مسلسل فيولا الحلقة 1 الاولى مدبلج HD
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00:00I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:09We see this color when we come to this world, or after we die.
00:16Are we born or die? I came to live in Balerno, but it seems that my life is in danger because of the heat.
00:38I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:53Tell me, how can I help you?
01:01Excuse me, my name is Viola Vitale, and I'm from Paris.
01:08By the way, the city of Balerno is bigger than it is.
01:11Honestly, I'm looking for the owner of this car, if you don't mind.
01:16Send me your information, and tell me about the employee you're looking for, and we'll contact you later.
01:22Excuse me, the person in the picture is my father, and I have no other picture of him.
01:28My mother told me to take this picture when she was pregnant with me, and I have to find it as soon as possible.
01:36Don't worry, I'll try to help you. But first, fill out the form.
01:46Honestly, I don't feel good at all, and I can't rest until I can find my father.
01:52That's why I'm in Balerno, in this city that makes you dizzy with its sounds, colors, and smells.
02:00Even people's feelings can make you dizzy and upset.
02:16What are you waiting for? Come on!
02:19Come on, Rahman, everyone is waiting for you. Pack your things.
02:27And of course, in this city, anything can happen.
02:30I'll be right back. Don't talk to anyone about this.
02:45And who knows what awaits me in it?
03:15I'll be right back.
03:18Balerno, Italy
03:24Balerno, Italy
03:43This man is really crazy, because if he wasn't like this, he wouldn't be driving like this.
03:47You have to get used to it, because everyone in the city is like this.
03:50No, you're different, and there's no one like you in the whole world, Sylvia.
03:54What are you talking about, Daniello? Your wife will get upset and do this to you.
04:06I like people who smile all the time, like you.
04:10My name is Viola.
04:12Sylvia, can I ask you what brought you to Balerno?
04:18To be honest, I had a hard time in Paris.
04:22I told my husband that I could live comfortably in Balerno.
04:25I'm happy to live in Balerno.
04:27And I opened this cafe.
04:29You'll like it here. I assure you.
04:36Fiorella, give her the cappuccino.
04:38What did you do?
04:40It's too hot. I burned you, didn't I?
04:43No. Excuse me.
04:47I'm going to clean the table.
04:49Go now and wash the dishes. I'll be right back.
04:55Here you go.
05:02I'm sorry I dirtied your dishes.
05:04Don't worry. The sun is strong and it will dry immediately.
05:07Thank you. Give it to me.
05:09Go now or I'll call the police.
05:12Listen to me.
05:14What happened 15 years ago wasn't enough for you, Sylvia?
05:17We have to protect each other.
05:19That's right. That's why I'm going now.
05:21And don't let me see you here again.
05:24I'll be back.
05:28Is there a problem?
05:30It's normal for someone like him to come here and bother us.
05:33What does he want from you?
05:41Hello?
05:47Director! I was about to call you.
05:50Yes, you're right. It's not possible at all.
05:53No. Of course I don't want to lose my job from the first day.
05:57It won't take long.
05:59I'm in front of the office right now.
06:01But unfortunately, I had a little accident.
06:04Hello?
06:11Good morning.
06:33Good morning.
06:35Are you sure you're the new employee they were talking about?
06:38Yes, that's right. I was hired here.
06:41And I can speak Italian because I was born in Milan.
06:44Yes, I know. They told me about it.
06:46And I read it in the CV you gave me.
06:48Really?
06:49And we're lucky to have someone like you working with us.
06:52You're Viola, aren't you?
06:56Viola Vitale.
06:58The queen of Milan for 10 years.
07:00You're Claudia, aren't you?
07:02No, I'm Mr. Claudia.
07:05You have a beautiful red hair.
07:08Yes.
07:09It's like my red hair is too much to look at, isn't it?
07:13This is a workplace.
07:15It's not a place to display beauty.
07:17And it's better without it.
07:23Follow her.
07:38It's written here that you used to work in marketing.
07:41For the role of fashion and well-known brands.
07:44Yes, I studied marketing at university.
07:46Then I became a journalist in charge of fashion and fashion in Milan and then in Paris.
07:51You've never been to the magazine's library, have you?
07:55No, because as I mentioned earlier, I was in charge of fashion and fashion.
08:02It's clear that my experience is not enough.
08:04But all my life I've dreamed of working in your magazine.
