your eyes. What color are your dreams?
00:06:06Daughter daughter
00:06:08Close eyes the tools of the world make it we are all equal
00:06:38Yourself
00:07:09What
00:07:19Very simple for this generation to come on like it's something because when you get right down to it, it's nothing at all
00:07:38I
00:08:08I
00:08:35How dare you do it put that on
00:08:37Why, doesn't it excite you to see me like her?
00:08:42You wanted to give a show like always.
00:08:45It's all the better in costume.
00:08:51Which mother was the real mother for you?
00:08:55Mad Mary?
00:08:57Or Bloody Mary?
00:09:07You're a crummy slut.
00:09:10A stinking whore.
00:09:13No.
00:09:44No.
00:09:59No.
00:10:04Ah, the bottles. Look at all the bottles.
00:10:07I'm not against drinking, mind you, good God.
00:10:10I'm the first to enjoy having a triple now and then, but...
00:10:14But I don't understand.
00:10:16How are these folks livers can take the excess?
00:10:19Well, they're always inviting friends over, Mrs. Molinaz.
00:10:22Ah, them critters that sleep out at that campground.
00:10:25You ask me, they look like they crawled out of the forest.
00:10:28Now, don't believe for a minute that I include you, my dear,
00:10:32but Professor Olivieri's got the strangest ideas.
00:10:35And my God, to think that 40 years ago,
00:10:38I was working in his house with his mother, the countess.
00:10:41Now, there was a heart that brought him into the world.
00:10:43Those were the days. Hello there, Satan.
00:10:46He's the only intelligent figure around, if you ask me.
00:11:00My God, have a little respect for an old lady, why don't you?
00:11:04Road hog.
00:11:08Come on.
00:11:39Now, look here, Darius, since you're so hot with chocolate drop,
00:11:42how about putting in a word for me with the great white mistress?
00:11:45You can put in a good word for me for both of them.
00:11:47I like salt and pepper on my meat.
00:11:49Forget it. That there is way out of your league.
00:11:52The things that go on in Villa Rouvigny will blow your provincial minds.
00:11:57Fighting these international shippers is getting harder every day, Mr. Rouvigny.
00:12:01Sometimes it takes months to get a book from London or Paris.
00:12:04You'll have to be patient.
00:12:07Tonight at the usual place?
00:12:10All right.
00:12:12If I can make it, I may be busy.
00:12:14Listen, you can bag all that shit if you're working all the time.
00:12:18Like you began with me out back at the schoolhouse, professor, so now you pay.
00:12:25Will that be all, sir?
00:12:27Yeah, fine, thank you. Bartolo, put these in my account.
00:12:30Sure, Mr. Rouvigny.
00:12:31You know, it's beyond me why Perinis have never reissued any of your books.
00:12:35It'd be a great pleasure to see them in our windows.
00:12:38I'd find me a new publisher if I were you, Mr. Rouvigny.
00:12:41Good morning.
00:12:42Good morning, Mr. Rouvigny.
00:12:49Get away, scat.
00:12:51I swear to God I want to kill you one of these days.
00:12:53Trying to drive Satan out with a broom, huh?
00:12:55There's a twist in exorcism.
00:12:57I just wish your cat would leave my coop alone.
00:13:00You eating out tonight?
00:13:02If I feel like it.
00:13:05Good night.
00:13:35Good night.
00:14:05Good night.
00:14:35Help!
00:15:00Help!
00:15:03Help!
00:15:05Help!
00:15:11Help!
00:15:35Help!
00:16:05Help!
00:16:19Oliviero.
00:16:20Oliviero.
00:16:22What do you want?
00:16:23Somebody just drove in.
00:16:24Well, so what?
00:16:25So it's the police.
00:16:26What do you think they're here for, anyhow?
00:16:29You must have gotten in late last night. I didn't hear you.
00:16:32Brenda's not here. You'll have to answer the door.
00:16:34Come on, get dressed.
00:16:44Real heavy sleepers, Inspector.
00:16:49Morning.
00:16:50Mr. Rouvigny?
00:16:51What do you want?
00:16:52I'm sorry to, uh, to wake you up at this unusual hour.
00:16:56I'm Inspector Farla.
00:16:58It's annoying, I know, but I'm afraid there are some questions I'd like to ask you.
00:17:02Concerning?
00:17:03Well, let's say they're...
00:17:05personal.
00:17:07I'm Oliviero Rouvigny.
00:17:08Oh, I know you very well, Mr. Rouvigny.
00:17:10At least, by name, that is.
00:17:12Odd though it may sound, even inspectors do a little reading now and then.
00:17:16I'm no fanatic, but I do recall one or two of your books having passed through my hands.
00:17:21Don't you feel that...
00:17:23that we'd better go inside, Rouvigny?
00:17:27Yeah, sure.
00:17:28Sure, Commander.
00:17:34This may be rather unpleasant for Mrs. Rouvigny to have to listen to.
00:17:39I prefer our talk were held in private.
00:17:41Why?
00:17:42There's no secrets between us.
00:17:44Oh, so much the better.
00:17:46That should expedite matters for us.
00:17:49Last night, you had...
00:17:51you had an appointment with, uh, a young woman who worked at the Bartolo bookstore.
00:17:56Am I right?
00:17:59Fausta? Yeah.
00:18:01I used to see quite a bit of her, Inspector, but not last night.
