Rote Rosen Folge 1197

  • 3 ay önce
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00:00Katja really wants to celebrate in the nursery.
00:03And I'm putting her life in danger.
00:05I know. Tell her.
00:07That's not possible. She cancelled another wedding because of us.
00:11So, friends?
00:13I can't do it any other way.
00:17I thought you weren't sure about this Harzfeld-Winter.
00:20Meeting her alone and talking to her about this database is awesome.
00:24Hoppla.
00:30I'm worn and painted by the sun
00:32And it's in my eyes
00:34And it's in my eyes
00:38Caught by the rapture of the dawn
00:40And a restless sky
00:42And a restless sky
00:46This is my life
00:50This is the way to find my own
00:54This is my life
00:56This is my life
00:58This is the world where I belong
01:04I'm rolling on
01:06I'm rolling on
01:18Sorry. I'll drop by later.
01:26Oh, God.
01:32Was that your patient?
01:34Patient? That was her.
01:36What do you mean?
01:40That was Prof. Dr. Dr. Regina Harzfeld-Winter.
01:43Excuse me?
01:45The Regina Harzfeld-Winter?
01:48This Cori Fae?
01:50The one you're talking about all the time?
01:52Yes.
01:53Maybe she's going to start a new clinic?
01:56Shit.
02:07I feel sick.
02:12The last speech I gave
02:14was for my colleague's 40th anniversary
02:18from Buchholz.
02:20His name is Karl Heinz.
02:22Oh.
02:26For every letter of his name
02:28I quoted a medicinal herb.
02:31For example, K like Camille
02:33or A like Anise.
02:35And with that, I got the curve
02:37to his peculiarities and hobbies.
02:41That was very well received at the time.
02:43Well, I'd like to believe that.
02:45But I'd rather give up
02:47this kind of apothecary humor
02:49when talking about a bride's father.
02:51Especially with the name
02:53Katja twice sold Anise.
02:55Well, that could be varied.
02:57With Artichoke,
02:59Agave
03:01or Akelai.
03:05Well, it seems important to me
03:07that the speech is very personal.
03:09Yes.
03:11You can do it.
03:13And no shaking, I know.
03:15Did any of you happen to see
03:17my car key?
03:19Yes, here.
03:21Ah, thank you.
03:23Let's go to the atelier.
03:27May I ask
03:29what I deserve this proof of love for?
03:33That you gave Philip
03:35your beloved typewriter.
03:37I know that you two
03:39didn't have an easy start.
03:41Especially relationships
03:43with easy start-ups
03:45often last the longest.
03:47Besides, it was pure calculation.
03:49I expect
03:52Philip's book
03:54to be dedicated to Achim Meisner,
03:56my father-in-law.
03:58It's a deal.
04:00I promise.
04:02Is this going to be the speech
04:04for my wedding?
04:06Just a few keywords.
04:08The actual text
04:10is already under pressure.
04:12Well, you don't have to
04:14praise me, Papa.
04:16I know how my old master
04:18feels about me.
04:20And the world
04:22can experience it, too.
04:24As you wish.
04:26Bye.
04:28Bye, Erika.
04:38Well, after all,
04:40you don't hold a wedding speech
04:42every day.
04:50Ah, here you are.
04:52I feel like a page
04:54in the first year of school
04:56you caught smoking in the bathroom.
04:58Alfred Albers is starting
05:00his well-deserved term,
05:02and that's three minutes past the deadline.
05:04Yes, that's about the number
05:06of bottles of Lago-Marie
05:08we still have in the wine cellar.
05:10And I don't want to start
05:12with Champagne and Saint-Esteve.
05:14Yes, that's what I'm trying
05:16to make clear to you all day.
05:18I mean, normally
05:20Mrs. Fagier always delivers automatically.
05:22I don't know about that.
05:24By the way, I just told Mr. Lichtenhagen.
05:26As you told Torben,
05:28our wine stock has to be replenished.
05:30But he obviously didn't find any hearing, either.
05:32Then I have to call
05:34Mrs. Fagier very quickly.
05:36Yes, I would do that, too.
05:38I mean, she can deliver by express.
05:40After all, we're old customers.
05:42Yes, but it's too stupid
05:44to keep the wine stock alive.
05:47How do I look now?
05:49I would say as a young woman
05:51with a certain sexual elan
05:53that has proven
05:55an excellent taste
05:57in choosing her partner.
05:59Ben, that's not funny.
06:01The woman will most likely
06:03head a new clinic.
06:05Most likely.
06:07So, wait and see.
06:09I don't know.
06:11I don't know.
