Episode 9: Journey Of The Hurt
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MJ is desperate to know the investor of his son's company and gets a hint from Ananya. Rishi comes back disturbed because of his break up and asks for help from the ladies. At the office, Ananya meets Maya and couldn't handle her excitement. She breaks the news to Rudra that MJ has arranged a press conference for Maya. Stay Tuned as Rudra runs down to save Maya.
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About Beyhadh 2:
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When limitless love turns into limitless hatred, Beyhadh-2 Maya (Jennifer Winget) is back with a brand-new season of Beyhadh 2, this time to take revenge from Roy Family. This is the story of Maya who would stop at nothing to avenge herself.
#Beyhadh 2 #drama
#sonylive
#jenniferwinget
#shivinnarang
#indiandramas
#newepisodes
#newpromos
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MJ is desperate to know the investor of his son's company and gets a hint from Ananya. Rishi comes back disturbed because of his break up and asks for help from the ladies. At the office, Ananya meets Maya and couldn't handle her excitement. She breaks the news to Rudra that MJ has arranged a press conference for Maya. Stay Tuned as Rudra runs down to save Maya.
More Useful Links:
Also, get the Sony LIV app on your mobile
Google Play - https://play.google.com/store/apps/de...
iTunes - https://itunes.apple.com/us/app/liv-s...
Visit us at http://www.sonyliv.com
Like us on, Facebook: / sonyliv
Follow us on Twitter: / sonyliv
About Beyhadh 2:
------------------------------------
When limitless love turns into limitless hatred, Beyhadh-2 Maya (Jennifer Winget) is back with a brand-new season of Beyhadh 2, this time to take revenge from Roy Family. This is the story of Maya who would stop at nothing to avenge herself.
#Beyhadh 2 #drama
#sonylive
#jenniferwinget
#shivinnarang
#indiandramas
#newepisodes
#newpromos
Category
📺
TVTranscript
00:00Don't think too much, Dhrudhra.
00:11The destination of all your paths is Maya.
00:14You have no choice but to take me into your company.
00:18Say yes, Dhrudhra.
00:20So that this game can move forward.
00:23No, Ananya, no.
00:24Absolutely wrong choice.
00:25The publication industry is ending.
00:27People are reading books on phones and iPads.
00:29Every day a new publication house is shutting down.
00:31And at this time, if someone is investing in your company,
00:33then either he doesn't understand business,
00:35or he doesn't have any interest in business.
00:37Stop him, Dhrudhra. Stop him.
00:40Uncle, I know that you don't trust our decisions.
00:45It's okay. No problem.
00:47Not us, but at least trust this writer.
00:52His last two books have been international bestsellers.
00:56That's why our company has signed him.
00:58And that's why we don't want to meet investors.
01:00All this is because of this writer.
01:14Maya.
01:24Oh my God! You are meeting Maya Jai Singh?
01:27She is off.
01:28Because of that off, our company can be on again.
01:34Maya.
01:57Maya.
02:12I am not used to losing.
02:18Welcome to Rwanda.
02:27Rwanda.
02:33Good choice.
02:35But one condition.
02:42No. Next. Next.
02:44Come on.
02:45No.
02:46You don't find good guys these days.
02:47I don't know where they are hiding.
02:49In your house.
02:58Hey, Rishi.
03:00Neither hi nor hello.
03:01Mom, how are you?
03:02Did you forget your mom?
03:04Hi.
03:05Wait. Come here.
03:07What happened?
03:09Women. Girls.
03:10Ladies.
03:12Girls.
03:13So many?
03:15I don't understand.
03:17What's the problem with your gender?
03:19Dads die for you.
03:21And you for them.
03:22You won't understand.
03:23You are seeing stupid guys on dating apps.
03:28This one is especially stupid.
03:31Don't say that.
03:32I swiped right from him.
03:34Exactly my point.
03:35You swipe right from a wrong person.
03:37And wrong from right.
03:39There is a line of guys waiting to marry you.
03:42And you.
03:43Oh, man.
03:44His teeth are also out.
03:47Come on, aunty.
03:48What's wrong with your choice?
03:50Avoid him.
03:51I think your ladies.
03:55Women.
03:56Women.
03:57I think they didn't like your gift.
04:00They will like it when they see it.
04:02And they will see it when
04:03their gender problems will be solved.
04:06Oh, so.
04:08According to you,
04:09what are these gender problems?
04:13Falling in love.
04:15But not accepting it.
04:18Fear of love.
04:20She loves me.
04:21But at the time of accepting.
04:22No.
04:23No.
04:24Why?
04:25Why?
04:26Why?
04:27She said no.
04:28That means no.
04:30Once a girl says no,
04:31it's a no.
04:34Trust me, grandma.
04:35It's nothing like that.
04:36She just doesn't understand
04:37how to deal with me.
04:38That's it.
04:39That's why she's not picking up the call.
04:42Wait, I'll call her right now.
04:46Condition.
04:47One more condition.
04:50Do you and the conditions
04:51have any old connection?
04:52You always come up with a condition.
04:54Now what?