00:18:05The fact is, I taught humanities for a short while at the local high school...
00:18:10and Fausta took some of my courses.
00:18:13And people talk about kids' indifference...
00:18:15to see a friendship lasting between pupil and professor eight years after school's out.
00:18:21It's quite touching.
00:18:22Don't you think so, Mrs. Rouvigny?
00:18:25Very.
00:18:27The truth is, all of Oliviero's female students had a weak spot for him.
00:18:32I imagine it was never more than a passionate crush.
00:18:35One sugar or two.
00:18:36Without sugar is fine, thank you.
00:18:40So I presume, then, that...
00:18:41that Fausta has turned me in for allegedly standing her up.
00:18:45I didn't.
00:18:46Unfortunately, I don't believe she had time for that.
00:18:50We rather doubt she died of a broken heart, Mr. Rouvigny.
00:18:55Good God.
00:18:58But, I mean, who could...
00:18:59Commit such a vicious murder?
00:19:01That's just what we're trying to find out.
00:19:04At the moment, all we know for sure is that...
00:19:06her throat was cut with a sharp, curved blade.
00:19:10A sickle, quite possibly, Mr. Rouvigny.
00:19:14I'd like you to tell us just exactly where it is you were last night...
00:19:19between 8 and 10.
00:19:21I was here at the villa.
00:19:23My wife can confirm that.
00:19:27Ah, I see.
00:19:29Is there anyone else who can confirm it?
00:19:31Some household servant, for example?
00:19:34As you probably know, we've got a Negro girl.
00:19:37Yesterday was her day off, though.
00:19:39And she often stays out all night.
00:19:41Anyone else spend the night at the villa?
00:19:43What do you mean?
00:19:44I mean any one of the inhabitants of that mountaintop madhouse...
00:19:47they call the World Wide Campgrounds.
00:19:49You know, it's amazing the network townspeople have for spreading gossip.
00:19:53No.
00:19:54Last night, no one.
00:19:56I'm sorry to have to put you through this.
00:20:00And it may happen again.
00:20:01You see, murder has a habit of involving all sorts of people for no reason.
00:20:06So, you don't have a trip lined up, do you, Mr. Rouvigny?
00:20:10I see.
00:20:11Oh.
00:20:12No, no trip's lined up.
00:20:13Oh, that's what I thought.
00:20:15A writer's mind does all his wandering.
00:20:17Well, whatever.
00:20:18Don't stray too far.
00:20:20You've made your point, Inspector.
00:20:22And that goes for you, too, Mrs. Rouvigny.
00:20:24Sure.
00:20:29I don't know.
00:20:30Bartolo probably overheard our conversation.
00:20:32The girl was persecuting me.
00:20:34It had been going on for years.
00:20:36She was impossible.
00:20:38She simply refused to accept the fact it was all over and done with.
00:20:43Anyway, thanks.
00:20:46You could have undone me, gotten me locked up for nothing.
00:20:49I was late because of an accident.
00:20:52A tire blew out on me.
00:20:54There's no need to say anything.
00:20:57Yeah.
00:20:59It might spoil your new image of me, running around carving up women's throats.
00:21:04Completely impotent as a novelist, but what a sadistic killer.
00:21:09Who knows? Someday I might even try it.
00:21:14Maybe this throat will be my very first one.
00:21:38Let's go.
00:22:01There's no need to say anything.
00:22:02Let me go.
00:22:03A tire blew out on me, so I got it repaired. Is that clear?
00:22:06Yeah, and you watch your mouth from now on.
00:22:08Be careful.
00:22:37Hello.
00:22:38Hello.
00:22:42Very nice.
00:22:51The kids from the campground are here. Should I let them in, sir?
00:22:54Tell them to go away.
00:22:56I have enough whores in this house as it is.
00:22:58Get out.
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00:30:25There, keep it down, boy.
00:30:47You can put the groceries there.
00:30:55How come Brenda's not here, Mrs. Rouvigny?
00:30:57We let her go.
00:30:59You fired her?
00:31:00And she just took off?
00:31:01Mm.
00:31:02Oh, don't be damned.
00:31:03Is anything wrong?
00:31:04No, nothing, nothing.
00:31:05It's just that I got along pretty well with Snow White.
00:31:10That was my nickname for her.
00:31:11Ah, wait a second.
00:31:12Here, I brought some mail for you.
00:31:15I was down at the post office and old Man Maroney slapped it on me.
00:31:17He thought since it was a wire, it might be urgent.
00:31:20Telegram for us?
00:31:22Yep.
00:31:23Good news, I hope.
00:31:24Oh.
00:31:25Look at that, my little ball-breaker.
00:31:33Dumbass visiting relative is all we needed.
00:31:36Didn't she come to our wedding?
00:31:37I think so.
00:31:38Yeah, it was 58 that my sister moved to Paris.
00:31:39You know the loud-mouthed little ball-breaker isn't little any longer.
00:32:07Yeah, I know.
00:32:15Ah!
00:32:16Hey!
00:32:17Huh?
00:32:18What's the matter, honey?
00:32:19He touched me right on the ass, right here.
00:32:22He couldn't help it.
00:32:23It's his camouflage training.
00:32:24It looked too good to be real.
00:32:26Brutes.
00:32:28Giovanna!
00:32:30Welcome home.
