Salón de té La Moderna - Ep 207
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00:00A few days later
00:09Good morning.
00:10Good morning.
00:11For you.
00:12For me?
00:13Please.
00:14It's a secret.
00:15Thank you.
00:16A few days later
00:27Look.
00:30This is my day-to-day.
00:32But for you it should be strange to see the gallery so empty, right?
00:37That would be if I saw something, Pietro.
00:39Because my mouth opens by itself, but it's still hard for me to open my eyes.
00:44That's what being up early has.
00:45You have to get used to it.
00:47Yeah, well, with all the beautiful customs in the world,
00:49do I have to get used to being up early?
00:52But how do you complain, girl?
00:55Are you sure about what you're doing?
00:58Because it's not just getting up early to clean the bookshop.
01:03It's doing the work in the tea room all day.
01:06I'm very sure, Pietro.
01:08What scares me is being up early and not working.
01:11Besides, you only get three days a week.
01:17Hey, and how do you manage not to have such a hard time?
01:20I've been doing it all my life.
01:22I was up early in Italy, now I'm up early in Spain, I'm up early all over the world.
01:27I try to enjoy the advantages of being up early.
01:32Like, for example, I enjoy the wonderful sunrises I see every day.
01:38You have to see how you are, Pietro.
01:40Always taking the good things out of the bad.
01:48But wasn't Salvita going to come to see you at the bookshop?
01:51Yes, but I don't know, it seems like she's been a little late.
01:56It's just that I don't like to leave you here alone.
01:59I'm more worried about you being late at work.
02:02Go back to the lab, Pietro.
02:04I'll stay here waiting on my own.
02:06If Salvita is coming.
02:09I hope so.
02:11Okay, I'm leaving.
02:16Give me a kiss.
02:18Take care.
02:24My love, it's just about visiting the doctor.
02:27That's it.
02:28But I don't want to know anything about that man, I don't like him.
02:31Give me a chance, please.
02:32He's a prestigious psychiatrist.
02:34Besides, we're not talking about an income.
02:36We're just talking about going to talk to him and that's it.
02:39But we'll only do it if you want.
02:44But please, tell me you'll do it.
02:51If it's important to you, I'll do it.
02:56Thank you, my love.
02:58I'll tell the doctor that this afternoon you'll go to see him.
03:01I'll go to his consultation.
03:04Well, Tamara, I have to go to the gallery.
03:07I want to talk to Celia.
03:09I'd like you to help Jacobo in the inauguration of his place in Seville,
03:13like you helped me in Madrid Cabaret.
03:18Do you want to come with me?
03:19No.
03:20I think I'll stay home until the consultation.
03:23Do you think you'll be okay here alone?
03:29Yes, I'll be fine.
03:31I'll be fine.
03:32Making a normal life is the first step for my recovery.
03:36And that's what I want now.
03:39A normal life.
03:42Me too.
03:44A normal life.
03:57I'm sorry, I fell asleep.
04:01Well, since you're late, you could at least make up an excuse, right?
04:04So I don't feel so stupid for being here waiting for you while you were sleeping.
04:09No, it's not that.
04:11Yesterday I had to return some notes from the faculty to a friend of mine from Tuna.
04:16From Tuna, let's finish.
04:17The thing is that we had a drink and I lost my temper.
04:23Of course, because you're not used to going out, are you?
04:27Well, we didn't arrive later than usual either.
04:30The idea was to sleep a couple of hours, but it got complicated. I'm sorry.
04:35From what I see, you haven't heard of something called an alarm clock, have you?
04:38The one who named it was very right, because it's used for that, to wake up.
04:43And so you don't arrive late to places.
04:45No, if it's an alarm clock, it won't be that I put three.
04:47But that's how they sound, I turn them off and I don't find out.
04:50Well, they're very useful, yes.
04:53Well, let's get started.
04:55Because my shift at La Moderna starts in five minutes.
04:58And as you'll understand, I'm not going to start cleaning the library now.
05:01So you'll tell me what to do.
05:04Well, what are you going to do? Leave?
05:07Leave on the first day without working.
05:10It's obvious that you have no idea how to keep a job.
05:13Oh, well, of course, since you don't need it.
05:16You'll keep your job here and no one will find out.
05:19I'll cover you and clean the library before Miguel arrives.
05:21Look, Salvita, I'm going to tell you something.
05:23No, you don't even have to ask.
05:25I'll take care of the dirty work and they'll pay you the same.
05:29Don't get me wrong.
05:31I like to be paid.
05:32But I want to be paid for working, not for not working.
05:35So at my shift at La Moderna, I'll come and do what I haven't done.
05:38No, no, I'm telling you that...
05:40Salvita, I'll need the money.
05:42But I have plenty of dignity.
05:55At least César would have left me a phone number so I could talk to him.
05:59Well, think...
06:01What if I did you a favor?
06:04A favor?
06:05Yes, because international calls are very expensive
06:08and you would have ruined both of us.
06:13Who could it be?
06:16Uncle, good morning.
06:18Come in.
06:20Good morning.
06:21I know it's early for visits, but Inés,
06:24I need to know how your first session with the Leopolda went.
06:27Well, the truth is that I was impressed with her.
06:30Impressed?
06:31I hope for the best.
06:32Yes, I thought she was a very good professor.
06:34She's a very good professor.
06:36She's a very good professor.
06:38She's a very good professor.
06:40She's a very good professor.
06:42She's a very good professor.
06:44She seemed like a very good professional.
06:46And yesterday the visit was just to get to know each other,
06:48but she immediately knew how to detect my problem.
06:51So, her prestige is deserved.
06:53Yes.
06:54As soon as the fashion arrives, I want to thank Mrs. Lázara
06:57for getting me a slot in Mrs. Juanes' tight schedule.
07:00Well, we just have to wait for her to get you slots in her schedule for the next sessions.
07:06No, it won't be necessary because there won't be any more sessions.
07:11What do you mean, there won't be any more sessions?
