Raayan-la Dushara என்னை அடிக்குற Scene-ல… - Actor Dileepan Interview | Dhanush | D50 | Filmibeat
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00:00When Vathukuchi was released, there were a lot of changes in Dileep and the current Dileep.
00:03Yes, because we didn't know anything at that time.
00:05We were surviving because of a director named Kinsley.
00:09They told us to shape a person who had nothing.
00:12I believe that when we work with a good director, we will be polished even more.
00:19Dhanush sir is a very brilliant person.
00:21Because when we say a dialogue,
00:24he will easily find out if we are saying it from our heart or from our lips.
00:29Even if we go out of our mind a little,
00:32even if our mind is in the second layer, he will smell it.
00:35He will tell us that this pain should not come this much,
00:37this pain should come a little more,
00:39and he will get the work from us correctly.
00:44Since sir is a director,
00:46we can learn from him how to handle a scene,
00:48how to give input,
00:50how to give a gap,
00:52how to give the right tone for the dialogue.
00:55We can learn from sir like that.
00:57We can learn business from Dhanush sir.
01:27You started as a superstar in India,
01:29and then you played an important role in Dhanush sir's film, Rayan Tharai.
01:34We've seen the film.
01:36The film is different.
01:38Did you see the film first?
01:40Yes. It was first class.
01:42It was a fan-based film.
01:44All the fans enjoyed it a lot.
01:46In the film, the effects of Dolby Atmos are on one side,
01:50but the sound of the fans is on the other side.
01:54Let's talk about the film.
01:57Dhanush sir directed Rayan Tharai.
01:59It's his 50th film.
02:01How did you commit to this?
02:03Subramani sir called me.
02:05He said,
02:07he wanted to see me.
02:09I went and saw him.
02:11When he said that,
02:13I wanted to act with him for a long time.
02:16But when I saw him explaining it so closely,
02:20I thought,
02:23I've never seen such a great artist.
02:25I was in awe.
02:27When I saw him,
02:29he asked me,
02:31if I could do it.
02:33I said, yes.
02:35He asked me if I could do it.
02:37I did it.
02:39Did he explain your character?
02:41Yes, he did.
02:43You've done two mangas with one stone.
02:45You've also acted as a director.
02:47You're right.
02:49We've seen you as an actor.
02:52How did you see him?
02:54Did you see him as an actor or a director?
02:56I saw him as a fan.
02:58We've seen all his films.
03:00He's a great inspiration.
03:02He's our confidence.
03:04When we see him,
03:06we want to do hard work.
03:08We want to be sincere.
03:10We want to do scripts like this.
03:12We want to do hard work.
03:14We've done all that.
03:16When I saw him as an actor,
03:18I thought,
03:21his direction and acting with him
03:23is a great gift.
03:25I'm going to ask you a tough question.
03:27Do you like actor Dhanush or director Dhanush?
03:29I like both.
03:31I see him as a fan.
03:33I see him as a fan
03:35more than actor Dhanush or director Dhanush.
03:37I see him as a fan.
03:39I see him as a hero.
03:41That's how I see him.
03:43You acted as a fan.
03:45Did he get angry or scold you when you saw him as a director?
03:47How did you see him?
03:49His acting style is very clear.
03:51He clearly has the plan not to do anything.
03:53He has already understood the movie.
03:55He has already fixed it in his mind.
03:57I think he is seeing it through us.
03:59I think he is seeing it through us.
04:04He teaches me in a spoon feeding range
04:06what he feels about the film.
04:08He teaches me in a spoon feeding range.
04:10He teaches me in a spoon feeding range.
04:12We have to listen to him to make a film.
04:14We have to listen to him to make a film.
04:16If we do it based on his suggestions,
04:18He has guided you a bit. How did he manage the rest of the cast?
04:28I didn't go that deep. When I was there, he would tell everyone what to do.
04:38You have a lot of S.J. Surya's portion in this film. How was it on his set?
04:48I didn't get a ticket for his film. I saw S.J. Surya's film in Kushiwali. I saw him as a director.
05:08When I approached him for the first time, I was a bit scared. But when I worked with him, I felt comfortable.
05:18It wasn't like I was working with a big director. It was more like a co-artist.
05:28Did you have the desire to be a part of it?
05:38When I worked with S.J. Surya, I thought it would be enough if I could travel with him.
05:48I was in that mood. I felt that sincerity automatically.
05:58When I worked with S.J. Surya, I felt like I had to do it right.
06:08I didn't feel like a co-artist. I felt like I was talking to the character.
06:18In this film, you have done a lot of stunt scenes. How were they?
06:28It would have been easier if I had set it to suit my body.
06:38It's a rhythm. If I had done it correctly, it would have been a great film.
06:48I was very impressed by Rahman sir's songs and BGM. Did you enjoy it?
06:58Yes. I can say that I grew up listening to his songs.
07:08I feel I'm gifted because I'm in his aura.
