• 3 months ago

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00:00You have to do me a favor.
00:22Which one?
00:25Keep that drawing forever.
00:31Why do you want me to keep it?
00:33Because every time you see it, you have to remember that your life has to be full of moments like that.
00:45Happy.
00:50I promise you.
00:53I promise I will try to be proud of every day of my life.
01:05Hello.
01:11What?
01:13Tere has told me that you just asked her for a broth.
01:16Are you going to be here all day, my love?
01:21Well, take your time.
01:30Didn't you like the flowers I sent you?
01:39Do you really think you're going to fix it with a bouquet of flowers?
01:45I just want things to be like before.
01:49But how can you tell me that after what you did to me last night?
01:55Last night we did what any marriage does.
02:00I didn't want to, Jesus.
02:03You forced me.
02:08You raped me.
02:10No, Begoña.
02:16Begoña, the last thing I wanted was to hurt you.
02:20I just thought...
02:21Don't play dumb with me, Jesus.
02:23You knew exactly what you were doing.
02:26You're accusing me of something that has no reason to be.
02:29We are married.
02:31And we have duties to each other, don't we?
02:35Respect is above duties.
02:38I have always respected your times and your circumstances.
02:44Don't try to dirty and make me feel bad about something that is completely normal.
02:50And what if I don't want to, Jesus?
02:53Are you going to force me again?
02:56My love, don't get close.
02:58Don't get close.
03:01The only thing I want is for us to be like before.
03:07Don't you realize that this is impossible?
03:18See you tonight at dinner.
03:21In the meantime, you rest.
03:23I hope you see everything differently later.
03:32And please get that picture out of there.
03:35Even if it's out of respect for me.
04:05I love you.
04:28Come on, let me help you.
04:31Did you do it in the big house?
04:33I left Teresa picking up the kitchen.
04:36And I've come to change because I've made a career in the media.
04:39Well, you could have told me. I would have taken you to a clean fashion.
04:42You have a lot of work already.
04:44As to be aware of me.
04:47You know perfectly well that you have me for what you need.
04:50Gemma, I don't want to be indiscreet.
04:54But this morning I saw that Luis's bed was not untidy.
05:00Yes, I went back to my bedroom.
05:03I am very happy that you have reconciled.
05:07Well.
05:10I don't see you very excited.
05:14Let's see, it's true that Joaquín has taken a very important step to normalize things.
05:18But I don't know.
05:22He is not the same as before.
05:25It's as if there was a barrier between us.
05:31Time to time.
05:34It's a first step, daughter.
05:37I don't know if he is forcing himself to do something he doesn't want.
05:40He is very hurt.
05:43Joaquín may seem to be a great strength and he is bleeding inside.
05:47I know.
05:50He is very sensitive.
05:52More sensitive than his brother, even if it doesn't seem like it.
05:55But he is also very stubborn and very proud.
06:00And what does he recommend me to do?
06:02Me?
06:04Patience and love.
06:07What if that's not enough?
06:10He needs to see that there is hope.
06:13And also understand that sometimes you have to let yourself be helped and loved.
06:18Help? But if he doesn't even let me make him coffee, what do I do?
06:21Well, there you are.
06:25To know when to listen to him and when not.
06:32Well, I'm going to get changed.
06:55Thank you.
07:16With this ink, please.
07:19Thank you.
07:26Darling.
07:28Are you okay?
07:31You are very pale.
07:33Yes. Yes, yes. Sorry, I was scared.
07:37I'm sorry. I just wanted to give you a goodbye kiss and go back to school.
07:41Of course.
07:46What's wrong? You tremble.
07:51Julia.
07:53You know I love you very much, right?
07:57You are the most important person in my life.
08:00I love you too.
08:02Come here.
08:08I have to go. I'll be late for the natural sciences exam.
08:11Of course. Good luck with everything.
08:14Goodbye.
08:23Bye.
08:54Hello, daughter.
08:56Hello.
08:57I told you you were looking for me.
08:59Yes, because I have to explain the new medication that Dr. Borrell has given you.
09:03Well, if that's fast.
09:05I still have to go from Nicasio to Parabono and plants to the garden of the house.
09:09Do you even smell of the king?
09:11Daughter, it is the first time that I go out on the road and if I do it it is because I feel very good.
09:16Father.
09:18Well, let him accompany you, dignified at least.
09:21Come on, please, don't be a lead. If I wasn't, I wouldn't go anywhere.
09:25Come on.