07:13You just told us that you were impressed with that speech therapist.
07:17Well, the truth is that she was very honest with me
07:19and she told me that she couldn't be 100% sure that I could sing again.
07:23Well, but that doesn't mean that there are no options.
07:25Your sister is right.
07:26If there is a possibility, no matter how small it is,
07:29why don't you try it, Inés?
07:31You can't keep the feeling that you haven't tried everything.
07:34I don't know, I don't know.
07:36Well, well, well, let's not rush it.
07:38You don't have to decide it now.
07:40Think about it calmly.
07:41Okay?
07:42By the way, I'm going to La Moderna by car today.
07:44If you want, I can give you a lift.
07:46Sure, you're a good guy, but you'd better drive.
07:48Yes, yes, yes, yes, but don't rush it.
07:50I'll wait for you downstairs.
07:51Uh-huh.
07:56Inés, change your mind.
07:58You have to think better about what the guy says.
08:00You're right, the therapist can help you a lot.
08:02Look, Laurita, I don't want to get my hopes up.
08:04I had a dream that was to sing,
08:06but it won't be the first dream that I have to give up.
08:09Come on, let's go, the guy is waiting for us.
08:12Let's go.
08:33Piedro, we need more bandages.
08:36They have to take them off their hands today.
08:38Yes, I'll prepare the tray right now.
08:40Very well.
08:43I saw Inigo in the gallery.
08:45He finally decided not to join Matilde.
08:47Well, I'm glad for both of them.
08:49Me too.
08:53Well, I'll let you finish and I'll come back later.
08:56No, wait, wait.
08:57I wanted to tell you something.
09:00Maybe it's better if we don't talk about our things here,
09:03that the colleagues are already commenting a lot, Pietro.
09:05Antonia, let them talk whatever they want.
09:08I don't care.
09:10It's okay, tell me.
09:12Then I'll go to the Italian consulate with Lucia
09:15to clarify my legal situation.
09:18Now that we know that she is alive.
09:21Have you already spoken to the consulate?
09:23Yes.
09:24Yes, it's going to be complicated, Antonia.
09:27Because for the Italian authorities I am widowed.
09:30And Lucia is in legal limbo,
09:33having been given for dead.
09:35My mother, Pietro.
09:38What a mess we are in.
09:40Yes.
09:41We must be patient, Antonia.
09:43The consulate has told me that they will do everything possible
09:45to fix the situation.
09:49Today they will tell me something else and start the procedures.
09:53The procedures?
09:54How long are we talking about?
09:56Antonia, I know.
09:57I hope it's not long.
09:58Because as soon as all this is fixed
10:00and Lucia can go to Italy,
10:02we can continue with our plans, right?
10:05You and me.
10:08So in the end it's just a matter of waiting, right?
10:12In that, you and I are experts.
10:18Well, there is something else.
10:21I already imagined it.
10:23The consulate has told me that
10:26while all this is clear,
10:28I am responsible for Lucia.
10:33What does responsible mean?
10:36That I am the legal tutor.
10:40So you're telling Cristiano that
10:43you have to take care of her.
10:46Yes.
10:49I'm sorry, Antonia.
10:50I know it's not easy for you,
10:52but it's not easy for me either.
10:54I'll take care of it, Pietro.
10:58I know it's not easy for you either.
11:02I'll take the exams.
11:06I'm sorry.
11:16That's why I chose you, Celia.
11:18I would like my friend Jacob to open his place in Seville
11:20and you lend him your help.
11:22Like he did with me here in Madrid Cabaret.
11:25But Seville is very far away.
11:27It will be complicated, but...
11:28But there is nothing impossible for Celia Silva, right?
11:32If you want, I could put your friend in touch with a friend of mine who lives in Seville and is a photographer.
11:39Great!
11:40Yes, the truth is that he is very integrated in social life and has an extensive agenda of contacts. Artists, writers ...
11:46Well, that's just what he needs. I knew I could count on you.
11:50Now that I think about it, I could talk to acquaintances of the local press to give you coverage.
11:55I do not promise that it will have the same impact as the reopening of the Madrid Cavalier, but ...
11:59Few parties can be compared to that one. Things to say.
12:03By the way, how is this new stage in the business going?
12:06Well, the truth is that I can't complain. The room is going very well, the business too.
12:10So full every night, imagine.
12:13I'm very happy to hear that.
12:15Oh, by the way, I haven't said anything. You have the beautiful store.
12:19How is the business going?
12:21Well, good. We just started, but good. Little by little.
12:24I'm very happy to hear that.
12:26Well, I won't entertain you anymore, I'm sure I'll have to do a lot of things.
12:29Look, I'll leave you ...
12:31May I have a pencil?
12:32Yes, of course.
12:33Here I write down the phone number of my friend Jacobo.
12:36I'll see you when I can.
12:38Thank you very much, Celia.
12:40Good morning.
12:41Good morning.
12:42Really, Fabio, are you going to condemn me for a moment that I lost the papers?
12:45We were motivated for the sentence, I gave myself ten.
12:48Well, I think it would be best if we end this conversation.
12:51You leave and we both wait for the police and justice to do their job.
12:55And you're telling me that as a friend or ...
12:59As a friend.
13:01As a friend.
13:03As a friend.
13:05As a friend.
13:07As a friend.
13:10As a friend or ...
13:12As a diplomat?
13:16The word friendship, at this time, believe me, is great for us.
13:40Excuse me.
13:44But how formal, boss.
13:46Bringing the uniform to work in a suitcase and everything.
13:49Well, more formal would be that you arrived at your time.
13:51What have you been doing all this time, poor man?
13:54You don't know anything, Elias.
13:55I'm not here to work, I'm here to say goodbye.
13:58I'm going to the town, to Cuenca, to celebrate my grandfather's birthday.
14:01But you're still with that.
14:03But you're still with that.
14:05Because Teresa already told you yesterday that the vampire denied permission.
14:10Look, I don't care what Mrs. Alazara says.
