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LifestyleTranscript
00:00🎵Müslüm Gürses – Hangimiz Sevmedik🎵
00:22🎵Yağmur dinliyorsa, yollar bitmiyorsa🎵
00:27🎵Sen üzülme, bir gülümse gel benimle🎵
00:32🎵Her şey bitti derken, şansın döndü birden🎵
00:37🎵Aşk öyle bir mucize🎵
00:40🎵Benimle gel, gülümse gel🎵
00:45🎵Hayat bazen zor olsa da yine güzel🎵
00:50🎵Benimle gel, gülümse gel🎵
00:54🎵Hayat bazen zor olsa da yine güzel🎵
00:59🎵Sen misin ilacım? Ben kalbinde bir kiracı🎵
01:04🎵Yerleşeceğim sımsıkı ben, aşk başladı🎵
01:08🎵Sen misin ilacım? Ben kalbinde bir kiracı🎵
01:13🎵Yerleşeceğim sımsıkı ben, gel hemen🎵
01:24🎵Müslüm Gürses – Hangimiz Sevmedik🎵
01:54I love you so much, Sivir. Call me.
01:59Hello?
02:00Hello, my aunt Norman. How are you?
02:02Dima, reassure me. You're not doing anything stupid, are you?
02:05Look, I'm sitting here, my whole body is sweating all of a sudden.
02:08And this girl said, unless something goes wrong, something goes wrong, and we're in trouble.
02:12Yes, my aunt Norman. Everyone is fine, and they call you Tete.
02:15Tete is fine.
02:16Yesterday, she made a baklava tray.
02:18Today, I'll send you some of it.
02:20What's wrong with this girl?
02:22Okay, I get it. I'll call you later.
02:25Don't bother them.
02:27No problem, my aunt. No problem.
02:29I'll call you when I'm done.
02:44Dima, you wait here.
02:46Okay.
02:47See you.
02:53Why didn't he let me go down with him for a while?
02:56Could it be that I made a mistake and bothered him from the first day of work?
02:59What are you talking about? There's nothing bothering him.
03:01This is Uncle Sabri's workshop.
03:03Umar Bek comes here on his own.
03:05The first mold for the designs that Umar Bek draws is made in this workshop.
03:09And of course, Sabri has been in this industry for a long time.
03:11That means Umar Bek was lucky, right?
03:13They say that Bek used to work in this workshop.
03:15I don't know, but honestly, that's what I heard.
03:17Umar Bek's family is still dying.
03:19He left school and worked here.
03:21And they also say that he used to live in the workshop.
03:23What are you talking about?
03:25Umar Bek was poor like us a long time ago?
03:27Yes.
03:28That's not right.
03:29How could his uncle Nariman be so rich?
03:31Umar Bek's family is always rich.
03:33And on top of that, Khaldun Bek is Umar Bek's grandfather.
03:36But Umar Bek doesn't talk to him.
03:38He refused to take any money from him.
03:40And he was able to establish the company on his own.
03:42He seems to be a lonely man.
03:44Thank God I have a family.
03:46Thank God I have a family.
03:48And they love me a lot.
03:50And I love them too.
03:52It's true that this family is crazy, but we all love each other.
03:54Thank God, thank God.
03:55Don't say that.
03:56I'm the one who knows what's important in life.
03:58And you haven't lost a lot of your morals, my daughter.
04:00Everyone is running after their interests.
04:13It's your turn. Come on, play.
04:15Okay, Uncle Sabri.
04:17Aha.
04:20I sent my wife to the village.
04:21I told her to rest a little, but she wants to come back now.
04:24Hello, my daughter.
04:25Yes, we want to get the boy married in Ahab.
04:27She said she wouldn't get a job if she stayed there.
04:29Now, Murad wants to get married?
04:31Yes.
04:32Why didn't you tell me, Uncle?
04:34It's the last time I'm here.
04:35I told you. Don't you know?
04:38No, it's a gift from me.
04:39You have a lot of money.
04:41What are you talking about, Umar?
04:42I don't have any.
04:43May God bless you.
04:44It's not good for us.
04:45Uncle, are you mad at me?
04:46Murad is like a brother to me.
04:47I know, but...
04:48Look, the wedding and the house will be my gift,
04:51and I hope you'll consider them from your son.
04:53No, no, no.
04:54I don't approve of this at all, my son.
04:55It's impossible.
04:56It's not possible.
04:57I don't accept it.
04:58Look, Uncle.
05:00After everything you've done for me,
05:02is it possible that you still consider me strange?
05:08My son, and your life is the same.
05:11Few people act like this.
05:14I hope the bride will be happy.
05:16I miss her a lot, by the way.
05:18Look, if she comes back,
05:19I'm going to miss her like crazy.
05:21Now, if that's what you want,
05:22I'll call her right away and send her to you.
05:25Okay.
05:27Tell me about yourself.
05:29I'm fine.
05:30Hasn't your wife changed?
05:32Don't remind me.
05:33Umar, you're not making a mistake.
05:35Don't worry. You're on the right path.
05:37What did our elders say?
05:39The reward without love,
05:41is like praying alone,
05:43you won't find it.
05:45You should focus on your work.
05:49Come on, let's go see the work.
05:51Yes, maybe we'll finish.
05:52And you'll give me your opinion on the work.
06:06What?
06:07You didn't like it?
06:09It's good.
06:12No, it's excellent.
