Ala je lep ovaj svet Domaci film
Ala je lep ovaj svet Domaci film
Transcript
00:00:00My job is love, yes, and there is really nothing more beautiful than when two people get together in one.
00:00:19Well, there's a lot of work to be done, and a lot of mistakes to be made.
00:00:26Okay, I understand, that's the time, that's the time, everyone is in a hurry somewhere, but not everything can be ideal.
00:00:34Yes, there are some fast lines, fast food, fast this, fast that, and the fights are fast, something breaks and someone leaves.
00:00:44Maybe it's up to me, I don't recognize myself, my wings are broken, maybe because of those failures, because of those various problems I have.
00:00:53I'm a man, I mean, I'm not a man, but I want to say, it's not easy for me, I can't fly, I can't just look and get nervous.
00:01:05I mean, I want to say, I remember that it used to be nicer and better, and my wings were different.
00:01:14Oh, my wings, what kind of wings are those?
00:01:24There are colleagues who criticize my work, I know there are, they say I think too much, that I complicate things, that I...
00:01:43If I make a mistake, in one decimal, everything goes to waste, but I have to tell you something.
00:02:01My methods are very subtle and very, very peaceful.
00:02:08Zdravko, Zdravko, please, just a little patience.
00:02:12I'm doing something important, I'll be quick.
00:02:16Thank you very much.
00:02:18My new super secret project are these two wonderful human examples.
00:02:25Yes, I found them.
00:02:27One is Bata, he is an intellectual, an engineer.
00:02:33Calm down, please, calm down.
00:02:36You see what I'm doing, I told you to be a little more parliamentary.
00:02:42Thank you.
00:02:44In the studio, Bata made a divine short film, really.
00:02:48But since then, like all real artists, he barely survives.
00:02:53This is Bata.
00:02:55And here is Una, a popular TV host, the author of the famous show Walking with the Lion.
00:03:01A tanned, refined soul.
00:03:09It's very hard.
00:03:11Yeah?
00:03:12Yeah.
00:03:13Where did you find those nails, cat?
00:03:16Beauty Castle.
00:03:17I washed them, they're horrible.
00:03:20Where did you find those nails, cat?
00:03:22Beauty Castle.
00:03:23I washed them, they're horrible.
00:03:25I'll tell you, they're terrible.
00:03:27I'll tell you, they're terrible.
00:03:29I love this salad.
00:03:33I think this is awesome.
00:03:41Hey, Meshko.
00:03:42Hey, bravo, little one.
00:03:44Sherwin is top 40.
00:03:4740? Wow.
00:03:49When you're on TV, let me know so we can go to Golden Plate.
00:03:53Okay.
00:03:54Hey, listen.
00:03:56I'm begging you.
00:03:57Say hello to my dad.
00:03:59Okay.
00:04:00I love you, you live in the clouds, little one.
00:04:03I will. Bye-bye.
00:04:05Okay, bye.
00:04:09Meshko is great.
00:04:11But he can't run away from those who keep pulling him in like he's a drill.
00:04:15He's a real jerk.
00:04:19Una, excuse me, can I take a selfie?
00:04:22Of course.
00:04:30Thank you very much.
00:04:31Don't touch me.
00:04:32Yes, yes, it's yours.
00:04:33Thank you.
00:04:34To you, too, girl.
00:04:37Here I am.
00:04:39Excuse me, darling, I need your phone.
00:04:42What's up?
00:04:44You don't have any ugly photos, huh?
00:04:46No.
00:04:47Bitches.
00:04:50They're so boring.
00:04:52Cristina, I'm a real whore.
00:04:55Bitch.
00:04:56I don't believe you.
00:04:57Why not?
00:04:59I don't know, I don't have one, Tosca didn't have one.
00:05:01No, no, no, no, no, no, no, no.
00:05:04What was it, love?
00:05:06Fuck.
00:05:07She heard about the party.
00:05:09No, what are you going to do?
00:05:11I have no idea.
00:05:12I have to find someone quickly.
00:05:14I only have the editing tomorrow.
00:05:15Shit.
00:05:17Fuck.
00:05:23How are we going to find Justin so soon for the show?
00:05:26Fuck.
00:05:31She.
00:05:32Thank you for following me.
00:05:34She.
00:05:35She remembers.
00:05:38She.
00:05:41She.
00:05:42Violet in BFF.
00:05:44My Violet?
00:05:46Yes, the tall Violet.
00:05:48Do you remember?
00:05:49Yes, yes, yes.
00:05:50What a coincidence.
00:05:52She just told me that she was looking for an interview with Bato.
00:05:57Her ex.
00:05:58Do you remember?
00:05:59I'm reading it right now.
00:06:00You know, this guy.
00:06:01I mean, they're not fair.
00:06:03Bato is really a wonderful and good, good man.
00:06:08I mean, take a look at him yourself.
00:06:10Maybe you can call him later.
00:06:12I'm in a hurry to the taxi.
00:06:14Bye.
00:06:15Bye, thank you.
00:06:16You're welcome.
00:06:20Taxi is here.
00:06:23Thank you.
00:06:26As soon as the show at Kolarac ends this year's Vemus.
00:06:33One more news from culture.
00:06:35The premiere of the latest film, Truth, by the editor Zoran Kančić, will be here.
00:06:46VEMUS
00:07:04Bato!
00:07:05Hey, Mamić!
00:07:06Hey!
00:07:07How are you?
00:07:08I'm good, how are you?
00:07:10I'm here for the lion.
00:07:12Aha, here it is.
00:07:14Hey.
00:07:16I'll be back in a minute.
00:07:17Come on, please.
00:07:18Where are you in a hurry?
00:07:20I have some business.
00:07:21Actually, I have a visit.
00:07:23You're always in a hurry.
00:07:24Hey, haven't you seen this?
00:07:25I finished my last picture.
00:07:27I don't have a minute, Vera.
00:07:28Hey, I'll be the most popular at the exhibition.
00:07:31Do you have an exhibition?
00:07:32You don't know?
00:07:33By myself.
00:07:34Where?
00:07:35In Vrčina.
00:07:36Cultural center.
00:07:37Come on, come on, come on.
00:07:38Mama, I can't.
00:07:39You can.
00:07:40Mama.
00:07:41Don't worry.
00:07:45Huh?
00:07:48What Vrčina?
00:07:49This is for the British Museum.
00:07:51Come on, don't be silly.
00:07:53What's the worst?
00:07:54I don't know at all.
00:07:56Hey, Bato!
00:07:57Hey, Žiljan.
00:08:00I'm happy for that exhibition.
00:08:02Really?
00:08:03Yes, my friend is there,
00:08:04the director of the cultural center, Slaviša.
00:08:07He was a moller.
00:08:08But he's great.
00:08:09Great.
00:08:10Hey, take a beer.
00:08:11The other half of the time is starting.
00:08:13Come on, Žiljan.
00:08:14I can't, I'm in a hurry.
00:08:15You're in a hurry.
00:08:16All right.
00:08:17Here it is.
00:08:18Let's go.
00:08:35Money.
00:08:39Sex.
00:08:43Ambition.
00:08:48I'm gonna flex you.
00:09:00Let me see what kind of paprika I made for you.
00:09:03I ate it.
00:09:04Can I?
00:09:05No.
00:09:06No.
00:09:07Why?
00:09:08Because.
00:09:09Come on, next.
00:09:10What did you eat?
00:09:12Salad, dad.
00:09:13Salad?
00:09:14What kind of salad?
00:09:15You should try this paprika.
00:09:17You know how good it is?
00:09:18It's a fresh calf,
00:09:20slaughtered yesterday.
00:09:21My friend sent me pictures from the slaughterhouse.
00:09:23You know how sweet the calf is?
00:09:25You'll lick your fingers.
00:09:26I immediately took three kilos from you.
00:09:28What slaughterhouse?
00:09:30Dad, are you crazy?
00:09:31Don't mention that to me anymore.
00:09:33Can I have this one?
00:09:36And this one.
00:09:37Why can't I see the back?
00:09:39What back?
00:09:40What are we going to do?
00:09:42Take it off.
00:09:43Come on, next.
00:09:44Okay.
00:09:45Give that meat to Justin.
00:09:47I'll give it to the calf.
00:09:50What calf?
00:09:51The calf eats bones.
00:09:53You know, when you cook meat.
00:09:55Give him bones.
00:09:56And for this,
00:09:57call a master.
00:09:58Justin doesn't eat bones.
00:09:59Don't give it to him.
00:10:01What?
00:10:02What are you talking about?
00:10:03What bones?
00:10:04What gifts?
00:10:05You need to concentrate.
00:10:07He has work to do.
00:10:08Don't nag him anymore.
00:10:09Unica, Sveto.
00:10:11Do you know who greeted you?
00:10:13The minister's wife, Mira.
00:10:15Do you remember Mira?
00:10:17Yes.
00:10:18You know, they don't miss
00:10:20any of your shows.
00:10:23You know what?
00:10:24I mean, you could come to us
00:10:25in the ministry one day.
00:10:27They would tear you apart.
00:10:29They would burn you.
00:10:30You know what?
00:10:31They keep asking me.
00:10:32Who does she live with?
00:10:33What does she do?
00:10:34What does she eat?
00:10:35I mean,
00:10:36the people.
00:10:37You know what I told them?
00:10:39I know, Mom.
00:10:40And I said,
00:10:41you know what?
00:10:42I'm not a minister anymore.
00:10:44I'm a secretary.
00:10:45I'm an announcer.
00:10:50I'm a politician.
00:10:58What is that?
00:11:00Yes.
00:11:03How do you like
00:11:06mom's love?
00:11:08Wait a minute.
00:11:09Let me see.
00:11:12Take a little bit.
00:11:13Just a little bit.
00:11:14Okay, Mom.
00:11:15I'll do it in front of the camera.
00:11:16I know.