08:07Especially in investigations.
08:10I like to discover mysterious things.
08:12And since I'm in Milan now...
08:14First, Viola, tell me.
08:16When you applied for this job, did you learn how to read the police reports?
08:21No, but I learn later.
08:24And you, can you help me?
08:38Or do I read a book about this subject?
08:43Listen, we're a serious magazine and we don't have time for that.
08:47And we're working on investigations.
08:49It's not that easy.
08:51Do you know what I've been through to get this job?
08:54And the circumstances I've been through?
08:56Can I imagine?
08:57No, you can't imagine.
08:59Because, of course, one has all this beauty.
09:02Tell me.
09:03Can you reach anything without suffering or having a long experience?
09:08No, what you're saying is not true.
09:10Look at the
09:12It will help you in your first mission.
09:14And try not to make a mistake.
09:16Okay.
09:22Isn't this a jacket?
09:26Does any of you know where to find a jacket?
09:33Can I know what's making you laugh?
09:35Of course not, because you're going to be surprised.
09:41Mario Rizzo.
09:43At your service.
09:45Viola Vitali.
09:46Nice to meet you.
09:47Come with me.
09:49They always make fun of beginners like you.
09:52Like journalists.
09:53You need to get used to it.
09:57This is Tamara.
09:58Tamara.
10:00I'm sure you know now why we call her the
10:06Let's go.
10:19Listen to me.
10:20I'm really sorry I let you down.
10:22But Claudia told me you wanted to help me with my first mission.
10:25But it looks like I'll be running after you.
10:27If you don't mind, can you wait for me?
10:30Of course.
10:31No problem.
10:33And honestly, I'm happy because we're going to work together.
10:36I just moved to Balermo.
10:37First, I don't like to talk too much.
10:39Second, I'm not going to be happy working with you.
10:41Because I hate work.
10:43Third, I don't want anyone to get in my car.
10:47Forget it.
10:48Take the company's car.
10:49It's in the garage.
10:50I hope you find the garage.
10:52Okay.
10:53Sorry to keep you waiting because I don't know Balermo.
10:55What's her mission?
10:56Goodbye.
10:57Huh?
11:26Wow!
11:28What's wrong with the car?
11:39No way!
11:41Sylvia!
11:43Sylvia!
11:45Sylvia!
11:46Syl...
11:47Help me!
11:48Sylvia!
11:49Help me!
11:55Hello, I need an ambulance as soon as possible. I'm waiting for you. Don't take too long.
12:26Good morning, Mr. Investigator.
12:28How can I help you, Mr. Torey?
12:29The victim is Sylvia Messina, the owner of the cafeteria here. She said that her sister went to deliver some orders.
12:41Why?
12:42It's normal. After the corona and the quarantine, there are cafeterias that have delivered orders to houses.
12:46I'm the one who submitted the investigation into this incident.
12:50Mr. Boushimi, what did you forget? Especially after what you did when you submitted the investigation into the human trafficking case,
12:55when you completed the investigation on your own and exposed your colleagues above us.
12:58I was kidding with you, Torey. Hurry up because I have an important job and I have to finish it.
13:02Okay.
13:03Tell me, who is the driver?
13:05Me?
13:07The first time I got out of the garage, the sun was shining on my face.
13:11Who was the beauty?
13:13I'm Viola Vitale.
13:14The investigator is Francesco DiMera.
13:20Take her to the department immediately.
13:22Okay, I'm on my way.
13:35I'm sorry.
13:38Forgive me, Viola.
13:50I'm sorry.
13:57We are lucky that the alcohol analysis was negative.
14:00But we still have to analyze the drugs.
14:03But I have never been given drugs in my life.
14:07And if I was given drugs, would I be given drugs at a time like this?
14:10But how did you not notice the woman while you were driving?
14:14The sun was shining in my eyes and I wasn't seeing anything.
14:20And most likely, she had fallen to the ground before.
14:23And who told you that?
14:25Because if she was standing, would you be able to see her or what do you think?
14:28Could it be that you were working on your lipstick?
14:33What's wrong with the lipstick you put on her?
14:35Nothing.
14:36But she was fixing the lipstick and you were working on it.
14:39This is the original French lipstick.
14:41And it lasts a long time without being affected.
14:43And I'm used to putting lipstick on without looking at it.
14:51I put it on right away.
14:56Without looking at it.