04:55Do you want to marry me?
05:06Pick it up.
05:09Wait.
05:16I missed.
05:23It happens.
05:25She must be busy.
05:31Usually, a sick person calls a chemist.
05:33But it's the opposite here.
05:34The chemist knows who is sick.
05:37Nice.
05:38By the way, send me her number too.
05:39If you ever need it.
05:41Can I work?
05:45Of course.
05:52There's a confidentiality agreement
05:53between you and me.
05:56You won't tell anyone about me.
05:58My pictures won't go anywhere.
06:01I won't go to any public appearance.
06:04I won't be talked about
06:05on social media,
06:06on any platform.
06:09And most importantly,
06:10no one should know
06:12that I invested in your company.
06:16No one.
06:18No one should know
06:19that I'm the investor.
06:23Do you agree?
06:25How can I sell books to you?
06:27How can I do publicity?
06:29My name is enough to sell my books.
06:36Maya, let me clear one thing.
06:39I won't teach you how to write books.
06:40Don't teach me how to sell books.
06:44I want your face
06:46to be on every hoarding in the country.
06:48Your words should be on every social media platform.
06:50Your interviews,
06:51your photos,
06:53and all that.
06:55So,
06:57this is not possible.
07:01I want to sell my work,
07:03not myself.
07:08Do you agree?
07:15Think about it.
07:21I will invest in your and Rudra's company.
07:24If you don't want your dad's help,
07:25then don't take it.
07:26I don't care.
07:27But at least find an investor.
07:30Fine.
07:41But before that,
07:42my lawyer will read it.
07:44He will see what's written in it
07:45because
07:46I don't trust you.
07:50Okay.
08:00This was sent by Rudra's lawyer.
08:02The writer whom Rudra's company has hired.
08:05Confidentiality agreement.
08:14Because of this writer,
08:16Rudra has found another investor.
08:18I am unable to invest in Rudra's company.
08:21Because of this writer,
08:22I am unable to get close to Rudra.
08:26But today,
08:27this writer
08:29will cancel her agreement.
08:31I have heard that this girl
08:32doesn't come in front of anyone.
08:34Neither the press,
08:35nor her fans.
08:40Let's see how long she stays away from her lovers.
08:44By the way, Amir,
08:45what is the name of that investor?
08:47RM Private Limited.
08:49I will invest money in Amir Rudra's company.
08:51No one else.
08:54What a masterstroke, uncle.
08:56But are you sure this will happen so soon?
08:59Of course, Ananya.
09:00Rudra wants to stay away from me.
09:02That doesn't mean
09:03I will stay away from him.
09:05But Ananya, don't tell Rudra anything.
09:07He wants to work with that writer.
09:09Let him do it.
09:10He wants to get money invested from someone else.
09:12Sure, let him do it.
09:13But I will do what I can.
09:15I will find out
09:16who is Maya's equal to.
09:19Uncle, you are a total rock star.
09:21I love you.
09:23Bye, Ananya.
09:24Bye.
09:34Okay, thanks.
09:40Lawyer has got a go ahead.
09:42No one will know anything about you
09:43unless you tell them.
09:47Happy?
09:58Sorry, I am late.
10:08Hi, I am Ananya.
10:09And you?
10:11Ananya, she is
10:12Maya.
10:17Maya.
10:22Like Maya.
10:27Maya.
10:29Company doesn't discuss strategy
10:30in front of talent, Rudra.
10:34But they can discuss it
10:35in front of 40% investors, right?
10:42What do you mean?
10:46It means Maya is a writer
10:47and an investor in our company.
10:50Two in one.
10:54Like we used to have vanilla ice cream
10:56with chocolate in our childhood.
10:58So she is a chocolate
11:00and a vanilla ice cream.
11:09Oh God!
11:10Wow!
11:11Double wow!
11:12And when did this development happen?
11:14It happened
11:16when your friend didn't break the contract.
11:20It clearly states
11:22that no one should know about me.
11:30There is a confidentiality agreement too.
11:34Okay, okay.
11:35I need to sit.
11:37I haven't broken any agreement.
11:39Ananya is my business partner.
11:41Everything in this company
11:42and every decision
11:43is incomplete without her approval.
11:45Even this contract is invalid
11:47without her signing.
11:51And anyway
11:52you are 40% investor in this company
11:54and we are 60% together.
11:56It means
11:57we are your boss together.
12:02Remember
12:04Ananya
12:06is a scientist.
12:09But Rudra…
12:11Trust me.
12:28Nice to meet you.
12:30Oh my God!
12:31Rudra, you need to tell me.
12:32What is all this?
12:33Leave it.
12:34What will she do after knowing Maya?
12:35She doesn't want to meet the world.
12:36She wants to hide.
12:37Leave it.
12:40Rudra, we are so dead.
12:44The entire press is waiting outside for Maya.
12:46What?
13:00If it's your wish,
13:01then let it be.
13:09The writer's wish
13:10is that no one should see her face.
13:13But we
13:14will bring this writer's face
13:15in front of the world.
13:22As a result
13:23Rudra's contract will be broken.
