مسلسل فيولا الحلقة 1 الاولى مدبلج HD
مسلسل فيولا الحلقة 1 الاولى مدبلج HD
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00:00I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:10We see this color as soon as we come into this world, or after we die.
00:17The string is growing tight with man,
00:21Santa Rosa's following my bell came out
00:25I wonder if I'm being born or dying.
00:28I came to live in Balerno, but it looks like my life is in danger.
00:35Because of the heat.
00:43And the crowd in the street.
00:46Stop!
00:49And the ugliest thing in this city is bureaucracy.
00:53Tell me, how can I help you, Anthe?
01:01Excuse me, my name is Viola Vitale, and I'm from Paris.
01:08By the way, the city of Balerno is bigger than its size.
01:11Honestly, I'm looking for the owner of this car, if you don't mind.
01:17So give me your information, and give it to the employee over there.
01:20And we'll contact you later.
01:22If you don't mind.
01:24The one in the picture is my father, and I have no other picture of him.
01:28My mother told me to take this picture when she was pregnant with me.
01:32And I have to find it as soon as possible.
01:37Don't worry, I'll try to help you.
01:40But first, fill out the form.
01:47Honestly, I don't feel good at all.
01:50And I can't rest until I can find my father.
01:53That's why I'm here, in Balerno.
01:55This is the city that captivates you with its sounds, colors, and smells.
02:00And even people's feelings can captivate you, and bother you there.
02:09Come on, let's go.
02:17What's taking you so long?
02:19Come on, we're all waiting for you.
02:27And of course, in this city, anything can happen.
02:30I'll be right back. Don't tell anyone about this.
02:39And who knows what's waiting for me?
03:09Run, run, run, run, run, run, run.
03:13To a little town called Salina.
03:15Ride slowly to reach the sea.
03:36Clara!
03:39This man is really crazy, because if he wasn't like this, he wouldn't be driving like this.
03:47You have to get used to it, because all the people in the city are like this.
03:50No, you are different, and there is nothing like you in the whole world.
03:54What are you talking about, Danilo?
03:55Now your wife will get upset and do something bad to you.
03:58I like people who keep smiling all the time, like you.
04:10My name is Viola.
04:12Silvia.
04:13Can I ask you what brought you to Palermo?
04:17To be honest, I had a hard time in Paris.
04:21I told my husband that I could live comfortably in Palermo.
04:25I am happy to live in Palermo.
04:27And I opened this cafe.
04:29You will like it here.
04:31I assure you.
04:36Fiorella, give me the cappuccino.
04:39What did you do?
04:40It's too hot.
04:41I burned you, didn't I?
04:42No.
04:44Excuse me.
04:47I'm going to clean the table.
04:49Go now and wash the dishes.
04:55Here you go.
05:02I'm sorry I made your table dirty.
05:04Don't worry, the sun is strong and it will dry soon.
05:06Thank you.
05:07Give it to me.
05:08Go now or I'll call the police.
05:13Listen, what happened 15 years ago wasn't enough for you, Silvia?
05:17We must protect each other.
05:19That's right.
05:20Go now and don't let me see you here again.
05:25I'll call you back.
05:28Is there a problem?
05:30It's okay.
05:31This man keeps coming to bother us.
05:34What does he want from you?
05:47Madam Director.
05:48I wanted to talk to you.
05:50Yes, you're right.
05:51It's not possible.
05:53No.
05:54Of course I don't want to lose my job from the first day.
05:57It won't take long.
05:58I'm at the office's reception now, but unfortunately I had a little accident.
06:04Hello?
06:23Good morning.
06:24Oh.
06:25Are you sure you're the new employee they told us about?
06:28Yes, that's right.
06:29I was hired here.
06:30And I can speak Italian because I was born in Milan.
06:33Yes, I know.
06:34They told me about it.
06:35And I read it in the CV you gave me.
06:37Really?
06:38And I'm lucky to have someone like you working with us.
06:42You're Viola Mohan, right?
06:44Yes, I am.
06:45And you?
06:46Yes, I am.
06:47And you?
06:48Yes, I am.
06:49And you?
06:50Yes, I am.
06:52You're Viola, aren't you?
06:55Viola Vitale.
06:57The queen of Milan for ten years.
06:59You must be Claudia, right?
07:01No, I'm Mr. Claudia.
07:02Oh.