06:13I don't know.
06:15So, wait and stay cool.
06:17What would you say
06:19if you could find a couple
06:21in a clear pose
06:23in one of your wind turbines?
06:25That can't happen to me.
06:27I'm unemployed.
06:29If, Ben, if?
06:31If, then I would probably
06:33pull back a little
06:35and treat them with all my heart.
06:37Yes, and I pull the question back with it.
06:39Have you ever thought about
06:41that the woman may not have guessed
06:43that you are a nurse
06:45or something like that?
06:47Yes, but she will notice that
06:49when she starts working with us
06:51and becomes my boss.
06:53Okay, but still,
06:55I would wait and see.
06:57You don't understand, do you?
06:59Even if the woman doesn't come to Lüneburg,
07:01we are in constant contact
07:03through this data network.
07:05You, I said my opinion.
07:07Attack is the best defense.
07:09And that means what in plain language?
07:12That means that I find out
07:14where she lives in Lüneburg.
07:16Oh, and what then? Sherlock Holmes?
07:18Then I go to her
07:20and apologize for the situation.
07:30Oh, thank you.
07:32What I wanted to ask you earlier,
07:34how was your snuff course?
07:36My what?
07:38Snuff course.
07:40With your aunt,
07:42on the side of Flickenshit.
07:44It had to be postponed
07:46because we are both witnesses
07:48for Katja and Philipp.
07:50Well, I find that very funny.
07:52First you were rambling
07:54about this tulip house property
07:56and now you are always
07:58in the team together.
08:00Don't overdo it, auntie.
08:02But I don't want to
08:04discredit a certain approach.
08:06Let's just leave that thing
08:09as it is.
08:11I know bridesmaids don't want to be disturbed,
08:13but you want to know
08:15where their loved ones have gone.
08:17I don't understand.
08:19Your wedding trip.
08:21Where are you going?
08:23We are not going on a wedding trip.
08:25The move to Stockholm is still pending.
08:27Not even a long weekend?
08:29Listen, after all the turbulence
08:31it is a gift enough
08:33that Philipp and I
08:35are allowed to marry at all.
08:37Modesty is your goal.
08:39But you can't go any further without it.
08:41Listen,
08:43we are allowed to celebrate here in the nursery.
08:45Your wedding would be
08:47the icing on the cake,
08:49but you can't have everything.
08:51But that is certainly not possible.
08:53You can still talk to the registry officer.
08:55Or not.
08:57I have to call Philipp.
08:59He has a good advice for the registry office.
09:01This Mrs. Rose.
09:07Thank you.
09:09I promise you
09:11that you are still my dream woman.
09:13And you give me such a charming body
09:15that it almost doesn't hurt
09:17and I could imagine
09:19to be only friends with you.
09:21Am I getting old?
09:23No, just smarter and wiser.
09:27That's why Brussels chose you
09:29as a quasi-missionary in Europe.
09:31It's not so easy
09:33to make people taste Europe.
09:35I'm also looking forward
09:37to our upcoming citizens' meeting.
09:39You mean the discussion
09:41about Lüneburg's middle class
09:43and EU funding?
09:45That's why I get a lot of inquiries.
09:47My website is also constantly clicked.
09:49Like during election times.
09:51That makes me happy.
09:53Are you going to the council now?
09:55Well, pregnant or not,
09:57Lüneburg can't be ruled
09:59by a website.
10:01Then our paths separate.
10:04See you soon.
10:14Mr. van Loon.
10:16Mr. Jansen.
10:18Are you taking the photos as a tourist
10:20or as a businessman?
10:22As a tourist.
10:24But the people from Brussels
10:26are just in time.
10:28They are experts in EU funding
10:30and I am a businessman
10:32And how are we going to get together?
10:34I want this warehouse here.
10:36It seems ideal for my purposes.
10:38Large warehouses,
10:40centrally located
10:42and as a base for upcoming business.
10:44For example, with old tiles.
10:46Old tiles?
10:48Yes, old in the sense of antiquity.
10:50The tiles are quite valuable
10:52and I want to store them here in Lüneburg.
10:54Yes, the building has been empty
10:56for ages, but I don't know
10:58about the exact circumstances.
11:00Of course, I was also interested
11:02in the question of the vacancy.
11:04And?
11:06The owner is a certain Johanna Jansen.
11:08You are not related to the lady, are you?
11:10Johanna Jansen is my mother,
11:12but if the house belonged to her,
11:14I would know that.
11:16Maybe you can tell me yourself.
11:18This is a copy of the basic book.
