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00:18:26It was the spring of 1809.
00:18:32The spring of my life.
00:18:34The spring of my returning homeland.
00:18:38We were riding on the whips of double-edged eagles.
00:18:41In Jarosław, I even saw the courage of a freshly painted Polish white eagle.
00:18:46Well, it could have been taken for a goose, but who would have thought it?
00:18:51With my heart, and not with my eyes, I looked at this painting.
00:18:54It was nicer and more expensive than all of Rafał's works.
00:18:59The suspension of arms in Vienna took place.
00:19:03Napoleon had not decided for a long time what to do with the part of Galicia
00:19:06conquered by the Polish army under the command of Prince Poniatowski.
00:19:09He did not reveal his will for a long time because of Russia,
00:19:12which protested against the enlargement of the Duchy of Warsaw,
00:19:15seeing Poland masked with it.
00:19:17Therefore, during the war, when our troops were formed,
00:19:20we hung Polish eagles.
00:19:22After the suspension of arms, at the order of Napoleon,
00:19:25we took off our eagles,
00:19:30and hung the French ones.
00:20:03My beloved life,
00:20:05beloved,
00:20:06betrayed,
00:20:07lost,
00:20:08whistled,
00:20:09whistled,
00:20:10whistled,
00:20:11whistled,
00:20:12whistled,
00:20:13for love, like a secret, you sacrificed your life.
00:20:21But love, although it laughs,
00:20:23does not feed, does not warm,
00:20:25hyperbaco, with my guitar,
00:20:27dry, you know, like a cigar,
00:20:29you had to have something to walk with,
00:20:31so as not to stumble like a dog from hunger.
00:20:33I tried different states,
00:20:35I was everything,
00:20:36for a change,
00:20:37a bartender,
00:20:38an investor,
00:20:39a cook,
00:20:40an actor,
00:20:41a musician,
00:20:42a dancer,
00:20:43a layman,
00:20:44a soldier.
00:20:53On October 19,
00:20:55the last day of the four-day bloodiest
00:20:58battle ever,
00:21:00and there will be a battle near Lipsk,
00:21:02we stood,
00:21:03officers of the staff of Duke Neufchâtel,
00:21:05under the trees.
00:21:07We were waiting for the order.
00:21:09Already then the gray horse knew how things stood.
00:21:11With the fall of the power of France,
00:21:13the hopes of the Poles fell.
00:21:14We assumed that only near Lipsk
00:21:16we would lose our homeland again.
00:21:18We did not know that Napoleon
00:21:20always accepted the easiest condition
00:21:22of returning it
00:21:23to the triple yoke of slavery.
00:21:26Oh, hellish cover,
00:21:28satanic politics.
00:21:31He cramped us with this Warsaw Duchy,
00:21:34this King of Sass,
00:21:35and when he had already lost all independence,
00:21:37how ready he was to rule
00:21:39with his dead property.
00:21:41Poverty to a man whose fate
00:21:43depended on the fate of another,
00:21:46but twice poverty to a nation
00:21:48which depended
00:21:50on the interest of another nation.
00:21:53Nations have no conscience.
00:22:23The death of Duke Pojatowski near Lipsk
00:22:36made the Polish army
00:22:38blind in the whole meaning of this word.
00:22:41They accuse Poles that they are insolent,
00:22:44that it is difficult to rule them.
00:22:45It seems to me that it is very easy,
00:22:47as long as you rule with a horse
00:22:49and a sword in your hand.
00:22:52We used to listen to more inspiration than fun.
00:22:56We usually gather all our demands,
00:22:59all our hopes in one person.
00:23:01We make it our fatum.
00:23:03Kościuszko, Poniatowski,
00:23:05Chłopicki, Skrzynecki.
00:23:07That is why the fall of a similar star
00:23:09melts us together,
00:23:11connecting us together.
00:23:13Not lost under Maciewicz,
00:23:15but taking Kościuszko
00:23:17only gave a fatal blow
00:23:19to the case of that time.
00:23:23In the last fight
00:23:25of national independence
00:23:27we closed the whole existence of our homeland
00:23:30in Warsaw.
00:23:32Warsaw fell
00:23:34and the undefeated army
00:23:36began to disperse.
00:23:38Because not from our own conviction
00:23:40do we pass the essence of the matter,
00:23:42the spirit of the case,
00:23:44but we accept it
00:23:46with a moment of humility
00:23:48with the help of one individuality
00:23:50or an object
00:23:52to which this humility
00:23:54gave us confidence.
00:24:08I would like to mention here
00:24:10a strange kind of destiny.
00:24:12Four times when death
00:24:14pierced my eyes, of course,
00:24:16from a cannonball to a rifle,
00:24:18who would have remembered,
00:24:20all took place
00:24:22no further than 50 steps from Napoleon.
00:24:24Apparently, the neighborhood
00:24:26of a great man
00:24:28did not serve me at all.
00:24:30Here, under the canopy,
00:24:32a cannonball, a shot
00:24:34and a spade,
00:24:36traversing the road
00:24:38among the branches
00:24:40surrounding us,
00:24:42I had to choose between the emperor,
00:24:44the general, the prince
00:24:46or one of the brave rogues
00:24:48of these high lords,
00:24:50and I chose
00:24:52what I had best,
00:24:54my poor chateau.
00:24:56Hit with a right spade,
00:24:58she sat down like a dog on the ground.
00:25:02I unbuttoned my coat,
00:25:04took out my gun,
00:25:06took off my uniform
00:25:08and, I'm not ashamed to say,
00:25:10there was a man
00:25:12who turned to me
00:25:14as if he were calling for help.
00:25:16I say goodbye to you,
00:25:18my faithful comrade,
00:25:20forever.