14:13Yes, well, you don't care when they kick you in the street.
14:16Add, friend, that you are playing with your job.
14:19It is a risk that I have decided to assume.
14:21Besides, yesterday my grandfather called me on the phone.
14:27At 100 years old, hooked up and calling you on the phone.
14:30What a man, what a race.
14:32You have to go, yes or yes.
14:34Now I know who you got the goose bumps from.
14:36The fact is that he called me to tell me that the celebration could not be missed.
14:39That it will surely be his last birthday.
14:41And my grandfather is very tough.
14:43If he gets something in his head, no one can take the idea away from him.
14:46Well, you have to go, yes or yes, boss.
14:50So, whatever the vampire says, to me, clean.
14:54And don't you feel a little sorry to miss Trini and Miguel's wedding?
14:57With everything you've done for that couple, boss.
15:00Yes, a lot.
15:01He could have been the godfather, imagine.
15:03Be the godfather.
15:05The pride that has to give that.
15:08Well, I'll bring you some sausages from the town as a wedding gift.
15:11And problem solved.
15:12Well, don't worry, it's not bad that he doesn't come for good.
15:15Everything is in place, boss.
15:16Because with your down, he would surely be the godfather.
15:18And I'm going to leave the pavilion, but very high.
15:20And I'm going to tell you about the wedding with hair and signs.
15:23I won't leave details.
15:24That scares me, Elias.
15:25That they wait for me a few days later.
15:27Well, I hope you have the suitcase full of garlic.
15:29Because the vampire is coming.
15:35Can you tell me why you are dressed as a street?
15:37What kind of joke is this?
15:39No joke.
15:40The centenary of my grandfather is a very serious matter.
15:44Well, I hope it is and that it is worth it.
15:46Because if you leave through that door,
15:48I will do everything possible so that when I return, it is still closed.
15:53Well, you pull the door hard, that sometimes it locks.
15:57Sorry?
16:00I will not tolerate such a detachment from my authority.
16:02Teresa.
16:04All this?
16:06It's your fault.
16:19With all the coffee I'm serving you these days,
16:22at this pace I end up asking for a job at La Moderna.
16:26I'm sure Mr. Germín would hire you.
16:29You do it very well.
16:31It's a shame I don't think the uniform would suit you so well.
16:34Have your coffee, ma'am.
16:36And let's not get distracted.
16:38I have the delivery service all morning,
16:40but they can appear at any time.
16:43The service must be delighted with you.
16:46With so much free time, so much walking that allows you to do.
16:49You have to be especially careful,
16:51especially with the people who come to the house.
16:54Oh, mother, please stop repeating it to me all the time.
16:57It is that if someone discovers you now,
16:59with all the sacrifice we have made so far,
17:01it would be useless.
17:03The sacrifice we have made?
17:06I will thank the sacrifice that I have made,
17:08that I am the one who is locked in that hole,
17:10for following his advice.
17:12It is the only way to get rid of you from jail.
17:16And since you specify all the details,
17:18do it well.
17:19And punctualize everything.
17:20Well, now that we are talking about this matter,
17:22there is one thing that we have to deal with.
17:27The time has come to consummate the second part of the plan, daughter.
17:31You must leave here and start your life away from this country.
17:35Mother, I'm not going anywhere.
17:37What do you mean?
17:38I'm not going anywhere.
17:41Not until Matilde ends up locked up in a asylum.
17:44Carla, let's think about it.
17:46Matilde has already entered.
17:47Carla, let's think about it.
17:49Has Matilde already entered Dr. Mendoza's clinic?
17:52I'm afraid not.
17:53Are you afraid or do you know it?
17:55Don't hide things from me, mother.
17:57Don't treat me as if I were a little girl.
18:00I'm not hiding anything from you, daughter.
18:02From what I've been able to find out,
18:03there has not been a new entry in the clinic.
18:05But that doesn't mean that it won't happen soon.
18:08And what are they waiting for?
18:09I don't know.
18:11But no visits and showing up in front of her.
18:15It's the only way I have to drive that whore crazy.
18:19Tell me, what else can I do?
18:22What else can I do to make that damn dead fly wear a shirt of strength?
18:26Calm down.
18:28And what did I tell you?
18:30Nothing to go back to Ino's house.
18:32I'm not going to stay here with my arms crossed.
18:35I'm going to do everything it takes.
18:37Everything.
18:38To drive that dead fly crazy at once.
18:41And if I have to give her a push to drive her crazy, I will.
18:44No.
18:45You won't.
18:47Trust me.
18:48You have everything to lose.
18:50I've told you no, and it's no.
18:52Could you trust me once and for all?
18:55Shut up and listen to me.
19:02Answer her, Tires.
19:03Boss.
19:04But hey, have a good trip.
19:07And give Grandpa some good memories.
19:09And one more thing.
19:10I'm not getting married, but I like chorizos too.
19:13So bring me some, boss.
19:16I'll keep that in mind.
19:17Well, have a good trip.
19:21I should thank you for what you've done.
19:25But all I can do is congratulate you for standing up to Mrs. Lázaro and not letting you trample.
19:30Well, I just hope she doesn't take it out on you now.
19:33Well, I don't care about that woman.
19:35Well, I don't care.
19:37But I'm not going to let you investigate.
19:40The only thing I'm going to do now is be more discreet.
19:42Come on, you're a real R&R.
19:44Look, I've thought about going to the Madrid-Paris warehouses
19:47and being able to talk to some dependents who work with her.
19:50Maybe that way I can get information.
19:53Be careful, Teresa.
19:55You see that she's no longer joking.
19:57You see, Trini told me
20:01that a few days ago a woman came
20:03and recognized Mrs. Lázaro.
20:04And when Lázaro noticed, she got very nervous.
20:06She took her to the warehouse, they were talking,
20:09and when she left, Trini thought they had argued.
20:12I don't know, maybe she could be an old co-worker.
20:16That's why I have to go.
20:18To investigate.
