مسلسل فيولا الحلقة 1 الاولى مدبلج HD
مسلسل فيولا الحلقة 1 الاولى مدبلج HD
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00:00I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:09We see this color when we come to this world, or after we die.
00:16Are we born or die? I came to live in Balerno, but it seems that my life is in danger because of the heat.
00:38I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:53Tell me, how can I help you?
01:01Excuse me, my name is Viola Vitale, and I'm from Paris.
01:08By the way, the city of Balerno is bigger than it is.
01:11Honestly, I'm looking for the owner of this car, if you don't mind.
01:16Send me your information, and tell me about the employee you're looking for, and we'll contact you later.
01:22Excuse me, the person in the picture is my father, and I have no other picture of him.
01:28My mother told me to take this picture when she was pregnant with me, and I have to find it as soon as possible.
01:36Don't worry, I'll try to help you. But first, fill out the form.
01:46Honestly, I don't feel good at all, and I can't rest until I can find my father.
01:52That's why I'm in Balerno, in this city that makes you dizzy with its sounds, colors, and smells.
02:00Even people's feelings can make you dizzy and upset.
02:16What are you waiting for? Come on!
02:19Come on, Rahman, everyone is waiting for you. Pack your things.
02:27And of course, in this city, anything can happen.
02:30I'll be right back. Don't talk to anyone about this.
02:45And who knows what awaits me in it?
03:15I'll be right back.
03:18Balerno, Italy
03:24Balerno, Italy
03:43This man is really crazy, because if he wasn't like this, he wouldn't be driving like this.
03:47You have to get used to it, because everyone in the city is like this.
03:50No, you're different, and there's no one like you in the whole world, Sylvia.
03:54What are you talking about, Daniello? Your wife will get upset and do this to you.
04:06I like people who smile all the time, like you.
04:10My name is Viola.
04:12Sylvia, can I ask you what brought you to Balerno?
04:18To be honest, I had a hard time in Paris.
04:22I told my husband that I could live comfortably in Balerno.
04:25I'm happy to live in Balerno.
04:27And I opened this cafe.
04:29You'll like it here. I assure you.
04:36Fiorella, give her the cappuccino.
04:38What did you do?
04:40It's too hot. I burned you, didn't I?
04:43No. Excuse me.
04:47I'm going to clean the table.
04:49Go now and wash the dishes. I'll be right back.
04:55Here you go.
05:02I'm sorry I dirtied your dishes.
05:04Don't worry. The sun is strong and it will dry immediately.
05:07Thank you. Give it to me.
05:09Go now or I'll call the police.
05:12Listen to me.
05:14What happened 15 years ago wasn't enough for you, Sylvia?
05:17We have to protect each other.
05:19That's right. That's why I'm going now.
05:21And don't let me see you here again.
05:24I'll be back.
05:28Is there a problem?
05:30It's normal for someone like him to come here and bother us.
05:33What does he want from you?
05:41Hello?
05:47Director! I was about to call you.
05:50Yes, you're right. It's not possible at all.
05:53No. Of course I don't want to lose my job from the first day.
05:57It won't take long.
05:59I'm in front of the office right now.
06:01But unfortunately, I had a little accident.
06:04Hello?
06:11Good morning.
06:33Good morning.
06:35Are you sure you're the new employee they were talking about?
06:38Yes, that's right. I was hired here.
06:41And I can speak Italian because I was born in Milan.
06:44Yes, I know. They told me about it.
06:46And I read it in the CV you gave me.
06:48Really?
06:49And we're lucky to have someone like you working with us.
06:52You're Viola, aren't you?
06:56Viola Vitale.
06:58The queen of Milan for 10 years.
07:00You're Claudia, aren't you?
07:02No, I'm Mr. Claudia.
07:05You have a beautiful red hair.
07:08Yes.
07:09It's like my red hair is too much to look at, isn't it?
07:13This is a workplace.
07:15It's not a place to display beauty.
07:17And it's better without it.
07:23Follow her.
07:38It's written here that you used to work in marketing.
07:41For the role of fashion and well-known brands.
07:44Yes, I studied marketing at university.
07:46Then I became a journalist in charge of fashion and fashion in Milan and then in Paris.
07:51You've never been to the magazine's library, have you?
07:55No, because as I mentioned earlier, I was in charge of fashion and fashion.
08:02It's clear that my experience is not enough.
08:04But all my life I've dreamed of working in your magazine.
