Beautiful young model Jennifer Lansbury and her goofy friend Marilyn Ricci move into a swanky high-rise apartment after the previous tenant gets brutally murdered. Pretty soon Jennifer is being stalked by the mysterious killer. Probable suspects include a predatory lesbian neighbor, a weird old woman and her deformed son, and even the building's handsome architect who suffers from a severe blood phobia.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00Hello, hello, Lona, yes, come on up, I'm alone.
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00:04:45Good afternoon.
00:04:53What's wrong? What is it?
00:04:55Señora Moss, do you happen to know her?
00:04:58I don't think she's a tenant, but I could be mistaken, though.
00:05:01I never saw her. Why ask me?
00:05:04I know the poor girl doesn't belong to this apartment.
00:05:07Young lady, do you know her?
00:05:09No.
00:05:13I think I'd better go now. I've got to be at rehearsal in an hour.
00:05:16My name's Miser Harry.
00:05:18I don't know you.
00:05:20I've got to be at rehearsal in an hour.
00:05:22My name's Miser Harrington, if anybody wants to know.
00:05:24I'm down there in 81.
00:05:40The girl's been murdered here, if you must know.
00:05:47What do you think of this one?
00:05:49Black, but not too black.
00:05:51Yeah, she's a beautiful girl, Arthur.
00:05:53But tell me, what has she got to do with the rentals?
00:05:55Andy, what sells beer when you come right down to it?
00:05:58How should I know? How about alcoholic content?
00:06:01No, what sells beer is a bare-ass broad holding a barrel,
00:06:04or a bottle, or a beaker right here, between her tits.
00:06:07But I'm selling apartments. I don't need it.
00:06:09I know what you're selling. You still need a broad.
00:06:11Sell refrigerators, sell coffins, sell automobiles, sell coconuts.
00:06:15Sell whatever you like.
00:06:17A man's hat, it doesn't matter.
00:06:19You've got to have a nude in there somewhere.
00:06:21There's a pool, isn't there, in this instant slum you're constructing?
00:06:24Naturally. Naturally. And she shows that the pool is integrated.
00:06:27Miser gives that aura of a beach in Tunis.
00:06:30Look better than her, you'll never have.
00:06:32She's the best model I know.
00:06:34I'm going to slap you in the face.
00:06:36Slap me, darling. I love it.
00:06:48Another pal of Arthur's.
00:06:50Well, now.
00:06:52They're okay, for certain things. Publicity.
00:06:55But what you need is Miser. Take my advice.
00:06:58I bet she'll sell your apartment houses,
00:07:00or I'll eat this camera whole, along with the exposure meter.
00:07:04All right, down to business. Almost ready?
00:07:06Ready.
00:07:07Turn around.
00:07:08Still think the neckline's too high, but that's what you wanted.
00:07:11You are marvelous.
00:07:13Positions.
00:07:15Let's get serious. Hold it.
00:07:21Jennifer.
00:07:23Who the hell are you watching?
00:07:25This is where you watch.
00:07:27Positions.
00:07:38Are there any volunteers tonight who would like to try?
00:07:42Come on, now, gentlemen. Don't be shy.
00:07:49If you want me as your slave, come and get me.
00:07:51The rules are simple.
00:07:53A three-minute round. That's all.
00:07:56Who wants to be first? You?
00:07:59Who wants to try it? Don't be afraid.
00:08:02Every man here will get his opportunity to take on Miser.
00:08:06Win one round, and I'm yours.
00:08:09All yours.
00:08:11Get up and prove to me you're a man.
00:08:14Come love me. I'm just dying to be dominated by a rugged, powerful He-Man.
00:08:21Doesn't anyone want me for his slave?
00:08:24Just three minutes in the ring.
00:08:26Come on. Who'll try?
00:08:30You. You look like a real tough guy.
00:08:33Come on, handsome. Show your stuff.
00:08:36Let's you and I do it.
00:08:38Yeah, why don't we do it? What do you say?
00:08:41I'll do it. You bet your match, kid.
00:08:44Get ready. Winner takes all.
00:08:46All you can handle, and you might be the lucky one.
00:08:49So hurry up and come on and begin. Three minutes, remember.
00:08:52Over here, muscles.
00:08:56Come on. Come to Miser. Show your stuff.
00:09:09Try again.
00:09:13Come on, big boy. Be a man.
00:09:38Come on.
00:10:08Come on.
00:10:38Come on.
00:10:49Please.
00:11:00Very good.
00:11:02Hey, come back here.
00:11:04Your three minutes are up, buddy, and there's no overtime.
00:11:08Get your hands off me. Let go of me.
00:11:11What is this? Let go.
00:11:29Listen.
00:11:31I'd like to see your entertainer.
00:11:34Is it possible to fix up an appointment?
00:11:42Head up.
00:11:44That's nice. Like that.
00:11:46Give me more. More now.
00:11:48Profile.
00:11:52One more.
00:11:54Look at him. Tease him. Torture him.
00:11:58That's it. You're heartless and cruel.
00:12:02Divine. Yes.
00:12:05Yes, darling. Make him want you.
00:12:08I'm driving wild.
00:12:10You could almost drive me wild.
00:12:13Divine. Now back.
00:12:15Heavenly. Irresistible. A goddess.
00:12:18But so vulnerable. So human.
00:12:20Now look here. Look at me.
00:12:24Adam.
00:12:26Don't move an inch.
00:12:28No!
00:12:30Hey! Stop!
00:12:32What's that silly bitch doing?
00:12:34She must be crazy! She must be crazy!
00:12:37Crazy! Crazy!
00:12:45Jennifer, you feel sick, baby?
00:12:48No, I'm better now.
00:12:50Those lights were so dreadfully hot.
00:12:53I thought I saw...
00:12:55You've been at this three hours. It's too much.
00:12:58There's no money in it.
00:13:00Go back to stripping.
00:13:02I'm so exhausted. Forgive me.
00:13:04It happens all the time.
00:13:06Even with professionals.
00:13:08Cheer up, baby. It's Saturday.
00:13:10I'm going to take in a movie with Angelo, that ball-breaker.
00:13:13Ciao.
00:13:28Ah!
00:13:58Adam!
00:14:20I had the impression you appreciated flowers.
00:14:29They are the symbol of what our group has formed.
00:14:34A single body made up of many members.
00:14:38As this flower has many petals.
00:14:47I'm sorry.
00:14:49I'm sorry.
00:14:51I'm sorry.
00:14:53I'm sorry.
00:14:55I'm sorry.
00:14:57I'm sorry.
00:15:16This is your body.
00:15:18And your body is one with us.
00:15:20I belong to the group.
00:15:22And the group is mine.
00:15:28You belong to us now.
00:15:30You pledged yourself.
00:15:32You swore to us and me above all.
00:15:34You're my wife. Remember that.
00:15:36Don't expect any more out of me, Adam.