11:30So, Anna,
11:32how do we get into the entertainment program?
11:34How does the Indian celebrate a wedding?
11:36Our parties are gigantic.
11:38Come on, tell me.
11:40On this day,
11:42little is saved.
11:44Sometimes up to 1,000 people come together
11:46and celebrate for several days.
11:48And which poor sock
11:50has to write the menu for it?
11:52You don't believe me, do you?
11:54Yes, that's right.
11:56I was once at a Turkish wedding.
11:59Over 400 people, that was a lot.
12:01I felt like I was at a fashion show for evening dresses.
12:03Yes, with us, the hands and ankles
12:05of the bride are cut off.
12:09Of course not.
12:11They are painted with henna.
12:13Okay.
12:15I don't know if that's something for my mother.
12:17Both.
12:19Yes, it's just supposed to bring luck.
12:21But you just said something about games
12:23and this thing with harmony.
12:25Exactly, yes.
12:27There was a heart cut out
12:29and then they climbed through
12:31and then they sawed a tree trunk
12:33and cut the cake together.
12:35Yes, thank you.
12:37Excuse me.
12:39So,
12:41the wedding in the nursery is cancelled.
12:45Because it's against some regulations?
12:47No, it's not.
12:49But the civil servant has to marry
12:51on this day.
12:53He doesn't have time for a trip to the nursery.
12:55Damn, that would have been so romantic
12:57with all the flowers.
12:59Well, okay, but he's booked out.
13:01It's not possible.
13:03Short and sweet,
13:05wedding in the nursery, yes,
13:07wedding in the nursery, no.
13:17Well, Mr. Meisner,
13:19are you sitting on the first page
13:21of your memoir?
13:24No,
13:26I'm still sitting on
13:28my father-in-law's speech.
13:30I feel like the famous ox
13:32in front of the mountain.
13:34That's not easy.
13:36When is your speech placed on time?
13:38I mean, is it right at the beginning
13:40or more in the middle?
13:42What does that matter?
13:44Yes, that's not completely unimportant.
13:46I mean, the mood is always a bit stiff
13:48at the beginning, right?
13:50And then over time it becomes a bit more relaxed.
13:52Yes, that's important for the points.
13:54In the second part, you can be a bit more brave.
13:58Should I also calculate
14:00the alcohol content?
14:06Still no idea?
14:10I had hoped
14:12that this small change of wallpaper
14:14and the people here
14:16would inspire me a bit.
14:18I have a rhyme lexicon if you want that.
14:22Well,
14:24it's always a question
14:26of how you approach something like that.
14:28Whether you do it in a cheerful way
14:30or pathetically
14:32or historically.
14:34For example,
14:36I carried this child on my arm
14:388,500 grams.
14:408,500 grams.
14:42Well, Mr. Albers, Katja Meissner
14:44didn't come to the world as a horse.
14:46It was exactly 3,256 grams
14:48that made me a father
14:51and changed my life.
14:53That's the solution.
14:55How did Katja
14:57change your life?
14:59I don't mean as a baby,
15:01but after your long break.
15:03During your second run here in Lüneburg.
15:05Well,
15:07I ended up in prison
15:09because of this insatiable Nadine Dorn
15:11as a highly dangerous
15:13drug fraudster.
15:15Katja found out about it
15:17in Hamburg,
15:19exchanged me at the pharmacy
15:21and threw me out of misery.
15:25Well, I got my daughter back,
15:27plus a wonderful granddaughter
15:29and now also a nice son-in-law
15:31whom I initially treated as a bloodhound.
15:33Write that down.
15:35Absolutely.
15:37That's good.
15:39You're right.
15:41The knot is broken.
15:43Yes, I understand.
15:45Unfortunately,
15:47you can't do anything about it.
15:49I wish you a good day, too.
15:51Anyway.
15:53Goodbye.
15:55Tell me,
15:57can you tell me
15:59what your cryptic and provocative
16:01text message should be?
16:03First of all,
16:05according to my phone call,
16:07I find my text messages
16:09quite moderate.
16:12You're a bit overwhelmed
16:14by the fact
16:16that you're a participant
16:18in a wine and salt death case, aren't you?
16:20Did Alfred Albers tell you
16:22that our wine stocks
16:24absolutely have to be refilled?
16:26It may be that he said
16:28something in that direction, yes.
16:30Wait, that's not the right catastrophe yet.
16:32We have to remove both
16:34the Saint-Esteve and the La Gomery
16:36from the map.
16:38I don't understand it now.
16:40And since that didn't happen,
16:42our two most popular wines
16:44are out of stock.