08:07Especially in investigations.
08:10I like to discover mysterious things.
08:12And since I'm in Milan now...
08:14First, Viola, tell me.
08:16When you applied for this job, did you learn how to read the police reports?
08:21No, but I learn later.
08:24And you, can you help me?
08:38Or do I read a book about this subject?
08:43Listen, we're a serious magazine and we don't have time for that.
08:47And we're working on investigations.
08:49It's not that easy.
08:51Do you know what I've been through to get this job?
08:54And the circumstances I've been through?
08:56Can I imagine?
08:57No, you can't imagine.
08:59Because, of course, one has all this beauty.
09:02Tell me.
09:03Can you reach anything without suffering or having a long experience?
09:08No, what you're saying is not true.
09:10Look at the
09:12It will help you in your first mission.
09:14And try not to make a mistake.
09:16Okay.
09:22Isn't this a jacket?
09:26Does any of you know where to find a jacket?
09:33Can I know what's making you laugh?
09:35Of course not, because you're going to be surprised.
09:41Mario Rizzo.
09:43At your service.
09:45Viola Vitali.
09:46Nice to meet you.
09:47Come with me.
09:49They always make fun of beginners like you.
09:52Like journalists.
09:53You need to get used to it.
09:57This is Tamara.
09:58Tamara.
10:00I'm sure you know now why we call her the
10:06Let's go.
10:19Listen to me.
10:20I'm really sorry I let you down.
10:22But Claudia told me you wanted to help me with my first mission.
10:25But it looks like I'll be running after you.
10:27If you don't mind, can you wait for me?
10:30Of course.
10:31No problem.
10:33And honestly, I'm happy because we're going to work together.
10:36I just moved to Balermo.
10:37First, I don't like to talk too much.
10:39Second, I'm not going to be happy working with you.
10:41Because I hate work.
10:43Third, I don't want anyone to get in my car.
10:47Forget it.
10:48Take the company's car.
10:49It's in the garage.
10:50I hope you find the garage.
10:52Okay.
10:53Sorry to keep you waiting because I don't know Balermo.
10:55What's her mission?
10:56Goodbye.
10:57Huh?
11:25Wow!
11:26What kind of car is this?
11:37Oh, no way.
11:39Silvia!
11:40Silvia!
11:41Silvia!
11:42Sil...
11:43Help me!
11:44Silvia!
11:45I didn't make it.
11:55Hello, I need an ambulance as soon as possible. I'm waiting for you. Don't take too long.
12:26Good morning, Mr. Investigator.
12:28How can I help you, Mr. Torey?
12:29The victim is Sylvia Messina, the owner of the cafeteria here. She said that her sister went to deliver some orders.
12:41Why?
12:42It's normal. After the corona and the quarantine, there are cafeterias that have delivered orders to houses.
12:46I'm the one who submitted the investigation into this incident.
12:50Mr. Boushimi, what did you forget? Especially after what you did when you submitted the investigation into the human trafficking case,
12:55when you completed the investigation on your own and exposed your colleagues above us.
12:58I was kidding with you, Torey. Hurry up because I have an important job and I have to finish it.
13:02Okay.
13:03Tell me, who is the driver?
13:05Me?
13:07The first time I got out of the garage, the sun was shining on my face.
13:11Who was the beauty?
13:13I'm Viola Vitale.
13:14The investigator is Francesco DiMera.
13:20Take her to the department immediately.
13:22Okay, I'm on my way.
13:35I'm sorry.
13:38Forgive me, Viola.
13:50I'm sorry.
13:57We are lucky that the alcohol analysis was negative.
14:00But we still have to analyze the drugs.
14:03But I have never been given drugs in my life.
14:07And if I was given drugs, would I be given drugs at a time like this?
14:10But how did you not notice the woman while you were driving?
14:14The sun was shining in my eyes and I wasn't seeing anything.
14:20And most likely, she had fallen to the ground before.
14:23And who told you that?
14:25Because if she was standing, would you be able to see her or what do you think?
14:28Could it be that you were working on your lipstick?
14:33What's wrong with the lipstick you put on her?
14:35Nothing.
14:36But she was fixing the lipstick and you were working on it.
14:39This is the original French lipstick.
14:41And it lasts a long time without being affected.
14:43And I'm used to putting lipstick on without looking at it.
14:51I put it on right away.
14:56Without looking at it.
14:58In one second.
15:01I mean, it's impossible to forget about the road.