00:15:38Please, I'm tired of this pressure.
00:15:40I want you to return to us again.
00:15:42I need nobody but you.
00:15:44You never loved me. Not really.
00:15:46You pretended to. You're the type that feeds on jealousy.
00:15:49No, Adam. I couldn't stand making love with others.
00:15:58I'm sorry.
00:16:10It's the only way you can really be free.
00:16:13Beautiful like some wild flower.
00:16:16You're not any man's special girl.
00:16:18Because any man can take you.
00:16:21But I feel so ashamed.
00:16:24I need to belong to someone.
00:16:27No one else.
00:16:29Adam, please stop. It's all over for us.
00:16:31I'm not the same woman.
00:16:33You must see how much I want to forget.
00:16:35Please leave me alone.
00:16:37Just answer me this.
00:16:39Who is he? Who?
00:16:41Tell me about this man of yours.
00:16:43Please!
00:16:45This will help you to remember...
00:16:48what our love was like.
00:16:50And forget all other men.
00:16:52No!
00:16:55I swear that you'll come back to me but crawling on your knees.
00:17:22I'm sorry.
00:17:52I'm sorry.
00:18:22I'm sorry.
00:18:52I'm sorry.
00:19:04So hurry up and come on and begin.
00:19:06Three minutes, remember.
00:19:08Over here, muscles.
00:19:12Come on.
00:19:14I don't think you're very funny. Who are you?
00:19:23Try again.
00:19:27Come on, big boy.
00:19:29Be a man.
00:19:52Come on.
00:20:22Come on.
00:20:45Please let me out of here.
00:20:47No.
00:20:49I don't want to drown.
00:20:52No!
00:20:54No!
00:20:56Untie me, please.
00:20:58I'll do anything you want.
00:21:03No!
00:21:21Commissioner, can we let the water out?
00:21:23I'd like to get one dry one.
00:21:25Wait, I'll do it.
00:21:35Well, what do you know, doctor?
00:21:37I'd estimate the death took place around six hours ago...
00:21:40but a simple lab test would be more precise.
00:21:42Let's hope that it is more precise.
00:21:44Try to get me that data today if you can.
00:21:46Up till now, our only concrete bit of evidence...
00:21:48is the impression of rubber sole shoes.
00:21:50There are fingerprints all over the carpet.
00:21:52It's something to work on.
00:21:54It's living in this city of some two million inhabitants.
00:21:56Who doesn't own a pair of rubber sole shoes?
00:21:58Any luck?
00:22:00No, no fingerprints, commissioner.
00:22:02All that we found was this little article here...
00:22:04stuck in between the lamp bulb and the socket.
00:22:06A lot of trouble to get the lights out.
00:22:08And I found this, too.
00:22:10Amazing.
00:22:12Imagine finding this by accident.
00:22:14What is it, evidence?
00:22:16It's a Jamaican airmail.
00:22:18Coronation.
00:22:20Amazing.
00:22:24Is that stamp really a clue?
00:22:26It's very important.
00:22:28Only it's for the commissioner.
00:22:30For your information, he has quite a collection.
00:22:32And what's your story?
00:22:34I brought lunch up to her.
00:22:36The door was open.
00:22:38She always orders a ham salad special plate.
00:22:40So I walked in and saw the bathroom light on and...
00:22:42Yeah, I know.
00:22:44Didn't we see you just yesterday about a murder?
00:22:46Yes, I'm Mrs. Moss, commissioner.
00:22:48I heard the kids' hysterical yelling.
00:22:50Understand, I'm always at home these days...
00:22:52because I can't afford to go out.
00:22:54Who can?
00:22:56Can you imagine what it's like being an elderly war widow?
00:22:58No, but I know what I'll get when I retire...
00:23:00and it's not much.
00:23:02Two killings like this in 24 hours.
00:23:04We earn what we get.
00:23:06The newspapers say there's a crime committed...
00:23:08somewhere in this town at the rate of three per minute.
00:23:10Is that a fact?
00:23:12Amazing.
00:23:14You see, they're not all murders.
00:23:16They don't all happen in the same building.
00:23:22The girl in the elevator was a high-class hustler.
00:23:24She lived down the street at number 713.
00:23:26The neighbors were almost unanimous...
00:23:28that she wasn't a nice girl.
00:23:30Maybe she was on her way to see a customer.
00:23:32The other girl, Mazar Harrington...
00:23:34did some kind of strip number in a casino.
00:23:36One of those clubs where they won't let you in...
00:23:38unless you pay a membership fee.
00:23:40A private club, I know.
00:23:42And I happen to know this one.
00:23:44I know the proprietor.
00:23:46Nice guy.
00:23:48Might even do you a favor when there's money in it.
00:23:50What did the autopsies say?
00:23:52Were they sexually molested?
00:23:54Oh, no, nothing like that.
00:23:56One stabbed to death and the other one drowned.
00:23:58But no carnal violence at all.
00:24:00I mean, that's what the medical report says.
00:24:02Mm-hmm.
00:24:04I want you to take a look at this.
00:24:08Well, I'm looking at it, so what?
00:24:10The stamp isn't worth anything. It's worthless.
00:24:12It's a letter that's interesting. You can forget the stamp.
00:24:20My dearest darling.
00:24:22Sin is as black as you.
00:24:24And your color has already started to corrupt me.
00:24:26That type of letter impress you as normal?
00:24:28It's not even signed.
00:24:30It's just some type of scribble.
00:24:32Like an S.
00:24:34Yeah.
00:24:36Have you written a list of the people...
00:24:38in the same building, Renzi?
00:24:40Yes, 200 of them, more or less.
00:24:42But most of them are at work during the morning.
00:24:44But you don't go and write letters to a person...
00:24:46who's in the same building.
00:24:48You do when you're madly in love.
00:24:50What is it, Curious?
00:24:52Now, the job you and I have to do...
00:24:54gets more and more difficult.
00:24:56Mm-hmm.
00:24:58A girl can get murdered for no motive at all.
00:25:00Talk about luck. You really picked a winner.
00:25:02Oh, yummy. Thank you, dear.
00:25:04It's hard to find a girl with a body...
00:25:06like Frankenheit.
00:25:08How about those other girls?
00:25:10Don't worry. You got a deal.
00:25:12They need an apartment, don't they?
00:25:14As long as there isn't blood all over the place.
00:25:16Ah. Most people wouldn't go near that pad...
00:25:18after what's gone on there.
00:25:20Hey, look.
00:25:22Hi, Arthur.
00:25:24Tell us. What happened, anyway?
00:25:26Here's what happened. He got the lease.
00:25:28Talk about Santa Claus and Merry Christmas.
00:25:30Oh, let's see.
00:25:32This is called a site.
00:25:34You're being very kind to us.
00:25:36Oh, I can't believe my eyes.
00:25:38Look at all that space.