14:58In one second.
15:01I mean, it's impossible to forget about the road.
15:04Or not even notice it.
15:09Most likely, she was dead before I hit her in the car.
15:14This morning, I saw her fighting with someone in the cafe.
15:16It could be him or...
15:17Anise, you hurt her.
15:20And as long as no one has seen this man killing her, he will be out of the blame.
15:27And what's going to happen?
15:30If your drugs test is negative, you will be charged with murder by mistake.
15:35And with a light penalty.
15:37A light penalty?
15:47Yes.
15:55I'm sorry.
15:58You can leave.
16:00But you can't leave the city until the court decision is made.
16:13Excuse me, I have to...
16:14Stay here.
16:18You really surprised me.
16:20This is your first day at work.
16:22And you went to the police station charged with murder.
16:25Even though I warned you and told you not to make a mistake.
16:27But it's not what you think, because...
16:29Go now or I'll never see your face again.
16:47I'm sorry.
17:12Fiorella, I have to go.
17:15Sylvia always closed the cafe at this time.
17:18I'm really sorry.
17:21I didn't mean what happened.
17:23Get out of my face.
17:25I can't.
17:27Impossible.
17:28First, I have to know who the guy who fought with your sister this morning is.
17:31This is very important to me.
17:33I told you he would come here again.
17:44Come on.
17:59May I come in?
18:02Please, have a seat.
18:07You're writing an article about Sylvia and you want to interview me, right?
18:14Yes.
18:23You're full?
18:24It's okay, don't be shy. This is your job.
18:27And I did some research.
18:30And I found out that 15 years ago, Sylvia's family killed them in their apartment.
18:35When she and your sister were still young.
18:40But unfortunately, the police couldn't catch the criminal.
18:44They were afraid of him.
18:48How ugly it would be to live a beautiful life and suddenly find yourself losing everything.
18:54Do you know Mario?
18:57This feeling is the hardest feeling I can feel.
19:01But the one who sees Sylvia doesn't say she had such an experience.
19:06Because she was always happy.
19:11Do you know her, Mom?
19:14No, I don't know her.
19:16And I didn't go to their cafe.
19:20But according to what they said,
19:22her sister Fiorella, who works with her at the cafe,
19:26her friends don't have a permit.
19:29And they work with the mafia.
19:33Could one of them be the one who killed Sylvia?
19:36That explains why I didn't see her, because she was already dead.
19:44Any one of them.
19:46When they fall into a big trouble,
19:49they try to find explanations.
19:53Don't blame yourself.
19:56You have no fault in her death.
20:01Why are you treating me nicely?
20:04Because you are beautiful and I like you.
20:07And I know what I feel.
20:11Because I've been through hard times.
20:16I used to sit alone every day
20:19and think about how I should behave and no one would help me.
20:26That's why I advise you, Fiorella,
20:28don't ask for help at all.
20:30Thank you.
20:32It's my duty.
20:35And if you need anything, call me right away.
20:39Don't worry, okay?
20:42Did you look around the house?
20:44Yes, I haven't found it yet.
20:46That's why I took a small room in a hotel.
20:48But it's not possible that it's still empty.
20:51That's why I'm sitting here.
20:53And I'm waiting for you.
20:55I'm waiting for you.
20:57I'm waiting for you.
20:58And I'm waiting for you.
21:00I'm waiting for you.
21:02I'm waiting for you.
21:04I'm waiting for you.
21:08A place filled with everything that makes you feel happy.
21:13This cute place gives you peace of mind.
21:23And what's more important than that is that finally I can be on my own
21:28♪ All the emotions feel the same
21:36♪ All the feelings stay the same
21:43♪ I feel the truth stay the same
21:53♪ Promise seems to cry the same
22:24This is the medical report regarding the murder of Sylvia Messina.
22:29I'm very excited to see them.
22:30Really?
22:38It's clear that the cause of death was not a car accident.
22:47Ah, this is from Queen of Beauty's fortune.
22:53I'm not sure if it was a car accident.
22:55I'm not sure if it was a car accident.
22:56I'm not sure if it was a car accident.
22:57I'm not sure if it was a car accident.
22:58I'm not sure if it was a car accident.
22:59I'm not sure if it was a car accident.
23:00I'm not sure if it was a car accident.
23:01I'm not sure if it was a car accident.
23:02I'm not sure if it was a car accident.