07:04You have a nice lipstick.
07:08Yes.
07:09It's as if my lipstick is too much to look at, isn't it?
07:12Yes.
07:13This is a workplace.
07:14Not a place to display beauty.
07:16And it's better without it.
07:22The truth.
07:37It's written here that you used to work in marketing.
07:40For the role of fashion and well-known brands.
07:43Yes, I studied marketing at university.
07:45Then I became a journalist in charge of fashion and fashion in Milan and then in Paris.
07:51You've never been in a magazine, have you?
07:54No, because as I mentioned before, I was in charge of fashion and fashion.
08:01It's clear that my experience is not enough.
08:04But all my life I have dreamed of working in your magazine.
08:07Especially in investigations.
08:10I like to discover mysterious things.
08:12And since I'm in Palermo now ...
08:14First, Viola.
08:15Tell me, when you applied for this job,
08:18did you learn how to read the police reports?
08:22No, but I learn later.
08:24And you, can you help me?
08:40Or do I read a book about this subject?
08:43Listen to me.
08:44We are a serious magazine and we don't have time for that at all.
08:47And we are working in investigations.
08:49It's not that easy.
08:50Do you know what I suffered to be able to get this job?
08:53And the circumstances I went through?
08:56I can imagine.
08:57No, you can't imagine.
08:59Because, of course, one has all this beauty.
09:02You can get to whatever you want without suffering or having a long experience.
09:07No, you're not right.
09:09Look at me.
09:11I will help you with your first mission.
09:13And try not to make a mistake.
09:15Okay.
09:17Let's go.
09:22Nassani Kenita, right?
09:26Does any of you know where to find Nassani?
09:33Can I know what is making you laugh?
09:35Of course not, because you will be surprised.
09:41Mario Rizzo.
09:43Welcome.
09:45Viola Vitali.
09:46Nice to meet you.
09:47Come with me.
09:49They always make fun of amateurs like you.
09:51That's how journalists are.
09:53You need to get used to it.
09:57This is Tamara.
09:59I'm sure my aunt now knows why we call her Nassani.
10:04Come on.
10:14Psst.
10:44I don't want anyone to come with me on my motorcycle.
10:47Take my car.
10:48It's in the garage.
10:50I hope you find the garage.
10:51Okay.
10:52I'm sorry.
10:53Wait for me.
10:54I don't know where Balermo is.
10:55They didn't tell me his mission.
10:56Goodbye.
10:57What?
11:14Wow.
11:15What hit the car?
11:16No way.
11:17Silvia.
11:18Silvia.
11:19Silvia.
11:20Silvia.
11:21Silvia.
11:22Silvia.
11:23Silvia.
11:24Wow, what's wrong with the car?
11:34No, it can't be!
11:39Sylvia!
11:41Sylvia!
11:43Sylvia!
11:45Help me!
11:47Sylvia!
11:49Hello?
11:56I need an ambulance as soon as possible.
12:00I'm waiting for you.
12:01Don't take too long.
12:27Good morning, Mr. Haqqani.
12:28How can I help you?
12:30The victim is Sylvia Messina, the owner of the cafeteria here.
12:33She said that her sister went to deliver some orders.
12:41Why?
12:42It's normal. After the coronavirus and the lockdown, there are now cafeterias that deliver orders to people's homes.
12:47Who gave me the permission to investigate this incident?
12:50Mr. Boushimi, did you forget?
12:52Especially after what you did when you submitted the investigation of the human trafficking case,
12:55when you completed the investigation on your own, and exposed your colleagues above us.
12:58I was joking with you, Tori.
13:00Hurry up because I have an important job and I have to finish it.
13:02Okay.
13:03Tell me, who is the driver?
13:05Me?
13:07The first time I got out of the garage, the sun was shining on me.
13:10The Queen of Beauty?
13:12I'm Viola Vitale.
13:14The investigator is Francesco DiMera.
13:19Take her to the department immediately.
13:21Okay, I'm on my way.
13:34I'm sorry.
13:37Forgive me, Viola.
13:51I'm sorry.
13:57You are lucky that the alcohol analysis was negative.
14:00But we still have to analyze the drugs.
14:03But I have never been given drugs in my life.
14:06And if I were given drugs, would I be given drugs at a time like this?
14:10But how did you not notice the woman while you were driving?
14:14The sun was shining in my eyes and I was not seeing anything.