07:18Om Prakash's DOP was brilliant. He did a single shot in 30 seconds.
07:28When I saw it in the theater, it was a different experience.
07:38I don't want to reveal it, but there's a scene in the film where you have an accident.
07:48Did you notice that?
07:54That's the success of the character. I think that's how I traveled with the character.
08:04Rajini sir and Dhanush sir, what's the similarity?
08:10Dhanush sir is very sincere in his professional devotion.
08:20Even if it's a small dialogue, it's very meaningful.
08:30You can learn both professional and professional devotion.
08:40You can learn how to approach a scene, how to give an input, how to give a gap...
08:50I think it's a great gift. We can apply it to all films.
09:00Tushara is an important person in this film. You have a clash with her.
09:10How was it when you composed the fight scene?
09:16It was a comfort zone. The director set it automatically.
09:26It looked like you were getting beaten up.
09:30Dhanush sir is very brilliant. He can easily tell if we're saying a dialogue from the heart or from the lips.
09:40He can tell if we're saying a dialogue from the heart or from the lips.
09:50He can tell if we're saying a dialogue from the heart or from the lips.
10:00He'll get the work from Dhanush sir.
10:02Was it a challenge for you?
10:04I trusted Dhanush sir. We learned a lot from him. We traveled a lot through him.
10:14There's no appeal for what he says. I trusted him 100%.
10:24I did what he told me to do.
10:26Was there any retake?
10:28Yes. There was a phone call. I couldn't grasp it at the speed he told me to. He explained it to me little by little.
10:38He got it from me.
10:40There are three directors in this film. The third one is Selvaraghavan. Did you meet him?
10:50S.J. Surai sir and Selvaraghavan sir are a great combination.
11:00Selvaraghavan sir and S.J. Surai sir would have watched the film without getting a ticket.
11:10We should thank the director for sharing the screen space with him.
11:16You've been such a fanboy for the three of them. Did you expose this to them?
11:22I didn't want to disturb them. All the people I've worked with are great people. I didn't want to waste their time.
11:32I didn't want to disturb them. I just wanted to make them happy.
11:38You enjoyed it from a distance.
11:40Yes.
11:42What did you learn from this?
11:44It's a formula. How sincere the successful directors and actors are when we watch their work...
11:54How they handle the scene, how they present it...
12:00All these are the juices. We can't express it in words. We can apply it to any film.
12:08There are many interesting scenes in the film. What's your favorite scene?
12:14I like the film itself.
12:16Everyone likes it.
12:18I can't remember a particular scene for you.
12:20The interval block...
12:22What happens if a character in the film rises?
12:26What happens if a family member gets busted out?
12:34I enjoy all those moments.
12:36Have you seen the film with your family?
12:38I'm going to see it soon. The film has just been released.
12:44What other films are you working on?
12:46A film called Lavan is about to be released. I've worked with a Telugu-Tamil actor called Naveen Chandra.
12:52Location is a new director. It's being produced by Akbar sir. It's going to be released very soon.
12:58Do you think the story and the characters are important?
13:04The characters are being talked about a lot. That's why you called me. You're a witness to that.
13:14We have a vibe that we can do it. Life is an experience.
13:24You sound mature now.
13:26I'm not mature. That's the truth.
13:28There were a lot of changes in Dilip when Vathukuchi was released.
13:34We didn't know anything at the time.
13:36We had a director called Kinsleen.
13:38We were being surveyed.
13:40We didn't know anything at the time.
13:42Kinsleen told us to do this and that.
13:44Rashekar did a fight.
13:46He shaped us little by little.
13:50I don't think we'd have been polished if we had worked with a good director.
13:56We'd have changed it to another dimension.
13:58If there's no fight in Vathukuchi, it's like we're proving a film for a fight.
14:08Kinsleen proved that he can fight well.
14:10He's a good character. He's a good son.
14:16Kala is a character who can adapt to any situation.
14:26He's a writer who wants to achieve something.
14:30If we had worked with a director like Kala, we would have been shaped differently.
14:36We wouldn't have been afraid of new things.
14:42We didn't do comedy or black comedy.
14:44We didn't attempt humorous things.
14:46When we get a chance to do that, we'll know that we're a fulfilled artist.
14:54We'll be happy only if we understand our profession.
14:56Do you only listen to your portion of the story?
15:00No, we grasp what they say.
15:02They say what they say.
15:04They say what they say.
15:06We get ideas from that.
15:08We get ideas from that.
15:10If they want to attend a workshop, we can polish it further.
15:16On one hand, you're celebrating a film by Royan.
15:18On the other hand, you're seeing mixed reviews.
15:20Many people say that A-certificate is too much for a film.
15:26In this situation, should you make a film with bloodshed?
15:30How do you see that?
15:32You'll be in a lot of trouble.
15:34In OTT, you'll be in all genres of film.
15:44It's a matter of who will be satisfied with that.