23:03I'm not sure if it was a car accident.
23:04I'm not sure if it was a car accident.
23:05I'm not sure if it was a car accident.
23:06I'm not sure if it was a car accident.
23:07I'm not sure if it was a car accident.
23:08I'm not sure if it was a car accident.
23:09I'm not sure if it was a car accident.
23:10I'm not sure if it was a car accident.
23:11I'm not sure if it was a car accident.
23:40He's the guy who had a fight with Sylvia yesterday.
23:42Excellent!
23:49Detective Demir?
23:51We have news regarding the case.
23:53It was stated in the statement that Sylvia died in a car accident.
23:58So she really died before you hit her.
24:01That's great news!
24:04I mean, the excellent thing is that I didn't kill her.
24:08But of course, I'm very upset because she died that way.
24:15And you didn't know who the criminal was?
24:38Sylvia went to complain.
24:40A customer told her that you were trying to get her to pay you money.
24:44But she didn't accept it.
24:46And the information says that she called the police before she died.
24:49It looks like she wanted to tell someone.
24:51I think she wanted to tell the criminal.
24:53That's obvious.
24:55At the time, she couldn't complain because one day someone attacked her.
24:59Yes, and what got me into this?
25:01Your presence.
25:02The day you and the victim had a fight.
25:04And you threatened her several times.
25:06And most importantly, you have evidence.
25:08After you fought in the cafeteria, you got angry because she hit you.
25:11So you waited outside and then killed her, right?
25:13No, you're wrong.
25:14I'm not the criminal.
25:15And I didn't get close to her.
25:18The police are coming.
25:33Hello.
25:34What are you doing here?
25:36I heard that they are going to arrest Nicolas.
25:39We are supposed to be there at that moment.
25:41So we can get the important information and ask about the clothes.
25:45And of course, the police will help us with this.
25:48I'll catch up with you.
25:49How are you?
25:50Good morning.
25:52Queen.
25:53Why did you follow me here?
25:54Why don't we go out for dinner tonight?
25:56Are you free today?
25:59By the way, this man you saw is having an argument with Sylvia.
26:02What time?
26:03Almost half past nine.
26:05Instead of talking about the redhead, you told us this information.
26:09I told you.
26:11But it's obvious that you were focused on me, not on my words.
26:16Anyway.
26:18He is Fiorella's lover.
26:20If they have pictures together, it doesn't mean that they love each other.
26:23Fiorella has a treasure with his shop's name printed on it.
26:26I'm sure she wouldn't wear something like that if she loved him.
26:29Am I wrong?
26:30Hello, Francesco.
26:31Are you ready for the interview?
26:35Excuse me.
26:36Don't get involved in this today.
26:39But my offer is still valid.
26:41Queen.
26:43I have nothing to do with this.
26:46And I can't go with you.
26:49Is that you?
26:52Are you the one who told them about Nicolas?
26:55Of course he didn't kill Sylvia.
26:57Because he doesn't have a weapon.
27:00How do you know?
27:02I told him to help us.
27:06And I paid a bribe.
27:07Go.
27:10In the summer, there is a shop in Balermo.
27:12When my mother left, the shop was open.
27:14And that's how the man who killed my parents came into the house.
27:20And my sister was like my mother.
27:23I mean, she trusts everyone.
27:25In order to be able to live in this city,
27:27you have to pay to protect you.
27:31When I made a deal with Nicolas.
27:34But without telling me?
27:36She refused.
27:41And she didn't pay him.
27:47And what are you going to do?
27:50Nothing.
27:52I'm going to sell the wood to pay him.
27:54And then I'll go.
28:00If it's not Nicolas.
28:01Who do you think is the criminal?
28:03Does Sylvia have enemies?
28:07She doesn't have enemies.
28:10All the time in the cafe.
28:11And she doesn't mix with anyone.
28:16But two days ago, I saw her.
28:19She was looking for files related to the investigation of the murder of our parents.
28:24And even then, she opened articles about the subject.
28:27She never did it in her life.
28:31I asked her what she was looking for.
28:33She didn't answer me.
28:36But it was obvious.
28:47Mr. Investigator.
28:48Nicolas is now in custody.
28:50The accused of the murder.
28:54But you don't seem very happy.
28:56Or?
28:58Nicolas is not the murderer.
29:00If he was the murderer, he wouldn't let anyone know where the crime took place.
