Jane-Eyre-1997-Full-HD- Hollywood Movie
**Jane Eyre (1997) - Full HD**
In this captivating adaptation of Charlotte Brontë's classic novel, "Jane Eyre" (1997) follows the poignant journey of an orphaned girl, Jane, who endures a harsh childhood to emerge as a resilient and intelligent young woman. Set in the 19th century, the story begins with Jane (Samantha Morton) being sent to Lowood School, a charitable institution run by the cruel Mr. Brocklehurst. Despite the hardships, Jane's spirit remains unbroken, and she eventually secures a position as a governess at Thornfield Hall.
At Thornfield, Jane meets the enigmatic and brooding master, Edward Rochester (Ciarán Hinds). As Jane and Rochester grow closer, a deep and complex romance develops, marred by dark secrets from Rochester's past. The film beautifully portrays Jane's struggle for independence, love, and self-respect in a society that often seeks to suppress her.
The 1997 adaptation of "Jane Eyre" is praised for its faithful representation of the novel's themes and its strong performances by the lead actors. The atmospheric cinematography and haunting score add depth to this timeless tale of love, mystery, and resilience.
#JaneEyre #ClassicAdaptation #RomanticDrama #PeriodPiece #CharlotteBronte #SamanthaMorton #CiaranHinds #LoveStory #GothicRomance #VictorianEra #OrphanToGoverness #ThornfieldHall #DarkSecrets #StrongFemaleLead #LiteraryAdaptation #MustWatch
In this captivating adaptation of Charlotte Brontë's classic novel, "Jane Eyre" (1997) follows the poignant journey of an orphaned girl, Jane, who endures a harsh childhood to emerge as a resilient and intelligent young woman. Set in the 19th century, the story begins with Jane (Samantha Morton) being sent to Lowood School, a charitable institution run by the cruel Mr. Brocklehurst. Despite the hardships, Jane's spirit remains unbroken, and she eventually secures a position as a governess at Thornfield Hall.
At Thornfield, Jane meets the enigmatic and brooding master, Edward Rochester (Ciarán Hinds). As Jane and Rochester grow closer, a deep and complex romance develops, marred by dark secrets from Rochester's past. The film beautifully portrays Jane's struggle for independence, love, and self-respect in a society that often seeks to suppress her.
The 1997 adaptation of "Jane Eyre" is praised for its faithful representation of the novel's themes and its strong performances by the lead actors. The atmospheric cinematography and haunting score add depth to this timeless tale of love, mystery, and resilience.
#JaneEyre #ClassicAdaptation #RomanticDrama #PeriodPiece #CharlotteBronte #SamanthaMorton #CiaranHinds #LoveStory #GothicRomance #VictorianEra #OrphanToGoverness #ThornfieldHall #DarkSecrets #StrongFemaleLead #LiteraryAdaptation #MustWatch
Transcript
00:00:00You
00:00:30She's not even a father!
00:00:32Why do I still need help?
00:00:34Don't you talk to your aunt like that!
00:00:36Wicked child!
00:00:38You should be grateful that you're not in the poorhouse with all the other orphans!
00:00:42I'm not in the poorhouse with all the other orphans!
00:00:44I'm not in the poorhouse with all the other orphans!
00:00:46I'm not in the poorhouse with all the other orphans!
00:00:48Now stay there!
00:01:00Let me out! Let me out! Please!
00:01:20Uncle Ray died in here.
00:01:40I hate you!
00:01:42I hate you!
00:01:44I hate you!
00:01:46I hate you!
00:01:48I hate you!
00:01:50I hate you!
00:02:20Now then, what are you doing under there?
00:02:36Come on.
00:02:38Leave your dolly behind.
00:02:40There's someone downstairs who wants to see you.
00:02:44Me?
00:02:46Your name, little girl.
00:02:48Jane Eyre, sir.
00:02:50Well, Jane Eyre, are you a good child?
00:02:56Perhaps the less said on the subject, the better, Mr Brocklehurst.
00:03:00Do you know where naughty little girls go after their death?
00:03:06To hell, sir.
00:03:08And what is hell?
00:03:10A pit full of fire, sir.
00:03:13Would you like to fall into a pit full of fire and burn for all eternity?
00:03:19No, sir.
00:03:21So, what must you do to avoid it?
00:03:24I must keep in very good health, sir.
00:03:27And not die.
00:03:28Oh, you see her impudence, Mr Brocklehurst.
00:03:30What did I tell you?
00:03:32She needs proper discipline.
00:03:34Say you will admit her to Lowood School, Mr Brocklehurst.
00:03:38Mrs Reed.
00:03:39And tell the teachers to be very strict with her.
00:03:42Tell them she is deceitful.
00:03:45I am not deceitful.
00:03:47When have I been deceitful?
00:03:48You are.
00:03:49Listen to how she speaks to me.
00:03:51If I were deceitful, I should say you were the dearest, kindest aunt, and that I loved you.
00:03:55Bessie.
00:03:56Child, how dare you speak to your benefactress in that way?
00:04:00Take her away.
00:04:04I am glad you are no relation of mine.
00:04:07I will never, never call you aunt again.
00:04:10If anyone ever asks me how you treated me,
00:04:13I will tell them that you locked me in a room and were cruel and horrible to me.
00:04:25I was ten years old when I left Gateshead,
00:04:27and glad to be parted from my cruel aunt and cousins who made me feel in every way unwanted and unloved.
00:04:34Even though I had no idea what Lowood School would be like,
00:04:37at least I would meet new people,
00:04:39hear about the world,
00:04:41and there would be a chance for happiness.
00:05:02Jane.
00:05:03Jane Eyre.
00:05:04Yes?
00:05:07Welcome to Lowood.
00:05:10Bags, ma'am.
00:05:11Thank you.
00:05:13Go on, Jane.
00:05:29Time to get off, you'll miss breakfast.
00:05:31Your uniform's on the end of your bed.
00:05:33Breakfast?
00:05:37My breakfast consisted of a meagre amount of inedible porridge.
00:05:41In fact, everything about Lowood was terrible.
00:05:44The cold dormitories, the icy water we had to wash in,
00:05:48and worst of all, most of the teachers were harsh.
00:05:51Punishment and humiliation were part of the daily ritual.
00:05:55However, I had found a friend, Helen, who was loving and wise.
00:06:00Sometimes life is cruel, and we have to accept that,
00:06:03or we'll be forever in torment.
00:06:19Je vais.
00:06:20Je vais.
00:06:21Tu vas.
00:06:22Now, girls, where are the Americas?
00:06:24Il va.
00:06:25And where are the West Indies' bones?
00:06:29Sit back down.
00:06:32All rise for Mr Brocklehurst.
00:06:35Girls, we're very privileged today,
00:06:38because Mr Brocklehurst has brought his wife...
00:06:43Careless girl.
00:06:45Slates cost money, girl!
00:06:49Come here and bring your stew.
00:06:53It was just an accident, Mr Brocklehurst.
00:06:57Put it down.
00:07:03Now stand on that stew.
00:07:08Now, girl!
00:07:15Teachers.
00:07:17Children.
00:07:20You will see, Helen,
00:07:22children,
00:07:25you will see this girl before you.
00:07:29God has graciously given her the shape he has given to all of us.
00:07:34Yet who would think that the evil one
00:07:38had already found a servant in her?
00:07:43You must guard against her.
00:07:46Shun her example.
00:07:48Avoid her company.
00:07:51You must watch her.
00:07:53Scrutinise her actions.
00:07:56Punish her body to save her soul.
00:08:02Spring came, and with it the typhus.
00:08:05It raged through the crowded schoolrooms and dormitories.
00:08:09Neglected colds and semi-starvation
00:08:12made the pupils vulnerable to the disease.
00:08:15The typhus was a plague.
00:08:18It was a plague.
00:08:20It was a plague.
00:08:23It was a plague.
00:08:26It was a plague.
00:08:30It was a plague.
00:08:33Who would wounds save rather than disable to the disease?
00:08:44And those of us who were left
00:08:47waited and prayed that we and our loved ones would be spared.
00:08:52Is she out there again?
00:08:56Not at the moment, Jane.
00:08:58Oh, Brian's convulsing, and she's got the rash.
00:09:01Nurse!
00:09:24Is that you, Jean?
00:09:26Yes. I've been every day to ask if I can see you.
00:09:31I've been waiting outside the door.
00:09:34I wanted so much to see you.
00:09:37This temple said you were very poorly.
00:09:41But I'm in no pain.
00:09:43I haven't slept for worrying that I'd never see you again.
00:09:47Oh, Jean.
00:09:51Helen.
00:09:53Don't be frightened.
00:09:55I'm not frightened.
00:10:00You're cold.
00:10:03Cover yourself in my quilt.
00:10:05We'll rest together.
00:10:11I'm so happy, Jean.
00:10:13Don't leave me.
00:10:16I won't.
00:10:18We'll always be together.
00:10:23Forever.
00:10:35Where are you taking me?
00:10:36Please let me stay with Helen.
00:10:38I'm sorry, Jean.
00:10:39Helen has died.
00:10:42No! No!
00:10:44No!
00:10:45Help her!
00:10:48I missed Helen so much.
00:10:50No one could take her place.
00:10:54Is that your friend, Miss Eyre?
00:11:02Yes, Anna.
00:11:03That was Helen.
00:11:06I remained at Clowood for a further eight years.
00:11:09Six as a pupil and two as a teacher.
00:11:12Who will bring my cloak and bonnet?
00:11:14Me!