06:15We're going to make a whole series out of them.
06:17That's exactly what I want.
06:19Well done, Umar. Don't give up.
06:25Can I take a break?
06:27I washed my feet.
06:28Take a break, no problem, take a break.
06:30My feet are broken.
06:32I can't stand it.
06:33I can't stand all this fatigue.
06:35But women,
06:36how can they dress like this?
06:38I really don't get it.
06:40Wear the company's clothes.
06:42They usually give gifts to employees.
06:44My wife says they're very comfortable.
06:46I didn't want to show off,
06:49so I didn't wear from the company's brand.
06:51But they're hurting me, they're breaking.
06:58Excuse me, sir.
07:00I was resting my legs a little.
07:02I'll wear right now.
07:03Look, I'm done.
07:09Put the 38 over there.
07:11Yes, ma'am.
07:12One of the 40 must have two boxes.
07:14Where are they, girls?
07:16Dalia!
07:17Come on, girls, hurry up.
07:19Look, they all have two boxes.
07:20Do I have to wait here all day?
07:22They're like a network.
07:23No one's paying attention to me.
07:25Come on.
07:26Hurry, hurry, hurry.
07:28What's wrong, Dalia?
07:30What's going on?
07:31No, tomorrow is the Catalan press conference.
07:33I'm telling you to hurry.
07:35No, no, no, you'll fall.
07:37Go back.
07:40You rejected half of the offers.
07:43But you said yes yesterday.
07:45I didn't say yes, I said we'll see.
07:46I don't want anyone strange from here.
07:48Why not?
07:49First of all, because they don't know how to speak our language,
07:51and their eyes are empty.
07:52The eyes are, of course, the most important thing.
07:54We're selling shoes,
07:55and you're taking care of the eyes, aren't you?
08:00The eyes are very important.
08:03If it wasn't for that,
08:04we would have bought two mannequins, Yasmin.
08:07What?
08:13What?
08:14How can I help you?
08:16Listen, Mom.
08:17I just started today.
08:19Where did you get it?
08:21Where did you work?
08:22Yasmin, I shouldn't be asking you this.
08:24Because it's a secret.
08:25Do you understand?
08:26Of course, I understand.
08:28Your work is the only thing that fascinates us,
08:30and that's it.
08:32Right?
08:37Yes.
08:38What are you doing here?
08:39I'm here to see you.
08:40What are you doing here?
08:41I'm here to see you.
08:42What are you doing here?
08:43I'm here to see you.
08:44What are you doing here?
08:45I'm here to see you.
08:46What are you doing here?
08:47I'm here to see you.
08:48What are you doing here?
08:49I'm here to see you.
08:50What are you doing here?
08:51I'm here to see you.
08:52What are you doing here?
08:53I'm here to see you.
08:54What are you doing here?
08:55I'm here to see you.
08:56What are you doing here?
08:57I'm here to see you.
08:58What are you doing here?
08:59I'm here to see you.
09:00What are you doing here?
09:01I'm here to see you.
09:02What are you doing here?
09:03I'm here to see you.
09:04What are you doing here?
09:05I'm getting ready for the show.
09:06He has so much work.
09:07Come out.
09:08What's the big deal?
09:09The show's already over.
09:10I just want to see Omar Baek before I go.
09:11Okay.
09:12See you.
09:13See you.
09:14See you.
09:15See you.
09:16Bye.
09:17Bye.
09:18Bye.
09:19See you.
09:20Bye.
09:21Bye.
09:22Bye.
09:23See you.
09:24Bye.
09:25Bye.
09:26See you.
09:27Bye.
09:28Bye.
09:29Bye.
09:30Bye.
09:31Bye.
09:32Bye.
09:33Come in, Omar Beyk.
09:40Come in.
09:41Omar Beyk, if you're ready, I'll read tomorrow's program.
09:48If you want, I can read it for you tomorrow morning, if you're tired.
09:55I'm fine.
09:56What do you want me to read?
09:59First of all, I assumed that you would leave early tomorrow.
10:02I mean, Uncle Shukri said that you leave very early in the morning.
10:06Which means that you will be back in 47 minutes.
10:09🎵
10:28I go to Tashdif every day.
10:31I don't understand.
10:32In the morning, at 5 a.m. I go to Jaddaf.
10:34This is the place I go to.
10:37And as you know, I come back home later.
10:39Oh, I don't understand.
10:41I didn't think of anything bad.
10:44Of course, this doesn't concern me.
10:46You don't always have to explain.
10:48Sometimes.
10:51I'm going to shut up.
10:54Umar Bek?
10:55Should I accompany you home or should I leave?
10:58No, you can go.
10:59I still have work to do today.
11:01🎵
11:06Umar Bek?
11:08I want to tell you that I have an important question.
11:11Tell me, what is it?
11:13The thing is...
11:15We...
11:17Last time, you and I...
11:19Umar?
11:22We agreed to have dinner together today.
11:24And you can't run away from me.
11:26I booked a table in the most beautiful restaurant.
11:29Which means, I'm going to leave, if you don't mind.
11:39Oh!
11:42Oh!
11:44God, take me to rest.
11:46My legs are broken, broken, broken.
11:48Oh!
11:49Oh God, help me.
11:51Oh!
11:52Oh!
11:53Damdoum?
11:54What is this?
11:55Oh! Don't remind me, Samu.
11:57I swear, you have no idea how hard it is to stand in the bus in this condition.