29:04And he ran away.
29:06Hmm.
29:07That means you're not happy.
29:09From your eyes.
29:10It's very clear.
29:27The motorcycle that was outside was going to kill me.
29:29And it's clear that the driver ran away after he stole someone.
29:31Because the speed he was driving, no sane person would drive it.
29:34Wait a minute.
29:35I'm sure his friend did something like that.
29:37You have to arrest him immediately.
29:38What are you doing?
29:39Wait a second.
29:40What did you steal?
29:41This is my motorcycle.
29:42And I didn't steal it.
29:43Your motorcycle?
29:44Yes.
29:45You hit me yesterday morning.
29:46And you fell on the ground.
29:47And you didn't stop to help me.
29:48If I had noticed all this beauty,
29:50I would have stopped.
29:52You were standing in the middle of the road.
29:54And I was in a hurry.
29:56And most importantly, I didn't hurt you.
29:58Did you really do that, Francesco?
30:01When did this happen?
30:03I'm the manager of Santo Buscemi.
30:05Viola Vitali.
30:06He hit me at about 9 o'clock.
30:08At 9 o'clock?
30:09Yes.
30:10You have personal problems that you need to solve.
30:15I left because I found an important evidence on the issue of renting to people.
30:21Thank God.
30:22Now nothing happened.
30:23And I hope you forget about it.
30:25As for you, I will find a way to prevent you from doing such stupid things.
30:30I promise you.
30:31Even if I wasn't your direct manager.
30:38Wait a minute.
30:39I want to talk to you.
30:40I think you've told me enough.
30:42Fiorella told me that she saw Sylvie looking for the criminal files that fell in their house.
30:47And this information may be useful for the investigation.
30:49Right.
30:50Yes.
30:53Excellent.
30:54What do you think?
30:56What do you think?
30:57You go and write all the information that I collected on a piece of paper.
31:00And I see them in the evening when you come to me.
31:05This is impossible.
31:07Do you know why?
31:08Because a beautiful woman like me and a smart woman
31:11don't go out with a crazy man in the market and don't care about people's lives.
31:21What's his problem?
31:24His problem is that he's a bit angry.
31:26And he's always nervous.
31:27The first time they brought me to the department, I was...
31:29Tori!
31:30He can't help me.
31:37Ma'am?
31:38Where are you now?
31:40I thought you weren't going to see me at night.
31:43You got your license, didn't you?
31:45It's because I rejected you for the mission.
31:47But this time, try not to kill anyone.
31:49Okay.
31:53Thank you.
32:00Thank you for letting me ride your motorcycle.
32:03But could you slow down, please?
32:06What do you think?
32:07Should I ride someone else instead of you?
32:09No.
32:10By the way, the speed is excellent.
32:14Get your hands off me.
32:19Lily, what's the mission we're going to do?
32:22Cultural initiatives?
32:23Or are we going to arrest someone from the mafia?
32:25About the fog.
32:26About the fog?
32:27In Palermo?
32:28The barbecue is like pistachios.
32:30Come and taste it.
32:31Now, Ansel, if there's fog in this city,
32:32there's no one responsible for this.
32:34That someone is grilling meat in the streets.
32:37What do you think about trying the soda we have?
32:39It's fresh and very nice.
32:41Would you like a plate of it?
32:43No, thank you.
32:44Would you like a piece?
32:46No, I'll give it to you. Thank you.
32:49Don't believe her. She's kidding.
32:52That's why I decided to become a journalist.
32:58Why do you work in photography?
33:02I like to watch people from afar.
33:05Do you have any other questions?
33:11I like to help people.
33:14Especially those people who have suffered a lot in their lives,
33:18like Sylvia and her sister.
33:21God have mercy.
33:22Do you know each other?
33:24Yes, and the rice you make is exceptional.
33:26When it opened, we went there and ate.
33:29Who went?
33:31Who do you mean?
33:32All the employees.
33:36Even Mariam?
33:38Yes, he was the first to be there when it opened.
33:42What are you looking for?
33:44If you killed a woman on the street, what would you do?
33:46I would have surrendered immediately.
33:48After the investigation, I would never do such a thing.
33:50Sorry, it was a joke.
33:52What do you mean by this joke?
33:54Because I honestly didn't understand anything.
33:57I found it.
33:59The criminal killed Sylvia and then ran away immediately.