09:26Take it.
09:29Hey, now that a man is dignified, do you find him as usual?
09:37More or less. Why?
09:39I don't know. This morning I saw him behaving very abruptly with Damien.
09:43He even threw him out of the kitchen.
09:45Oh yeah?
09:47Well, that's because they haven't finished well.
09:49And it's a shame, huh? Because Digna was in love and willing to marry him.
09:56That they were going to get married?
09:58Oh, I didn't know.
10:01Well, I'm finding out right now.
10:04Well, in that case, it would be better if you don't keep telling him.
10:07No, daughter, daughter. Come on, please.
10:12Well, father, that they kind of committed, but in the end Digna broke up with him.
10:18Come on, I can't give it to him, nor does he want to.
10:20Don't bother.
10:21But please don't tell him that I told him, because Digna told me with all her confidence.
10:24No, no, don't worry, don't worry. I'm a grave, but you leave me very worried,
10:29because something very serious has had to happen for Digna to back out like that.
10:38And it also bothers him that I haven't told him, right?
10:42Well, look, yes, I don't understand it. Besides, neither of them.
10:48I see.
10:50Oh, father, I'm sorry, I have to go.
10:53Come on, see you later.
10:55See you later.
10:56See you later.
10:58Hello, how can I help you?
11:03No.
11:04I recognize that you have eaten all the empanada alone.
11:06No, I threw it away, it was full of ants.
11:09I love how you learn.
11:11But you can also ...
11:14Are you looking for someone?
11:16No, I was just looking to see if my father was there.
11:19Thank you very much for this little time.
11:21The first of many. And next time I'll take you to the Malfario stream.
11:25There is a beautiful waterfall. If you want, of course.
11:29Of course I want.
11:33And that's what I need now.
11:35Do things together.
11:37If I don't start thinking and ...
11:39Yes, it has been difficult days.
11:42But you have to think about what is to come.
11:46Anyway, I had to go up to change before going back to the factory.
11:49Already? So soon?
11:50Directive meeting.
11:52Uff, I don't envy you at all.
11:54Give it to me, I'm going to leave the basket in the kitchen.
11:57See you later.
11:59I love you.
12:00And me.
12:17Hey.
12:20What are you doing here?
12:22Are you okay?
12:24My head hurts since this morning.
12:26Sit down, come on.
12:29Take this.
12:33But you know what never fails?
12:35Not to turn things around so many times.
12:39And what do you want me to do?
12:41I can't stop thinking about my father's project.
12:45I can't stop doing calculations and speculations.
12:48Yes, I knew you were like that because of that.
12:50It's the stroke of luck we need, Gemma.
12:53And it overwhelms me not to be able to get financing.
13:00Although I don't know why I'm thinking about financing
13:02if we haven't even been able to contact that Peralta
13:04to sell us the land.
13:07Yeah, listen Joaquín.
13:09And you would be very angry if I told you
13:12that I had found a way to contact him.
13:15No, Gemma.
13:16No, I've already done it.
13:17I've called his niece, Sonsi.
13:20Your little friend from Madrid?
13:22The niece of that man from the land.
13:25No, before you say anything.
13:26She doesn't get along very well with her uncle
13:28because of a matter of inheritance.
13:30That's why she couldn't help us directly.
13:32But she told me how we can get to him.
13:34Fuck me.
13:35That Peralta has the office on Alfonso VI Street.
13:38That I have his address.
13:40And she also told me that she loves mazapanes.
13:42So I thought we could give her a box of those from San Clemente.
13:47What do you think?
13:50What's wrong?
13:51Are you done?
13:53Yes.
13:54I told you not to do it, didn't I?
13:55I told you, didn't I?
13:56Yes, you told me.
13:57And you don't care.
14:00Let's see, I wanted to take advantage of the trust I have with her to help.
14:04I don't think it's that big of a deal.
14:07You always do whatever you want.
14:09Without asking.
14:11And this time, asking.
14:12And having a no in return.
14:15God!
14:19You were about to tell me something important before.
14:23You know you can trust me.
14:27Everything is fine.
14:29Are you sure?
14:31You know I'll always be grateful for everything you've done for me, right?
14:34But now it's time to move on.
14:38And not look back.
14:45Father!
14:46How are you?
14:48Is everything okay?
14:49Yes, I just got back from a picnic with my wife.
14:51I was going upstairs to change.
14:53What time are we meeting?
14:54At five, you have plenty of time.