15:48This story was needed for that.
15:50What they're saying is that...
15:52they have millions of followers.
15:54When he's in charge of this kind of violence...
15:56I'm not that kind of person.
15:58I'm not that kind of person.
16:00I don't have to think.
16:02How much would he have thought?
16:04If he's doing something...
16:06he'll do it for the fans and the audience.
16:08He'll think about everything.
16:10We can't say it's wrong.
16:12They know it's right.
16:14That's why they've done it.
16:16Did you miss any of your portions in this film?
16:18No.
16:20It looked like it was deleted.
16:22Did you take any training for that character?
16:26No.
16:28I trusted him.
16:30He's a great actor.
16:32If he says something...
16:34it'll be great if we follow it.
16:36That's why I followed him.
16:38Did you talk to the other actors?
16:40Did you get a chance to meet them?
16:42No.
16:44I talked to them on the spot.
16:46They were all nice and sweet.
16:48They were having fun.
16:50The viewers will be watching this.
16:52What do you want to say to them?
16:54He said it himself.
16:56He said it's a film for you.
16:58It's a film for them.
17:00They'll enjoy it.
17:02Finally, a segment.
17:04I play this game with all my guests.
17:06It's a segment called This or That.
17:08We're talking about Ryan.
17:10I'll tell you two of his films.
17:12You can tell me which one you like best.
17:14Kaagal Kondain or Pudhupettai.
17:16Pudhupettai.
17:18Pudhupettai or Pollathavan.
17:20Pudhupettai.
17:22Pudhupettai or Padikathavan.
17:24Pudhupettai.
17:26Pudhupettai or Kutti.
17:28Pudhupettai or Aadukalam.
17:30Pudhupettai.
17:32Pudhupettai or Mayakkaman.
17:34Pudhupettai.
17:36You're not changing.
17:38Pudhupettai or Marian.
17:40Pudhupettai.
17:42Pudhupettai or Anegan.
17:44Pudhupettai.
17:46I'll try to change.
17:48Pudhupettai or Vadachennai.
17:50Pudhupettai or Vadachennai.
17:52I like Pudhupettai and Vadachennai equally.
17:54You should say something.
17:56I like Pudhupettai and Vadachennai equally.
17:58I like Pudhupettai and Vadachennai equally.
18:00Which one out of the two?
18:02Both.
18:04That's okay, but which one is more personal?
18:06That's what I said.
18:08At that time, it was like that.
18:10But now it's a matter of taste.
18:12So, both are like two eyes.
18:14So, should I take Pudhupettai or Vadachennai?
18:16Which one do you want?
18:18Which one do you want?
18:20I only want one eye.
18:22Is one eye enough for you?
18:24If you say this, I can go to the next one.
18:26That's what I'm saying.
18:28Pudhupettai.
18:30Pudhupettai or Asuran.
18:32Pudhupettai.
18:34Pudhupettai or Karnan.
18:36Pudhupettai or Thiruchitrambalam.
18:38Pudhupettai.
18:40Pudhupettai or Rayan.
18:42Pudhupettai.
18:44It's a very inspiring film.
18:46I'm a fan boy.
18:48Everything I said now...
18:50The answer that I said now...
18:52Pudhupettai, Pudhupettai, Pudhupettai...
18:54I said all that I'm a fan of.
18:56I said all that I'm a fan of.
18:58I like Pudhupettai as a fan.
19:00I like Pudhupettai as a fan.
19:02What's the reason?
19:06When I grew up,
19:08I saw a film with an action block.
19:10It's a cult that a person becomes a gangster
19:12from his school days.
19:14I see it as a cult.
19:16This is what I call fan bias.
19:18As an artist,
19:20there is something special in every film.
19:22In Vadasennai, Asurum,
19:24Karnal, Rayan, Kutty,
19:26in every film,
19:28there is a different variation.
19:30Now,
19:32as an artist, you can't separate them.
19:34Because,
19:36in Pudhupettai and Asurum,
19:38both are different.
19:40This is what I call fan bias.
19:42As an artist,
19:44you can't separate them.
19:46Because, this is one thing,
19:48and that is another.
19:50Because of that,
19:52his films have grown to a different level.
19:54When I see a film,
19:56I get mesmerized
19:58when I see Pudhupettai.
20:00Apart from Dhanush,
20:02do you follow him in cinema?
20:04No, I follow everyone.
20:06It's a hard work
20:08but they are moving forward.
20:10That's what I think.
20:12They say,
20:14hard work leads to success.
20:16As an old man said,
20:18we travel in one thing
20:20and we travel in the next.
20:22So,
20:24in hard work,
20:26some people look good in love,
20:28some people look good in dance,
20:30some people look good in fight, acting.
20:32There are many artists like this.
20:34They are sincere.
20:36We have to follow their appearance.
20:38We have to follow all that.
20:40Super.
20:42I wish you all the best.
20:44Thank you.