13:25The investor will withdraw the money on his own.
13:29And if anyone can save Rudra's company from destruction,
13:33it's him.
13:38MJ.
13:39Today, the secret will be revealed.
13:43Maya, the writer of international bestsellers,
13:46which no one has seen before.
13:48Today, we will see her for the first time.
13:51Today, there is an exclusive press conference for her.
13:56Today, finally, Maya's fans will get to know
14:00how their favourite writer looks like.
14:04And what is the secret hidden behind this secret.
14:26Maya.
14:27Maya.
14:28Maya.
14:29Maya.
14:30Maya.
14:31Maya.
14:32Maya.
14:33Maya.
14:34Maya.
14:35Maya.
14:36Maya.
14:37Maya.
14:38Maya.
14:39Maya.
14:40Maya.
14:41Maya.
14:42Maya.
14:43Maya.
14:44Maya.
14:45Maya.
14:46Maya.
14:47Maya.
14:48Maya.
14:49Maya.
14:50Maya.
14:51Maya.
14:52Maya.
14:53Maya.
14:54Maya.
14:55Maya.
14:56Maya.
15:13Maya, are you ok?
15:24How dare you! What do you think? You think you'll break my limits and I won't say anything?
15:31You'll come closer to me and I'll get weaker. What do you think of me?
15:36Wait. Wait. Just hang on for a minute.
15:41What are you saying?
15:54Intelligent are those who know their strength and the weakness of others.
16:09And Mr. Rudra Roy, never make the mistake of considering me weak.
16:15Whatever you think, I don't think so, it has been born till date.
16:18And stop talking in riddles, tell me what have I done?
16:21You have broken trust. You have broken the contract.
16:24What did I tell you? No press, no media, no publicity.
16:30Did you call this press conference?
16:33Do you think I called all of them?
16:38Okay. Anyway, even if they come, so what's the big deal?
16:42You don't have to talk, story over.
16:44Story is not over and it is a big deal.
16:49What if they had seen my face?
16:51So?
16:53What if they had seen your face?
16:55You are a writer Maya, not a terrorist.
16:58If they see your face, some grand planning will be over.
17:01And what are you hiding?
17:03Have you come here to murder someone?
17:06Or have you come here to kidnap someone?
17:09Or some revenge drama or some secret of past life?
17:13So what are you hiding?
17:15What do you want Maya Jai Singh, that people should be scared of you?
17:19Or should they be scared of you people?
17:24Rudra, Maya.
17:32I am sorry.
17:35I am really very sorry.
17:36I had called the press, I was excited.
17:39I had no idea about the agreement.
17:42Now I got to know and now it's too late.
17:46It's not Rudra's fault, it's my stupidity.
17:48It's not my habit to forgive mistakes.
17:51I don't want to get into the habit of talking to people like you.
17:55Then get into the habit.
17:57Or get into the habit of working with machines.
17:59It will be good for you.
18:02Rudra, can you stop it?
18:07I was talking to her, Nanu.
18:08Have you gone mad?
18:09Why are you talking so rudely to Maya?
18:12Because she is a drama queen.
18:15She made a mistake, she apologized.
18:16Big deal.
18:17It's a big deal.
18:18She is our investor, Rudra.
18:20And at this point, if there is any problem,
18:22all your hard work will be wasted.
18:24Do you get it?
18:25Wrong.
18:26Number one, hard work is never wasted.
18:29And number two, she is an investor.
18:31She is not God.
18:32For us, she is God.
18:34Please understand, Rudra.
18:35Please.
18:37You go and talk to Maya.
18:38I will handle the press.
18:39No, no, no.
18:41I will go and talk to the press.
18:42You go and talk to Maya.
18:43Yeah.
18:44Talk to her.
18:45Rudra, please behave.
18:46Please go.
18:47Please.
18:52It's called the benefits of friendship.
18:54Remember.
18:56Thank you.
19:04Some relationships are bloodthirsty.
19:07It takes more effort to break those relationships.
19:09If the right time comes,
19:10Rudra and Ananya's relationship will be broken.
19:13And the reason will be Maya.
19:33Mr. Prem,
19:34are you sure that you came here…
19:36Rudra doesn't like it.
19:38I know.
19:39But sometimes parents' decisions
19:41are not based on their children's likes or dislikes
19:44but on what is right and what is wrong.
19:47That's how they are taken.
19:50The press writer couldn't meet her,
19:52but I can meet her.
19:55It's my job to make the writer understand his mistake.
20:12Rudra and Ananya's relationship
20:14is not based on their children's likes or dislikes
20:16but on what is right and what is wrong.
20:19Rudra and Ananya's relationship
20:20is not based on their children's likes or dislikes
20:22but on what is wrong.
20:23Rudra and Ananya's relationship
20:25is not based on their children's likes or dislikes
20:27but on what is wrong.
20:41Rudra and Ananya's relationship
20:42is not based on their children's likes or dislikes
20:43but on what is wrong.
21:11Rudra and Ananya's relationship
21:12is not based on their children's likes or dislikes
21:13but on what is wrong.