00:11:17Okay, okay.
00:11:18I know.
00:11:19Beautiful love.
00:11:20Beautiful.
00:11:21What time is it?
00:11:22I have to turn it on.
00:11:23Hurry up.
00:11:30Just a moment.
00:11:33Here it is.
00:11:35Everything is ready.
00:11:37Hi, Aunt Elisaveta.
00:11:38Hello.
00:11:39Thank you.
00:11:40Look,
00:11:41I wanted to tell you something.
00:11:42That rubber band
00:11:43you put on my hair.
00:11:44I gave it to you.
00:11:45It's fine.
00:11:46Yes, it is.
00:11:47Well, it's not.
00:11:48Is it tight?
00:11:49No, it's not.
00:11:50But you know,
00:11:51it's like you're wearing it.
00:11:52Come on,
00:11:53come and take a look.
00:11:54I would, Aunt Elisaveta,
00:11:55but I have to get changed.
00:11:56No, you don't have to.
00:11:57You don't have to.
00:11:58It's okay.
00:11:59I have guests coming.
00:12:00Who's coming?
00:12:01Look,
00:12:02I'll come tomorrow
00:12:03to change it
00:12:04around 9 or 9.20 p.m.
00:12:06Okay,
00:12:07tomorrow.
00:12:08Thank you very much.
00:12:09Thank you, Aunt Elisaveta.
00:12:10You're welcome.
00:12:11Thank you.
00:12:31Hello.
00:12:32When I'm a kid,
00:12:33I always talk about
00:12:34how much I've driven.
00:12:35You're so beautiful.
00:12:36Go to hell,
00:12:37you too.
00:12:38Look who I'm driving.
00:12:40Thank you.
00:12:41Goodbye.
00:12:42Goodbye.
00:12:44Yes, yes,
00:12:45I'm constantly driving.
00:12:46I mean,
00:12:47he's looking for me.
00:12:48The street is great.
00:13:03Yes?
00:13:05Hey, honey.
00:13:09Okay,
00:13:10deal.
00:13:11I'll see you in an hour.
00:13:13Okay, bye.
00:13:14Sorry.
00:13:15It's okay.
00:13:16I'm glad.
00:13:17Una Lazarevic.
00:13:18I know.
00:13:19Svetislav Batakrstic.
00:13:22You're alone,
00:13:23you don't have a cameraman?
00:13:24No, no,
00:13:25I'm filming this part
00:13:26by myself.
00:13:27You didn't notice, did you?
00:13:28No, no,
00:13:29I'm filming this part
00:13:30by myself.
00:13:31You didn't notice, did you?
00:13:32No.
00:13:33I mean,
00:13:34I want to say,
00:13:35no, I didn't notice,
00:13:36it seems like you have
00:13:37a whole team behind you.
00:13:38Excuse me,
00:13:39please,
00:13:40don't stand there.
00:13:41Thank you.
00:13:42There.
00:13:43And,
00:13:44you're free to pass.
00:13:45It's a bit chaotic,
00:13:46but it'll be okay.
00:13:50It's definitely
00:13:51somehow better
00:13:52without a cameraman,
00:13:53people relax more easily,
00:13:54it's more intimate.
00:13:55Of course,
00:13:56when I walk around the city,
00:13:57I have a whole team,
00:13:58they even have a cafe.
00:13:59Ah,
00:14:00the two of you
00:14:01are intimate.
00:14:02Anything to drink?
00:14:04Sake, thank you.
00:14:05Sake, okay.
00:14:06I mean,
00:14:07thank you so much
00:14:08for remembering me,
00:14:09really.
00:14:10Well,
00:14:11you know,
00:14:12I don't even know
00:14:13where I'm from.
00:14:14I want to say,
00:14:15I haven't done anything
00:14:16epic,
00:14:17probably for 15 years
00:14:18since that awarded movie
00:14:19and,
00:14:20well,
00:14:21all that.
00:14:22Do you have a movie?
00:14:25Well, yes.
00:14:26Well,
00:14:27I noticed you today
00:14:28when you called me
00:14:29and when you mentioned awards,
00:14:30that you were thinking
00:14:31about that movie of mine,
00:14:32Metamorphosis.
00:14:33Yes, yes, yes.
00:14:34Can you please
00:14:35put this hood
00:14:37somewhere,
00:14:38but carefully,
00:14:39because I know.
00:14:40Don't worry, I'll be careful.
00:14:43Okay.
00:14:45Well,
00:14:46we'll mention the movie,
00:14:47of course,
00:14:48no problem,
00:14:49but I'm generally interested
00:14:51in,
00:14:52for example,
00:14:53your future plans,
00:14:54you know.
00:14:55So,
00:14:56what are your ambitions,
00:14:57hidden intentions
00:14:58as a young artist?
00:15:01Yes.
00:15:02You know,
00:15:04as far as that movie is concerned,
00:15:06that movie is...
00:15:07Sorry, I'm listening.
00:15:10Hey, baby.
00:15:13No, no, no.
00:15:14I'm working here
00:15:15with a lion.
00:15:16You don't know how to catch him yet.
00:15:18You're ridiculous.
00:15:20Tell me.
00:15:23No celebrity will come tonight.
00:15:24I think it's just
00:15:25opening a cafe,
00:15:26do you understand?
00:15:27But that's why
00:15:28I'm talking to you
00:15:29about Fashion Week.
00:15:30Let's have some fun,
00:15:31let's party.
00:15:33I took your VIP card.
00:15:35Okay.
00:15:36Come on, baby.
00:15:37Bye.
00:15:38Sorry.
00:15:39As far as that movie is concerned...
00:15:40I just need the hoodie,
00:15:41where is it?
00:15:43You can extend it.
00:15:44Okay.
00:15:46You know,
00:15:48I'm not sure
00:15:49what we're going to talk about.
00:15:51I mean,
00:15:52since you didn't watch the movie,
00:15:53I can talk about anything.
00:15:54It's not a problem at all.
00:15:55We just don't know
00:15:56what we're going to talk about.
00:15:57The topic of this week
00:15:58is definitely personality
00:15:59and how it flows.
00:16:00Yes.
00:16:01I mean,
00:16:02I know it seems like
00:16:03an overused topic,
00:16:04but since you know
00:16:05my show,
00:16:06you know I always
00:16:07find an interesting angle.
00:16:08And at the same time,
00:16:09a topic like that
00:16:10is always interesting,
00:16:11isn't it?
00:16:12It is,
00:16:13but I still don't understand
00:16:14why I...
00:16:15I mean, thank you,
00:16:16but you've always done
00:16:17at least what I've seen
00:16:18with some serious faces
00:16:19who are much more famous.
00:16:20Yes, but everyone says
00:16:21that you're very talented
00:16:22and talented.
00:16:23Really?
00:16:24Yes.
00:16:26Come on, let's go.
00:16:27Put that down there.
00:16:28I will.
00:16:29This chair needs to go to me.
00:16:30This one is free.
00:16:31Uh-huh.
00:16:32Okay.
00:16:33Just a moment.
00:16:34So, to you.
00:16:35Uh-huh.
00:16:36No, not that much.
00:16:37Okay.
00:16:38And left.
00:16:39Your left.
00:16:40This is mine.
00:16:41This is yours.
00:16:42No, that's right, sorry.
00:16:43This is your right.
00:16:44Okay.
00:16:45Perfect.
00:16:47There.
00:16:48Bravo.
00:16:49Thank you.
00:16:50Now you're going to say
00:16:51that I planned this
00:16:52brilliantly.
00:16:53And I admit
00:16:54that I called
00:16:55this method
00:16:56a fatal coincidence.
00:16:57I tried it once
00:16:58500 years ago
00:16:59in Verona.
00:17:00The young man
00:17:01was called Romeo,
00:17:02and the girl...
00:17:07Welcome to the show
00:17:08Light walking
00:17:09with the capital lion
00:17:10in the main street.
00:17:11Tonight we're walking
00:17:12with a young film director
00:17:13who is said
00:17:14to be very talented,
00:17:15to have built
00:17:16a personality
00:17:17that is only his,
00:17:18successful,
00:17:19rewarding,
00:17:20to be more comfortable
00:17:21and to know everything.
00:17:22Who is actually
00:17:23Svetozar Vatakrstic?
00:17:24Svetislav.
00:17:25Ah, sorry, please.
00:17:26Vatakrstic, yes,
00:17:27just Svetislav.
00:17:28No, no, I know,
00:17:29but I was confused
00:17:30about something.
00:17:31It happens.
00:17:32Cool.
00:17:33Okay.
00:17:34Welcome to the show
00:17:35Light walking
00:17:36with the capital lion
00:17:37in the main street.
00:17:38Tonight we're walking
00:17:39with a young film director
00:17:40who is said
00:17:41to be very talented,
00:17:42to have built
00:17:43a personality
00:17:44that is only his,
00:17:45successful,
00:17:46rewarding,
00:17:47to be more comfortable
00:17:48and to know everything.
00:17:49Who is actually
00:17:50Svetozar Vatakrstic?
00:17:51Svetozar Vatakrstic,
00:17:52yes,
00:17:53he is a director
00:17:54of the movie
00:17:55Metafora.
00:17:56I'm filming again.
00:17:57I have to interrupt again.
00:17:58Please.
00:17:59Metamorphosis.
00:18:00I don't understand.
00:18:01The movie is called
00:18:02Metamorphosis,
00:18:03not Metafora.
00:18:04Fuck,
00:18:05sorry.
00:18:06No,
00:18:07sorry, please.
00:18:08Actually,
00:18:09originally,
00:18:10it was called
00:18:11Metamorphosis of the spirit.
00:18:12Oh, spooky.
00:18:13It's not spooky now,
00:18:14but...
00:18:15Okay, I'll watch it,
00:18:16it's a must,
00:18:17we have to continue.
00:18:18Okay.