00:32:32Welcome home, my dear.
00:32:35Ignore the loudmouth, Giovanna, dear.
00:32:37Soldiers behave better in the old days, back in the great war.
00:32:42She's not here.
00:32:44Well, let's go home again.
00:32:50Well, how do you like that?
00:32:51First the ball-breaker invites herself,
00:32:53then makes us come here for nothing.
00:32:56A little better this way.
00:32:58Hi, Oliviero.
00:33:00Thanks a lot.
00:33:01Anytime.
00:33:05Thanks.
00:33:06Jack, it's a lot cheaper than hitchhiking,
00:33:08and you meet the grooviest people.
00:33:10He was going to balloon you,
00:33:11and he came all the way out here just for me.
00:33:14What's the matter?
00:33:15You sick, Oliviero?
00:33:16I don't believe it.
00:33:17You couldn't be Floriana.
00:33:18That awful little child?
00:33:19Yep.
00:33:20And don't gawk so hard.
00:33:21Any moment you'll swallow a fly.
00:33:23How are you, Ramey?
00:33:24Fine, thanks.
00:33:25There's no need to ask about you, though.
00:33:27You look marvelous.
00:33:28Well, let's get moving.
00:33:30The sooner we get back to the villa,
00:33:31the quicker we can celebrate her.
00:33:34Here, let me take that.
00:33:35Thanks.
00:33:49How many rooms do you have here, anyway?
00:33:51Too many.
00:33:52We've emptied out quite a few of them, though.
00:33:54They're a hazard.
00:33:56The whole roof is going to fall in on us
00:33:58one of these days.
00:33:59Well, I've never had to cope with that feeling.
00:34:02I've never had a roof of my own.
00:34:11He doesn't earn much, your genius, does he?
00:34:13Oliviero claims that the novel is dead.
00:34:18What's really dead is Oliviero.
00:34:21He hasn't been able to write a single line for three years.
00:34:25The only thing he sells nowadays is the household furniture.
00:34:30It's only a cat.
00:34:32And a pretty one, too.
00:34:35Are you afraid of cats?
00:34:37I just don't like him.
00:34:39His name's Satan.
00:34:40He belonged to Oliviero's mother.
00:34:42Ah, and Esther's famous companion.
00:34:44Yes.
00:34:46What's this?
00:34:48Don't tell me.
00:34:51A pair of black silk stockings, no less.
00:34:55Hey, Rainey, have you some kind of fetish going on or something?
00:34:59Hmm?
00:35:00Give it here.
00:35:03They must belong to the girl that used to work for me.
00:35:06I had to let her go.
00:35:07She was completely hopeless as a maid.
00:35:10Come on, let's finish your room.
00:35:15So you went to live in this commune.
00:35:16How long were you there?
00:35:18Six months.
00:35:20What did you do in the commune?
00:35:22Oh, everything, pretty much.
00:35:25You hear that, Rainey?
00:35:27A couple of months or so in there would do you wonders.
00:35:30Where the women belong to everyone.
00:35:33Where the men belong to everyone.
00:35:35His sex is old hat, and he's scared to death of impotence.
00:35:38Literarily speaking, of course.
00:35:40Sex is a very demanding occupation.
00:35:43The basic requirement is imagination.
00:35:46Something Irina is totally devoid of.
00:35:49Isn't the tired, illustrious author being a little naive?
00:35:52What else is there?
00:35:53All the imagination in the world wouldn't do you any good.
00:35:56If you couldn't get a heart on.
00:36:05Well, go see who it is.
00:36:17Mrs. Rooney?
00:36:18Yes.
00:36:19Sorry to bother you.
00:36:20I was asked to deliver this.
00:36:24Thanks very much. Good night.
00:36:26Good night.
00:36:37What the hell is it?
00:36:38I don't know.
00:36:46You had it dry clean, you bloody fool.
00:36:48No, I thought you did.
00:36:50Sure.
00:36:52You're going upstairs. Come on.
00:37:11No!
00:37:13Olivia, help me!
00:37:15No!
00:37:30Irene?
00:37:37Irene!
00:37:41Oliveira?
00:37:45What's going on around here?
00:37:47Nothing is going on around here.
00:37:49Irina doesn't feel well.
00:37:51It's been a hard day.
00:37:53Is there something I can do to help?
00:37:55No, not now.
00:37:56She's just tired.
00:37:57It's not easy keeping this house up without servants.
00:38:01I also feel tired.
00:38:03It's a strenuous trip coming from Paris to here.
00:38:06See you tomorrow.
00:38:09I'm sorry.
00:38:10It's a strenuous trip coming from Paris to here.
00:38:13See you tomorrow.
00:38:30Who is it?
00:38:34Excuse me.
00:38:35I just wanted to get some notes out of this closet.
00:38:41You need some stationery?
00:38:43No, I'm just writing down addresses.
00:38:53Now, would she or wouldn't she?
00:38:55However sad the world of Oliveira Rouveni,
00:38:58However unimaginative,
00:39:00His niece Floriana stands poised to help her helpless uncle enjoy life again.
00:39:10What...
00:39:12What made you decide to visit us?
00:39:15Hearing the news about Anastasia kicking the bucket.
00:39:17Just didn't get it together till now.
00:39:21What have you heard about me?
00:39:23Nothing.
00:39:24Just the usual.