34:02Tell me, if you were him, where would you go?
34:04On an empty street with no one there.
34:06Exactly.
34:07Let's ask the surveillance camera to record who was there that day.
34:11Let's go.
34:37Viola?
34:38Are you here?
34:40Yes.
34:41I'm going home now.
34:43Good night.
35:07Francisco?
35:15Francisco?
35:23Can you give me a second?
35:28Do you want to try?
35:29Yes.
35:30Wait a minute.
35:31I've been tired for the past two days.
35:33I need to stop training.
35:35I'm tired.
35:37Yes.
35:38I brought the recordings for the surveillance camera.
35:46Okay.
36:06Hello.
36:07Hello.
36:08Come in, Mario.
36:09Thank you.
36:10You know, I chose this hotel because it's isolated from the rest of the world.
36:14So that one can focus and discover a lot of things.
36:18Like working with a criminal.
36:22What do you mean?
36:24I mean, I'm not a criminal.
36:26I'm a lawyer.
36:28I'm a lawyer.
36:30I'm a lawyer.
36:32I'm a lawyer.
36:34What do you mean?
36:44You told me you didn't know Sylvia.
36:46But you went out to meet her and went to the cafe.
36:50Yes, that's right.
36:52But believe me, I forgot.
36:56And I also noticed that you care a lot about her family's death.
37:01Because it's my job.
37:03But the fear was obvious to you.
37:05At first, you thought you were afraid of me because you were accused of killing her.
37:09What you're saying is not true.
37:11I have to go.
37:13The garden we stayed in is the garden you used to stay in before you started working.
37:18And the location of the Aziza meeting.
37:21And Fiorella's family and Sylvia were in this area.
37:24And this garden was a place for criminals.
37:27You're the criminal.
37:29Sylvia exposed you, and that's why I started looking for the case files immediately.
37:36We were in debt.
37:41And that's why I decided to go to steal my money.
37:49But a dog barked and didn't stop.
37:52That's why we decided to go to the apartment next door.
37:55Sylvia's apartment.
37:57Her parents saw me with her.
37:59And they started yelling.
38:03And I lost my temper.
38:11And the girls saw everything.
38:14Then I ran away quickly.
38:19And I was expecting the police to catch me at any moment.
38:23I was nervous.
38:26But no one came to sleep.
38:29And I decided to go back to my life.
38:32So I looked for a job and a house for my family.
38:34And then I saw Sylvia.
38:40When I went to the opening,
38:43she started looking into my eyes.
38:46And she could immediately recognize me.
38:49And then I saw her again.
38:52And I heard what she was saying.
38:54Good morning. I'm Sylvia Messina.
38:56If you'll excuse me, I'd like to file a complaint against someone.
38:59Yes, I'll stay on the line.
39:13I was expecting to be exposed at any time.
39:16After I got a job at the newspaper,
39:18I came to an important conviction.
39:20It's impossible to escape at all.
39:25And no matter how hard the criminal tries,
39:28his end will be bad.
39:32At that time, she wasn't filing a complaint against you.
39:35She was filing a complaint against Nicolas.
39:38She called to tell you about him,
39:40because he was in trouble and was asking for a bribe.
39:43You have to tell the truth, or I'll expose you.
39:46No.
39:48No.
39:49I'm sorry.
39:52I told you a while ago.
39:55The criminal's end will always be very bad.
40:02Put the knife down!
40:04Put the knife down, Mario!
40:07Mario, I don't want to hurt you.
40:09Put it down so I can see.
40:11Put the knife down.
40:19Mario, you're under arrest for the murder of Silvia Messina.
40:23And for the murder of his family.
40:33How did you know I was in trouble?
40:37I asked one of my assistants to keep an eye on you.
40:40And I found out that Mario was the criminal from the camera recordings.
40:43One of my assistants is watching me?
40:45And you're telling him everything?
40:47You should thank me.
40:48I saved your life.
40:49No, no, no.
40:50Now you have to tell me why you sent him to watch me.
40:52I felt you were confused and you were going to act on your own.
40:54And now you can tell me how you found out that Mario was the criminal?
40:58What do you care?
41:03You're annoyed because I ignored you, right?
41:06But I'm ready now, listen.
41:08Lily.
41:39I'm trying to control myself now.
41:42And in normal circumstances, I don't see anything in him.
41:46Except when he's angry or nervous.