00:18:19It's a mystery
00:18:20Metamorphosis?
00:18:22No, no, name.
00:18:23Svetislav.
00:18:24That's it, bravo, bravo. Yes, yes, I know.
00:18:26OK.
00:18:27Can I?
00:18:28Yes, yes.
00:18:31Last night we walked with a young film director
00:18:33for whom I say he is very talented.
00:18:36More than deservedly awarded for the best film of Metamorphosis.
00:18:40Who is Svetislav Batakrastić?
00:18:46I don't know what I'm telling you.
00:18:48Don't be offended, but I have a general question.
00:18:51Please.
00:18:52If we can start with something more simple.
00:18:55It's just men here.
00:18:56I understand, you're afraid of the camera.
00:18:58No, I'm not afraid of the camera, but...
00:19:00No, no, no, I understand everything, everything is fine.
00:19:02I mean, they are very famous and talented,
00:19:04so it's not completely clear to you.
00:19:06And just one more thing.
00:19:08It's not a horror.
00:19:10In fact, not at all.
00:19:13Just a moment, I prepared a CD for you.
00:19:16Just a second.
00:19:21Just a moment, excuse me.
00:19:22Here it is.
00:19:25Here you go.
00:19:27So...
00:19:28Cute, thank you.
00:19:29You're welcome.
00:19:30So, it's more of a drama.
00:19:32The girl was left without her parents,
00:19:33and then the search for the essence.
00:19:35And in fact, why Metamorphosis?
00:19:37Because the girl adored these parts of Metamorphosis.
00:19:41Especially the story about Icarus and Philemon.
00:19:43And about Bawkid.
00:19:44Bawkid.
00:19:45Great.
00:19:46Okay, let's continue.
00:19:53Welcome to the show,
00:19:54Lagana Shakespeare with the legendary novel,
00:19:56The Little Mermaid.
00:19:58Tonight, we are walking with a young film editor,
00:20:00for whom they say he is very talented,
00:20:02that he has a well-built personality,
00:20:04that he is only successful,
00:20:05more than deservedly awarded
00:20:07for his melodramatic film, Metamorphosis,
00:20:09with elements of horror,
00:20:11which I definitely recommend you to watch,
00:20:13if you haven't already.
00:20:15For this lion, the Belgrade jungle claims
00:20:17that he is more successful and more well-known.
00:20:20Svetislav Batakrstic, tonight.
00:20:26Good evening.
00:20:28I am Svetislav Batakrstic.
00:20:31Tonight, I'm working on a new movie.
00:20:34Nothing special.
00:20:35Okay, let's take a little break.
00:20:38Yes.
00:20:39Let's freshen up a bit,
00:20:41and have a drink.
00:20:44Just a moment.
00:20:49I have some brandy.
00:20:51It's not something,
00:20:52but it's not beer.
00:20:53It's not beer, don't worry.
00:20:54It's beer.
00:20:58Okay, that's it.
00:20:59And tell me,
00:21:00do you always make the entrance to the apartment like this,
00:21:03and then later you walk down the street?
00:21:06I really like that concept,
00:21:07I have to tell you.
00:21:08Yes,
00:21:09this week,
00:21:11it's a special,
00:21:13collage type.
00:21:14I mean, I'll have a lot of guests,
00:21:16so I won't have time to show you everything.
00:21:19So, I'll finish filming here in the apartment,
00:21:21I'm not going for a walk.
00:21:22Okay.
00:21:24Coffee?
00:21:27Yes, a filter, thank you.
00:21:30Unfortunately,
00:21:31I don't have a filter anymore.
00:21:37Here you go.
00:21:39Thanks.
00:21:56Is it necessary?
00:22:01Is it?
00:22:02I say the same thing sometimes.
00:22:05Can I ask you something?
00:22:09Tell me, what is art?
00:22:12Is it
00:22:13popularity,
00:22:16or
00:22:17the ability to create?
00:22:19Yes, that's an interesting question.
00:22:22But,
00:22:23let's be honest,
00:22:24don't all artists dream of being famous?
00:22:29There are a lot of young artists
00:22:32who work very hard,
00:22:34and they are also popular.
00:22:36Let's not forget some actors,
00:22:38Jevtic, Trpkovic,
00:22:40Kandzic's parents.
00:22:41Fuck you!
00:22:42Kandzic, what the fuck did you do to Kandzic?
00:22:45Do you know that I was in the same class as Kandzic?
00:22:47What do you mean?
00:22:48Do you know that I was the best in the class?
00:22:49You don't know.
00:22:50Do you know why you don't know that I was the best?
00:22:52Why?
00:22:53Because this one,
00:22:54give me your hand,
00:22:55this one,
00:22:56this one movie,
00:22:57which I made,
00:22:58which is brilliant,
00:22:59you didn't watch it.
00:23:02Is everything okay?
00:23:03Here you go.
00:23:04I'm sorry.
00:23:05Here you go.
00:23:06So...
00:23:12Technique,
00:23:15in conjunction with tastelessness,
00:23:18is the worst enemy of art.
00:23:21That's it.
00:23:24Okay.
00:23:25I remember...
00:23:27I keep thinking about a sentence
00:23:29my father told me.
00:23:32Sing a song.
00:23:38Just a moment.
00:23:48I came for an autograph for my grandson.
00:23:51A mistake.
00:24:02So...
00:24:04Kierkegaard called me a genius.
00:24:16Do you know that my mother is asking for a thousand dinars today?
00:24:21She gave me a hundred.
00:24:32No!
00:24:36When did you fall in love?
00:24:37When did you fall in love?
00:24:38When did someone fall in love with you for the last time?
00:24:40You don't know.
00:24:42I know.
00:24:50My path is harder.
00:24:55My path is longer.
00:24:58But it's right.
00:24:59I'm going to win.
00:25:01Because I remember...
00:25:03Because I remember what my father said to me before he died.
00:25:09Death
00:25:11is the least feared,
00:25:16whose life is most valuable.
00:25:30Why are you looking at me like that?
00:25:37Do you love me?
00:25:59I love you.
00:26:29I love you.
00:26:42Dad!
00:26:47Stop!
00:26:51What is this?
00:26:55This is Slavlje's fire station.
00:26:57I'm going there.
00:26:58Is this a fire station?
00:26:59Yes, it is.
00:27:00What do you think?
00:27:01I see you have wings.
00:27:03Yes, it's a fire station.
00:27:05You drive, so we can talk.
00:27:07Yes, of course.
00:27:09I'm not going to drive you.
00:27:12This is...
00:27:14Vojvodina, Slavlje 30.
00:27:16Is it possible?
00:27:18What?
00:27:19That's the exact address of my pastor.
00:27:22He's a wonderful guy.
00:27:24Like he's mine.
00:27:25I love him so much.
00:27:26I'm going to call him.
00:27:27You'll see how much I love him.
00:27:30Don't call him.
00:27:31Maybe he's sleeping.
00:27:32No, he's not.
00:27:33He's smoking.
00:27:36Let me tell you.
00:27:37You can't make a phone call while driving.
00:27:39You know that.
00:27:40You're a professional driver.
00:27:43OK, I'll let you go.
00:27:44I know all the curbs here.
00:27:47No problem.
00:27:56Let's go.
00:27:57Let's go.
00:28:24What's the rush?
00:28:25Terrible.
00:28:26Gumal Nazdarevic was injured.
00:28:27Who?
00:28:29Dictator Šejte Slavo.
00:28:30Yes, yes, I know.
00:28:31He almost died.
00:28:32He has serious burns.
00:28:33Thank God.
00:28:34I mean, thank God.
00:28:35He's alive.
00:28:37He had a flat tire.
00:28:38His grandmother died.
00:28:40And that...
00:28:41Svetozar Krstić, they say.
00:28:42He's in the hospital.
00:28:43Who's that now?
00:28:44They say he's in the emergency room.
00:28:46We'll also ask the police inspector,
00:28:49who is also evidently in shock
00:28:51because of this terrible accident
00:28:53where our dear colleague
00:28:55Una Nazarevic was injured.
00:28:57One of her grandmothers died.
00:28:58Please,
00:28:59what's the first assessment
00:29:00and whose responsibility is it?
00:29:02Take it easy.
00:29:04The investigation is progressing well.
00:29:06We already have some information.
00:29:08We'll let you know.
00:29:09Is Svetozar Krstić,
00:29:10according to the vocation of the director,
00:29:12who is most likely to have caused
00:29:14this terrible incident,
00:29:16known to the police?
00:29:18No.
00:29:19He's not known to me at all.
00:29:21I don't know any of his films.
00:29:24A CALL TO THE POLICE
00:29:29I'm off.
00:29:31It's no use.
00:29:32He must have really gone into a coma.
00:29:34Can you please go a little faster?
00:29:35How?
00:29:36Can you go a little faster?
00:29:38No problem.
00:29:44I'm late.
00:29:45Stop here.
00:29:47What?
00:29:48I have to go out here.
00:29:49What do you mean?
00:29:50Well, it's fine. You don't want me to throw it and...
00:29:55That's it.
00:30:00Here you go, Doc.
00:30:01Come on, that's a lot, Doc.
00:30:03It's not, it's not. Just a minute.
00:30:04Thank God.
00:30:06Just a minute.
00:30:13Now, this may look like the situation has gotten a little complicated.
00:30:17But believe me, it's not. I have everything under control.
00:30:20In other words, everything is according to my calculations.
00:30:25Good evening, neighbor.
00:30:27Good evening.
00:30:31At the end of the day, I never said that love is a simple thing.
00:30:35People, in my case, I would put two souls in one.
00:30:39Everything has to go through.
00:30:41As they say, love requires sacrifice.
00:30:47I'm sorry.
00:31:09Although the relatives and friends of the deceased have threatened
00:31:12and were very upset with the man who caused the tragedy,
00:31:15I must add that so far, everything has been civilized in the cemetery.