16:46Can't we order the wine
16:48somewhere else if this woman
16:50can't deliver?
16:52She refers to her directly
16:54exclusively.
16:56Then let us call her
16:58and tell her we're big customers.
17:00You don't get it.
17:02She sold out the wines.
17:04It's too late.
17:06No, Carla, that's really not my fault.
17:08Bonus-like contract extensions
17:10are not everyday,
17:12they just belong to you.
17:14Oh, I see.
17:16You're responsible for the laurels
17:18and I'm going diving
17:20if the child falls into the well.
17:22Wrong!
17:24Everyone goes diving
17:26if the child falls into the well.
17:28That's what the contract says.
17:30Shall we look it up?
17:32Oh, come on,
17:34you're not serious.
17:37A few weeks later
17:39Thank you, dear Philipp.
17:41I love you.
17:43I love you.
17:45I love you.
17:47Excuse me, I'll just copy it and then mail it.
17:49Let me guess, my friend.
17:51The partner agency
17:53doubled its honorarium
17:55because Thomas Janssen is so hard to get.
17:59Tell me, you know that old warehouse
18:01that's been empty and neglected
18:03for ages down at Ilmenau?
18:05Yes, of course.
18:07Do you know anything about this building?
18:09Should I?
18:11Well, if it's true what I've heard,
18:13it belongs to my mother.
18:15You just found out?
18:17I see you understand my irritation.
18:19Do you have a spontaneous explanation for that?
18:23Maybe from an unknown
18:25heir who inherited it from her?
18:29No, no.
18:31My mother is always good for a surprise.
18:33I'll ask her later.
18:37Oh, you look confused.
18:39Do I have to worry about you as your witness?
18:41Katja and I thought
18:43that we should let her trust us in the nursery.
18:45That's a wonderful framework for it.
18:47But I just found out
18:49that the state officials have no time,
18:51no one is coming.
18:53Your schedule is full.
18:55And what about Anne?
18:57She can trust you as the mayor.
18:59I used to trust a mayor myself.
19:02You're not just a mayor,
19:04you also know the solutions.
19:10Dr. Harz...
19:12Professor Harz.
19:14Professor Harz-Weld-Winter,
19:16I would like to apologize to you.
19:24Dr. Harz-Weld-Winter,
19:26I'm sorry about what happened yesterday.
19:28It's okay.
19:38Professor Harz,
19:40I'm sorry.
19:51I don't want to be smart,
19:53but this contract is more
19:55a sporadic confession of will
19:57than a list of responsibilities.
19:59That's bad enough.
20:01It only says
20:03that we keep a juror fixed once a week
20:05and that you're responsible for the kitchen.
20:07So you're smarter than me.
20:09No. Who started this whole contract thing?
20:11Let's be clear.
20:13You forgot to pass on the information
20:15from Alfred Albers.
20:17That's why we have a wine cellar without wine.
20:19Yes, we've been to this point before
20:21and I've apologized several times.
20:23Yes, but that doesn't solve our problem.
20:26It's not about the kitchen.
20:28It's not about the wine cellar.
20:30Don't give me your explicit contract.
20:32Dr. Harz-Weld-Winter is in the circle.
20:34I'm not.
20:36I have a lot to do, too.
20:42Let me know
20:44if I can cancel your wedding date.
20:46That's up to you,
20:48but I have a good plan.
20:50First the jubilee and the rings.
20:52Merle.
20:54Mr. Flickenschild,
20:56we have a problem.
20:58We?
21:00Yes, we as a witness team.
21:02Katja and Philipp want to postpone
21:04their wedding trip
21:06to plan their move instead.
21:08From a pragmatic standpoint,
21:10it's understandable.
21:12Why?
21:14Mr. Flickenschild,
21:16we're talking about a wedding.
21:18We can't let our guardians
21:20disappear between a mountain of moving boxes.
21:23We'll do it tonight
21:25in our hotel's wedding suite
21:27with all the necessary extras.
21:29Getting between the boxes
21:31in the morning
21:33is not a very romantic idea.
21:35I have a better idea.
21:37Probably with fewer moving boxes
21:39but more romantic.
21:41Right.
21:43I'm very curious
21:45what you have to say.
21:47I follow.
21:53So,
21:55we agree
21:57that we need a saw.
21:59And for that
22:01a tree stump.
22:03And a can.
22:05Color.
22:07And...
22:09I don't know.
22:11The bakery.
22:13Right.
22:15A cake for the wedding.
22:17Exactly.
22:19May I interrupt?
22:21May I interrupt?
22:23Yes, if it has to do with mum's wedding.