14:19And most likely she had fallen to the ground before.
14:22And who told you that?
14:24Because if she was standing, would you have been able to see her or what do you think?
14:28Could it be that you were working on your lipstick?
14:32What's wrong with the lipstick you put on her?
14:34Nothing.
14:36But you were fixing the lipstick and you were working on it.
14:39This is the original French lipstick.
14:41And it lasts a long time without being affected.
14:43And I'm used to putting lipstick on without looking at it.
14:49I put it on right away.
14:53Without looking at it.
14:55In one second.
14:58I mean, it's impossible to forget about the road.
15:01Or not even notice it.
15:06Most likely she was dead before I hit her in the car.
15:11This morning I saw her fighting with someone in the cafe.
15:14It could be him.
15:16It could be him.
15:18Anisa, you hurt her.
15:20And as long as no one has seen this man killing her, he will stay away from the charge.
15:27And what will happen?
15:30If your drug use is negative, you will be charged with murder by mistake.
15:35And with a light penalty.
15:37With a light penalty.
15:46I'm sorry.
15:49You can go.
15:51But you can't travel outside the city before the court's decision is made.
16:05Excuse me, I have to go.
16:07Stay here.
16:10Excuse me, I have to go.
16:12Stay here.
16:17You really surprised me.
16:19This is your first day at work.
16:21And you went to the police station charged with murder.
16:24Even though I warned you and told you not to make a mistake.
16:27But it's not what you think.
16:29Go now or I'll never see your face again.
16:39I'm sorry.
17:10Yorella?
17:12I have to go.
17:14Sylvia always closed the cafe at this time.
17:17I'm really sorry.
17:20I didn't mean what happened.
17:22Go away.
17:24I can't.
17:26It's impossible.
17:28First, I have to know who the guy who fought with your sister this morning is.
17:31It's very important to me.
17:33Did you kill him or are you going to come here again?
17:39I don't know.
17:59May I?
18:02Have a seat.
18:05You're writing an article about Sylvia and you want to do an interview with me, right?
18:10Yes.
18:21What's wrong?
18:23It's okay, don't be shy. It's your job.
18:26And I did some research.
18:29And I found out that 15 years ago, Sylvia's family killed them in their apartment.
18:34At that time, she and her sister were still young.
18:39But unfortunately, the police couldn't catch the criminal at the time.
18:43That means they were definitely afraid of him.
18:47How ugly it would be to live a beautiful life and suddenly find yourself losing everything.
18:53Do you know, Mario?
18:56This feeling is the hardest feeling you can feel.
19:00But the one who sees Sylvia doesn't say that she had such an experience.
19:05Because she was always happy.
19:11Do you know her, Momo?
19:13No, I don't know her.
19:15And I didn't go to their cafe.
19:19But according to what they said,
19:21her sister, Fiorella, who works with her at the cafe,
19:25has good friends.
19:28And they work with the mafia.
19:32Could one of them be the one who killed Sylvia?
19:35That explains why I didn't see him, because he was already dead.
19:39Who are you, anyway?
19:44Any one of them.
19:46When they fall into a big trouble, they try to find explanations.
19:53Don't blame yourself.
19:56You have no fault in her death.
20:01Why are you treating me politely?
20:04Because you're beautiful and I like you.
20:10And I know how you feel.
20:15Because I've been through hard times.
20:19I used to sit alone every day,
20:22and think about how I'm going to act when no one wants to help me.
20:28That's why I advise you, Fiorella.
20:30Don't ask for help at all.
20:32Thank you.
20:34It's my duty.
20:37And if you need anything, call me right away.
20:41Don't hesitate, okay?
20:45You did look for a house, right?
20:47Yes, but I haven't found one yet.
20:49So I took a small room in a hotel.
20:51But it's not possible that it would be empty.
20:53So I stayed here to change the mood.
20:56I see.
20:58I'm sorry.
20:59That's why I stayed here to change the mood.
21:04I'm in a place where everything makes you feel happy.
21:09This is a nice place.
21:11It makes you feel comfortable.
21:19And the most important thing is that I can finally be alone.
21:23And away from people.
21:29I love you.
21:59I love you.
22:02I love you.
22:06I love you.
22:07I love you.
22:24This is the result of the medical examination.
22:26It's about the murder of Silvia Messina.
22:28I'm very excited to see her.
22:30Really?