00:31:19Still, the atmosphere is a little gloomy.
00:31:23With this, we conclude the call from the funeral,
00:31:25and I will contact you again when the time comes to enter the studio.
00:31:30Thank you, Cvrna.
00:31:31This was the report from the funeral.
00:31:34Mr. Jojic, can you tell us a little more about this case?
00:31:37Well, the grandmother, as we know, passed away on the spot,
00:31:40since the ceiling collapsed after the explosion.
00:31:43It's hard to be unlucky.
00:31:44It's really, really, really hard to be unlucky.
00:31:46It's a real happiness that no one got hurt.
00:31:48Well, the grandmother got hurt.
00:31:50No, I mean the grandmother, yes.
00:31:51Our team works day and night to clean up and heal the damage.
00:31:56The city services do their job flawlessly.
00:31:59And how many, exactly, are in the cemetery?
00:32:01Only two.
00:32:02Only two, okay.
00:32:03I mean, that's the apartment where the explosion happened,
00:32:05and the apartment below where the unfortunate grandmother was.
00:32:10Was that an unfortunate case,
00:32:13or was it perhaps an attempted murder of our colleague?
00:32:16We don't know.
00:32:17We don't know, because there is an assumption that it wasn't.
00:32:20Yes.
00:32:21Although I think that in this case there are reasons to believe
00:32:24that it was an attempted murder.
00:32:26That's really, really scary.
00:32:30Hey, you got a picture in the papers again.
00:32:32You really did a good job.
00:32:33This is a picture from your younger days.
00:32:35Well, no, this is something from earlier.
00:32:38Hey, man.
00:32:40Can I ask you for a selfie?
00:32:42No one has told me that I know you.
00:32:44Come on.
00:32:46Come on.
00:32:51What are you doing, you pigs?
00:32:53What are you doing?
00:32:54You're stealing my stuff.
00:32:56I'm not stealing your stuff.
00:32:58I'm not stealing your stuff.
00:33:02Here, that's him.
00:33:04Svetoslav Krstic.
00:33:06Svetislav.
00:33:07That's right.
00:33:08Inspector Drisic, police.
00:33:11You are under arrest on charges of murder and attempted murder.
00:33:17Please, come with us.
00:33:19Inspector.
00:33:22How can I come with you?
00:33:25Dr. Janek, please come to room number 9.
00:33:29Dr. Janek, please come to room number 9.
00:33:31Thank you.
00:33:47Vera.
00:33:49Marica is missing.
00:33:51The only one who was free was on the job.
00:33:53There are a lot of arrests.
00:33:55There are a lot of corruption cases.
00:33:57It doesn't make sense.
00:33:59We're in front of the media.
00:34:03You're not doing anything.
00:34:05You're not doing anything.
00:34:22What happened?
00:34:24A singer was born and she's carrying a baby.
00:34:27What?
00:34:28Turn on the microphone.
00:34:30I'm not a singer.
00:34:32Who recognized us?
00:34:34I didn't recognize you.
00:34:36I know.
00:34:38I know.
00:34:48The whole city was on our heels.
00:34:51The man is not guilty.
00:34:53You really didn't see anything wrong.
00:34:55But I didn't worry.
00:34:57Not even for a moment.
00:34:59I had confidence in our police.
00:35:04Don't touch it.
00:35:08Do you want a cigarette?
00:35:14What are you saying?
00:35:17It happens.
00:35:18Yes, it happens.
00:35:19People die.
00:35:20And grandmothers.
00:35:22What did you say before?
00:35:25I got nervous.
00:35:27Why?
00:35:29It's a very stupid question.
00:35:33When did you convert to Islam?
00:35:38Excuse me?
00:35:40Turn the picture.
00:35:46When did you become a Muslim?
00:35:49This is in Iraq.
00:35:51I know. Where is it?
00:35:53It's a movie. I was the assistant director.
00:35:57Why do you have to be the assistant director in an Iraqi movie?
00:36:01The movie was in Italian.
00:36:05You are with the Italians in Iraq.
00:36:08They chose me. I know the language.
00:36:11Do you know Iraqi? They speak Arabic there.
00:36:14Yes, I know.
00:36:16So you know Arabic.
00:36:18English and Italian.
00:36:23Where did you spend the money on the movie?
00:36:26I bought a Renault 4. It's a low budget movie.
00:36:29Explain.
00:36:31It's a low budget movie.
00:36:34It's a low budget movie.
00:36:36What's the name of the movie?
00:36:38Assassin's Creed.
00:36:40It means the sons of life.
00:36:44The killers of life.
00:36:46It can be translated like that.
00:36:51I haven't seen it.
00:36:53I haven't heard about it.
00:36:55It was on Rai 3 once.
00:36:57And then on Kanal Plus.
00:36:59Yes, yes, yes.
00:37:01What do you mean?
00:37:03We were joking.
00:37:05Enough.
00:37:07Which radical terrorist organization do you belong to?
00:37:10And how many of you are in Belgrade?
00:37:12Speak!
00:37:14Do you want your mother to make you another English tea?
00:37:18No, thank you.
00:37:21Look at these homemade dumplings.
00:37:24It's the best.
00:37:27It's not like this from the store.
00:37:29It will give you strength.
00:37:31Okay, dad, I hear you. I don't know what you're talking about.
00:37:34What are you talking about?
00:37:36The child has to recover.
00:37:38He has to regenerate. It's a terrible stress.
00:37:41What's there to test?
00:37:43He said everything he knew.
00:37:45Everything is clear.
00:37:46What's clear, Branko?
00:37:48That monster.
00:37:50Don't argue.
00:37:52It's clear that there was an explosion because of the child.
00:37:55I know.
00:37:56Whether he did it on purpose or not, that's another story.
00:38:00You know?
00:38:02She has to recover now.
00:38:04I'm sorry.
00:38:18Here you go.
00:38:22Thank you.
00:38:30Good day.
00:38:35Good day.
00:38:37What do you do?
00:38:39I beg your pardon?
00:38:41I'm interested.
00:38:42I'm an editor.
00:38:44What is this?
00:38:46Are you making a TV show?
00:38:48Why are you here?
00:38:50I have to fuck a little girl.
00:38:52That Polish girl.
00:38:53Who?
00:38:54She's in America.
00:38:55Fourty years ago, she had an affair with a boy.
00:38:57Do you think this is a nice world?
00:39:00You seduce girls?
00:39:02Do you know what that is?
00:39:04You want a guy to make a movie to make you a star.
00:39:06That would be a little...
00:39:11What did you do?
00:39:13I made some TV shows.
00:39:18I thought you were a moron.
00:39:21Wait, wait.
00:39:23Aren't you the guy from the newspaper?
00:39:25Who?
00:39:27I see he knows me.
00:39:29You're a dick.
00:39:30Dick.
00:39:31You just shaved.
00:39:33Sit down.
00:39:35I feel great when I sit down.
00:39:36I feel great when I stand.
00:39:37I feel great when I stand.
00:39:38I feel great when I stand.
00:39:39I feel great when I stand.
00:39:42I fear.
00:39:43I fear.
00:39:44I fear.
00:39:53I'm glad you came.
00:39:56There's a delay in the investigation.
00:39:59Yes, but the manager is my fan.
00:40:03He loves the show.
00:40:05I see.
00:40:15How are you?
00:40:19Well, I mean...
00:40:21I have...
00:40:22...wishes.
00:40:24They say I might stay.
00:40:27Okay.
00:40:29And you?
00:40:30Are you okay?
00:40:32I'm great.
00:40:33I'm a bit lost when I talk.
00:40:35But everything will be fine.
00:40:39Thank you for coming.
00:40:41Look...
00:40:44I came to tell you that...
00:40:47...I don't think you should...
00:40:50...mention what happened...
00:40:52...at the hearing.
00:40:54And if any journalist asks you anything...
00:40:57...don't tell anyone what happened between us.
00:41:06Listen...
00:41:07I don't know if you tried to kill us on purpose or not.
00:41:11Because I was sleeping, as you know.
00:41:15I mean, I can't know if you're...
00:41:18...crazy.
00:41:19Straza!
00:41:20I won't testify against you at the hearing.
00:41:23Just don't tell anyone we were sleeping.
00:41:26Straza!
00:41:27Listen, this could ruin my career.
00:41:30And it won't help you at the hearing.
00:41:33Yes, yes.
00:41:35This is not good.
00:41:37They have to meet outside.
00:41:39Not in prison.
00:41:40They have to bump into each other...
00:41:42...in a normal couple.
00:41:44Thank you for coming.
00:41:48It's my fault. Admit it.
00:41:51So...
00:41:52So...
00:41:54I had to change my plan.
00:41:56And I needed a partner for that.
00:41:59Someone sharp, creative, smart...
00:42:02I mean...
00:42:03Someone who thinks fast.
00:42:05Someone like me.
00:42:07Come on, let's go.
00:42:12Come on, man. They knew that.
00:42:15Let's go.
00:42:20Let's go.
00:42:28Good day, colleagues.
00:42:32How are you?
00:42:46Hello, Trisha.
00:42:47Hello, hello.
00:42:49Trisha!
00:42:51We're waiting for you.
00:43:01Are we going?
00:43:02Where?
00:43:03What do you mean?
00:43:04To the meeting.
00:43:06No, I'm going home.
00:43:08Sorry, who were you?
00:43:09What do you mean?
00:43:10Did Pajic tell you?
00:43:12No, why?
00:43:14I'm your new partner.
00:43:17Don't worry.
00:43:19I'll do it myself.
00:43:22Wait!
00:43:24Trisha!
00:43:26Trisha, wait!
00:43:31Don't worry.
00:43:32Why are you angry?
00:43:33I told you not to worry.
00:43:35Tell Pajic to give me my badge back.
00:43:37Wait!
00:43:38It's nice to have a partner.
00:43:40You know, we're having a barbecue,
00:43:42we're going to the winter camp.