14:57Okay, I'll go upstairs.
15:02Are you leaving, dear?
15:04Yes, I'm going to ...
15:07I'm going to take some flowers to the cemetery.
15:10Are you going to take the car?
15:12I don't say it because I see you a little stunned.
15:15Yeah, it's the pills that Luz gave me to get over my mother.
15:19They help me a lot, but ...
15:21But they left me a little dizzy.
15:23You shouldn't drive in your condition.
15:25If you give me a minute, I'll take you to my car.
15:28No, no, no need.
15:29No need, I'll go for a walk.
15:31That way I'll get some air.
15:33Don't be offended, but there are things I prefer to do alone.
15:36Of course, dear, I understand.
15:38Goodbye.
15:46I had the contact and I have obtained information that may be of great help to you.
15:51And instead of thanking me, you put it on my face.
15:53What do I have to thank you for?
15:54Well, you already know how to get to him.
15:56You just have to show up in that office one morning and talk to him.
16:00Oh yeah? What do you want us to do?
16:01That we show up there and tell him to send us his niece,
16:04with whom he hasn't spoken in a long time?
16:05No, you don't have to tell him that.
16:06Well, and what? And we go there with a box of mazapanes, right?
16:09Like some provincial people.
16:10That those people from Alta Alcurnia don't have anything they like more than being beaten up.
16:13I know, I've dealt with them.
16:15Gema, I'm not going.
16:18But you can know why you are so ferocious.
16:20Because I don't want to have anything to do with your life in Madrid.
16:22Because I don't want to have anything to do with your life in Madrid.
16:27Gema, I am deeply offended by the idea that you turn to those people.
16:31Those people who saw you in the arms of another man.
16:34Oh yeah? Is that what it's about?
16:36Of course it's about that. What else is it?
16:38And you insist on rubbing it in my face. Again.
16:40I'm not rubbing anything in your face.
16:42I'm just trying to help you.
16:44But you prefer to remain anchored in a story that is already finished.
16:47Isn't the project of your father so important to you?
16:50Then go, go get him. Do it anyway, whatever it takes.
16:53What else is it?
16:54No, no. What else is it? No, Gema.
16:55What else is it? No.
16:56It's not worth it.
16:58I'm not going to use information that comes from a story full of lies.
17:03But who do you think I am?
17:06I have my pride.
17:08Even if it doesn't seem like it.
17:20No.
17:33So, Fina, have you also ordered something for Tassio?
17:35Yes, I bought him a radio, but smaller than the one Gaspar bought.
17:39I don't have as many as possible.
17:41Well, you'll see the look on his face when he sees your father.
17:44I want to give him all the whims he can while he's still with us.
17:48Yes, Fina, you're doing a great job.
17:51Besides, your father deserves it.
17:53I'm telling you, your father hasn't been in a while.
17:55I don't know what medication they gave him, but he's much better.
17:58Yes, the truth is that yes, God hears you.
18:01Oh, and you should buy something for Tassio, right?
18:03He has very good prices.
18:05I don't need anything, Fina.
18:07And your mother?
18:09My mother? I haven't spoken to her since she went to Extremadura.
18:14Maybe, I don't know, call her.
18:16You can ask her how she's doing and tell her about your worries.
18:20Fina, I'd rather not call her now.
18:22Because she's going to start talking to me about the pregnancy,
18:24she's going to bore me again,
18:26she's going to tell me all her whims about Mr. Agustín.
18:28I know.
18:29I feel bad.
18:30I'm telling you, I miss her.
18:32It seems like a lie.
18:35Well, you'll call her when you feel like it.
18:39Hey.
18:41Fina, do you think Tassio will have a hairdryer?
18:44Sure.
18:45What if he doesn't get it for you in a moment?
18:47Well, maybe I'll order one when I see him.
18:49Of course.
18:50You'll be making a lot of money, Tassio.
18:54Well, better.
18:55That way, your son won't be short of anything.
18:57Well, let's see if it stretches.
18:59And give me some hairpins for the child,
19:01it's almost time.
19:02Woman, there's still time for that.
19:04It doesn't look so good, Fina.
19:06And less and less.
19:07What is it less for?
19:09Oh, for the summer holidays.
19:10Yes.
19:11I'm looking forward to taking a few days off.
19:13Well, I'm sure you'll have a good vacation this year.
19:16Yes.
19:17I'll go to town to see my mother and Gracia.
19:19Come on, woman.