00:25:40Bet you guys that there's even a potting shed to grow pot in.
00:25:42Arthur told me that you were living in a cold-water walk-up.
00:25:44Sounds like a miserable little place.
00:25:46Not that what I have could be considered...
00:25:48in any way regal.
00:25:50I think it'll be okay.
00:25:52Paint's peeling in places a bit here and there.
00:25:54It's comfortable.
00:25:56It's the place where they murdered Mezar.
00:25:58Oh, I did tell you, didn't I?
00:26:00No.
00:26:02Life goes on.
00:26:04It's the only method possible to empty an apartment.
00:26:06I want Andrea to be the first guest to sample our hospitality.
00:26:08Don't you, Mary?
00:26:10Of course.
00:26:12Except, Andy, you never know.
00:26:14The goose that laid the golden egg.
00:26:16That's what that girl meant to this club.
00:26:18Yeah, I can imagine.
00:26:20Until somebody decided to wring her neck.
00:26:22I was broken up.
00:26:24I'll bet you were.
00:26:26Now, don't make fun of me, Commissioner.
00:26:28Look, my customers here wanted entertainment.
00:26:30Yeah.
00:26:32And Mezar knew how to entertain.
00:26:34But to me, she was more than just a stripper.
00:26:36More than...
00:26:38Get to the point.
00:26:40The point is, her act was getting more and more...
00:26:42Spirited.
00:26:44Well, yes.
00:26:46She would never fool around with a clientele, though.
00:26:48She didn't take in private customers, either.
00:26:50Ah, a real lady.
00:26:52She was only dedicated to her work.
00:26:54What a poor girl.
00:26:56Finelli, you ought to run a finishing school in here.
00:26:58Damn it, Finelli.
00:27:00You've got a record as long as both my arms and legs together.
00:27:02Tell me something.
00:27:04Did that star attraction ever once lose a three-minute game she played?
00:27:06No. They couldn't out-beat her.
00:27:08Well, say some night some brute beat her.
00:27:10What would have happened to her then?
00:27:12What do you think would have happened?
00:27:14Business is business. The guy who beat her would have to be paid.
00:27:16And that means you'd have to make the girl right here in front of the whole crowd.
00:27:18I repeat that such a thing never happened.
00:27:20In three minutes, it's not possible to do so.
00:27:22Yeah. The guy who murdered her took a lot more time.
00:27:24Who knows?
00:27:26I want the names of those gentlemen who were here last night.
00:27:28All high-class members whose names are a closely kept secret, no doubt.
00:27:30Whom my clients are does not concern the authorities.
00:27:32Commissioner, the laws and bylaws of this club do not provide for giving in...
00:27:34Do not provide an excuse for closing down your casino.
00:27:40You know, Renzi,
00:27:42the reputation the police have for being brutal to make people talk?
00:27:48A perfectly good reputation.
00:27:50Now, listen, Finelli.
00:27:52You give me all the names of those people who were in this dive last night,
00:27:54and I want the name of the guy who fought with that negro girl.
00:27:56Or this place gets shut, understand?
00:27:58I'll give you the names.
00:28:00You won't close the place, will you?
00:28:04It's not a bad little place, is it?
00:28:06No.
00:28:08Oddly enough, it's the first time I've been in the building.
00:28:12That girl, where did they find her?
00:28:16In the bathroom.
00:28:18I saw the photos in all the newsstands.
00:28:20Hey, what are you two doing in there?
00:28:24We finished.
00:28:26You're drying out the bed?
00:28:28Jealous?
00:28:30Why should I be? Jennifer and I always share everything.
00:28:34I only said it so everybody would laugh.
00:28:36No, Archie, I get motion sickness.
00:28:38Here, Jennifer, open this, please.
00:28:40Before we eat, I want to take a shower.
00:28:42And you open this, huh?
00:28:48I'll do it for you.
00:28:50No, you open the wine.
00:28:54Oh.
00:29:02But I only cut my finger.
00:29:04Hey, you look green. What's the matter?
00:29:10The sight of that...
00:29:12That blood, I'm sorry, but it always...
00:29:16I know it's silly.
00:29:18I'll get some iodine to put on it.
00:29:20And you eat something.
00:29:22Okay.
00:29:34Hi, there. Excuse me, do you have some iodine or some alcohol?
00:29:36It'd just be great.
00:29:38The fact is, my girlfriend just stuck a can opener into her hand.
00:29:48The world would be a happier place
00:29:50if everyone had the same phobia about blood as myself.
00:29:52Who needs blood?
00:29:54Strangle, it's the clean way.
00:29:56Mizar Harrington.
00:29:58It was you. There's no blood killing that way.
00:30:02Is it so amusing to you?
00:30:04Excuse me, I'm heading for the showers.
00:30:10She's a funny girl.
00:30:14But sometimes she just doesn't think.
00:30:16It's my fault, not hers.
00:30:18I wish I could forget Mizar.
00:30:20She was a beautiful girl.
00:30:24Yes, she was.
00:30:26Did you know her well?
00:30:28Only by her photograph. We never actually met.
00:30:36Can you hear a violin?
00:30:44Pretty.
00:30:46It must be that retired university professor in the apartment next door.
00:30:50But before you told me, you'd never visited the building.
00:30:56No. The fact is, our office gets I don't know how many irate phone calls each day.
00:31:00And half of them are about the professor who plays his violin into the wee small hours.
00:31:04I came up here with the idea that you'd feed me.
00:31:06Marilyn, come on, supper's ready.
00:31:10You call her or we'll be here till midnight.
00:31:16Marilyn, dinner's ready.
00:31:26Marilyn, come on, are you finished yet?
00:31:28Please answer.
00:31:32Marilyn.
00:31:34Answer me, Marilyn.
00:31:46I'm a ghost.
00:31:50Marilyn, have you gone crazy tonight? What's with you?
00:31:52My God, this is where they murdered that girl Mizar.
00:31:54Murder isn't a joke for heaven's sake, you idiot.
00:31:58Hey, big boy, what's the matter?
00:32:00You act like you did it.
00:32:04After that, it wouldn't surprise me if he made us move out.
00:32:06All right, I won't take baths anymore.
00:32:08Only showers.
00:32:10Oh, boy. He's strange, that one, I'm telling you.
00:32:12Why?
00:32:14He'll just turn his stomach and he won't let anybody talk about that black girl.
00:32:16Besides, he hit me.
00:32:18Pretty nearly cracked the jaw.
00:32:20Oh, my ear.
00:32:22I must be nuts. Do you hear a violin or is it my imagination?
00:32:26Marilyn, for God's sake.
00:32:44You'll be with her, haven't you?
00:32:46And she belongs to me.
00:32:48Well, you won't have her, you bastard, because she's mine, mine.
00:32:50Are you crazy?
00:32:52No one's gonna have her except me. Jennifer belongs to me.