20:21Wouldn't it be better if you wait for them to come back?
20:23Don't worry, I can take care of myself.
20:26Hey, go now, you're going to miss the bus.
20:30Well, have a good time
20:32and give your grandpa my regards.
20:36Yes.
20:38Okay.
20:40I'll be back.
20:52Excuse me, Marta.
20:54I'm not going to tell you how to do your job,
20:57but I think it's more comfortable for everyone
21:00to do things as usual,
21:01cleaning before opening.
21:03Yes, I know.
21:04The only thing is that I didn't have time and...
21:06Yes, not to say that I think it's the best thing for you.
21:08So you don't have to waste your rest minutes
21:11to come to the races to pass the marker here.
21:14No, yes, yes, it's my fault.
21:16Well, since it's the first day,
21:17I didn't know how to calculate the time well and...
21:20Look, take Salvita as an example.
21:22He does know how to calculate it.
21:24Because he has time to work,
21:26but also to go out there.
21:28And no, no, no, no, no, no, no, no,
21:29don't tell me you didn't go out yesterday
21:31because you learned to read your face perfectly
21:33and what a face you have today.
21:35Look at him.
21:37He looks tired.
21:39Not to say that he's exhausted.
21:42And he hasn't slept at all.
21:43Come on, he hasn't had a good night's sleep
21:45the night before he came to open the bookshop for you.
21:48Isn't that right, Marta?
21:52The only thing I know is that...
21:54that Salvita came at the right time
21:56and he was very awake when he opened it.
21:58If you say so,
22:00then it was the closeness to the books
22:02that makes him look sleepy.
22:04At Herrero's house,
22:05I hope that from now on
22:07you start to sleep better
22:08because on my wedding day
22:09you're going to be alone in the bookshop.
22:11You'd better be awake.
22:13All day?
22:14Yes, yes.
22:15That's how business usually works.
22:17They open during the day.
22:19But no, don't worry
22:20because I won't be absent much,
22:21just the time it takes to get Trini and me married.
22:24And now, do me a favor.
22:26Take these books to Mr. Verdes' house.
22:30And I know where he lives.
22:32It won't take you more than ten minutes.
22:34Ten minutes on the clock.
22:40I say it takes half an hour.
22:42What do you say?
22:49No matter how many times I think about it,
22:51I can't understand it.
22:52How is it possible that Cañete,
22:54such an efficient worker,
22:56has decided to quit his job without permission?
22:59As you know,
23:00Cañete was supposed to get permission in a few days.
23:03But that's not an excuse
23:04for him to do it on his own,
23:06without meeting the needs of the salon.
23:08There are many.
23:09Because in three days,
23:10just in three days,
23:11we have the boutique convention.
23:13Those are not dates
23:14for the salon to run out of waiters.
23:16I've tried to make him understand that,
23:18but nothing.
23:19It seems that he cares more
23:20about his grandfather's birthday than the salon.
23:22It is clear that it is his grandfather's centenary.
23:24I can understand that, but ...
23:25Well, you will also understand
23:27that it has been a dissatisfaction with the authority
23:29and that it cannot be allowed.
23:30Something has to be done.
23:31Yes, yes, something has to be done.
23:32But ...
23:33And you don't know how I dislike it,
23:35because Cañete is an exceptional worker.
23:38A worker of those
23:39that no businessman can afford
23:41the luxury of losing.
23:43It was my fault.
23:45I shouldn't have extended this situation to the extreme.
23:48Of course.
23:51Sorry.
23:52Of course what?
23:54Mrs. Lázaro, I don't like
23:55that you stay in the middle phrases.
23:56Why are you suddenly quiet now?
23:58Of course nothing would have happened
24:00if Teresa hadn't given him those days off
24:02without talking to me first.
24:04I'm very sorry.
24:05The lack of communication in the chain of command.
24:07It won't happen again.
24:08I hope so.
24:09Because I don't like these misunderstandings at all.
24:11They affect the operation of the salon.
24:14And they create friction
24:15between the workers
24:16that are perfectly avoidable.
24:19Yes?
24:21Do I interrupt?
24:23No, dear, come in, come in.
24:24Mrs. Lázaro and I had already finished.
24:26Isn't that right?
24:28By the way, Mrs. Lázaro,
24:29I wanted to thank you
24:30for putting me in touch
24:31with the logo that I recommend.
24:33Nothing, it was nothing.
24:37Excuse me.
24:45How are you, dear?
24:46Very well.
24:47I'll listen to you, uncle.
24:49I'll listen to you.
24:51I'll listen to you.
24:52It is one of the most beautiful phrases
24:54that the Spanish language has.
24:56And more if it comes from your lips.
24:58What do I have the honor
24:59that you want to listen to me, Inés?
25:01I'm going to continue the sessions with the logo.
25:07You don't know how happy I am.
25:09You have done the best.
25:10Congratulations.
25:11The problem is that the next session
25:13would have to be this afternoon and ...
25:16And you come to ask me for permission.
25:18Others could already learn.
25:21Well, I give you that permission.
25:23So take advantage of the time with that woman
25:25who is going to achieve wonders with your voice.
25:28Thank you, uncle.
25:29I'll see you later.
25:30Of course.
25:37Finished for today.
25:39The next day I will have everything
25:40in the morning at his time.
25:42Of course.
25:43And so you dedicate your rest time to that,
25:45Good morning.
25:46Good morning.
25:50Trini, come in.
25:52Well, I imagine that working so close,
25:54you will take advantage of any moment
25:55to see each other and finish things at the wedding.
25:58Nervous?
25:59There are only three days left.
26:00Yes, three days, there are three days left.
26:02Well, and since we don't see each other,
26:04I take advantage of every minute I have
26:06to come here and organize the wedding.
26:09We don't see each other, nothing.
26:10Nothing.
26:11But nothing.
26:12Nothing good, don't worry.
26:13In three days you are already married.
26:15You make a very good couple.
26:17Have you ever been told?
26:18Thank you.