00:11:16But I was desperate for change.
00:11:34I wanted to see more of the world.
00:11:36I longed for liberty.
00:11:39I placed an advert in the Herald.
00:11:41Young lady, accustomed to tuition,
00:11:44qualified in the guidance of pupils under the age of 14,
00:11:47seeks post.
00:11:49I had only one reply.
00:12:09Thank you.
00:12:11Mrs Fairfax?
00:12:12Yes, my dear.
00:12:15Welcome to Thornfield.
00:12:25Roll out.
00:12:28You must be tired after such a journey.
00:12:33Cook is preparing you a light supper.
00:12:35Thank you.
00:12:41Do you think I could meet the young Miss Fairfax this evening?
00:12:44The young who?
00:12:46My pupil.
00:12:47Oh, you mean Adele.
00:12:50Little Miss Varons.
00:12:53She's not my daughter.
00:12:55She's from France, God help us.
00:12:58Did I not tell you in the letter?
00:13:00She's Mr Rochester's daughter.
00:13:02Did I not tell you in the letter?
00:13:04She's Mr Rochester's ward.
00:13:07Who is Mr Rochester?
00:13:09Mr Rochester, my dear. Why, he's the owner of Thornfield.
00:13:12But I thought you were the owner of Thornfield.
00:13:14Me? Oh, what a thought.
00:13:16No, I'm the housekeeper. What a thing.
00:13:19When will I meet Mr Rochester?
00:13:21When indeed. When he decides to grace us with his presence, that's when.
00:13:25Which he's not often. He's a restless soul.
00:13:28No sooner here than he's off on his travels again.
00:13:31It's such a shame because the young Miss Varons behaves herself when he's here.
00:13:35How many rooms are there?
00:13:37Too many. But yours is a nice size.
00:13:39Not too big and drafty like some of them.
00:13:42How many floors?
00:13:44Two and a third in the west wing, but no one uses that anymore.
00:13:48It's all locked up.
00:13:50Two floors is quite enough to manage.
00:13:53Here we are.
00:13:55It's all air.
00:13:57Mrs Fairfax!
00:13:59What are you doing up at this time?
00:14:07English, please. It's hopeless. I can't understand a word you're saying.
00:14:13What did I say in English, if you please, seeing as we're in England?
00:14:17Adele asked if I was to be her new governess and complimented me on my French.
00:14:21As good as Mr Rochester.
00:14:23Right, let's get her back to bed now, Sophie.
00:14:25She can see Miss Fair in the morning.
00:14:27Come along now, do as you're told.
00:14:31If there's anything you need, just let me know.
00:14:34Thank you.
00:14:36Good night.
00:14:46I was relieved to find Mrs Fairfax so friendly
00:14:49and little Adele clearly full of life and affection.
00:14:52I was filled with a sense of well-being.
00:14:55I felt surely I would be happy here.
00:15:18Mrs Fairfax?
00:15:21Adele?
00:15:45The door's locked.
00:15:50I heard someone laughing. I thought Adele had...
00:15:53That'll be Grace Paul, one of the servants.
00:15:55She likes a tipple this time of night. Sends her quite giddy.
00:16:01I'll speak to her.
00:16:13But Grace Paul was not one to be hushed.
00:16:16I heard her strange laughter again over the months that followed.
00:16:19But I was yet to meet her,
00:16:21for she chose not to dine with the other servants.
00:16:29It's very good.
00:16:31I cannot do it. The paint goes everywhere.
00:16:34Well, then use less water.
00:16:41Oh!
00:16:43Pfft!
00:16:48Little Adele had no great talents,
00:16:50but she made reasonable progress,
00:16:52and life at Thornfield was tranquil.
00:16:55Too tranquil.
00:16:58I should have been more thankful,
00:17:00but instead I felt restless and stifled.
00:17:03I felt sure there must be more to life than this.
00:17:13Whoa!
00:17:35Whoa!
00:17:44Blast you!
00:17:47Are you all right, sir?
00:17:49What do I look as though I'm all right?
00:17:51What were you doing, looming out of the mist like a witch?
00:17:54You're a madwoman.
00:17:56Do you want me to go and get some help?
00:17:58Blast no!
00:18:00Come here. I want you to help me up.
00:18:02I'm not sure that's the correct thing to do. Your leg might be broken, sir.
00:18:05I can fetch someone from where I live at Thornfield.
00:18:07It's just at the bottom of the lane.
00:18:09No need for that. It's just a sprain.
00:18:12Come here.
00:18:14Come on, for heaven's sake, woman! Give me your arm!
00:18:26How long have you been living at Thornfield?
00:18:28Since I took up post as governess.
00:18:35And what prey is a governess doing out this time of the evening?
00:18:39Walking, sir.
00:18:42Well, before you carry on with your walk, could you get me my whip?
00:18:45It's there.
00:18:47Certainly.
00:18:56Thank you.
00:18:59Give my regards to Mr Rochester.
00:19:02Come on, pilot!
00:19:04I've yet to meet him.
00:19:12Come, pilot!
00:19:26Mrs Fairfax wants you. Where have you been?
00:19:28I'm on my way. I can't be in two places at once. I'm coming.
00:19:35Oh, I've turned to you.
00:19:37Cold water, I said, cold!
00:19:39Tell Leia to wear the bed.
00:19:41But she's laying the fire.
00:19:43The fire can wait till John gets back with the surgeon.
00:19:45The bed needs airing now, and he wants to see Adèle.
00:19:48But she sleeps.
00:19:49Well, wake her!
00:19:51Oh, the hound! Get out of here! Go on!
00:19:54Go on! Down! Get out of here! Go on!
00:19:56Get downstairs.
00:20:01Fetch Miss Adèle and tell the cook to find a knuckle bone for the hound.
00:20:05Oh, yes. Miss Eyre, the master wants to see you at once.
00:20:09What master?
00:20:11Mr Rochester. He's had an accident.
00:20:13His horse fell. His ankle sprained.
00:20:15But he said he wants to see you as soon as you come in.
00:20:17So take your coat off. Change your frock.
00:20:20He's asking for you. He's in the drawing room.
00:20:22Tell Leia to use the coals from my room.
00:20:24Yes, Mrs Fairfax.
00:20:38I'm sorry.
00:20:56Ah, the helpful governess, Miss Jane Eyre.
00:21:02Come in. Don't hover by the doorway. I won't bite you.
00:21:05I thought you might deceive me.
00:21:07Only by omission.
00:21:09I was angry with you for bewitching my horse.
00:21:12I was simply walking.
00:21:14Yes, yes, in the mist.
00:21:16All right, it's done now.
00:21:18Be seated.
00:21:30I said sit down.
00:21:32Not there. There.
00:21:34Where I can see you.
00:21:40So, where do you come from, Miss Eyre?
00:21:43Lowood School in Yorkshire.
00:21:45I advertised and Mrs Fairfax wrote to me.
00:21:47Did she indeed?
00:21:49Well, I hope you're suitable.
00:21:51No doubt you're full of Brocklehurst's religious claptrap.
00:21:54Believe the man to be no less than a saint.
00:21:57I do not.
00:21:59Indeed, I dislike Mr Brocklehurst.
00:22:01Well, careful. That sounds like blasphemy.
00:22:03He is a harsh and pompous man.
00:22:06But I have studied the Bible since
00:22:08and have found my own faith in the Lord.
00:22:12And what faith do you place in arithmetic and geography?
00:22:15I have taught classes of 12-year-olds, Mr Rochester.
00:22:18And for your information, I have also studied
00:22:21history, music, art and French.
00:22:23Very impressive.
00:22:25I did not tell you to impress.
00:22:27It is a fact, that is all.
00:22:29Oh, a fact. I see.
00:22:32So, can you play?
00:22:34A little.
00:22:36Yes, that's what all the schoolgirls are taught to say.
00:22:40Well, go on, then.
00:22:42Play a little for me now.
00:22:47Show me.
00:22:59Mr Rochester!
00:23:01Mr Rochester!
00:23:03There he is, the little devil.
00:23:05Careful, my foot.
00:23:07Are you going to play, monsieur?
00:23:13So, have you been a complete brat
00:23:15while I've been away, or have you been good?
00:23:17I was very, very good.
00:23:19Ask Sophie, mademoiselle.
00:23:21Is that true, Sophie?
00:23:23Yes, monsieur.
00:23:25Bonsoir.
00:23:27Merci, bonsoir.
00:23:31What do you think of your new governess?
00:23:33She makes me work very hard, but I like her.
00:23:37Do you have a present for her?
00:23:39I don't know if Miss Eyre likes presents.
00:23:42Do you like presents, Miss Eyre?
00:23:44I have little experience of them, Mr Rochester.
00:23:47But I generally thought they were very good.
00:23:49I'm not sure.
00:23:51I have little experience of them, Mr Rochester.
00:23:54But I generally thought pleasant things.
00:23:56I like presents.
00:23:58Really?
00:23:59What a shame, then, that I forgot to bring you one.
00:24:02Carry on, Miss Eyre.
00:24:04Eyre regards to the piano.
00:24:07Mon cadeau!
00:24:16I think that's enough piano playing for one evening.
00:24:19Clearly you do play only a little.
00:24:24I'm sorry if my playing offends.
00:24:29Et voilà.
00:24:31Oh!
00:24:33Oh, it's so beautiful!
00:24:36Oh, I love it! Thank you!
00:24:39All right, all right.
00:24:41Where are you going, Miss Eyre?
00:24:45To my room, sir.
00:24:47I see.
00:24:49So tiresome, you used to leave me already.