00:25:24Of the two horses I had left,
00:25:26one was beaten
00:25:28and the other galloping,
00:25:30and when it was time
00:25:32to leave the place,
00:25:34I got on the galloping horse.
00:25:36This horse got a strange addiction
00:25:38to galloping,
00:25:40and it finished the dance
00:25:42on one foot,
00:25:44which was neither for her
00:25:46nor for her husband
00:25:48serious nor honorable.
00:25:50And in these circumstances
00:25:52I had to overtake
00:25:54a column of grenadiers
00:25:56of the old guild.
00:25:58We finally passed the column.
00:26:00How I passed
00:26:02thirty years
00:26:04since the battle of Annau.
00:26:06Weddings of the age of youth
00:26:08with your joy,
00:26:10with your pain.
00:26:12The further from you,
00:26:14the brighter
00:26:16your flowers seem,
00:26:18the thicker the fog
00:26:20covers the monuments
00:26:22of sadness and suffering.
00:26:24Where are you,
00:26:26victorious company,
00:26:28leaders?
00:26:30Where is the power
00:26:32for which the blood
00:26:34has been pouring for so many years?
00:26:36The winners
00:26:38and the victors,
00:26:40the humiliated and the triumphant
00:26:42have disappeared like the sun.
00:26:44It set a moment ago.
00:26:48Others have left the world
00:26:50after themselves.
00:26:52Not many.
00:26:54And what about me?
00:26:56A few memories,
00:26:58two crosses
00:27:00and pedigree.
00:27:04Here is the water
00:27:06from the wonderful springs.
00:27:08Who will have a lunch,
00:27:10who will have a drink?
00:27:12Who will smoke,
00:27:14who will sleep,
00:27:16who is sleepy,
00:27:18terrified,
00:27:20has a sunburn, misery,
00:27:22etc., etc.
00:27:24Let the help
00:27:26come alive quickly.
00:27:28One, two, three!
00:27:30Healthy like a fish,
00:27:32healthy like a fish.
00:27:36Here is the wonderful spring.
00:27:40Who has a headache?
00:27:44Coughs, winds,
00:27:46coughs, sneezes,
00:27:48sneezes, fevers, sweats,
00:27:50sweats, etc., etc.
00:27:52Let the help
00:27:54come alive quickly.
00:27:56One, two, three!
00:27:58Healthy like a fish,
00:28:02healthy like a fish.
00:28:12Here is the wonderful spring.
00:28:16How to put so much
00:28:18on a pin?
00:28:22Is it broken,
00:28:24or pierced,
00:28:26or swollen, or cracked?
00:28:28Small, crooked,
00:28:30etc., etc.
00:28:32Let the help
00:28:34come alive quickly.
00:28:36One, two, three!
00:28:44Healthy like a fish.
00:29:00I play with these memories
00:29:04like a flyer.
00:29:06And yet I saw
00:29:08people
00:29:10falling under the wheels,
00:29:12and no one thought to stop them.
00:29:16Breaking ice,
00:29:18crushing in a deep thaw,
00:29:20and no one gave a hand.
00:29:22I saw horses
00:29:24gnawing from the pain
00:29:26the petrified earth,
00:29:28I saw a man
00:29:30cut out a few pounds of meat
00:29:32with a knife.
00:29:36I saw the wounded
00:29:38thrown on the road,
00:29:40I saw the prisoners shot
00:29:42when one of them
00:29:44became weak and could not go on.
00:29:46I saw the buildings
00:29:48set on fire out of anger
00:29:50and envy that others
00:29:52found shelter in them.
00:29:54What happened in Vilnius
00:29:56in December 1812
00:29:58is easier to say
00:30:00than to believe,
00:30:02and it is hard to say.
00:30:04Prisoners were thrown
00:30:06into empty buildings,
00:30:08and the typhus began
00:30:10to spread
00:30:12among the inhabitants.
00:30:14The streets were burning
00:30:16and everyone thought
00:30:18he was swallowing smoke
00:30:20and particles of infection.
00:30:22From every pile of snow
00:30:24you could see
00:30:26hands or legs
00:30:28dressed up,
00:30:30and no one was touching them.
00:30:32For the whole winter
00:30:34you could see
00:30:36a few corpses
00:30:38standing under the wall
00:30:40in which the gallows
00:30:42did not spare
00:30:44various accessories.
00:30:46This one had a bouquet,
00:30:48this one a drone,
00:30:50this one a rifle,
00:30:52they stood like
00:30:54a frozen animal
00:30:56standing at the fair in winter.
00:30:58It was only in spring
00:31:00that the corpses of the gallows
00:31:02began to be taken away.
00:31:04It was said that 40,000
00:31:06were buried in Vilnius.
00:31:10I put my memories
00:31:12like a wreath
00:31:14on their graves.
00:31:18Thirty years ago.
00:31:22Thirty years ago
00:31:24from laughter to tears,
00:31:26because, unfortunately,
00:31:28a Pole always has to
00:31:30finish his memories.
00:31:32So you, Myślo
00:31:34and you, Łzo,
00:31:36from tears
00:31:38to laughter.
00:31:52It is very difficult
00:31:54to understand the Polish language.
00:31:56Like all the problems
00:31:58in Poland,
00:32:00we cannot translate it.
00:32:02It is interesting, isn't it?
00:32:04Silence!
00:32:06Silence!
00:32:08Silence!
00:32:10Silence!
00:32:12Silence!
00:32:14Silence!
00:32:16Silence!
00:32:18Silence!
00:32:20Silence!
00:32:24Remember what
00:32:26Hela says.
00:32:30Today
00:32:32two hundred gallows
00:32:34are waiting for the night in the city.
00:32:36Tomorrow everyone will fall
00:32:38under the iron.
00:32:40Together!
00:32:42Bodies with fire!
00:32:44With fire!
00:32:46Whistles of ash!
00:32:48With ash!