26:20Very good couple.
26:21I'm sure you will be very happy together.
26:29Honey, I have news, but news of the cords.
26:33Oh, I'm starting to tremble,
26:34because when you become a reporter ...
26:36Cañete has had the courage to face the vampire
26:39and then he has gone to his grandfather,
26:42and you don't know how the vampire is.
26:44Knowing her, she will be fine.
26:45Well, well, I think she has the sharpest fangs
26:47that shine on her and everything.
26:49I'm worried about Cañete,
26:51because I hope this doesn't cost him the job,
26:54because things are not like to lose a newspaper like that.
26:57Like to lose a godfather,
26:59that's what we've lost, a godfather.
27:01Since you don't know who hasn't taken a minute
27:04to offer himself as a substitute.
27:06Elías, as if he were watching.
27:08Obviously.
27:09What do we do?
27:10What do we do? Because he doesn't stop.
27:12And I swear, he's going to drive me crazy.
27:14What do we do? We tell him no, obviously,
27:16that it's about Elías.
27:17Yeah, but he's actually a little bit right,
27:19because we need a godfather.
27:20And if you hurry me up, well, also a godmother.
27:23The further away we have Elías from the vampire,
27:25the better.
27:26Because between these two, nothing good can come out of it.
27:29Too late.
27:31What do you mean?
27:32Well, Elías, lately he's been very weird
27:35and he has that face that he puts on when he's plotting something.
27:37My God, when that little head starts thinking,
27:39I'm afraid of what could come out of it.
27:59Hi.
28:00Pietro, you're home.
28:02And this one?
28:04And Fiori?
28:05This morning, when I went shopping,
28:07I passed by a garden and I couldn't resist.
28:11But Lucia, you can't tear the flowers from the gardens.
28:14I know, but what can you do, Pietro?
28:17There's nothing like flowers to warm a home.
28:21You like them, don't you?
28:22Yes, yes, they're pretty, yes.
28:26Well, I imagine you're going up to eat with Antonia now, right?
28:29No.
28:31Today, only I'm free at this time.
28:34Antonia and Marta are still in the tea room.
28:37They took a long time to come back.
28:40Have you eaten?
28:42I've just had a bite.
28:44Oh, then maybe you're still a little hungry
28:48and then we can eat together.
28:52I don't like to eat alone.
28:54Remember?
28:56Besides, what a coincidence,
28:58this is a dish that you really like.
29:00Calle Pepe.
29:02I had forgotten this smell.
29:05How long have you not eaten a Calle Pepe?
29:07Since...
29:09Since we were married.
29:12Well, better.
29:14So, even if I didn't do very well,
29:16you'll know how wonderful it is.
29:18Yes.
29:19Shall we sit down?
29:20Please.
29:32Thank you.
29:35You're welcome.
29:49They're delicious.
29:51Thank you.
29:56I confess that I don't know if I should continue with the sessions or not.
30:00Yes, I have that feeling,
30:02although I don't know why.
30:05Well, because I don't want to get my hopes up
30:07and then get into trouble.
30:09You made me understand that you weren't sure
30:12that I could fully recover my vocal cords.
30:15Inés, I'm going to be honest with you.
30:20I don't do miracles,
30:22but I do get results.
30:26But my case...
30:27You're not the most complicated case I've come across.
30:30I managed to win back the trust of an important soprano.
30:33I'll never tell you her name.
30:35She stayed in Fónica one day before the premiere of an opera in Milan.
30:40The School of Milan.
30:42I also helped a Minister Tartamudo
30:44prepare a speech he had to give in the Congress of Deputies.
30:47And we got it in just three days.
30:50But then he gave the speech without Tartamudo.
30:53And in a hurry.
30:54Another client was a famous theater actress.
30:57I won't tell you her name either.
30:59She panicked a week before her premiere.
31:02To the point where she lost her voice.
31:04In five sessions with me,
31:06she regained her voice and was able to represent her work.
31:12Do you know what these three patients I just told you about had in common?
31:17They had lost their confidence.
31:19My job was to help them regain it.
31:23So, going back to you,
31:27do you trust yourself?
31:34I remember when we wanted to open a restaurant for the two of us.
31:39Do you remember?
31:41Of course I remember.
31:43It was our dream.
31:45To set up a small trattoria.
31:47I would cook the pasta and you would take care of the desserts.
31:52A dream that stayed with us.
31:56Like so many others.
31:59It's been a long time.
32:01It seems like another life.
32:03No.
32:04It's not true.
32:05For me, it's like it was yesterday.
32:07Well, no.
32:08Many years have passed.
32:10Many.
32:11It doesn't matter.
32:13For me, it's as if everything I lived in the United States had faded.
32:17As if it had never happened.
32:19And being with you now, eating, I don't know.
32:24It's as familiar as if we had never stopped being together.
32:30I can't say the same.
32:33I can't, Lucia.
32:35Many very important things have happened to me.
32:40Things and people.
32:50I think that in my case it's not a matter of trust,
32:53but that my vocal cords are still damaged.
32:58It's true that in speech problems like yours, there is a physiological part.
33:03But sometimes there is also a strong emotional load.
33:07The voice is the mirror of the soul.
33:09And if the soul is sad, the voice also goes out.
33:13I am aware that you have suffered a serious damage to your vocal cords.
33:19But, if you allow me,
33:25I don't think your problem is only physical, but emotional.
33:29I feel that you have lost confidence in yourself,
33:32but above all, the illusion.
33:35Am I wrong?
33:38No.
33:40I can help you regain peace.
33:43But it will be a vain effort on my part,
33:45if instead you are not willing to fight to sing again.
33:51Yes, you are right.
33:53I have lost confidence in myself and the illusion.
33:59It's as if I could read my mind.
34:03Well, as I read your mind,
34:06I can also read that you still want to fight for your dream.
34:11Yes.
34:13I owe it to a very important person for me.
34:18A gentleman, right?
34:22A man I am deeply in love with and who I have lost forever.