22:34I'm so happy.
22:38It's obvious that the cause of death was not a car accident.
22:46Ah.
22:48This is the portrait of the Queen of Beauty.
23:07The portrait of the Queen of Beauty
23:32Sorry, Mario, I'm bothering you at this time.
23:34But do you remember what I told you?
23:36I saw a picture of Fiorella, Sylvia's sister, with a young man. I know him. He's the young man who fought with Sylvia yesterday.
23:42Excellent.
23:49Detective Demir?
23:51We have news regarding the case.
23:53According to the statement, Sylvia died because of a hit on her head and because of a car accident.
23:58So she really died before you hit her.
24:01That's great news.
24:03I mean, it's great that you found out that I didn't kill her.
24:08But of course, I'm very upset that she died that way.
24:15And you didn't know who the criminal was?
24:32Yes.
24:39Sylvia went to complain.
24:41A customer told her that you were trying to get her to pay you money.
24:45But she didn't accept it.
24:47And the information says that she called the police before she died.
24:50It looks like she was going to tell someone.
24:52I think she was going to tell the criminal.
24:53That's obvious.
24:56At the time, she couldn't complain because one day someone attacked her.
24:59Yes. And what got me into this?
25:01You were there the day you and the victim fought.
25:04And you threatened her several times.
25:06The important thing is that you're a good person.
25:08After you fought in the cafeteria, you got mad because she hit you.
25:11So you waited outside and then you killed her, right?
25:13No. You're wrong.
25:14I'm the criminal's guardian.
25:15And I didn't get close to her.
25:32Hello. What did you bring them?
25:35I heard that they're going to arrest Nicolas.
25:38We're supposed to be there at that moment.
25:41So we can get the important information and ask about the clothes.
25:44And of course, the police will help us with that.
25:47I'll catch up with you.
25:48How are you?
25:49Good morning.
25:51King, why did you follow me here?
25:53What do you think? Let's go out for dinner tonight.
25:55Are you free today?
25:56By the way, this man you saw is having an affair with Sylvia.
25:59What time is it?
26:00It's almost half past nine.
26:02Instead of talking about the redhead, you should have told us about this.
26:05I told you.
26:07But it's obvious that you were focused on me, not on my words.
26:13Anyway, he's Fiorella's boyfriend.
26:17If they have pictures together, it doesn't mean that they love each other.
26:20Fiorella has a treasure that has his shop's name printed on it.
26:24I'm sure she wouldn't wear something like that if she loved him.
26:27Am I wrong?
26:28Hello, Francesco.
26:29Are you ready for the interview?
26:33Excuse me.
26:35Don't get involved in this today.
26:37But my offer is still valid.
26:39Oh, my queen.
26:41I have nothing to do with this.
26:43And it's impossible for me to agree to go on a trip with you.
26:47Is that you?
26:49Are you the one who pointed them out to Nicolas?
26:51Of course it wasn't him who killed Sylvia.
26:53Because he doesn't have a weapon.
26:56And what do you know?
26:58I told him to help us.
27:01And I paid a bribe.
27:05In the summer, there's a shop in Balermo.
27:07When my mother left, the shop was open.
27:10And that's how the man who killed my parents came in.
27:16And your sister was there.
27:19And your sister was like my mother.
27:22She trusted everyone.
27:24To be able to live in this city,
27:26you have to pay for it, Hamouki.
27:30When I made a deal with Nicolas.
27:33But without telling her?
27:35She refused.
27:40And you didn't pay for it.
27:42I didn't pay for it.
27:48And what are you going to do?
27:51Nothing.
27:53I'm going to sell the wood to pay for it.
27:55And then I'll go.
28:00If it's not Nicolas, who do you think is the criminal?
28:04Does Sylvia have enemies?
28:07She doesn't have enemies.
28:09She's always at the cafe.
28:11And she doesn't mix with anyone.
28:15But two days ago, I saw her.
28:18She was looking for files related to the investigation of the murder of our parents.
28:23And even then, she opened articles about the subject.
28:27In her life, she didn't do it.
28:30I asked her what she was looking for.
28:33She didn't answer me.
28:35But it was obvious that she was worried.
28:39But she didn't answer me.
28:47Detective, Nicolas is in custody.
28:50He's accused of murder.
28:54But you don't look very happy.
28:58Nicolas is not a murderer.