00:43:44Why won't you go now?
00:43:46Shut up!
00:43:47Stop running, Trisha!
00:43:50I had a partner once, and never again.
00:43:53Don't call him again.
00:43:55He wasn't afraid of anything.
00:43:57He suffered because of me.
00:44:00I sent him on a mission to the Lipovojska forest.
00:44:04To the Bund.
00:44:06How did you know it was the season of hunting?
00:44:10I can't.
00:44:11I can't tell you that.
00:44:12Never.
00:44:13Wait, let me show you something.
00:44:15Look at this.
00:44:17They found this in the ruins
00:44:19when they were cleaning up the explosion.
00:44:21It's from a bat.
00:44:22He's very talented, you know.
00:44:24He's really good.
00:44:27He didn't shoot an ant.
00:44:29Really.
00:44:30He's completely innocent.
00:44:31Like an angel, believe me.
00:44:33I understand that.
00:44:36Look at the film.
00:44:38Bye.
00:44:43Bye.
00:44:57Žiko!
00:44:58Hey!
00:45:01Žiko, what happened?
00:45:02Calm down.
00:45:03I saw the lawyer.
00:45:05Is he good?
00:45:06The best.
00:45:07The best.
00:45:08The state assigned him.
00:45:09You know, he's the son-in-law of Pajsar.
00:45:12But he's experienced.
00:45:14Of course he is.
00:45:16He graduated last year.
00:45:18I mean, he studied for 8 years.
00:45:20He studied twice a year.
00:45:22He studied everything in detail.
00:45:24He told me everything.
00:45:25Come on, tell me.
00:45:27Here it is.
00:45:28Look.
00:45:29The prosecution.
00:45:30There's no evidence.
00:45:31There's no reason to arrest him.
00:45:34There's no reason.
00:45:35They have the murder from Nehat
00:45:37and the threat of public safety.
00:45:41So, they'll let him go?
00:45:43Well, okay.
00:45:44It's a murder.
00:45:46The old woman was an amateur, but...
00:45:49I mean, she'll have to pay a little.
00:45:52How much?
00:45:53I don't know.
00:45:55A year or two.
00:45:58A maximum of three.
00:46:00Accused Svetislav Mata Krstic
00:46:03for the murder from Nehat
00:46:05guilty.
00:46:08For attempted murder
00:46:10guilty.
00:46:13For the threat of public safety
00:46:15guilty.
00:46:17He is sentenced
00:46:19to 10 years in prison.
00:46:37Oh my God.
00:47:08Come on.
00:47:11What is it, Trish?
00:47:12He won't let me play this movie.
00:47:15What are you doing with it now?
00:47:16It's the end of working hours.
00:47:18I have to see this movie.
00:47:19What movie?
00:47:20This guy Krstic.
00:47:21The director.
00:47:22It's called Metamorphosis.
00:47:23What are you doing with it?
00:47:25It's a long-overdue case.
00:47:28I have some doubts about this guy.
00:47:30I wanted to see this movie.
00:47:32He must be a fool.
00:47:34He only talks about his name.
00:47:36Call Milka, please.
00:47:38Milka!
00:47:39Milka!
00:47:41What is it, Trish?
00:47:42What happened?
00:47:44The computer is broken.
00:47:46The disc is damaged.
00:47:47He won't let me play this movie.
00:47:49Let me see.
00:47:50He will let you play it now.
00:47:52This is a program for that.
00:47:53He didn't want to let you play it.
00:47:54It wasn't a real program.
00:47:55I thought it was.
00:47:56Thank you very much.
00:47:57How did you know?
00:47:58I had the information on the fax.
00:48:00Yes, that's right.
00:48:02I just want to say that the show
00:48:04that was the most watched in the Balkans
00:48:06will be broadcast again.
00:48:09And the woman who wanted to
00:48:11lift the curtain.
00:48:12The woman who wanted to break it.
00:48:15She came.
00:48:16She's here with us again.
00:48:17She's the woman who followed my vision.
00:48:19That woman.
00:48:20That woman is here now.
00:48:21Because they didn't manage to take her away.
00:48:23And the man who detonated her,
00:48:24he's in prison.
00:48:26But we're here in Salome.
00:48:28Meshko Mijatović is in Salome.
00:48:30Meshko Mijatović is in Salome.
00:48:31Just like she is.
00:48:32They wanted to take me away
00:48:33in empty shows and nothing.
00:48:34I'm not wearable.
00:48:36I'm Iron Man of Serbian television.
00:48:38Man.
00:48:39And we're all here.
00:48:40We're all rising from the ashes here.
00:48:42Because we're Phoenixes.
00:48:44We are you.
00:48:46We are you.
00:48:48Dear friends.
00:48:49With us tonight here.
00:48:51The man who owns
00:48:52Latin American television.
00:48:54Senisero TV.
00:48:55The man who is of our origin.
00:48:57Mrs. Domingo Bročić-Nectarina.
00:48:59She's here tonight.
00:49:00Because I want to announce
00:49:02that our television will expand.
00:49:04Many of our shows
00:49:05will go to different countries,
00:49:06different territories,
00:49:07to different continents.
00:49:09Also, for the end,
00:49:11here,
00:49:12dear Una,
00:49:14welcome.
00:49:16Dear Una,
00:49:18welcome.
00:49:20Thank you.
00:49:22Thank you all, really.
00:49:24Oh, baby.
00:49:27Take me away,
00:49:28my little baby.
00:49:54Shh.
00:50:19No.
00:50:24No.
00:50:29More.
00:50:32Wider.
00:50:36I'm on duty tonight.
00:50:38If I hear anything,
00:50:40or I'm bored,
00:50:41there's someone to beat.
00:50:42You understand?
00:50:43Kusturica.
00:50:46Do you remember
00:50:47how you punished
00:50:48the last carpenter?
00:50:49Yes.
00:50:50Which one?
00:50:51Cveleta.
00:50:52Cveleta.
00:50:53Cveleta.
00:50:54That pissed me off.
00:50:56And he was quiet.
00:50:59A bad man.
00:51:02Those who are quiet are the worst.
00:51:24CVELETA
00:51:43Where have you been, Ivan?
00:51:44Hey.
00:51:45Hey.
00:51:46You've got some crazy guys.
00:51:47What?
00:51:48They're going to the cafe.
00:51:49They're all working for you
00:51:51and for Misha and Mila.
00:51:54They're infecting you.
00:51:55They're all alive.
00:51:56You can't live like that.
00:51:57They're telling you
00:51:58that they like you
00:51:59because you're an intellectual like me.
00:52:00That's why they won't let you in.
00:52:01This Misha,
00:52:02he's a bad guy.
00:52:03I don't trust him at all.
00:52:04Misha,
00:52:05get the fuck out of here.
00:52:06You know?
00:52:08And Debeli,
00:52:09he's a moron.
00:52:10I'm not saying I hate him,
00:52:11but he's a real moron.
00:52:12I mean,
00:52:13he's a real moron.
00:52:14I saw his file.
00:52:15Hey.
00:52:16And Daba,
00:52:17he's a moron.
00:52:18But not in terms of intelligence.
00:52:19He's a real moron.
00:52:21He's a moron.
00:52:22He's going to kill everyone
00:52:23who comes here.
00:52:25Let's go.
00:52:26Shut up.
00:52:27No, I won't shut up.
00:52:28Who should I shut up to?
00:52:29Those three morons.
00:52:30They put me here
00:52:31because of cybercrime.
00:52:32Now I'm with Oloj,
00:52:33with criminals,
00:52:34with morons.
00:52:36Morons?
00:52:37Huh?
00:52:38Morons?
00:52:39Now the moron
00:52:40is going to shoot you.
00:52:43Turn that off.
00:52:46Come on, get out.
00:52:47Come on, get out.
00:52:48Get out.
00:52:51You're that detective, right?
00:52:55Maybe he's crazy.
00:52:58Nice girl.
00:53:00I like her when she's quiet.
00:53:03The way she talks.
00:53:06Explain to me
00:53:07how things work here.
00:53:08Everything goes through me.
00:53:10Is that clear?
00:53:12I'm asking you, is it clear?
00:53:13It's clear.
00:53:14Come on then.
00:53:15Come on.
00:53:20Bebo, this is your day, this is all for you, you understand?
00:53:29Come on, move a little here among the people, so they can see you, please.
00:53:33It's a bit dark for me, Lara.
00:53:35Okay, I know, I know, Bebo, but look at Slobodic, our father,
00:53:40what a good ruler he is, because he's like that, you know what he's like.
00:53:44Excuse me, watch the steps, you see?
00:53:47It's really, I mean, it's not metropolitan, but it's a very nice place.
00:53:52Please, come in.
00:53:54Just look, you see how nice it is here, it's really nice.
00:53:58You should organize an exhibition in Paris for her.
00:54:05Of course.
00:54:06That's for the money, the finances are a problem, you know,
00:54:08she has that court process that lasts, and that's how lawyers separate, and so on.
00:54:14But don't mention me, please.
00:54:16She doesn't even remember me.
00:54:18I'm sorry, but believe me, I don't even remember you from the academy.
00:54:23That's normal, I've changed completely.
00:54:26I went to Greece a long time ago, I learned Greek there,
00:54:29ancient Greek, a few more languages,
00:54:31along the way I worked on the beach, serious portraits,
00:54:35I did frescoes, iconography.
00:54:37Do you want to see my works?
00:54:39When we're here.
00:54:40We can, we can.
00:54:41No, no, you don't have to show them to me.
00:54:43This is official.
00:54:45I'm sorry.
00:54:46Here, you see, these are my self-portraits.
00:54:49These are just some of my usual works.
00:54:54And these are my self-portraits.
00:55:01Nado, congratulations.
00:55:03Thank you.
00:55:04This is brilliant.
00:55:07Thank you, thank you.
00:55:08Thank you.