00:39:26That since you got married, your lustrous brain has gone sterile.
00:39:29That you're a brute, an alcoholic, and a drug addict.
00:39:32Et cetera, et cetera.
00:39:34Et cetera, et cetera.
00:39:41Incidentally, is it true you slept with your mother, Oliveira?
00:39:46When you were already grown up, I mean.
00:39:51Is it true about you being a two-bit whore?
00:39:54Well, they might be considered two bits well spent.
00:40:11No!
00:40:12No!
00:40:13No!
00:40:15No!
00:40:16No!
00:40:17No!
00:40:40No!
00:41:10No!
00:41:38Irene!
00:41:41What the devil did he lock you up in here for?
00:41:43You told me you weren't feeling well.
00:41:45Think you can make it to your room?
00:41:47Yes.
00:41:48Where is he?
00:41:49I just heard him go out the front door.
00:41:50For God's sake, why didn't you call for help?
00:41:52He's a damn sadist.
00:41:54You don't know.
00:41:56You don't know how sick Oliveira is.
00:41:58He frightens me.
00:41:59You mean he's crazy?
00:42:00Well, sometimes.
00:42:02He doesn't realize what he's doing.
00:42:04Come on up to my room.
00:42:05I know Oliveira belonged to a family of nuts,
00:42:07but when it comes to this,
00:42:08I think you ought to get him to a doctor.
00:42:10No.
00:42:11No.
00:42:13He's sick, but doctors, no.
00:42:15No outsiders.
00:42:16I want to help you, Irene, if you trust in me.
00:42:20What is going on?
00:42:25Last week, we had a visit
00:42:28from the police.
00:42:31They found this woman with her throat cut.
00:42:48Now you know it all.
00:42:50But you can't go on living with someone you think is a killer.
00:42:55Don't say anything, though, please.
00:42:57Don't repeat a word of what I've said to Oliveira.
00:43:00Because, oh, my God, I'd be dead if he knew.
00:43:04Not as long as I'm around.
00:43:09You've got a fever.
00:43:11You're really boiling.
00:43:17Now, don't you worry.
00:43:20I won't say a word to the monster.
00:43:24Naturally, I'm on your side.
00:43:26All the way, Irene.
00:43:30You're very sweet.
00:43:34But now...
00:43:35Yes, go on, say it.
00:43:38Now that you know,
00:43:41you want to leave.
00:43:44And rightfully so.
00:43:46It never entered my head.
00:43:49We're going to be allies, the two of us.
00:43:52United.
00:43:55Why are you doing it?
00:43:59Why?
00:44:29Why?
00:44:59Why?
00:45:30Hello.
00:45:32Good evening, Your Honor.
00:45:35Giovanna just got in from Florence this morning.
00:45:38Giovanna!
00:45:40You remember the one with the funny little scar?
00:45:43Certainly.
00:45:45Tomorrow?
00:45:47Oh, tonight, well, I...
00:45:49Well, she's very tired, poor girl.
00:45:51She's had an awfully rough day.
00:45:54Years and laughters.
00:45:56Till tomorrow, then, Your Honor.
00:45:58And get plenty of rest now, Your Honor.
00:46:00Good night, Your Honor.
00:46:02I really am kind of tired, Aunt Millie.
00:46:04Think I'll turn in, okay?
00:46:06It's nothing like it was, Giovanna, my dear.
00:46:08Now all my customers have money.
00:46:10And the prices are going up daily around here.
00:46:13Sleep well, darling.
00:46:15Tomorrow's going to be a big day.
00:46:26Good night.
00:46:56Good night.
00:47:27Aunt Millie?
00:47:29Is that you?
00:47:56Aunt Millie?
00:48:26Mother?
00:48:56Oh.
00:49:26Oh.
00:49:56No!
00:50:08Hey, hot potato, got any cream in that tricycle?
00:50:11Hot potato?
00:50:13Well, mash me, mash me.
00:50:15I'll need some cream.
00:50:17The best in the county, coming right up.
00:50:19The best because it's the purest, the freshest,
00:50:21and because it's the only kind I've got.
00:50:23How provincial.
00:50:25How are you?
00:50:27I'm a hybrid.
00:50:29Ah, so you're the latest victim of their slave trade.
00:50:31Before you, they had this colored chick,
00:50:33made the poor girl do every dirty job in the book.
00:50:35Maybe that's why she hightailed it.
00:50:37Do you know her very well?
00:50:39Oh, what a piece of... She was a very nice girl.
00:50:41She shafted you then, huh?
00:50:43Well, not exactly.
00:50:45I mean, one bright morning, and whoosh, she was gone.
00:50:47I only hope she didn't end up like poor Giovanna.
00:50:49How's that?
00:50:51Morning, Mr. Rouvigny.
00:50:54Sundays, I race trail bikes.
00:50:56If you want to go along,
00:50:58I'll show you a real hot potato.
00:51:00Yeah?
00:51:04Oh, one potato, two potato, three potato, four.
00:51:10It's kind of pleasant, this integration of Europe,
00:51:12don't you find?
00:51:14Sorry, I'm afraid I'm a bit behind the times.
00:51:17One of the pitfalls of a writer.
00:51:19I've got to go.
00:51:21One of the pitfalls of a writer.
00:51:23Integration in what way?
00:51:25Oh, here we are, in a piazza in the north of Italy,
00:51:27with German ale and Scotch whiskey.