00:32:50The news of the crusades
00:32:52will be carried
00:32:54forward!
00:32:56Remember what Hela says
00:32:58or says!
00:33:08The black Lithuanian forest
00:33:12and the clear lake
00:33:16above the lake
00:33:18a free flower.
00:33:26We have a beautiful May,
00:33:30a beautiful frosty morning.
00:33:34It is a Lithuanian song.
00:33:38We have a beautiful May,
00:33:42a beautiful frosty morning.
00:33:46It is a Lithuanian song.
00:33:50It is a Lithuanian song.
00:33:54You can assure your goodness
00:33:56that I have always been
00:33:58with the emperor in Poland.
00:34:00And very accurate.
00:34:02Not only in my state of service
00:34:04it is clear that in the last campaigns
00:34:06I stood next to the emperor
00:34:08but I also warmed with him
00:34:10more than once
00:34:12with one fire.
00:34:14It is true that I usually stood
00:34:16on the side where the wind
00:34:18was chasing with smoke.
00:34:20It is also true that the emperor
00:34:22was usually the back of the fire
00:34:24and so he turned to me
00:34:26and sometimes he even
00:34:28spread his shoulders
00:34:30to warm himself better.
00:34:32In civil conditions
00:34:34after the war.
00:34:36Now, at the wine,
00:34:38I would like to tell you
00:34:40about the emperor Napoleon.
00:34:42The young generation
00:34:44listens like about Jan Sobieski
00:34:46or Stephan Bator
00:34:48because the past
00:34:50has no memory
00:34:52and the centuries
00:34:54are only a chamber of deeds.
00:34:56The young people listen to me
00:34:58and when I tell them
00:35:00I poison myself.
00:35:02If I remind you about the bivouac
00:35:04I still think I have a palace
00:35:06next to it and a depot.
00:35:08In the years that I am free
00:35:10I take off my neck and look
00:35:12if the road is free.
00:35:14But the sweetest memories
00:35:16are awakened by a late
00:35:18hunting dinner.
00:35:20Everything is like in the past.
00:35:22Only instead of a marshal
00:35:26there is a wife.
00:35:28Instead of officers
00:35:30there are neighbours.
00:35:32And if we talk about shots
00:35:34it's from a gun.
00:35:36And if we talk about killed
00:35:38it's from foxes or hares.
00:35:40And the best thing is that
00:35:42instead of a postman
00:35:44there is a good bed.
00:35:46And not so long ago
00:35:48from the orders of the General Staff
00:35:50we were sailing with Major
00:35:52in a sequoia
00:35:54and we were humming
00:35:56various favourite songs
00:35:58of my Krakowiak
00:36:00who made a furore
00:36:02in the 11th regiment
00:36:04and I will repeat it.
00:36:06One was talking to the other
00:36:08and I was listening
00:36:10I would marry a goat
00:36:12if I had a post.
00:36:14And I was listening
00:36:16to a lighter quadrostat
00:36:18I would marry a cow
00:36:20if I was rich.
00:36:22What a woman!
00:36:24What a woman!
00:36:28The boat is sailing
00:36:30on the wide stream
00:36:32I will marry you
00:36:34when I come back from the war.
00:36:36I won't wait
00:36:38for someone who comes back from the war
00:36:40I won't close everything
00:36:42I will wrap myself.
00:36:44Old or young
00:36:46ugly or pretty?
00:36:48Yes, old or young, beautiful or ugly
00:36:50the first one I meet here
00:36:52I take as my wife.
00:36:54All your words are lost.
00:36:56Beautiful, perfect,
00:36:58the nature hasn't given up yet.
00:37:00I want to change boredom for six years.
00:37:02I want to revive, revive
00:37:04I want to get married
00:37:06and through advice, reason, weakness,
00:37:08point of honour, I can't dare
00:37:10to make a choice.
00:37:12She's nice, humble, but too bad.
00:37:14She's cold again, wise,
00:37:16only loves herself.
00:37:18Here is goodness without form,
00:37:20here is goodness without goodness.
00:37:22There, everything is bad inside
00:37:24but it can cheer you up.
00:37:26And you, a chosen witness of strict honour,
00:37:28that I will take the first, better one
00:37:30without making a choice.
00:37:32Come back to Julia.
00:37:34Such a good person,
00:37:36she loves you, you like her.
00:37:38But Julia is a widow.
00:37:40I know.
00:37:42And every widow remembers her husband's values
00:37:44and hides his flaws.
00:37:46What are you drawing again?
00:37:48Borders.
00:37:50Borders?
00:37:52Which one should I take?
00:37:54So look, the line is drawn.
00:37:56This way will go whoever wants.
00:37:58This way, my wife.
00:38:00It's a contract.
00:38:02Signed by a chosen witness
00:38:04and all that's missing is my wife's signature.
00:38:08Lightness in the walk,
00:38:10greatness in the attitude.
00:38:12Here will go, no, there.
00:38:14No, here, here.
00:38:16And what, Zdzisław, look closely
00:38:18at my future.
00:38:20Thank you.
00:38:22Oh, my dear wife.
00:38:24My fortune.
00:38:26Quite moderate.
00:38:28Character.
00:38:30Quite funny.
00:38:32And request.
00:38:34Quite crazy.
00:38:36Prologue, quite tight.
00:38:38That you want to get married,
00:38:40I'm not surprised at all.
00:38:42That you have chosen this way,
00:38:44I neither praise nor praise.
00:38:46Everyone has their own reason,
00:38:48but I will answer with a wish
00:38:50for his request.
00:38:52I would like to find a husband
00:38:54when I choose,
00:38:56who would not want to resist
00:38:58the right taken,
00:39:00who would appreciate the holy marriage,
00:39:02the relationship,
00:39:04who would be able to face
00:39:06the obligation.