00:55:11Wait, wait, Nado.
00:55:13Don't you recognize me?
00:55:16Zoran?
00:55:18Zoki!
00:55:19Wait, it's not possible.
00:55:22I found out by chance in some irrelevant newspapers.
00:55:26It was so small that I barely saw it.
00:55:28But why is this here, Nado?
00:55:30Is this some medical column?
00:55:32I don't know.
00:55:34My husband arranged it for me.
00:55:37Yes.
00:55:39Are you in Paris?
00:55:40Yes.
00:55:41I've been here for 20 years.
00:55:44I have my own gallery.
00:55:46I'm writing my own critics.
00:55:49It's not bad.
00:55:51And you?
00:55:52How do you live?
00:55:53Do you sell your paintings?
00:55:55Yes, yes.
00:55:58Not really.
00:56:00I sold one.
00:56:01Once?
00:56:02No, in my life.
00:56:04Come on, hurry up!
00:56:10Come on, hurry up!
00:56:12Come on, come on!
00:56:16What do you think?
00:56:17Can I play in a movie?
00:56:19Of course.
00:56:22Fuck him.
00:56:28Do you see the boss over there?
00:56:31Don't turn around, you idiot.
00:56:33What are you looking at?
00:56:35You said to look.
00:56:37I did, fuck him.
00:56:38Fuck you, I'm sorry.
00:56:40Whatever.
00:56:41Cyber will lead you to everything.
00:56:44He has all the data.
00:56:46Yes.
00:56:49And the boss really likes to force everyone new.
00:56:54The only thing I can give you is the truth.
00:56:57Better take it.
00:57:01And what about you?
00:57:07And you?
00:57:08No, no, no.
00:57:09He's a racist.
00:57:10He says he doesn't like gypsies.
00:57:12To be honest, I was a little offended.
00:57:14I won't let anyone discriminate me here.
00:57:19Nice to meet you.
00:57:30I'm sorry.
00:57:36I'm so sorry.
00:57:38Really, really.
00:57:39I've put all of this on you.
00:57:43Do you want Mom to honor you with a silicone operation?
00:57:46We will.
00:57:48What's with you, woman?
00:57:50I won't thank you.
00:57:51You're our star again and you should take care of yourself.
00:57:56I don't know if I want to do it anymore.
00:57:58Wait, dear.
00:58:01What did you say?
00:58:04I said, I don't know if I would still do that show.
00:58:10Are you going to kill me now?
00:58:16Take it, dear.
00:58:28Take it, dear.
00:58:58Where are you, little girl?
00:59:02What is it now?
00:59:05Wait.
00:59:07This is a woman.
00:59:10Oh, brother, brother.
00:59:14Do you have soap?
00:59:17There you go.
00:59:20Do you have soap?
00:59:23Do you have soap?
00:59:25Do you have soap?
00:59:28There you go.
00:59:35Turn your face to the wall.
00:59:38Guard!
00:59:40Guard!
00:59:42When you're on fire, I'm going to hit you first.
00:59:46And then I'm going to...
00:59:52Guard!
00:59:55When you're on fire, I'm going to hit you first.
00:59:59Guard!
01:00:01Guard!
01:00:05Do you see him?
01:00:07Do you see him?
01:00:09Do you see him?
01:00:15He's been punished.
01:00:17Who would have thought?
01:00:20He's crazy.
01:00:21Where is he?
01:00:23In the building.
01:00:25He's got a black belt in Aikido.
01:00:28Really?
01:00:30He told me he was a gypsy.
01:00:52Boss, I have a favor to ask you.
01:00:55What is it, Trišić?
01:00:57I want you to watch a movie.
01:00:59Sure.
01:01:01Some American action movie.
01:01:03Our movie.
01:01:05But it's great.
01:01:07Only if it's a comedy.
01:01:09I'm in the mood.
01:01:11Why do I have to watch it?
01:01:13Just so you can watch it in peace.
01:01:16It's a movie by the director Bate Krstić.
01:01:18What are you doing with this madman?
01:01:21Madman? Easy.
01:01:23A man who was inspired by Andrei Tarkovsky,
01:01:26Miloš Forman, Veljko...
01:01:29Just a second.
01:01:31...Igmar Bergman,
01:01:33and a man who makes movies like this,
01:01:36can't kill on purpose. I'm sure of it.
01:01:39You're crazier than him.
01:01:41I told you not to do it by chance.
01:01:44I'll suspend you.
01:01:45This case is over.
01:01:48Take it.
01:01:51Okay.
01:01:53But you'll be sorry if we find out one day he was innocent.
01:01:56Your innocence
01:01:58killed the worst criminal in prison.
01:02:01I beg your pardon?
01:02:03What are you begging for?
01:02:05For the famous Dabu Kreten,
01:02:07in whom a man became a plant.
01:02:09Here's your fine and clever director.
01:02:13A humanist.
01:02:15Stand up.
01:02:18Come in.
01:02:20Thank you, Krstić.
01:02:22Sit down.
01:02:32I heard that on the set,
01:02:34Destorica was shot down.
01:02:36I heard that the main dealer was Tito from Eastern Europe.
01:02:39Is it possible?
01:02:41Hello, brother.
01:02:43I'm sorry, brother.
01:02:45It's okay.
01:03:08I don't like it up there.
01:03:11Yeah, it doesn't make sense.
01:03:13Debali.
01:03:15Run upstairs.
01:03:22I was thinking the same thing.
01:03:44Hello, Neško.
01:03:46Good afternoon.
01:03:49Hi. You called me.
01:03:52Sit down.
01:04:13Hi.
01:04:44I can't go on like this.
01:04:46I can't go on like this.
01:04:48I can't go on like this.
01:04:50I can't go on like this.
01:04:53I'm helpless.
01:04:56I love you.
01:04:58My life is ruined without you.
01:05:00I can't live without you.
01:05:07Please, use this chance.
01:05:10Please.
01:05:12The last one.
01:05:14Oh, people.
01:05:16I didn't get over the shock.
01:05:18But I knew that Neško would come to his senses.
01:05:21Believe me, he's a gentleman.
01:05:24Please, come here.
01:05:26I'm terribly nervous when you call me Neško.
01:05:28Don't be.
01:05:30I'm telling you, don't be.
01:05:31Do you feel it?
01:05:32Director.
01:05:34I love you, but as a friend.
01:05:38I won't.
01:05:39I won't, I won't, I won't, I won't.
01:05:45I won't give up and do all this just to make love to you.
01:05:48I won't.
01:05:53Of course you won't, because you're married.
01:05:56I can't live without you.
01:05:59I also...
01:06:01I mean, you're...
01:06:03I mean...
01:06:04Wow!
01:06:06It's also very hard for me, but...
01:06:08Because you say you know what true love is,
01:06:10and if you really feel what you feel,
01:06:12then you'll let me go.
01:06:14I'll have to throw you out of the show,
01:06:16because I simply love you so much
01:06:18that I can't watch you.
01:06:20Maybe you should change the channel.
01:06:22I can't, it's my TV, I have to watch it.
01:06:24I can't.
01:06:26Well, okay, then I guess this is because...
01:06:32See you.
01:06:34Fly, my little bird, to the love room.
01:06:37Bye, see you.
01:06:56Listen,
01:06:58we've been thinking, you know.
01:07:00What?
01:07:02Daba is in a coma, he was the boss, you know.
01:07:04We need someone to...
01:07:05lead the prisoners.
01:07:07I mean, to keep the order,
01:07:09to cooperate with the guards,
01:07:11to get the goods over them, you know.
01:07:13They need someone to look after them,
01:07:15to trust them.
01:07:17A man, brother.
01:07:19Yes.
01:07:21So we thought...
01:07:23I also thought...
01:07:25To offer you.
01:07:27Yes.
01:07:29To be the boss.
01:07:31I mean, the two of us, we'd help you with everything.
01:07:32But people, that's not why I...
01:07:34How should I put it?
01:07:48To the right, Dušo, to the right.
01:07:50We were supposed to go in a private plane.
01:07:52Easy, easy.
01:07:54Watch it, watch it.
01:07:56Here, here.
01:07:58Don't worry.
01:08:00Where is that plane?
01:08:02We'll check it out,
01:08:04then they'll load the goods.
01:08:06I know, baby, but where can we check it out?
01:08:08Where are we going now?
01:08:10Zizi, did you watch the plane?
01:08:14You're wonderful, Zizi.
01:08:16But Zoki organized the show for me.
01:08:18Don't worry.
01:08:20Here we are.
01:08:22Why didn't he organize it
01:08:24so we could get in line at the airport
01:08:26when there's a lot of people?
01:08:28Come on, come on.
01:08:30I'll do it.
01:08:33How did this train get here?
01:08:38Oh, my God.
01:08:40You think they don't have whiskey?
01:09:03Where are you, man?
01:09:06Hey, what's up, man?
01:09:16Are you okay, boss?
01:09:18Yeah, I'm fine.
01:09:20What's this?
01:09:22I came for my brother.
01:09:26Really?
01:09:28Did you know him, boss?
01:09:30Shut up.
01:09:33This is the funniest thing
01:09:35I've heard in 25 years.
01:09:38Where is he, boss?
01:09:40Look how nice he is.
01:09:42Shut up, man. Are you crazy?
01:09:44What did you say, man?
01:09:46Come here.
01:09:48Let me go.
01:09:50Listen, man, you're lucky I'm kind-hearted.
01:09:52Otherwise, you'd be like this.
01:09:54No.
01:09:56You'd be like this.
01:09:58Come on.
01:10:00Fuck the library.
01:10:19From the beginning, I had the impression
01:10:21that there was something missing
01:10:23between her and me.
01:10:25Some connection
01:10:27that would help me get to know her better.
01:10:29It was right in front of my eyes.
01:10:31An old, religious film.
01:10:33I failed at that.