19:20I'm sure with what Tassio is making in the business,
19:22he'll take you to the beach at least.
19:25What business?
19:26The one with the appliances, woman.
19:32Carmen, Tassio wanted to tell you
19:34because he wanted to surprise you.
19:36I don't know if he surprised me.
19:38He did, but well.
19:44Come in.
19:47Luis.
19:48What's up, Jaime?
19:49Come in, come in.
19:52Luz has gone out to make some home visits
19:54and she won't be back until the end of the afternoon
19:56if you want to stop by later so she can take care of you.
19:58No, it's not necessary.
19:59It's just that...
20:00Tell me, how can I help you?
20:02Well, my stomach is spinning all the time.
20:04I feel like vomiting.
20:05I feel like something is going up.
20:07Unclog a little and come with me to the bed.
20:09I'm going to explore you.
20:10Unclog a little and come with me to the bed.
20:12I'm going to explore you.
20:13Very well.
20:14The shirt too, if you don't mind.
20:15Yes.
20:17Have you eaten anything strong?
20:19My mother's cooking.
20:21But come on, Joaquín has also tried it and it's perfect.
20:24It's a pretty indigestible food,
20:26not to mention the gases.
20:28But I've eaten it hundreds of times
20:29and I've never felt like I'm feeling now.
20:32I don't feel anything strange.
20:34No.
20:36Thank goodness.
20:37I hope I don't get sick
20:38because I have an important meeting and I can't miss it.
20:40Is that meeting very important?
20:41Business meetings are always like that.
20:44It's just that all that outweighs me, you know?
20:46I'm more of a lab rather than an office matter.
20:49You can get dressed.
20:50Well, I would dare to say that it is nerves
20:52that are so attached to the stomach.
20:55Nerves?
20:56Yes, in stressful situations, nerves,
20:58it produces acidity, which is what you notice that goes up.
21:01Ah.
21:02I'm going to prescribe you an antacid and...
21:05Although, in these cases,
21:07it's best that you take things slowly.
21:13Very well, I thank you very much.
21:15I need you to take one now
21:20and another tonight.
21:23With an infusion.
21:24Very well, I will.
21:27Ah, what a surprise to see you here, Luis.
21:30Are you okay?
21:31Yes, yes, everything is fine.
21:32It seems that it is a stomach pain, without importance.
21:35I have prepared a prescription.
21:37Of course.
21:40Here you go, get better.
21:42Well, thank you both very much.
21:44I hope to see you soon.
21:51Has it happened to you again?
21:53I don't see anything, Luz.
21:55Do you think he has noticed?
21:57He wouldn't have said it.
21:58I can't stop shaking.
22:00Well, let's go to the apartment.
22:02There you can rest without anyone bothering you.
22:05Lean on me.
22:17Yes?
22:18Come in.
22:20Bresidro.
22:23You look good.
22:24I would say that you have chosen color.
22:26Yes, I've been to Olías with the van for fertilizer and plants
22:29and it has given me all the sun in the air.
22:31And among that, I've been planting flowers for a while.
22:34I'm glad to see that you have the strength to work in the garden.
22:37Yes, the truth is that I feel pretty good.
22:39And all thanks to his generosity.
22:42You don't have to thank me again, Isidro.
22:44You are my friend.
22:46And as a friend, I have come to see him.
22:51Sit down.
22:56Tell me, what's going on?
22:58Well...
23:01I'm quite surprised by what I saw this morning in the kitchen with Digna.
23:06Yes.
23:07I saw you two flirting.
23:09Rather, Digna with you.
23:14What do you know?
23:16Well, I know that you proposed to her and that she rejected you shortly after.
23:23Did she tell you that?
23:25No, no, no, my daughter told me.
23:27It seems that Digna trusted what was happening, but without going into much detail.
23:33Yes, I wanted to have you aware of my intentions,
23:36but I didn't have time.
23:38My decision was as quick as your rejection.
23:40No, no, I'm not reproaching you for anything, for God's sake.
23:44But the truth is that I was surprised to know that Digna had rejected you.
23:48She feels something for you, Damián.
23:52I don't know.
23:53Maybe she told him something he shouldn't have.
24:02You're always encouraging me to do it.
24:04Yes.
24:05And always with the best intention.
24:08But there are times when a secret poorly told, poorly understood, or poorly told, hurts.
24:15Well, it wasn't any of that.
24:17It's just that Digna was afraid of the reactions that could arise in a news like our family reunion.