00:24:53Never mind. Go on, go to your room.
00:25:00Ah, d'accord.
00:25:02Bien, encore un fois.
00:25:05Au revoir.
00:25:09John!
00:25:11I saw little of Mr Rochester in the days that followed.
00:25:14He was either engaged in business
00:25:16or dining with friends.
00:25:18I thought it strange that a room on the third floor had a light burning in it.
00:25:47When Mrs Fairfax had told me that all the rooms up there were locked.
00:25:55I told her if she can't do the job, I'll find someone else who can.
00:26:05Is it Miss Paul again?
00:26:07Afraid so.
00:26:09The master's had a word, though. She said I'd asked why.
00:26:12Perhaps if she were to mix with the other servants,
00:26:14she would not take to the drink, sir.
00:26:16Maybe loneliness is the cause of her misery.
00:26:18If I could speak with her occasionally...
00:26:20No, no, no, the master forbids it.
00:26:22She's a lusty piece of work, if ever there was one.
00:26:24Then why does he tolerate her?
00:26:26Because he feels sorry for the poor wretch.
00:26:28She's been with the family since his father's days.
00:26:30He'd not see her in the poor house.
00:26:32He's too generous by half, if you ask me.
00:26:34And how is he today?
00:26:36You can ask him yourself.
00:26:37He's requested you join him after supper.
00:26:39Leah, fires in the drawing room, now!
00:26:42Yes, Mrs Fairfax.
00:26:44Yes, Mrs Fairfax.
00:26:55You examine me.
00:26:57You find me handsome, Miss Eyre?
00:26:59No, sir.
00:27:03A direct answer for a direct question.
00:27:06I didn't mean to say...
00:27:08Don't try to modify your answer. It was an honest reply.
00:27:12Sit down.
00:27:19So, what faults do you find in me?
00:27:23Does my nose not please you?
00:27:25It's not...
00:27:26Are my eyes too close set?
00:27:28Or is it that my ears are too large?
00:27:30Are my foreheads not beautiful?
00:27:32It is a fine forehead.
00:27:33Appearance is of little consequence.
00:27:35It is the person within that is the attraction.
00:27:37I see.
00:27:40Or is it my character that you find unattractive?
00:27:43What I meant to say was...
00:27:45certain facets of your character are somewhat unpleasant.
00:27:51I'm listening.
00:27:53You ask by way of command.
00:27:56Do I?
00:27:57Yes.
00:27:59That's because I have a lifetime of saying,
00:28:01do this, and it's done.
00:28:06What else is wrong with my character?
00:28:10That is all.
00:28:13Are you sure?
00:28:16I'm sure.
00:28:20And do you expect me to change my manner
00:28:25because of one little governess?
00:28:28Well?
00:28:30I expect nothing, sir.
00:28:31You asked a question and I merely answered it.
00:28:33But you do understand that I have the right to be masterful in my own house.
00:28:37After all, I've travelled the world.
00:28:38I'm much older and wiser than you are.
00:28:41Do as you please, sir.
00:28:43That is a very irritating reply, Jane.
00:28:46And you haven't answered my question.
00:28:49Surely your claim to wisdom and maturity
00:28:51depends on the use you have made of your time and experience.
00:28:55Really? How interesting.
00:28:59You smile.
00:29:01What are you thinking about?
00:29:03Only that very few people would care what their employees thought about them,
00:29:07especially when they pay them £30 a year.
00:29:10Oh, yes, I forgot about the salary.
00:29:14Well, then, I have a perfect right to command you.
00:29:18With respect?
00:29:20Yes, of course. With respect.
00:29:24You are a rare breed, Miss Eyre.
00:29:30Thank you, Mr Rochester.
00:29:33I will take that as a compliment.
00:29:40Over the next few weeks, we had several stimulating conversations.
00:29:44And I found myself waiting for the next opportunity.
00:29:48Is it Adele's mother who makes you unhappy?
00:29:51Adele's mother was a French opera dancer.
00:29:54She was extremely beautiful and vivacious.
00:29:58And I was so flattered when she professed to love me,
00:30:01ugly mortal that I am,
00:30:03that I showered gifts on her,
00:30:06almost ruining myself into the bargain.
00:30:08But when she told me she was with child,
00:30:11I was so happy.
00:30:14And at that moment, I had no doubt that the child was mine.
00:30:19So you were married to her?
00:30:21She was your wife?
00:30:23No, but she was my grand passion.
00:30:29I was besotted with her.
00:30:32I longed to be in her company and smell her perfume.
00:30:37One night,
00:30:39I called to see her unexpectedly at the hotel.
00:30:44She wasn't there, but I was quite content to wait for her on the balcony,
00:30:49thinking I would surprise her.
00:30:52Only I was the one to be surprised.
00:30:57I was the one to be surprised.
00:31:00I was the one to be surprised.
00:31:03Only I was the one to be surprised.
00:31:07For when she returned, dressed from head to toe in the satin and jewels I had bought her,
00:31:12she had with her a brainless young officer.
00:31:18I hid myself in the shadows and I watched.
00:31:23And I felt such pain.
00:31:29Have you ever been jealous, Jane?
00:31:33No, sir.
00:31:34I thought as much because you have never felt love.
00:31:39Your soul sleeps.
00:31:42But there will come the day when you find yourself totally helpless.
00:31:48A fragile wreck in a storm of emotion.
00:31:51You make love sound unpleasant.
00:31:55It is all-consuming.
00:31:59And when it is reciprocated, it brings the greatest pleasure.
00:32:08And I do believe we all have a right to get some pleasure from this life, don't you?
00:32:58Mr. Rochester!
00:33:00Mr. Rochester!
00:33:26Mr. Rochester!
00:33:27Mr. Rochester, wake up!
00:33:31Mr. Rochester!
00:33:33Wake up!
00:33:37Mr. Rochester, wake up!
00:34:01What in God's name's going on?
00:34:04Somebody had tried to set fire to you.
00:34:07What, so you thought you'd drown me as well, didn't you?
00:34:10I'll call Mr. Fairfax.
00:34:11You'll do no such thing.
00:34:14What could she do?
00:34:17I found this on the floor outside your room.
00:34:21I heard a scratching at my door.
00:34:23I thought Pilot must have broken free from his leash.
00:34:28You're trembling, Jane.
00:34:32Come and sit down.
00:34:35No, I mustn't.
00:34:37What? You want to leave me already after you've just saved my life?
00:34:40Do as you're told and sit down!
00:34:52Here. Keep warm.
00:34:55I'll be back in a moment.
00:35:26Why do you keep her here?
00:35:28And why does she hide herself away up on the third floor?
00:35:33Does she mean something to you?
00:35:35Is Grace Poole another one of your grand passions?
00:35:38Grace Poole?
00:35:40She drinks.
00:35:42She's a drunkard.
00:35:44She's a drunkard.
00:35:46She's a drunkard.
00:35:48She's a drunkard.
00:35:50She's a drunkard.
00:35:52Grace Poole?
00:35:54She drinks and laughs loudly.
00:35:57She disturbs me.
00:35:59I have asked Mrs. Fairfax about her,
00:36:01and she told me that she has been with you for a long time.
00:36:04Grace Poole is one of the servants, Jane.
00:36:08Guess what? She might have killed you.
00:36:15But you were there to save me.
00:36:19You were my guardian angel.
00:36:22I knew you'd do me good the first day we met.
00:36:26I could see it in your eyes.
00:36:28Your expression, your smile was so lovely.
00:36:33And now I'm in your debt.
00:36:35There is no debt.
00:36:38Good night, sir.
00:36:40Where are you going?
00:36:42Back to my chamber.
00:36:44What, without taking leave?
00:36:46Look at me, Jane.
00:36:51Are we suddenly strangers again?
00:36:54Are we?
00:36:58Take my hand.
00:37:02I can't.
00:37:06Am I so repulsive to you?
00:37:08No.
00:37:11Even strangers shake hands.
00:37:14Even strangers shake hands.
00:37:16Such a little...
00:37:19warm...
00:37:22delicate...
00:37:25kiss.
00:37:28Such a little...
00:37:31warm...
00:37:34delicate...
00:37:37kiss.
00:37:40Such a little...
00:37:43warm...
00:37:45delicate...
00:37:47kiss.
00:38:14I did not sleep that night.
00:38:17All I could think of was him.
00:38:19I thought surely today of all days
00:38:21he would call into the library to see how Adele was progressing.
00:38:24And not make me wait till evening to see him again.
00:38:31Very good.
00:38:33Now you can choose a book to read.
00:38:39Your face is all pink, Miss Eyre.
00:38:41It's too warm in here.
00:38:43Perhaps we shall read outside in the garden today.
00:38:45It's too cold in the garden.
00:38:47Good morning.
00:38:49I thought you might like some lemonade and some of Cook's biscuits
00:38:51seeing as you didn't come down to breakfast.
00:38:53I wasn't hungry and I thought
00:38:55you'd all be busy with Mr. Rochester's room this morning.
00:38:57Oh, bless me, that was all done and dusted by half past six.
00:39:02Did Mr. Rochester tell you how Grace Poole set light to his bed?
00:39:06He told me there was a little incident with the candle.
00:39:10There you are, my dear.
00:39:11Thank you.
00:39:13It was Grace Poole.
00:39:15She did it deliberately, ask Mr. Rochester, he'll tell you.
00:39:17Yes, well, I would if he was here, but he left at the crack of dawn.
00:39:20Left?
00:39:22Where to?