22:27It's my father-in-law's speech.
22:29Do you want to hear it?
22:35I'll leave the greeting out.
22:39But now.
22:41In 1964,
22:43a lot happened.
22:45The Beatles won five titles
22:47at the same time in the US hit parade.
22:49The GDR
22:51raised the minimum exchange rate
22:53for visitors from the West.
22:55The first FC Köln
22:57became German champion
22:59and my Katja was born.
23:05Katja is the short form
23:07of Katharina.
23:09It means the pure one.
23:11The alternative would have been
23:13Norbert
23:15if you had become a boy.
23:18And what does that mean?
23:20It means
23:22the famous one in the North.
23:24But we'll get to that.
23:26I was afraid of that.
23:28Excuse me?
23:30Grandpa, I'm sorry,
23:32but your speech is like
23:34a dia show
23:36without dias.
23:38To fall asleep.
23:40No emotions.
23:42We'll get to that in a minute.
23:44If anyone listens
23:46at all.
23:48Do you think so?
23:56Then I wish you a nice day.
23:58If it's a price question,
24:00we haven't negotiated yet.
24:02No, we don't have to.
24:04Not today and not tomorrow.
24:06The warehouse is unsellable.
24:08And now, please excuse me.
24:10I know I should have
24:12announced my visit earlier.
24:14Here you go.
24:16Oh, thank you.
24:20So there really are people.
24:22Who was that mum?
24:24Oh,
24:26he wanted to sell me something.
24:28I read it.
24:30Why are you lying to me?
24:32Excuse me?
24:34That wasn't a representative.
24:36That was Vincent van Loon.
24:38And I know exactly
24:40what he wanted here.
24:43That a property
24:45is registered
24:47under the name Johanna Janssen
24:49and I'm not talking about the Rosenhaus.
24:51And said object
24:53Mr. van Loon wants to buy.
24:55So, does the warehouse belong to you?
24:57Yes or no?
24:59And if yes, why don't I know anything about it?
25:01Yes,
25:03the warehouse belongs to me.
25:05And now I'll tell you something.
25:09I don't want to
25:11talk about it.
25:13Bastard.
25:33Hey, busy, busy!
25:35I tried to hire a few single men,
25:37but they only work in Cologne.
25:39It's hard to believe
25:41that such a delicate design
25:43will later become
25:45such a heavy piece of stone,
25:47bronze or something else.
25:49Especially in front of the opera in Stockholm.
25:51If it calms you down,
25:53I sometimes don't know either.
25:55But I know
25:57that this sketch will get a dedication,
25:59will be framed
26:01and will be my wedding gift for Philipp.
26:03Oh, that's a nice idea.
26:05Action!
26:09Ah, hello.
26:11Well?
26:13Has our wedding planner got everything under control?
26:17Can the wedding take place here?
26:19No, but somehow yes.
26:21Unfortunately, the official
26:23has no time at all.
26:25Only our mayor,
26:27Ms. Anne Lichtenhagen,
26:29will personally promote us
26:31to the status of marriage.
26:33By virtue of her office,
26:35she has the license for marriage.
26:38The man is really good.
26:40I'm starting to notice that too.
26:42Now?
26:44Then my contribution to this wedding
26:46will soon be limited
26:48to a simple yes.
26:50Not a very insignificant contribution.
26:54Can we pack up in peace now?
26:56You can do that. I'll take care of the guest downstairs.
26:58And everyone always talks about wedding stress.
27:00The jubilee.
27:02We have to adjust the rings.
27:04Come on.
27:06Yes, yes, we'll do that.
27:10Well, and?
27:12What? What are you talking about?
27:14It seems to me that you have come to like it.
27:16Purely wedding-like.
27:18Aunt, there are still two more.
27:20My better half
27:22still has to be baked,
27:24cut or knotted, right?
27:26There are already three options.
27:28The box too?
27:30Yes, and the staff, yes.
27:33Come.
27:35And why did you get the box
27:37out of the cellar now?
27:39Possible inspiration
27:41for our entertainment program.
27:43Let's see.
27:47And what was that
27:49with the cassette on it?
27:51Mom and I bought it in 97
27:53somewhere in Thailand
27:55from a flying dealer.
27:57Best of 97.
27:59We listened to it the whole trip.
28:03It was on this world tour
28:05when you were six years old?
28:07On the way I turned seven.
28:09Cute.
28:33Dad was dead.
28:35Mom just postponed
28:37my enrollment
28:39for a year
28:41so that we had time
28:43to process our grief.