00:39:08And not praising everyone
00:39:10nor praised,
00:39:12he still had a spark of feeling
00:39:14for the chosen wife.
00:39:18Anyway,
00:39:20may he have wealth
00:39:22and a pleasant character.
00:39:24So, Mr. Wadź,
00:39:26as you see,
00:39:28you can't stay with me.
00:39:36Don't you want raspberries, gentlemen?
00:39:38Raspberries, gentlemen.
00:39:40We want, we want, angel,
00:39:42but together with you.
00:39:44Oh, yes, thank you very much.
00:39:46Thank you very much.
00:39:48I'm not joking.
00:39:50Maybe.
00:39:52Don't you want to be a lady?
00:39:54Thank you.
00:39:56What's your name?
00:39:58Zosia.
00:40:00So, little Zosia,
00:40:02you have to be careful
00:40:04that you don't always
00:40:06meet such great happiness.
00:40:08Thank you.
00:40:10Why do you despise this husband?
00:40:12I have an equal one
00:40:14Pawełka prefers.
00:40:16But, Zosia,
00:40:18please be careful
00:40:20what luxuries await you in this state.
00:40:22Whatever you want today,
00:40:24you will use it.
00:40:26Now you listen.
00:40:28Tomorrow you will order.
00:40:30Now you walk and sit next to me
00:40:32in a carriage,
00:40:34and you will have a rabbit
00:40:36for every use.
00:40:38I prefer Pawełka.
00:40:40And my person,
00:40:42I prefer Pawełka.
00:40:44And what's wrong with this damn Pawełka?
00:40:46Is he a bad brother?
00:40:48But my Zosia, if you are so stubborn...
00:40:50So good.
00:40:52Right?
00:40:54What's more worth
00:40:56than this stupid girl?
00:40:58Neither ugly nor old,
00:41:00she will be still a nice and good couple.
00:41:02I wear a noble ring in my coat.
00:41:04Zmigalińska Marta.
00:41:06What?
00:41:08You don't know me, please?
00:41:10So...
00:41:12Alfred.
00:41:14Well, Alfred, I will be your wife, right?
00:41:16But which one of them
00:41:18have you come here for?
00:41:20For this fish, cat and mole.
00:41:22Unfortunately.
00:41:24You sigh, right?
00:41:26Slowly, slowly.
00:41:28Don't pretend to love her
00:41:30when you don't have her in your soul.
00:41:32Don't move this successful
00:41:34love with your heart.
00:41:36That you will love me one day,
00:41:38when you wake me up,
00:41:40when there will be a wedding.
00:41:42What?
00:41:44Tell me, my love, what?
00:41:46One, two, three, I have a wife.
00:41:48Let it be what you want.
00:41:50What should I do here?
00:41:52Ah, the fate of power has fallen.
00:41:54Fate?
00:41:56The oldest intention of mine.
00:41:58When I was leaving Zmud.
00:42:00Have you ever been to Zmud?
00:42:02You will never be with me.
00:42:04Well, then, when I was leaving Zmud,
00:42:06I was a servant.
00:42:08So, the process.
00:42:10It would be much easier to say
00:42:12what I want, so I say it quickly,
00:42:14even though I don't like to talk.
00:42:16I want to get rid of the care
00:42:18for years.
00:42:20Care in Zmud must last for two centuries.
00:42:22It is important to keep the tongue
00:42:24with teeth over the teeth.
00:42:26You have to sit quietly,
00:42:28first of all,
00:42:30be quiet than to say nonsense.
00:42:32When I was leaving Zmud,
00:42:34did you expect
00:42:36that I would have a husband
00:42:38at the place of decree?
00:42:40Do you understand, Rybenko, what?
00:42:42Joke or not,
00:42:44Alfred will not leave
00:42:46Migalińska and Marta.
00:42:48I don't have an apartment yet.
00:42:50I just got out.
00:42:52And that it will not be necessary,
00:42:54as if I guessed,
00:42:56you will leave me from the house.
00:42:58Now,
00:43:00please,
00:43:02if you could not
00:43:04look for my stroller.
00:43:06Where is this house,
00:43:08this estate,
00:43:10this nice hill, you know?
00:43:12I will sit down to it,
00:43:14just not to give you a feather.
00:43:16I will do everything
00:43:18according to the decree.
00:43:20I will not stay here alone.
00:43:22Alfred,
00:43:24think well about yourself.
00:43:26Why are you turning away from me?
00:43:28You will make my heart sad,
00:43:30when you are so sad.
00:43:32The character of your description
00:43:34is too real.
00:43:36False, lady,
00:43:38believe me, false.
00:43:40Except that I am sad,
00:43:42everything else happens.
00:43:44So if you base your happiness
00:43:46on the objects of the soul
00:43:48that you saw there,
00:43:50you are going in the opposite direction.
00:43:52Everyone always looks at himself
00:43:54in everything.
00:43:56For example?
00:43:58I am impulsive!
00:44:00Sometimes I am so angry
00:44:02that everyone is jealous of me,
00:44:04everyone is jealous of me,
00:44:06I have nothing to do
00:44:08with innocent people,
00:44:10I am in a frenzy.
00:44:12And in this terrible state
00:44:14of uncontrollable anger
00:44:16I would be ready
00:44:18to cut off my bones.
00:44:20Have mercy!
00:44:22Who cuts off,
00:44:24is cut off.
00:44:26I know that you will never be like that
00:44:28for your wife.
00:44:30Sometimes you have a wife,
00:44:32she will scratch you,
00:44:34who will catch you,
00:44:36will catch you,
00:44:38and you will agree.
00:44:40No, no,
00:44:42there is no such anger.
00:44:44I also have a bad habit,
00:44:46I like to drink
00:44:48and sometimes I drink too much.