00:39:23Well, for the Ingrams.
00:39:24And he didn't have any breakfast either,
00:39:26gallivanting off without a morsel inside him tonight.
00:39:30Who are the Ingrams?
00:39:32How far do they live and when will he be back?
00:39:34No, all these questions have me dizzy.
00:39:36I expect he'll be gone for some time.
00:39:38And a fashionable lot, society folk.
00:39:40They live over the other side of Millcote, about ten miles off.
00:39:43Oh, there'll be theatres, parties, drinks, dinners.
00:39:46Mr. Rochester's very popular with the ladies.
00:39:48What ladies?
00:39:50The Ingrams, all three of them.
00:39:52Oh, they're an elegant bunch.
00:39:54But Blanche Ingram,
00:39:56well, she's the most beautiful woman I've ever seen.
00:39:58Her face is...
00:40:00Well, bless me, it's like a painting.
00:40:02And her clothes are...
00:40:04Well, all I can say is they're magnificent.
00:40:07Is she not married, then?
00:40:09No, not yet.
00:40:11Although the family comes from money, I reckon there's no great fortune left.
00:40:15Between you and me, I think she's got a soft spot for Mr. Rochester.
00:40:18She'll not let him back within the month.
00:40:21I'm sure you're feeling well. You look very peaky to me.
00:40:27Will he be away for a long, long time again?
00:40:31I think so.
00:40:34He's staying with some fashionable people.
00:40:36I'm fashionable.
00:40:39Yes, you are.
00:40:41Mr. Rochester sometimes needs the company of grown-up ladies.
00:40:45But you're grown-up.
00:40:48Yes, I am grown-up.
00:40:50But I'm just a plain governess.
00:40:52It would be foolish to think that Mr. Rochester would want to be in my company.
00:40:58It would be ridiculous.
00:41:02I miss him so.
00:41:05Come here, little one.
00:41:11We have to absorb ourselves in our studies.
00:41:16And the time will soon pass.
00:41:20Oh, my Lord!
00:41:22Leah!
00:41:30How can you be this...
00:41:33Sophie! Leah!
00:41:36We've got three days to get this place looking spick and span.
00:41:40Go down to the Georgian.
00:41:42We're going to need at least three extra kitchen hands.
00:41:45I don't care if you have to drag them back.
00:41:47Don't come back without them.
00:41:49We're going to need all the carpets beaten.
00:41:51Every stick of furniture polished.
00:41:53All these floors scrubbed, swept.
00:41:55The mattress is turned. The silver dipped.
00:41:57The brass is rubbed.
00:41:59The master's coming home.
00:42:01Oh, this is brilliant with him.
00:42:03Lord and Lady Ingrid will have two daughters.
00:42:05Sir George and Lady Lynn. Colonel Dent, of course, Mrs. Edgerton.
00:42:08The ladies will bring their maids and the gentlemen their valets.
00:42:11What are we going to feed them?
00:42:13Pies and pudding. Where are we going to put them?
00:42:15I can sleep in Adele's room. Yes, we'll have to double up.
00:42:18What are you standing there looking stupid for? Come on.
00:42:20We've got work to do.
00:42:22Oh, my Lord.
00:42:31Ha, ha, ha!
00:42:53They're here.
00:42:55Oh, my Lord.
00:42:57Sam!
00:43:00Take the boys!
00:43:12Mrs. Fairfax, how nice to see you.
00:43:14Mr. Rochester is showing John where the horses should be stabled.
00:43:17Oh. That journey is so tiring.
00:43:19Some refreshment would be nice.
00:43:21Oh, certainly. It would be my pleasure. Lynn.
00:43:23Well, Mama, here we are.
00:43:25So, what do you think of Thornfield?
00:43:27A touch gloomy.
00:43:29It has great potential.
00:43:31Quite.
00:43:32A carpet and some decent pictures would make all the difference.
00:43:37We'll be in the drawing room, Mrs. Fairfax.
00:43:43One day I will be like Miss Ingram.
00:43:46Can we go downstairs, please?
00:43:49No, Adele.
00:43:51Why?
00:43:53When Mr. Rochester wants to see you, he'll ask for you.
00:43:57I was composed, prepared.
00:44:01I was sure that when Mr. Rochester walked through the door,
00:44:04I would feel detached.
00:44:06I would look at him and think how stupid I had been
00:44:09to let my heart become involved with someone above my station.
00:44:13They're coming!
00:44:14Mrs. Fairfax was right.
00:44:16Blanche Ingram was beautiful.
00:44:18What a puppet. You must be Adele.
00:44:20Bonsoir, madame.
00:44:22Tell me, Adele, what have you been doing
00:44:24while we've all been having dinner tonight?
00:44:27I've been dancing, madame.
00:44:29Dancing?
00:44:31Oh, isn't she adorable?
00:44:33Mama, have you ever seen anything quite so sweet?
00:44:36Not since you, my darling.
00:44:40Everything about her was elegant, sophisticated.
00:44:44She had everything.
00:44:46She could attract any man she liked.
00:44:49But she liked Mr. Rochester,
00:44:51my employer, who paid me £30 per annum
00:44:55and who had many, many faults.
00:44:58Too many.
00:45:00He thought himself superior.
00:45:02I'm not having any of it.
00:45:04He was too proud, deeply sarcastic
00:45:07and moody to the point of...
00:45:10Edward, she is charming, like a little doll.
00:45:15But why, then, did I still love him?
00:45:18How on earth do you manage with her at home?
00:45:20You should send her to school.
00:45:22School's far too expensive, Blanche.
00:45:24Besides, she likes it here at Thornfield.
00:45:26Don't tell me you have a governess for her.
00:45:28Matter of fact, I do.
00:45:30Mama, close your ears.
00:45:32What is it, dear?
00:45:33The mere mention of the word governess
00:45:35is enough to send Mama into hysteria.
00:45:37We had at least a dozen.
00:45:39Most of them were either horrid or just plain stupid.
00:45:42Mary, tell Edward how he teased Madame Joubert.
00:45:46She was so funny.
00:45:48She used to fly into such a rage.
00:45:51It was very amusing.
00:45:57Jane!
00:46:01Why have you left the room?
00:46:06Come back into the drawing room. Come on.
00:46:09To be insulted?
00:46:13Well, are you not pleased to see me, at least?
00:46:16Yes.
00:46:18Adele was so upset when you left without any warning,
00:46:21it's been difficult for her to concentrate.
00:46:23But I'm sure things will improve now that you're home.
00:46:29You look rather pale.
00:46:31Have you been ill?
00:46:33No, sir.
00:46:35A little depressed, perhaps?
00:46:38I guess we'll be wondering where you are. Good night.
00:46:41Where are you going?
00:46:43To my room, sir.
00:46:45Jane!
00:46:48Jane!
00:46:51Well, tonight I excuse you.
00:46:53From now on, I shall expect you in the drawing room every evening.
00:46:58Is that clear?
00:47:01Every evening, Jane!
00:47:03Every evening, Jane!
00:47:21Sign on all ladies
00:47:24Ladies, sign on all
00:47:27Men, what is he was a
00:47:30Men, what is he was a
00:47:33One foot in sea
00:47:36I wanted to run from the room, from Thornfield,
00:47:39from everything that reminded me of him.
00:47:42I wanted to cry out,
00:47:44Why do you punish me when all I ever did was love you?
00:47:47Then sign on all
00:47:49But let them go
00:47:52And be all blithe and bonny
00:47:55And be all blithe and bonny
00:47:59Combating all your sounds of war
00:48:02Combating all your sounds of war
00:48:06To hey nonny nonny
00:48:09Hey nonny nonny
00:48:12Hey nonny nonny
00:48:15Hey nonny nonny
00:48:29Come up here.
00:48:31One moment, one moment.
00:48:33Yes, ma'am.
00:48:35Yes, ma'am.
00:48:37Waiting, waiting.
00:48:39Yes, ma'am.
00:48:40The happy couple.
00:48:42Yeah!
00:48:44Three months and there will be a wedding, you have my word.
00:48:59Please.
00:49:09Mr. Rochester.
00:49:11There's a Mr. Mason here, all the way from Jamaica.
00:49:23Edward.
00:49:25Richard.
00:49:27Please excuse me.
00:49:34Well, what are we to do now?
00:49:58Help me!
00:50:00I've got to save someone!
00:50:03Help me!
00:50:15Jane, are you awake?
00:50:17Yes.
00:50:18Get this quickly, I need your help.
00:50:28Jane, hurry up.
00:50:33Come with me.
00:50:40What's the matter? Who's screaming like that?
00:50:43Just one of the servants. He's had a bad night now.
00:50:46Go back to bed.
00:50:58Are you faint at the sight of blood?
00:51:00No, sir.
00:51:02Good. Give me your hand.
00:51:16Is it Grace Paul?
00:51:18Has she hurt herself?
00:51:21Fetch a doctor.
00:51:23Please.
00:51:25Fetch a doctor. Please, help me.
00:51:29She bit me and clawed at me like some...
00:51:32I warned you, but you wouldn't listen.
00:51:36I thought I could help.
00:51:38I don't need your help.
00:51:41Have some laudanum. It'll kill the pain.
00:51:44These wounds are deep. I must stop the bleeding.
00:51:47I tell you, I need a doctor.
00:51:49She sucked the blood from my shoulder like a vampire.
00:51:52That's enough!
00:51:54Don't scare poor Miss Eyre to death.
00:51:56We have no more talk on the subject.
00:51:59Now, drink.
00:52:06I'll get Tom to bring the carriage round.