00:51:31It's all poison, no matter where it comes from.
00:51:34Ah, that's the trouble with you intellectuals,
00:51:36your cynical pessimism.
00:51:38Come on, you're not going to tell me
00:51:40that the Homicide Squad is a hotbed of humor, Inspector.
00:51:44No, it's not.
00:51:46We do whatever we can with whatever is available.
00:51:49And to think that our laboratory
00:51:51has even got a magnifying glass somewhere or other.
00:51:55Joke's apart, though.
00:51:57I'm very sorry.
00:51:59You're sorry? Why?
00:52:01Well, the killer turned out to be the bookstore manager.
00:52:03Ah. You mean Bartolo.
00:52:05His real name was Liquori.
00:52:07And seven years ago,
00:52:09he escaped from the Albuzano Institute
00:52:11for the Criminally Insane.
00:52:13Killing women gave him sexual gratification.
00:52:16Well, you shouldn't have any more problems then.
00:52:19No, not with this particular case.
00:52:22But who knows what the next will bring.
00:52:24So you see, dispatching my ex-student
00:52:26to that great high school in the sky wasn't my doing.
00:52:29And you'd like to believe it,
00:52:31only there's this tiny voice that can't stop saying,
00:52:33Oliviero's a killer.
00:52:35Does it arouse you to think
00:52:37that you're sleeping beside a killer?
00:52:39Let go of me. You're drunk.
00:52:41Yes, yes, I'm drunk as a lard.
00:52:43As drunk as I was that night.
00:52:45As drunk as I was. I did not kill our black Cinderella.
00:52:48It wasn't me. It wasn't. I didn't do it.
00:52:50Do you understand, wife? I didn't do it!
00:52:52All right, husband, why don't you go and tell the police that?
00:52:56No!
00:52:58You're mad. You're crazy.
00:53:00Let me go.
00:53:02Let me...
00:53:04You're joking.
00:53:15You're joking.
00:53:34Dario Luisetti, number seven,
00:53:36has taken the lead on this fifth lap.
00:53:38And it looks like he's trying to set a very fast pace.
00:53:40Armando Cartesian, number three, has dropped back to second.
00:53:43And Lucio Camaroglio is still holding on to third.
00:53:46Fourth, the Spaniard, Luis Moreno.
00:53:55Give it the gas, Dario!
00:53:57Put it on!
00:54:13Come on!
00:54:43Come on!
00:55:09Hang on, everyone.
00:55:11The Spaniard has just stopped at Gopher Tail Corner.
00:55:13It looks like he's got mechanical trouble, and he may be out of the race.
00:55:16Camaroglio has taken over the lead,
00:55:18and four seconds behind is Luis Moreno,
00:55:20with Cartesian third and closing fast.
00:55:23What? Say, where's the Gopher Tail Corner?
00:55:26Down at the base of the hill.
00:55:34Thanks.
00:55:37Stupid bitch of a rotten mother of a lousy, no-good cyclist.
00:55:41I'm winning three laps to the finish, and you conk out on me.
00:55:45Hail, son of the centaurs!
00:55:49Three whole months I've been working for this goddamn race.
00:55:52This mother has to go and get its valves all clogged up just when I was winning.
00:55:55What are the valves, anyhow?
00:55:57I'll go to hell, will you?
00:55:59Oh, I'm sorry for you.
00:56:01It's just that this race was everything to me.
00:56:04Everything.
00:56:06Was it, really?
00:56:15Little bitch, there they go on the last lap.
00:56:20Come on, Liz.
00:56:35Well, here we are.
00:56:37Here we are where?
00:56:39Here we are where we want to be.
00:56:41Well, here we are.
00:56:50The Eskimo two-place insulated bag is highly recommended
00:56:53for when climbing in the Himalayas.
00:56:55And here's the bridal suite.
00:56:57You don't really mean we're going to make love up here, do you?
00:57:00Why not? What do you want, a grand hotel?
00:57:02It's more romantic here, isn't it?
00:57:04Watch your head.
00:57:06There we go. The instant bed.
00:57:10Did you make love to the color check here, too?
00:57:12Mmm, such nasty thoughts.
00:57:14You're not prejudiced, are you?
00:57:16Come on, get undressed. It's not cold.
00:57:19Don't just stand there fidgeting. Come on.
00:57:22You women and your preparations.
00:57:25Good grief, you're slow. Come on.
00:57:33Mmm, I swear.
00:57:36If I ever get the national trail racing championship,
00:57:38I'm going to hire me a maid just like you.
00:57:40Come on.
00:57:42See, you can't change your mind once you're zipped in.
00:57:47Here we go, beautiful.
00:57:56Come on.
00:58:02Mmm.
00:58:18You're good.
00:58:20Maybe we could even do it again sometime.
00:58:23But no complications, understood?
00:58:32Come on.
00:59:02Mmm.
00:59:32Mmm.
00:59:43Meow.
00:59:55Meow.
00:59:57Meow.
00:59:59Meow.
01:00:01Meow.
01:00:04Meow.
01:00:06Meow.
01:00:10What do you want?
01:00:12Just old bottles and newspapers and junk.
01:00:15Get out of here.
01:00:17Get out of here!
01:00:32Oh.
01:00:41Ah.
01:00:43Well, when are we going to have another go?