15:04Or not even notice it.
15:09Most likely, she was dead before I hit her in the car.
15:14This morning, I saw her fighting with someone in the cafe.
15:16It could be him or...
15:17Anise, you hurt her.
15:20And as long as no one has seen this man killing her, he will be out of the blame.
15:27And what's going to happen?
15:30If your drugs test is negative, you will be charged with murder by mistake.
15:35And with a light penalty.
15:37A light penalty?
15:47Yes.
15:55I'm sorry.
15:58You can leave.
16:00But you can't leave the city until the court decision is made.
16:13Excuse me, I have to...
16:14Stay here.
16:18You really surprised me.
16:20This is your first day at work.
16:22And you went to the police station charged with murder.
16:25Even though I warned you and told you not to make a mistake.
16:27But it's not what you think, because...
16:29Go now or I'll never see your face again.
16:47I'm sorry.
17:12Fiorella, I have to go.
17:15Sylvia always closed the cafe at this time.
17:18I'm really sorry.
17:21I didn't mean what happened.
17:23Get out of my face.
17:25I can't.
17:27Impossible.
17:28First, I have to know who the guy who fought with your sister this morning is.
17:31This is very important to me.
17:33I told you he would come here again.
17:44Come on.
17:59May I come in?
18:02Please, have a seat.
18:07You're writing an article about Sylvia and you want to interview me, right?
18:14Yes.
18:23You're full?
18:24It's okay, don't be shy. This is your job.
18:27And I did some research.
18:30And I found out that 15 years ago, Sylvia's family killed them in their apartment.
18:35When she and your sister were still young.
18:40But unfortunately, the police couldn't catch the criminal.
18:44They were afraid of him.
18:48How ugly it would be to live a beautiful life and suddenly find yourself losing everything.
18:54Do you know Mario?
18:57This feeling is the hardest feeling I can feel.
19:01But the one who sees Sylvia doesn't say she had such an experience.
19:06Because she was always happy.
19:11Do you know her, Mom?
19:14No, I don't know her.
19:16And I didn't go to their cafe.
19:20But according to what they said,
19:22her sister Fiorella, who works with her at the cafe,
19:26her friends don't have a permit.
19:29And they work with the mafia.
19:33Could one of them be the one who killed Sylvia?
19:36That explains why I didn't see her, because she was already dead.
19:44Any one of them.
19:46When they fall into a big trouble,
19:49they try to find explanations.
19:53Don't blame yourself.
19:56You have no fault in her death.
20:01Why are you treating me nicely?
20:04Because you are beautiful and I like you.
20:07And I know what I feel.
20:11Because I've been through hard times.
20:16I used to sit alone every day
20:19and think about how I should behave and no one would help me.
20:26That's why I advise you, Fiorella,
20:28don't ask for help at all.
20:30Thank you.
20:32It's my duty.
20:35And if you need anything, call me right away.
20:39Don't worry, okay?
20:42Did you look around the house?
20:44Yes, I haven't found it yet.
20:46That's why I took a small room in a hotel.
20:48But it's not possible that it's still empty.
20:51That's why I'm sitting here.
20:53And I'm waiting for you.
20:55I'm waiting for you.
20:57I'm waiting for you.
20:58But you don't answer my calls.
21:00That's why I'm sitting here.
21:04Everything I do makes you happy.
21:10This cozy place makes you feel better.
21:19The most important thing is that I can finally be alone
21:24and away from people.
21:28♪ All the emotions feel the same
21:36♪ All the feelings stay the same
21:43♪ I feel the truth stay the same
21:53♪ Promise seems to cry the same
22:24This is the medical report regarding the murder of Sylvia Messina.
22:29I'm very excited to see them.
22:30Really?
22:38It's clear that the cause of death was not a car accident.
22:47Ah, this is from Queen of Beauty's fortune.
22:53I'm not sure if it was a car accident.
22:55I'm not sure if it was a car accident.
22:56I'm not sure if it was a car accident.
22:57I'm not sure if it was a car accident.
22:58I'm not sure if it was a car accident.
22:59I'm not sure if it was a car accident.
23:00I'm not sure if it was a car accident.
23:01I'm not sure if it was a car accident.
23:02I'm not sure if it was a car accident.
23:03I'm not sure if it was a car accident.
23:04I'm not sure if it was a car accident.
23:05I'm not sure if it was a car accident.
23:06I'm not sure if it was a car accident.