00:52:09We need to get him to the doctor in the village as soon as possible.
00:52:13Will you stay with him?
00:52:16Of course I will.
00:52:20What would I do without you, Jane?
00:52:23I wanted to say you need never be without me.
00:52:26Blanche Ingram may well become his wife,
00:52:29but she would never be akin to him.
00:52:53SCREAMS
00:53:23SIGHS
00:53:30DOOR CREAKS
00:53:44Sam!
00:53:46Sam!
00:53:54What is it, Jane? What's the matter?
00:53:56I saw her. She came into the room.
00:53:58I saw Grace Poole, I swear.
00:54:00I felt sure she was going to kill him.
00:54:02I'm sorry. I shouldn't have left you alone.
00:54:04But you are perfectly safe, believe me.
00:54:06How can I be safe when she is left in this house?
00:54:08Nobody is safe while she is here. You must send her away.
00:54:11I will do something, I promise you.
00:54:13But put her out of your mind. I have to get him down to the carriage.
00:54:16Come on, Richard.
00:54:18Come on!
00:54:19Come on!
00:54:28Edward.
00:54:31Let her be taken care of.
00:54:33Let her be treated tenderly.
00:54:37I'll do the best I can.
00:54:39The same as I always have.
00:54:41Away!
00:54:49DOOR CREAKS
00:55:01Is he talking of Grace Poole?
00:55:05Is he a relative of hers?
00:55:08Why do you ask so many questions, Jane?
00:55:10What does it matter who he is?
00:55:12DOOR CREAKS
00:55:17Have you watched the sunrise over Millcott Hill?
00:55:24Well, don't just stand there, Jane.
00:55:27Thank you for helping me.
00:55:29It is my pleasure.
00:55:33Really.
00:55:38And what if I was to ask you to do something
00:55:41that you thought would be a good idea?
00:55:43What would it be?
00:55:45I don't know.
00:55:46I don't know.
00:55:47I don't know.
00:55:48I don't know.
00:55:49I don't know.
00:55:50I don't know.
00:55:51I don't know.
00:55:52I don't know.
00:55:53I don't know.
00:55:54If I were to ask you to do something
00:55:56that you thought was wrong, what then?
00:55:59It would depend.
00:56:00On what?
00:56:02On what it was you were asking me to do.
00:56:09Say you're a young man abroad in a strange land
00:56:12and you happen to make a mistake.
00:56:16What kind of mistake?
00:56:18Not a crime, just an error of judgment.
00:56:24Yes.
00:56:25And years later you get the chance of correcting that mistake.
00:56:29And the only thing that stands in your way is convention.
00:56:33Formality.
00:56:35Would you take that chance?
00:56:37I don't quite understand what you mean.
00:56:47What I mean is, would you throw convention to the wind
00:56:50to achieve happiness?
00:56:54Tell me what you think.
00:56:55Only that I loved his face, his eyes, his mouth, his voice.
00:57:01He made me love him without even realising it.
00:57:04Tell me.
00:57:06It depends what you mean by convention, by formality.
00:57:10If I had made a mistake, it would be my duty to bear the punishment.
00:57:14Duty?
00:57:15What the blazes is duty, for heaven's sake?
00:57:20I would look to a higher plane for forgiveness.
00:57:24Of course, should have known.
00:57:26Brocklehurst teaching, no doubt.
00:57:29Whom do you mean, Jane?
00:57:31God?
00:57:32Tell me, when has God done anything for me?
00:57:36I wait for him, I wait forever.
00:57:38I've already wasted enough of my life.
00:57:41At long last, I know what I think.
00:57:44I know what is right.
00:57:46Then why ask me?
00:57:47Because...
00:57:52I needed to know.
00:57:55And now I have an answer.
00:58:04She's rising.
00:58:17I'm sorry I dragged you all the way out here, but I've missed our talks.
00:58:21So have I.
00:58:24Well, let's not argue then.
00:58:26Let's shake hands and be friends.
00:58:37Will you watch the sunrise again with me?
00:58:39You only have to ask.
00:58:42On the morning of my wedding.
00:58:44On the morning of my wedding?
00:58:46Are you to be married, sir?
00:58:48Oh, yes.
00:58:50I think it's about time, don't you?
00:58:53If you have met someone you wish to share your life with.
00:58:57I have.
00:59:02Miss Ingram is very beautiful.
00:59:07And clever, too.
00:59:10Brains and beauty, a lethal combination.
00:59:14And she happens to be desperately in love with my money.
00:59:20So, what do you think?
00:59:23I think you'll be very happy.
00:59:26I'll start looking for a post immediately.
00:59:29What are you talking about, a post? What post?
00:59:31Because if you're to marry, Adele should go to school.
00:59:35Miss Ingram has a particular dislike of governesses.
00:59:39Oh, yes, I forgot.
00:59:41Well, there's no need for you to worry about finding a new post.
00:59:46You leave all that with me.
00:59:48Only if it's no trouble to you.
00:59:51It's no trouble at all.
00:59:56Jane.
01:00:00Look at me.
01:00:02I'm sorry, but I must go inside. I'm feeling quite cold.
01:00:12Oh, not so fast, Miss Eyre. I've been looking all over for you.
01:00:16You've got a visitor waiting.
01:00:19Me?
01:00:20She's in the library.
01:00:31Miss Eyre?
01:00:32Miss Eyre?
01:00:40You've grown up into such a lady.
01:00:45Who'd ever have thought it?
01:00:48Oh, Bessie.
01:00:50It is so lovely to see you.
01:00:53How is everybody?
01:00:57Don't start me off.
01:00:59Your cousin John is dead.
01:01:04And your auntie's taken badly.
01:01:14It's nearly a hundred miles away, Jane.
01:01:18I'm sorry, but that is where my aunt lives and she's been asking for me.
01:01:23Very well. You may go.
01:01:25Very well. You may go.
01:01:27But I want you back in a week, not a day longer, do you hear?
01:01:32Seven days, and if you're not back then I'll come and fetch you.
01:01:36Thank you, sir.
01:01:43Edward?
01:01:48I've been outmaneuvered, my dear Blodge.
01:01:52Game's over.
01:01:55Game's over.
01:02:26Seeing as you're a governess, I thought you might explain the concept of the 28-day week to me.
01:02:33I'm sorry, but things weren't quite as straightforward as I'd hoped.
01:02:36Really?
01:02:38I had to help my cousins with my aunt's funeral arrangements.
01:02:42Oh, never mind me. Who am I to worry about?
01:02:47I had thought that you could deduct the money from my salary.
01:02:51So you have given me some thought, thank you very much.
01:02:53Yes.
01:02:54Good.
01:02:58I'm sorry about your aunt.
01:03:08Not one single letter did you send me.
01:03:13Mrs. Fairfax had a letter.
01:03:15Adele and Sophie had a letter.
01:03:16No doubt even Pilot had a letter, but oh no, not me.
01:03:19That was too much to ask.
01:03:21The whole of Thornfield was chattering with news of your return.
01:03:25But I, the master of the house, had to learn from Mrs. Fairfax that you were due home today.
01:03:31I've already been up at the village twice to see if the coach had arrived.
01:03:40I see at long last I've found something to make you laugh.
01:03:43I am so pleased. My distress amuses you.
01:03:46It is not your distress that amuses me, sir.
01:03:50It is the thought of writing to Pilot.
01:03:53I can assure you I did not send Pilot a letter.
01:03:58I'm sorry I did not write to you, but I thought you would be preoccupied with other things.
01:04:04Oh, did you now?
01:04:06Yes.
01:04:07Micelle! Micelle!
01:04:08Adele!
01:04:09Micelle!
01:04:10Micelle!
01:04:11Micelle! Micelle!
01:04:12Adele!
01:04:13Micelle!
01:04:14Micelle!
01:04:19Welcome home, my dear.
01:04:21I missed you.
01:04:22Oh, she did.
01:04:23It's been so boring here without you.
01:04:26Sure enough, with all the other nice ladies and gentlemen here to entertain you.
01:04:29They all went the day after you'd gone.
01:04:32Jane?
01:04:33Yes?
01:04:35Will you walk with me?
01:04:37Oh, she must unpack. She'll want to get her things hung up.
01:04:41It is such a lovely evening.
01:04:44Well, there's a storm brewing up, I think.
01:04:48Perhaps just a little stroll, then.
01:04:52I'll get your bag.
01:05:02It's a beautiful place in autumn.
01:05:04It is a beautiful place all year round.
01:05:07Well, I hope you like Ireland as much.
01:05:10Ireland?
01:05:12Yes.
01:05:13Remember I promised to find you a position? Well, I have.
01:05:16It's with the Mrs Dionysus of Gaul, of Bitternut Lodge, Conny Farthington, Ireland.
01:05:20And you start next week.
01:05:23Next week?
01:05:26But Ireland is so far away.
01:05:27Oh, you'll love it, Jane.
01:05:30And they say the people are very friendly there.
01:05:32Yes, but...
01:05:34I won't be able to see.
01:05:37Who?
01:05:40Adele?
01:05:42Mrs Fairfax?
01:05:45Is that all?
01:05:48Isn't there anyone else you'll miss?
01:05:51And you, sir?
01:05:56It's a shame, because we have been good friends for so long.
01:05:59It's a shame, because we have been good friends, haven't we?
01:06:03I mean, sometimes I feel like I've known you all my life.
01:06:06I know this may sound silly, but when we're together like this, I feel like, well, I'm sort of attached to you.