29:00If he were a murderer, he wouldn't let anyone see where the crime took place.
29:04And he ran away.
29:06That means you're not happy.
29:09It's very clear.
29:26The motorcycle that was outside was going to kill me.
29:28And it's obvious that the driver ran away after he stole someone.
29:30Because the speed he was driving, no sane person would drive it.
29:34Wait a minute.
29:35I'm sure his friend did something like that.
29:37You have to arrest him immediately.
29:38What are you doing? Wait a second.
29:40What did she steal?
29:41This is my motorcycle.
29:42And I didn't steal it.
29:43Your motorcycle?
29:44You hit me yesterday morning.
29:46And you fell on the ground.
29:47And you didn't stop to help me.
29:48If I had noticed all this beauty,
29:50I would have stopped.
29:52You were standing in the middle of the road.
29:54And I was in a hurry.
29:56And most importantly, I didn't hurt you.
29:58Did you really do that, Francesco?
30:00Francesco?
30:01When did this happen?
30:03I'm the manager of Santo Buscemi.
30:05Viola Vitali.
30:06He hit me at about 9 o'clock.
30:08At 9 o'clock?
30:09Yes.
30:10You have a personal problem that you need to solve.
30:15I left because I found an important evidence on the issue of human trafficking.
30:21Thank God.
30:22Now nothing happened to her.
30:23And I hope you forget about it.
30:25As for you, I'll find a way to prevent you from doing bad things.
30:30I promise you.
30:31Even if I wasn't your direct manager.
30:38Wait a minute.
30:39I want to talk to you.
30:40I think you've said enough.
30:42Fiorella told me that she saw Selvi looking for the criminal files that fell in their house.
30:47And this information may be useful for the investigation.
30:49Right.
30:50Yes.
30:53Excellent.
30:54What do you think?
30:56You go and write all the information that you have collected on a piece of paper.
30:59And I'll see them in the evening when you come to my house.
31:04This is impossible.
31:06Do you know why?
31:07Because a beautiful woman like me and a smart woman
31:10don't go out with a crazy man in the market and don't care about people's lives.
31:21What's his problem?
31:22Francesco is an excellent policeman.
31:24But his problem is that he's a little angry.
31:26And he's always in a hurry.
31:27The first time they brought me to the department, I was...
31:29Tori!
31:30He can't do without me.
31:37Miss?
31:38Where are you now?
31:40I thought you weren't going to see me at night.
31:43You got your license, didn't you?
31:45It's good that I waited for you for the mission.
31:47But this time, try not to kill anyone.
31:49Okay.
31:54Thank you for letting me ride your motorcycle.
31:57But I'm sorry to slow you down, if you don't mind.
32:00What do you think?
32:01Should I ride instead of someone else today?
32:03No!
32:04By the way, the speed is excellent.
32:08Take your hand off me.
32:13Tell me, what's the mission that we're going to do?
32:16Are we going to the cultural initiatives or are we going to arrest someone?
32:20I don't know.
32:21Are we going to the cultural initiatives or are we going to arrest someone?
32:24About the fog.
32:25About the fog?
32:26In Palermo?
32:27The fires are like pistachios.
32:29Now, Ansel, don't think about the fog in this city.
32:31I don't want you to become one of these things.
32:34That someone is grilling meat in the streets.
32:36What do you think of trying the soda we have?
32:39It's fresh and very nice.
32:40Would you like a plate of it?
32:42No, thank you.
32:43Should I try a piece for you?
32:45No, I'll give it to you. Thank you.
32:49Don't believe her. She's joking with you.
32:52That's why I decided to become a journalist.
32:58Why do you work in photography?
33:02I like to watch people from afar.
33:05Do you have any other questions?
33:11I like to help people.
33:14Especially those people who have suffered a lot in their lives.
33:18Like Sylvia and her sister.
33:20May God have mercy on them.
33:22Do you know each other?
33:24Yes, and the rice you make is exceptional.
33:26When it opened, we went there and ate.
33:29Who went?
33:31Who do you mean?
33:32All the employees.
33:36Even Mariam?
33:38Yes, he was the first to be there when it opened.
33:42What are you looking for?
33:44If you killed a woman on the street, what would you do?
33:46I would have surrendered immediately.
33:48After the investigation, I would never do such a thing.
33:50I'm sorry, it was just a joke.
33:52What do you mean by that?