23:07I'm not sure if it was a car accident.
23:08I'm not sure if it was a car accident.
23:09I'm not sure if it was a car accident.
23:10I'm not sure if it was a car accident.
23:11I guess you're right.
23:12I really wasn't a culprit in this case.
23:13Why didn't I find out sooner?
23:14I don't ever tell anyone and I knew what to do,
23:15but there were no facts.
23:16So I guess what I had to do was act responsibly.
23:17I would never have killed him
23:18no matter what the facts were.
23:19Either way, I'm sorry.
23:20It was just a mistake.
23:21I'm sorry.
23:22I would never have killed him
23:23no matter what the facts were.
23:24It was just a mistake.
23:25I would never have killed him
23:26no matter what the facts were.
23:27I'm sorry, really.
23:28I'm sorry, really.
23:29I'm really sorry
23:31I'm sorry, M schmeared you while you were whining.
23:32Car cars were caused by stealing books.
23:34Did you hear what I just said? I just looked around and saw a picture of Fiorella taking Sylvia with a guy I know.
23:39He's the guy who had a fight with Sylvia yesterday.
23:41Excellent!
23:48Detective Demir?
23:50We have news regarding the case.
23:52According to the statement, Sylvia died because of a hit on her head and because of a car accident.
23:57So she really died before you hit her.
24:00That's great news!
24:03I mean, it's great that you didn't kill her.
24:07But of course, I'm very upset that she died that way.
24:14And you don't know who the killer is?
24:32Yes.
24:39Sylvia went to complain.
24:41One of her clients said that she was trying to make you pay, but she refused.
24:46And the information says that she called the police before she died.
24:49I think she was trying to tell someone.
24:51I think she was trying to tell the killer.
24:53That's obvious.
24:55At the time, she couldn't complain because one day someone attacked her.
24:59Yes, and what got me into this?
25:01When you and the victim had a fight, she threatened you several times.
25:05The important thing is that you're a good person.
25:07After you had a fight in the cafeteria, she got mad because of you.
25:10So you waited outside and killed her, right?
25:12No, you're wrong.
25:13I'm not the killer.
25:14And I didn't get close to her.
25:32Hello.
25:33What are you doing here?
25:35I heard they're going to arrest Nicolas.
25:38We're supposed to be there at that moment.
25:40So we can get the important information and ask about the clothes.
25:44And of course, the police will help us with that.
25:47I'll follow you.
25:48How are you?
25:49Good morning.
25:51King, why did you follow me here?
25:53How about we go out for dinner tonight?
25:55Are you free today?
25:57By the way, this man you saw is having an argument with Sylvia.
26:01What time?
26:02Around 9.30.
26:04Instead of talking about the redhead, you should have told us about this.
26:07I told you.
26:09But it's obvious that you were focused on me, not on my words.
26:15Anyway, he's Fiorella's boyfriend.
26:19If they have pictures together, it doesn't mean that they love each other.
26:22Fiorella has a treasure that has his shop's name printed on it.
26:25I'm sure she wouldn't wear something like that if she loved him.
26:28Am I wrong?
26:29Hello, Francesco.
26:30Are you ready for the interview?
26:34Excuse me.
26:35Don't get involved in this today.
26:37But my offer is still valid.
26:40Oh, queen.
26:42I have nothing to do with this.
26:44And it's impossible for me to agree to go with you on a trip.
26:48Is that you?
26:51Are you the one who told them about Nicolas?
26:54Of course, he's not the one who killed Sylvia.
26:56Because he doesn't have a weapon.
26:59How do you know?
27:01I told him to help us.
27:05And I paid a bribe.
27:09In the summer, my shop is in Balermo.
27:11When my mother left the shop open.
27:13And that's how the man who killed my parents came into the house.
27:19And your sister looked like my mother.
27:22I mean, you trust everyone.
27:24To be able to live in this city.
27:26You have to pay for it, Hamouki.
27:30When I made an agreement with Nicolas.
27:33But without telling me?
27:35She refused.
27:40And she didn't pay for it.
27:46And what does she intend to do?
27:49Nothing.
27:51I'm going to sell the sheep until I pay him.
27:53And then I'll go.
27:59If it's not Nicolas.
28:00Who do you think this criminal is?
28:02Does Sylvia have enemies?
28:06She doesn't have enemies.
28:08All the time in the cafe.
28:10And she doesn't mix with anyone.