00:32:54Soul and body, she's mine.
00:32:56And I'll kill anyone who comes near her.
00:33:10Mighty nice.
00:33:12We should put up all of our headquarters.
00:33:14Our place could use some good artwork.
00:33:16Not bad, huh, Commissioner?
00:33:18Yeah.
00:33:20You know, it strikes me
00:33:22the reason everybody says that religion is dead
00:33:24is because they've been led to believe
00:33:26they'll be just spirits when they die.
00:33:30I prefer to follow Islam, where paradise is
00:33:32palm trees and lovely girls.
00:33:34Islam?
00:33:38Paradise like that would be prohibited to minors under 21.
00:33:42And what fun would that be?
00:33:46We live in a degenerate age, Commissioner.
00:33:48Isn't she mouthwatering?
00:33:50Well, we're on the subject of publicity.
00:33:52Is that why you gave Andrea Barto that photo?
00:33:54The photo of Misa Harrington?
00:33:56Well, naturally, for publicity.
00:33:58Oh, honestly, you policemen are the limit.
00:34:00To think that Mommy and Daddy
00:34:02wanted me to be a civil servant when I grew up.
00:34:04Come on, have a drink.
00:34:06There's cognac, gin, there's
00:34:08garters, brassiers.
00:34:10You and Barto have been friends for a long time?
00:34:12Hmm.
00:34:16Ever since childhood.
00:34:18We went to school together.
00:34:20Hmm.
00:34:22What kind of a person is Barto?
00:34:24What kind of person?
00:34:26Uh, anything peculiar about him?
00:34:28Hmm.
00:34:30Some of us go wild with a camera,
00:34:32others specialize in little girls,
00:34:34and, uh, and so on.
00:34:36Well, Commissioner,
00:34:38between you and me,
00:34:40Andrea does have a peculiarity that I don't understand,
00:34:42and I'm afraid it's incurable.
00:34:44You see, he's absolutely mad about money.
00:34:46Thanks for the whiskey.
00:34:48No, underneath.
00:35:08Ah!
00:35:32Ah!
00:35:34Ah!
00:35:36Ah!
00:35:38Jennifer, what's wrong? You're hysterical!
00:35:40Are you having a nightmare? Why didn't you open the window?
00:35:44I didn't. It was a man.
00:35:46What's that again?
00:35:48What are you saying? You weren't dreaming?
00:35:50I saw him.
00:35:52It was a man.
00:35:54I couldn't tell in the dark.
00:35:56I screamed and he ran.
00:35:58Well, why didn't you ask him to stick around?
00:36:00You dreamed it all, you nut.
00:36:02Listening to that brute architect,
00:36:04I'm surprised you're seeing strange men every place.
00:36:06It turns your head all that scary talk.
00:36:08Marilyn, I really did see a man.
00:36:10Not his face, no.
00:36:12It was too dark, but he touched me.
00:36:14Ah!
00:36:34He's flown the coop.
00:36:36Dracula.
00:36:38I'm positive. I don't know how he got away.
00:36:42But you must believe me, he was here.
00:36:46You're just frustrated.
00:36:48What I think you need is to spend the whole night with a man.
00:36:50You made a big mistake going from
00:36:52group sex to a vow of chastity.
00:36:56Or did I scare you pretending I'd been drowned in the bath?
00:37:00I'm sorry, that was stupid.
00:37:02Well, anyhow,
00:37:04it's beddy-bye.
00:37:06Night now.
00:37:2010,000 a room.
00:37:24That makes it 50,000 an apartment, doesn't it?
00:37:28I guess I went into the wrong business, didn't I?
00:37:30It's too late now.
00:37:32At my age, a policeman's never going to save the money
00:37:34to buy an apartment like this one here.
00:37:36I'd like to stay and chat, but I need to earn
00:37:38a little of that money, too.
00:37:40I have a very important appointment, and it's getting late.
00:37:42How about making a simple telephone call
00:37:44and make your excuses?
00:37:46The place has no phone. It happens to be a new building.
00:37:54Did he say when he'd be here?
00:37:56What's that bird over there?
00:38:00The one with the big hat.
00:38:06Well, so what?
00:38:12Just watch me. Wait here.
00:38:18Hello.
00:38:20Why, hello.
00:38:22My pal and I just moved into that apartment
00:38:24where that negro girl lived.
00:38:26I meant to call on you. I'm next door, number 80.
00:38:28My name is Marilyn.
00:38:30Hello, Marilyn. Do you work in town?
00:38:32Mm-hmm.
00:38:34Sheila, did you ever make friends with that girl
00:38:36who was murdered or talk to her?
00:38:38Occasionally. We used to see each other on the stairs
00:38:40just in passing.
00:38:42I heard that she was rich,
00:38:44that whenever she worked, she made at least 70 a night.
00:38:46That's pure gossip.
00:38:48Are you that interested in making money?
00:38:50Mm-hmm.
00:38:54Sheila, my dear, who's your pretty young friend?
00:38:56Dad, this is our new neighbor, Marilyn Ricci.
00:38:58She just moved in next door.
00:39:00Hello.
00:39:02Marilyn.
00:39:04I'll go along home in case he decides to phone up.
00:39:06Okay.
00:39:08Lovely, isn't she, Dad?
00:39:10Jennifer's the beauty in our family.
00:39:14Is she your sister?
00:39:16No. Pals.
00:39:26Hi, Dad.
00:39:56Now, I'm not making an accusation, Mr. Bartow.
00:39:58I just want to get things straight.
00:40:00And I'm not blaming you for anything.
00:40:02In fact, given your chances,
00:40:04I probably would have acted the same way myself.
00:40:06Well, sure, we're all human,
00:40:08and every man wants a black girl,
00:40:10as gorgeous as she was.
00:40:14Sin can be as black as you,
00:40:16and your color has corrupted me.
00:40:18Look, Commissioner,
00:40:20I'm not interested in your sex fantasies.
00:40:22You didn't come here for that, did you?
00:40:24You might say so.
00:40:26In a certain sense.
00:40:38Hello.
00:40:48Get out of here.
00:40:50I'll call the police.
00:40:52Go ahead.
00:40:56Say your husband came to violate you.
00:41:06Don't be afraid.
00:41:08I'm the man you married, remember?
00:41:10I'll teach you.
00:41:18I'll tell you as I tore the petals of the iris.
00:41:20You're an object and you belong to me.
00:41:22From the day of our celestial marriage,
00:41:24you belong to me.
00:41:30Well, what is it?
00:41:32What is it? You paid it, remember now?
00:41:34The night you had dinner with Mieser-Harrington at her club.
00:41:36You left the place with her afterwards.
00:41:38Yes, Commissioner, but I really...
00:41:40Mr. Bartow, there's nothing criminal about dinner for two at a nightclub.
00:41:42Nothing at all.