34:30You have just taken the first step for the recovery of your voice.
34:34Recognize and assume your pain.
34:38But enough chitchat.
34:39It's time to get to work.
34:42I'm going to show you...
34:43Get up, get up.
34:45I'm going to show you some neck relaxation exercises.
34:49Are you ready to start the session?
34:51Yes, very ready.
35:07Get up.
35:37Get up.
35:44Good afternoon.
35:46Sorry, I didn't realize there was someone else.
35:50When I get into this, I lose track of time.
35:53The world disappears around me.
35:57Do you like it?
35:59It's very beautiful, yes.
36:01Would you dare to tell me what it represents?
36:04It's a bird.
36:05But I don't know what kind of bird it is.
36:07A crane.
36:09In distant Japan, this technique is called origami.
36:13And the origami in the shape of a crane
36:15are given to wish for health and a prompt recovery.
36:20Take it, I'll give it to you.
36:26Thank you very much.
36:28Thank you very much.
36:32But this will have to be a secret between you and me.
36:36Dr. Mendoza.
36:37It's better not to tell him according to what things.
36:41Tell Dr. Mendoza what you think he wants to hear.
36:44Over time, one realizes that this is for the best.
36:46Because if I told the doctor the things I see,
36:50I would be fooled.
36:54Although it is not easy to deceive Dr. Mendoza.
36:58I'm sorry.
37:02My name is Brigida, by the way.
37:05You?
37:06Matilde.
37:11I'm going to seem very daring to you.
37:15Could I ask you why you are in this consultation?
37:21Excuse me, sorry.
37:23It's just that sometimes I don't realize how clumsy I am asking questions.
37:27It's just that I didn't expect it.
37:29Yes, I know what's going on.
37:30And you don't have to answer me.
37:33Whatever the reason you're here for,
37:36you will overcome it.
37:39Just like I overcame mine on your day.
37:42I hope so.
37:54Could I be your friend?
37:58Sure, I don't see why not.
38:02It's just that I don't have many, you know?
38:04Well, actually I don't have any.
38:06But I'm learning to relate better to people.
38:09To not scare them with my craziness.
38:19It's my turn.
38:21Dr. Mendoza is waiting for me.
38:27I'm coming.
38:35Why do you have to think that your father and your mother
38:37still have to celebrate a fake wedding, okay?
38:40So stay like this, quiet.
38:42Don't get any bigger.
38:48Do you think you're fooling me?
38:50But Esperanza del Carmen, Pere Aragón, doesn't fool her.
38:55It's just that I've found...
38:57Well, I think I've seen a spot.
38:59Don't you see a spot around here?
39:00No, no.
39:01What I see is that you were alone,
39:03talking in front of the mirror.
39:09You're pregnant.
39:10Go on.
39:11Esperanza, please.
39:12I've said it many times.
39:14I've said it three times already.
39:15It must be for a reason.
39:16Well, I'll tell you three more times
39:18that I'm not pregnant.
39:19I'm not pregnant.
39:20I'm not pregnant.
39:21You're not like San Pedro,
39:22who denied three times that he knew Jesús
39:24and it turns out that they were intimate.
39:25Well, if you have nothing else to accuse me of,
39:27I'm going straight to the showman.
39:29He doesn't understand himself.
39:30The rushes that have come to work,
39:32the same that have come to marry you suddenly with the bookkeeper.
39:35You just met, like who says.
39:38Well, let's see.
39:39When you know the love of your life,
39:41you can't waste time.
39:43These sudden marriages always hide something.
39:49Of course.
39:50That's why I caught you more than once
39:52sipping some cake from the showman
39:54and eating it secretly.
39:56Well, I'll pay you later.
39:58Are you calling me a thief?
39:59Not a thief, but a liar, yes.
40:02Because here you get a lot of cravings for sweets.
40:05Oh, the pregnant woman.
40:06She's hot, girl.
40:07With the fly behind her ear, really.
40:09Not fly.
40:10Mosquito.
40:11And fat like your gut.
40:20Wait, wait, wait.
40:21I'll help you.
40:22Between the two of us.
40:23I think it will be easier.
40:26From attraction, from fair, to art.
40:30Agustín Comas conference.
40:34A little clumsy, isn't it?
40:36It seems so.
40:38I thought he liked it.
40:40He gave me a good look.
40:42Yes, but now,
40:44I don't know,
40:45I don't know.
40:47You're the expert.
40:48But I see it more like
40:50a conference
40:52of the nice and erudite
40:55Agustín Comas.
40:57It's clear that you don't need a fly
40:59to be sold.
41:00You have a very high esteem.
41:01Don't believe it.
41:02I'm actually very insecure.
41:04Especially when I have a pretty woman in front of me.
41:07Yes, you're really good at it.
41:10Because I've never seen you like that.
41:12No, no, no.
41:14You're actually very good at it.
41:16Because I've never seen you like someone insecure.
41:18All fake.
41:20The real Agustín Comas
41:22can't be seen so easily.
41:25And I thought I had you in my sights.
41:27So,
41:28there's more in you than what you look like.
41:32Yes, I'm a whole box of surprises
41:34and you
41:35are only what you look like
41:38or I'm hiding a secret.
41:40Many.
41:41The thing is that I can't tell you.
41:43Because otherwise you'd stop being secrets.
41:45Much better,
41:46because I prefer to discover secrets for myself.
41:52Well, Esperanza,
41:53stop with absurd conjectures
41:55and let's focus on the practical.
41:57My wedding.
41:58On the practical and on the fast,
42:00because that...
42:01I still don't have a godmother for the wedding.
42:05Because in theory it had to be Miguel's mother,
42:07but maybe she won't be able to come.
42:09And, I don't know,
42:10we had thought of you,
42:12but I don't know if you'd really want to be a godmother.
42:16Of course I do!
42:17You won't find a better godmother than me.
42:19If you don't ask Antonia.
42:22Well, better not ask her.
42:24So, would you like it
42:26if Miguel's mother can't come?