12:00I was standing in the middle of people and I almost fell.
12:02Beautiful?
12:03No way, why are you wearing a dress?
12:04Yes, I'm wearing a dress.
12:05For the condition.
12:06I was afraid it would get dirty.
12:07I have to take a bottle of clothes with me when I get back.
12:09The road between the house and work is all dirty and garbage.
12:12Why? Are you going to wear the bride's clothes every day?
12:14If you see where I'm working, you wouldn't say that.
12:16If you see...
12:17Get a grip on your brain.
12:19These are not bride's clothes.
12:21Sport chic.
12:22So that's what they're called?
12:23They told me that's what they're called.
12:26Samu.
12:27If you see the people I live with,
12:29as soon as you enter the house, your mind flies away.
12:31And there's a girl named Yasmin.
12:33It's impossible to think of her as a human being.
12:35She's like a toy.
12:36If I want to go out, I have to get up at 4 a.m. to catch up.
12:39Anyway, Samu.
12:40Let me go home and rest.
12:42Okay.
12:43Take care.
12:45Oh, my legs.
12:55Samu.
13:14Gentlemen.
13:15He has to know how to dance.
13:17Come on.
13:18Come on.
13:19Come dance with me.
13:25I want you to promise me
13:26that you love the most beautiful woman in the world.
13:28I want her to be my princess.
13:30Mom.
13:31But you're the most beautiful woman in the world.
13:44Ugh.
13:45What's wrong with my grandma?
13:46There's something wrong with her.
13:47The money is all over her.
13:49And then there's work.
13:50And all this clothes and hair and makeup.
13:52Look at her.
13:53Look.
13:54If you do anything wrong,
13:55I swear I'll kill you.
13:57I swear I'll kill you.
13:59Grandma, it's a shame.
14:00Don't say that to me.
14:01I'll kill you, I said.
14:02Yeah, you've said it three times already.
14:04Dima.
14:05Dima.
14:07Look at me.
14:08Don't I look pretty?
14:10Oh, no, Sara.
14:11Take them off.
14:12Take them off your legs.
14:13They're not mine.
14:14Take them off.
14:15Hurry up.
14:16Come on.
14:17Take them back to their place.
14:18Come on.
14:19How are they not yours?
14:20Where did you get them from?
14:21I grew up.
14:22Now I want you to tell me
14:23what's going on with this new thing.
14:24Then I'll see
14:25who's bringing you
14:26all this expensive clothes
14:27and hair and makeup.
14:28Tell me.
14:29Grandma, the thing is
14:30my job is to welcome people.
14:31I see who's at the door.
14:32I welcome people.
14:34I'll open it.
14:35I'll open it.
14:36Who is it?
14:38What's his name?
14:39He's my friend.
14:40Here, grandma.
14:41How did Tamnim look?
14:42Was she pretty?
14:43Was she a character?
14:44Tell me.
14:45Grandma, kiss me and come in.
14:46We'll talk when we go upstairs.
14:47Grandma, we're on the balcony.
14:50What's going on between you two?
14:52Look, Shabak.
14:53I swear, I'm heartbroken.
14:54Do you want to talk or not?
14:55Shabak, couldn't you wait a minute?
14:59It's not just his personality.
15:00It's the moon itself.
15:01Don't they say,
15:02I was born on the night
15:03of the full moon?
15:04That's how it is.
15:05But it's impossible.
15:06How can you be afraid of his personality?
15:07I've known him before.
15:08I mean, I've known him...
15:11It's all messed up.
15:13Nihal, what's going on?
15:15What's going on?
15:16Ruqi, I know you're more optimistic
15:17than that.
15:18Why are you telling me this?
15:19You're telling me his personality.
15:20Yes.
15:21And if he turns out to be
15:22like the characters in the novels?
15:23I made him dry.
15:24But...
15:25I haven't told you
15:26who I saw there yet.
15:28Ghassan Beg.
15:29His partner turned out to be the guy.
15:30Which Ghassan?
15:31The one who comes to our restaurant?
15:32Exactly.
15:33With someone else?
15:34Ghassan?
15:35He's the one.
15:36This morning, he suddenly
15:37showed up at the company.
15:38I was so nervous,
15:39I thought I was going to fall.
15:40Are you kidding me?
15:41No.
15:42I mean, is this fate?
15:43Of course not.
15:44I can't imagine a better one.
15:46We talked about love, marriage,
15:48and everything else.
15:49And now I'm telling you
15:50it's impossible.
15:52These people aren't like me.
15:53And just like you,
15:54they're so different from us.
15:55They call me inhuman.
15:56And I'm telling you,
15:57I know this guy.
15:58The one you're working with?
15:59Yes, him.
16:00But...
16:01I don't know most of him.
16:03I was going to ask him,
16:04but I can't.
16:05All the time,
16:06I feel like I'm living
16:07on another planet
16:08as if he doesn't exist.
16:09You've always annoyed me.
16:10You've never understood me.
16:11Did you go to work this morning?
16:12Yes.
16:13Did you?
16:14Yes, I did.
16:15And then?
16:16When I got there,
16:17I went to his house.
16:18You've been running around
16:19all day.
16:20Let's go to bed.
16:21Okay.
16:22Okay, grandma.
16:23You sleep now,
16:24and I'll go to sleep
16:25in a bit.
16:26Go to sleep, I said.
16:27I'll call you later.
16:28Today.
16:29What's wrong with her?