01:00:45Who knows?
01:00:47But didn't you like it?
01:00:49Tremendously.
01:00:52Then can't you tell me, like, when you think you're going to be free?
01:00:55I'm always free. Ciao.
01:00:57Ciao.
01:01:02Hey!
01:01:06You almost gave me a heart attack.
01:01:08What are you doing here in the dark?
01:01:10What is it?
01:01:12Are you all right, Irene?
01:01:14An awful thing just happened, Flo.
01:01:17With that beastly cat.
01:01:20And now I'm so afraid.
01:01:23So terribly afraid.
01:01:25And you are?
01:01:28So terribly afraid.
01:01:30And you are the only one who can help me.
01:01:33Hey, take it easy.
01:01:35Calm down.
01:01:37Come on, tell me.
01:01:39Tell me what happened.
01:01:41Well, it's about Satan.
01:01:45That little monster is diabolical.
01:01:58Ah!
01:02:08Ah!
01:02:10Irene!
01:02:16My wife's dead.
01:02:18Oh, cut it out.
01:02:20What did you buy that awful stuff for, anyway?
01:02:22Awful stuff? It was a question of taste.
01:02:25Satan's favorite meal is sheep eyes and cream.
01:02:28Irene. Irene, come on, it's nothing.
01:02:31Why don't you get some brandy?
01:02:33Or at least a glass of water, for God's sake.
01:02:35I guess Satan's in love, too, at the moment.
01:02:38I haven't seen him since yesterday.
01:02:46You know, if life had only granted me someone like you before,
01:02:49it all would have been so different.
01:02:52You're so beautifully fresh.
01:02:56Go away! Away!
01:02:58Calm down, it's all over.
01:03:00You just had a little shock, that's all.
01:03:02Here, drink this. That's it.
01:03:16Now, don't be scared.
01:03:18He's still totally unaware.
01:03:22And luckily, the cat's disappeared.
01:03:53Is this how the colored girl looked when you murdered her?
01:03:57All right, I don't look like Mary Stuart.
01:04:01But then, you're no Earl of Leicester, either.
01:04:04I've done some research on the subject.
01:04:07It's quite a story, two queens struggling against each other.
01:04:10Extremely enlightening.
01:04:15And what's Irene's story?
01:04:19That she's stuck here with a drunken, homicidal maniac?
01:04:23No, nothing like that.
01:04:25It's just that, with all that's gone on here lately,
01:04:28she's frightened out of her wits.
01:04:32And you?
01:04:34You say a lot more when you're willing to look.
01:04:37Yesterday, when you were spying on us in that loft,
01:04:40of course I saw you, it had to be you.
01:04:42I kept thinking of how it would have been to have had you in that bag there.
01:04:46And you?
01:04:48I see you're the cheap piece of tail I thought you were.
01:04:51And do you really have the imagination you claim?
01:04:55Take this dress off right now.
01:04:58You rip it off my shoulders.
01:05:01Strip me down.
01:05:46Strip me down.
01:06:16No.
01:06:23It's all right.
01:06:28Irene!
01:06:35Irene.
01:06:38Where did these come from?
01:06:41Do you mind answering me, Irene?
01:06:46I lost the other one, so...
01:06:49It's like a new pair.
01:06:51It's odd.
01:06:53Why?
01:06:55The cat's been gone now for two days.
01:06:57He hasn't come around at all, not even to eat.
01:06:59Don't you find that rather odd?
01:07:03What have you done to him? Have you hurt him?
01:07:06Are you crazy? Why should I hurt the cat?
01:07:09Because you would have loved to have hurt him.
01:07:13And I know why.
01:07:15Because you hate poor Satan. Because he belonged to my mother.
01:07:18And because now he belongs to me like you never did.
01:07:20Because he's a part of me like you can never be.
01:07:22Because you're a stinking, rotten, lousy slut!
01:07:26Please, Oliviero.
01:07:28Please stop it.
01:07:30I can't take this torture anymore.
01:07:32It wouldn't take much of a push. One small push.
01:07:35You're hurting me.
01:07:37You're hurting me.
01:08:07No.
01:08:22Captain, can I ask you a question?
01:08:24Well, I'm not a... Ah, good morning, Mrs. Molinaz.
01:08:27Good morning. Can you help me? I'd like to speak to the police general.
01:08:30Yeah, well, you'll find him over at the station. You see that sign there?
01:08:34Oh, thanks. Good morning to you.
01:08:36Good morning, ma'am.
01:08:59You wish he were dead, don't you?
01:09:02I know life is hell for you. I've seen it. Why do you stay?
01:09:05He'd never let me go. Never.
01:09:09You could be wrong.
01:09:11He told me last night he wants to kill you.
01:09:14No. Destroy his plaything, his victim.
01:09:17He wouldn't think of it.
01:09:20It's just his way of bragging.
01:09:22What he really wants is to go to bed with you.
01:09:24He already has.
01:09:27Jealousy. You're jealous, Irene.
01:09:29No, not the way you think.
01:09:33He's a failure, not only as a writer, and he knows it.
01:09:37And refuses to acknowledge it.
01:09:40Perhaps that's the cause of the whole thing.
01:09:43Have you ever, like, thought of ending the whole thing once and for all?
01:09:46It would really be quite simple.
01:09:49Quite simple?
01:09:51You just have to choose the method, that's all.