00:41:44But you shouldn't be surprised that you were seen,
00:41:46because a girl like that is bound to be noticed
00:41:48wherever she goes, and, well,
00:41:50we live in a very, I would say, provincial town.
00:41:52But, Commissioner, we ate together,
00:41:54and when we were finished, I got a...
00:41:56Yes, yes, I'm aware of that, quite aware of that.
00:41:58You flied a taxi and went home.
00:42:00The police can always be relied upon for thoroughness.
00:42:02Oh, come now.
00:42:04You mean to say, Commissioner, that you thought I might be a suspect,
00:42:06that I could go crazy and murder a girl like that?
00:42:08Well, you took plenty of time
00:42:10before you even admitted you'd met the girl.
00:42:12I wasn't really involved with her.
00:42:14Sure, any man might do just the same,
00:42:16but the fact of the matter is that you can go to jail
00:42:18on circumstances like that.
00:42:20First we get a prosecuting attorney to present the facts.
00:42:22Then we have a young architect
00:42:24who likes far-out entertainment.
00:42:26Then the body of a girl is found in an elevator,
00:42:28and the girl who found the corpse
00:42:30is drowned in the same apartment house.
00:42:32And by a coincidence, which seems to me pretty phony,
00:42:34the last person to see that poor girl alive
00:42:36is the architect, who so very conveniently
00:42:38has all the plans of the apartment house building
00:42:40where the murders have been taking place.
00:42:42Is that all?
00:42:44Sorry. Make a judge's ears burn
00:42:46so you can guess how it hits a poor cop like I am.
00:42:50Better have a good lawyer.
00:42:52It might be a good idea not to leave town
00:42:54for a few days, Mr. Bartow.
00:42:56You may be taking a vacation
00:42:58sooner than you imagine.
00:43:10Bartow.
00:43:12Jennifer. Great. I was...
00:43:14What's that?
00:43:16A police car. But the commissioner has just been here.
00:43:20I'll come as fast as I can make it.
00:43:22That's him.
00:43:30Don't lose sight of him.
00:43:32Check in regularly.
00:43:34Yeah, okay, boss.
00:43:42What happened?
00:43:58What happened?
00:44:00Oh, I'm so glad you're here.
00:44:12Adam continues to bother you?
00:44:14You can't imagine.
00:44:18You mustn't let him do it.
00:44:22I would let the police take care of it.
00:44:24Try to put the whole thing out of your mind,
00:44:26if you can.
00:44:42And that's not all.
00:44:44Eight courses.
00:44:46Champagne.
00:44:48Chocolate cake.
00:44:50And now Irish coffee
00:44:52with whipped cream on it.
00:44:54Bet that costs a leg and a...
00:44:56Huh?
00:44:58I'm inside.
00:45:00It's me again, boss.
00:45:02What have you got?
00:45:04Not a damn thing.
00:45:06I walked through the park for half an hour
00:45:08and then they sat down on a bench for another 15 minutes
00:45:10holding hands and smiling at each other.
00:45:14It's disgusting.
00:45:16Romeo and Juliet.
00:45:18I don't know what she sees in that guy.
00:45:20Oh, Jesus, where'd they go now?
00:45:22Hold the phone.
00:45:24I'll call you back.
00:45:34So long.
00:45:36Andrea,
00:45:38thank you for everything.
00:45:40Don't thank me just yet.
00:45:42Wait till I've tried to make it with you
00:45:44and you find out what a bastard I am.
00:45:46You couldn't be.
00:45:48Don't be too sure.
00:46:08Oh, God.
00:46:38Oh, God.
00:47:08Adam, let go of me.
00:47:10Be quiet.
00:47:12But...
00:47:14But you're not Adam.
00:47:16Don't move.
00:47:18You mustn't move.
00:47:20Oh.
00:47:22Oh.
00:47:24Oh.
00:47:26Oh.
00:47:28Oh.
00:47:30Oh.
00:47:32Oh.
00:47:34Oh.
00:47:36Oh.
00:47:38Oh.
00:47:40Oh.
00:47:42Oh.
00:47:44Oh.
00:47:54No!
00:47:56Let me go!
00:47:58Let me go!
00:48:00Help! Help!
00:48:06Help!
00:48:08Open the door!
00:48:10Quick, close the door.
00:48:12Please help me.
00:48:14My dear, what's wrong?
00:48:16Did your boyfriend get a little overexcited?
00:48:18No, someone...
00:48:20Someone attacked me.
00:48:22I couldn't see who it was.
00:48:24He was masked and waiting for me.
00:48:26I must say, you tempt any human being.
00:48:28Don't worry about it. You'll be okay.
00:48:30If you'll let me, I'll give you something to put on.
00:48:32Oh, my name is Sheila.
00:48:34I saw you in the drugstore this morning.
00:48:36What's your name?
00:48:38Jennifer.
00:48:40Jennifer Langsbury.
00:48:42You're English, aren't you?
00:48:44I met that friend of yours, Marilyn.
00:48:46You're the two new tenants. Here.
00:48:48I was hoping you'd get a chance to meet.
00:48:50You look as though you were scared to death.
00:48:52I know.
00:48:54It was horrible.
00:48:56I couldn't realize what was happening.
00:48:58He tried to kill me.
00:49:04Come in.
00:49:14Hello, Dad.
00:49:22Let me apologize for Dad.
00:49:24He's really getting into a second childhood.
00:49:26Not that we have very much to say to each other.
00:49:28You know how it is.
00:49:30Afraid? I'll go back with you.
00:49:32No, please, Sheila. I'd much rather call the police.
00:49:34Yes, we'll call, but we might as well take a look.
00:49:36Don't be afraid.
00:49:38I'll be right beside you.
00:49:54Look at that. Look at that lamp.
00:49:56He did that when he attacked me.
00:50:02There's nobody here now.
00:50:04I admit this place is frightening
00:50:06since that poor girl was killed.
00:50:08Come on, now. Lie down for a little while.
00:50:10You look tired.
00:50:12I'll call the police, dear.
00:50:14You take a rest. Don't worry.
00:50:16I won't leave you alone.
00:50:22Well, what are you two doing?
00:50:24Oh, Marilyn, I was attacked right in the house.
00:50:26I was almost... Again?
00:50:28This is where I came in.
00:50:30I mean, it's happened before.
00:50:32So she says.
00:50:34What's that?
00:50:42It's blood.
00:50:44Oh, my God.
00:50:58Why an iris?
00:51:00Because Adam thought it a symbol.
00:51:02Ah, a symbol of passion, hmm?
00:51:04You claim he loved you.
00:51:06He must have, in spite of his crazy ideas.
00:51:08He followed you around.
00:51:10But he could still never convince you
00:51:12that he was the right man in your life.
00:51:14You refused him, and he killed himself.
00:51:16Just an idea.
00:51:18A very silly idea.
00:51:20I know.
00:51:22Well, then, let's try something more intelligent.