16:30Oh, God.
16:31How long will it take?
16:32I want to wait.
16:45You didn't call me.
16:46How are things?
16:47What happened to you?
16:48I'm coming to you.
16:49I want to know what happened.
16:51I'm downstairs.
16:54Look at her.
16:55From Khashira
16:56to here.
16:57I'm the one
16:58who got into this mess.
16:59Oh, God.
17:00Oof.
17:15Hi, Nariman.
17:16Come in.
17:17Tell me.
17:18What happened?
17:19What did you do?
17:20What did he do?
17:21Tell me.
17:22But don't make me hit you.
17:23Did your phone ring?
17:24Didn't he notice?
17:25Did you tell him
17:26you were going to hit me?
17:27Tell me.
17:28Calm down.
17:29Take a deep breath.
17:30Take a break, Nariman.
17:31You're talking too fast.
17:32Okay, tell me.
17:33I'm done.
17:34Honestly,
17:35there's not much to tell you.
17:36He called me a lot.
17:37And he kept
17:38going to meetings.
17:39He was busy all day.
17:40Yes, he's always busy.
17:41But I want to know
17:42what he did to you.
17:43He hit me in the face
17:44and didn't give me
17:45any attention.
17:46But he treated
17:47all the employees
17:48the same way.
17:49Except for Yasmeen,
17:50who works at the company.
17:51Oh, Yasmeen.
17:52So you're back
17:53from all the violence
17:54and you hit her
17:55and what happened to her?
17:56Honestly,
17:57she was very nice
17:58and she seemed nice to me.
17:59But she's close
18:00to the house.
18:01What do you mean
18:02close, girl?
18:03What do you mean close?
18:04You're going to be
18:05close to Omar.
18:06Isn't that why
18:07I'm paying you?
18:08Yes, of course.
18:09But I wasn't
18:10flirting with Ziyad today.
18:11You want to flirt?
18:12I didn't hit you
18:13and you hit him.
18:14And you promised me
18:15you'd do your job
18:16in this story.
18:17Do you understand?
18:18You're going to take
18:19every chance
18:20to get close to him
18:21tomorrow.
18:22Wherever you go,
18:23right or left,
18:24you have to be
18:25close to him.
18:26Do you understand?
18:27Yes, I understand.
18:28You always
18:29want to be close
18:30to him
18:31so he can see you.
18:32But you don't
18:33have the beauty
18:34to flirt with him.
18:35You don't want to
18:36get embarrassed
18:37and be in his face.
18:38Do you hear me?
18:39Okay, okay.
18:40I'm not embarrassed.
18:42Do you understand?
18:43Yes, I understand.
18:44Let's go.
18:45Oh God,
18:46I can't stand
18:47these problems anymore.
19:11Good morning.
19:33What's that?
19:35Your breakfast.
19:37What is this rose for?
19:39Yes, there are no flowers or plants in your house, so I thought I'd get some for you.
19:45Unfortunately, I don't have time to water them.
19:46I'll water them in the morning.
19:50Why do I feel like this is not normal?
19:52In your house, the sun comes in and the flowers give life.
19:56We have a lot of plants. If you like, I'll get some for you.
19:59We have to go now.
20:01What about breakfast?
20:02I don't want to be late.
20:04I'll get the tray for you.
20:05It's not a problem, don't worry about it. Someone will clean it.
20:08The fridge is leaking and there's nothing to eat.
20:11My cousin's wife is coming here. She knows what we need.
20:14Don't worry, let's go.
20:16That's great, but would you like me to make a list?
20:18Because I saw a thread today that looks delicious.
20:24You said a thread?
20:25Yes, a thread. You like threads, right?
20:27I make a lot of threads.
20:28Of course, it's not like what your cousin's wife makes.
20:30I'm not here to cook, but...
20:32But I mean...
20:37Nothing.
20:41You...
20:46We have to go.
20:49Let's go.
20:50I wanted to ask you a question.
20:52I mean, it's important to ask.
20:54It might be a coincidence, but...
20:57A while ago, you and I...
21:01We met.
21:03You don't remember me, do you?
21:15I don't remember you.
21:16I don't remember you.
21:17I don't remember you.
21:18I don't remember you.
21:20Enzo, I'll be waiting.
21:44Okay, okay.
21:45You don't have to do that.
21:47Okay, okay.
21:48That's it.
21:49Take the make-up off.
21:50Take this one.
21:51What do you know about me?
21:52Take it off and let's go.
21:53Okay.
21:54Hurry up.
21:55Come on, guys, slow down.
21:56Fix the lighting.
21:57Nice, nice.
21:58Put it on.
21:59Madam Yasmin, put it on.
22:00It's very nice.
22:01Put it on the clothes.
22:02Okay.
22:03Nice.
22:05Go fix it.
22:06What are you staring at?
22:07Relax.
22:08Take a deep breath.
22:12My head is spinning.
22:13Yes, this is much better.
22:14They might like each other.
22:15They might like each other.
22:16Don't lean too much.
22:17Hurry up, guys.
22:18Take a picture.
22:19Hurry up.
22:20Take this one.
22:23Yes, I want more colors.
22:26Bravo.
22:31Show me the bag.
22:32Show me.
22:33Let's see the brand.
22:34Come on.
22:35Stand up.
22:36Stand up properly.
22:37Stand up.
22:38We're done.
22:39Come on.
22:40We're not done yet.