28:45That's how this great
28:47journey came about,
28:49which Mom and I
28:51totally welded together
28:53until today.
28:55I don't know
28:57if I'll be able
28:59to tell you
29:01how grateful I am today.
29:03Appreciated.
29:05Yes.
29:07The occasion was so sad.
29:09It was a great year.
29:13In India we say
29:15that a mother is like a child,
29:17like rain for a flower.
29:25How many memories
29:27are on this cassette.
29:29You know what?
29:31I think it's time
29:33to thank the flowers for the rain.
29:39How's your mom?
29:41Well, she shouldn't
29:43give the tour guide anymore,
29:45but otherwise quite well.
29:47But her hand is just dusty.
29:49Of course, nothing serious.
29:51And that you are there
29:53will certainly speed up
29:55the healing process.
29:58Hey, Derek.
30:00Yes, we do.
30:02How are you doing with the pregnancy, Derek?
30:04Oh, it's great.
30:06It's perfect.
30:08Okay, thank you, Derek. Bye.
30:28And then?
30:34I'm even sure.
30:36I think the next race
30:38is almost ready in your head.
30:40Right?
30:42Hey, you know me well.
30:44And? Is there anything new with you?
30:52Yes, but you don't seem to be impressed by that.
30:54Certainly not.
30:56Can you imagine
30:58to continue your research project
31:00from here?
31:02If I can even continue
31:04my marriage from here with you.
31:06Well, maybe I should quit
31:08and we'll move together
31:10to my old home.
31:12In Hamburg,
31:14safety engineers are sought.
31:16And New York?
31:18Our village.
31:20Well, we'll miss it, won't we?
31:22Broadway, the offshores,
31:24okay, we'll stay in New York.
31:27No, seriously.
31:29Of course we'd leave a lot behind.
31:31But we'll wait and see
31:33how it goes for you at the hospital.
31:35You're right.
31:37Einstein says
31:39I'm more interested in the future
31:41than the past.
31:43Because I remember living in her.
31:45Or you always have to be
31:47at least one whisky ahead in life.
31:49Who said that?
31:51Hemingway?
31:54I didn't have that in my philosophy studies.
31:56See?
32:02This young man is really doing a science
32:04on the sale of two wedding rings.
32:06I mean, the question of the ring size
32:08is still on my mind,
32:10but does the ring finger
32:12play an important role in everyday life?
32:14The man was thorough
32:16and understands his business.
32:18It's a shame we couldn't take the rings with us.
32:21Tell me,
32:23is your ring finger really that big?
32:25Excuse me,
32:27my ring finger is completely normal.
32:29It's more even.
32:31In every wedding comedy
32:33there's stress with the wedding rings
32:35on the last meters.
32:37Either they're gone
32:39or they fall down
32:41or the kisser's dog swallows them
32:43and then they have to be replaced by a wire.
32:45So, Mrs. Meisner, do you think
32:47our wedding is a comedy?
32:49No, of course not.
32:51I promise you
32:53we'll make it work.
32:55I'll call our mayor
32:57and ask if she dares to trust us.
32:59Of course she does.
33:01Do you know
33:03that sometimes
33:05you can be a little over the top?
33:07You mean,
33:09a little too over the top.
33:11It comes from
33:13working with a certain
33:15material,
33:17like marble and stone.
33:19Yes, and it has to be shaped first.
33:50What's this?
33:52South American food?
33:54Yes.
33:56Argentinian locro?
33:58Yes.
34:00Delicious!
34:02Corn, sausages, pumpkin,
34:04everything's in there.
34:06Oh, my treasure.
34:08How often have we both
34:10eaten this together in South America?
34:12Ask me something easier.
34:14But I want it every evening
34:16like this.
34:18But I want it every evening
34:20like this.
34:26Everything's just like it used to be.
34:30You just didn't have the wine
34:32back then.
34:36What's this?
34:38A little time travel?
34:40A thank you.
34:42For the best mom in the whole world.
34:48Thank you
34:50for always
34:52being there for me.
34:54You're
34:56dad's death
34:58back then.
35:02But you just
35:04packed our suitcases and showed me
35:06how beautiful the world is anyway.
35:14To see you laugh again.
35:16That was the most beautiful thing
35:18on the whole trip.
35:22My God, how long has it been?
35:2613 years.
35:28More than half of my life.
35:32Now we're not going to cry, we're going to laugh.
35:34Yes.
35:36Come on.
35:38That's what we're going to do now.
35:40You did it all by yourself.
35:42Bella, I'm not worried about you at all.
35:45You'll get by anywhere in the world.
36:02Hello, Carla.