01:06:15It's as though I've got a bit of string somewhere under my left ribs, about here.
01:06:23And it's not at all a similar piece of string situated about there.
01:06:30Do you think that piece of string will stretch 200 miles across the sea, Jane?
01:06:34Or do you think we'll end up bleeding inwardly for each other?
01:06:41That's ridiculous.
01:06:43You'll probably forget me as soon as you set foot in Ireland.
01:06:45Never.
01:06:46I will never forget you as long as I live.
01:06:48Do you think because I am poor and plain I have no soul?
01:06:52No heart?
01:06:54Well, you are wrong.
01:06:56My time here at Thornfield has been the happiest of my entire life.
01:07:02It will break my heart to leave.
01:07:05I've talked and laughed and learnt so much by just being here.
01:07:11I've loved every moment of it, from teaching Adele,
01:07:14to the wonderful conversations we've had together.
01:07:17I am your equal, and you have treated me as such.
01:07:21You have shown true respect for me,
01:07:24and I have felt for the first time in my entire life like I've belonged.
01:07:32And to think that I will soon be torn from all this,
01:07:37that I will never speak with you again,
01:07:39that I will soon be torn from all this,
01:07:42that I will never speak with you or see your face again,
01:07:47is unbearable to me.
01:07:51Then why go?
01:07:53Because your bride will not want me here.
01:07:56I have no bride.
01:07:59Not yet.
01:08:01But you will have.
01:08:04Yes.
01:08:06You're right, I will.
01:08:08Come here.
01:08:10Let go of me.
01:08:12I can't stay here and watch you marry her.
01:08:14You're absolutely right.
01:08:15A woman you don't love.
01:08:16That's correct.
01:08:17A woman who is not worthy of you.
01:08:19It would be less hurtful to go to Ireland, so please let go of me.
01:08:23What if I don't want to? What if I want you?
01:08:25Right here by my side, forever.
01:08:27I'm afraid your bride stands between us, sir.
01:08:30My bride is here.
01:08:38If you'll have me,
01:08:40I offer you my heart, my hand in marriage,
01:08:43and a share of all my worldly possessions.
01:08:47Will you marry me, Jane?
01:08:49Me?
01:08:51Yes.
01:08:53Why?
01:08:55Because I love you.
01:08:57I've always loved you since the first time we met, that's why.
01:09:01But how can that be?
01:09:03Don't torture me.
01:09:05Answer me, Jane.
01:09:07Will you be my wife?
01:09:09Will you make me the happiest man on this earth?
01:09:26I will.
01:09:30Oh, Jane.
01:09:37Jane.
01:09:46The next morning when I woke,
01:09:48I feared it had all been a dream.
01:09:50Mrs. Fairfax,
01:09:52have you seen Mr. Rochester this morning?
01:09:54Oh, he was off an hour past seven.
01:09:56Do you know where he has gone?
01:09:58Oh, I don't ask.
01:09:59The law unto himself is that one.
01:10:01Adele's had her breakfast.
01:10:02She's in the library having a sock.
01:10:04Doesn't want to do any more mathematics.
01:10:07Good morning.
01:10:09Speak of the devil.
01:10:10The storm last night is fresh as the air.
01:10:13And the grass is as green as anything.
01:10:18Pilot!
01:10:22Good morning, Jane.
01:10:24Good morning, Mr. Rochester.
01:10:27Edward.
01:10:31You look so beautiful this morning.
01:10:34Radiant.
01:10:36Mrs. Rochester.
01:10:41Roger!
01:10:43Good morning, Adele.
01:10:45Can we do some painting today, Miss Eyre?
01:10:47No, today's a holiday.
01:10:49Miss Eyre and I are going into Millcott
01:10:51so that she can choose some new dress.
01:10:52And me?
01:10:54Not this time, Adele.
01:10:56Jane and I are going alone,
01:10:57but I shall bring you back a pretty cadeau.
01:11:00How's that?
01:11:01Oh, wait!
01:11:02A cadeau!
01:11:03Don't change, Jane.
01:11:05Peanut butter?
01:11:07Oh, my!
01:11:34Edward, dearest, how nice to see you.
01:11:37Good day, Blanche.
01:11:39And...
01:11:41the governess.
01:11:44Soon to be Mrs. Rochester.
01:11:48Acquaint.
01:11:50Yes, indeed.
01:11:52It's a pleasure to meet you.
01:11:54It's a pleasure to meet you, too.
01:11:56It's a pleasure to meet you, too.
01:11:58It's a pleasure to meet you, too.
01:12:00It's a pleasure to meet you, too.
01:12:02Acquaint.
01:12:05Well, congratulations.
01:12:08No doubt you've a whole trousseau to buy.
01:12:11I'm afraid we're a bit limited here in Millcott.
01:12:13It's all a bit dull.
01:12:15But I'm sure you'll find something.
01:12:18At least suitable for honeymoon in Italy and France.
01:12:22Lovely.
01:12:24You know Archibald, of course.
01:12:27Lord Gramby.
01:12:31Arrivederci.
01:12:37Whatever did you see in her?
01:12:40The means to make you jealous.
01:12:43That's truly wicked.
01:12:45But it worked.
01:12:51And what for a veil?
01:12:53Just something simple.
01:12:55French lace with pearls.
01:12:57A plain net.
01:12:58This one will do.
01:13:00The finest French lace with pearls.
01:13:03I'll get married in this if you continue.
01:13:06All right, we'll take both of them and the silks.
01:13:11You don't understand.
01:13:12I want to show the world what a beauty you are.
01:13:15I am not a beauty.
01:13:17I am Jane Eyre.
01:13:19And I have everything I want right here.
01:13:23Wrap them.
01:13:26As time passed and my wedding day drew near,
01:13:29the house was full of excitement.
01:13:31Everyone seemed genuinely delighted for me.
01:13:34Except Mrs. Fairfax.
01:13:36I thought perhaps she didn't approve of a young governess marrying her employer.
01:13:41But I wasn't going to let that spoil my newfound happiness.
01:13:44For the day after tomorrow, I would be his wife.
01:13:59No, no, no.
01:14:17Who's in the room?
01:14:23No, no, no.
01:14:25No, no.
01:14:30Must have been a dream, Jane.
01:14:33Now, what do you think of this colour? Does it suit me?
01:14:37It's very nice.
01:14:38Edward, the veil is ripped in two.
01:14:41I can bring it down. You can see for yourself.
01:14:43I've told you, you have to keep your door locked at night.
01:14:46You have to be careful with the likes of Grace Poole around.
01:14:48Now, I have bought you a present.
01:14:53Edward, you said you were going to let Grace Poole go.
01:14:56Well, I've made inquiries.
01:14:57And if I throw her out, the only place left for her is the asylum.
01:15:01And she has served this family very well, Jane.
01:15:03How can I do that?
01:15:05How can I sentence her to a life at Bedlam?
01:15:07You can't.
01:15:09But how can you leave her in this house with Adele?
01:15:12Surely it's only a matter of time before a tragedy occurs.
01:15:16Please, now stop worrying about her.
01:15:19I've spoken with Mrs. Fairfax and she's going to arrange something.
01:15:22And after tomorrow, we're going to be thousands of miles away travelling the world.
01:15:24Grace Poole will be no more than a memory.
01:15:27And it means you'll get your own way after all.
01:15:32You'll be able to wear that flimsy piece of muslin you wanted to in the first place.
01:15:36Now, come on, stop frowning. Let me see you smile.
01:15:39I want you to be happy.
01:15:43Now, look.
01:15:55I don't need gifts, Edward.
01:15:58Your love is all I need.
01:16:00But you know you have all of that.
01:16:02And I like to give you presents.
01:16:04Besides, I have a right to.
01:16:06You're going to be my wife.
01:16:08And the next present I shall give you,
01:16:10shall be your wedding ring.
01:16:12Now, watch.
01:16:22Edward, it's lovely.
01:16:24I knew you'd like it.
01:16:27I'm so happy.
01:16:29You have made me so happy.
01:16:36Tell me that you love me.
01:16:38Go on. I want to hear you say it.
01:16:41I love you with all my heart.
01:16:55Ah!
01:16:56Ah!
01:17:24Is that me?
01:17:26You look beautiful.
01:17:31Thank you.
01:17:35Do you approve, Mrs. Fairfax?
01:17:42Take my little blue pin.
01:17:51For luck.
01:17:53Thank you.
01:17:57I will make him happy.
01:18:06I require and charge you,
01:18:09as ye will answer at the dreadful day of judgment,
01:18:12when the secrets of all hearts shall be disclosed,
01:18:15that if there be any impediment
01:18:17why these two persons may not be joined together in holy matrimony,
01:18:22ye are to declare it.
01:18:24Marry us, then.
01:18:27Dearly beloved,
01:18:29we are gathered here in the sight of God
01:18:32and in the face of this congregation
01:18:34to join together this man and this woman in holy matrimony.
01:18:44I require and charge you both,
01:18:46as ye will answer at the dreadful day of judgment,
01:18:49when the secrets of all hearts shall be disclosed,
01:18:53that if either of you know any impediment
01:18:56why ye may not be lawfully joined together in matrimony,
01:19:00ye do now confess it.
01:19:07Wilt thou have this woman to thy wedded wife,
01:19:14and, forsaking all other, keep thee only unto her
01:19:17so long as ye both shall live?
01:19:20I will.
01:19:24I will.
01:19:36The wedding cannot go on.
01:19:50There is an impediment.
01:19:51Proceed.
01:19:53Mr. Rochester is already married.