24:24Digna doesn't seem to be one of those women who get carried away.
24:27But, well, I don't know much either because I didn't want to share much more with you.
24:30Yes, one of the two had to have told you something and we didn't.
24:34And I understand that you're upset, even if you hide it.
24:37Yes, I'm a little upset and I'm not going to lie to you.
24:42But, well, all I need is to know that you're okay.
24:48I am, Isidro, I am.
24:50You know you can count on me for whatever you need, right?
24:55Well, and I wish with all my heart that things will be okay between the two of us again.
25:00They will be again.
25:02After all, we are family.
25:06Very well.
25:17♪♪♪
25:27♪♪♪
25:37♪♪♪
25:47♪♪♪
25:57♪♪♪
26:07♪♪♪
26:18Excuse me, do you mind if we start the meeting?
26:21Of course. Sit down, please.
26:33Isabel, please.
26:36Thank you.
26:37Isabel is giving you a document in which my proposal for our new expansion policy is being developed.
26:44Thank you.
26:45One moment.
26:47It says North America here.
26:50Where does it say North America?
26:51On page three.
26:54Ma'am, are you okay?
26:58Officer.
27:00We're checking the roads. We're looking for a con artist.
27:03A con artist.
27:04He's been in there for a while.
27:06Can you tell us where he is?
27:09He's been in there for a while.
27:11No, but I'm sorry.
27:14He's been in there for a while.
27:16He's been in there for a while.
27:18We're looking for him.
27:19We're checking the roads. We're looking for a swindler.
27:22Carlangas, the Portuguese.
27:25Has he taken a foreign car?
27:30I don't think so.
27:34Get out of the car, please.
27:40Ma'am, I repeat, get out of the car.
27:46Let me go, please.
27:48I'm in danger.
27:50Why? Has something happened?
27:52I had to run away from home.
27:55Tell me why.
28:02My husband...
28:04My husband's name is Jesús de la Reina.
28:07From Perfumería de la Reina?
28:12Ma'am...
28:13Ma'am, you have nothing to fear. We're the authorities.
28:16I'm sure we can help you.
28:17I'm sure we can help you.
28:23My husband is a murderer.
28:26He killed his first wife, Clotilde,
28:29and also his cousin, Valentín,
28:31because he found out they were lovers
28:34and that they were going to die together.
28:36But...
28:38what you're saying is very serious, ma'am.
28:40I know. I know, I know, but he confessed it to me.
28:44And he also did this to me, look.
28:48Look. Ma'am, cover yourself, please.
28:53Look, from what I see, you're not well,
28:54so the best thing to do is to accompany you home
28:57and clear everything up with your wife.
28:59No, no, no, no, no, I can't do this, please.
29:01Calm down, calm down, please.
29:02No, I don't want to calm down. You have to help me, please.
29:04Please, I'm begging you, please.
29:08All right.
29:10All right, we'll take you to the police station
29:11so you can file that complaint, if that's what you want.
29:15But it would be better if you didn't drive.
29:17Do you agree?
29:18Yes. Yes, I agree.
29:24Come with us.
29:25The car is over there.
29:47And could you tell us how we're going to do it?
29:49Because we don't have the infrastructure
29:52to set up a delegation there.
29:53It wouldn't be exactly like that.
29:56To the point, please.
29:58Yes.
30:00After studying the evolution of the volume of requests,
30:02I've noticed that in recent years
30:04the number of requests from the province of Cádiz has increased considerably.
30:08Maybe it's because of the climate, right?
30:10I mean, with the heat, more hygiene products are required and...
30:15Yes, it could be.
30:17It could be, but it's not.
30:18The draft is determined by the naval base of Rota.
30:22Explain yourself.
30:23Isabel, please.
30:25The products of La Reina are receiving very good reception.
30:28Among the Americans who live there,
30:30they buy them at Mansalva, in the shops of the town.
30:33So the idea would be to open a shop near the base,
30:36or even inside the same base.
30:38As long as we agree with the American government, of course.
30:41And seeing the success among the Americans,
30:44we could consider, perhaps, in the medium term,
30:47exporting our products there.
30:49You can see the profit forecast that has been calculated.
30:57Amazing.
30:59Shall I start the negotiations, then?
31:02It looks very good.
31:04But first we'll have to...
31:07well, to study all this documentation and see...
31:10the decision we can make about it, right?
31:12Yes, Jesús, give us time.
31:15We don't talk about expanding beyond the OCT.
31:18This is crossing the pond.