42:28Of course.
42:29But when will you know that?
42:30Because if I'm going to be a godmother
42:32I'll have to ask for an appointment at the hairdresser.
42:34She won't want me to go with El Moño.
42:35Well, I'll talk to Miguel.
42:37Yes, but quickly.
42:38Because you're getting married in three days
42:40and my hairdresser is very busy.
42:42Well, I'll talk to Miguel today.
42:44I'm so excited!
42:45Me too!
42:52Look at her.
42:53She takes the subject out of the godmother
42:55and shuts me up.
42:58I think the most interesting thing about the design
43:00is the name, right?
43:01Agustín...
43:02Agustín.
43:03I'm glad you're the speaker for tomorrow.
43:06Thank you very much.
43:07I hope to see you there.
43:09You'll be ready.
43:10I don't promise anything, but...
43:12but I'll try.
43:14By the way,
43:16wouldn't it be better
43:18if the cinematographer did the magic?
43:20Sorry, sorry, sorry.
43:21I don't want to get in where I'm not welcome.
43:23Sorry, sorry.
43:24Because the expert here is my niece.
43:26Good luck tomorrow, Agustín.
43:28Thank you very much, Mr. Fermin.
43:32He even sees him...
43:34His uncle says so.
43:36He's a bit suspicious.
43:38What's going on?
43:39I don't know if you'll be able to
43:41transmit the magic to the cinematographer.
43:43Because I think what you're interested in
43:45is not magic, but money.
43:47Or am I wrong?
43:49No one gets into the theater business
43:52for money,
43:53especially not in this country.
43:54Although I'm sure
43:57that in the future,
43:58the art of entertainment
44:00will move a lot of money.
44:03That's how I am,
44:04an advance in my time,
44:07a precursor,
44:08a visionary,
44:10a pioneer.
44:11What you are
44:12is a great seller of yourself.
44:16But what do you do
44:17with what I send you?
44:19Add to the poster
44:20the magic you have.
44:31Good afternoon, Antonia.
44:33Wait, I'll step aside
44:35and make room for you.
44:39Thank you.
44:43Oh, how silly,
44:44I left my tweezers.
44:45I'm going home, I'll be right back.
44:47You don't have to.
44:48Take them.
44:49No, no, no.
44:51I'll take mine.
44:53But we can share things, right?
44:55It's okay.
44:58I just...
44:59I prefer each one
45:01with their own.
45:07It's okay.
45:09Thank you.
45:17Antonio,
45:19I know I'm to blame
45:20for this situation
45:21in which we are,
45:22Pietro and I,
45:24and you too.
45:28The three of us are uncomfortable,
45:31and I just hope
45:32that this is fixed as soon as possible.
45:34I hope so too.
45:41I understand that your situation is not easy,
45:43that...
45:45that you are in a legal limbo.
45:48Officially, right now,
45:51you don't exist.
45:52No,
45:53nothing easy.
45:55It's as if my life
45:56was standing still
45:58until some papers arrive
45:59to certify that I'm alive.
46:02And what are you going to do when they arrive?
46:05Are you going back to Italy?
46:09I don't know yet.
46:11If I only had in mind
46:13to reunite with my family,
46:15nothing else.
46:18Well, for now,
46:19I've been able to meet my husband
46:21and Pietro.
46:23And...
46:24I've finally been able to talk
46:25on the phone with Giancarlo.
46:28How was it?
46:31How was it?
46:33Giancarlo...
46:35Well, Giancarlo still needs time
46:36to accept that I'm alive.
46:39It was a surprise for him.
46:41For everyone.
46:44Yes, for everyone.
46:46I never thought
46:48that I would meet Pietro again
46:50just about to get married,
46:52according to you.
46:53That's something I've never understood.
46:56I really thought that after so long,
46:58Pietro would still be waiting for her.
47:03Well,
47:05it may sound ridiculous, yes.
47:09But I always dreamed of going back to Pietro.
47:12To go back to our life
47:14and that our love would remain intact.
47:19Is everything okay?
47:21Is everything okay?
47:22Yes.
47:23Here in Chachara entre vecinas.
47:26That's how you say it in Spanish, right?
47:28In Chachara.
47:30Yes, that's how you say it.
47:32Thank you.
47:34Keep them if you need them.
47:35No.
47:36I don't like to keep what's not mine.
47:41Bye.
47:42Bye.
48:12Bye.
48:27Thank you.
48:29Look, I admire my boss like no one else,
48:31but what he's done
48:32seems very risky to me.
48:34Things aren't like they used to be.
48:35I think Mrs. Teresa is a bit too much.
48:38I've never heard you talk like that about Cañete.
48:40Because I'm worried about him
48:41and putting your job at risk just like that...
48:44Look,
48:45it's true that the days off
48:46have to be approved by a superior,
48:48but Mrs. Lázara didn't give them to him
48:49because he didn't want to,
48:50he did it to annoy him.
48:52But the thing this time
48:53is that Mrs. Lázara has the last word
48:55and that last word may be farewell.
48:58I'm a good dog, a good dog.
49:00Weirder than the good ones, Mrs. Teresa.
49:02That I smell, that I smell this, these little things.
49:06Elias.
49:07Yes.
49:08That order is already taking time.
49:09Yes, of course,
49:10we're leaving, Mrs. Lázara,
49:11if you'll excuse me.
49:16I've seen in the obligation
49:17to inform Mr. Fermín
49:18about Cañete's decision
49:19to take a few days off
49:22without permission.
49:24Very good, I think that's correct.
49:26Mr. Fermín has to be aware
49:27of everything that happens in the salon.
49:29As I've also seen in the obligation
49:30to inform him
49:31that this situation
49:32has been caused by his negligence.
49:35By my negligence, you say?
49:37I warned him.
49:40I told him to inform me
49:42at the right time
49:43the days that Cañete was going to take off.
49:45We're not talking about any employee.
49:48We're talking about the head of the waiters,
49:49for God's sake.