33:54Because I didn't understand anything you said.
33:57I found it.
33:59The criminal killed Sylvia and then ran away.
34:02Tell me, if you were in his place, where would you go?
34:04On an empty street with no one there.
34:06Exactly.
34:07Let's ask the surveillance camera to record who was there that day.
34:11Let's go.
34:37Come on.
34:43Viola?
34:46You're here?
34:47Yes.
34:48I'm going home now.
34:51Good night.
35:07Francesco?
35:15Francesco?
35:22Can I talk to you for a second?
35:27Do you want to try?
35:28Yes.
35:29Wait a minute.
35:30I've been tired for the past two days.
35:32I stopped training.
35:33Thank you.
35:34What's going on?
35:35You know how to joke, don't you?
35:37Yes.
35:38I brought the recordings for the surveillance camera.
35:46Okay.
36:05Hello.
36:06Hello.
36:07Come in, Mario.
36:08Thank you.
36:10You know, I chose this hotel because it's isolated from the rest of the world.
36:15So one can focus and discover a lot of things.
36:18Like working with a criminal.
36:22What do you mean?
36:23I mean, I'm not a criminal.
36:25I'm not a criminal.
36:26I'm not a criminal.
36:27I'm not a criminal.
36:28I'm not a criminal.
36:29I'm not a criminal.
36:30I'm not a criminal.
36:31I'm not a criminal.
36:32I'm not a criminal.
36:33What do you mean?
36:43You told me you didn't know Sylvia.
36:45But you went to the cafe to meet her.
36:49Yes, that's right.
36:51But believe me, I forgot.
36:55And I noticed that you're very interested in the death of her family.
37:01Because it's my job.
37:02But the fear was obvious to you.
37:04At first, you thought you were afraid of me because you were accused of killing her.
37:08What you're saying is not true.
37:10I have to go.
37:12The garden we stayed in is the garden you stayed in before you started working.
37:17And the location of the meeting is the Iziza.
37:20And Fiorella's family and Sylvia were in this area.
37:23And this garden was a place for criminals.
37:27You're the criminal.
37:28You're the criminal.
37:30Sylvia exposed you, and that's why you started looking for the case files immediately.
37:37We were in debt.
37:42And that's why I decided to go to steal my money.
37:50But a dog barked and didn't stop.
37:53That's why we decided to go to the apartment next to her.
37:55Sylvia's apartment.
37:57Her parents saw me at that time.
38:00And they started shouting.
38:03And I lost my temper.
38:11And the girls saw everything.
38:15Then I ran away quickly.
38:19And I was expecting the police to catch me at any moment.
38:24I was nervous.
38:26But no one came to sleep.
38:29And I decided to go back to my life.
38:32So I looked for a job and a house for my family.
38:34And then I saw Sylvia.
38:40When I went to the opening, she started looking into my eyes.
38:47And she was able to recognize me immediately.
38:50And then I saw her again.
38:52And I heard what she was saying.
38:54Good morning. I'm Sylvia Messina.
38:56If you don't mind, I'd like to file a complaint against someone.
38:59Yes, I'll stay on the line.
39:13I was expecting to be exposed at any time.
39:16After I got a job at the newspaper, I came to an important conviction.
39:20It's impossible to escape at all.
39:25And no matter how hard the criminal tries,
39:28his end will be bad.
39:32At that time, she wasn't filing a complaint against you.
39:35She was filing a complaint against Nicolas.
39:38She called to inform him that he was in trouble and was asking for a bribe.
39:43You have to tell the truth, or I'll laugh.
39:46No. No. I'm sorry.
39:49I'm sorry.
39:52I told you a while ago.
39:55The criminal's end will always be very bad.
40:03Put the knife down!
40:04Put the knife down quickly, Mario.
40:07Mario, I don't want to hurt you.
40:10Put it down so I can see.
40:11Put it down.
40:19Mario, you're under arrest for the murder of Silvia Messina.
40:23And for the murder of his family.
40:33How did you know I was in trouble?
40:36I asked one of my assistants to keep an eye on you.
40:39And I found out that Mario was the criminal from the camera recordings.
40:43One of my assistants is keeping an eye on me?
40:45And you're saying it so openly?
40:47You should thank me. I saved your life.
40:49No, no, no. Now you're going to say, why are you still keeping an eye on me?
40:52I felt you were confused and you were going to act on your own.