31:22And you?
31:23You're very quiet.
31:25I guess it's because you don't see my proposal as a big problem, right?
31:29A priori, it's ambitious, I like that.
31:32But I agree with them, it's a decision that shouldn't be taken lightly.
31:36First, we should take into account all the variables,
31:39including all the variables that are not in this report.
31:43What I've said, by the way, is a bit vague.
31:47For a town shop to work
31:50and to extrapolate that success to it working in the middle of the continent
31:54is a somewhat simple and adventurous idea.
31:58Although it's worth studying, it's interesting.
32:01Thank you for the effort, Isabel.
32:04Very well, take the time you need,
32:07but in the end you'll come to the same conclusion.
32:09It's a round business.
32:12The meeting is over.
32:13Thank you.
32:22Now I understand why you didn't want to have that coffee with me in the morning.
32:26Preparing such an ambitious project with my brother
32:29takes time.
32:31Thank you, Mrs. Marta.
32:37Did you really think I wasn't going to find out?
32:39But if you sold it on the radio, it's one of my best friends.
32:41Carmen, I'm telling you, it's a fabulous business.
32:44It's going to bring us a lot of benefits.
32:46Besides, I think it's time to work a little
32:48so as not to live so tight, woman.
32:50In my opinion, what? It doesn't count, does it?
32:53Of course it counts, Carmen.
32:54The only thing is that, well,
32:56analyzing the matter a bit, the common sense told me something else.
32:59Come on, you've gone too far.
33:00Carmen, I was thinking about you and me and our future.
33:03And what I've invested can be multiplied by three and four,
33:05if I'm honest, don't be so stubborn.
33:07Where did you get the money you invested in?
33:12Tassio, don't tell me you've emptied our portfolio again.
33:16Yes.
33:17My God.
33:18But, Carmen, I needed a lot more money.
33:20What do you mean, a lot more money?
33:23How much money, Tassio?
33:2520,000 pesetas. 20,000?
33:27But if what we had in the portfolio was just over 10,000 pesetas,
33:29where did you get the rest?
33:31Well, look, my colleagues have been giving me money in advance.
33:35And my father has given me a loan.
33:38Mr. Damián? Yes.
33:39Carmen, but really, don't worry.
33:40As soon as I get the rest of the domestic loan,
33:42I'll get the rest of the money and that's it.
33:44Come on, Tassio, with how smart you are for other things, really.
33:47Don't you think this whole thing is strange?
33:49If it were so easy to get money, everyone would do the same.
33:53And I don't feel good about Inigo.
33:55Well, don't worry, Inigo is reliable.
33:57In my case.
33:59You'd better be.
34:00Because there are a lot of people involved, Tassio.
34:02Friends, colleagues, the boss.
34:03Yes, yes, I know.
34:04And if this doesn't work out,
34:06you're going to be the one to face it
34:07and you're going to have to settle accounts with them, do you understand?
34:09But everything is going to be fine.
34:11Trust me, come on.
34:13I hope I'm wrong.
34:28Come in.
34:32Luz, Marta.
34:34I came to see if Jaime had finished
34:36and if he wanted to come home with me.
34:38He's not here.
34:40Wow.
34:41A home visit and...
34:44All the hours that are, I doubt he'll come here.
34:48Well, I'll wait for him at home.
34:50It will be the best, yes.
34:54Can I tell you something, for a moment?
34:56Of course.
34:58About what?
35:00About him.
35:03And don't you want us to talk about it...
35:05No, it won't be just a moment.
35:06In fact, I don't know how...
35:08How to approach the subject, so...
35:10Well, it will be direct.
35:14Luz, I'm still extremely worried about him.
35:17I know you told me you saw him tired
35:19because you had a lot of work to do at the dispensary.
35:22But I think there's something else,
35:24something he doesn't want to share with me.
35:27And...
35:29Why do you say that?
35:31They've been together for many years.
35:33Wow.
35:37I know him.
35:38I've never seen him so agitated and...
35:42It's as if something inside him was tormenting him.
35:47Are you surprised by what I'm saying?
35:49If you spend so many hours with him,
35:50you must have noticed the same thing I've noticed.
35:53Yes, the...
35:55The truth is that there's something else going on.
35:57And why?
35:59Because you think I should know?
36:01Well, as far as I know, you're in a relationship.
36:04It would be normal for you to have asked, Aguati.
36:12I guess your silence means there's something going on between you two.