49:51Don't you dare interrupt me.
49:57Here's a list of tasks
49:59that I want you to do.
50:03As you can see,
50:04some of them would correspond to Cañete,
50:06but since you've had the good fortune
50:08to give him a few days off,
50:10it would also be good
50:11to help him with his work.
50:14But if there aren't any hours in the day
50:16to do all this,
50:17then find them.
50:19And I don't want any complaints.
50:21As you can see,
50:22there's a blank space
50:24to write more tasks
50:25as I can think of.
50:29You wanted to play with me, right?
50:31Very good.
50:33Well, I'm going to take you to the limit.
50:35And you won't have time
50:36to breathe.
50:39If you think that's how
50:40you're going to get rid of me,
50:41you're less clever than I thought.
50:44And now, if you'll excuse me,
50:46I have a lot to do.
50:47Let her say it.
50:54Table 7 is waiting.
51:06Thank you for coming to pick me up.
51:08How could I miss a walk
51:09back home with my wife?
51:13I didn't want to ask you
51:14during the walk,
51:15but...
51:17how was the session with the doctor?
51:19I don't know.
51:21I really told him
51:22the same thing I told him
51:23on the first day,
51:24but I have the feeling
51:25that today he didn't believe
51:26anything I told him.
51:28Well,
51:29that could be your interpretation.
51:31I don't know.
51:33I don't like that man very much.
51:36Give him a chance.
51:38He's a professional
51:39of solvency
51:40and a recognized doctor.
51:42Maybe that's his method,
51:44but I can assure you
51:45that he gives very good results.
51:47Maybe.
51:49I'll be more collaborative
51:50next time.
51:51Today I felt a little crazy.
51:53Well,
51:55I'm going to propose a plan.
51:57What do you think
51:58if you rest
51:59and I prepare dinner?
52:02And then we sit here
52:03on this sofa
52:04and listen to music.
52:06And we hug.
52:08We hug a lot.
52:11And whatever God wants,
52:12give it to me.
52:15I'm going to get more comfortable.
52:16Yes.
52:18Come on.
52:29Honey,
52:30what's going on?
52:31What's going on?
52:34It was her.
52:36What do you mean, her?
52:38You know who I mean.
52:41Honey,
52:42the bird could have flown in
52:43and hit herself.
52:44But don't you see it?
52:45Inigo,
52:46it was on top of my robe.
52:47It's here.
52:48Someone put it on.
52:49Someone put it on.
52:50No, honey.
52:51We're here alone.
52:52No one came in here.
52:53No.
52:54Please,
52:55tell me someone is playing with me.
52:56Please tell me I'm not crazy.
52:57Please.
52:58Calm down.
52:59Calm down.
53:02Calm down.
53:05What have you done, Carla?
53:07Don't tell me you went out again.
53:09Wait,
53:10are you telling me my wife
53:11did it with a dead bird?
53:13She put it in my bed
53:15to make me believe
53:16she found it there.
53:17That's right.
53:18I'd like to value her
53:20after what she told me.
53:21I live with Lucia
53:22because she doesn't know where to go.
53:25She has no place
53:26and I can't leave her.
53:27Of course.
53:28Otherwise, she wouldn't be a good Christian.
53:29She's not a good Christian either.
53:30She doesn't have two wives.
53:31I didn't know she had a date.
53:33No, she didn't have a date.
53:34In fact,
53:35my husband fixed her
53:36at the last minute.
53:38What do you want?
53:39To thank you
53:40for giving me a cable yesterday.
53:41You don't have
53:42that kind of appreciation.
53:43What I would appreciate
53:44is that you wouldn't have me
53:45waiting like a fool
53:46ever again.
53:47My family watches me
53:48all the time.
53:49They look at everything I do
53:50with a magnifying glass.
53:51They turn around
53:52everything I say
53:53all the time
53:54looking for signs
53:55that I'm crazy.
53:56Well, Mrs. Lazara
53:57was giving me
53:58a care package.
53:59But I hope
54:00to have it
54:01against the ropes
54:02sooner or later.
54:03What's that?
54:04What happened?
54:05Well, you see,
54:06I went to the Almacenes
54:07Madrid-Paris
54:08and I spoke
54:09to one of the dependents
54:10who worked with her.
54:11What's going on
54:12with Elias now?
54:13Well, he's going to make us
54:14lose all our money, Miguel.
54:15But, let's see.
54:16Can we know
54:17what happened?
54:18What does he want to publish
54:19in the newspaper?
54:20All I want to know
54:21is if I'm going to be a godmother.
54:22Well, that
54:23and why are you in such a hurry?
54:25Because we're going.
54:27Let's see.
54:28What speed!
54:29You know how much
54:30I play with this
54:31and that I, for a friend,
54:32whatever.
54:33But it's just that
54:34from the first moment
54:35we said that we were going
54:36to do this discreetly.
54:37I'm sorry,
54:38but this ends here.
54:40The conference
54:41hasn't interested you much, has it?
54:43No, no.
54:44I found it very interesting
54:45and very pleasant.
54:46For someone
54:47who doesn't know much
54:48about cinematography,
54:49I think it was
54:50a very good experience.
54:51It's hard to impress her, isn't it?
54:52Don Inigo.
54:54Esperanza.
54:56You have to call
54:57Dr. Mendoza's consultation.
55:00Excuse me?
55:01He just called
55:02Moderna
55:03asking about Matilde.
55:04From what I can see,
55:05he had an appointment with him
55:06and he hasn't shown up.
55:07I don't even touch Lucia.
55:08Let's see what you think, Antonia.
55:09I don't think anything, Pietro.
55:11I say what it is.
55:13When we get
55:14Lucia to return to Italy,
55:16if you want it,
55:17everything can be
55:18as it was before.
55:20With Dr. Mendoza's
55:21consultation, please.
55:23Yes, yes, yes, that's right.
55:25Thank you, I'll wait.
55:27Barbara?
55:31Barbara?