01:09:54Like, for instance, a picnic with a tragic ending.
01:09:58The husband slipping and going over the precipice.
01:10:00The inconsolable widow.
01:10:02Doesn't it sound romantic?
01:10:31Mmm.
01:10:40Now that I've found you, I can't take her anymore.
01:10:43Between her hysteria and your sex fixations, I can't take either of you anymore.
01:10:47You keep this up, I'm leaving.
01:10:52Now, I think you'd better go.
01:10:55Any moment she could walk in on us.
01:10:57And I have the least desire to watch another one of your spectacles.
01:11:01You're not going to see another spectacle.
01:11:05Because I'm getting rid of her this time.
01:11:08But please don't leave me.
01:11:10I've reopened the wall in the cellar, there's plenty of room for her in there.
01:11:13I swear, this time I'm serious.
01:11:16You're drunk. Get out of here.
01:11:27Meow.
01:11:34Meow.
01:11:41Meow.
01:11:49Meow.
01:11:57Meow.
01:11:58Meow.
01:11:59Meow.
01:12:25You were spying on me, weren't you?
01:12:27That's it, I'm going to break your bloody neck.
01:12:34You watch it. Just watch it.
01:12:57Oh.
01:13:27You watch it.
01:13:43What do you want?
01:13:44Come on down.
01:13:45I can't. What do you want?
01:13:46I'm racing tomorrow. I've got to leave early in the morning.
01:13:48But so what?
01:13:49So why don't you come along?
01:13:50It's over at Chesnotico.
01:13:52If I win this one, I'll be up for a contract to race for a manufacturer.
01:13:55I'll meet you down at the bridge at 8.
01:13:57Come on. We'll have a ball.
01:13:59Get out of here, or you'll wake everyone.
01:14:01Not till you tell me you'll be there.
01:14:03All right, I'll be there. Now go.
01:14:06Ciao.
01:14:55♪
01:15:15♪
01:15:44♪
01:15:54♪
01:16:14♪
01:16:24♪
01:16:52Such a simple stuff, wasn't it?
01:16:55I was beginning to wonder if you'd ever take it.
01:16:58No, I didn't know what I was...
01:17:01Look at this. Look what it says.
01:17:04I mean, he was gonna kill me for real.
01:17:06He already opened up the wall in the cellar right next to the colored girl.
01:17:11You can tell your side till you're blue in the face.
01:17:14You're still going to spend the rest of your life in prison.
01:17:18Yes. You know, judges are almost always married.
01:17:23And they're not about to absolve a wife who has...
01:17:27It's a matter of...
01:17:30Defending a privilege.
01:17:36My mother once told me that Auntie Esther had a valuable set of jewels.
01:17:44Where are they?
01:17:45They're no use to you now, and I'll inherit them anyway.
01:17:49No, please, Flo, don't. Please don't talk like that.
01:17:52She would take the jewels with my blessing. I don't...
01:17:54I mean, my God, I couldn't care less.
01:17:57But don't run out on me.
01:18:00Partners, huh? All right.
01:18:03Let's get rid of the body.
01:18:05Okay.
01:18:36Here. This is all there is.
01:18:39I've no idea what they're worth, and I don't want to know.
01:18:44Her taste was awful.
01:18:46But then value is what I'm interested in.
01:18:49Auntie Esther's lovers gave her these, and they were all rich men.
01:18:57Take them. They're all yours.
01:19:06Well, I think I'd better be on my way.
01:19:09No, not yet.
01:19:11Please, I'm afraid.
01:19:13Yes, I believe you are. It's your problem now.
01:19:16So start facing up to it.
01:19:19What are you going to say about Oliviero?
01:19:21That he went to...
01:19:24He's gone on a cruise, and in a month I'll...
01:19:29I don't know. I'll just leave, I guess.
01:19:32Well, it was some little vacation.
01:19:35Ciao.
01:19:36Please stay, Floriana. Just for tonight, would you?
01:19:40Please, Floriana, don't go.
01:19:43Tonight, but tomorrow I go.
01:19:45Tonight, but tomorrow I go.
01:20:01No.
01:20:05Don't you think that my way of making you feel sleepy is far nicer?
01:20:15No.
01:20:45I love you.
01:21:15I love you.
01:21:45I love you.
01:21:58Floriana?
01:22:10Floriana?
01:22:15Floriana?
01:22:21Floriana?
01:22:45Floriana?
01:23:16Who is that there? Why did you ask me to stay?
01:23:19Were you planning to kill me?
01:23:22Oh, no.
01:23:45Pete.
01:24:16Floriana, what are you going to do?
01:24:22Floriana!
01:24:31Floriana!
01:24:45Floriana!
01:25:01She's sure to be at the bridge at eight now.
01:25:04She has no other choice.
01:25:06Yes.
01:25:08It'll be the end and the start of everything.
01:25:16No.
01:25:20You came to the end you deserved.
01:25:24I'm only sorry you suffered so little.
01:25:33I only pray that there is some kind of life after death.
01:25:38Because then your mother will be there to tell you just how long my vengeance has taken.
01:25:43Since I started by killing her.
01:25:47And I saw to it that you could lie together with your little black slave for eternity.
01:25:53You hear me, Oliviero?
01:25:55Yes.
01:25:56Yes.
01:25:57It was I who had your darkie killed.