28:14But two days ago, I saw her.
28:16I forgave her.
28:18She was looking for files related to the investigation of the murder of our parents.
28:23And even when she opened articles about the subject.
28:26She didn't do it in her life.
28:30I asked her what she was looking for.
28:32She didn't answer me.
28:35But it was obvious that she was in trouble.
28:46Mr. Investigator.
28:47Nicolas is in custody.
28:49The accused of the murder.
28:53But you don't look very happy.
28:55Or?
28:57Nicolas is not a murderer.
28:59If he was a murderer, he wouldn't let anyone see where the crime took place.
29:03And he ran away.
29:06It means you're not happy.
29:08From your eyes.
29:09It's very clear.
29:16Let's go.
29:26The motorcycle that was outside was going to hit me.
29:28It's obvious that the driver ran away after he stole someone.
29:30Because the motorcycle he was driving, no one drives it.
29:34Wait a minute.
29:35His friend must have done something, so you have to catch him immediately.
29:38What are you doing? Wait a second.
29:40What did you steal?
29:41This is my motorcycle.
29:42And I didn't hit you.
29:43Your motorcycle?
29:44Yesterday morning, it hit me and I fell to the ground.
29:46And you didn't stop to help me.
29:48If I had noticed all this beauty, I would have stopped.
29:52You were standing in the middle of the road, and I was in a hurry.
29:56And the important thing is that I didn't hurt you.
29:58Did you really do that, Francesco?
30:01When did this happen?
30:03I am the manager of Santo Puccini.
30:05Viola Vitali.
30:06He hit me around nine o'clock.
30:08At nine o'clock?
30:10You have personal problems that you need to solve.
30:15I left because I found an important evidence on the issue of human trafficking.
30:20Thank God, nothing happened now.
30:22And I hope you forget about it.
30:25As for you, I will find a way to prevent you from doing such wrong things.
30:29I promise you.
30:30Even if I wasn't your direct manager.
30:38Wait a minute, I want to talk to you.
30:40I think you've talked enough.
30:42Lorella told me that she saw Sylvie looking for the files related to the crime that happened in their house.
30:47And this information may be useful in the investigation.
30:49That's right.
30:50Yes.
30:53Excellent.
30:54What do you think?
30:55You go and write all the information that you have collected on a piece of paper.
30:58And I'll see them in the evening when you come to me.
31:04This is impossible.
31:05Do you know why?
31:07Because a beautiful woman like me,
31:08and smart,
31:09doesn't go out with a crazy man in the market and doesn't interfere with people's lives.
31:20What's his problem?
31:21Francisco is an excellent police officer,
31:23but his problem is that he's a little angry.
31:25And he's always in a hurry.
31:26The first time they brought me to the department, I was in a hurry.
31:28Tori!
31:29He can't do without me.
31:36Sir?
31:37Where are you now?
31:39I thought you weren't going to see me at night.
31:42It's your fault, isn't it?
31:44It's because I rejected you for the mission.
31:46But this time, try not to kill anyone.
31:48Okay.
31:59Thank you for letting me ride your motorcycle.
32:02But I'm sorry to slow you down, if you don't mind.
32:05What do you think? Do you want to kill someone today instead of me?
32:07No!
32:08By the way, the speed is excellent.
32:13Take your hand off me.
32:18Tell me, what's the mission we're going to do?
32:20About the cultural initiatives or are we going to arrest someone from the mafia?
32:24About the dust.
32:25About the dust?
32:26In Palermo?
32:27The barbecue is like pistachios here.
32:28Now, Ansel, there's a lot of dust in this city.
32:31It never happens to anyone that someone is grilling meat in the streets.
32:36What do you think about trying the soda we have?
32:38It's fresh and very nice.
32:39Would you like a plate of it?
32:42No, thank you.
32:43Would you like a piece?
32:45No, I'll give it to you. Thank you.
32:49Don't believe her. She's kidding.
32:51That's why I decided to become a journalist.
32:57And what made you work in photography?
33:01I like to observe people from afar.
33:04Do you have any other questions?
33:10I like to help people.
33:14Especially those people who have suffered a lot in their lives.
33:18Like Sylvia and her sister.
33:20May God have mercy on them.
33:22Do you know each other?
33:23Yes, and the rice you make is exceptional.
33:25When it opened, we went there and ate.
33:29Who went?
33:31Who?
33:32All the employees.
33:36Even Mariam?