36:10I wanted to apologize to you.
36:12I'm sorry
36:14that our argument
36:16got out of hand.
36:18I guess I overreacted a bit.
36:20Well,
36:22the great diplomacy
36:24won't be my discipline in this life either.
36:26So...
36:28Let's not keep calculating, okay?
36:32And so that such misunderstandings
36:34won't happen again in the future,
36:36I took a closer look at our contract.
36:38Excuse me?
36:41Yes, the point at which
36:43we spontaneously got into each other
36:45was actually not fixed anywhere.
36:47That's why I added
36:49a small understatement.
36:51Of course, it's pro forma,
36:53and we can talk about it
36:55and change it again.
36:57You look forward to a well-deserved evening,
36:59and instead you have to
37:01roll some paragraphs with you.
37:03That's just a very small paragraph.
37:05Here, paragraph 6.
37:07Responsibility for the conclusion...
37:09Should I avoid such misunderstandings in the future?
37:11Are you really so pain-free
37:13when it comes to the separation between private and professional?
37:15You give me a frown,
37:17a small apology,
37:19and in the blink of an eye
37:21you want to give me a passus?
37:27What does that mean?
37:29That means
37:31that fortunately I still have
37:33a watertight lease for my apartment.
37:35Have a nice evening.
37:39Thank you.
37:41Good evening.
38:08Good evening.
38:12Is everything okay?
38:18I just need to catch my breath.
38:24You know,
38:26I don't have a good feeling
38:28about leaving you alone.
38:30It will be okay.
38:32Don't worry.
38:34I'll take you to the hospital.
38:36No, that's out of the question.
38:39I'm happy.
38:41I really am.
38:43I would feel better about it.
38:45If nothing else,
38:47I'll take you back,
38:49wherever you want to go.
38:51If you want to go to this bank.
38:53I promise.
38:55I feel much better about it.
38:57That's good.
38:59Come on.
39:01I don't know...
39:03Yes, you do.
39:08Thank you.
39:26Tell me already.
39:29Mr. Meisner, that's not how it works.
39:32Could you perhaps
39:34be a little more specific?
39:36I think it's pretty nice
39:38what you...
39:40I don't want to be rude,
39:42but your speech
39:44has the charm of an anti-football cream.
39:47Thank you, Mr. Albers.
39:49That was concrete enough.
39:51What I want to say with that
39:53is that it's all very correct
39:55and historical and penible
39:57and so on,
39:59but it's too little feeling.
40:01I mean, there was one part
40:03that I thought was good.
40:05Mr. Meisner, you wanted to hear
40:07my honest opinion.
40:09I mean, it wouldn't have helped
40:11if I had said it.
40:13Very good.
40:15Ella basically told me the same thing.
40:17Yes?
40:19And now?
40:21The wedding is in two days.
40:23Should I perhaps
40:25hold a rhetoric
40:27and speech seminar beforehand?
40:29Yes, well,
40:31I'm not too high-minded,
40:34but if it's about the football,
40:36please excuse me.
40:38Ah, of course.
40:40Oh, by the way,
40:42if you ever have any complaints
40:44about this,
40:46tea tree oil helps a lot.
40:48Yes, thank you very much.
40:50I have no complaints.
40:52So, if I understood you correctly,
40:54Torben wanted to apologize to you
40:56and at the same time make an improvement
40:58proposal for the SALTO contract.
41:00Yes, and at the same time
41:03Don't try to fool me.
41:05I'm just trying to understand the problem.
41:07Well, just think about it.
41:09It's a private moment with Torben.
41:11And then he starts with
41:13you could optimize the contract
41:15and this and that.
41:17Always this eternal legal German.
41:19The man is a lawyer.
41:21Yes, but I don't start every sentence
41:23with first you dice the onion,
41:25then you turn it slightly,
41:27then you put it in the glass.
41:29Carla, you're exaggerating.
41:31We can drink wine, enjoy the landscape
41:33and he always starts with the topic of SALTO 2.
41:35Although we said before,
41:37we don't talk about it.
41:39Carla,
41:41Torben is a sensitive,
41:43integral, loving man.
41:45What am I supposed to say now?
41:47That you two will never get bored.
41:51Here, the somewhat dry kind of Torben
41:53and there the temperament of a Carla Saravagos.
41:55For me, it sounds more like
41:57a dangerous mixture.
42:01I would rather say
42:03an explosive mixture.
42:05Tell me, did he really give you flowers?
42:07Yes, a big bouquet.
42:11So if Torben Lichtenhagen
42:13gives someone flowers,
42:15a big bouquet, you say?