40:54And now, can you tell me how you found out that Mario was the criminal?
40:58What do you care?
41:03You're annoyed because I ignored you, aren't you?
41:06But I'm ready to listen to you now.
41:07Tell me.
41:16I see people's feelings.
41:18I have a sensory compulsive disorder.
41:21And I'm trying to cure it.
41:25What do you mean?
41:27Every feeling that a person feels, I see it in color.
41:32You can say that I know the feeling that any human being feels.
41:36Always?
41:38I'm trying to control it now.
41:41And in normal circumstances, I don't see anything in him.
41:45Except when he's angry or nervous.
41:49And Mario?
41:51What's his color?
41:53His color was light yellow.
41:56Because he was ashamed of himself.
41:58And when I confronted him with what he did, his color turned to green.
42:01When he's nervous, that's what happens to his color.
42:07That's nice.
42:09It's hard for me.
42:12When you see people's feelings, you feel their feelings.
42:17You're happy and nervous with them.
42:20I mean, it's not easy at all.
42:23You're right.
42:26I mean, I'm not like you at all.
42:29And I don't feel anything.
42:32There are things that changed me.
42:36Do you mean the human trafficking case that you were involved in?
42:44When I talked to the manager about the case, I immediately looked into it.
42:49And I found out about the investigation, and you were involved in it.
42:51And you were involved in it.
42:59Six months ago,
43:01about 300 people were sold in Balermo.
43:04And they were all from this area.
43:07And some of them were women.
43:09And some of them were children.
43:13Then we found eyewitness accounts,
43:15and letters.
43:17And there was a little teddy bear for a boy.
43:19When I saw the teddy bear, I was very upset.
43:21I mean, this boy is a victim.
43:24And they tortured him.
43:28It's good that I didn't work for the police.
43:31Yes, it's easier for you.
43:36Oh, queen of beauty.
43:42Call me Viola.
43:44Viola.
43:48Viola.
44:18Thank you.
44:48Hello.
44:50Can you send me an ambulance?
44:52I can't move at all.
44:54Yes.
44:56Quickly.
44:58And that's how I found myself in this white hole.
45:00A magnetic kidney device.
45:02So I could know how much my condition had improved.
45:04I found out about my illness a month ago,
45:06when my fiancé left me,
45:08and then I saw him,
45:10in the color of the night.
45:12And I was very happy.
45:14I was very happy.
45:15And then I saw him,
45:17in the color of the night.
45:19And then I went to the doctor.
45:21And he told me that
45:23I have a very rare nerve disease,
45:25and it's called
45:27sensory hypothermia.
45:29And now his symptoms began to appear.
45:31And the first symptom is that
45:34I can't see far at all.
45:36And I can't feel the heat and the cold on my skin.
45:39And sometimes I lose consciousness,
45:41without feeling anything.
45:45Every time one of the nerve cells turns on,
45:47it takes a part with it.
45:49An important part of my life.
45:51And it takes my memories.
45:54But the beautiful memories are still there.
45:57Like my childhood.
46:03And when I won the beauty contest.
46:07And the betrayals.
46:12And the biggest betrayal I've ever faced.
46:15The betrayal of my body.
46:22I can see people's feelings.
46:25But soon I won't have any feelings.
46:28Never.
46:30You have redness in your legs.
46:33And this is a temporary condition.
46:35The evidence is that your condition is developing
46:37very gradually and slowly.
46:41Now the only solution
46:42is to see how your condition will develop over time.
46:45We have to know.
46:47Hereditary diseases.
46:49My doctor in Milan told me that.
46:52And that's why I came to Palermo.
46:55To look for my father.
46:57You didn't see him at all?
46:59We left him when my mother gave birth to me.
47:02And she raised me.
47:04Was she sick?
47:06No, she was fine.
47:09And from a very young age.
47:11And about two years ago.
47:13She died of a heart attack.
47:19This disease is from my father.
47:22Don't you have relatives from your father's family?
47:26Or someone you can talk to to give you information?
47:34I'm sorry.
47:36The only thing we can do
47:37is to examine you regularly
47:39and monitor you
47:41to study the development of the disease.
47:43If you want, I can set an appointment for you today.
47:45There's no need.
47:50Oh, and one more thing.
47:53Get out of Palermo.
47:55I'll book my first flight tomorrow.
47:58And go back to Paris.
48:02Thank you.