33:38Yes, he was the first to be there when it opened.
33:42What are you looking for?
33:44If you killed a woman on the street, what would you do?
33:46I would have surrendered immediately.
33:47Then the investigator came.
33:48I would never do such a thing.
33:49I'm sorry. It was just a joke.
33:52What do you mean by this joke?
33:53Because, to be honest, I didn't understand anything you said.
33:57I found it.
33:58The criminal killed Sylvia and then ran away.
34:01Tell me, if you were him, where would you go?
34:03On an empty street with no one there.
34:05Exactly.
34:06Let's ask the surveillance camera to record who was there that day.
34:10Let's go.
34:29Viola?
34:31Ah!
34:32You're here?
34:33Yes.
34:34I'm going home now.
34:37Good night.
34:58Francisco?
35:14Francisco?
35:22Can you give me a second?
35:24Sorry.
35:27Do you want to try?
35:28Wait a minute.
35:30I've been tired for the past two days.
35:31I need to stop training.
35:32Thank you.
35:33It's good that you know how to do it, Tori.
35:36Yes.
35:37Sorry.
35:38For the surveillance camera, I brought the recordings.
35:46Okay.
35:54Let's go.
36:17Hello.
36:18Hello.
36:19Come in, Mario.
36:20Thank you.
36:21You see?
36:22I chose this hotel because it's isolated from the rest of the world.
36:25So one can focus and discover a lot of things.
36:29Like working with a criminal.
36:33What do you mean?
36:43You told me you didn't know Sylvia.
36:45But you went out to meet her and went to the cafe.
36:48Yes, that's right.
36:50But believe me, I forgot.
36:54I also noticed that you're very concerned about her family's death.
37:00Because it's my job.
37:01But the fear was obvious to you.
37:03At first, you thought you were afraid of me because you were accused of killing her.
37:07What you're saying is not true.
37:09I have to go.
37:11The garden we stayed in is the garden you stayed in before you started working.
37:15And the location of Aziza's funeral.
37:18And Fiorella's family and Sylvia were in this area.
37:21And this garden was a place for criminals.
37:24You're the criminal.
37:26Sylvia exposed you, and that's why I started looking through the case files immediately.
37:33We were in debt.
37:38And that's why I decided to go.
37:40To steal my money.
37:41But there was a dog that barked and didn't stop.
37:44So we decided to go into the apartment next to her.
37:47Sylvia's apartment.
37:49Her parents saw me at that time.
37:51And they started yelling.
37:55And I lost my temper.
38:02And the girls started yelling at me.
38:05And I lost my temper.
38:08And I lost my temper.
38:11They saw everything.
38:14Then I ran away quickly.
38:18And I was expecting the police to catch me at any moment.
38:23I was nervous.
38:25But no one came to sleep.
38:28And I decided to go back to my life.
38:31So I looked for a job and a house for my family.
38:33And then you saw Sylvia.
38:36When I went to the opening, she started looking into my eyes.
38:42And she was able to recognize me immediately.
38:45And then I saw her again.
38:47And I heard what she was saying.
38:50Good morning.
38:51I'm Sylvia Messina.
38:53If you'll excuse me, I'd like to file a complaint against someone.
38:56Yes, I'll stay on the line.
39:05Thank you.
39:13I was expecting the case to be solved at any time.
39:16After I got a job at the newspaper,
39:18I was convinced that it was impossible to escape.
39:25And no matter how hard the criminal tries,
39:28his end will be bad.
39:32At that time, she wasn't filing a complaint against you.
39:35She was filing a complaint against Nicolas.
39:37She called to tell him that he was begging for a bribe.
39:42You have to tell the truth, or I'll kill you.
39:45No.
39:47No.
39:49I'm sorry.
39:52I told you a while ago.
39:54The criminal's end will always be very bad.
40:02Put the knife down!
40:03Put the knife down, Mario!
40:06Mario, I don't want to hurt you.
40:09Put the knife down.
40:17Mario, you're under arrest for the murder of Sylvia Messina.
40:22And for the murder of her family.
40:23Put the knife down.
40:32How did you know that I was in trouble?
40:35I asked one of my assistants to keep an eye on you.
40:39And I found out that Mario was the criminal who recorded the camera.
40:43An employee who keeps an eye on me?
40:45And you're telling him everything?
40:47You should thank me. I saved your life.
40:49No, no, no. Now you have to tell me why you sent him to watch me.