36:16And, excuse me, the last thing I'd like to do is meddle, but...
36:21No.
36:23We're fine.
36:27Then...
36:29Then what's wrong with him?
36:31You see, I love him too much to see something happen to him
36:33and look elsewhere.
36:41He's the one who should tell you, Marta.
36:46Only Jaime can answer some questions.
36:54I understand.
36:55Thank you for being so honest.
37:03Very good, very good. Yes, yes, yes.
37:05Of course, of course, I understand. Thank you very much for the information.
37:08Thank you very much. Very good.
37:09Goodbye.
37:13What's going on, Joaquín? Problems?
37:14The politicians, Tassio, who have no idea what's going on.
37:17Do you think they're going to close the bridge in La Degollada
37:20for almost two years?
37:22Do you think they're going to close the bridge in La Degollada
37:24for almost the whole afternoon?
37:26And where are the trucks going to go, then?
37:28I don't know, we'll have to advance the time of the route
37:30so that the requests are not affected.
37:31Do me a favor and get on with it.
37:34And since Ñigo isn't here in five minutes,
37:36I'll kick him out on the street.
37:37No, man, Joaquín, don't be like that with him either.
37:40I'm sure he's smoking a cigarette in the cargo dock.
37:42A cigarette in the cargo dock?
37:44It's a factory runway all morning.
37:52Why did you say that to her?
38:06Jaime.
38:06Light.
38:08She's certain something's happening to me now,
38:11and knowing her, she won't stop until she finds out
38:13what it's about.
38:14She just won't stop.
38:15I don't want her to find out that I'm dying.
38:17It's so hard to understand.
38:19Listen to me. Give him a chance to say goodbye to you and go with you.
38:22I don't want any more company.
38:24The only company I need is yours, nothing more.
38:26And what about me?
38:28Have you stopped to think about what I need?
38:32I don't understand you.
38:34I can't take it anymore, Jaime.
38:36This is too much.
38:39I also need help, relief.
38:49I'm so sorry.
38:55Commander Bar?
38:57Hi, is Inigo Prieto there?
38:59What do you mean he left?
39:01How long ago?
39:03Anyway, when he comes back, tell him Tassio wants to see him.
39:07What?
39:09What do you mean he left with the luggage?
39:11Did he say where he was going?
39:13Don't you...?
39:15Anyway, when he comes back, tell him what I said, please.
39:18Do you know anything about him?
39:20Well, he was at the bar,
39:22but a few hours ago he left
39:24with the luggage, I don't understand.
39:26With the luggage?
39:28I'd rather say he left with some lady.
39:30He likes skirts more than a stupid pencil.
39:36Tassio.
39:38Carmen found out, I'm sorry.
39:40She caught us talking about it and I couldn't stop her.
39:42It's okay, it's all right, really.
39:44Well, here are the 500 pesetas.
39:46Do you think you can have the radio today?
39:48I'm meeting my father for dinner and I'd like to give it to him.
39:52I know Inigo is in charge of the deadlines,
39:54so I can't tell you until I see him.
39:56I think Inigo left.
39:58What?
40:00I mean, I saw him cross the square with a guy.
40:02It can't be.
40:04Tassio!
40:08Where is this guy?
40:10Inigo!
40:16He won't die.
40:18He won't die!
40:22He won't die!
40:24He won't die!
40:26I don't give a shit!
40:28I don't give a shit!
40:36So, you're hungry from the factory?
40:38You broke it twice.
40:40Do you want more?
40:42No, no, no, no.
40:44And I haven't been able to escape to have a bite in the afternoon.
40:47I'm going to get the fruit.
40:52Son!
40:53Yes, I told him to come so we could talk.
40:57How are you, mother?
40:58Hello.
40:59But why didn't you tell me?
41:01I would have put more quesadillas and we would have had to wait for you for dinner.
41:04Well, something will be left for a poor hungry man.
41:07You've talked enough, Luis.
41:09Very well, don't worry, Gemma, I'm going to get a plate and the cutlery.
41:14Any news about the spa?
41:18Well, we know that the lands belong to a certain Ricardo Peralta,
41:22but it has been impossible for us to communicate with him.
41:26And that?
41:27His secretary is very well trained
41:29and all he does is give us excuses so we can't access him.
41:34Well, son, he's a secretary, he's following orders.
41:37That goes without saying.
41:39But if we had any way to be able to talk, even if it was with him for a minute,
41:43I'm sure we could convince him not to sell us those lands.