22:41Very nice.
22:42Your leg.
22:43Your other leg.
22:44The other one.
22:45Yes, the other one.
22:46Very nice.
22:47You're amazing.
22:48Very nice.
22:49Bravo.
22:56Come on, Dima.
23:02Excellent.
23:03Stand up straight.
23:04Let it show more.
23:05Come closer.
23:07Look.
23:09He's working.
23:16Louay.
23:18The girls are tired.
23:19Take it easy.
23:20They're not tired yet.
23:21They're getting better.
23:22Change the clothes.
23:23This girl is sleepy.
23:24How do you want them to be, Omar?
23:26I mean, this dress is very normal.
23:28You don't have to wear these clothes with her.
23:30Change them.
23:31Dima, the water.
23:32Huh?
23:33Give me the water.
23:34Coming.
23:41Oh, our hero is here.
23:44Omar, get me out of this madness.
23:46Of course, he'll drown.
23:48What did you say?
23:49I didn't hear you.
23:50This dress is not for walking on sand.
23:52You have a strong sense of humor.
23:54What do you want me to wear?
23:56What do you want me to say?
23:57In my opinion,
24:01he should be without his boots,
24:03or you know what?
24:04He'd look better without them.
24:05Right.
24:06Of course, right.
24:15As soon as you get out of this door,
24:18don't think about anything but work.
24:21Do you understand?
24:26I understand.
24:27Very good.
24:29We're busy with work today.
24:30We have to go.
24:45A FEW HOURS LATER
24:55Huh?
24:56Finally, Ghassan is here.
24:59Good morning.
25:00Good morning.
25:01Good morning.
25:02Buongiorno.
25:03How are you, Farina?
25:04What are you doing?
25:05We're working.
25:07I mean, the team is working very well.
25:10Hello.
25:11Louis.
25:12How are you, honey?
25:13I'm not well at all.
25:14Tell that joker I'm in the best days of my life.
25:17And under this sun,
25:18I'm going to tell you something with Ghassan.
25:21Honey, what are you doing?
25:22He's an artist.
25:24How are you?
25:26Are you sure you're kidding me?
25:28Try it.
25:29Okay, he'll get used to it.
25:31Honey,
25:32it's best if you don't keep eating in your bag.
25:34Go get me something comfortable to wear on my feet.
25:36And the woman is 40.
25:38Stop.
25:40In my opinion,
25:41you should get her something comfortable to move in.
25:43Something that's more comfortable than your bag.
25:45Okay, honey.
25:49Wait.
25:50Give me the cream.
25:51Give it to me.
25:54Is it cheap too?
25:56It's okay.
25:57It's better than nothing.
26:05You scared me.
26:07Ghassan.
26:08You look like the red Indians.
26:10Really?
26:11Sabri, come here.
26:14One more thing.
26:15Do you dance tango?
26:16Yes.
26:17Give me those.
26:19Like this.
26:21One, two, three, four.
26:24Tango, tango, tango.
26:26Tango, turn your head.
26:27Tango, tango, tango.
26:31Come, let me show you.
26:33Come.
26:35Dima.
26:36Dima.
26:39Omar, look at me.
26:41We have to go.
26:42Okay.
26:43Stop.
26:44Open your hands.
26:45Take it.
26:49Brush your face so it doesn't burn.
26:51Dima.
26:53Go, go, go.
26:54The manager is angry.
26:55Go to him.
26:56All these plans we made and worked so hard on
26:58are not going to end up like this.
27:00What about the girl?
27:01Like the chicken from Tufa.
27:02She's running from here to there and she's not catching up.
27:04Oh, God.
27:05It's going to take a long time.
27:07Nariman.
27:08Give me the glasses.
27:09Let me see.
27:12It's not working.
27:13Look at Yasmina and the idiot next to her.
27:15Like they said,
27:16I got you, Abdelmouine.
27:18Like the crazy goat,
27:19you keep running.
27:20Fail.
27:21It's not in her hands.
27:22She keeps failing.
27:23You're going to die.
27:24But Nariman,
27:25the poor girl is working.
27:26Isn't she his assistant?
27:28What, Sami?
27:29We're not just helping her
27:30and giving her money.
27:31I mean, we got her to work
27:32as his assistant.
27:33Don't make her sad.
27:34We're not going to make her hate
27:35some idiot.
27:36Honey,
27:37what do you think about
27:38getting closer to the situation?
27:39I mean,
27:40let's go and control the situation.
27:41No,
27:42how can we go?
27:43Now,
27:44if she sees us,
27:45she's going to get even more nervous
27:46and mess things up
27:47more than me.
27:49Believe me,
27:50I feel like my head hurts
27:51and it's going to explode
27:52because of this idiot.
27:53Sami,
27:54give me the glasses.
27:57Sami!
27:58Give me the glasses.
28:03No.
28:08Leave it.
28:09What else can I do?
28:10I don't have anything else to do
28:11but this shop.
28:12That's the way things are.
28:17Look,
28:18don't worry about your friend,
28:19but I have a guest coming,
28:20if you don't mind.
28:22It's okay,
28:23I'm leaving anyway.
28:24Take care, sir.
28:25Thank you.
28:26God bless you.
28:27Thank you for coming.
28:30Miro,
28:31Two cups of coffee for those who love you.
28:34Thank you, Mr. Sabri.
28:39Khaldoon, how are you?
28:41Oh, how are you?