00:44:50Oh, my dear wife,
00:44:52at the end of my diseases,
00:44:54thousands of troubles,
00:44:56I have appendicitis, hernias, spasms and dryness.
00:45:02So we both need to be treated
00:45:04because I am also
00:45:06overwhelmed by weaknesses.
00:45:08I suffer from a strong rheumatism in my arm,
00:45:10leg,
00:45:12side, I have a cough,
00:45:14dizziness
00:45:16and a white monocle.
00:45:18What is going on here?
00:45:20Julia, Julia,
00:45:22you have been revenged.
00:45:28Euphrates,
00:45:32why this sadness again?
00:45:36I can't even think of you being present.
00:45:40Your eye testifies the calmness of conscience.
00:45:42Reveal your soul to me,
00:45:44show me suffering,
00:45:46it is my duty
00:45:48to sweeten your worries.
00:45:52Tell me,
00:45:54did you bear losses?
00:45:56These can be rewarded,
00:45:58and not?
00:46:00Then look for sweetness in time.
00:46:02Maybe you will forgive the world?
00:46:04Euphrates,
00:46:06so young,
00:46:08if you have forgiveness,
00:46:10you also have hope.
00:46:12A flower of happiness blooms for you.
00:46:14You, you, you,
00:46:16Julia,
00:46:20what is surprising you?
00:46:22You have been, you are here.
00:46:24For your happiness.
00:46:28Do you know Mr. Stacewicz?
00:46:30Stacewicz,
00:46:32no?
00:46:34Regret,
00:46:36very good man was Mr. Stacewicz.
00:46:38He had a huge height,
00:46:40nose, big legs,
00:46:42always dirty,
00:46:44and a part of the wardrobe
00:46:46was always torn,
00:46:48so he tied his sordid
00:46:50under his neck and sat down
00:46:52narrowly.
00:46:54He was the director,
00:46:56alias pedagogue,
00:46:58of my younger brothers.
00:47:00The governor was Mr. Plachetko.
00:47:02He has two personalities.
00:47:04The first one,
00:47:06that he was a Polish governor
00:47:08at a time when the French were flooding us,
00:47:10but you can't look at the future
00:47:12you stand in front of,
00:47:14because I can't.
00:47:16Because you killed my best time
00:47:18from 1807 to 1809,
00:47:20I didn't take the books,
00:47:22Mr. Plachetko didn't do anything,
00:47:24I didn't do anything,
00:47:26I hunted, I drove a horse,
00:47:28until suddenly I caught a pen
00:47:30and wrote a comedy
00:47:32entitled The Terrible Fear.
00:47:34If any of you
00:47:36found such a book
00:47:38The title of the film is a horror-struck comedy in one act.
00:47:41May it be returned to my offspring, for it is my work.
00:47:46But if I became a playwright by chance,
00:47:49it's not like a poet's dream,
00:47:51because I got to Pegasus.
00:47:53In Krasny Staw, I lived with lieutenant Jakub Nowicki,
00:47:56who had a servant, Franciszek.
00:47:57Once, in an early battle,
00:48:00in a session with Frankit Legge,
00:48:02I took a part of his coat,
00:48:05a half-dark one, which is unusual to look at in the sun.
00:48:09And when my friend was talking about his return,
00:48:11I wrote him a poem titled
00:48:13I Regret Jakub for Losing Gacy.
00:48:15Oh, and I should remind you that I finished each sentence
00:48:20with a line like this,
00:48:21Franciszek, where are my Gacy?
00:48:23And the poetry made a stir.
00:48:26But one of my colleagues, Dąbrowski,
00:48:28who died near Morzajskie,
00:48:30took me aside and said that in my poems
00:48:32there is no middle-aged woman.
00:48:34Middle-aged woman?
00:48:36And I asked him, who is this middle-aged woman?
00:48:38Dąbrowski explained,
00:48:40Lithuania, my homeland,
00:48:42you are like health.
00:48:44How much do I have to appreciate you?
00:48:47Only he will find out.
00:48:48Who cares?
00:48:50It was the first and only lesson of fish-making
00:48:53that I received in my life.
00:48:55Armed with a middle-aged woman,
00:48:58I threw a few pieces into the world.
00:49:02Unfortunately, I cannot mention the titles.
00:49:06The lady was reading.
00:49:09Shame.
00:49:10Here, where there is a collection of paintings and art,
00:49:13we will learn valuable lessons.
00:49:15With attention to each painting,
00:49:17we can easily see the bad and good together,
00:49:20to which the general...
00:49:22...love of the human race
00:49:26is devoted in various ways.
00:49:29How unadorned inventions can be,
00:49:31how often nice and how often careful,
00:49:35what attitudes, what effects it has,
00:49:37everything is described by the brush.
00:49:41So let's start from here.
00:49:44I see...
00:49:46...a stigma lion.
00:49:48He presses his own work to his head.
00:49:50Here...
00:49:52...we see how a young hunter...
00:49:56...loves a girl of a noble nature.
00:49:58He moves in the wild grass,
00:50:00fights with her like a beast,
00:50:02until he sweats his forehead.
00:50:06A soldier...
00:50:07...on the guard,
00:50:08leaning on a weapon,
00:50:10as if by accident...
00:50:14...chases something there.
00:50:18A rascal in the basement,
00:50:20grabs him by the groin.
00:50:22A rough horse on a snow-covered slope.
00:50:26It's nice to tear off a leaf at a hundred steps...
00:50:31...and to pluck a rosary from a lover's words.
00:50:38It's nice to tell people that you love each other
00:50:43and to talk at a hundred.
00:50:46But...
00:50:47...of all the best diseases,
00:50:49whose sample is placed at the bottom,
00:50:52...a stigma lion...
00:50:54...in a full-grain shed...
00:50:57...you know, I know...
00:50:59...loves a girl on a haystack.