42:17Yes.
42:19Then you should really make a star
42:21behind the date.
42:23The man is really not an inflationary
42:25flower giver.
42:27Then he means it seriously
42:29So,
42:31and I won't say anything more.
42:33Besides, I have to go to the office now.
42:35And you?
42:37I do what I always do in moments like this,
42:39namely beating eggs and conjuring desserts.
42:41That's really a nice valve,
42:43of which everyone has something.
42:51Bye, Carla.
42:53Bye, Anna.
42:59Bye.
43:03Thank you very much.
43:05It was really very friendly of you.
43:07Please tell me
43:09how much you were paid for the taxi.
43:11No, no, of course you are invited.
43:13But that's not possible.
43:15Mrs. Jansen,
43:17did something happen?
43:19This young man certainly
43:21dissuaded me from the street.
43:23Well, better said, from a parking bench.
43:25And since you treated my mother
43:27so kindly,
43:29I bring you this nice lady.
43:31Very considerate.
43:33No, I couldn't just let her sit like that.
43:35Yes, but I was just out of breath.
43:37That can be.
43:39But whether that is so,
43:41I would rather have a doctor
43:43or a doctor explain it to me.
43:45Thank you very much.
43:47I'll take a look at it right away.
43:49I'm at Dr. Thies,
43:51in the very best hospital.
43:53So, all the best to you.
43:55Now I feel better again.
43:57And I regularly take
43:59the medication against blood poverty.
44:01Sometimes I just feel
44:03so, suddenly so,
44:05so dizzy.
44:07We'll definitely do an ECG.
44:09Maybe you've really overworked yourself.
44:11But I'm allowed to go home.
44:13If you promise me
44:15that you'll feel better then, yes.
44:17And if you come by again tomorrow for the check-up.
44:25It was okay that I left you alone, wasn't it?
44:27Oh, that's nice.
44:31Did Ella do it?
44:33Ella cooked.
44:35Locro.
44:37An Argentinian national dish.
44:39We lived off of it for weeks.
44:45She's such a great girl.
44:47She's your daughter.
44:51She wanted to see you.
44:53She wanted
44:55to thank me.
44:57Basically for everything.
44:59You basically did
45:01everything right.
45:05Maybe.
45:07At least it looks like it.
45:09I also want to thank you.
45:13For giving this old stone
45:15a place in your life.
45:17Thank you.
45:23Did you talk to Anne Lichtenhagen?
45:25Did everything work out with the mourning?
45:27What can't work out?
45:29Did you?
45:31No, but I'll do it now.
45:33I'll get ready for bed.
45:35See you soon.
45:37See you soon.
45:45Lichtenhagen?
45:47Mrs. Lichtenhagen, this is Philipp Stein.
45:49I didn't expect to see you in the office.
45:51You also have long working days.
45:53Good evening, Mr. Stein.
45:55If you don't mind,
45:57sometimes I like the hours
45:59when I'm almost alone in the town hall.
46:01What can I do for you?
46:03The following.
46:05Mr. Stein and I thought
46:07that maybe we don't just want
46:09to celebrate our wedding in the garden,
46:11but that we can also get married there.
46:13That was a nice idea.
46:15Yes, we think so too.
46:17The following question.
46:19Can you marry us there?
46:21Thomas told me
46:23that you as mayor are allowed to do that.
46:25Yes, theoretically.
46:27If I had done the appropriate exam at that time.
46:29But unfortunately I never passed it.
46:31That's why I can't do it, unfortunately.
46:35I'm sorry.
46:43It's very good that you're here.
46:45I have to apologize to you.
46:47I just overreacted earlier.
46:51I've been thinking.
46:53I know that you meant
46:55all of this well and
46:59I'm really sorry.
47:01I've been thinking too.
47:03Yes?
47:07It can't go on like this between us.
47:11That's why I've come to a decision.
47:15I think it's better
47:17if we end our partnership.
47:23A disaster.
47:25I can't trust them.
47:27And the old date at the registry office
47:29won't find the wedding?
47:31But you're the mayor.
47:33You can trust her.
47:35I didn't pass the appropriate exam.
47:37What?
47:39Who knows what women really want.
47:41At least I don't.
47:43Well, it used to be easier.
47:45You'd hold the lady in a coat
47:47and pay the bill.
47:49You don't have to worry about that today.
47:51I'd like it if someone
47:53would hold me in a coat again.
47:55Or in a restaurant
47:57and pay the bill.
47:59Don't you want to tell me
48:01what's going on with the old date at the registry office?
48:05No.