41:47And there is no way to contact that man?
41:51Well, Gemma knows her niece, right?
41:58Oh, that's very good.
42:00No, no, no, it is not, because apparently she has been fighting with her uncle for a long time,
42:05so that door is closed to Cali Canto.
42:08A shame.
42:09A shame, yes.
42:13Anyway, I'll take advantage of my sleepless nights in the room
42:18to see if I can think of any way to approach that Peralta.
42:24What's wrong? You don't sleep well?
42:26No, my roommate snores like a pig.
42:29Son, you don't have to keep sleeping in the factory.
42:32Your room is empty and we miss you here.
42:38Well, if it's not too much trouble.
42:41How is it going to be a nuisance for you to go back to your family?
42:44This is your home.
42:46And I miss you a lot.
42:49And I miss you, mother.
42:52I hope very soon we can get that balneary up
42:55and start living as we deserve.
42:57Without hardships, without narrowness,
43:00without having to give accounts to anyone who despises us.
43:06Whatever happens,
43:09come on, hands, like when you were little.
43:11Really?
43:12Take your brother's hand.
43:16Whatever happens, the important thing is that we are always like this.
43:20United.
43:22That should be enough for us.
43:26And I can't wait any longer.
43:28I'm going to prepare your room.
43:30Wait, mother.
43:31No, no, no.
43:32I'll help you.
43:33No, no, he's finished eating.
43:34Well, come on.
43:35Don't worry.
43:38Come on.
43:43Why didn't you tell them that you don't want to access Peralta because of your pride?
43:47Joaquín, are you really going to lose this project as soon as you start?
43:51We deserve this opportunity.
43:57Yes.
44:00Yes, we deserve it.
44:03I don't want to keep feeling like I'm less than anyone.
44:07Nor accepting a life
44:10that I haven't chosen.
44:12And I don't want to keep seeing my mother slumbering every day.
44:16Nor my brother
44:19fighting to be respected.
44:23Nor you.
44:25I don't want to keep seeing you so sad
44:28every day.
44:30We deserve a little hope.
44:34Yes.
44:35A better life.
44:38Does that mean what I think?
44:45Would you come with me to see Ricardo Peralta?
44:59Yes.
45:11What? How do you see it?
45:13If you let me finish, I'll tell you.
45:16America, Father. America.
45:18I can already see myself with you in New York cutting the red band
45:20from the new store on 42nd Street.
45:22I don't know what street that is.
45:23It must be very small not to have a name.
45:25Father, this is serious.
45:26I've spent so many hours with Isabel preparing this report.
45:28What do you have with your secretary?
45:31What do you mean?
45:33She's just helping me with a few things.
45:35Nothing else.
45:37Keep doing that.
45:39And?
45:41I'm not going to tell you anything.
45:44I'm going to stay out of it.
45:46I want you and your brothers to decide
45:48the direction the company should take.
45:50I knew it.
45:52Father, you're getting older.
45:54Don't give me that.
45:56I'm serious.
45:57And your taciturn attitude is worrying Marta, for example.
46:00She hasn't said anything to me.
46:02Well, to me, yes.
46:03She says she feels sad.
46:04And I bet she'll start asking her uncomfortable questions.
46:07Yeah.
46:08And that worries you?
46:10Well, yes.
46:11Too many people know about Julia and...
46:13I'm aware.
46:14So stay calm.
46:17As for this, what?
46:19Working all day to get to the same point?
46:21That she argues with my brothers?
46:22Exactly.
46:24Well, let's go home.
46:26It's late.
46:27And I'm sure Begoña is wondering where we are.
46:30When I left, she hadn't come back yet.
46:33What do you mean, she hadn't come back?
46:35Where did she go?
46:36She went to the cemetery to plant some flowers.
46:39But when you got here, it was getting dark, wasn't it?
46:42Yes.
46:45Has something happened to her, Father?
46:47She's been a bit dazed lately.
46:49The truth is, yes.
46:50I saw her as confused and confused.
46:52She told me it was because of the medication she had given Dr. Borrell.
46:55I'm going to call home.
46:58To see if something has happened or not.
47:03Good evening.
47:04Good evening.
47:05Good evening, Sergeant. Is something wrong?
47:07I'm Sergeant Pontón, from the Toledo Command.
47:09I'm here for your wife.
47:13Has something happened to her, Begoña?
47:15Your wife has filed a complaint against you.
47:18She accuses you of killing two people
47:20and of trying to end her life.

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