28:42Welcome, welcome.
28:44Come in, come in.
28:46Come in, come in.
28:49Welcome, I missed you so much.
28:51Oh, oh, oh.
28:53No matter how much I miss you, I always come to the same place.
28:56And you too, you too, Mashallah.
28:59It's been a long time since I forgot about you.
29:01What can we do? That's life.
29:04What?
29:05What do you think about playing the table like we used to?
29:08Hey, get the table out of the way.
29:10Of course, I'm ready to lose.
29:18I'll clean them up.
29:21Tell me, what's going on?
29:23Is Omar treating you like usual or not?
29:25Let's first drink our coffee and play like we used to.
29:28And then we'll talk. No one left me behind, right?
29:30No, no, no. You're being generous.
29:32Okay, as you wish.
29:33You, in your life, you can't live without this table.
29:36I swear I can't.
29:37Yes.
29:38Okay, why?
29:40We have to do these scenes in Photoshop.
29:42And this, in my opinion, this...
29:44This one came out well. I mean, it's fine.
29:46I did it.
29:49Look, the performances have to wear their clothes.
29:51And the canadiens too.
29:52Okay, right away.
29:53Yes, the canadiens.
29:54I'll go get them.
29:55I'll go get them.
29:56Look, Ammoura, in my opinion,
29:58these girls are beautiful.
29:59I mean, they don't need any makeup.
30:00They're perfect.
30:02Don't forget that I'm the one who made them.
30:06The girls who didn't like you were crazy about the photos.
30:10But there's one girl between you and me who never falls for you.
30:27These girls are beautiful.
30:29I mean, they don't need any makeup.
30:31They're perfect.
30:32Don't forget that I'm the one who made them.
30:34They're beautiful.
30:35But in my opinion,
30:36we have to fix the angles more.
30:38Come, sit next to me.
30:39What's this?
30:40Yes, I'm sitting. Why not?
30:43What a mess.
30:45Oh, okay.
30:46I'll call you later.
30:47Okay.
30:48Shrik,
30:49we need to talk about something.
30:51Yes, let's talk.
30:56Stay in El Fayasmin.
31:11Come on, girls, get to work.
31:13Ghassan,
31:15where did you find this girl?
31:16Which girl?
31:18Ghassan Dima.
31:20My new assistant.
31:21Oh, from the city council.
31:23She applied.
31:24I remember she was working as a waitress at Mano.
31:27Mano?
31:28Yes, Mano.
31:29The restaurant.
31:31Yes, that's right.
31:32But her CV was very important.
31:34And she didn't have any money.
31:35That's why she had to work as a waitress.
31:37I thought you didn't care about such things.
31:39In the end, the girl is working well.
31:40And she's busy.
31:42We don't disagree that she's busy.
31:43But we also don't know anything about the girl.
31:45Don't worry.
31:46You studied her CV in detail.
31:47What do you want?
31:48To bring her family to the interview?
31:49What do you want?
31:50Who does she want to be?
31:51Do you want to marry her?
31:53I don't know her parents.
31:55But the girl is excellent and has energy.
31:57Excellent and has energy.
32:01We'll see.
32:03Honey, can you raise your leg more?
32:05Excellent.
32:06Great.
32:08We're done with these pictures.
32:09Change the camera for me.
32:11Who am I talking to?
32:12Yes, raise my leg.
32:13And bring me the scissors.
32:14Yes.
32:15Come on.
32:16He wants the scissors.
32:17I don't know.
32:18Bring me the scissors.
32:19Hurry up.
32:20Bring me the scissors.
32:21I have it.
32:22One second.
32:23Hurry up.
32:25Oh God, help me.
32:26Hurry up.
32:28Hurry up.
32:29Hurry up.
32:30Hurry up.
32:31Hurry up.
32:32Hurry up.
32:36Hurry up.
32:37Hurry up.
32:38Get her out of the water.
32:39Hurry up.
32:40Oh God, help me.
32:41What's this?
32:42What's wrong?
32:43All the stupid things are ruined.
32:45Go away.
32:46Why?
32:47So we can control the situation.
32:48Okay, okay.
32:49Let's go.
32:50Hurry up.
32:51Hurry up.
32:52Go away.
32:55Oh God.
32:56How can you be such a loss?
32:58Stupid.
33:04I've never seen anyone like him.
33:09Girls, run.
33:11Hurry up.
33:12Hurry.
33:13Hurry up.
33:14Hurry up.
33:15Let me go.
33:17Are you okay?
33:18Maybe my leg is broken.
33:19If it broke, you wouldn't have kept quiet.
33:25I didn't mean to fall, Omar Bey.
33:27It's nothing, don't worry.
33:28You're in a lot of pain, aren't you?
33:30Yeah, it looks like it really broke.
33:40Get me the first aid kit.
33:50Omar Bey, I don't know what to tell you.
33:52I really didn't mean to.
33:54I'm so sorry.
33:55I don't know how I suddenly got stuck and didn't notice.
33:58I fell.
34:00Someone get me the first aid kit or I'm going to have to scream.
34:03What's wrong with you, Omar?
34:05I mean, instead of taking care of this girl, he went to see Luna.
34:07Is that possible?
34:08Look what happened to her.
34:09The girl fell and was filled with water.
34:11Now she's sick.
34:12What's wrong, Yasmin?
34:13Now they're taking her to the doctor.
34:16Don't you like it?
34:20Here you go, Omar Bey.