01:25:59Simply for the delight of watching you begin to think you might actually have done it yourself.
01:26:06It was so easy.
01:26:08So easy with your memory drowned in alcohol for me to slash away until your last scrap of self-confidence was ripped to shreds.
01:26:21Oh, I destroyed you, yes.
01:26:24Little by little.
01:26:26Hour by hour.
01:26:30And I was going to go on destroying you and see you burst with madness.
01:26:35Until I found out you wanted to get rid of me as well.
01:26:39But I hope somewhere, some part of you is still alive.
01:26:44So that you can go on suffering forever.
01:29:04I love you.
01:29:34I love you.
01:29:57It went off slick as oil.
01:29:59It was Charles' play.
01:30:01Even simpler than that colored girl.
01:30:04And the jewelry? Did you get it all back?
01:30:07All of it.
01:30:09She put it in a plastic bag, of all things.
01:30:11The bitch.
01:30:13Convinced she was the smartest thing around.
01:30:16The problem now is the two bodies.
01:30:19Why? It's a typical highway accident.
01:30:22I meant the two corpses in the cellar.
01:30:25They might be found.
01:30:28Come here, Walter. I want to show you something.
01:30:30How about bringing them up here in the middle of the night?
01:30:34What do you think?
01:30:40Far enough down for you?
01:30:49What can I say?
01:30:51It's a great idea.
01:31:00Ow!
01:31:31Hello, Mrs. Rouvigny.
01:31:35We're just about to give up and leave.
01:31:37No one answered the door.
01:31:40Good morning.
01:31:41Mrs. Rouvigny?
01:31:42Back again?
01:31:43I mean, we thought it was all settled.
01:31:45Because where you see my husband, my husband's away and...
01:31:48No, no, it's you we're here for.
01:31:50You're accused of a gross crime, Mrs. Rouvigny.
01:31:53A crime?
01:31:54Yes. Torturing a cat.
01:31:56A cat?
01:31:57Yeah, it sounds silly, but it's just one of those things we have to look into.
01:32:02Mrs. Molina, the old gentleman,
01:32:04I understand that she worked for your husband's mother,
01:32:06Countess Esther Rouvigny, at one time.
01:32:08Yes, I know her.
01:32:09Well, she filed a formal complaint, so...
01:32:12The truth is, you see, raising white doves is a hobby of mine
01:32:15and that beast was always doing his best to make a meal of them, so I...
01:32:18It's the law of nature.
01:32:20I'm sorry.
01:32:21I understand.
01:32:22I just thought I'd talk to you first before calming down the old lady.
01:32:25I'm sure she only did it out of the goodness of her heart.
01:32:28If you'll write out a statement for us.
01:32:31Do you want to come in?
01:32:32Yes, thanks.
01:32:33I hope you'll accept a drink.
01:32:35Well, I shouldn't.
01:32:36But for some reason, I can't get the feeling I'm on duty investigating a cat.
01:32:44Thanks.
01:32:47I'm sorry.
01:32:49Thanks.
01:32:53Here you are.
01:32:54Thank you.
01:32:55You're welcome.
01:32:56To your health, Mrs. Rouvigny.
01:33:00And to the cat's, too.
01:33:03That's him in the picture, isn't it?
01:33:05Yes.
01:33:07Did you hear that?
01:33:09The cat seems to know that we've come on his account.
01:33:14Black infernal beast, I...
01:33:17He frightens me, Inspector.
01:33:19There's something about him, I...
01:33:27I...
01:33:29I...
01:33:31I...
01:33:33I...
01:33:35I...
01:33:36No, no, don't worry about it. It...
01:33:47Sounds like it's coming from that door down there.
01:33:50It leads to the cellar, but that door's always shut.
01:33:53Well, it's open now.
01:33:55If we find him, we'll get rid of him for you.
01:33:57No, no.
01:33:58My husband's very attached to him, and...
01:34:01And he'd be awfully mad if the cat weren't here when he came home again.
01:34:07From his meowing, it sounds like he's hurt.
01:34:09I think we'd better have a look.
01:34:10But...
01:34:11I...
01:34:30I don't see him.
01:34:31Some great ventures here.
01:34:33Barolo.
01:34:34Catinara, 51.
01:34:36Cabernet.
01:34:38Brunello, 56.
01:34:40Funny, I swear this is where the meowing was coming from.
01:34:44This one here is worth a fortune.
01:34:46I'm afraid I wouldn't know.
01:34:51Well?
01:34:52I don't know. It seems he isn't down here.
01:34:54Since you enjoy wines, here, take one if you like.
01:34:57You're being much too generous.
01:34:59And I'm not sure your husband would...
01:35:00Oliviero would insist. Please take it.
01:35:02How can I refuse?
01:35:04Thanks very much.
01:35:05You're welcome.
01:35:10Come on.
01:35:29Now, there's a hole in the wall.
01:35:31Looks like it's been dug out from inside.
01:35:34And the plaster all around it is fresh.
01:35:40He's there.
01:35:42He's in there.
01:35:44The little monster is in there.
01:35:46That's a souvenir.
01:35:48Calm down.
01:35:50Take it easy. There's nothing to be afraid of.
01:35:53He wants me to die, to be destroyed.
01:35:56He's a monster.
01:35:57He's Satan.
01:36:01He's Satan.
01:36:10He's Satan.
01:36:40You