01:10:35I mean, I literally failed in her apartment.
01:10:37But legally.
01:10:39Because now I work for the police.
01:10:41And I threw up the disc.
01:10:59We've just heard from our biggest critic,
01:11:24who considers your work
01:11:27as the debut of a new era in art.
01:11:29Do you expect to see this kind of success in Paris?
01:11:35I'm in one hand, and in the other I'm not.
01:11:43How much support will you give to her work?
01:11:48I'm her support, I support her in everything.
01:11:51I'm always the first to tell her that the painting is beautiful.
01:11:55Oh, very pretty.
01:11:57Beautiful, beautiful, yes.
01:11:59I love her.
01:12:01I love her.
01:12:03And here is Jean, the famous patron.
01:12:07Yes, please.
01:12:09Let's go to share your impressions, please.
01:12:13My impressions?
01:12:15Well, if I tell you that I want to buy all the works that are here,
01:12:19it gives you an idea, doesn't it?
01:12:21I hope the artist will accept my offer.
01:12:24I hope so.
01:12:28Zoki, you know that I need money now.
01:12:32You know that my son is in prison and that I have to help him.
01:12:36It's not a coincidence that he killed that old woman.
01:12:39It can happen to anyone.
01:12:41Please, please tell him.
01:12:46I will sell you all the paintings, if you want.
01:12:51I will be grateful to you for that.
01:12:54I'm the one who will thank you.
01:12:57Will a million euros do the trick?
01:13:03Now, when you said it out loud,
01:13:08there is no turning back.
01:13:13Thank you.
01:13:15Come on, come on.
01:13:17Congratulations.
01:13:18Thank you.
01:13:19Where is Bato?
01:13:21Bato!
01:13:22Let Pitbull go.
01:13:23Who is this?
01:13:24Bato!
01:13:25Steva, Pitbull.
01:13:26He arrived yesterday.
01:13:28He sent them away.
01:13:29Sent them away?
01:13:30And the team.
01:13:31Bato!
01:13:32Boss.
01:13:33Yes?
01:13:34Dira is ours.
01:13:35Come on.
01:13:36Come on.
01:13:37Me, me.
01:13:38Bato!
01:13:39Me.
01:13:40Let's go.
01:13:41I go first.
01:13:43Let them go!
01:13:49What is this?
01:13:50What is this gathering?
01:13:51They are going to the elections.
01:13:55What do you want?
01:13:56That's Cava.
01:13:57Who is Cava?
01:13:58That Bato.
01:13:59I am Bato.
01:14:00What?
01:14:01Little pussy.
01:14:02Little pussy.
01:14:03Hit him, boss!
01:14:04Can I?
01:14:05Hit him, boss!
01:14:06Hit him, boss!
01:14:07Can I?
01:14:08Hit him, boss!
01:14:09Let him go!
01:14:10Hit him!
01:14:11Hit him!
01:14:14Let me interrupt a little.
01:14:15Wait.
01:14:16Let's see who will be the boss.
01:14:18Hit him!
01:14:19I will.
01:14:20Give it to me!
01:14:21Give it to me!
01:14:22Hit him, boss!
01:14:26Steva Pit will break him.
01:14:28Steva Pit Bull.
01:14:30That's what I thought.
01:14:33Hey, not that.
01:14:34Not that.
01:14:35Hey, Cava.
01:14:36Hit him!
01:14:37I will.
01:14:38I will.
01:14:39Hit him!
01:14:40Hit him!
01:14:41Hit him!
01:14:42Hit him!
01:14:43Hit him!
01:14:44Hit him!
01:14:46That's what I thought!
01:14:47Hit him!
01:14:48That's what I thought.
01:14:49Let's go.
01:14:51Let's go.
01:14:52Let's go.
01:14:53Let's go.
01:15:15No, man, this is what you turn into, what are you doing to me, now to get you out, I have to design new, some highly sophisticated plans.
01:15:30No, man, this is what you turn into, what are you doing to me, now to get you out, I have to design new, some highly sophisticated plans.
01:16:00No, man, this is what you turn into, what are you doing to me, now to get you out, I have to design new, some highly sophisticated plans.
01:16:30No, man, this is what you turn into, what are you doing to me, now to get you out, I have to design new, some highly sophisticated plans.
01:16:45Tell me what you want, Fucso.
01:16:47I wanted to come months ago, but... I mean, I came a hundred times so far, but...
01:16:59I get to the gate and then I go back.
01:17:02So now I've gathered a little courage and I'd like you to listen to me, please.
01:17:10My life changed completely after our meeting.
01:17:19No, really.
01:17:21Nothing was so strange at all, how we survived that night, you and me.
01:17:26And everything that happened in the meantime.
01:17:31And then I watched your movie.
01:17:35Everything was kind of...
01:17:39...torn apart.
01:17:41You know, everything...
01:17:43Everything kind of broke in front of my eyes.
01:17:46And everything was actually there, all the answers.
01:17:49When the girls from your movie realize that things are happening to them by accident.
01:17:56Well, I thought a lot about why all this happened to me...
01:18:03...exactly with you.
01:18:08Somehow I'm...
01:18:11...different.
01:18:16But in fact, I mean, what I really want to tell you...
01:18:21...is that my movie is the most beautiful and deepest thing I've ever seen in my life.
01:18:28Why don't you watch the movie?
01:18:32Don't worry.
01:18:44Here, look at this.
01:18:46Now, I put them back together, but out of love and courage.
01:18:50Even that word on F, which Bata said, uni, that really wasn't beautiful.
01:18:56But it was his change that was wrong.
01:18:59Really.
01:19:01I wasn't sure if he was acting, or if he was really changing.
01:19:06I had to check it out.
01:19:10That's it.
01:19:18Hey, I'll be here.
01:19:20Hey, hey, hey, you can't knock on the door.
01:19:22I can, you see, I can.
01:19:24Where there's a will, there's a way.
01:19:27Let him in, it's okay.
01:19:29See, let him in.
01:19:33Nice to meet you.
01:19:38I'm new here.
01:19:46I'm not good.
01:19:49But I have to be good.
01:19:53Something's bothering me here.
01:19:55What do you want?
01:19:57Oh, Bata, what are you doing?
01:20:00Oh, Bata, what are you doing?
01:20:04Newcomer, let's get married.
01:20:06No, no, I'll go on my own.
01:20:08Thank you for the hospitality.
01:20:10Thank you for the nice words, and the wisdom, and the advice.
01:20:30You're welcome.
01:20:47Vesic!
01:20:48Yes?
01:20:49Do you work for Folk Narcotic, or are you fucking with me?
01:20:52Of course not.
01:20:53And?
01:20:54Well, it's all crystal clear.
01:20:57I had a little too much cocaine in the tavern, so I skipped it.
01:21:01There's no murder, and there's no connection
01:21:04to the case of Lepko's smoking in Zarkovo.
01:21:07Okay, okay.
01:21:09But I heard you started working on the case of
01:21:12Uninogranjavanje and the murder of a woman.
01:21:14Is that true?
01:21:16No, no.
01:21:17That's not true.
01:21:19It's just that there's something fishy about that case.
01:21:22I just don't believe Bata wanted to kill on purpose.
01:21:25That's not his profile.
01:21:26You can believe whatever you want.
01:21:29That case is over.
01:21:30You have another man's job.
01:21:33That's not his profile.
01:21:36He's a psychiatrist.
01:21:38You watch movies.
01:21:40You're just fucking around here.
01:21:42Enjoy it.
01:21:44It hurts you.
01:21:51I don't know where that came from.
01:21:54Honest words.
01:22:02Good evening.
01:22:03Good evening.
01:22:04I don't know what's left of it, but it's gluten-free.
01:22:08I hear a familiar voice.
01:22:11Good evening, Miss Una.
01:22:13How are you?
01:22:14Good evening.
01:22:15Are you a fan of mine?
01:22:16Thank you.
01:22:17No, thank you.
01:22:18You can't say thank you in the bakery.
01:22:21You can't say that.
01:22:22Come on.
01:22:23I don't eat white flour.
01:22:26Come on.
01:22:27Please.
01:22:28Come on.
01:22:29Aviončić, Aviončić.
01:22:32Aviončić.
01:22:41It's good.
01:22:42I told you.
01:22:49You don't have to buy the whole tray.
01:22:52You're exaggerating.
01:22:54I can give you the recipe.
01:22:56You can make it at home.
01:22:59But I...
01:23:00You know, I don't cook.
01:23:02Well, make a pie for one of your partners.
01:23:05For one of your guys.
01:23:07The path to a man's heart goes over a hundred...
01:23:12Hundreds of miles.
01:23:13Bravo.
01:23:14Excuse me.
01:23:23She's beautiful.
01:23:25She's great.
01:23:26You love her.
01:23:27You're a good man.
01:23:28And you love her.
01:23:30You really love each other.
01:23:34She's a noblewoman.
01:23:36She'll be a beautiful wife and mother.
01:23:38Beautiful.
01:23:39She's beautiful.
01:23:40She's beautiful.
01:23:52She's beautiful.
01:24:22It's good, isn't it?
01:24:24I'm glad you like it.
01:24:25It's a potato recipe.
01:24:27He makes the best pie.
01:24:29There's no yogurt.
01:24:31I know.
01:24:32But I'll bring it next time.
01:24:34Lots of yogurt and lots of pie.
01:24:37I can't take it anymore.
01:24:38Leave it for later.
01:24:40I know it's bad here.
01:24:42It's terrible.
01:24:43I'm just lucky I don't eat it.
01:24:45I'm sorry.
01:24:51What are you doing?
01:24:55I'm looking at you.
01:24:57You're a bit rude.
01:25:00You have a boyfriend?
01:25:01I mean...
01:25:03To help you when you're busy.
01:25:07No.
01:25:09You.
01:25:10Excuse me?
01:25:12I don't mean that.
01:25:13I mean how you spend your time here.