00:51:02There are no figs there to boast about.
00:51:06I know...
00:51:07...he loves her like his ancestors once did.
00:51:14His actions are pure as nature,
00:51:16and art as a whole.
00:51:20A spring-loaded tool.
00:51:24This is my advice to you, young man.
00:51:27This is how you should hold on.
00:51:29You won't break the cross,
00:51:30you won't weaken your legs and...
00:51:33...I'll love you to the grave.
00:51:36Now that you've taken us all in,
00:51:39let's go and catch him.
00:51:42It's time to finish the work.
00:51:44Oh, delight!
00:51:46Oh, joy!
00:51:48You can beat your heart with love,
00:51:52you can give your confession with your lips,
00:51:56and it will remain eternal.
00:52:09Sometimes I'm tempted to let go of everything with smoke,
00:52:13which I've written long ago,
00:52:14as prose as I've written rhymes.
00:52:16It's difficult for me to understand
00:52:18what the young authors put on the stage.
00:52:22As long as you're moved,
00:52:23surprised by the wild action,
00:52:25you don't care much about truth and loyalty.
00:52:30On the other hand,
00:52:32what harm can it do,
00:52:34when I'm already under the wall,
00:52:37lying comfortably,
00:52:39that somewhere, on some stage,
00:52:42I'll land on the ice.
00:52:44I'll be a bad actor...
00:52:46...a poet.
00:52:47I'll be neither the first nor the last.
00:52:49And when they clap or whistle at my play,
00:52:51I won't be happy or sad in the grave.
00:52:54But then,
00:52:55in tandem with my old plays,
00:52:58maybe someone will judge
00:53:00what happened years ago.
00:53:04Oh, if only I loved,
00:53:07and my sorrows were only an act.
00:53:10But always feel,
00:53:11that every tug
00:53:13and painful breath
00:53:14repeats the hiding
00:53:16in another being,
00:53:17more precious to us than life.
00:53:20To all sufferings,
00:53:21there's a concept.
00:53:24It turns against itself
00:53:25its own hand
00:53:27to extinguish the feeling
00:53:29and mutual torment.
00:53:31Mr. Gustaw,
00:53:32what is this, God?
00:53:33To kill oneself?
00:53:34To kill is very unpleasant.
00:53:35It's a sin.
00:53:36A great sin.
00:53:37Whoever falls into it
00:53:38may suffer eternally in the other world.
00:53:41Save me.
00:53:42I will.
00:53:43I will, but can I?
00:53:46You can.
00:53:47Won't I hear about death?
00:53:49No.
00:53:50I'm still shaking.
00:53:53Do you want more?
00:53:55But how?
00:53:59I'll show you the way.
00:54:06Go to your mother.
00:54:08All right, I'll go.
00:54:11Forgive me.
00:54:12He will forgive you, of course.
00:54:15Please.
00:54:16I'll beg, beg, beg,
00:54:18beg for a river to help me,
00:54:21but don't despair,
00:54:22my dear Mr. Gustaw.
00:54:26How can I not love
00:54:28this dear Amelia?
00:54:30You have to love her.
00:54:32I swore to myself.
00:54:34I don't believe you.
00:54:35My wish is in this.
00:54:37So you see,
00:54:38in you,
00:54:39only in you,
00:54:40I have one help
00:54:42and all hopes.
00:54:44What can I help
00:54:46and what can I exchange?
00:54:52He crippled me with his hand.
00:54:55And?
00:54:56Very much?
00:54:57Nothing wrong,
00:54:58but I can't hold the pen
00:55:00completely.
00:55:01In that case,
00:55:02would you like to write me
00:55:04for a hundred?
00:55:05Write you what?
00:55:06A letter.
00:55:07Not a letter.
00:55:08Two words.
00:55:09To whom?
00:55:10To me,
00:55:11not her.
00:55:12What,
00:55:13I should write such letters?
00:55:15And what's wrong with that?
00:55:16Nonsense.
00:55:33He crippled me with his hand.
00:55:36Maybe someone else?
00:55:41Who in the world
00:55:42shares my worries?
00:55:44Who knows
00:55:46where to beg for help
00:55:48when in front of you
00:55:49I feel sorry for nothing?
00:55:51What should I do
00:55:52but not write at all?
00:55:56Angel,
00:55:57flower of rich life,
00:55:59you only know luxury
00:56:02and you don't know suffering.
00:56:05You only know happiness
00:56:06and you don't know separation.
00:56:08You don't know
00:56:09that in that case
00:56:10the whole world
00:56:11is just a place
00:56:12for us.
00:56:15And this is the moment
00:56:16of the expected news.
00:56:20You don't know
00:56:21how the eye burns
00:56:23then,
00:56:24how every rustle
00:56:25and breath
00:56:26clogs the palms
00:56:28and what a pain
00:56:30when an hour passes
00:56:31with her in front
00:56:32of you
00:56:33and you don't know
00:56:34what to do.