00:51:24For example,
00:51:26your husband was a sadist.
00:51:28He beat you.
00:51:30To have any kind of satisfaction with a man like that,
00:51:32a woman would have to be a masochist.
00:51:34And the fact of the matter is
00:51:36that you're not at all like that.
00:51:38Your husband had a mania for group sex,
00:51:40and you had some curious headaches, and you didn't like that either.
00:51:42He even tried raping you.
00:51:44From what I can tell,
00:51:46there are plenty of good reasons here
00:51:48for a person wanting to murder an individual like him.
00:51:50There's still the mystery man, Commissioner.
00:51:52Mystery, all right.
00:51:54I'm well aware of that.
00:51:56But doesn't it seem a bit far-fetched?
00:51:58You think I imagined it all, don't you, Commissioner?
00:52:00Could I rip my own clothes off
00:52:02after I'd killed a man and put his body in the closet?
00:52:04No, the theory doesn't hold water.
00:52:06Happily for you.
00:52:08No one suspects you.
00:52:10Somebody murdered those two beautiful girls
00:52:12just before you and your friend moved into that building.
00:52:16Uh, your makeup's running.
00:52:18I feel ridiculous.
00:52:20Come on.
00:52:22A pretty girl is never ridiculous.
00:52:24Uh...
00:52:26I'll do what I can to help both of you.
00:52:28But you've got to help me.
00:52:30Help you?
00:52:32I'd like you to keep living in that house.
00:52:34You can't be serious.
00:52:36I'm serious.
00:52:38Of course, you're perfectly free to say no.
00:52:40But I'm sure it's worth the risk.
00:52:42You'll be the bait to trap the killer.
00:52:44Naturally, we'll be keeping you under complete surveillance.
00:52:46Once in a while,
00:52:48we manage to do things right.
00:52:50Ah, how about something to drink?
00:52:52I think we could all use one.
00:52:54Renzi, where are the glasses?
00:52:56Uh, boss,
00:52:58I filed the glasses
00:53:00under B, for bar equipment.
00:53:02Ah, where else?
00:53:06One thing.
00:53:08Uh...
00:53:10Don't trust your neighbors.
00:53:12Which neighbors?
00:53:14The women.
00:53:16Tell me exactly
00:53:18how he put it to you.
00:53:20We should keep our distance,
00:53:22especially from Sheila.
00:53:24The poor thing should visit Denmark.
00:53:26He did, huh?
00:53:28Yes, I swear he did.
00:53:30Incredible.
00:53:32Who'd imagine a policeman could be so charming?
00:53:34Don't shout.
00:53:36They'll hear you.
00:53:42Marilyn,
00:53:44who are the neighbors
00:53:46in the apartment next door?
00:53:48Is that a woman who wouldn't let us have any alcohol?
00:53:50Do you like this polish?
00:53:52I hear another voice.
00:53:54Somebody's arguing with her.
00:53:56Could be a lover, the meet-a-man,
00:53:58or the ghost of the husband who passed on, huh?
00:54:00It sounded like the voice
00:54:02of the man who came at me yesterday.
00:54:04Mad, completely crazy,
00:54:06unearthly.
00:54:08He begged, he spoke quietly, he whimpered.
00:54:10I resisted, and he began to yell at me.
00:54:20Hmm.
00:54:22He's got great ears.
00:54:24Don't you hear a man's voice?
00:54:26I can't trust him.
00:54:28I can't trust anyone
00:54:30except the Lord and his blessed saints.
00:54:32Afraid I don't.
00:54:34Just old Lady Moss having a heart-to-heart talk
00:54:36with herself.
00:54:38At least she never loses an argument.
00:54:58Stomper?
00:55:18Is that all for you, lady?
00:55:20Is that horror tales?
00:55:22Oh, yeah, here you are.
00:55:24Full of blood and gore this week.
00:55:26Hmm.
00:55:32She buy those horror stories all the time?
00:55:34To really like horror tales, you have to be nuts.
00:55:36She only buys horror tales.
00:55:38If you ask me, she's got something loose up here.
00:55:40Yes, sir. I'll see you.
00:55:42Mister, this your car?
00:55:44Uh...
00:55:46Oh.
00:55:48Sorry.
00:55:52Where the hell did I do it?
00:55:54I don't smell me.
00:56:12Yeah?
00:56:14Well, sure, I understand.
00:56:16It's boring the daylights out of you.
00:56:18Look, Rancy, there's just no other job
00:56:20I can put you on right now.
00:56:22Come again?
00:56:24Now, you stay on them and don't lose them
00:56:26or you'll be transferred to the fire department.
00:56:28Yeah?
00:56:30This is the handwriting analysis
00:56:32on that wacky love letter.
00:56:34Are they certain?
00:56:36Sure are.
00:56:38I should have told you.
00:56:40Are they certain?
00:56:42Sure are.
00:56:44I should have guessed.
00:56:46Not exactly what you call friends,
00:56:48but I'd met her in the hall
00:56:50and we'd chatted a while together.
00:56:52Then why go to the bother mailing a letter?
00:56:54You waste valuable stamps like that.
00:56:56Oh, I intended the letter to be amusing.
00:56:58I wrote it as a joke.
00:57:00A joke?
00:57:02Say, how about joking with a man?
00:57:04You might make out even better.
00:57:06You know, it's a shame to see a beautiful girl
00:57:08that you were here for.
00:57:10Don't be embarrassed.
00:57:12And whenever you'd like to write any more letters, write to me.
00:57:14I prefer dropping the subject.
00:57:16My father's probably listening.
00:57:18There's some things I'd rather he didn't know.
00:57:20I gathered.
00:57:22Poor man has problems enough, doesn't he?
00:57:24Does he happen to know Andrea Barto, by the way?
00:57:38I waited this long because I wanted you to be sure.
00:57:40I'm really in love with you.
00:57:42Just trust me.
00:58:08I love you.
00:58:38I love you.
00:59:08I love you.
00:59:28I love you.
00:59:38I love you.
00:59:40I love you.
00:59:42I love you.
00:59:44I love you.
00:59:46I love you.
00:59:48I love you.
00:59:50I love you.
00:59:52I love you.
00:59:54I love you.
00:59:58It's Renzi, boss.
01:00:00Those two are really going at it.
01:00:02Don't be surprised if instead of a corpse, we get a birth on our hands.
01:00:04Don't waste your wisecracks. The commissioner isn't here.
01:00:06Great. Now what shall I do?
01:00:08You can hold the towel.
01:00:10Boy, you're funny. Up yours, too.
01:00:36Hi.
01:01:06No.
01:01:20Are you ill?
01:01:36Are you ill?
01:02:06I've got it! I've got it!
01:02:18He's a policeman.
01:02:20He's going to go on.
01:02:22I know.
01:02:24She's just...
01:02:26She's just...
01:02:28She must know.