01:25:19Bring yogurt next time.
01:25:37She doesn't love me.
01:25:39She loves me.
01:25:41She doesn't love me.
01:25:42She loves me.
01:25:44She doesn't love me.
01:25:47She doesn't love me.
01:25:48She loves me.
01:25:49She doesn't love me.
01:25:50She loves me.
01:25:51She doesn't love me.
01:25:52Ljubisa, focus.
01:25:53Please.
01:25:55Wait.
01:25:58She loves me.
01:25:59She doesn't love me.
01:26:00She loves me.
01:26:01She doesn't love me.
01:26:03She loves me.
01:26:05Yes.
01:26:12Yes?
01:26:30Good evening.
01:26:31Are you Mr. Kampic?
01:26:34That's me.
01:26:35Mr. Trezic.
01:26:37Police.
01:26:39Let's talk for a second.
01:26:40What happened?
01:26:43Nothing. Why?
01:26:44Man, you're overreacting. You see she's a prime minister.
01:26:47Well, I've read some questions about your colleague, Mata Krstic.
01:26:54Please, some other time.
01:26:56The audience is here, the movie is starting.
01:26:58I have to go now. I'll explain later.
01:27:00Inspector Trišić, police. I need that place. Thank you.
01:27:05Hm?
01:27:08I'm sorry, please.
01:27:11No, it's all right.
01:27:14It's a secret police operation, that's why I have to go now.
01:27:17Don't tell anyone about this.
01:27:19Here. No, hold this.
01:27:22So, how long have you known Bata?
01:27:26I've known Bata since college.
01:27:28You don't need that. Thank you.
01:27:30What was Bata like in college?
01:27:34He was all right. He acted like an intellectual.
01:27:37He was a weirdo.
01:27:39Did he show any aggression?
01:27:41Because some people from the faculty accused him of it,
01:27:44after that accident and explosion.
01:27:46Bats? No, no, not at all.
01:27:50I really don't know why he did that explosion and all that shit.
01:27:54I mean, I'm sorry, but...
01:27:56Actually, if you want my expert opinion, as a director,
01:28:00I think it's a matter of complexity.
01:28:03Definitely.
01:28:05Because that's exactly what he lacked in college.
01:28:07Speed, strength, tenacity, everything my movies have.
01:28:10You saw how I do it at the end.
01:28:12That's what the audience is looking for.
01:28:14Yes, I've seen your movies.
01:28:17You really are incomparable.
01:28:19Well, what can you do? He's talented.
01:28:22Thank you. Nice to meet you.
01:28:24Do you see what I've done?
01:28:26Clever Inspector Trisic has found irrefutable evidence of Bata's innocence,
01:28:31so this new trial could start.
01:28:34And Nadin Million was enough even for a lawyer.
01:28:38Well, the rest of the money, they'll invest it wisely.
01:28:53Well, Nado, what is it now? What are you up to?
01:28:57Well...
01:29:13Well, we're not that rich.
01:29:15What do you mean?
01:29:17I paid for the whole lawyer team.
01:29:19I paid for Bata's apartment.
01:29:21I bought you this car.
01:29:23Well, you paid for Bata's apartment,
01:29:26you bought him a penthouse in Manhattan,
01:29:28you bought him an apartment.
01:29:30Well, this car is a bit more expensive,
01:29:33but you have at least 700,000 left.
01:29:37Now you don't.
01:29:42I gave him an orphanage.
01:29:45I gave him a fund for independent artists.
01:29:47You know how much they suffer.
01:29:49Hey!
01:29:50Why did you leave everything?
01:29:55What will we have?
01:29:57What will we have other than what we have?
01:30:00You shouldn't be happy.
01:30:05You still have a bit of winter tires to take.
01:30:20What do you mean?
01:30:22What do you mean?
01:30:24What do you mean?
01:30:48What am I thinking about?
01:30:51Sleep attack?
01:30:54Sleep attack, sleep attack, sleep attack, sleep attack, sleep attack.
01:31:11My doctor.
01:31:15What are you doing?
01:31:17I'm reading.
01:31:18I'm not reading.
01:31:20You should sleep.
01:31:22Everything is fine.
01:31:24You won't hear anything.
01:31:26I have to go.
01:31:28You won't go.
01:31:34Sleep.
01:31:42Do it!
01:31:46I don't get it.
01:31:48This is like a movie.
01:31:50What movie?
01:31:52I watched it the other day with Sean Penn.
01:31:58Dead Man Walking?
01:31:59Yes, that one.
01:32:01I wouldn't make that comparison.
01:32:04I'm sorry.
01:32:05I'm sorry, please.
01:32:07You should know that everything is ready for the arrival.
01:32:12You can't imagine what a crazy team that is.
01:32:16Dad brought a lot of meat.
01:32:19I don't know, cheese.
01:32:21Everything is homemade.
01:32:23And Žika wanted to bring trubaca.
01:32:30Wait.
01:32:31Wait, wait, wait.
01:32:37Are you available?
01:32:38Yes.
01:32:39Go to the cinema.
01:32:40Žika organized this movie.
01:32:43We need a director.
01:32:45Beluzijanje?
01:32:47Yes.
01:32:48Do you think I want to lock myself in the cinema again?
01:32:53I'm sorry.
01:32:54I'm sorry, please.
01:32:55I completely forgot that the cinema is closed.
01:32:57I'm sorry.
01:32:58Of course, we don't have to go if you don't want to.
01:33:00We'll go.
01:33:01I'm kidding.
01:33:02Don't worry.
01:33:05Why did you shorten it so much?
01:33:07It's the new director.
01:33:11I can't hear you.
01:33:12You can't hear me because of the cut here.
01:33:14I think I love you.
01:33:18I can't hear you.
01:33:21I think I love you.
01:33:25Let's go.
01:33:48I love you.
01:33:55Bravo, boss.
01:33:56What's up, boss?
01:33:58I'm glad you're leaving.
01:34:00Shut up, idiot.
01:34:02Congratulations.
01:34:04Freedom.
01:34:05Bravo.
01:34:07Boss, congratulations on the situation.
01:34:09Who's going to give us a job now?
01:34:11Exactly on time.
01:34:12Don't worry about anything.
01:34:14We'll never let you down.
01:34:15Thank you, boss.
01:34:16Let's go.
01:34:17Hurry up.
01:34:27Hurry up.
01:34:28Let's go.
01:34:46Let's go.
01:35:05This job isn't bad.
01:35:08It's exciting.
01:35:10It's like a movie.
01:35:13Like a movie?
01:35:14Why did your wife leave you?
01:35:17I don't want to talk about it.
01:35:21You can't.
01:35:22She's upset because I'm often away from home.
01:35:25That's my job.
01:35:26What can I do?
01:35:27You really can't talk about it if it upsets you.
01:35:30You really can't.
01:35:31But I wanted to...
01:35:33We have kids.
01:35:34At least two or three.
01:35:36At least we'll get the third one.
01:35:37She says one is surviving and the other two.
01:35:40I don't know.
01:35:41Let it go.
01:35:43Oh, my God.
01:35:46Don't smoke.
01:35:48You'll burn everything.
01:35:51I don't care.
01:35:52I don't have anything left.
01:35:54Don't say that.
01:35:56How can you say you don't have anything left?
01:35:59Everything can be fixed.
01:36:00It's marriage.
01:36:02Marriage.
01:36:05She's...
01:36:07She's in love with you.
01:36:11More than you think.
01:36:15What are you talking about?
01:36:17Your heart.
01:36:19Your love.
01:36:20Look at her and your father.
01:36:23They were all against her.
01:36:25Now, as soon as your father gets out of prison,
01:36:28they'll get married.
01:36:30I just hope your father survives.
01:36:32What? Marriage?
01:36:34Well, I was thinking about prison.
01:36:37He was going to get married.
01:36:39I have a feeling he's getting ready to get married.
01:36:42I tried to take some measures to...
01:36:46Dubisa!
01:37:04Dubisa!
01:37:18Milena!
01:37:21Where are you from?
01:37:22There was a terrible danger over Batum.
01:37:25And I rushed like a monkey.
01:37:29A little bit of the last card.
01:37:31Four.
01:37:34When is the boss coming?
01:37:35Boss, when are you leaving?
01:37:38You'll wake him up.
01:37:39He's leaving early in the morning.
01:37:41Come on, one.
01:37:42Hearts.
01:37:43Cards.
01:37:45I'm just getting started.
01:37:47How many times do I have to tell you?
01:37:48I know, you can't be a gendarme.
01:37:59Every second was important.
01:38:01And I realized I had to fly.
01:38:03And I tried, but it didn't work.
01:38:06I couldn't.
01:38:20I tried to fly, but I just couldn't.
01:38:23And then I ran.
01:38:24And I'm running like this.
01:38:26That's why I have a big hump.
01:38:29And there were some other things, but I'll tell you about that later.
01:38:33Now we have to get ready.
01:38:35What was it, Dubisa?
01:38:37I'll tell you about that later.
01:38:40Why are you so eager?
01:38:42We have to get ready.
01:38:43Did you make it on time?
01:38:45Yes, I did.
01:38:47I made it on time for all of you.
01:38:49And for Vasička, and for Mrs. Stanković.
01:38:52But I'll tell you about that later.
01:38:54Come on, let's get ready.
01:38:58Let's go.
01:38:59Thank you.
01:39:25I feel like I'm in a park.
01:39:28I feel like...
01:39:34I love songs.
01:39:35I'm sure you do.
01:39:49I'm excited.
01:39:57I feel like I'm in a park.
01:40:28I feel like I'm in a park.
01:40:40I feel like I'm in a park.
01:40:58I feel, I feel, I feel like I'm in a park.
01:41:05I feel, I feel, I feel like I'm in a park.
01:41:13I feel like I'm in a park.
01:41:20Oh, I say.
01:41:23Oh, I am free.