01:19:55Demand an embassy. Carry on.
01:19:57I'm obliged to listen to the accusation.
01:20:01I have the wedding certificate here
01:20:03of Edward Rochester of Thornfield Hall
01:20:06and my sister, Bertha Antoinette Mason of Spanish Town, Jamaica.
01:20:10And is she still living?
01:20:12Yes.
01:20:14I saw her with my own eyes not three months ago.
01:20:17No!
01:20:19I'm sorry, but it's not right.
01:20:22Edward.
01:20:26I tell you he has a wife.
01:20:28Wife?
01:20:31You dare to call her that?
01:20:34Wife!
01:20:36Follow me in an introduction to my wife!
01:20:51Get back to work.
01:20:53Take the child to her room.
01:21:04Grace!
01:21:06Open the door!
01:21:08Are you sure, sir? You know what happened last night.
01:21:10I said open the door!
01:21:12For God's sake, sir, take care.
01:21:22Bertha.
01:21:24It's Edward.
01:21:26And they will not harm you.
01:21:28These people will not harm you.
01:21:30And they have not come to take you away.
01:21:37How are you feeling?
01:21:40No, Bertha.
01:21:42No.
01:21:44No!
01:21:46No!
01:21:48No!
01:21:50Get off him!
01:21:52What did I tell you, sir?
01:21:54Hold her down. I've got her.
01:21:56I've got her.
01:21:58Body!
01:22:10That is who, Mr. Mason,
01:22:15calls my wife.
01:22:17You married her, Edward.
01:22:19I was tricked into it by your family in Jamaica.
01:22:23They showed her off to me at parties.
01:22:25But I was never allowed to see her alone.
01:22:27Talk to her properly.
01:22:29I was dazzled by her beauty.
01:22:31It was only after the wedding that I realised
01:22:34that she was insane.
01:22:38Like her mother and her grandmother before her.
01:22:41And I tried everything in my power to make her happy.
01:22:46Well, I hired the best doctors.
01:22:49I sought alternative methods.
01:22:51And finally, I realised that there was no cure.
01:22:56I could have run away back to England and left her there.
01:22:59But instead, I brought her home with me.
01:23:03And not to have her chained up in some lunatic asylum,
01:23:06some would have it,
01:23:08but to keep her safe here at Thornfield.
01:23:12With a nurse, day and night, to tend to every need.
01:23:16But you must have known you couldn't marry Miss Eyre
01:23:19when you were already married.
01:23:21It would have been a crime.
01:23:23You would have been committing bigamy, sir.
01:23:25Do you blame me
01:23:27when all I wanted
01:23:29was to be with this woman?
01:23:33I would have done anything
01:23:36to be with her.
01:23:40I have been a tormentor for 15 years.
01:23:44And can you stand there
01:23:47and honestly judge me
01:23:49when you see in front of you
01:23:52this poor wretch to whom I am bound for life?
01:23:58Can you?
01:24:02I'll pray for you, Mr Rochester.
01:24:05You can keep your prayers.
01:24:14Oh, I'm so sorry.
01:24:16I'm so sorry.
01:24:20Did you know?
01:24:22Only that Grace Poole had a patient there.
01:24:25I thought it was little Adele's mother.
01:24:27I had no idea it was Mr Rochester's wife.
01:24:32I'm so sorry.
01:24:34I'm so sorry.
01:24:36I'm so sorry.
01:24:38I'm so sorry.
01:24:40I'm so sorry.
01:24:41I'm so sorry.
01:25:11I have something for you.
01:25:14Oh, we're leaving, I see.
01:25:16Didn't I just know you'd desert me?
01:25:18Really, Jane, you are so predictable.
01:25:21Couldn't you be just a little more original?
01:25:24I'm talking to you. Where are you going?
01:25:26Away, sir.
01:25:27Where?
01:25:28Please let go of my arm.
01:25:29Not until you tell me where you're going.
01:25:30I do not know where I am going.
01:25:32Oh, anywhere, so long as it's far away from me, is that it?
01:25:35And why? I'll tell you why.
01:25:37Because you were only interested in becoming Mrs Rochester.
01:25:39That's why.
01:25:40Please give me my bag.
01:25:41You were never in love with me, Jane.
01:25:43You were in love with the idea of being mistress of Thornfield.
01:25:47Admit it.
01:25:49You're no better than Blanche Ingram, running away like a spoilt child.
01:25:53I mean it, you can't hide your way.
01:25:55I thought you were mature,
01:25:57but you're just a child who has no idea what real love is.
01:26:01I would have done anything for you.
01:26:03Anything.
01:26:05I was prepared to commit bigamy
01:26:06because I knew that being married was important to you.
01:26:09And they could have thrown me in prison, I wouldn't have cared.
01:26:11I just wanted to make you happy.
01:26:13Please let go of my arms.
01:26:15Look me in the eyes and tell me you don't love me,
01:26:18and you can walk free.
01:26:20Say it.
01:26:22Now, better still.
01:26:30Here, where you poured out your heart to me.
01:26:33Look me in the face and tell me all that was a lie.
01:26:34It's not me who's told the lies.
01:26:36I have no secret husband.
01:26:38I have always been honest with you.
01:26:40I've always wanted to be honest with you, Jane,
01:26:42but how could I tell you when I knew it would drive all happiness away from me?
01:26:45Look at me, Jane.
01:26:48Tell me you don't love me, and you can go.
01:26:51I can't tell you that, because I do love you.
01:26:54I wanted to be your wife because I love you, not for any other reason.
01:26:58And I love you more than I've ever loved anyone in my whole life.
01:27:01Please don't say that.
01:27:02Why not, if it's the truth?
01:27:04You must never say it to me again, and I must never say it to you.
01:27:07It is wrong.
01:27:09But how can it be wrong when the two of us love each other as we do?
01:27:11It is wrong for us not to be together.
01:27:13I am a plain living person, Mr. Rochester.
01:27:15Oh, Mr. Rochester, is he now?
01:27:17I wanted someone who I could love honestly and decently,
01:27:19and someone who could love me back properly.
01:27:21Well, it doesn't matter who it is.
01:27:23I thought I had that with you, but I was wrong.
01:27:25You led me to believe you were one person, but you were really another.
01:27:28I am the same as I always was.
01:27:30The same heart, the same mind.
01:27:32You are a married man.
01:27:34But I'm still me!
01:27:37And when we danced together, happy and carefree in the drawing room,
01:27:41all the time you knew your wife was locked up there.
01:27:44How could you?
01:27:46What would you have me do, Jane?
01:27:48Devote the rest of my life to her?
01:27:51I could never trust you again.
01:27:55So you're going to punish me instead?
01:27:58Condemn me to live wretched and die a curse?
01:28:03Do you think this is easy for me?
01:28:06Do you think I am happy to see you suffering
01:28:09when every nerve in my body is telling me to comfort you?
01:28:14If I could find a way in my soul of reconciling this situation,
01:28:19I would in a moment,
01:28:21but I cannot throw away any respect I have for myself
01:28:24because my heart is tempted.
01:28:26You have a wife. You belong to another.
01:28:29I belong to you!
01:28:30And you belong to me.
01:28:32We are one soul, Jane.
01:28:34Please help me. Please don't say that.
01:28:36Please help me to be strong.
01:28:38If you only knew how much I love you.
01:28:42Kiss me. I need you, Jane.
01:28:45You want me.
01:28:47I can feel your passions are aroused. Say you want me. Say it!
01:28:50No, I can't!
01:28:52How can I lie with you knowing that I am not your wife?
01:28:55Well, we simply go abroad and we tell people you are my wife.
01:28:58Who's to know any different?
01:29:00I will know it.
01:29:02I would have to live with my own conscience
01:29:05and that would eat away at my soul
01:29:08till I was no longer Jane Abbott, some embittered mistress
01:29:11who you resented being with.
01:29:13I am worth more than that.
01:29:15I would never, never resent being with you, Jane.
01:29:18Leaving you will be the most painful thing I have ever had to endure.
01:29:22But I would rather die
01:29:25than watch the love we have twist into something ugly.
01:29:28I am leaving for us, Edward.
01:29:31For what we have.
01:29:33Not for me, Jane. You're leaving for yourself.
01:29:35And if that's how you truly feel,
01:29:37then go.
01:29:41Go on.
01:29:49That's it. Walk away.
01:29:51You think what we have is nothing?
01:29:58Well, let me tell you.
01:30:00This is the greatest, purest love you will ever find.
01:30:06And I should know.
01:30:08I've searched long enough for it.
01:30:29I had left Thornfield with little money or means to survive.
01:30:33I asked the coachman to take me
01:30:36as far as the twenty shillings I had would allow.
01:30:42I travelled for two days
01:30:44with not a care whether I should live or die.
01:30:47But the further I went,
01:30:49the more I wanted to die.
01:30:51I wanted to die.
01:30:53I wanted to die.
01:30:55I wanted to die.
01:30:56But the further I went,
01:30:58the closer I felt his presence.
01:31:26I think she's waking, Diana.
01:31:56Looks as though her fever has broken.
01:31:59The Lord has looked after her.
01:32:02He has plans for her yet.
01:32:05Poor little soul.
01:32:08I wonder what happened to her.
01:32:12No doubt she's endured great suffering.
01:32:27What is your name?
01:32:31Jane Esser.
01:32:34Can you send for anyone you know?
01:32:40There is no one.
01:32:43Well, Jane.
01:32:45My name is St. John.
01:32:47This is my sister, Diana.
01:32:51I hope you're feeling better.