01:02:36She must know.
01:03:06She must know.
01:03:36Has Clark got a phone?
01:03:38Nothing but a private telephone, sir.
01:03:40But only the boss keeps a key.
01:03:42Oh, great. Thanks a whole lot.
01:03:44Anything for the police. Be seeing you.
01:03:46You ought to be demoted immediately.
01:03:48You let him get away when I was going to arrest him.
01:03:50But I never let him out of my sight, not even to take a leak.
01:03:52Well, take a leak now, why don't you? I'm sick of the sight of you.
01:03:54The girl was already covered with blood before that guy got to her.
01:03:56It was dripping on the side.
01:03:58What the hell has your opinion got to do with it?
01:04:00The superintendent wants somebody arrested, Renzi,
01:04:02and you let a suspect get away. You're a horse's ass.
01:04:04Believe me, commissioner, Andrea didn't do it.
01:04:06What motive did he have?
01:04:08Yes, yes, I know that. Sit down.
01:04:10You know that it just isn't possible?
01:04:12You mean it's not probable?
01:04:14Let's say he only kills occasionally.
01:04:16It's just that at certain moments he goes crazy.
01:04:18No, I'm sure he's not mental.
01:04:20And besides, he had no reason to murder Marilyn.
01:04:22So you said. But people who are there claim he definitely did it.
01:04:24They're mistaken.
01:04:26Because I'm sure he didn't.
01:04:28I cut myself the other night and Andrea got sick over a little bit of blood.
01:04:30He was ready to fight.
01:04:32Just the sight of it made him ill.
01:04:34That's interesting.
01:04:36But we still must admit that it could be used against him to show he's unbalanced.
01:04:38It's natural for anyone with a phobia like that
01:04:40to be attracted to the sight of blood in a way.
01:04:42Some maniacs pass themselves off as normal.
01:04:44It happens.
01:04:46Who's to say Andrea Potter isn't a maniac?
01:04:48I'm certain that he's not.
01:04:50I'll tell you how he murdered that girl today.
01:04:52Marilyn went out shopping.
01:04:54He waited for her.
01:04:56She thought he wanted to help carry packages.
01:04:58Her blood was all over his coat as he killed her.
01:05:00And you believe he was innocent?
01:05:02Police commissioner, that's all lies.
01:05:04All lies.
01:05:06Number one was a prostitute and they might have been seeing each other.
01:05:08We know that he saw the Harrington girl
01:05:10on the same night she was killed.
01:05:12Then he started playing around again.
01:05:14This time with you and your roommate.
01:05:16He arranges for you to take over the dead girl's apartment
01:05:18in a building which his firm manages.
01:05:20Murders Adam and hides his body in a closet.
01:05:22Besides what he did to your roommate.
01:05:24You don't care who the real murderer is
01:05:26so long as somebody fries for it.
01:05:28You pounce on Andrea
01:05:30saying you know he's guilty
01:05:32because he's crazy.
01:05:34Brilliant police.
01:05:36Barto isn't arrested yet.
01:05:38We...
01:05:40We haven't any proof that he's the one.
01:05:42Thank you.
01:06:12Thank you.
01:06:42I don't want to stay here any longer.
01:06:44I want to go out.
01:06:46Let me go out.
01:06:48I don't want to hurt anybody.
01:06:50I've never hurt anybody.
01:06:52Please. Please let me go out.
01:06:54Just for a little while.
01:06:56I promise I'll come right back.
01:06:58Now hush.
01:07:00I brought you these magazines.
01:07:02You sit and read for a while dear
01:07:04and then you'll see.
01:07:12Thank you.
01:07:42MUSIC
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01:09:40Move. Don't turn around.
01:09:42Don't look at me.
01:09:44No one should look at me.
01:09:48How did your hand get to be burnt like that?
01:09:50Could that be the reason you're hiding your face?
01:09:54You're going to do what I say.
01:09:56No.
01:09:57You've got to obey me.
01:09:59Let go of me!
01:10:01Let go of me!
01:10:08Let go of me!
01:10:13David, stop! Stop, I said! You let her alone!
01:10:20How dare you enter my house, you little slut!
01:10:23Go ahead, call the police. That man murdered those poor girls.
01:10:26But how could you go on holding that monster under your protection?
01:10:29Oh, don't you dare say that. My son never harmed anybody, you whore.
01:10:33He understands what whores you are.
01:10:35My son understands what awful creatures you are.
01:10:38You lech! Inside you're as rotten as my unscarred face.
01:10:41And you try to hide your filth under all these pretty dresses.
01:10:44You stink with perfume. You cover your face with paint.
01:10:47You're the drug addicts, murderers.
01:10:49Leave my son alone, you hear, you filthy whore!
01:10:53Sir, there's no sign of him. Our men are still looking for him.
01:10:56Well, stay at it. I'm sure he must be still hiding in the city.
01:11:00Right.
01:11:05Good Lord, I found him.
01:11:07Yeah? Found who?
01:11:09Garibaldi. He nearly got away.
01:11:12He'd gone and gotten mixed up with a lot of those old cheapies.
01:11:16Think how valuable he is.
01:11:19Homicide squad.
01:11:21No, the commissioner's busy.
01:11:23Yeah, I get the picture. You found a monster.
01:11:27Of course I believe you. Some of my best friends are monsters.
01:11:30Maybe you found one of them.
01:11:32Yeah? Is that a fact?
01:11:35This is the commissioner.
01:11:39Try the other room.
01:11:42Anything?
01:11:44No.
01:11:45No?
01:11:47You say you live here alone?
01:11:49All alone, commissioner, and I have for years, ever since poor Mr. Moss passed over.
01:11:53But he lives here. I saw him.
01:11:55She's hidden him somewhere.
01:11:58He's disfigured, burned and scarred. Oh, horribly scarred.
01:12:02Oh, burnt.
01:12:05You've hidden your son, you liar!
01:12:07All right, that'll be enough.
01:12:08No, keep on looking. He's got to be here.
01:12:10I said that'll be enough. Now, calm down. Get out of here.
01:12:12Listen to me. I saw him with...
01:12:14Take her home!
01:12:15You've got to believe me!
01:12:16I'm sorry this had to happen, Mrs. Moss.
01:12:18None of this was your fault, commissioner.
01:12:20You come calling whenever you like.
01:12:22You won't disturb me.
01:12:24Thank you.
01:12:26Let go of me! Take your hands off me!
01:12:28Shut up. You're not even my type.
01:12:29Still keeping up with this pretense, huh?
01:12:31Let go of me, I said!
01:12:32Go back and play stamp collector, why don't you?
01:12:35And you call yourself a policeman?
01:12:37From what I see, you couldn't find a pig in a poke.
01:12:41But, commissioner, you're not going to put up with it.
01:12:43Don't let it bother you.
01:12:44If we let every crackpot get under our skin, we'll go crazy.