41:50And Mario.
41:52Lily, what's his color?
41:54His color was light yellow.
41:56Because he was ashamed of himself.
41:58And when I faced him with what he did,
42:00his color turned to green.
42:02Those who feel nervous, that's how their color becomes.
42:08Is that a good thing?
42:09It's hard for me.
42:13When you see people's emotions, you feel their emotions.
42:17You're happy and nervous with them.
42:21I mean, it's not easy at all.
42:24You're right.
42:27I mean, I'm not like you at all.
42:29And I don't feel anything.
42:32There are things that changed me.
42:35You mean about the human trafficking case that I was involved in, right?
42:43When I talked to the director about the case, I immediately looked into it.
42:48And I found out about the investigation, and you were involved in it.
42:58Six months ago,
43:00about 300 people were sold in Palermo.
43:03And they were all from this area.
43:07And there were women and children among them.
43:12Then we found eyewitnesses and letters.
43:16And there was a little boy's teddy bear.
43:19When I saw this teddy bear, I was very upset.
43:21I mean, why did this boy have to go as a victim?
43:24And on top of that, they tortured him.
43:29It's good that I didn't work for the police.
43:32Yes, it's good for you.
43:37Oh, the queen of beauty.
43:43Call Viola. Viola.
43:55Hello, good morning.
43:57What happened to you?
43:59Did you find anything?
44:01I'm sorry.
44:03I looked for it in the system, but unfortunately,
44:05there is no car of this type.
44:08Oh.
44:10Can you call me back?
44:13Oh, Ansa, it's impossible for us to know the name of the owner of the car.
44:15In my opinion, you forgot about it.
44:19Thank you.
44:29Thank you.
44:30Thank you.
44:56Hello.
44:58Can you send me an ambulance?
45:00I can't move at all.
45:02Yes.
45:03Quickly.
45:04And that's how I found myself in this white hole.
45:07A magnetic kidney device.
45:09So we can know how much my condition has improved.
45:12I found out about my illness a month ago,
45:14when my fiancé left me, and then I saw him.
45:16In the color blue.
45:18Then I went to see the doctor.
45:21And he told me that I have a very rare nerve disease,
45:24and it's called sensory hypothermia.
45:28And now his symptoms are starting to show up.
45:31And the first symptom is this.
45:33I can't see far at all.
45:36And I can't feel the heat and the cold on my skin.
45:39And sometimes I lose consciousness,
45:41without feeling anything.
45:44Every time one of the nerve cells turns,
45:47it takes a part with it,
45:49an important part of my life,
45:51and it takes my memories.
45:52But the beautiful memories are still there,
45:55like my childhood.
46:02And when I won the beauty pageant,
46:06and the betrayals,
46:10and the biggest betrayal I've ever faced,
46:13the betrayal of my body.
46:22I can see people's feelings,
46:25but soon I won't have feelings,
46:28never.
46:30You have a red spot on your feet,
46:33and it's a temporary condition.
46:35The evidence is that your condition is developing,
46:37very gradually,
46:39and slowly.
46:42Now the only solution
46:44is to see how your condition will develop over time.
46:47We need to know.
46:49Hereditary diseases.
46:50Yes.
46:52My doctor in Milan told me that.
46:55That's why I came to Palermo,
46:57to look for my father.
47:00You didn't see him at all?
47:02We left him when my mother gave birth to me.
47:05And she raised me.
47:07Was she sick?
47:09No, she was fine.
47:12And two years ago,
47:14she died of a heart attack.
47:16This is my father's disease.
47:19Don't you have relatives from your father's family?
47:23Or someone you can talk to to give you information?
47:30I'm sorry.
47:32The only thing we can do
47:35is to examine you regularly
47:37and monitor you
47:39to study the development of the disease.
47:41If you want, I can set an appointment for you today.
47:43There's no need.
47:49Oh, and one more thing.
47:52Leave Palermo.
47:54I'll book my first flight tomorrow.
47:58And go back to Paris.
48:01Thank you.
48:13Thank you.
48:34Hello.
48:37I came to return your Fiorella's treasure before I left.
48:40Are you going?
48:41The thing I came for didn't work out.
48:44I'm going to leave.
48:46You upset me.
48:51And you?
48:53Didn't you tell me this morning
48:55that you were going to drink coffee?
48:59Do you know what I found among my late sister's belongings?