00:56:35You don't know
00:56:36what to do
00:56:37and you don't know
00:56:38what to do
00:56:39and you don't know
00:56:40what to do
00:56:41and you don't know
00:56:42what to do
00:56:43and you don't know
00:56:44what to do
00:56:45and you don't know
00:56:46what to do
00:56:47and you don't know
00:56:48what to do
00:56:49and you don't know
00:56:50what to do
00:56:51and you don't know
00:56:52what to do
00:56:53and you don't know
00:56:54what to do
00:56:55and you don't know
00:56:56what to do
00:56:57and you don't know
00:56:58what to do
00:56:59and you don't know
00:57:00what to do
00:57:01and you don't know
00:57:02what to do
00:57:03and you don't know
00:57:04what to do
00:57:05and you don't know
00:57:06what to do
00:57:07and you don't know
00:57:08what to do
00:57:09and you don't know
00:57:10what to do
00:57:11and you don't know
00:57:12what to do
00:57:13and you don't know
00:57:14what to do
00:57:15and you don't know
00:57:16what to do
00:57:17and you don't know
00:57:18what to do
00:57:19and you don't know
00:57:20what to do
00:57:21and you don't know
00:57:22what to do
00:57:23and you don't know
00:57:24what to do
00:57:25and you don't know
00:57:26what to do
00:57:27and you don't know
00:57:28what to do
00:57:29and you don't know
00:57:30what to do
00:57:31and you don't know
00:57:32what to do
00:57:33and you don't know
00:57:34what to do
00:57:35and you don't know
00:57:36what to do
00:57:37and you don't know
00:57:38what to do
00:57:39and you don't know
00:57:40what to do
00:57:41and you don't know
00:57:42what to do
00:57:43and you don't know
00:57:44what to do
00:57:45and you don't know
00:57:46what to do
00:57:47and you don't know
00:57:48what to do
00:57:49and you don't know
00:57:50what to do
00:57:51and you don't know
00:57:52what to do
00:57:53and you don't know
00:57:54what to do
00:57:55and you don't know
00:57:56what to do
00:57:57and you don't know
00:57:58what to do
00:57:59and you don't know
00:58:00what to do
00:58:01and you don't know
00:58:02what to do
00:58:03and you don't know
00:58:04what to do
00:58:05and you don't know
00:58:06what to do
00:58:07and you don't know
00:58:08what to do
00:58:09and you don't know
00:58:10what to do
00:58:11and you don't know
00:58:12what to do
00:58:13and you don't know
00:58:14what to do
00:58:15and you don't know
00:58:16what to do
00:58:17and you don't know
00:58:18what to do
00:58:19and you don't know
00:58:20what to do
00:58:21and you don't know
00:58:22what to do
00:58:23and you don't know
00:58:24what to do
00:58:25and you don't know
00:58:26what to do
00:58:27and you don't know
00:58:28what to do
00:58:29and you don't know
00:58:30what to do
00:58:31and you don't know
00:58:32what to do
00:58:33and you don't know
00:58:34what to do
00:58:35We will see
00:58:36what we must do
00:58:37and we will decide
00:58:38what to do
00:58:39and we will decide
00:58:40what to do
00:58:41E everything
00:58:42divided
00:58:43at aanu
00:58:44and there's
00:58:45some
00:58:46that
00:58:47our
00:58:48he will
00:58:49love
00:58:50he will
00:58:51do
00:58:52it
00:58:53that what
00:58:54he will
00:58:55do
00:58:56for your goodness, for the goodness of a mole.
00:58:59Let's write.
00:59:00Let's write?
00:59:03Don't be afraid.
00:59:07The person with whom I want to marry hates me.
00:59:11No, Mr. Gustaw.
00:59:13How do I write?
00:59:16You have to change it.
00:59:20Correct it if you want.
00:59:23I'd love to correct it.
00:59:26Yes.
00:59:30Will it help?
00:59:32Are you sure?
00:59:33Do you really need words?
00:59:35So you know me now.
00:59:36How?
00:59:37I'll get to know you.
00:59:38Sooner or later,
00:59:40we'll be friends.
00:59:42Yes, we will.
00:59:43Always.
00:59:44Forever.
00:59:45Enough of this.
00:59:46Get rid of all the hiding.
00:59:48I love you.
00:59:49Aniela,
00:59:50I love you with all my heart.
00:59:52How?
00:59:56With all my heart.
00:59:59How was it?
01:00:01I love you.
01:00:02Oh, repeat it.
01:00:05I love you with all my heart.
01:00:07Go on.
01:00:08Go on.
01:00:09Believe me.
01:00:11So let's write.
01:00:13Let's write.
01:00:14Let's write.
01:00:16But you are mistaken in your speech.
01:00:18Let the voice feel.
01:00:19Let the thought be closed in the word.
01:00:21And the expression I love.
01:00:23The duty of man
01:00:24to himself,
01:00:25to people,
01:00:26and to the Creator.
01:00:27It is possible to pronounce it.
01:00:29When?
01:00:30You love your mother,
01:00:31your brother,
01:00:32your friend.
01:00:33I love you.
01:00:34You love me.
01:00:35So for the sake of practice,
01:00:36let the whole value
01:00:37of your voice
01:00:38be given to me.
01:00:40Turn around.
01:00:41I love you.
01:00:43Not enough feeling.
01:00:45I love you.
01:00:48I love you.
01:00:49Too boldly.
01:00:50I love you.
01:00:51I love you.
01:00:52Better and better.
01:00:53Repeat often.
01:00:54You will learn the art.
01:00:56So let's write.
01:00:57Let's write.
01:00:58Is someone coming?
01:00:59No.
01:01:00I hear.
01:01:06What is it?
01:01:09I
01:01:11fall asleep.
01:01:14A dream.
01:01:17I cannot doubt.
01:01:21Why, however,
01:01:24do I feel such a strange anxiety?
01:01:28I dream
01:01:32that I fall asleep.
01:01:39Now I think
01:01:42that I stand in the church
01:01:44before the altar to the wedding
01:01:47in this gray coat
01:01:49with a bouquet under my beard
01:01:51when I wanted to see my young lady
01:01:53how should I describe my fear?
01:01:56Next to me, instead of one,
01:01:59there were three kneeling.
01:02:03Each one of them
01:02:05pulled out a long arm,
01:02:06as if it were a oar.
01:02:08And with me,
01:02:09a triple arm grew out.
01:02:11On my fingers,
01:02:12trembling with the hand of every bride,
01:02:13as thick as a salsa,
01:02:14rings fall.