34:21Omar Bey?
34:25When you don't answer me and don't talk to me,
34:27I feel more guilty.
34:28I swear I didn't mean it at all.
34:30I didn't mean it, but...
34:32I'm so sorry.
34:41Is she really here?
34:42She's a ghost.
34:43She's from my birth.
34:44I mean, she's a ghost.
34:50What's wrong?
35:00What's wrong?
35:05It's not as bad as we thought.
35:07Look at Omar.
35:08Look at what he has in front of him.
35:10Look, Sami.
35:11What's going on? I can't believe my eyes.
35:13Me too.
35:14I can't believe what I'm seeing.
35:17Look, Omar.
35:18Look.
35:19Look, Yasmin.
35:20Look at this model.
35:21Wait, let me say a few words.
35:23Go on.
35:24Come on.
35:25Take care of yourself.
35:28Omar has been very busy lately.
35:30Yes.
35:31That's what worries me.
35:32Work, work, all the time.
35:33I can't do this.
35:34I wish he'd get married and leave me alone.
35:37What are we going to do with our children?
35:39It's true that we have our souls, our flesh and our blood,
35:41but we can't interfere with their lives.
35:43Everyone is going their own way.
35:45His way is wrong, Sabri.
35:46His way is wrong.
35:47He has to listen to me.
35:48No, Khaldoon.
35:49He's just like us.
35:50Khaldoon, you're older than us.
35:51You don't know that nature is full of complications.
35:53Maybe you still don't understand.
35:55What's wrong with you?
35:56What do you mean?
35:57Don't be mad at each other.
35:58You have to help me get this boy married.
36:01I don't know why I'm torturing myself.
36:03I'm talking to you.
36:04I can't help you.
36:05You're right, Sabri.
36:06You're like a medicine to my family.
36:08When we left Omar,
36:10you gave him your hand and his belongings.
36:12That's how I sleep and feel secure in his life.
36:15He's become like my son, Khaldoon.
36:17I don't want to get involved in this anymore.
36:19But I hope you can do something
36:21about this boy's life.
36:23Leave him alone.
36:24I wish I was like you,
36:25watching this from behind the window and relaxing.
36:28Do you think everyone likes their life?
36:31For God's sake,
36:32there's no need to mess up people's lives.
36:34Okay, forget it.
36:36You play as you please,
36:37and I play as I want to play.
36:39Of course, we want to do that
36:41because after this age,
36:42no one will be able to fix anything.
36:46What's wrong?
36:48I don't know how to take anything but this.
36:50If I put my hand on a stone,
36:52you'll say I put my hand on it.
36:53That's impossible.
36:54You don't do that.
36:55You don't do that.
36:56Come on, play.
36:57You'll never learn.
36:58Huh?
36:59See?
37:00Here you go.
37:01Here you go.
37:02Cinderella, they're injured and in pain.
37:04I'm sick of them.
37:05I ruined the whole shoot,
37:06and I ruined the day.
37:07I'm stupid.
37:08But did you see Omar Baig?
37:10How did he run to help her?
37:12What's with the sudden tenderness?
37:14It's like he's waiting for a slap
37:16just so he can carry her on his shoulders.
37:18Sorry, shut up.
37:19Without anything,
37:20I'm going to accept it
37:21and you're going to get it in your head.
37:30It's not in her hands
37:31that she's going to get slapped.
37:32I'm going to die.
37:33My life is over there.
37:34Hello.
37:35Nariman Khanum came with the colors of the city.
37:38It's unbelievable.
37:39I'm going to kill you.
37:40Yasmeen,
37:41you look pale.
37:43Not at all.
37:45When I saw you,
37:46I woke up on my own.
37:47You're not leaving us alone to sleep.
37:49It's so nice.
37:50I can't leave you alone.
37:52It's impossible.
37:53I want to see Omar Baig
37:55so that those who dream of something
37:57can't deceive us.
37:59It's good that you came.
38:01Look,
38:02did you see that view over there?
38:04Did you see it?
38:05Huh?
38:06Who is this?
38:07I've never seen her before.
38:08This is his new assistant.
38:10She's a failure.
38:12Oh.
38:13What happened to Asif?
38:14He found someone better than her.
38:16Hmm.
38:17Me?
38:18No, no.
38:19I don't know her.
38:20Since I'm here,
38:21I'm going to meet her.
38:22Don't torture yourself and get tired.
38:23You can marry her tomorrow
38:24or the day after
38:25and get out of work.
38:26Is that what you said?
38:28What do you mean?
38:29The company is our company.
38:31Did you forget?
38:32I'm going to meet her.
38:34Where are you, Sami?
38:48Sami!
38:49I'm coming, darling.
38:50I'm coming.
38:51Come on.
38:52Thank you, darling.
38:53Did you open the door?
38:56Look at you.
39:00Hello, darling.
39:01Hello.
39:05Did you see her?
39:06Her face is yellow like a lemon.
39:08I'm sure you heard what she said.
39:10I didn't hear.
39:11Look, Yasmin.
39:12She didn't like the girl
39:13and this is a good sign.
39:14For whom?
39:15Yasmin must be feeling
39:16something is happening behind her.
39:18Since she didn't like the girl at all,
39:20it means we're on the right track.
39:22Yes.
39:23Keep in mind, Yasmin
39:24doesn't like anyone but herself.
39:25That's something else.
39:26Oh, you won't understand
39:28what a man you are.