01:13:09Who is it?
01:13:10This is Andrea. Is that you, Jennifer?
01:13:12Yes, it's me.
01:13:13Are you all right?
01:13:14Yes, I'm all right.
01:13:15I've got to see you, but not at your place.
01:13:17It's probably being watched.
01:13:18There's an automobile junkyard just this side of the toll road north.
01:13:21I'll wait for you there.
01:13:22Be careful you're not found.
01:13:24Yes, darling.
01:13:25I'll start on my way this minute.
01:13:27It's dark out, but I...
01:13:42Oh, my God.
01:14:12Oh, my God.
01:14:42Oh, my God.
01:15:10Andrea?
01:15:12Andrea?
01:15:22I'm alone.
01:15:42Oh, God.
01:16:13Oh!
01:16:14What a bundle of nerves we are today.
01:16:16Am I as frightening as that?
01:16:18Excuse me, Sheila.
01:16:19I thought somebody was following me.
01:16:21We're all as nervous as you are.
01:16:23I would like to get out,
01:16:24but my father insists upon staying on in that haunted house.
01:16:27I've already packed. I'm going tonight.
01:16:29If you find a place that's big enough for two, let me know.
01:16:32I'd move in tonight if I could.
01:16:35That'd be ideal.
01:16:37You know, I've always wanted to share a place with a girlfriend.
01:16:41I'm sure I'd get along with you.
01:16:43Your father would object, wouldn't he?
01:16:46I don't think so.
01:16:48Actually, I'm sure he'd be very happy to see me move.
01:16:56But it started by itself.
01:16:57Well, I didn't touch anything.
01:16:59I guess it's somewhere in the cellar.
01:17:03I hate these damn things.
01:17:06Oh.
01:17:08Ah, now it's the lights.
01:17:13Oh, God, now it's broken.
01:17:15Marvellous. Does the alarm work?
01:17:19Oh, it's all right now. We can walk up.
01:17:32It's like the boiler room in a ship, isn't it?
01:17:34This is the first time I've been down here.
01:17:36There should be a flight of stairs.
01:17:38There should be.
01:17:41Come on, scary cat.
01:17:43Oh, dear.
01:18:03Who's there?
01:18:14Oh.
01:18:22Is anyone here?
01:18:24Who's there?
01:18:43No!
01:18:44No!
01:18:46No!
01:18:48No!
01:18:51No!
01:18:52No!
01:18:53No!
01:18:57No!
01:19:22Oh.
01:19:52Oh.
01:20:22Oh.
01:20:36Oh.
01:20:38Gin.
01:20:40No.
01:20:44Gin.
01:20:47Oh.
01:20:49Oh.
01:20:51Gin.
01:20:52It's me, Andrea.
01:20:57My dear, it's all right.
01:20:58You recognize me now?
01:20:59What are you doing here?
01:21:01I saw you at the junkyard.
01:21:02I couldn't come out because the police were there ready to trap me.
01:21:05That's not true.
01:21:06I can see that you're still afraid of me.
01:21:09Go on. I know why you're frightened.
01:21:11Get out.
01:21:13You'd never let me go.
01:21:14Yes, I will. Go on.
01:21:19There are the stairs.
01:21:20Get going.
01:21:23You think I'm guilty just like the others.
01:21:31What are you waiting for?
01:21:33Get going.
01:21:35Help me, please.
01:21:40Come on. He's not here.
01:21:41He did it. He's the only one. I'm sure of it.
01:21:43He did it. He must have murdered those girls.
01:21:45Come on.
01:21:49Oh.
01:21:52Now he's killed Sheila. There was no one else here.
01:21:55There's a body here, only I'm not sure whose it is.
01:22:08Commissioner.
01:22:09He's not here, sir.
01:22:10There's a small garage leading out to a back alley.
01:22:13I think he escaped us.
01:22:14Hmm.
01:22:16It's on the mark, Frankie.
01:22:19David.
01:22:23You can come out now, dear. It's all right.
01:22:31Where are you?
01:22:33Come out now and eat something. You must be hungry.
01:22:36David.
01:22:39Oh.
01:22:40Where did he go?
01:22:42Oh, Lord, he's gone.
01:22:43Oh, Lord Jesus, he's gone.
01:22:53Evidently he got in here and hid. It's obvious.
01:22:56Commissioner, how did Mr. Isaacs react?
01:22:58Not very well.
01:22:59She was his only daughter.
01:23:01He took it pretty hard.
01:23:07So you've made up your mind to move out of the apartment?
01:23:11Yes.
01:23:14After everything that's gone on here, it's impossible for me to stay.
01:23:18Friend taking you in?
01:23:19Yes.
01:23:20Be careful.
01:23:22Barter got away from us and he hasn't been found yet.
01:23:25If you like, I'd be happy to give you a lift.
01:23:28No, thanks.
01:23:31A friend will come for me, a photographer.
01:23:33I think he'll be here any minute.
01:23:38You got men around the place?
01:23:39Two down in the cellar, two in the garage and two in the street.
01:23:41Fine.
01:23:43Are you sure we can't help you?
01:23:46Well.
01:23:49I have some questions to ask you, but you get a good night's sleep.
01:23:53I'll see you tomorrow in my office.
01:23:55Night.
01:24:11Yeah, he shoots his wife.
01:24:41Then he goes and strangles his girlfriend.
01:24:44Now keep your eyes open.
01:24:45Wide open, you hear?
01:24:46Don't worry.
01:24:47Let's go.
01:24:50Good night, Chief.
01:25:12Now get up.
01:25:26Professor.
01:25:28Professor.
01:25:33Professor.
01:25:37Professor.
01:25:41I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you
01:26:11I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to
01:26:41kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I
01:27:11I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to kill you, I'm going to
01:27:41Romeo's anxious for you.
01:27:43And since you are as Juliet, you die beside him.
01:28:41Please.
01:28:43Please.
01:28:45Please.
01:28:47Please.
01:28:56Papa.
01:29:01Andrea!
01:29:03I'm sorry.
01:29:09Andrea, please forgive me.
01:29:15It's all over.
01:29:16The nightmare is over. You're safe now.
01:29:19Yes.
01:29:24You killed my Sheila.
01:29:25I thought it was you down there in the cellar.
01:29:29You are going to die.
01:29:31You are going to die.
01:29:34Hey, boss.
01:29:35Yeah?
01:29:36Look what I got.
01:29:37Some rare issues. Czechoslovakian.
01:29:39They seem to be worth plenty.
01:29:43Renzi.
01:29:44Yeah, what is it?
01:29:45It happens that this is one of those years
01:29:47where there's a shortage of firemen.
01:29:51Would you be interested?
01:29:52I don't know.
01:29:53Do you need brains to be a fireman?
01:30:04Oh, it's you.
01:30:05Come on up. I'm alone.
01:30:33THE END