01:32:52You gave me quite a scare
01:32:54when I saw you lying on the ground.
01:32:59My first two months with St. John and Diana
01:33:02were simple and uncomplicated.
01:33:04The more I got to know them,
01:33:06the more I liked them.
01:33:08Morehouse has been a different place since you arrived.
01:33:11It's very kind,
01:33:13but I must find some employment.
01:33:15I've worked as a teacher,
01:33:17so I must be able to find something.
01:33:19I'm afraid I can't.
01:33:20So I must be able to find something.
01:33:22A teacher?
01:33:24Don't singe in.
01:33:26Well,
01:33:28if she's strong enough to work...
01:33:46Home time!
01:33:51You play very well.
01:33:54A little.
01:33:57That's what all the schoolgirls say.
01:34:04What's the matter?
01:34:06Nothing.
01:34:08I suddenly remembered something.
01:34:10That's all.
01:34:13I never ask you much about your past life, Jane,
01:34:16because I know when you're ready,
01:34:17you'll tell me everything.
01:34:19But I want you to know,
01:34:21whatever difficulties there have been in your life,
01:34:23the work you're doing now is wonderful.
01:34:29I've watched you carefully over these past few months.
01:34:32The children respond to you.
01:34:34No task is too great,
01:34:36and your patience and understanding of people,
01:34:38it's unique.
01:34:40I wish that were true.
01:34:42Other people have a different opinion.
01:34:44It is the truth.
01:34:46Believe me.
01:34:54Dear Mrs. Fairfax,
01:34:56it has been some time now
01:34:58since I wrote to you last
01:35:00asking for news of Adele and Mr. Rochester,
01:35:02and still I have had no reply.
01:35:10There's a story I want to tell you.
01:35:12There's a storm brewing out there.
01:35:14It's been threatening all day.
01:35:19What are you reading, Jane?
01:35:21Anything interesting?
01:35:23A book on German.
01:35:25I'm trying to learn the language.
01:35:27What for?
01:35:29Are you planning on travelling?
01:35:31I have no plans as yet,
01:35:33but I would like to see more of the world.
01:35:35I'll give you a book on Hindustani.
01:35:37You could learn that instead.
01:35:39India's a fascinating country.
01:35:41Stick to the German.
01:35:43I'm studying the language myself.
01:35:45We could learn together.
01:35:47Study what you like and don't be bullied by him.
01:35:52Perhaps I could learn Hindustani as well as German.
01:35:57Well, I must go to bed.
01:35:59I've got an early start.
01:36:01Good night, brother.
01:36:03Good night, sister.
01:36:06Good night, Diana.
01:36:08Stick to the German.
01:36:12I know Diana thinks I'm a bit of a bully sometimes.
01:36:21But, um,
01:36:24let me be honest with you.
01:36:26The real reason I'd like you to learn Hindustani, Jane, is
01:36:29because...
01:36:32Well,
01:36:34in six months' time,
01:36:36I set sail for India to do God's work there.
01:36:38And I would dearly love you to come with me.
01:36:42I'm flattered.
01:36:44I don't know what to say.
01:36:46Your help would be invaluable to me.
01:36:48I've been meaning to ask you for some time,
01:36:50but I knew you were busy at the school
01:36:52and I didn't want to distract you from what you were doing.
01:36:54I'm not sure I'm capable of that kind of work.
01:36:56You are, Jane.
01:36:58Trust me.
01:37:00I know you could do it.
01:37:02Yes, the work will be strenuous,
01:37:04but when have you been afraid of that?
01:37:06You have endurance, Jane.
01:37:08You will make a perfect missionary's wife.
01:37:11Wife?
01:37:13You hardly know me.
01:37:15I know all I need to.
01:37:17You were sent to me, don't you understand?
01:37:20This is what we are to do in life.
01:37:23We will work together, side by side.
01:37:26It was true.
01:37:28Fate had taken me to St. John,
01:37:30and hadn't he cared for me,
01:37:32given me the opportunities to prove myself?
01:37:34He was a good man.
01:37:36He would make a considerate husband.
01:37:38What more could I want?
01:37:39I knew St. John could never love me,
01:37:41but hadn't love only brought me pain?
01:37:43I love you more than I've ever loved anybody in my whole life.
01:37:46If I left England,
01:37:48perhaps I would leave the memories of Edward Rochester behind.
01:37:51Maybe this was the way to put him out of my mind forever.
01:37:54You know in your heart it's right.
01:37:58I'm confused.
01:38:00My heart won't speak to me.
01:38:02Then I will speak for it.
01:38:04You will marry me and come to India
01:38:06where we will do God's work together.
01:38:07Say yes.
01:38:09Say yes.
01:38:11Say it.
01:38:13I love you more than anyone I have ever loved in my whole life.
01:38:16Look me in the eyes and tell me you don't love me,
01:38:18and I'm all for it.
01:38:20I can't.
01:38:22Jane!
01:38:24Edward.
01:38:26Jane!
01:38:28Where are you?
01:38:30Edward, I'm coming.
01:38:37I'm coming.
01:38:57There's only a few miles to go yet, miss.
01:38:59It's all right.
01:39:01I know a shortcut over the fields.
01:39:08Edward.
01:39:23Am I too late?
01:39:25The fire raged all night.
01:39:27You could see black smoke billowing for miles.
01:39:30Edward.
01:39:32Mrs. Rochester escaped from her nurse and set fire to the place.
01:39:35She panicked,
01:39:37ran up onto the roof.
01:39:39We could see her dancing amidst the flames,
01:39:41screaming.
01:39:43It was terrible.
01:39:47And Mr. Rochester?
01:39:50Mr. Rochester got his young ward and the servants out of the house,
01:39:54then went up on the roof after Mrs. Rochester.
01:39:57He did his best to save her,
01:39:59but she jumped to her death.
01:40:02Unfortunately, he was on his way back down
01:40:05when the staircase gave way
01:40:07and he fell.
01:40:33Is that you, Mrs. Fairfax?
01:40:35Did you get some water for me?
01:40:42Mrs. Fairfax?
01:40:44Yes, Mr. Rochester.
01:40:46May I have the water, please?
01:40:49Thank you.
01:40:51Thank you.
01:40:53Thank you.
01:40:55Thank you.
01:40:57Thank you.
01:40:59Thank you.
01:41:00Please.
01:41:31Thank you.
01:41:35It is my pleasure.
01:41:37Jane?
01:41:38Is that you?
01:41:41Dear God.
01:41:43I'm going mad.
01:41:46You are not mad, sir.
01:41:50That's how I'm dreaming.
01:41:52Never let me wake.
01:41:57It's Jane's lips.
01:41:58It's Jane's lips.
01:42:00Her cheek.
01:42:01Her little fingers.
01:42:03And her voice.
01:42:05You are not dreaming.
01:42:07I am truly here.
01:42:10My own sweet Jane.
01:42:14I have come back.
01:42:18I will be your companion.
01:42:20Your nurse.
01:42:22Your eye.
01:42:23I don't want a companion.
01:42:25Neither do I want a nurse.
01:42:29I might have known.
01:42:31So you have come back to take pity on a poor blind man.
01:42:37Is that it?
01:42:38Who told you?
01:42:40No one told me.
01:42:42I have thought about you every day since I left.
01:42:45I have fought my emotions and I cannot fight them any longer.
01:42:49I've travelled for two days without stopping and when I saw Thornfield I feared that...
01:42:52A ruin.
01:42:54Like myself.
01:42:56You are no lifeless ruin, sir.
01:42:59You are wounded but still full of life and vigour.
01:43:08Edward.
01:43:11So, you didn't find a husband then?
01:43:14You didn't find a husband then?
01:43:22I met someone who wanted to marry me.
01:43:27No doubt he's young and handsome.
01:43:30Yes.
01:43:32And he's a good and honourable man.
01:43:36So why are you here then? Why aren't you with him?
01:43:39I came to see you.
01:43:40I came to see you.
01:43:44Well, take a good look.
01:43:47Think how lucky you are.
01:43:49It was a narrow escape.
01:43:51You could have been married to this hideous blind wreck.
01:43:58I can think of nothing better.
01:44:04Your visit is very much appreciated, Jane.
01:44:10I think it is best if you go now.
01:44:13For go you shall.
01:44:15And it would be less painful on the heart if it was sooner rather than later.
01:44:22I will not go.
01:44:24You can say what you want.
01:44:27I will never leave your side again.
01:44:34If you throw me out of this house then I will pound against the door until you let me in.
01:44:40Do you understand?
01:44:43I want no other.
01:44:45I love you.
01:44:48How can you love me like this?
01:44:52Do not speak these words out of pity, Jane.
01:44:57What good am I to you?
01:44:59How can I take care of you?
01:45:02It is a pity to see your poor wounded face.
01:45:05But you are not your wounds.
01:45:10The danger is that I will love you too much.
01:45:14For you are everything that matters in the world to me, Edward.
01:45:19Jane.
01:45:23My heart will burst for wanting to see your face.
01:45:29Touch it.
01:45:30Here.
01:45:32See with your hands.
01:45:36I have come home, Edward.
01:45:37I will never leave you again.
01:46:03I have been married to Edward ten years now.
01:46:05And I love him as much today as the day I returned to Thornfield and saw him wounded and helpless.
01:46:11In our third year together he regained the sight in his right eye.
01:46:15And when our firstborn was put into his arms he could see his own likeness.
01:46:20I am truly blessed.
01:46:22For I now know what it is to have found love.
01:46:35I love you.
01:47:05I love you.
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