40:51I felt you were confused and you were going to act on your own.
40:54And now you're going to tell me how you found out that Mario was the criminal?
40:57What do you care?
41:02You're upset because I ignored you, aren't you?
41:05But I'm ready to listen to you now. Tell me.
41:16I see people's feelings.
41:17I have a sensitivity disorder.
41:20And I'm trying to treat it.
41:24What do you mean?
41:26Every feeling a person feels, I see it in color.
41:31You can say that I know the feeling that any human being feels.
41:35Always?
41:37I'm trying to control the subject now.
41:40And in normal circumstances, I don't see anything in him.
41:44Except when he's angry or nervous.
41:48And Mario?
41:50What's his color?
41:52His color was light yellow.
41:55Because he was ashamed of himself.
41:57And when I confronted him with what he did, his color turned to green.
42:01Those who feel nervous, that's how their color becomes.
42:06That's nice.
42:08It's hard for me.
42:09It's hard for me.
42:12When you see people's feelings, you'll feel their feelings.
42:16You'll be happy and nervous with them.
42:20I mean, this is not easy at all.
42:23You're right.
42:26I mean, I'm not like you at all.
42:29And I don't feel anything.
42:31There are things that have changed me.
42:34Are you talking about the human trafficking case that I was involved in?
42:42When I talked to the director about the case, I immediately looked into it.
42:47And I found out about the investigation.
42:57Six months ago,
42:59about 300 people were sold in Palermo.
43:01And they were all from this area.
43:04And there were women among them.
43:06And there were children.
43:10Then we found eyewitnesses.
43:12And letters.
43:14And there was a little doll for a boy.
43:17When I saw this doll, I was very upset.
43:19I mean, this boy, why does he have to go as a victim?
43:22And on top of that, they tortured him.
43:26It's good that I didn't work for the police.
43:28It's good that I didn't work for the police.
43:31Yes, it's good for you.
43:36Oh, queen of beauty.
43:42Call me Viola.
43:44Viola.
43:54Hello, good morning.
43:55Good morning.
43:57Tell me, what happened to you?
43:59Did you get to Abyssinia?
44:01I'm sorry.
44:03I looked in the system for us, but unfortunately,
44:05there is no car of the Berdani type and its number.
44:08Oh.
44:10Can you call me back?
44:12Oh, Ansa, it's impossible for us to know the name of the owner of the car.
44:15In my opinion, forget about it.
44:19Thank you.
44:25Thank you.
44:55Hello.
44:57Can you send me an ambulance?
44:59I can't move at all.
45:01Yes, quickly.
45:03And that's how I found myself in this white hole.
45:06A magnetic kidney device.
45:08So that we can know how much my condition has improved.
45:11I found out about my illness a month ago,
45:13when my fiancé left me, and then I saw him,
45:15in the color blue.
45:17Then I went to the doctor's clinic,
45:20and he told me that
45:22I have a very rare nerve disease,
45:23and it's called
45:25sensory hypothermia.
45:27And now his symptoms began to appear,
45:30and the first symptom is that
45:32I can't see far at all,
45:35and I can't feel the heat and the cold on my skin,
45:38and sometimes I lose consciousness,
45:41without feeling anything.
45:43Every time one of the nerve cells turns,
45:46it takes a part with it,
45:48an important part of my life,
45:50and it takes my memories.
45:51But the beautiful memories are still there,
45:54like my childhood.
46:01And when I won the beauty contest,
46:05and the betrayals,
46:09and the biggest betrayal I've ever faced,
46:12the betrayal of my body.
46:21I see people's feelings,
46:24but soon I won't have feelings,
46:27never.
46:29You have a red spot on your feet,
46:32and it's a temporary condition.
46:34The evidence is that your condition is developing
46:36very gradually,
46:38and slowly.
46:41Now the only solution
46:43is to see how your condition will develop
46:45over time.
46:47We must know.
46:49Hereditary diseases.
46:51Nano told me that,
46:53and that's why I came to Palermo,
46:56to look for my father.
46:58You didn't see him at all?
47:00We left him when my mother gave birth to me,
47:03and she raised me.
47:05Was she sick?
47:07No, she was fine.
47:10And about two years ago,
47:12she died of a heart attack.
47:18This is my father's disease.
47:21Don't you have relatives from your father's family?
47:25Or someone you can talk to
47:27to give you information?
47:33I'm sorry.