01:02:15Not enough for that
01:02:16on which my eyes fell,
01:02:18at once,
01:02:19the same second
01:02:20jumped out of it,
01:02:21from the second, the third,
01:02:22and from the third, the fourth,
01:02:23and so on,
01:02:24until the frost took over,
01:02:25until the heat burned.
01:02:27And in the meantime,
01:02:28what is alive
01:02:29turns into a wife.
01:02:31You,
01:02:33Ernest,
01:02:35Schwarz,
01:02:37and I,
01:02:39paprika,
01:02:40red.
01:02:42Above me,
01:02:43a wife,
01:02:44like wild geese,
01:02:45stood.
01:02:46A wife,
01:02:47a wife,
01:02:48a wife,
01:02:49a wife,
01:02:50a wife,
01:02:51a wife,
01:02:52a wife,
01:02:53a wife,
01:02:54a wife,
01:02:55a wife,
01:02:56a wife,
01:02:57a wife.
01:02:58A flock of geese
01:02:59sang,
01:03:00when suddenly,
01:03:01from the top,
01:03:02an angel
01:03:03over me
01:03:04spread his wings
01:03:05like a sail.
01:03:06He touched
01:03:07my forehead with his lips,
01:03:08the veil fell from my eyes,
01:03:11and only the image remained.
01:03:14It was her.
01:03:15Who was she?
01:03:16An angel,
01:03:17an angel
01:03:18in the form of an angel.
01:03:20In a wedding dress?
01:03:21She
01:03:22touched
01:03:23my forehead.
01:03:32As the white
01:03:33and the red
01:03:34spread,
01:03:35our young man
01:03:36disappeared around
01:03:37and turned his face
01:03:39madly
01:03:40for the mighty
01:03:42charm.
01:03:43Ah,
01:03:45how my heart
01:03:46beats.
01:03:47How my heart
01:03:48beats.
01:03:49May your seed
01:03:51beat
01:03:52more.
01:03:53May your seed
01:03:54beat
01:03:55more.
01:03:56And your task,
01:03:57little one,
01:03:58and your task,
01:03:59little one,
01:04:00will leave
01:04:01eternal roots.
01:04:02will leave
01:04:03eternal roots.
01:04:04Let the sky
01:04:05happen,
01:04:06let the sky
01:04:07happen,
01:04:08let the sky
01:04:09be full.
01:04:10Let the land
01:04:11be full.
01:04:12The will of heaven blows. You always have to agree with it.
01:04:21A noblewoman, a German, with a sharp end, ends up in the mountain what her slippers started from the bottom.
01:04:30Endurance, great, the greatest of all forms.
01:04:35The tree dies when the summit is steep.
01:04:38But in human life, too, the endurance summit lasts the longest.
01:04:44Whatever the name of what we will put on the company,
01:04:49king, president, or schlaf, mitzah,
01:04:54as long as there is endurance, that is, the end is in the mountain.
01:04:59Long live endurance!
01:05:13The girls were crying, the girls were calling.
01:05:16Uwani, kochani, kochajcie, wracajcie.
01:05:20Uwani jechali, trebacze zagrali.
01:05:31Dziewicze kwiateczki, prześliczne gwiazdeczki.
01:05:39Uwani śpiewali, trebacze zagrali.
01:05:50Uwani pobili, pół zimy wrócili.
01:05:53Skurwaki, chłopaki, dziewczęta chwytali.
01:05:57Uwani kochali, trebacze zagrali.
01:06:08Uwani tańcują, Uwani całują.
01:06:12Dziewczęta się śmieją, dziewczęta szaleją.
01:06:16Kociecha prawdziwa, a trąbka przykrywa.
01:06:35Córuś moja, dziecię moje,
01:06:42Co u ciebie stuka?
01:06:52Pani matko, dobrodzinko,
01:07:00Kotek myszki szuka.
01:07:11Kot, kot, pani matko, kot.
01:07:28Narobił mi w pokoinku łoskot.
01:07:35Córuś moja, dziecię moje,
01:07:41Co u ciebie szepce?
01:07:49Pani matko, dobrodzinko,
01:07:55Kotek myszki szuka.
01:08:04Kot, kot, pani matko, kot.
01:08:18Narobił mi w pokoinku łoskot.
01:08:26Córuś moja, dziecię moje,
01:08:31Czy ten kot ma nogi?
01:08:38Pani matko, dobrodzinko,
01:08:43I słone ostrobi.
01:08:50Kot, pani matko, kot, kot.
01:08:55Narobił mi w pokoinku łoskot.
01:09:01Narobił mi w pokoinku łoskot.
01:09:10Słuchajcie, godziny biją, lata pędzą,
01:09:17pokolenia mijają.
01:09:21O czasie, ty okrutne bożyszcze,
01:09:25ty ryjesz coraz głębiej
01:09:27piętna gorzkiego cierpienia,
01:09:30a ślady rozkoszy i szczęścia zasuwasz, zaciemniasz,
01:09:34ściskasz w punkcik ledwo dostrzeżony.
01:09:37Jakże dobrze pamiętam moje noclegi
01:09:39w moskiewskich zaspach,
01:09:41jak pamiętam nieledwie każdy krok mojego konia
01:09:44pchanego w lody Berezyny,
01:09:46jak pamiętam nędzę niewoli.
01:09:49A pamięć chwil uroczych, chwil błogiego rozmarzenia,
01:09:53zapału, nadziei, wolności,
01:09:56wieku młodego szczęścia
01:09:59leży splątana jak węzeł w głębi serca.
01:10:03Nie ma już siły rozwinąć się w słowo.
01:10:06Kiedy całą duszą obejmę,
01:10:10posłonię, złączę jakby
01:10:12w jeden uścisk was wszystkich,
01:10:15którzy jesteście moim światem,
01:10:18moją miłością,
01:10:21moją nadzieją,
01:10:24jestem szczęśliwy.
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