39:29Come on.
39:30Come on.
39:31Let's go see her.
39:32I've got it all figured out.
39:34Don't get mad at her
39:35and leave her alone for a few days.
39:37Do you understand?
39:38Yes.
39:40Just leave her alone.
39:41Do you understand?
39:42Yes.
39:43Good.
39:45Oh, Omar!
39:47Hello, hello.
39:48My darling.
39:51Welcome.
39:52What are you doing here?
39:54We went on a trip
39:55and found out you were here
39:56so we thought we'd pay you a visit.
39:59A trip to Shila?
40:00Yes.
40:01What's up?
40:02We love this area.
40:04I mean, disco dancing.
40:06It's great.
40:08Oh, who's this beautiful lady, Omar?
40:10This beautiful lady
40:11is my new assistant.
40:13Oh, really?
40:15Hello.
40:16Nice to meet you.
40:17Nice to meet you too, Nariman Khan.
40:19Welcome.
40:22How did you know my name?
40:24Let me see.
40:25Of course you should know me.
40:26I'm very famous.
40:27I'm just like you.
40:28Of course.
40:29Of course you are.
40:30Yes, yes.
40:31I always see you in pictures
40:32and magazines.
40:33You're very famous.
40:35How are you?
40:36I'm fine.
40:37As you know.
40:39My darling,
40:40how did you know?
40:41What's up?
40:43Oh,
40:44here's your uncle.
40:45Come on.
40:46Take him for a walk.
40:47Come on.
40:48Go look for something to wear.
40:49Really?
40:50What do you think?
40:51We should go see the poor girl
40:52who fell into the water and died?
40:54You have my respect, uncle.
40:55Let's go see what happened to her.
40:56Let's go.
40:57And you, don't step on my feet.
40:58Okay.
41:02Dima,
41:03look at me.
41:04Is there something on your mind?
41:06What are you thinking?
41:07Are you pretending to be smart?
41:08No,
41:09but I think I got a little nervous
41:10because of that fall.
41:11You fell for the model in the water
41:12and you stepped on her feet.
41:14When you want to look at someone else,
41:16look at yourself
41:17and look at everyone else.
41:18I didn't mean to fall,
41:19and I won't do it again, ma'am.
41:21I'm sorry.
41:22Listen,
41:23you have a long tongue.
41:24Did she say anything to you?
41:25A little.
41:26But honestly,
41:27I didn't like her style.
41:28That's better.
41:29And she didn't bother you either.
41:30She didn't bother you,
41:31so don't worry about her style.
41:33What do you mean?
41:34Okay,
41:35you won't understand.
41:36It doesn't matter.
41:37Show me so I can see.
41:39You look tired,
41:40don't you?
41:41No,
41:42that won't happen.
41:43No,
41:44you're supposed to keep smiling.
41:45Come on.
41:46Dima,
41:47how much did you lose?
41:48Come on.
41:49Show me
41:50that sad face.
41:51Men like
41:52women
41:53whose faces
41:54always smile.
41:55And you always
41:56have to smile.
41:57Show me your smile
41:58so I can see.
41:59Come on.
42:00Yes,
42:01bravo.
42:02Welcome.
42:05I didn't understand Yasmin.
42:08Dima,
42:09when you're talking,
42:10I'm very angry.
42:11Go on,
42:12smile.
42:13Come on.
42:14Come on.
42:17I can't go.
42:18Omar told me to stay.
42:26I can't go.
42:56I can't go.
42:57I can't go.
42:58I can't go.
42:59I can't go.
43:00I can't go.
43:01I can't go.
43:02I can't go.
43:03I can't go.
43:04I can't go.
43:05I can't go.
43:06I can't go.
43:07I can't go.
43:08I can't go.
43:09I can't go.
43:10I can't go.
43:11I can't go.
43:12I can't go.
43:13I can't go.
43:14I can't go.
43:15I can't go.
43:16I can't go.
43:17I can't go.
43:18I can't go.
43:19I can't go.
43:20I can't go.
43:21I can't go.
43:22I can't go.
43:23I can't go.
43:24I can't go.
43:25I can't go.
43:26I can't go.
43:27I can't go.
43:28I can't go.
43:29I can't go.
43:30I can't go.
43:31I can't go.
43:32I can't go.
43:33I can't go.
43:34I can't go.
43:35I can't go.
43:36I can't go.
43:37I can't go.
43:38I can't go.
43:39I can't go.
43:40I can't go.
43:41I can't go.
43:42I can't go.
43:43I can't go.
43:44I can't go.
43:45I can't go.
43:46I can't go.
43:47I can't go.
43:48I can't go.
43:49I can't go.
43:50I can't go.
43:51I can't go.
43:52I can't go.
43:53I can't go.
43:54I can't go.
43:55I can't go.
43:56I can't go.
43:57I can't go.
43:58I can't go.
43:59I can't go.
44:00I can't go.
44:01I can't go.
44:02I can't go.
44:03I can't go.
44:04I can't go.
44:05I can't go.
44:06I can't go.
44:07I can't go.
44:08I can't go.
44:09I can't go.
44:10I can't go.
44:11I can't go.
44:12I can't go.
44:13I can't go.
44:14I can't go.
44:15I can't go.
44:16I can't go.
44:17I can't go.
44:18I can't go.
44:19I can't go.
44:20I can't go.
44:21I can't go.
44:22I can't go.