47:35The only thing we can do
47:37is to examine you regularly
47:39and monitor you,
47:41to study your condition.
47:43If you want, I can set a date for you.
47:45There's no need.
47:47Oh, and one more thing.
47:50Get out of Palermo.
47:52I'll book my first flight tomorrow.
47:55And come back to Paris.
47:58Thank you.
48:16Hello.
48:32Hello.
48:35I came to give you back your Fiorella.
48:38Are you going?
48:40The reason I came is not good.
48:43I'm leaving.
48:45You upset me.
48:50And you?
48:52Didn't you tell me this morning
48:54that you were going to close the cafe?
48:58Do you know what I found among my late sister's things?
49:02A memorandum.
49:04The last thing she wrote
49:06was that the criminal who killed our family
49:08was one of the guests coming here.
49:11And she meant Mario.
49:13But at the time she didn't say anything
49:15because she knew I was afraid.
49:19You know, she's right.
49:22I'm always afraid.
49:28And now I've decided to be like her
49:31and stop being afraid.
49:34It's true that we're hungry to meet people
49:36who are given a life journey,
49:38but we have to keep going.
49:39And of course we're going to meet friends who will love us.
49:46I mean, we don't have to give up
49:49and live life to the fullest.
50:05Everyone started talking about Mario's arrest.
50:08Get me a press release to prove
50:10that we have nothing to do with this.
50:12And let me read it.
50:14Don't worry.
50:16I wrote it.
50:18The Liberation Team
50:20at the Sequelia Network
50:22is making a donation
50:24from what Mario did.
50:26And to show the side
50:28that our press supports,
50:30we gave his mission to the girl
50:32who wanted to kill her,
50:34the criminal journalist Viola Vitale.
50:35I'm sorry.
50:38I'm fine.
51:05I'm fine.
51:35I'm fine.
51:37I'm fine.
51:39I'm fine.
51:41I'm fine.
51:43I'm fine.
51:45I'm fine.
51:47I'm fine.
51:49I'm fine.
51:51I'm fine.
51:53I'm fine.
51:55I'm fine.
51:57I'm fine.
51:59I'm fine.
52:01I'm fine.
52:03I'm still afraid of them.
52:05I know that I have to communicate with them
52:07and face their feelings
52:09so I can continue with my life
52:11and not destroy it.
52:13Because what I want is life.
52:15And I want to see all the surprises
52:17that are waiting for me.
52:21Hello.
52:28Hello.
52:30I thought you were going to come,
52:32Lili, how did you get in?
52:34With this key.
52:37By the way,
52:39I rented the apartment here.
52:41Help me, what's his name? Boushimi?
52:43The manager.
52:45He also told me that these two apartments
52:47have a shared terrace.
52:49And by the way,
52:51it's like he did this on purpose
52:53to punish you,
52:55that's how I understood his honesty.
52:57And you,
52:59are you going to be my punishment?
53:00Don't think I'm trying to get close to you.
53:02If that happens,
53:04you have to marry me.
53:07Are you trying to get married?
53:11That means don't think.
53:16I can help you with something.
53:18It's the help.
53:20I'm a crime journalist
53:22on Sequelia's electronic channel
53:24because journalists are useful.
53:26And I saw this.
53:27And I saw this.
53:32It's not right.
53:34Think about your comfort,
53:37so you don't lose your only informant,
53:40especially that you will benefit
53:42a lot from my disease in the future.
53:50Okay,
53:52I'll test you,
53:54and if you fail, forget it.
53:55Deal?
53:57Deal.
53:59I want you to tell me something about me.
54:03Tell me,
54:05what is my color?
54:11Do you know?
54:18Blue.
54:20What do you mean?
54:22You are a normal man,
54:23who is proud and sees himself as any man.
54:34I'll see you later.
54:36And close your door.
54:38Don't throw a safety spoon in my sleep.
54:53Bye.
55:03Dad, you are the only man in this world
55:06who doesn't know his color.
55:18What is your color?
55:24I am the color of a psychopath, dad.
55:27And this person is
55:30very secretive
55:32and doesn't say anything.
55:54Dad,
55:56you are the only man in this world
55:58who doesn't know his color.
56:00And this person is
56:02very secretive
56:04and doesn't say anything.
56:06And this person is
56:08very secretive
56:10and doesn't say anything.
56:12And this person is
56:14very secretive
56:16and doesn't say anything.
56:18And this person is
56:20very secretive
56:21and doesn't say anything.