49:03This diary.
49:05The last thing she wrote
49:07was that the criminal who killed our family
49:08would be one of the guests coming here.
49:11And she meant Mario.
49:13But at the time she didn't say anything
49:15because she knew I was afraid.
49:19You know, she's right.
49:22I'm always afraid.
49:28And now I've decided to become like her
49:31and stop being afraid.
49:34It's true that we want to meet people
49:35who will give us the journey of our lives.
49:37But we have to keep going.
49:39And of course we're going to meet people who will love us.
49:47So we don't have to give up
49:49and live life with the beautiful and bitter details.
50:06Everyone started talking about Mario's arrest.
50:10Get me a press release
50:12to show that we have nothing to do with this.
50:14And let me read it.
50:16Don't worry.
50:18I wrote it.
50:20The Liberation Team
50:22at the Sequelia Electronic Network
50:24is proud of what the journalist Mario did.
50:26And to show the side that our press supports,
50:28we gave his mission to the girl who wanted to kill her.
50:31The journalist of the crimes, Viola Vitale.
50:35What do you mean?
50:37I heard that this site is more important to you than me.
50:40And in my opinion, the best way to prove
50:42that you're not blaming me for the existence of a criminal among your employees
50:45is to defend me.
50:47Because he was the one who was going to kill me.
50:50And by the way, I don't have a job.
50:52And believe me,
50:54I lost my job because of my beauty.
50:56And the money I earned,
50:58I paid them for the university.
51:00And I'm going to work for you
51:02because I deserve it.
51:03You can't do anything to me.
51:05And your presence is not normal.
51:07And I can see you.
51:09And you're arrogant.
51:11And you don't talk.
51:13But I'll make you change.
51:15You'll see.
51:17Yes, you're right, manager.
51:20But let me forget you.
51:22And treat me kindly.
51:24And everyone will love you.
51:28Okay.
51:30See you tomorrow at 8.
51:31And I assure you,
51:33I'll call you as soon as possible.
51:39Until this moment,
51:41I tried to control everything around me.
51:44This was the best way
51:46to not affect the feelings of the world.
51:48And this is difficult
51:50in the city of Palermo.
51:52Because it's full of energy.
51:54The energy of nature.
51:56And the energy of art.
51:58But what was most full of energy
51:59was the feelings of the people in the city.
52:03I'm still afraid of them,
52:05but now I know
52:07that I have to communicate with them
52:09and face their feelings
52:11to be able to continue in this life
52:13and not give up.
52:15Because what I want is life.
52:17And I want to see all the surprises
52:19that are waiting for me.
52:21Hello.
52:22Hello.
52:29Hello.
52:31I expected you to come, but...
52:33Lili, how did you get in?
52:35With this key.
52:38And by the way,
52:40I rented the apartment here.
52:42Help me, what's his name? Bouchimi?
52:44The manager.
52:46And he also told me that these two apartments
52:48have the same owner.
52:50And by the way,
52:52this is my husband.
52:54To punish you,
52:56that's how I understood his honesty.
52:58And you?
53:00You're going to be my punishment, right?
53:02Don't think I'm trying to get close to you.
53:04If that's the case,
53:06you have to marry me.
53:08Are you trying to get married?
53:13I mean, don't think.
53:18I can help you with something.
53:20It's the help.
53:22I'm a criminal journalist
53:24on the Sequelia channel.
53:26Because journalists are useful.
53:28And I saw this.
53:33That's not right.
53:35Think about your comfort.
53:38So you don't lose your only informant.
53:41Especially that you will benefit
53:43a lot from my disease in the future.
53:45Okay.
53:47I'll test you.
53:49And if you fail,
53:51forget about it.
53:53Deal.
53:55I want you to tell me something about me.
54:00Lily,
54:02what's my color?
54:08Do you know it?
54:11No.
54:12I don't know.
54:19Blue.
54:21What do you mean you're a man
54:23who is very proud and proud
54:25and sees himself as any man?
54:35I'll see you later.
54:37And close the door for me.
54:39Don't throw a spoon in my sleep.
54:42Bye.
55:04Dad, you're the only man in this world
55:07who doesn't know his color.
55:13What's your color?
55:18I'm the color of a psychopath, dad.
55:21And this man is
55:24very secretive
55:26and doesn't say anything.
55:42I'm sorry.
55:44It's okay.
56:12It's okay.