48:07Goodbye.
48:33Hello.
48:35I came to give you back your Fiorella.
48:38Are you going to go?
48:40The thing I came for didn't work out.
48:43I'm going to leave.
48:45I'm upset.
48:49And you?
48:51Didn't you tell me this morning
48:53that you were going to close the cafe?
48:57Do you know what I found
48:59among my late sister's things?
49:01A memory stick.
49:03A memory stick.
49:05At the end of it, it said
49:07that the criminal who killed our family
49:09was one of the guests coming here.
49:12And it meant Mario.
49:14But at the time, I didn't say anything
49:16because you know I'm scared.
49:20You know, she's right.
49:23I'm always scared.
49:29And now I've decided to become like her.
49:32And stop being scared.
49:35It's true that we're hungry to meet people
49:37who are not allowed in our journey of life,
49:39but we have to keep going.
49:41And of course, we'll meet the people
49:43who will love us.
49:45That's right.
49:48I mean, we don't have to give up
49:50and live life with beautiful details
49:52and bitterness.
50:03Mario's Arrest
50:06Everyone's talking about Mario's arrest.
50:10Get me a press release
50:12to prove that we have nothing to do with this.
50:14And let me read it.
50:16Don't worry.
50:18I wrote it.
50:20The liberation team
50:22at the Sequelia Electronica network
50:24is proud of what Mario did.
50:26And to show the side
50:28that our press supports,
50:29I wrote a letter to the girl
50:31I wanted to kill,
50:33the journalist of the crimes,
50:35Viola Vitale.
50:37What do you mean?
50:39That I heard this site
50:41more important than your personal situation.
50:43Excuse me?
50:45And in my opinion,
50:47the best way to prove
50:49that you're a manager
50:51in the presence of a criminal
50:53among your employees
50:55is to pay me back
50:57because he was going to kill me.
50:59And I'm going to work for you
51:01because I deserve it.
51:03No one's going to do anything to me.
51:05And you're not normal.
51:07And I can see that.
51:09And you're arrogant.
51:11And you don't talk.
51:13But I'll make you change.
51:15You'll see.
51:17Yes, you're right, manager.
51:20But I'll make you a woman
51:22and treat you nicely.
51:24And everyone will love you.
51:26Yes, okay.
51:28I'll see you tomorrow at 8.
51:30And I assure you,
51:32I'll call you as soon as possible.
51:38Until this moment,
51:40I tried to control
51:42everything around me.
51:44This was the best way
51:46to not affect people's feelings.
51:48And this is hard
51:50in the city of Palermo
51:52because it's full of energy,
51:53the energy of nature
51:55and the energy of art.
51:57But what was full of energy
51:59was the feelings of the people
52:01in the city.
52:03I'm still afraid of them,
52:05but now I know
52:07that I have to communicate with them
52:09and face their feelings
52:11so I can continue my life
52:13and not give up
52:15because what I want
52:17is life.
52:19And I want to see
52:21all the surprises
52:23that are waiting for me
52:25in Palermo.
52:53How did you understand her?
52:56And you?
52:58Are you going to be my fiancée?
53:01Don't think I'm trying
53:03to get close to you.
53:05If that happens,
53:07you have to marry me.
53:09Do you want to get married?
53:12Don't think about it.
53:17I can help you with something.
53:20It's the help.
53:21I'm a criminal journalist
53:23on the Sequelia channel.
53:25Because journalists
53:27are useful.
53:29And I've seen this.
53:33That's not true.
53:35Think for yourself.
53:38So you don't lose
53:40your only source of information.
53:42Especially that you will benefit
53:44from my disease in the future.
53:51Okay.
53:53I'll test you.
53:55And if you fail,
53:57forget about it.
53:59Deal.
54:01I want you to tell me something about me.
54:04Lily,
54:06what's my color?
54:12Do you recognize it?
54:19Blue.
54:21What do you mean you're a man
54:23who's born proud
54:25and sees himself as any man?
54:35I'll see you later.
54:37And close the door.
54:39Don't throw a spoon at my son.
54:51Bye.
55:04Dad, you're the only man
55:06in this world
55:08who doesn't know his color.
55:09Dad.
55:19What's your color?
55:25I'm the color of a psychopath, Dad.
55:28And this man
55:31is very secretive
55:33and doesn't say a word.
55:39Dad.
56:09Dad.